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#even if we haven't changed together
doeeyeddyke · 10 months
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The Old House
Desi LGBT Fest
Day 18: The Box of Pictures in Ma’s Attic
@desi-lgbt-fest​
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carcarrot · 9 months
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would you all still love me if i learned french
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33-001 · 5 months
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I'm gonna shut up after this fr but also after seeing Se/ri/Re/i being SO popular, like just shortly behind the main ship, I really expected more I'm sorry but their chemistry is 0%
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annabelle--cane · 1 year
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uh oh gang I miss musicals
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shopcat · 1 year
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why don't you like st@ncy? (i don't either i'm just curious)
cuz i like steve ❤️ and i think we should commit biochemical warfare against straight couples to be honest. also they should both get a restraining order against each other and possibly create dolls that look like the other and then set them on fire
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If they keep the “reds aren’t allowed to be friends with yellows/greens” rule on Limited Life I am going to start biting
#Me Talking#StopLife series#limited life smp#Greens and yellows have already been allowed to be friends and green/yellow this time around isn't functionally different from yellow/red#I had trust issues in the beginning of limited life; I couldn't let myself get attached to any group#because I remembered last life where almost none of the first-session factions survived together#and this time it's been different! Inter-faction boogeys haven't been happening and everyone's been being a team#and now I'm invested in the Clockers and the TIES and the Bad Boys and all the factions as FACTIONS#(which side note I think was a big part about why we all went insane about third life)#(and why I didn't enjoy Last Life as much and then enjoyed Double Life with its built-in factions more)#(and was initially worried about limited life because of the bogey mechanic coming back even though the bogey mechanic is cool and fun)#And factions can fall apart in the endgame. Betrayals can happen. That's fun and cool (and both of those happened in third life)#but breaking up a faction because one of the members went red just kinda feels bad#I get why they did it in last life. I get that in third life reds being able to be part of factions changed how being red worked/felt#and everyone on a faction with a red being able to kill made reds vulnerable rather than dangerous#but on limited life reds aren't as vulnerable. They have like 7 more deaths left. And reds also aren't the only ones allowed to do violence#so come on. Let the TIES keep their team. Don't break up the Clocker family. Let the finale keep the factions we're invested in
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dramaism · 9 months
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so I've been really burned out these past 2 weeks and started rewatching the first tv show I've ever watched - the vampire diaries
gosh rewatching this 10 years later as an adult feels so unique? and watching it in english too? because i change my opinion on things like every 2-3 episodes
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waugh-bao · 8 months
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#I’ve been thinking about something a friend said in regards to the lyrics for ‘Angry’#because I was having a hard time putting my finger on why I disliked it other than the drumming#the ‘We haven't made love and I wanna know why’ bit played#and she said ‘that’s what you get for dating a 36 year old when you’re 80’#(she also pointed out that the vocals don’t even sound like mick. which is true. the song is grossly over produced)#my point isn’t so much this specific thing with mick#as that he’s been writing songs along these lines for 60 years#and at this point it feels like we’re getting 100% misogyny and 5% creativity#it’s all bitching and moaning about being wronged by a woman and denied access to her body#I don’t really care if they’re ‘problematic’ in their lyrics to some extent or another. they’re old rockstars#but there’s nothing special or creative or even metaphorical going on#it’s like a lazy version of ‘bitch’#I’m kind of concerned if this is the pre-released single. that it’s the best they’ve got. because it isn’t very good#((also heard mick mention in an interview not long ago that Tattoo You is one of his favorite albums. which makes the decision to trash#everything recorded before 2019 especially dumb. because that album was cobbled together from old songs and recordings. many made way before#1981. they’re almost acting like this is a change on the level of darryl. which is blatantly dumb. there isn’t 30 years left. in terms of#time or creative output))
