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#depending on the time frame you could also get some great villain POVs
imnotadogiswear · 11 months
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There aren’t nearly enough fics where Alex and MI6’s actions are exposed to the world. Think of the potential! The reactions! The politics! The d r a m a
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toddandersvn · 4 years
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wuh oh i’m being a nerd on main again!
it’s well known that besse is a master of his art and sana’s trailer showed to be no different. I was left baffled and fascinated by it, so i analyzed the skamit season 4 trailer almost frame by frame and here is what i came up with (also i guess this is my entry for @skamitaliafandomevents week two day one: predictions a very late entry please forgive me i rly wanted to do this before the season started) 
also i just enjoy doing these i’m not a film student so i might be completely wrong so if you want to correct me or add anything please do:))
everything is under the cut... enter at your own risk;)
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In this scene we can see a green backlit Sana on a phone call saying that she is italian as well. Green can be used to symbolize envy and/or jealousy, which in this case could be interpreted as Sana’s wish to be considered italian, and her “jealousy” of whoever is on the other side of that phone call for fitting in. Jealousy is in quotes because the backlighting can also suggest that it’s in the back of her head, not really apparent to others and even maybe to her. Green also has a history of being used to represent evil in Disney villains (evil step-mother’s eyes in Cinderella, Scar’s cove in Lion King, Dr. Facilier’s spirits in The Princess and The Frog and many more). If we take this scene from the point of view of the other person of the phone call, Sana could be seen as a villain due to stereotypes against muslims and the anger in Sana’s voice.
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In the trailer, this scene was cut in two (well three, but one doesn’t really matter here), but if we watch the trailer in .25x speed like a maniac you can see that they probably fit together. In the first shot we see a blue backlit Sana hiding in a bathroom praying. Blue is usually used to show sadness and pensiveness, and as i said above, the backlit can represent the back of her mind, or her neglecting it, hiding how she truly feels. Knowing the background/back story for this clip, which i can only imagine is the clip at the end of the first episode, she is hiding from everyone at the party to prey, and this physical hiding can be used to emphasize emotional hiding.
The next moment in that clip is the camera panning from the blue backlit scene to an orange frontlit scene, which emphasizes contrast as orange and blue are two complementary colours. Orange is used to show interest and optimism, which can be how she feels towards Malik, which leads me to think the shadow we see could be him. However, it can also symbolize vigilance, which can also be her feelings towards the couple making out and bursting in, if besse follows the original storyline.
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Sana is looking longingly at Malik surrounded by grass, which is a lighter, warm green that can represent admiration, trust and acceptance. She is staring at him from a distance, which is a very passive way of acting, staying in the shadows, in her black outfit which is a symbol for modesty in islam, basically she is keeping her feelings for herself. Another colour important in islam and relevant to his scene as well is green. Green in islam symbolizes paradise, which Malik just so happens to be surrounded by…. i see you Sana, i do, you can’t fool me
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Le matte are by the canal trying to cheer Sana up, in a very cool toned scene. Cool tones can represent sadness and or detachment, which Sana is probably feeling at this point towards the girl squad or herself, given that they are trying to cheer Sana up. Them comforting with a rather cool toned scene can indicate this scene is either pre-falling out or a reconciliation scene.
What stood up for me in the trailer is the drastic contrast between when Sana is alone or with Malik with very warm and loving tones, and when she is with the girl squad with rather cool tones. This reinforces and supports Sana’s feelings of feeling like she doesn’t belong, or has to tone down who she is in order to be friends with them.
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This scene is airy and light, which represents pure and heartfelt feelings and peace. Both characters are smiling at each other, which only emphasizes these assumptions. The next shot is in the kitchen that can imply domesticity and comfort, as well as the blue tones from the hijab and walls that represent pensiveness and shyness. It passes the vibe check.
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In this scene Sana is wearing a warm yellow hijab that can represent serenity and joy. This particularly stands out from the black one we are used to see her wear and have seen her wear around Malik earlier. She is in a greenhouse surrounded by nature, the green of admiration and growth but also the green of paradise. She is also surrounded by windows that can indicate she has moved to an active way of acting, instead of staring from a distance. This assumption is supported by her waving at Malik through the window. She is letting herself go through the mortifying ordeal of being known, which is a huge change from her usual secretive self and first few dark shots of the trailer.
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Here Besse used a wide angle lens most likely to show the surroundings, or lackthereof, of the two characters. Both of them are alone and isolated together. At this moment in time, there are no outside factors matter, it is just them and their thoughts. i imagine this is the scene when malik tells Sana about the nico x mikael kiss, which is a very pivotal chapter point in the season and it is important to show them alone and Sana having to “reset” her thoughts.
Again, they are surrounded by green/lime: trust and acceptance, which links to the talk they are having with malik choosing accpetance> religion and stopping believing in Allah.
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When her and her friends are sitting on the couch, they are mostly dressed in blue, all looking awkward/embarrassed. It is possible that it is sadness/grief from them having to share the house in Mykonos, as the audio over that scene suggests, but then again it could also just be from the two characters we can see on the mirror kissing. I’m obsessed and i watched and rewatched and i’m almost 100% sure the girl is Covitti, which by elimination process lets me think the guy is Canecoso, which justifies the awkwardness on Eva and Silvia’s face.
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When Sana is on her bed calling Ele, she is leaning against her green wall, but looking towards a warm orange light. This can be seen as many things related to her finally accepting her feelings for malik. She can move from the shadows to the light (from staring longingly to actually talking to him), moving from a passive to an active way of acting (like going to see him with her yellow hijab) and lastly moving from green jealousy to orange happiness. All of these clues lead me to think this clip happens before the greenhouse house clip. POETIC F*CKING CINEMA I COULD COLLAPSE
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I’m assuming this is the karaoke equivalent party, because of the way it is lit. If it is, it would be the party where both of Sana’s worlds (her brother & friends and her school friends) meet. We can see some scenes of clashing in the trailer, however having the scene lit up with red and green, two complementary (opposite on the colour wheel) colours, it prepares the audience  for a contrast. It can be a contrast of feelings, but in this case i’m lead to think it’s of background, and probably ideas as well, if it follows the OG. A justification of the use of green and red could be the feelings associated with each colour, like red with anger/annoyance and red with surprise. I won’t spoon feed you and tell you why but you get it.
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In this scene, we see Sana and Malik in a street with a lit up red cross in the background. It can be seen as reference to Romeo + Juliet by Baz Luhrmann, but also as a reference to the OG with the OHN. In the OG, isak is running away from a blue cross, running away from the sadness he’d been feeling for the past days and weeks, which is a contrast both in colour, direction and pace to Sana walking with Malik towards a red cross, walking towards romance.  It is for that reason i think this will be their date scene towards the end of the season. Also, they are walking and not running which can symbolize them taking it slow, and deciding to be friends again before anything else. It looks like the cross is also moving towards them as well, which can symbolize a middle ground/finding a balance between her religion and her country’s religion. Besse you magnificent bastard i love you, vibe check passed.
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Sana is submerging herself in a pool, with oddly very blue water. This oddly blue water matching her burking makes the colour stand out and can highlight its importance in the scene. Blue can symbolize shyness, it can symbolize peace, stability, and tranquility, depending on the shade and hue, but in this case this turquoise signifies the latter. She is letting herself float in it, bathing and soaking it in, and her face is at peace, which only strengthens my assumptions that this clip happens towards the end once everything is almost resolved.
And that’s all i came up with. I also think that the beach clips will be the last episode and they will all be from different povs, but that’s just wishful thinking at this point i’m sure. These are all obviously theories, however i think it is fascinating how Besse chose so many different colours as well as different way of lighting the scene to convey Sana’s emotions and feelings at different moments of the seasons. I am probably a clown about most of it but that’s just part of the skam experience, but either way i am very hyped to see the master at it again!
i’m repeating it here again, but if you have things to add or further questions please let me know i’d be more than happy to read what you have to say!🌻 that’s all have a great day:))
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secretlyatargaryen · 4 years
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Don't respond if you don't like talking about specific/individual ppl or are irritated by such asks, if so I apologize. So do you have any thoughts on the Tyrion narratives put forth by content creators like PoorQuentyn/BryndenBfish? I know u wrote on Brynden's "monster" piece, but I searched Tyrion/Tysha on twitter and have followed other NotACast Tyrion discussion,and it all seems to be aimed at framing him villainously,and since they're influencers, it sets the tone for all Tyrion discussion.
I do want to answer this question, but I don’t want to start discourse directed at any specific person so I thought about blacking out the names. But as you said, I’ve responded to these specific people before and written my own counter-meta so it’s no secret what I think about their theories. And they do have influence in the fandom and this interpretation of Tyrion is a popular one so it’s not like I’m dog-piling on a small minority by making a different argument. And you’re right about it setting a tone, and I think we need to be aware of the tone we’re setting when it comes to a visibly disabled character like Tyrion, and I think a lot of people aren’t aware of this or refuse to be sensitive to it. It’s better than it used to be but the ableism in this fandom is still shockingly bad. I mean, I saw a post recently calling Tyrion the “most vile” character in the books. Really? That vile dwarf, amirite?
I will say first of all that any argument for Tyrion’s villainy that claims him as “the monster he was told he was” or any iteration of that phrase should be dismissed outright on the grounds of gross ableism. Even if Tyrion ended up as the biggest villain of the series, he would not be the monster he was always told he was because he was told that because of ableism, by a society that thinks that disabled people are less than human, and that is fundamentally wrong.
