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#episode: mash up
cryscendo · 9 months
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rachel berry + tv tropes
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gleesongtournament · 1 year
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Glee Song Tournament Round 1
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Things I love about Big Mac:
-Klinger’s refusal to yield at the prospect of a MacArthur visit
-Trapper and Hawkeye respecting his efforts
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000marie198 · 11 months
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Okay so, the prospect of dragons becoming 'softer' and 'less strong' and 'pet-like' due to living with vikings for a few years is so messed up!
This is partially due to how Toothless was characterized in THW. His character in Httyd 1 & 2 + GotNF +RoB/DoB + RTTE + other short movies is leagues different from THW Toothless. And amongst the common reasons theorized for this is dragons having become 'softer spoiled pets' due to 'being away from the wild'. And I hate it!
These dragons, especially the ones who have riders, are canonically stronger, faster, smarter and stealthier than any wild dragons due to all the experience they gained over the years. The dragons of Berk, particularly the gang's dragons, have travelled tremendous distances in single flights, fought battles with armadas and hunters and submarines and entire flocks and practically giants, been to habitats far and wide where wild ones don't dare venture, been through so much, have had near death experiences countless times and came out of those stronger than before. Heck they've even planned and strategized before! They have sharper instincts, faster reflexes, higher endurance and stamina than the wild ones who live in their own habitats. These guys have experienced and survived going through all kinds of habitats. I really doubt that the gang's dragons, the first and last line of defence, the researcher assists, the protectors and best friends of the most competent group on the island would get soft just like that.
AND! And, each of these dragons, Toothless, Meatlug, Hookfang, Stormfly, Barf and Belch, they were becoming smarter and smarter by the day. Toothless in the first movie was intelligent, curious, kind, stealthy, elegant, scary, dangerous, adorable, protective, strong. And he remained as such throughout the series. Why turn him into a... A senseless dog?! Where did his grace, his speed, his stealth and intelligence and protectiveness and loyalty go? That was NOT Toothless. Why was my boy treated like a silly pet and nothing else? Did they just up and forget everything he did throughout the course of the franchise? Toothless whose first thing to do when he got a controllable tailfin was go out to find Hiccup's lost helmet that fell in the ocean and then he broke that tailfin because he valued and treasured this friendship over potentially distancing freedom, Toothless who had defeated and befriended multiple feral dragons without being able to fly, Toothless who ate an eel to keep his best friend safe, Toothless who played possum to fool the outcast guards and escape on his own, Toothless who was willing to drown because he couldn't leave Hiccup alone, Toothless who broke the most Intense mind control hold of the Bewilderbeast because the bond he had with Hiccup was stronger. Are we talking about the same Toothless even?
Gah, I just despise that last movie for so many reasons. I might've given it grace marks if it was just the theme being sad but everything in it was wrong and messed up and illogical.
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saltseashark · 1 year
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(splashes color all over mash characters) for u hawkeye. no more olive drab
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npdclaraoswald · 7 months
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Hot take but BJ is not MASH's resident wifeguy, what with the two separate episodes about him either actually or desperately wanting to cheat on Peg. Max "only married character to never cheat on his spouse, stays in Korea for his second wife despite having desperately spent every second before meeting her trying to go home" Klinger is
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prawniscuous · 1 year
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hawkeyeslaughter · 5 months
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very fucked up that almost every time they showed henry’s office you could see his kids’ drawings on the wall i think
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marley-manson · 3 months
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what evidence do you have that bj and hawkeye are only friends because they are "trapped in an army base" and "hawkeye doesn't have any better options"?
tbf I didn't say they're only friends because they're trapped on an army base, I said BJ only gets away with his late season shit because they're trapped on an army base. That said, I do think if they'd met anywhere else, like at a medical conference, they wouldn't have become friends, and yeah the way they clash in the later seasons, I don't think they'd stay friends if Hawkeye wasn't stuck with him.