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martsonmars · 1 year
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just changed a friend's contact to his new name and i'm 🥰
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fozmeadows · 6 months
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the older I get, the more the technological changes I've lived through as a millennial feel bizarre to me. we had computers in my primary school classroom; I first learned to type on a typewriter. I had a cellphone as a teenager, but still needed a physical train timetable. my parents listened to LP records when I was growing up; meanwhile, my childhood cassette tape collection became a CD collection, until I started downloading mp3s on kazaa over our 56k modem internet connection to play in winamp on my desktop computer, and now my laptop doesn't even have a disc tray. I used to save my word documents on floppy discs. I grew up using the rotary phone at my grandparents' house and our wall-connected landline; my mother's first cellphone was so big, we called it The Brick. I once took my desktop computer - monitor, tower and all - on the train to attend a LAN party at a friend's house where we had to connect to the internet with physical cables to play together, and where one friend's massive CRT monitor wouldn't fit on any available table. as kids, we used to make concertina caterpillars in class with the punctured and perforated paper strips that were left over whenever anything was printed on the room's dot matrix printer, which was outdated by the time I was in high school. VHS tapes became DVDs, and you could still rent both at the local video store when I was first married, but those shops all died out within the next six years. my facebook account predates the iphone camera - I used to carry around a separate digital camera and manually upload photos to the computer in order to post them; there are rolls of undeveloped film from my childhood still in envelopes from the chemist's in my childhood photo albums. I have a photo album from my wedding, but no physical albums of my child; by then, we were all posting online, and now that's a decade's worth of pictures I'd have to sort through manually in order to create one. there are video games I tell my son about but can't ever show him because the consoles they used to run on are all obsolete and the games were never remastered for the new ones that don't have the requisite backwards compatibility. I used to have a walkman for car trips as a kid; then I had a discman and a plastic hardshell case of CDs to carry around as a teenager; later, a friend gave my husband and I engraved matching ipods as a wedding present, and we used them both until they stopped working; now they're obsolete. today I texted my mother, who was born in 1950, a tiktok upload of an instructional video for girls from 1956 on how to look after their hair and nails and fold their clothes. my father was born four years after the invention of colour televison; he worked in radio and print journalism, and in the years before his health declined, even though he logically understood that newspapers existed online, he would clip out articles from the physical paper, put them in an envelope and mail them to me overseas if he wanted me to read them. and now I hold the world in a glass-faced rectangle, and I have access to everything and ownership of nothing, and everything I write online can potentially be wiped out at the drop of a hat by the ego of an idiot manchild billionaire. as a child, I wore a watch, but like most of my generation, I stopped when cellphones started telling us the time and they became redundant. now, my son wears a smartwatch so we can call him home from playing in the neighbourhood park, and there's a tanline on his wrist ike the one I haven't had since the age of fifteen. and I wonder: what will 2030 look like?
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Me: I'm fine about my autism now btw, like I've come to terms with my fixated interests, limited tolerances and social inabilities. The alienation it brings is not ideal but it's just a reality I've gotta deal with now that I know it's just a part of who I am. I mean, it's not like an awkward conversation is gonna ruin anyone's life, is it? We'll both move on from it eventually. This is fine!