I know we use the word “monster” in a moral sense, to describe a person who does acts that we consider so heinous that they seem inhuman, but not only is that fundamentally wrong - because even people who commit horrible acts are still human, despite what is comforting to think - but there’s a connotation of ableism there even without taking into account how it’s used in the text to demonize Tyrion, and used by his family and others to justify abusing him.
Like, if I can go on a tangent for a second, I started thinking about this when I used to be a big “Dexter” fan, before I’d ever read asoiaf or seen an episode of GOT. Dexter is a ridiculous show and not very good (but I love it), and it suffers from the same problems that a lot of villain discourse in fandom revolves around. Dexter is a bad guy but in the context of the show, he is a hero. Dexter, the character, often calls himself a monster in the show, and yeah, he’s reprehensible. He’s a serial killer whose one redeeming quality is that he kills other killers. He’s more reprehensible in the books and the earlier seasons before the show got too in love with the idea of him as the good guy, but even before that, I started noticing something really interesting. The ways that Dexter refers to himself as a monster have less to do with his serial killing habits and more to do with how he is mentally different than others. I don’t mean in the “sociopathic” sense, either, because early Dexter would talk about himself in ways that are recognizable to a lot of neuroatypical people. Dexter talks about pretending to be a real person and not a monster the way that my college roommate and I would talk about pretending to be real people when we would work up the spoons to go out to a party.
After I realized this, I began to be really uncomfortable every time I heard the word “monster” on the news, used to describe some person who’d committed some terrible crime. I get why people use this word, because, as I said above, it’s comforting to distance these sorts of people - rapists, murderers - from humanity, to pretend they’re inhuman. I’m not asking anyone to find the humanity in a rapist. I’m not saying that disabled people are just like serial killers. What I AM saying, though, is that using the word “monster” to describe a canonically disabled character who, throughout his life and throughout the series, has suffered horrible abuse because of ableism, carries a lot of unfortunate implications. We use this word to distance humans from their humanity. Tywin and Cersei also use this distancing language to justify poor treatment of Tyrion. He’s not Cersei’s brother, he’s not Tywin’s and Joanna’s son, he’s a monster. The slavers use it to refer to the slaves in Yezzen’s menagerie, which includes disabled people and an intersex person. And we should all know that the best way to justify enslaving and abusing others is to dehumanize them. Don’t call Tyrion a monster. Don’t.
The same thing needs to be said about arguments that use Tyrion/Tysha as evidence for Tyrion’s villainy. I’ve written extensively about this and I’m not going to argue with anyone on whether Tyrion should be blamed for what happened there, because he was a child being sexually abused by a parent and any attempts to retroactively assign blame or link this to theories about Tyrion’s future villainy is completely and absolutely wrong.
Now, as far as what I have to say about the narrative that Tyrion is a villain / will be by the end of the series? That depends on a lot of things, and one of them is what we mean when we say a character is a villain.
A lot of people, when they talk about this, are of course talking about the theory that Tyrion will somehow lead Dany astray and manipulate her into blowing up King’s Landing. Unless you’re one of those weirdo people who also think Dany is a villain, but that’s a whole different story and I don’t feel the need to address that because it’s complete nonsense. Anyway.
But here’s the thing. In asoiaf there’s multiple conflicts in every POV narrative, and in Tyrion’s story here’s what I see as the two major big ones: the internal conflict, Tyrion vs himself and his desire to prove that he is not a monster / his desiire for goodness / love / acceptance; and the external conflict, the more immediate of which is Tyrion getting back to Westeros / whatever role he plays in the war of five kinds / whatever role he plays in the song of ice and fire / the conflict with the others.
The things that people often cite as making Tyrion villainous are personal villainies. They’re part of the internal conflict. And in this conflict, Tyrion himself is his own villain. GRRM says that killing Shae is “the great crime of his soul” (and I would also add raping the woman in Selhorys) and those are part of Tyrion’s internal conflict because their role in the narrative is the effect they have on Tyrion mentally. I don’t mean that what happened to these women isn’t important, but from a narrative perspective, they are important for how what happens to them affects Tyrion. Now, we could talk about how that’s problematic, but it’s problematic from a narrative perspective, and that should be lain at the author’s feet. And the problematic aspect of it is that it’s NOT there to make Tyrion a villain. It’s there to provide conflict for Tyrion’s internal struggle, which he will need to resolve in order to participate in the external conflict. I think that’s the real reason why some fans hate Tyrion, but I wish we could be honest about that instead of pretending the author intends him to be a villain, because that’s just not how Tyrion is written.
Now, when I say the internal conflict has to be resolved, I don’t necessarily mean that it will be solved, or resolved in a good way. I think it would be like GRRM to have Tyrion play a major part in saving all of humanity and still be terrible on a personal level, but I don’t think that’s where he’s going with Tyrion either. I mean, in the latter half of ADWD he has Tyrion say things like this:
An honest kiss, a little kindness, everyone deserves that much, however big or small.
Which is…just not the statement of a character who is being written as a villain. If GRRM were writing Tyrion as becoming a villain in Dance it would be a gradual progression to more and more villainy. Instead he has Tyrion vacillate between depression, apathy, and cruelty and kindness and heroism. In fandom spaces we used to call this Heroic BSoD, Joseph Campbell called it The Innermost Cave. This is the part in the story where you don’t want to hear the end, Mr. Frodo, because how can the end be good, after all that bad has happened?
…You get the idea. GRRM is darker and grittier, and we can argue about whether he goes too far, especially when it comes to his unfortunate habit of fridging female characters, but that’s a different issue.
So, my thoughts on whether I think Tyrion will cause Dany to blow up King’s Landing? I mean, I don’t necessarily think it unlikely for GRRM to go that route, but if he does it won’t be that simple. Like I said, there’s a difference between the internal, personal conflict in Tyrion’s narrative and the external, wider conflict that is going to come to the fore in the next two books. Will Tyrion try and convince Dany to blow up King’s Landing because of his own desire for revenge on his family / the city that turned on him / people in general? Maybe, but that won’t be his only motivation, and Dany isn’t going to be his hapless puppet. If that happens, here’s how I see it: I think Tyrion, when he finally meets Dany and sees the dragons, is going to buy into what she is selling. Yes, Tyrion is incredibly cynical about Dany, but he’s also intrigued and even a little hopeful, and there’s also that inner part of him that’s going to be all “dragonsdragonsdragonsDRAGONSGDSDrasfGonSSDRGRRAGONSS.” So if he has a hand in getting Dany to torch the city, it will be because he actually thinks it’s necessary or that it’s an acceptable sacrifice for the world Dany wants to create (a world where even a dwarf can look down upon the world on the back of a dragon) with maybe a side helping of revenge because here’s Dany, the rightful heir to the throne, who wants to make the world a better place and who trusts and values him, and here’s the city full of corrupt people who hate him, who almost executed him for something he didn’t do. Tyrion’s crime there might be convincing himself that it’s an acceptable sacrifice to make, for the greater good, but that’s not that different than decisions many of the rulers in the books have made, and that’s a scenario in which he, Dany, and anyone else at play are equally culpable, and a far cry from the theories about how he’s going to be the villain leading Dany astray. GRRM is too good of a character writer to pull anything else with one of his major POVs, especially not his favorite who he has often stated is “the grayest of the gray.”
It would also be like GRRM to have Tyrion commit war crimes and still save all of humanity on the back of a dragon as his final act of love, resolving the internal conflict once and for all. I have problems with this too, because I find it incredibly uncomfortable for a disabled character whose narrative deals so personally with a desire for love end with him dying in a selfless act of sacrifice / have some kind of epiphany about how his desire to receive love on a personal scale is not important. I go back and forth, but really, the only thing I’m sure about is that GRRM is not going to make it so easy for us to categorize Tyrion in the end.
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smallcowplant · 4 years
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Hi! I'm sorry to bother you with writing advice but, I know that some of your projects take place in like, universes that aren't our own and I was wondering if you could give me some advice on how not to info dump about the world and how it works, bc I find myself doing that and I feel like it would be very confusing for the reader. Thank you!
Hello! You’re absolutely not bothering me, don’t worry! I love talking about writing!
A little bit of a preface: 
At the moment, the only project I’m working on that takes place in an alternate universe is Jinx (and I suppose TSS kind of does, but it’s very much more real-world). And perhaps, this sci-fi story I have bubbling in my head. But that’s a conversation for another day.
I don’t ever really go Full Fantasy (mostly bc I really don’t like writing in that genre lol), I just take fantasy elements and adapt them into a reality that is very similar to ours!
I remember reading something in a Rainbow Rowell book about the character putting on makeup for the first time: “she looked like herself, but with the volume turned up” or something along those lines….and for whatever reason that really stuck with me. My worlds ARE our worlds….just with the volume turned up. (Take that to mean that I build my worlds off of the reality we exist in, just adding in fantastical elements.)
Btw, I’m writing this as if you’re asking me about a sims-based story, so I apologize if it’s not 100% accurate to you!
EDIT: THIS TURNED INTO A GENERAL RAMBLE ABOUT WRITING/STORYTELLING IN GENERAL BC I AM RIDICULOUS AND ONCE U GET ME STARTED I CAN’T STOP I’M SORRY
Personally, I’ve noticed that taking away writing that is separate from the pictures (i.e. NOT writing an extended caption under the screenshots) has REALLY helped me stray away from info-dumping. 
Relying solely on the captions on my screenshots has forced me to truly pay attention to how I’m framing a scene! I think my brain switched between writing for a drabble/a book to writing as if I was making the screenplay for a tv/film! 