My evidence is:
Hawkeye describing BJ as a good clean-cut family man and adding "Despite that, I really like the guy," in Our Finest Hour, indicating that on a surface level they're not that compatible. On a deeper level of incompatibility, you have episodes like Preventative Medicine where they clash on a deep ethical level and don't reconcile their points, they simply choose to drop the argument. You also have their respective attitudes to hardship as highlighted in later seasons - BJ "saves [his] pshaws for things he can do something about," and largely remains passive give or take moments of sudden lashing out (eg the end of Back Pay) when he loses his self control, while Hawkeye is always acting on his feelings as much as possible whether he can affect change or not, because it helps him not feel helpless. BJ derides and mocks this attitude (calling him crazy in Back Pay and Tell it To the Marines, calling his tongue depressor tower pointless in Depressing News, etc) and Hawkeye ignores him and does what he needs to do anyway. They do not help each other see eye to eye or meet in the middle, they simply clash and do their own thing.
More headcanony, but I also think they're incompatible emotionally, in that Hawkeye wants people to open up to him and spill their feelings, and BJ is one of the characters most allergic to doing that, and almost never supports Hawkeye when he wants to talk about his feelings (Blood and Guts, Depressing News, GFA, etc). They have a very uneven relationship where Hawkeye is BJ's emotional support whenever BJ snaps, but BJ ditches Hawkeye when Hawkeye just needs his emotional support (this is what "Would you hold me in your arms or would you let me lie there and bleed?" is about), and I think BJ tries to make up for this with big gestures, but Hawkeye is more about the day to day support and solidarity with each other.
There's also the intensity of the rebound vibe in Welcome to Korea part 1 where Hawkeye refocuses on BJ after moping about Trapper and seems to deliberately explore how compatible they can be as friends - the babysitter comment to suss out whether he'd be a partner in womanizing, his willingness to break rules and flout authority, his sense of humour. BJ passes, so Hawkeye accepts him. It feels calculated because Hawkeye needs a replacement Trapper. ("We need to get him started on his ulcer," as potential evidence of Hawkeye wanting him to be Trapper 2.0)
BJ's attitude throughout season 4, in which he stamps out his own reactions and feelings to align himself with Hawkeye. The Bus has a thread of a battle of wills between Hawkeye and BJ over whether or not to include Frank, which Hawkeye wins. In Hey Doc he also wants Hawkeye to be nicer to Frank, but in the rest of the season he's right there with Hawkeye making fun of him. In The Gun BJ stands respectfully when Margaret comes to their table and Hawkeye glares at him disapprovingly, so then BJ turns it into a joke, seemingly correcting his own behaviour.
Wheelers and Dealers characterizes BJ as resentful in a way that makes him passive aggressive, which rings very true to his character to me. In Wheelers and Dealers he bemoans being so nice and passive and lashes out. "Who cares about what they want, I'm doing what I want for a change." This obviously says that he buries parts of himself to make nice with people habitually, as part of how he interacts with people, and I think you can see him doing it with Hawkeye early on.
You also have episodes like Heroes and Stars and Stripes where BJ alternately mocks Hawkeye for getting the spotlight and lords his own spotlight over Hawkeye, because he's insecure and presumably feels overshadowed by Hawkeye.
This is all to support my take that BJ moulds himself to suit Hawkeye because they're not intrinsically all that compatible as people, and he resents being the one to do that. So later BJ lashing out with mean pranks and psychological warfare (Bottoms Up, Dear Uncle Abdul, Joker Is Wild, what feels to me like negging in No Laughing Matter, etc) and ditching/mocking Hawkeye when he's upset about something (Back Pay, Depressing News, Give Em Hell Hawkeye, Blood and Guts, etc) is a response to that resentment when he feels more secure in Hawkeye putting up with it.
I think BJ would probably mould himself to fit anyone he wants to be friends with, but I don't think if given the option, he'd choose to be friends with Hawkeye. He disapproves of several things about Hawkeye even initially - his aforementioned lack of patience with Frank, his rampant sexuality (eg he does disapprove of Hawkeye sleeping with Carlye in The More I See You, and you also have several instances of BJ making fun of Hawkeye when it comes to his attitude towards sex, eg Taking the Fifth, Inga). And I don't think Hawkeye would choose to be friends with a monogamous married suburbanite if they weren't forced together right after Hawkeye lost his last war zone bff.
My evidence for Hawkeye only putting up with BJ's late season attitude because he's trapped is that he tries to put his foot down multiple times and fails because a) the 4077 is a very small world, and b) BJ needs his emotional support in a war zone. And every time he comes back they don't address what they fought over or discuss it or reconcile it, they simply drop it because they're reliant on their friendship.