Also me: physically unable to watch beyond the first word of the first question of The Assembly because oh my god what if someone says something awkward or controversial or someone can't make themselves understood people are gonna get mad and scream about it online and I will freeze up and be stuck in the backlash forever I don't know how to handle conflict AT ALL let's just hide in the corner behind the sofa instead wait what if I became a hermit actually yeah yeah yeah that sounds good let's do that
#unresolved trauma? never even heard of her haha 😅#maddie debrief#that 2-minute intro/taster did nothing to calm me down either btw#I'm never comfortable around the types of shows where 'difference' becomes the core conceit of the premise#oh. so you've created a format dependent on making a socially alienated group face the social rules that made them alien in the first place#and then deriving your conflict from the 'natural contradiction' between the two?#sounds like the exact kind of conflict-seeking environment where I can let my normal guard down enough to meaningfully challenge#my deeply rooted feeling that people generally find me cumbersome to be around and mostly just tolerate my presence out of necessity#lovely that#(like i say I haven't seen the show#so idk if it is actually like that or if it's just the promo material stirring shit up as per usual#but as of rn I do not feel welcome in this room)#why does the 'we're not so different after all' always have to come at the climax and never the midpoint of the story?#why can we never find more than personal gratification in that realisation?#why do we always focus on the difficulty of coming to the realisation rather than the conflict of putting the realisation into *practice*?#I know why#it is because the human imagination is far more limited than we like to believe#and we find it hard to even *imagine* a world that we haven't seen functioning for ourselves yet#let alone find a purpose in *acting* on the idea#(especially if we ourselves currently feel dependent on the status quo for our personal welfare#which is why shows made to depend on 'difference = conflict' make my blood run cold)#so if we have to see to believe - how many cases of real world functioning equity does the average person understand?#very few. so let's instead lazily invert the state of power in an existing dynamic that people are familiar with#thereby reaffirming its false dichotomy through perpetuating what is essentially the same old conflict#while claiming to subvert it when in fact all we have done is reverse the dominance while keeping everyone locked in their roles#can someone just put some thought into how we might create a format that aims to loosen up the underlying skewed power dyanmic#so that everyone has to work together to prevent the elevation of a single way of being over all others#because that just becomes suffocating to *everyone* in the end#and that can still *acknowledge difference* but not as a source of conflict - rather as a source of collective strength?#but the story of changing one perspective will always be easier to both tell and enjoy than the one about building something new
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evilminji · 1 month
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Okay, you know how bird don't ACTUALLY look the way we think they do?
They are far more colorful? But only to the eyes of other birds?
And it has to do with how light reflects off them and how their eyes are shaped etc etc.?
Well..... humans can see the most shades of green, right? But! We sure as shit can't see UltaViolet and InfraRed? Or shades BEYOND those. Ectoplasmic colors. Magical ones. Third eye, need to see with your SOUL type ones.
Danny? Could very well still have lil baby "kitten's eyes who haven't open yet" syndrome.
He thinks the Zone is Green and his hair is white.
But it's not.
His hair is Starlight colored. Frost. His suit is specifically "the void between stars" colored. Which looks... different? Then black? No, no, guys. How can you guys not see it? It looks REALLY different! How did he not NOTICE before?! They're not ever CLOSE to the same shade! It's like calling salmon and hot pink the same. You know... if you were to compare an actual fish and some irradiated, violently glowing version of "hot pink".
......guys?
His gloves are.... guys, these ares stars. Pressed so close together there's no gap. His body is the night sky, all rearranged. He's wearing SPACE, guys.
*continues to stare at his gloves for the next five hours*
Now... why is this relevant? Because! Danny slowly, as all humans do, adjusts! It's like finally having glasses after years of blurry vision. He... forgets, what it was like, not NOT See Zone Colors. Not completely, mind you, but enough he has to be reminded.
And the Zone? A Realm of the Dead. Specifically, the great catch-all and highway of the Dead. They get EVERYBODY. Misfits and vagabonds. Those who don't quite fit. Funky lil dudes. And of course, assholes, but everybody has those! See, Zone colors?
Are DIFFERENT.
They're all of um!
It's like looking at the technicolor, stobe light, multi galaxies in one, Sun. Tingly(tm)!!! You get used to it. What helps? Is that as garish as the Zone is? The painting and grand tapestry of it all? Keeps changing. Like weather. If it's too much for you, you can stay inside your Lair until the current Color changes. Until the designs shift. Vibe changes.
There are even glasses for that! "Temperate" areas for people to set up, that get headaches or are just... kinda killjoys. Too each their own. Though the stormy areas? Those guys are freaks. Watch out for those guys. They're the kind who stare directly are stars until their eyes burn out.
Where was I? Oh yeah! Danny!
No longer a wee baby, smol baby, twig-o!
Sad. We miss it.
But he did get used to Seeing The Colors. Got a handle on his powers. And! Finally worked with his parents on how to safely turn the portal OFF. There was much booing. Cries of "kill joy" and "booo! You suck!". But? Like? Dude DID have the right to protect his home. Go to college. What can you do?