Tumblr is an inherently visual platform, just like film or television, so focusing on the visuals instead of long descriptions works better for me. A lot can be conveyed by facial expressions/angles—-framing your character as significantly smaller compared to something else can convey the vastness of the problem/how alone they feel, framing them as staring up at something skewed can suggest that the thing puts them off-kilter, cutting back to character reactions (without words) can quietly show the audience how each character is feeling.
But anyway……
This also really depends on the POV of the character(/s) you’re telling the story through. 
Is this a Call to Adventure/Hero’s Journey-type story? Where your character(/s) are thrust into a new world/journey that they know nothing about?
If so, consider
Is your character an outsider/transplant to this world? Like, did they fall through a portal/through the pages of a book/stumble into this realm unwittingly? 
Or are they an insider to the world….have they lived in this world their whole life, only to discover something earth-shattering about their status quo that NEEDS to change (take down a big bad/search for their identity independent of their previous role/etc.)?
This will greatly impact how you share information with readers. 
If your character is new to the world, there will probably be your fair-share of Harry Potter in Diagon Alley-esque scenes, where your character stares open-mouthed at the world and ask a ton of questions to their guide. 
If your character is part of the world, they probably have a good grasp on what the world is like/what’s going on. They will know things the reader does not, and will start off with different motivations and ideas than the hapless newcomer. 
I think that it’s good for YOU as a writer to know your world inside-and-out, but your audience doesn’t necessarily need to be the same (at least, at first). 
Plant breadcrumbs through scenes—-a comment here, a poster/paper there, an action here—-that show your reader things about the world…..you want there to be curiosity with your readers….how does this work? Where did this come from? Why is this the way it is? Those are questions that build interest, and they are the ones you, as a writer, MUST have answers to (even if you don’t share that info fully).
Side-note, but I’m a big proponent in my stories for SCENES TO MATTER. 
If I feature a scene in my stories, it HAS to matter for the bigger picture. 
They have to function as plot/story-driving scenes. That doesn’t mean that they all have to be fast-paced, action/heavy scenes. 
A lot of the scenes I like to write are intimate, casual conversations between characters or small, introspective views of character’s daily lives. A scene with two characters talking can bridge the gap between intense/plot-heavy scenes AND reveal valuable information to your readers. 
A good slow-paced scene:
Tells us something new about a character/characters.
Reveals something about the world.
Builds a relationship/dynamic with the characters/world they live in.
A bad slow-paced scene:
Rips us out of the story only to have the character(/s) state something that we already know/waste time. (I used to have PLENTY of these scenes in my old sim-stories. The character would wander away from the excruciatingly slow-moving plot to comment that they were lonely/confused/scared…and those scenes didn’t add anything, lol. They just sat there, like a boring journal entry where all you do is go to the grocery store and take a nap.) 
Is one that you could completely omit from the story and nothing of value would be lost. 
Basically, if you find yourself having characters fuck off away from the plot just to state the obvious/describe the situation to us….cut it. You can convey emotions/problems through scenes/dialogue without having to be tedious!
Think of IRL conversations and how they work—-you may have a couple occasions where friends/acquaintances catch you up on drama/information, but they usually don’t dump EVERY person’s name/motivations/relationships. Think….what do your characters know? What do they not know? How do certain characters view each other/the world? How would they communicate that?
The great thing about storytelling is that you aren’t trapped into only showing what your characters know—-you can cut to a scene completely divorced from their POV (i.e. the villain/another world/etc.) and give that perspective to the audience. 
Just keep a tab on what 1) you know as the writer, 2) what your audience knows and 3) what your character knows. These are most likely all different things. You’re the Dungeon Master, baby! You hold all the cards and you know all! (You can use this to sow doubt/drop foreshadowing unbeknownst to your audience/be selective with what you show!)
tl;dr: focus on understanding your plot/plotting in general—-once you know what you’re going for, you can trim the fat. be selective with what you show/what your audience see’s. try to treat your creation like it’s real—for example: on Earth, how does humankind function? what are the rules/status quo/known truths? what are the anomalies/oddities? apply that to your story. don’t dedicate entire scenes to explaining the world your characters are in—–SHOW us (whether in visuals/interactions/dialogue), don’t TELL us outright. your audience is smart, and they can put things together over the course of the story. if your world has rules, remember them. they don’t need to be outright stated, but if certain things are not possible, communicate that through actions in the story. 
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mysterylover123 · 5 years
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My thoughts on Izu/Ocha: Meta
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cue frustrated shipper screams
by mysterylover123
At the end of the day, irrespective of any shipping wars, I just want HeroAca to have a good ending. Many manga/anime/franchises have been utterly destroyed by a bad ending, while others are elevated by a great one. And a very consistent element in Bad Endings is poor handling of romantic subplots. Exhibits include: How I Met Your Mother, Naruto, Bleach. Horikoshi has listed both Marvel and Shonen Jump as his major influences, and BNHA is published in the latter. Both companies have a history of terrible Romantic Subplot decisions: Selling Spider-Man’s marriage to Mephisto, the IchiHime vs IchiRuki debate, the awkward Staron and Brutasha subplots in the MCU, and the fiery pit of controversy that is the Naruto ending pairs - all of it ultimately harming the narrative’s integrity and preventing audiences from enjoying the story. While a badly handled romance subplot doesn’t have to tank the ending of an action series, it’s still a thin line to walk.  
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On the surface, BNHA’s main pairing of Izuku Midoriya/Ochaco Uraraka, or Izu/Ocha as it’s called, seems to avoid the obvious problems. There’s no More Important Girl in Deku’s life, there’s no coding on his rivalries, and no melodramatic love triangle to annoy people. In fact, I can even say that Izuku and Ochaco’s dynamic is pretty fascinating. But not yet as an endgame pairing. My feelings on Izu/Ocha are complicated. I simultaneously ship it and don’t. I ship it because I enjoy them both as characters, I think they’re good friends, and they seem to like each other; I don’t ship it because the execution so far has been rather awkward, the romance lopsided on Uraraka’s side, and the nature of their relationship struggling to get to the levels of intimacy I’d expect from an endgame pairing. I’m afraid, in short, that Horikoshi will do what other Shonen manga have done: have a supporting female character become defined by her love for the Lead, have the lead spend the whole series ignoring them to obsess over their rivals and villains, and throw the two together at the last minute without properly developing their romance, leaving both fans of the pairing (because of the lack of onscreen development) and non-fans (because of the weak storytelling) alike disappointed and frustrated. 
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There are several options for what could happen besides that terrifying prospect. Izu/Ocha could spend lots of time developing their romance, correcting the problems I’ve spotted and outlined in this meta - I’ll mention a few areas where I think they could change these problems as I go along - and become a great Official Couple, like some of the success stories in Shonen romance writing (Ed/Win, Vegeta/Bulma…erm, that’s all I can think of). Alternatively, they could grow away from their crushes on each other and set them aside, ending as friends instead of lovers, possibly with no Official Couples (One Piece, and in the west, Gravity Falls, do something like this). That could work too. They could both end up with other people. They could end up having a tragic falling out and become enemies. At this point, anything’s possible. But what I do know is that they need to change something about their dynamic, and change it fast, or else the story is going to go barreling into the problems of it’s predecessors - the flaws in Shonen manga the series is so well known for avoiding, like pacing issues or Power Scaling. And I don’t want that.
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I wrote this meta mostly to contextualize/analyze the Izu/Ocha dynamic for myself. I find their relationship interesting, and most meta on Izu/Ocha barely scratch the surface of their relationship, only going so far as to say either “I don’t like it” or “I like it, and you all are stupid for not liking it”. My feelings on Izu/Ocha are complicated, and I wanted to do a meta on them. Both their relationship, and as two of my fave characters in BNHA. What I want from a storytelling, meta-narrative perspective is a good story. What I want from a character loving POV is for my faves to be happy. If the series shows me they’ll make each other happy, I’m good. It’s just that so far, their relationship doesn’t seem to work that way.
So I’ll go through each arc of the series, and try and detail their interactions from both Deku’s POV and Uraraka’s. I’ll highlight the moments I like and find shippy, and the things they need to work on as a couple. Hopefully this’ll be an enjoyable read (it ended up really, really long), and I’m sorry if Izu/Ocha fans reading it get mad at me - I have nothing against it as a ship, I just want more from the relationship in canon.
Without further ado:
Entrance Exam Arc:
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Deku’s POV: Deku’s first impression of Uraraka is great. She’s a cute, kind girl who stops him from tripping over his feet. 
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He does, however, think of her as “a girl” (“I just talked to a girl!”), which is a pattern with how he often reacts to her - as “a girl”, rather than “Uraraka”, later on down the line. When Deku shows attraction to Ochaco, it’s to her as an exemplar of the female, rather than as a person. 
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Compare Deku’s attraction to her uniform and costume, or responses to talking to ‘a girl’, to say, Naruto saying he likes Sakura’s “large charming forehead” or Darcy in Pride and Prejudice thinking of Elizabeth’s “fine dark eyes”. Big difference in terms of how romantic the attraction comes across. 
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Iida stops Deku from talking to Uraraka before the test, saying he’ll just distract her. Take a shot every time someone frames Ochaco’s potential interest in Deku as being a ‘distraction’ that she has to do without.