In Ain't Love Grand he sleeps in the front office but comes back to share good news with BJ and emotionally support him. In The Most Unforgettable Characters they drop the fight because it upsets Radar without addressing why they were fighting. In Picture This Margaret manipulates Hawkeye into going back to BJ by lying about BJ needing his support. In The Joker is Wild and Bottoms Up Hawkeye mildly pranks BJ back in a tag and calls them even even though he's taking a loss.
It's also worth noting that Hawkeye hates BJ's friend Leo's extremely weaponized style of pranking. He's fine with shit like exploding cigars, not fine with him getting BJ court martialed. BJ is fine with it and thinks it's funny, which strikes me as another unaddressed incompatibility that feeds into the vibe of BJ's pretty intense psychological warfare later on, which Hawkeye is generally upset by rather than seeing it as all good fun.
And in GFA they both initially intend to leave without seeing each other again, BJ trying to leave a week early despite knowing his travel orders are sus and without saying goodbye or leaving a note, and Hawkeye expecting and ecstatic to be flown home when released from the hospital only to be ordered back to the 4077 for one more week. Also in GFA Hawkeye says goodbye for good, fully expecting to never see BJ again and sad about it but accepting.
Oh also the fact that Welcome to Korea is structured as a series of horrible things happening in a war zone that bond them together through shared trauma is another piece of strong evidence for the reading that being in a warzone together and needing each others' support is why they become friends, when otherwise they might not look twice at each other.
Ultimately you can take all this stuff and also interpret it as two guys who fall in genuine love/intense friendship and put up with each other because of that, but I think there's more than enough evidence that them being trapped together in hell is a major reason they become and stay friends, and imo it's a solid reading of their relationship, and also infinitely more interesting to me.
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youngpettyqueen · 11 months
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there's something about Hawkeye sitting on a bench outside OR splashing cold coffee on his face and using it to shave, while using a tray held between his knees as a mirror so he can see what he's doing
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gleetournaments · 3 months
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The Ultimate Episode Tournament: Round 1 Match 40
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cryscendo · 9 months
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kurt hummel + tv tropes (pt 2)
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hawkeyebj · 9 months
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filed under scenes i watch to make myself smile <3
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omaano · 1 year
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💋 *bite bite* 💋
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6/1/2023:
1 episode since Drawfee last referenced Cats (2019)
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variousqueerthings · 1 year
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Top ten most haunted episodes of MASH
I realised! I can now post this, because as much as I’m sure the finale is going to be one hell of a ride, I am kind of seeing it as its own thing in connection with this (I may change my mind once I’ve watched it of course) and therefore want to take it out of the running, because 2 hours of thematically weighted narrative really isn’t fair compared to the usual 25mins an episode has to make you feral 
anyway MASH is haunted, but sometimes... it’s even more haunted!
* Runner ups *
tuttle: this one goes more shenanigans than haunted, however it cannot be denied that an incorporeal person briefly worked at, slept at, and befriended people at the 4077th MASH unit
dr pierce and mr hyde: the first episode to make you wonder... wait, war may be war and hell may be hell, but maybe this narrative about war is actually purgatory and Hawkeye is so plagued by insomnia that he’s seen past the curtain and is looking right at us! maybe we’re haunting the narrative! but there are a couple of episodes in which Hawkeye is haunted far more obviously
abyssinia, henry: in hindsight we’re watching a eulogy of sorts. A goodbye spoken over and over, every time the episode is watched and the players play their parts once more. But Henry isn’t actually dead yet... 
heal thyself: an episode in which there’s a haunting by the potential future of losing your mind after seeing so much violence, however “dreams” does it with more surrealism and spread more evenly across the board
where there’s a will there’s a war: this one might have made the list, but for the fact that there is another episode in which Hawkeye dies more readily...
* THE TOP TEN MOST HAUNTED MASH EPISODES (SUBJECTIVELY, IN THE ORDER THEY APPEAR) *
the late captain pierce: Hawkeye dies. they tell his father and everything. a guy comes to pick up his corpse. his body lays down amongst the other dead, allowing itself (briefly) to be taken, before deciding to drag itself up again to go on and on and on. it makes you ask “what if he is dead and this is a purgatory of some kind and he can never leave?” and of course, it’s the episode that first invokes both Trapper and Henry (after the opening episode) as figures that will haunt the 4077th for the rest of the story
hawk’s nightmare: all of his friends from back home keep dying horrible, violent deaths in technicolour! he rushes to the phone, trying to reach them somehow to warn them of what only he knows is coming, only to discover that they’re all perfectly fine. it’s a metaphor, the violence he’s seeing in war is invading the peacefulness of his life back home, marring its idyllic, safe place in his head. but it plays not unlike a literal horror movie, just like the war itself -- he’s the only one who can save them, all of them, and nobody believes him
exorcism: I mean this episode is called “exorcism,” they very literally get the place exorcised from angry spirits. I know this tradition exists, but I don’t know how accurately it’s portrayed, but I do like that the episode takes it very seriously -- and considering “follies” I’d say that makes it even more canon that this is about very real (and not metaphorical) ghosts. sometimes spirits are a metaphor. sometimes ghosts are just pissed off that you’re not respecting them!