Problem with THAT is? Baby grew into his "built like a brick shit house of constantly running off to literally tackle the Supernatural excellence" Fenton genetics. He Tall. Muscles! And he PUMPING out "somethings fucked up with me" Vibes!
Add in his DEEPLY Sus off hand comments. Weird ability to tell when someone has or is about to die. Basic immunity to the cold. Fuckin EYE GLOW?
Ha ha... *Horror movie screams from his college dorm mates*
Clearly a demon!
He gets kicked out. Well... not kicked out. He's a model student and broken no rules. They'd never survive the lawsuit. But... he's? STRONGLY INCOURAGED to finish his education elsewhere. Repeatedly. By like... 15 colleges.
Sam is not just livid, she's actively foaming at the mouth.
Breathe, Sam! Remember what your doctor said! Your mortal body can't handle that kinda Vengance spiral! Think of your blood pressure! Breathe!!! (Were not for the laws of this land... and the weak, fleshy constraints of her mortal form!)
Thankfully? Tucker's been interning, remotely of course, with Wayne Industries. He asked his manager where he could find some of those scholarship forms. (Since Gotham University is just a touch out of Danny's price range.) Manager wanted to know why. And oh! Oh holy shit. Apparently? Danny is the hot new office gossip.
People in the main office are OUTRAGED. Danny's "too spooky"?! Too FUCKIN SPOOKY!? Are you KIDDING THEM? Even juicier, a Meta kid from some wacky ghost hunters turned scientists. From a line of Supernatural hunters. Wants to be a aeronautics engineer.
Ooooooh how SPOOKY! Better watch out! He'll design an ENGINE at yooooou!
Fuckin casuals. Non-Gothamites are WEAK. "Too scary" their collective asses. Yeah, maybe the kid SHOULD come too Gotham. He can be the weird kid. Mildly unsettling or something. His powers won't be SHIT in Gotham. Just remind him to buy a gas mask.
So! Danny gets his Scholarship! Merrily packs his bags for darker, Gothic hellscape hills. Unaware... that Constantine has been following reports of a "demon" that he's? 80% sure is a Banshee but MIGHT be a winter spirt with a shtick? For the past 13 colleges. He's getting closer. And this sucker is a strong one.
Not "this is going to cause me serious, life imperilling danger" strong. But more? "Man, that cat is HUUUUUGE". Could he still get mauled a lil? Yeah. Scratched to all hell and back? Probably! But DIE? Unlikely.
He just needs to know why the FUCK this spirit his hanging around colleges.
Which is made harder... by the fact that what HE sees? And what OTHER people see? When they look at this guy? Separate things. Yeah, he'd LOVE to give you guys a description! IF HE HAD ONE.
@the-witchhunter @hdgnj @hdgnj @spidori @babbling-babull @nerdpoe @lolottes
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sirzeldrizz · 3 months
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"I love you but I can't say those words":
I would drown even the stars for you.
When I look at you, I just think about how much things have changed since we first met.. my how time flies..
don't you think looking at me like that will give me the wrong impression?
oh, by the way, don't be late for dinner.
I don't think I would have rather done this with anyone else..
did you ever think we'd grow so close?
how many times have I had to nurse you back to health now?
maybe you should sit this one out, I've got it for now
why haven't you told me this before?
Please don't do anything reckless
Will you sit with me?
When was the last time you ate??
Anything that you have to say to me, you can say infront of [B]
I know you're not feeling the greatest, that's why I brought you [insert thing]
you just love to give me hell, don't you?
You're important to me.
I don't wanna lose you / I can't bare to lose you
do you need some help with that? allow me
Hidden Confessions:
I don't think you understand just how much you really mean to me.
I know how you are, and that's why I've decided that you won't do this alone.
