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dreamworksconvict · 5 years

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She-Ra: Racism Problem Pt. 2

Thanks to everyone who said nice things about my earlier post!!!! I like am really invested in representation and media so I’m glad it’s being received well.

I also want to add a caveat that I’m not trying to cancel She-Ra. I just want to hold media to a high standard and think that we can critique the things we like.

Next I want to talk about some pretty heavy topics: the White Savior trope and colonialism. Again, I’ll be pretty spoiler-heavy here. I also want to warn people that there will be mention of genocide and antisemitism. I’ll be writing about Hordak in the next part.

In the fourth part I want to add an addendum about Catra being coded as Latina, which I think is a valid interpretation. I also want to talk about the ableism present in the show with both Hordak and Entrapta, which is a separate issue so I’ll label it differently.

Imagine a story like this:

“I am a white-coded, able-bodied, implied cisgender protagonist who has a Special Trait that makes me Stronger and/or More Unique than other characters. I also have some connection to Some Evil Colonizers from Space. Oh no! Some Evil Colonizers from Space have showed up to threaten me and my Token Diverse friends who get about half as much screentime as I do! Wait a second, “evil?” There’s no such thing! They’re only Misunderstood Colonizers Who Didn’t Mean It, and/or there was More to the Story. Maybe they came from a Dysfunctional Family or were Abused/Bullied! I think the people/places they colonized may have been Secretly Bad or Just As Bad all along, too! Wowee! Let’s all have a Heart-to-Heart and/or sacrifice one of my Token Diverse friends to save the day!”

Which story am I referring to? Well...

Voltron... or She-Ra... or Steven Universe.. and probably others...yeah.

(And for those who claim that Keith isn’t the protagonist of Voltron, well... I mean he is... but that’s an entirely different essay. But notice how Lance and Hunk are actually smaller than the other characters on the screen and are partly transparent, and that Allura gets pushed to the back row and is mostly covered? Yikes...)

(On my previous post, someone also noted that Steven is half-Jewish. I was not aware that Rebecca had confirmed this officially. As I am not Jewish myself, I don’t want to speak over this, but I do want to point out that you can be white and Jewish, as it is a Diaspora identity. There are many Jewish ethnicities, such as Ashkenazim, Sephardim, and Mizrahim. I also wish that we had seen more of that in the show--like Steven celebrating Hanukkah, or learning Hebrew, or having a Rosh Hashanah celebration... From what I can tell, Rebecca only confirmed this on a Reddit AMA post. So I don’t know specifically how Steven identifies because that was never clarified in the show, but it seems like he is coded as white. Definitely feel free to disagree, this is just how I’ve interpreted the show, especially given its treatment of colonization.)

On top of all three of these shows recycling a very similar plotline, they all share the White Savior trope. Teen Vogue has an article talking about how this is linked to colonialism and I highly encourage checking that out. I’m going to pull a large chunk of text from there because I think it’s really important and applies to animation, not just live action films.

“Many white people in films based on the stories of POC are often subliminally depicted as godlike saviors, heroes who are rational and judicious to the core. They are usually deified men or women — glorified and righteous — like scripture out of a Holy Book. Look at Hillary Swank in Freedom Writers. The white savior somehow always ends up usurping the narrative. And in this centering of whiteness and white characters, the POC characters end up becoming props, which only perpetuates ideas of our otherness and unimportance, which then establishes a status quo of racism. Whiteness is again normalized, and POC are decentralized. This is particularly problematic because whiteness is not only favored in Hollywood but also in society at large; white privilege is ever-present and ubiquitous.”

Look at the center poster for She-Ra: Adora is pictured in white and gold and red as an accent. She’s bathed in a golden light. This color combination is no coincidence, because we already associate that combination with religious iconography, like the Vatican.

(I also want to make a note that this is specifically associated with Christian/Catholic iconography. A lot of these shows could be classified as antisemitic in their handling of colonialism and genocide. I would argue--and will be arguing in my thesis--that Season 6-8 of Voltron’s plot heavily relied on antisemitic tropes, especially as it related to Lotor and the Alteans. But that’s for another day.) (Also see my discussion of Steven Universe’s Jewish identity above.)

So how exactly does She-Ra follow the White Savior trope, how is it similar to other stories’ utilization of the trope, and how does this all relate back to colonialism? I would say there are two main factors: setting up Adora as a white heroine with a darker-skinned foil (Catra), and setting up a narrative where Hordak “isn’t that bad of a guy, really.” For this part I’m gonna focus on Adora.

1: Adora as the White Savior

Adora is from the Horde. Keith is half-Galra. Steven’s mom is Pink Diamond.