old soldiers: the episode in which they drink to (and with) Potter’s dead friends, and in many ways, to Potter’s life as well -- one in which he’s been involved in war after war after war (and now, at least personally, that’s about to end). Potter as a character has a particular feeling to him. he’s lived a long time and experienced all kinds of deaths, not just from war, but simply from coming ever-closer to the end of that life. in many ways the entirety of his narrative in this story is a coda, and this is one of the strongest episodes to showcase that, through the invocation of old soldiers
dreams: things that were, things that are, and some things... that have not yet come to pass. all the things spoken about by galadriel in lord of the rings basically, but make it even more fucked up and covered in blood. haunted by your mother calling you in to dinner as a kid. haunted by the life you’ll never have and the bodies piled in front of you instead. haunted by the perfect marriage and promised life slipping through your fingers. haunted by the expectations placed upon you. haunted by Christ-symbolism judging your desires. haunted by empty streets and your own dead body. haunted by bodies, by a lake, by a dead child. it’s just really haunted okay. 
the life you save: this is another one that feels recontextualised once you’ve seen “follies,” but maybe you were already wondering... maybe Charles wasn’t just imagining his brother hanging around after he’d died, maybe he really was there. regardless, he was feeling his presence. beyond that, there’s the metaphorical hauntings -- the unspoken thing that happened that Charles clearly feels very guilty about. the desperate desire to engage with the afterlife, clinging to a literal dying soldier. and of course his odd little unfazed acknowledgement of the fact that he may die too
follies of the living - concerns of the dead: IT’S AN EPISODE ABOUT A GHOST! THE POV CHARACTER IS DEAD! it’s not half-teasing the audience that maybe Klinger is just really sick, because Klinger is not the POV. it’s a story about life about death, told through the eyes of someone who’s letting go of the things that frustrate and worry the living. and then the soldier wanders away from the MASH 4077th, ready to let go, and joins other dead people in wandering down the road to... somewhere. they really just did this, huh. I also imagine just how sick Klinger might have been to have seen said ghost... makes ya wonder...
trick or treatment: coming at you all of a sudden in s11 of all places, we have literal ghost stories! in many ways this is actually the silliest of the haunted MASH episodes, because the stakes of the ghosts themselves aren’t so intense. the episode does have intensity and an actual resurrection, but in many ways it’s chasing away the fear of death, as one may do on Halloween. ghosts include: a dead brother, a ghost ship, dead husband, and of course the ghosts of all the soldiers that you watched die that demand penitence 
who knew: an episode that once more is contextualised somewhat by “follies,” but actually it’s slightly less the ghost of nurse Carpenter that stalks this tale (although she does that for sure), and more the eulogy at the end that pushes this one over the edge. The eulogy is really only partially about her, and far more about Hawkeye’s family at the 4077th. If Hawkeye is speaking as the dead in episodes like “the late captain pierce,” and “where there’s a will,” he’s speaking as someone who’s mourning the seemingly very alive people before him in this one. the fact that it comes in the last season of the show makes that speech feel all the more like the goodbye that a eulogy is
as time goes by: hey, remember how the show opens with “100 years ago” and then this episode asks “how will we be remembered in a 100 years?” a neat little circle back to the beginning, in which one remembers all of a sudden (meta, I know, but what is a haunting without meta) that we just passed the 50th mark of the show’s release. another 50 years and that question will be answered (and heck, 100 years since the Korean war is only about 30 years away...) -- an episode about living ghosts, leaving behind a legacy of their story that is only contextualised through having watched that story (a teddy bear, a fishing hook, a dress, etc). and of course, within that story itself, a form of final burial to the ghost of Henry Blake
*
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