You can't get rid of me that easily (after an argument)
don't think so low of my loyalty to you for I would burn the heavens if it mean saving the stars in your eyes.
you've always been the one person who I could never stay mad at
I cherish the memories we make together
I will never let anything or anyone hurt you
you won't take them away from me
don't you dare lay a finger on them!
if you so much as make a move on them I will kill you where you stand, you hear me?
so precious, our time together
I love whatever this is between us.
do you ever think about where we'll be in 10 years?
careful now, you just might make me blush talking like that
Sappy Sentences:
I don't think the heavens or the hells below could fathom the level of love we share.
If there were a way to bottle your love, I'd get drunk on it every day
Sometimes all I really want is to lay like this, with you in my arms forever.
For us eternity doesn't mean for the rest of time. Eternity is just for the rest of our lives together.
I don't remember giving you my heart, but I know it's safe in your hands.
Watching you get hurt is like a blade through the heart, I can't take it.
Even if I had six hearts, they'd all beat for you.
I can't blame those who stare at you, I get lost in your beauty myself.
I'd worship you as my supreme deity, bathe me in your grace
I'd do anything in the world for you. Just you name it.
Come lay with me, I want to heart your heartbeat.
Everytime I'm with you, I can't help but feel at peace with the world.
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blacktabbygames · 5 months
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Slay the Princess Concept Art
We shared a bunch of concept art on Twitter today. Sharing it here, too, where you can find it all in one post. Post contains spoilers, so proceed with caution (or just play the game already if you haven't 😉)
Going to start with the first piece of concept art Abby drew for the game.
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In the earliest stages of development, we toyed around with the concept of there being multiple "end game" forms of the Princess.
The initial outline, rather than being tied together by an overarching metanarrative, structured a full playthrough as a 5-6 chapter long, self-contained journey down a single route, determined by your decisions in chapter 1. Here's an alternative late-game form:
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The idea of deviating end-game forms didn't lost for very long, though. As we explored the game's themes more deeply, it made the most sense for there to be a singular "true" form.
If your reality is shaped by subjectivity and perception, then the "truth" has to be what's left when that subjectivity is swept away. the Shifting Mound's final design feels like that initial truth for the Princess, though there's also another truth if you push back against her and press on into the final cabin.
We really liked this "void" design, and I played around with the idea of it being an intermediary to the final form. The "void" Princess would be what you saw upon encountering the final Princess without understanding your own truth, but once you had that understanding, you would see her as the Shifting Mound, as depicted in the game.
That gave way to the intermediary design of the SM being a sea of disembodied limbs, and we also took parts of both designs and incorporated them into the protagonist (particularly the wings.) You can see the eyes and feathers for this void form in the ending card of the original trailer below:
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You can see extremely early concept art for the spectre (top), nightmare (top-right), stranger (left), beast (bottom) and ??? (right) as well!
The eyes became a motif in the Nightmare route (Paranoid's manifestation of the fear of being watched), but I also like to think of them as a part of The Long Quiet's truth. You are space and emptiness, but you're also that which observes those things, and it's your perceptions that give the Shifting Mound shape.
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Anyways, on the note of the original original concepts for the game, the Princess was initially going to remain human for several loops before taking on more monstrous forms. Some concepts of that are below. Had to get Abby to tone down some of the more horrifically cartoonish designs because they creeped me out and I didn't want to romance them in a video game.
We had to hold our cards close to our chest in the non-metanarrative early drafts, which is part of why, even in the first demo, the cabin doesn't really change much in chapter 2. More room to subtly play with the concept of transformation over time.
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There were a lot of reasons we moved in a different direction for the full release. The branching was unmanageably large to write, and the game felt like a slog to write.
Using an overarching narrative as a framing mechanism in the final version gave us a lot more freedom to explore wildly divergent ideas within routes while still driving the player towards the originally planned finale.
Anyways, now we've got some concept art for individual princesses. There's a lot more than this lying around somewhere, but it's all in sketchbooks, and we'll probably wait until we make an art book to show it off.
First is the tower, who really didn't change much at all. (She got a little thicker, I guess. All of the Princesses did)
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Not a lot to say about her, other than the fact that we knew we wanted a set piece where she gets so big that the trees and cabin orbit around her.