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Deku notices Uraraka pinned under rubble and jumps to save her. He compares this mentally to doing the same for Bakugo in the previous arc, from the sludge villain. But there’s no All Might here to save Deku, and when he jumps he breaks three limbs. His decision gets him into UA, but he thinks he failed. For weeks, Deku feels miserable about this, wallowing in despair because he threw away his chance to get into UA. He gets the news from All Might, and learns that Uraraka went to offer up some of her points for him. Now this is sweet, but let’s look at what we know of Deku’s character now and talk about why I don’t think he appreciates this all that much, and why it wouldn’t have been good for their relationship if that was what got him into UA.
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Deku doesn’t believe in himself. He has huge issues with personal security and confidence because of his past. He wants to be there for other people, to be “able to smile, while doing something good for them”. Deku wanted to get into UA on his own merit. So had Uraraka actually been the one to get him in, out of gratitude, it really would have done a number on Deku’s self-esteem. It would have told him that he wasn’t good enough to get in on his own, that someone else had to sabotage themselves to bail him out because of his mistakes. Fortunately, that’s not what happened - he got in because Rescue Points - but from an Izu/Ocha standpoint, it doesn’t seem calculated to cause Deku to fall in love with Uraraka. He doesn’t want someone to take pity on him and sabotage themselves so he can do well. 
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That’s why he doesn’t seem all that moved by Uraraka’s gesture here - we could have had many close-ups and reaction bubbles of him thinking about how wonderful she was for doing this, how generous and kind of her it was, but nope, nothing like that happens. Deku is only ecstatic once he learns that he made it in on his own merit. As he should be, of course, but ultimately this first encounter doesn’t do a lot to set up Izu/Ocha.
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Ochaco’s POV. Ochaco is a nice girl who saves people in trouble. She’s also very, very insecure. I’ll get into that more later, but despite Uraraka’s cheerful exterior, she’s even more insecure than Deku is. She saves him when they first meet, then walks off after talking at him for a few minutes. 
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He doesn’t respond to her at all out loud and she quickly moves on. This is a small microcasm of their entire  dynamic: Ochaco often talks at Deku rather than with Deku, and he rarely talks to her about anything. We’ll get more into that later.
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Ochaco gets saved by Deku during the exam, saves him in return, and later on offers him her points. When she brings him up to Mic, she calls him “plain looking” and “didn’t stand out at all”. Lovely first impression. Of course, it’s not impossible for a romance subplot to start with the love interest not finding the hero attractive. The aforementioned Pride and Prejudice, for instance, starts with Darcy calling Eliza “tolerable, but not handsome enough to tempt me.” But within two chapters he’s gushing about her “fine eyes”. 
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200+  chapters later, and Ochaco still hasn’t said a word about finding Deku more attractive now. Now, she could, hopefully some day, realize that she no longer finds him plain, and that she’s grown to find him attractive. Say something about those big green eyes or his fearless smile. Something personal, like he has yet to say about her, to express that she finds him appealing. But nothing yet.
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Uraraka giving Deku her points, from her POV, is I think motivated just as much by pride as it is by gratitude. She got into that scenario because she was pinned down, and she probably feels like it was her fault. It would be kind of creepy, actually, if she was willing to throw her own chances under the bus for someone she just met because she liked him or was in love with him - Misa Amane levels of love-at-first-sight co-dependency. Uraraka doing this because of her own pride seems more fitting to me, more in line with the character we get to know later on. 
EG:
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She feels she messed up, and took someone else down with her, and as such has to make things better. Thankfully, Deku pulled through on his own. This is one of many sweet scenes where Uraraka offers Deku a great deal of love and support. But sadly, it’s a very lopsided bond in that regard. Outside of this moment, Deku never does anything crazy to protect Uraraka again, and rarely shows her the same kind of support. Not because he doesn’t want to, per se, but because she won’t let him (if you want the full details on that imbalance, skip to the Sports Fest arc section).
Quirk Apprehension Test Arc:
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Uraraka’s POV: We continue the pattern of Uraraka’s crush on Deku being something she’s told to drop here, with Aizawa telling her if she’s “just here to make friends” she can go home (take a shot). 
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She’s happy to see Deku and supportive of him when he does OK, worried for him when he’s hurt, and in general a good friend. At this point in the series, we’re not privy to her inner thoughts, so there’s not as much to say about her feelings here. The only thing of note is the other general pattern of their relationship, wherein Uraraka gets to be supportive of and worried for Deku, but not him for her. Her revising of the name Deku is more important from his POV.
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Deku’s POV: Deku shows continuing attraction to Uraraka here, thinking that she “looks good in her uniform” and blushing around her. However, he quickly moves on to overcoming the Quirk App Test and doesn’t think about her much throughout the rest of the arc. 
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She comes up to him later and calls him ‘Deku’, like Bakugo did, and reframes the nickname as a positive thing. The setup seems clear: Ochaco is to be the friend to Deku that Bakugo never was, the kind and supportive ally he lacked back in middle school. This scene makes me smile.
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Which would be fine if that’s what they went with, but…
Battle Trial Arc:
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This arc starts out so well for Izu/Ocha, then goes down hill fast.
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Deku on Ochaco here: Deku thinks she looks good in her uniform, blushing around her, and expressing a desire to impress her when they’re put on the same team. 
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They’re up against Bakugo, and he’s nervous. When Ochaco asks, he starts talking about how Greatamazingawesomesuperspecialwhatever Bakugo is and how he wants to beat him. 
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He then apologizes to Ochaco for getting her caught up in his problems, indicating that he doesn’t see her as being part of them. Even though Ochaco proclaims them to be a team, he doesn’t do much strategizing with her ahead of time. He gets very caught up in his match with Bakugo, and doesn’t bother working with her until Bakugo has him cornered and nearly drops him with the MegaBlast. Then, he calls her and comes up with a plan - but imagine if he’d actually worked together with Ochaco to beat Bakugo.
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 If he’d guessed, as he says, that Bakugo was planning to “come at him first”, then why not get Uraraka to grab Bakugo while he’s distracted and zero G him out of the building?
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Because Deku wants to beat Bakugo to prove himself, plain and simple. He’s known Bakugo longer, so it’s only natural he’s more interested in beating him than working with Uraraka. But this could have gone so much better for him if he took the time to work with Ochaco instead - if they’d tag-teamed Kacchan, Deku might not have had to break his arm. 
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He does salvage this a little by taking the new version of his name Uraraka came up with. But then Deku spends the rest of the arc ignoring her instead of working with her. 
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There’s even an oddly placed panel sequence where she blows off a flirtatious Kaminari to worry about Deku, and he then blows her off to go chase after Bakugo and clear up their misunderstanding. It’s probably just a coincidence, but it’s still a weird parallel.
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And speaking of this scene, let’s talk about a bigger concern with Izu/Ocha (from Deku’s angle) that I have. Deku has a secret identity. He has a past as a quirkless kid, a history of insecurity, and a secret chosen one destiny that burdens him greatly. He needs his future partner to be someone he can talk to about all this. If I were him, and I had to choose among the kids at UA who I’d tell my troublesome secret ID to, who I’d want to confide in, I’d probably say 1. Uraraka, 2. Iida, 3. Shoto, 4. Literally every single other character Deku is friends with and finally, bottom of the list, Bakugo. Yet Deku chooses to tell Bakugo his secret identity, not Uraraka or anyone nicer who would be presumably more trustworthy. Now, in hindsight (SPOILERS IF YOU’RE NOT CAUGHT UP YET), Deku doing this has paid off. Bakugo knows his secret and he’s kept it. He’s been a supportive friend to him since then, especially post JTA, everything a good secret keeper should be. But Deku - and especially the audience - didn’t know that at the time. (SPOILERS DONE).
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And Deku can’t be with Uraraka if she doesn’t know his secret identity. That’s one of the Laws of Superhero Romance Comics. Spider-Man could never be with Gwen or Black  Cat, for instance, because they hated his alter ego. He married MJ because she liked both. And Horikoshi is a big fan of Spidey, so he must know this. Deku has to tell Uraraka about OFA if he’s going to be with her. But he hasn’t, and he hasn’t shown any inclination to. 
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The setup is there for him to tell others; Todoroki asked about his powers, Tsuyu compared him to All Might. They could figure it out, they could tell Deku they know, or he could tell them, like he tried to tell Kota his personal stories, to make them feel better. There’s a mechanism in place for him to tell either one of them. But not Uraraka. She’s never asked about it, he’s got no interest in telling her. And as long as she doesn’t know the Secret, she can’t be with Deku. This isn’t, BTW, me making a manifesto for any of those ships over Izuocha. I don’t think for a second that any of those pairings will happen in the series. Only that if Deku is to be with Uraraka, he has to find a reason to tell her about OFA, or their relationship will be all kinds of messed up.
Also, FYI, Tsu, Todoroki, Bakugo, and even Iida have looked at and noticed enough about Deku to guess at least this, the most fundamentally important thing to know about Deku: That he’s close to All Might and his powers are similar. But not Ochaco. Does she honestly know anything important about Deku? Like how he grew up quirkless for so long, how All Might inspired his dream, how he wants to live up to the expectations of others and save people with a smile? No, not yet. He’s never told her anything personal, outside of this one little anecdote in this arc about wanting to beat Bakugo.
Uraraka’s POV:
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Uraraka is happy to be working with Deku, but initially not all that excited about winning the fight. She just wants to relax, and is surprised to see how stressed he is.
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 Then Deku talks about how he wants to beat Bakugo, and she becomes more proactive. Nonetheless, she still basically just follows his lead this arc. 