All three of these protagonists have some personal tie or connection to a group of colonizing villains. The Diamonds want(ed) to take over earth and suck the life force from it, as they’d done on other planets. They also used a super-weapon to with the intent to kill all the rebel gems. The Galra created an empire and also sucked the life out of planets. They also created a super-weapon that could kill an entire planet, and had already committed genocide against the Alteans. I wouldn’t be surprised if the Big Bad of She-Ra, Horde Prime, has similar goals. Hordak certainly does.

There is an ever-so-slight separation of Adora from the other two protagonists, who, at the start of the series, do not know they are related to the villain group in some way. (Steven doesn’t know he’s a Diamond.) Adora, on the other hand, starts the series as a villain. She’s part of a group that has actively been fighting and destroying the Princesses and the planet. The first episode notes that she is particularly good at her job, with Hordak nominating her for Force Captain. Adora also notes that “this is what [she’s] been working for her entire life.” When Catra and Adora leave the Fright Zone, it is not out of goodwill. They simply want to go for a joyride on a skiff.

When Adora gains the power of She-Ra, she acts ignorant of the Horde’s actions. The first episode, Adora is completely defensive of Hordak. She even claims that “Hordak says we’re doing what’s best for Etheria.” It is not until the second episode that Adora begins to have any remorse for her actions--but also note that Adora’s main motivation during the first half of this episode is to continue onward with Bow and Glimmer because she wants to know more about herself, not repent for her actions. It is not until the end of the episode that she begins to become a bit more self-aware, but there is a key phrase that Glimmer utters that is very key to the White Savior narrative: “I feel like maybe you’re here to help us.” This line comes after Glimmer apologizes for not trusting Adora. Adora. The Horde soldier. The soldier from the group of colonizers who were responsible for the death of Glimmer’s father.

Ok sure.

Consider how realistic this is. (Not that fantasy has to be realistic, but when you’re working with a narrative based on systemic violence, you need to at least be considerate of how this works in reality.) Adora has been trained to fight and kill Princesses and their allies. She’s been trained to take over Etheria and strategically destroy and/or take resources to weaken them. Yet she acts as if this is all news to her. Suddenly meeting the people she’s been trained to destroy causes her to repent, and suddenly the people who have been victimized forgive her and trust her within two episodes.

Here’s what I think is going on here: given the current hyper-conservative political climate and rampant xenophobia in the world right now, white creators feel the need to put a white person as the hero as if they’re claiming, “See, this character--and subsequently myself--aren’t like those other bad white people!” They want a degree of separation from the reality that they have white privilege and are part of the problem.

There is no truly “woke” white person. White people have been raised in a society where they benefit off the oppression of the chosen “other,” in this case black and brown people. Even if you do your research like I’m doing, you still will mess up. White people cannot rid themselves of privilege no matter how hard they try, because in this current society, the legacy of colonialism, imperialism, and racism have made it so that white people will ultimately be more successful and have more opportunities for success than others. (Also, there is no ethical consumption under capitalism, so even attempts to be considerate about taking advantage of laborers cannot be completely successful.)

All of this results in a lot of White Guilt. Thus, we end up with narratives where the white colonizer character suddenly has a change of heart and fights against the system without really challenging the core mechanics that put that system in place. But fighting against oppression and violence doesn’t make a white person special--it just makes them decent.

It also ignores the fact that white people, to be blunt, haven’t done shit to advocate for inclusion and equity compared to literally everyone else. I want to pull another quote from the Teen Vogue article:

[White saviors] perpetuate an idea that is essentially a historical banner of colonialism: People of color need white people to save them. To this day, some people still latently believe what imperialists such as Rudyard Kipling said, that colonialism was important for everyone: the conqueror and, most importantly, the conquered. That without the colonizers, the colonized had no hope of survival. And by constantly churning out movies with plots in which white people "save" people of color, Hollywood reinforces colonialist dictum.

Why does Glimmer think that they NEED Adora to be saved? Why is this white woman the only one who can do it? Sure, Adora has the power of She-Ra, but remember that giving Adora, a white woman, that power was a CHOICE made by the writers. They could have given the sword to someone else, they could have made Adora a PoC... but they didn’t. So suddenly, because Adora, ex-Horde soldier, is there, the Princess alliance can be reformed, people start working together, the rebellion is saved! etc. etc. etc....

So then it’s extra ironic (and honestly is pretty predictable given this White Guilt narrative) when the White Savior trope goes right along with The Colonizers Weren’t Actually Evil, Just Misunderstood.

This post is way too long so I’ll continue in the next part.

#she-ra #racism #colonialism #white savior

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