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The stranger went through many many redesigns over the course of development. Here, she was a "princess skin" filled with a hive of sentient bugs. The script wasn't working for me, though, so instead she became a peak behind the curtains without the necessary context to know her.
A lot of people ask how these earlier drafts of the Stranger route would have played out, and the answer is I can't tell you, because I couldn't figure out something worth writing.
The writing process for individual routes didn't really start with outlines or plot beats. Rather, the routes started from a theme and a relationship dynamic, and I organically found their outcomes by exploring actions within those themes, and then seeing if those passed Abby's editor brain.
Neither of us found actions we wanted to explore with those versions of the Stranger, at least actions that weren't a beat-by-beat retelling of chapter 1, which contained way too much variation to put on a single chapter 2 route.
If each princess examines a relationship formed by perception and first impressions, the Stranger examines one that's fundamentally unknowable. One where you've seen too much, too quickly.
An insect hive-mind pretending to be a person seemed like a good starting point, but it was too difficult to write any interactions that didn't immediately feel knowable, if still strange. So the final version of the Stranger was designed in such a way where her unknowability makes interacting with her on a human level fundamentally impossible, and you don't get to have a real conversation with her unless you satisfy extremely specific criteria.
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Anyways next up is the razor's final form. We decided she needed more swords.
Hearts became an accidental motif very quickly in the development process, too. (The fact that it is only strikes to the heart that fell her in the demo was accidental, but it felt poetic so we extended it to the rest of the game.)
So on top of adding more swords, we made her heart visible. This is something we did with the fury as well, as a way of showing their emotional (and physical) vulnerability.
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Here's an early version of the Adversary and what would eventually become the Eye of the Needle, back when she was still called the Fury. Originally her hair was going to be fire (as seen on the right), but it didn't feel right in its execution.
She's hit the gym since this concept art. Good for her :)
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And we're going to end with the Beast, who at this point was called the Adversary. I think this was before the Witch was added? The Beast was originally designed to be a Questing Beast who lurked in the shadows, where you'd only see glimpses of her, and where each glimpse would make her appear to be a different animal. This was too difficult to execute, though we gave her a more chimera-like appearance in the final game.
This design was from when we still has the Voice of the Obsessed, and the route was going to be a more feral mirror of what eventually became the Adversary, but it felt too thematically similar while being less interesting, so we moved in the direction of making the Beast about consumption as a form of love.
Anyways, that's all we've got for you right now. Hope this was fun!
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rafeandonlyrafe · 29 days
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easter day
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words: 1.3k
warnings: 18+ only, smut, dad!rafe, mom!reader, fluffy and cute, talk of pregnancy, p in v sex
“when are they getting here?” rafe questions, hands on your hips, leaning over your shoulder to look at the counter where you're finishing frosting the sugar cookies with various pastel colors.
“uhh…” you glance at the clock. “any minute now.” you set down the piping bag as you finish the last detail and turn to look at rafe, changing your voice to a whisper. “are all the eggs hidden?”
“yup.” he nods. “and i already told harper that the small blue ones are for her brother so to let him get the easy ones. the easter bunny told me specifically.”
“smart.” you chuckle, letting rafe pull you in and press your lips together.
“i do just have one complaint.” rafe says, hands moving from your hips to grip your bum. 
“and what would that be?” you look at your husband, one eyebrow raised.
“this dress.” rafe shakes his head. “you look too good in it, you're practically begging me to put a third kid in you.”
“not until elijah is two, remember?” you remind rafe.
“he's 18 months, that's practically two!” rafe lies through his teeth, his grin turning mischievous, knowing just how big of a difference six months can make in a baby's development.
“ill tell you what…” you run your hands up rafes chest. “why don't we sneak away when my parents get here? you know they act like we don't exist anyways.”
you can't blame them, harper just turned 5 and is a handful, which is only added to by elijah. while he's an angel, he's still a toddler and will get into anything and everything if you turn your back for even a minute.