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She takes no initiative on her own: She doesn’t go to grab Bakugo when he’s attacking Deku, she stands around giggling on the phone while trying to sneak up on Iida, and Momo criticizes her for it. 
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She thinks to herself about Deku wanting to win when Iida outfoxes her. She doesn’t seem like she wants to win the Trial for her own sake, just Deku’s. And this is a problem for Uraraka. (take a shot)
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Momo criticizes everyone but Iida in this match, and all three characters who messed up did so because they were too fixated on someone else. Deku on beating Bakugo. Bakugo on beating Deku. Uraraka on impressing Deku. Iida, for instance, also admires Midoriya - but he’s able to concentrate on the match and fight Uraraka anyway. That’s why he’s MVP, as Momo and All Might put it.
So we set up Uraraka’s over-fixation on Deku as being a problem she has to overcome, a flaw - like Bakugo’s obsession with beating Deku, Iida’s obsession with killing Stain, Todoroki’s obsession with hurting his father, or Momo’s feelings of inadequacy next to Shoto, it’s framed like a flaw she has to overcome to do better. Of the dynamics here, only Deku’s admiration of/determination to beat Bakugo is not framed as a flaw per se, since he still has it to this day and seems to benefit from it. I’ll elaborate on why I think that is later on in the essay - it has to do with the “Imitation is the Sincerest Form of Tragedy” theme - but overall, this doesn’t paint a good picture of Ochaco’s feelings for Midoriya. They’re framed as something she has to put away in order to do well. (take a shot)
Class Rep mini-arc:
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This is another score for Izu/Ocha. Ochaco voted for Deku as class Rep. She never tells him about it, though. I’m not sure why. Iida told him. Todoroki tells Momo later on that he voted for her. Ochaco could be gearing up for telling Deku herself, dramatically, later on, but what would that prove? 
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Deku already knows she admires him, he turned down the class rep role later anyway. This isn’t like Momo and Shoto, where Momo stayed Deputy Rep and never heard a compliment from Todoroki before he told her he voted for her. In that case, the Class Rep thing showed Momo Shoto believed in her, helping her get her confidence back. But Deku already knows Ochaco believes in him. Iida telling him also helped him out - it showed him he had friends who believed in him. Ochaco’s given reason for keeping her vote to herself is Bakugo’s little temper tantrum about it. But Bakugo wasn’t at the table when Iida told Deku the truth, so why couldn’t she have told Deku then? I really don’t get why she keeps her vote to herself; I don’t see how this will do anything for Deku later on down the line, or for Uraraka. It shows she’s supportive of him and admires him, but we already knew that. I’m just not sure how to parlay this into future developments with them.
USJ Arc
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Deku and Ochaco don’t talk to each other at all during this arc. They get separated quickly and don’t reunite. They don’t worry about each others’ safety during the battle. After it’s over Ochaco asks after Deku because he broke his limbs, but during the fight she doesn’t worry about him or look for him. There’s only one moment I find noteworthy for Izu/Ocha during this arc: Deku wondering “What would Kacchan do” before jumping off the boat. This type of remark, like Iida’s “What would by brother or Midoriya do” during the class rep arc, is about a platonic friend (well, rival in this case), not a love interest. So Uraraka’s “what would Deku do” being code for “I like him” doesn’t really add up. I’ll get to that later.
Sports Festival Arc
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Deku’s POV: Deku asks Uraraka about her motivation at the beginning of this arc, in Chapter 22. Uraraka admits that it’s for the money, and while Deku mentally thinks that this is admirable, he doesn’t say anything complimentary out loud, or anything other than “it’s surprising”. Contrasted with Iida’s loud, uproarious applause of Ochaco’s motive, this doesn’t come across as all that supportive of his friend, even though he does not, in fact, think the less of her for it. 
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On top of that,  Deku at this point in the arc is struggling to get motivated himself. Later on he’ll call Todoroki out for not trying his best, and he’s clearly thinking of people like Uraraka, Shinso, Bakugo and Iida when he does so. But at this point, he does the same thing towards her that he calls Shoto out for.
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He doesn’t get inspired by her words, or All Might’s, or anyone’s, until he overhears Bakugo make an offhand comment about ‘aiming for the top’. Then he gets into the  competitive spirit. This kinda creates the impression that Deku is more inspired by his rivals than his love interest. Common issue in Shonen romances, of course; a higher emphasis on the importance of the hero’s main rivalry than his Official Girlfriend.
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He’s overjoyed when she joins his team, but not because it’s Uraraka - because it’s anyone.
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Deku is the person no one wants to team up with here. He would have teamed up with anyone who asked him. It seems odd, knowing Uraraka’s capabilities and quirk, that he didn’t just go up and ask her himself to join his team (Like he does with Iida, and then Tokoyami). 
(Edit: I’ve recently rereaed this chapter and found I made a mistake: Deku does say he was planning on asking her. I was just reading a weird translation. Sorry for the mistake - good on Deku!)
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During the battle, while he mentally thinks that Uraraka is great, he doesn’t say anything out loud to her. He does, however, loudly compliment Hatsume and Tokoyami, in front of her. This hurts Uraraka’s feelings, but I’ll get to that in her section.
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Deku gets busy with his rivals for a while until his first match is over. While watching the rest, he mentions to Uraraka that he wrote about her Zero Gravity in his notebook. But he doesn’t say “I think your Zero Gravity is cool too” or anything complimentary, just “I wrote about it” like everyone else’s. 
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To Deku’s credit, he seems to realize that he hasn’t been very supportive to Uraraka. The anime cut this from the Manga, but the manga has a scene where Deku notices her leaving, and her pensive expression. This leads to him going to the prep room to offer her his strategy to beat Bakugo. 
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I think this is a big deal for Deku, because at the end of the day, this is his entire motivation. Helping people. Being there for others. Deku is a wonderful, supportive friend, used to feeling weak and inadequate and wanting to help others the way they helped him. He needs a partner he can support and compliment, someone he can help, someone who needs saving. 
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But Uraraka denies him this. He offers her his help and support, and she rejects him - for her own reasons, but this still leaves Deku feeling lesser. 
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“She’s the one supporting me,” he muses before his match with Todoroki. He wanted to be there for her. He wanted to help her break down the wall that is Bakugo - even if she didn’t use his strategy, she could have listened to his knowledge of Bakugo, who he’s known his whole life, to pick up some tips on his weaknesses. 
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But she doesn’t. She also refuses to let Deku be there for her when she loses. He can tell that her cheerfulness is just hiding her disappointment. But since she’s refusing to let him in, he can’t be the shoulder for her to cry on. He wanted to. He was willing to be that person for her - to be the friend she can talk to about her issues, to cheer her on when she fought and help her up when she’s feeling down.
But she rejected his support, just like everyone else does. 
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Bakugo rejected his helping hand as a kid. Iida rejected working with him earlier that same day, and rejects his support later on with his brother. Todoroki declares he ‘isn’t here to make friends’ and spends most of the sports Fest rejecting Deku’s attempts to help him (“You’re helping your opponent? Now which of us is screwing around”).
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 Deku clearly wants to be that friend. He wants to be there for the people in his life and offer his boundless love and emotional support for them. And I think he needs a partner in life who will let him be there for them. If Uraraka is to be that person, she has to let him in. She has to put aside her pride (yes, I think it is pride) and accept Deku supporting her, just as she supported him. She has to open up to him and cry in front of him. The others I mentioned have - Bakugo cried in front of Deku twice, Iida accepted his help during the Hero Killer arc, Todoroki accepts him in the very next episode. Three characters far crustier, prouder and more antagonistic towards Deku have all put aside their pride and let him help them with their issues. It’s Ochaco’s turn.
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Speaking of: From Uraraka’s perspective. When Uraraka admits her motivation to Deku and Iida, she’s looking away, scratching her head, and apologizing. She says, in the dub “You two have such admirable motivations. I hope you don’t think less of me now.” Uraraka feels ashamed to admit her motivation to Deku and Iida. 
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When the obstacle race ends, she announces “I’m so jealous of you!” to Deku, after he comes in first. And I think she is - jealous of him. 
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She teams up with Deku for the  Cavalry Battle, and later admits that she “Might have been relying on (him) to get by”, meaning that she sees Deku as being better than her. 
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She gets very jealous of the attentions Deku gives Hatsume - as I noticed before, Deku compliments  everyone but Ochaco. He even found the time to compliment Bakugo in front of her during the Battle Trial arc - but to her face, nothing. And this plays on Uraraka’s insecurities. Deep down, despite her cheerful demeanor, Uraraka isn’t very self-confident (at least, not yet). She doesn’t believe in herself, she doesn’t have faith in herself to succeed. She’s even more insecure than Deku, and often tries too hard to be “just like him” to her own self-detriment. Watching everyone else’s matches, she admits to being ashamed of herself. She realizes she needs to try and succeed on her own, not by relying on Midoriya.  (take a shot)
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But at the same time, her goal is still essentially to be “Just like Deku”. What’s the one thing Ochaco knows Deku wants to do, besides be a great hero? Beat Bakugo. No coincidence she was fighting him in this tournament. To be just like Deku, she has to beat his rival, who she’s seen him fight before. Uraraka wants to be good enough, she wants to beat Deku - in a way, her motive and behavior here is not that different from Iida’s, Bakugo’s or Todoroki’s. Deku makes her insecure, so she tries to do better than him. 
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She declares herself a rival to him. She refuses his help - seriously, a few pointers on how to beat Bakugo couldn’t hurt, she even thinks about Deku’s earlier moves while fighting him anyway! - and tries to win it all by herself. And although her plan is great, it doesn’t work. 