“sounds perfect.” rafe gives you another kiss as harper runs into the kitchen, elijah still distracted in the corner in his bouncer.
“mommy!” she squeals, launching herself at you. you pick her up and easily turn her so she's on your hip. “mommy, mommy.” she continues. “the easter bunny came! i saw eggs in the backyard!”
“oh, yay!” you bounce her slightly as elijah giggles, reacting to harper's excitement. rafe heads to the bouncer and lifts him out.
“and look, mama made cookies.” you show her the frosted sugar cookie eggs and baby chicks. “and i left a couple unfrosted for you to do with grandma and grandpa!”
harper lets out another squeal and wiggles excitedly. “elijah, gammy and gamps are coming over!”
rafe chuckles at her mispronunciation. it started when she was first learning to talk and their names haven't changed since, even elijah calling them their nicknames.
there's a knock at the door and harper wiggles out of your arms to run towards the front, quickly followed by you and rafe, who unabashedly checks you out as harper opens the door to your parents.
“harper!” your mom steps in, wrapping her in a big hug, completing it with pressing kisses all over her face.
“and there's my little man.” your dad takes elijah from rafes arms, whose happy to give him up, itching to get that alone time with you.
you quickly usher your parents in, showing them the unfrosted cookies and other activities to keep your kids attention. 
“rafe and i are gonna go finish their easter baskets.” in truth you've had their baskets finished for a week now, but there's no reason for them to know that.
“okay, that's fine dear.” your mom says, barely glancing to you as harper grabs a butter knife covered in pink frosting.
you grab your husband's hand, and he practically sprints up the stairs, pulling you right along with him into your bedroom.
“god, you knew this would happen didn't you?” rafe questions, hands gripping at your dress, pulling it up as he backs you up towards your bed, keeping the door slightly cracked so you can hear if anyone comes up the stairs. “you know i can't resist this dress.”
you keep your sundresses at the front of your closet, wearing them whenever you find a reason to, purely because of how rafe reacts to them.
“stop talking and hurry up.” you chastise rafe, fingers swiftly undoing the buttons of his crisp shirt until your hands can delve in and feel his muscles.
“yes, ma’am.” rafe smirks, lowering you onto the bed as his lips find yours again, fingers coming to your underwear to feel the wet spot that has started to form. his fingers swipe over the material until you’re moaning quietly, eyes shut.
“god, need to get inside you.” rafe groans, standing to undo his shorts and grab a condom from the nightstand as you take your underwear off, tossing them in the general direction of your hamper. 
you use the moment of silence to listen, seeing if you can hear anything coming from downstairs, but all seems to be calm as rafe pulls your hips to the edge of the bed, lining up his cock with your entrance.
rafe sinks in slowly with a low groan as you gasp, gripping the bed sheets. its been far too long since you’ve been able to have a moment alone like this.
“so good, mama.” rafe wraps your legs around his hips as he begins to move, thrusting in and out of you, thumb already rubbing over your clit, knowing you both need to cum and get downstairs as soon as possible.
“yeah, feels good.” you whine, covering your mouth with your palm as you let out noises, rafe always able to get the sounds out of you even when you should be quiet.
rafe moves faster, cock pushing at your walls, stretching you open for his length.
“shit.” rafe groans. “we need to convince your parents or aunt wheezie to take them for a weekend.”
“mmm, that’s exactly what we need.” you nod. you know that you’d probably end up pregnant again if you had an uninterrupted weekend with rafe, you already feel the urge to reach down and pull the condom off of him, but the thought of dealing with elijah at his current age while pregnant has your mind clearing quickly.
“or we can start sending elijah to daycare once a week.” rafe says, glad that the conversation is helping quell his orgasm somewhat, not wanting to burst inside of you too early.
“fuck, whatever it takes to get more of this.” you push at rafes stomach. he takes a step back as you flip over on the bed, toes touching the floor as you turn onto your stomach.