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The minute she thinks “I’ll be just like Deku” is the moment she fails. The moment Bakugo blows up her debris and beats her.
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Uraraka is devastated by this. She was crying for so long and so hard that her eyes swelled shut. She could have really used a friend, someone to talk to about her family problems - someone outside of her family drama, a kind and understanding ally like Deku, who can commiserate with her and tell her things’ll be ok. 
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But she hides her feelings from Deku and pretends she’s fine. I think she doesn’t want to look weak in front of him - she wants him to think she’s cool, to compliment her like he compliments Hatsume and Bakugo, and she’s deeply insecure about appearing anything other than strong. So she shuts him out and cries on her own, with no supportive friend to help her. If she is to be with him, she needs to be able to let him into her life and her heart. 
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She has to cry in front of him, like all three of his other rivals have done despite their immense pride and far less amiable relationships with Deku. Even Tsu has cried in front of Deku and confessed her feelings (to him and the whole Rescue Squad), and she’s not as close to him as Uraraka or Iida. Why doesn’t Uraraka confide in Deku about her feelings? Again, I think the underlying problem is her hero-worship of him. She thinks he’s amazing, she won’t admit to his flaws (she sees him, one ep/chapter later, destroy his body and lose his match helping Todoroki; you’d think she’d cotton on to his lack of utter flawlessness then, but nope), and she’s still essentially insecure about herself. She needs to learn to believe in her own strengths and admit Deku’s weaknesses. Then she’ll be willing to cry in front of him and listen to his ideas.
But until then, she’s just like all of Deku’s other rivals: Too proud and too envious/afraid of him to accept his love or friendship. 
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No wonder she was so easily able to spot why Bakugo is insecure about him and guess how he’d feel about being rescued; her complex about Deku is rapidly becoming just as debilitating as his is. 
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Difference being, Bakugo had his “Deku vs Kacchan 2” moment ,where he and Deku talk out their feelings and move on, recognizing that Deku isn’t looking down on him and never has been, etc. Ochaco needs that moment too (probably without the big fight scene, though).  
Hero Killer Arc:
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From Deku’s perspective, he chooses his hero name based on Ochaco’s advice. This is something we see with other characters too - Eraserhead and Mic, Mirio and Tamaki - who are friends, so it’s all good. It seems to have a nice spin: Ochaco taking Deku’s flaws, the traits Bakugo mocked, and turning them into a positive. Ochaco supporting Deku. Nice. She smiles about it. 
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He seems surprised that she took an internship with Gunhead, confused that she’s more into action now (I guess he’ll have to revise his notebook!). 
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He talks to her on the phone after the Incident goes down, having texted all his friends for help and worried her. He again (for the last time) get’s excited over her in a sexual/romantic way, and once again it’s “I talked to A GIRL on the phone” instead of “I talked to Uraraka on the phone”. He’s attracted to her as a girl, but not excited about talking to the girl he has a crush on. Following this arc, Deku stops responding to Uraraka romantically, even when CamieRaka loses her clothes. I’ve got a theory about why he stops, I’ll discuss it next arc.
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Uraraka, for her part, looks pleased when  Deku takes her name. She interns with Gunhead because of her match with Bakugo, to get stronger, which is good for character development - I like that this isn’t because of Deku, because I don’t want her arc to revolve around him solely.
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She calls him, concerned, after the Stain incident, and tells Gunhead that they’re “not like that” when he teases her about it being a boy. This is the first of many people telling Uraraka that she has something going on with Deku, rather than Uraraka figuring it out herself. Uraraka’s denial is not really defensive or Edward Elric Style “She is NOT my girlfriend” levels, so honestly at this point I believe her. Up until this arc, she doesn’t see her feelings for Deku as romantic. She sees him as a friend who she admires and is often jealous of.
Final Exams:
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This is where things get weird. So far, Izu/Ocha has been pretty nicely built up - but then the series decided to go for it in a way that I personally find rather strange and confusing.
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So first, let’s take this arc from Deku’s POV. The scenes of Izu/Ocha watching the fights are Anime Only, so we’ll skip those. In the Manga they all take place at the same time. After Deku and Kacchan v All Might, Deku goes to watch the other battles, including Uraraka’s. He doesn’t have any onscreen reaction to Ochaco’s fight, even though we get to hear him mentally exclaiming about how awesome Iida is, or Tsuyu is. Ochaco’s his friend too, why can’t he spare a moment to fanboy over her martial arts skills?
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 Anyway, later on they’re left alone at the mall, though not by choice. Deku starts making small talk and Uraraka runs away from him, saying “Have to keep the pests away” or something like that. Deku asks “I’m a bug?/“You mean me?”. So from Deku’s POV, Ochaco flat out called him a pest right here. To him, it must have sounded like she was rejecting him, rejecting the idea of hanging out with him one-on-one (which in the Manga they haven’t done before).
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 He’s immediately attacked by Shigaraki; when she returns he does his best to prevent her from getting hurt. Nothing really advances, from Deku’s POV, in their dynamic at this point. The only real notable thing is the “I’m a pest” line. Since Deku never reacts romantically to Ochaco after this, I’m assuming that he thinks she’s not interested in him that way. That right here, she shut down the idea of dating him, and he just accepts it.
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Of course, it’s Ochaco’s POV that’s important here. As she’s about to get sucked up by 13, she’s thinking “What would Deku do?” 
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Now, we’ve heard these lines in a non-romantic context before. Iida wondered what Deku or Tensei would do when he helped disperse the crowd. Deku wondered what Kacchan would do during the USJ arc. He wondered what a “hero” would do when he saved Bakugo from the sludge monster. This sentiment is not exclusive to romance in the show.
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 But Aoyama then chooses this moment to ask Ochaco if she ‘likes him’. This is completely out of nowhere. Aoyama is later revealed to have a bit of a friendship-crush on Deku, but why is he asking this of Uraraka, in this situation? It’s not like her girlfriends later on teasing her about liking Deku, it’s a guy she doesn’t know who doesn’t know Deku very well either, all of a sudden asking her if she has feelings for him. I don’t, for the life of me, understand what his purpose was in doing this. How does this help them win? Why is he painted half-in-shadow when he says this? It feels like it happens because we need Ochaco to realize she likes Deku, because the audience needs to be shocked, not because it makes sense for the  characters. Which is so strange, because it’s one of the only times that ever happens in HeroAca. For the most part, the characters always act in ways that make sense, no matter how extreme they are.
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Uraraka freaks out, and thinking about liking Deku nearly gets her killed fighting 13 (take a shot). It isn’t until she re-focuses, on something she attained free of Deku’s influence, that she gets to win. Trying too hard to be like Deku, for Uraraka, leads to nothing good. 
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Then, at the mall, she runs away from him. She refuses to spend time with him - which seems strange if she’s meant to fall in love with him. If she wants to be with him, why doesn’t she want to, you know, be with him? Well, because she does’t want to be with him. If she did, she could easily ask him out (they are friends, after all), spend time with him, see if there’s something there. But she doesn’t. 
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She runs off, almost horrified at the mere thought of having a crush on Deku. Of having a perfectly harmless, cute crush on one of her best friends. That just seems strange to me. Yes, love can be intimidating, but this is so extreme.
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Another odd thing about this sequence is that it’s juxtaposed with Shigaraki holding Deku hostage. We flip back and forth between the Big Bad nearly killing the Hero, and the Romantic Subplot.
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 Imagine if that scene in Fullmetal Alchemist where Winry realizes she loves Ed was crosscut with scenes of Ed fighting Gluttony or something, and you get the idea. It’s a tonal mishmash. Unless - unless you theorize that the idea of liking Deku is as terrifying to Uraraka as being nearly murdered by Shigaraki is for  Deku. But if that’s the case, I don’t want her to be with him! I don’t want her to be in a relationship that scares her that much. (I also don’t get why it would scare her that much - like, girl, Deku’s a sweetheart, what do you have to be afraid of?). The series could salvage this, but it already kinda tainted their romance in my eyes - and to many readers as well, since it seemed like such an odd way to introduce the love story into the occasion. Instead of a joyous moment of romance, this is what we got.
Training Camp Arc:
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There isn’t a lot in this arc between Izu and Ocha. Izuku includes her in his list of classmates he’s worried about, popping up in the anime second after Bakugo (who is immediately in danger because of kidnapping) and along side Todoroki.  
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He works with her and Tsu to save Bakugo - or at least try. Other than that, there’s nothing (the scene of them blushing is only in the anime). 
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On Ochaco’s side, nothing happens until she fights Toga. Toga starts interrogating her about her crush on Deku, in her Hannibal Lecture style - villain getting into the hero’s head and provoking them with their insecurities. Himiko Toga is Uraraka’s villainous foil - her counterpart, the evil version of her. 
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Both do develop a crush on Deku, which is very disturbing if Deku and Ochaco are meant to be a couple, as well as her adoration of Stain. It’s not like Toga is going to marry Stain or whatever; so the comparison of their two brands of love is odd (at least, if Izuocha is meant to be endgame). 
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Toga’s words are right on the money: Uraraka admires Deku and wants to be just like him, but to be just like someone you have to do as Toga does - kill and replace. This gets to Uraraka, because it’s true. Her  crush on Deku then, is not being framed as genuine love, but as a similar obsession to Himiko Toga’s - a desire to be just like someone she admires, rather than be together with a good friend she adores. Which is frustrating, because the latter is the kind of relationship I want from Izuocha, not the former. I don’t want Ochaco to get with Deku because she hero-worships him and thinks he’s amazing - I want her to get with him because they’re good friends and she loves him. But that’s not what the series is doing with them, and with the parallels to Toga, it’s starting to really creep me out.
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One route they could take with all this foreshadowing, of course, is perhaps one similar to what happened in Gravity Falls, with Dipper and Wendy. In that series, Dipper like Ochaco has an evil villainous counterpart Yandere - Gideon Gleeful. Toga and Gideon both stalk and harass their crush, who clearly says no and means no. Dipper and Ochaco both harbor a crush on someone who’s a close friend, but who seems to be for whatever reason romantically unavailable to them. (Wendy is older, Deku is…I’m not sure why, Ochaco just won’t ask him, it’s frustrating). Dipper eventually reveals his crush on Wendy, who lets him down easy and stays good friends with him. Dipper later uses that understanding of himself, and of Gideon’s obsession, to tell Gideon he can’t make someone like him. This helps Gideon reform. The whole thing is beautifully healthy and positive. 
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So if that’s where we’re going with this - an ending where everyone’s just friends, and Ochaco’s crush on Deku is being used to develop her character a bit regardless of romance, then this would make sense. If not then I don’t get it.
Hideout Raid Arc:
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There are two interactions between Ochaco and Deku (indirect ones) during the Hideout Raid Arc. One is Kirishima relaying Uraraka’s worries about saving Bakugo, the other is Uraraka getting the Rescue Squad to apologize to Tsuyu. Both of them are really bad warning signs for their future relationship.
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The simple reason is: Uraraka thinks Deku and co did the wrong thing, Deku thinks he did the right thing. Deku has never apologized for or expressed any regret for breaking the rules to save Bakugo. Uraraka, however, objected to them doing this. This is very interesting for both of their relationships with Bakugo, and their thoughts on heroism. But let’s talk about why this is a problem for Izuocha. Uraraka didn’t agree with Deku’s decision here. She has her own reasons for it - “Bakugo wouldn’t want to be rescued” -but she doesn’t bring them up in front of Deku. The thing is, Deku was on the fence about going. If Uraraka had brought up her objection, I think Deku might have actually listened to her. It’s the best objection to persuade him, because it takes Bakugo’s needs into consideration. But Uraraka didn’t bring it up to him. She didn’t say anything to Deku. From Uraraka’s POV, that’s a problem for her relationship with him, because it means she doesn’t want to say something that will upset him. She’s never had a serious argument with him, never objected out loud to his choices, even when she disagrees with them, and never had an argument with him where they came to a compromise or understanding about an important issue. Instead, she brings up her objection out of Deku’s hearing, and he hears about it secondhand. Uraraka doesn’t want to upset Deku, even about something important to her.
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From Deku’s perspective, even though he knows Uraraka, his love interest, disagrees with what he’s doing, he does it anyway. He doesn’t care. He keeps Uraraka’s objection in mind, but only as it pertains to saving Bakugo. He never thinks about how Uraraka will feel about him going against her wishes, never considers her at all. He does consider his mother’s objections, even Tsuyu’s. But Uraraka’s objection, ultimately, only affects him insofar as it means he thinks of Bakugo’s feelings when saving him. And he never apologizes for doing so. 
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Later on, when Uraraka gathers everyone together to apologize to Tsu, Deku is the only one of the five who never actually says sorry (going by the anime here, since the manga is ambiguous about who’s speaking). Uraraka’s speech makes it clear that she didn’t agree with their choice and thinks they screwed up, but just wants to forgive them and go back to normal. But Deku doesn’t apologize for what he did. Iida, Kirishima, Momo, Todoroki - all people Uraraka is less intimate with than Deku - all apologize to Tsuyu, as Ochaco asks. But not Deku. Because Deku doesn’t agree with her. He doesn’t think he was wrong.
The question of whether or not to go charging in, even against the rules, to save someone, is a big one hanging over the heads of all these characters. It’s Captain America Civil War style big. Something that could split people apart permanently if they can’t agree about it. And not only do Deku and Ochaco not agree on this issue, they haven’t had any conversation about it with each other. They need to be able to discuss this and find common ground before they become a couple.
License Exam Arc:
This one is obviously important for Izu/Ocha. It ends with Ochaco deciding to ‘put her feelings away’.
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So let’s start with this Arc from Deku’s POV on Ochaco: He talks to her casually at the beginning before Hatsume explodes out of the shop, but focuses entirely on  crafting his ultimate move from there on out. 
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We don’t see Uraraka inspiring his move, that’s Hatsume and Iida, or his realization that he’s imitating All Might (that’s All Might himself). 
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Deku does, however, recognize TogaChaco as not being Ochaco, showing that he knows her well.
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 He rescues TogaChaco because she’s a person in danger, thinking about his inability to rescue Bakugo from the villains and his general motivation, not how much he cares for Ochaco. 
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He knows Ochaco well enough to tell the difference, but this is Deku we’re talking about - he’s very attentive to details about others. I fully believe he would be able to tell a TogaIida from the real one, or Todoroki, Bakugo, Tsuyu, Hatsume, All Might…the list goes on, but there are very few characters who Deku doesn’t take  detailed notes on or amass details about, and therefore couldn’t recognize the difference. What I’m saying is that Deku would do the same for any friend; he doesn’t distinguish Ochaco here. 
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He works with her and Sero to win the day, and spends the rest of the arc focused on his goals, with no thoughts to spare for Ochaco, and no interest in the cute girl pursuing him (Camie) outside of her quirk for studying. It comes across like Deku has put away any interest in romance in the name of pursuing his goals. He doesn’t distinguish Uraraka at all, as anything more than just another one of his friends. 
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From Ochaco’s POV, she becomes jealous of Hatsume once more - but fails to notice, for instance, that Hatsume’s behavior is making Deku uncomfortable. She’s jealous of Hatsume for being more confident, driven, and demonstrative than she is, but if she was paying closer attention to Midoriya, she’d probably notice that he’s freaked out by Hatsume feeling him up; there’s no real reason for her to be jealous of Mei in regards to Deku, because Deku isn’t any closer to Mei than he is to her. But Ochaco, here and many other places, doesn’t really take the time to observe and notice Midoriya, outside of a surface level. That’s why she hero-worship’s him so badly.
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I’d recommend any HeroAca fan to check out this fascinating fan essay, “Imitation is the Sincerest Form of Tragedey”, (link: https://www.reddit.com/r/BokuNoHeroAcademia/comments/5n21a9/imitation_is_the_sincerest_form_of_tragedy_a_boku/ ) to get a good understanding of what’s going on with Ochaco in relation to Deku, without ship bias getting in the way. It’s an excellent read, touching on many characters and plot points. The key takeaway about Uraraka is that she has a pattern of imitating Deku, and screwing up because of it, without getting that narrative punishment that will act as a kick in the pants to motivate her to stop hero-worshipping him. 
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I think that, since we do see Deku imitating Bakugo and Gran Torino’s moves for Full Cowl with no problem, and other smaller instances, the secret is not that you can never admire someone and strive to learn from them - but rather that you can imitate someone, as long as you don’t hero-worship them. Ochaco’s issue, along with Deku’s, Shoto’s, Iida’s, etc, is that she sees the person she wants to be like as perfect and refuses to acknowledge their flaws. Ochaco admires Deku and wants to be like him - even though she’s seen first hand how Deku’s brand of heroism lands him in the hospital more often than not, how Deku can be overly analytical, deeply insecure and makes mistakes like anyone else - but we don’t see her acknowledge this. She thinks Deku’s amazing, perfect, like he admires All Might, Iida Tensei, Shoto his mom, etc. The reason Deku is able to imitate Kacchan and Gran Torino’s moves without being harmed, like every other imitator, is because he thinks Gran Torino is kind of weird, but skilled, and Kacchan is a jerk, but awesome. He can admire their strengths, and acknowledge their flaws. Therefore, he can imitate their moves without striving to be Just Like Them. Uraraka needs to recognize Deku’s flaws, if she wants to imitate his strengths without feeling bad about herself. 
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Once again Ochako’s feelings are brought up to her by someone else, and cause her a lot of distress. This time it’s Mina, who acknowledges that she wants to MAKE it be about love.
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Just like with Gunhead and Aoyama telling Ochako her feelings for Deku are romantic in nature. Mina admits she’s trying to make a romance happen, rather than just letting one develop on it’s own. Her words cause Uraraka a lot of distress, and Momo and Tsuyu point out that this won’t help her (take a shot).
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As she watches Deku from a distance, (the anime adds the Admiring All Might music track to this scene), her feelings for him are paralleled with Midoriya’s admiration of heroes, specifically Iida. Keeping in with the Imitation theme, Ochako’s feelings for Midoriya are once again paralleled with admiration of famous heroes people want to imitate, not romantic love. It’s Mina, Aoyama and Gunhead who are telling Ochako she likes Deku, not Ochako figuring it out for herself. 
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Uraraka once again gets jealous of a girl who Deku doesn’t want. Deku gives lots of signs that he’s creeped out by Camie’s attentions - when Kaminari and Mineta ask him about it, he says firmly that he found it creepy. If Uraraka was really paying attention to Deku’s feelings, she’d realize that he’s not interested in Camie. 
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 Imagine, for instance, this scene with the genders reversed. Our heroine is getting felt up and creeped on by a male villain. Her fellow superhero boyfriend arrives on the scene; the male villain leaves, speaking ominously about the connection between the two of them. Later on, other girls get jealous about the hot male villain waving at our heroine, and she makes it clear that she’s uncomfortable about it. 