“god, i wanna marry you all over again.” rafe pushes quickly back insides, thrusts now speeding up as his hands grip your ass, squeezing it and watching the way it jiggles with every thrust.
you push your hand below your body to touch your clit, rubbing it in pace with rafes cock pushing inside of you, pressing your face into the mattress to drown out your noises.
“gonna cum, baby.” rafe warns, cock swelling inside of you before hes releasing with one more deep thrust, triggering your own orgasm as your body shakes.
rafe pulls out, flipping your dress back down over your ass just in case someone sneaks upstairs as he discards of the condom and redresses before heading back to you, helping you turn over to sit on the edge of the bed.
“i love you.” rafe coos, pressing kisses to the top of your head as you lean against him.
“i love you too.” you take his hand in his. “and we should get back downstairs before they get suspicious.”
“absolutely.” rafe nods, following you out the bedroom and down the stairs, leaning in to whisper in your ear when he sees everyone is still occupied with frosting cookies, a smear of orange frosting across harpers nose. “and don’t think i forgot that you aren’t wearing panties anymore.”
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ridleymocki · 6 months
Text
(seeing so many bad faith interpretations of the argument, y'all are really going to make me do this, okay HERE WE GO)
.................................
What Ed says: "I think last night was a mistake. I'm not ready for... Whatever this is."
What Ed means: "I didn't want last night to happen so soon or under those circumstances. Things are changing rapidly, which makes me feel out of control and scared."
What Stede hears: "I regret sleeping with you. I don't want the sort of relationship that you're after."
.................................
What Stede says: "It was a fine fish. It was... whatever. I was just trying to make you feel good!"
What Stede means: "I only cared about the fish because you cared about it, and I care about you. I liked the fish because it made you happy. Ordinarily, I'm ambivalent about fish."
What Ed hears: "I lied to you. I didn't care about your achievement I was just placating you to get what I wanted."
.................................
What Ed says: "Here's the news: I'm leaving. I got a job on a little fishing boat and I'm leaving. I'm a fisherman now."
What Ed means: "I think I need to be away from you to figure out who I am, because I haven't been able to do that while we're together, and your lifestyle now is the life I'm trying to leave behind."
What Stede hears: "I've made a decision to leave you and have a life without you. I don't value what we have enough to work with you to find a solution, I'd prefer to end it."
.................................
What Stede says: "Oh, Ed. Seriously? You're not a fisherman."
What Stede means: "I think you're using this plan to escape and avoid your problems. It sounds like you're pretending to be someone else. It seems to me like an impulsive decision and I am concerned."
What Ed hears: "I don't support this ambition. I think you're incapable. I don't think you can be different from what you have always been."
.................................
This is the kind of analysis done in therapeutic environments. When I put what they mean, it's not just a rephrasing but a boiling down to the core issue. I could go on to the rest of the dialogue but do you see the continuing ship-in-the-night miscommunication?? It's tripartite:
failing to express one's current emotional reality with the most accurate and clear language, often because that reality is not fully understood to oneself,
misinterpreting the other's language, due to preexisting sensitivities and defensiveness about one's own understanding of the situation,
increasing frustration and sense of personal attack that results from those misinterpretations, which perpetuates and worsens the poor communication.
Importantly, this kind of pattern means you miss the best and most important kernels of communication in an exchange because you're reacting to the more inflammatory parts.
Stede: "This can be whatever we want it to be." (I am willing to make changes to our arrangement so that you're happy). Ed: "I don't even know who I am! Alright? I know I don't want to be a pirate. And you, you're blowing up, you're the toast of the town." (I think we want different things. You're just starting a journey that I've already finished).
With those two bits alone they could've sorted this out. The first is the answer to the second. But they didn't -- couldn't -- latch onto it because all their other baggage was getting in the way.
And I'm being proven correct that this is what is happening, because I have seen next to nothing on here about the above two lines, only reactionary takes of fans also focusing on the inflammatory parts because of their predispositions. You're doing an encore performance of what they're doing.
Point being, there are no bad guys in this scene, just repeated system failure!
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