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The boyfriend ignores her discomfort and gets jealous and possessive about her being around another man. Doesn’t something seem wrong here? It’s the setup we see from many ‘Nice guy’ narratives, but gender flipped. The guy seems to see the girl like a possession that belongs to him, angry that she’s daring to be touched by another boy, not that another guy is refusing to respect her space. Uraraka’s jealousy is not routed in love for Midoriya, but insecurity about herself. She feels less than, when she sees other girls around him, and doesn’t bother to observe whether she’s actually in danger of losing him to them.
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This scene is more than a little weird, since it seems like Camie is setting up her future to prey on the trust between the two to her own advantage. Again, Izuku and Ochako’s bond is being framed in a negative light. 
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Uraraka decides, upon seeing Deku psych himself up to win, that she needs to put away her feelings for him. This is part of the pattern in Uraraka’s story. (take a shot) Focusing on Deku leads to her losing. Uraraka says here, that she doesn’t think she can have a relationship with Deku and be a hero. She puts her feelings away, because she feels they don’t help her. Unlike other duos in the series, other romantic parings from other narratives, Uraraka feels that her feelings for Deku don’t benefit her goals. If they’re to be a couple, then, Uraraka needs to feel like she can be a better hero by being with Deku, than by being away from him.
Internship, Culture Fest, Pro Hero arcs:
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From the time Ochaco ‘puts her feelings away’, until recently in the JTA, Ochaco’s crush on Deku is not mentioned. The internship arc teams up Tsuyu and Uraraka with Deku and Kiri to save Eri. But instead of letting Deku and Ochaco fight and bond together over this shared experience - we’re given nothing. Deku doesn’t tell her anything about his issues with Mirio and Nighteye. Or even Eri. Ochaco doesn’t talk to Deku, outside of group scenes with exposition, about much of anything. 
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The ending of the arc has a good setup for an emotional bonding scene with Izu/Ocha - Ochaco was the one to rescue Nighteye, but he still died, and he’s Izuku’s mentor. We could have had a scene of them bonding over losing this guy, which Ochaco blames herself for and Deku blames himself for. Similar to like, Deku and Bakugo fighting over feeling responsible for All Might’s End, or Iida and Deku bonding over Stain. But, you know, more romantic in nature.
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But nope, we get nothing. Ochaco angsts over Nighteye dying, and goes on this emotional journey without Deku’s input. She chooses to confide these feelings in Aizawa and Tsuyu, but not in Midoriya. Deku, at least, has the excuse of being unable to talk about OFA with other people, but Uraraka could have told him about her problems, and he an abbreviated version like he did with Kota about being quirkless. But instead, we get nothing. No bonding between our official couple at all.
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The other thing of note in the Internship arc is Toga!Deku. Toga impersonates Deku and decoys Team Ryukyu into the fight. If Toga’s intentions had been harmful, instead of getting revenge on Overhaul, this could have been really bad for the good guys, and for Ochaco in particular. She doesn’t realize that Toga! Deku is not the real Deku, even though Toga does give her a clear ‘tell’ - calling her ‘Uraraka’ and not ‘Uravity’. But unlike Deku, who realized Toga!Chaco wasn’t the real Ochaco, Ochaco can’t tell the difference.
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 If I were to read this as deliberate, it seems to be implying that Ochaco can’t tell the difference between her idea or image of Deku, and the real thing. But since they’re supposed to be a couple, it’s just plain weird. It’s a brief moment, but if Toga had been trying to hurt them, Ochaco’s feelings for Deku might have gotten her in trouble - again. (take a shot).  
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Then, from the end of the Internship arc to the Joint Training Arc, Deku and Ochaco don’t talk to each other at all. They go to Nighteye’s funeral with the internship kids - and no conversation about their respective issues with him at all. 
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They’re in the group hanging with Eri during the Culture Fest - but no one-on-one interaction at all. He hangs with Mirio, she with Tsu and Nejire. No interactions during the Pro-Hero arc. 
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At the start of the JTA, one quick reminder that Ochaco is jealous of Mei still, which she punches herself to  get rid of. That’s it.
Joint Training Arc: So Close Yet So Far
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Reading this arc, I thought “Finally, we’re finally getting the ball rolling with putting these two together.” It’s such a familiar setup, so common to action romances, straight from the ATLA playbook: The hero’s powers go out of control, the love interest is the only one who can reach them, and with a cute hug they calm the hero down. When Ochaco grabbed on to the out of control Deku, I was expecting something like that in the next chapter: Ochaco saying something like “Come back to me” or “I know you’re in there somewhere” or “I’m with you to the end of the line” or something like that. Ochaco reaching Deku when no one else could, establishing her as his love interest and showcasing their romance.
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But that didn’t  happen. Ochaco grabs onto Deku, sure, but then she asks Shinso to snap him out of it. It’s Shinso who grabs Deku’s attention, Shinso who does the ‘important trigger phrase to snap hero out of superpower meltdown mode’ thing. 
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Shinso, who has talked to Deku like 3 times before this scene, not Ochaco, his official love interest and close friend. Once snapped out, Deku protects her briefly before they split up and go their separate ways again, to fight on different turfs.
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Afterwards, it looked like Deku was blushing at Ochaco holding him, like she was after Mina’s comment. But on closer inspection, I find that nope - he’s not blushing in the panel after this comment, but does go red when Shinso compliments his prowess. And Ochaco doesn’t  get self-conscious about holding him until Mina points it out to her.
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 She wasn’t thinking about how much she loves Deku when she held him, she was thinking about her parents and her failure to save Nighteye, and her “Who watches the watchmen” ideas.
So instead of a great big Izuocha ship moment, that finally set the romance in motion, we get…I guess, a Shindeku moment? It’s all very confusing. For Uraraka, this moment does seem to show that she’s now capable of being around Deku in battle, without thinking about him or obsessing. It comes across like Ochaco is trying to put her crush away (Like she said before), like she’s gone on this whole personal journey outside of Deku and changed as a person on her own. We have this recurring idea that Ochaco fights better as a hero without Deku around, or without fixating on him, which isn’t promising for them as a couple. (take a shot) 
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Compare with Todoroki and Momo vs Aizawa, for instance, where they work brilliantly, together, to overcome an opponent neither could face alone. Or the insistence on Deku and Kacchan putting away their rivalry and Deku reaching 8% by competing with Bakugo or helping him. Or Ochaco and Tsuyu making a perfect team fighting others. The narrative is angling Uraraka away from Deku, if she wants to be a good hero, not towards him.
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Also, once again, her romantic feelings for him are something she’s told she has by someone else, instead of something she figures out on her own - Mina again. 
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But earlier this arc, we saw Mina assume that Midnight and All Might were a couple, because they were standing together. Earlier, she said it could be Iida or Deku, because Ochaco hangs around them. I love Ashido, but she’s not the world’s greatest expert on romance, or particularly close to either Uraraka or Deku. So her words, like Aoyama’s, can’t be taken as gospel truth. It really feels like Ochaco is being pushed into feeling romantically for Deku, regardless of her actual feelings towards him, by other people instead of her own heart. I mean, I’m rooting for them, but I want Ochaco to realize she likes Deku because she likes Deku, not because Aoyama and Mina are telling her she does. 
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Deku shuts Ochaco out of his personal problems - he won’t confide in anyone but All Might and Bakugo about OFA - and doesn’t explain to her anything about his quirk going out of control. And she doesn’t ask. Even Todoroki asked Deku about his quirk going out of control, as did Aizawa and Bakugo. Todo and Baku are Deku’s rivals, but they both asked about his quirk meltdown. Uraraka didn’t. She’s supposed to be his friend, she’s supposed to be in love with him, so why doesn’t she ask about his problems? 
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Same with her personal journey towards becoming a hero who saves people, the Who Watches the Watchmen hero - Deku isn’t privy to this. She only told two people, Aizawa and Tsuyu. Uraraka has also had this whole personal journey, outside of Deku, which she won’t tell him about or confide in him about. And she doesn’t show any inclination to do so. 
Final Review:
The series isn’t over. There’s probably still time to fix all these problems. But the series needs to get started on it right away, because so far we’re just not seeing the elements we need to get Izu/Ocha together.
On Ochaco’s end: We need  her to be attracted to Deku, to let him be as supportive to her as she is to him; to see her crush on him as a motivator to be a better hero instead of detrimental to her success, to stop hero-worshipping him and acknowledge his flaws, to talk to him about her problems and cry with him, let him be there for her; let go of her desire to be just like him, see him romantically on her own unprovoked by other people teasing her, enjoy spending time with him one-on-one, have a fight with him that gets properly resolved, defend him from unwanted attentions from girls instead of getting possessively jealous of him, and show at least some curiosity about his life, his secrets, the real him beyond the Great Hero.
On Deku’s side: He needs to show attraction to Uraraka as Uraraka, not just ‘a girl’; to work together with her as a great team to take down an opponent side by side, to loudly admire her for her skills and capabilities like he does for his other friends and rivals, to tell her about his past with OFA and being quirkless and such, to be inspired by her to do better as a hero, to show the kind of crazy, unconditional concern for her he shows everyone else in his life, to actively seek after a romantic relationship with her, talk to her about his problems, to distinguish her in his life from his other friends.
If all that stuff happens, I’ll be happy. If some of it happens, I’ll be ok, but not thrilled. If they stay in this status quo, they’ll fall apart, because this is not the stuff good romance is made of.
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