#golightly legacy

[breezygardensofficial]

Here’s Lennie fishing some ice cream out of a dumpster and being surprised to find that it isn’t very good.

It’s unclear what Lennie’s backstory is. She doesn’t appear to be human, judging by her seriousness about greeting ‘the humans’ she meets with a firm handshake every time she sees them. And the fact that she refers to them as ‘the humans’.

#simblr #sims 4 #ts4 #sims 4 screenshots #ts4 gameplay #ts4 simblr #ts4 legacy #golightly legacy

[lovedaysims]

♥ gage golightly | golightly legacy founder ♥

All of Gage's hairstyles are by @simstrouble!

1.) corset top by @clumsyalienn | skirt by hagsims 2.) dress by @anessasims 3.) sweater & jeans by @clumsyalienn 4.) turtleneck by @belaloallure3 | skirt by @huiernxoxo 5.) skirt by @huiernxoxo 6.) off-shoulder top by @clumsyalienn | trousers by @solistair

**any tips to not make images look like ass on tumblr mobile would be appreciated!

#l:golightly #s:gagegolightly #ts4 cas #ts4 lookbook #dipping my toes into lookbooks because i love them! #the cropping is not great because i was testing both tumblr's bullshittery and a new art program's bullshittery #i miss my photoshop SO MUCH

[antoniwrites]

Arcane:

Dimitria (Ditri)

Bridgerton:

Mingxia “Magnolia” Wetherby

Chilling Adventures of Sabrina:

Emmeline Lovecraft

First Kill:

Astoria Atwood

Game of Thrones:

Valeria Stone

Kenna Baratheon

Visaera Targaryen

Grishaverse:

Lyra Fjord

Wizarding World:

Elara Dalca Black

Gaia Gryffindor

Marvel:

Kisa Mileda

Adelaide Luna

The Vampire Diaries / The Originals / Legacies:

Giselle Deveraux (TO)

Estelle Deveraux (TO)

Greta Grayson (TVD)

Carmela Ruiz Mikaelson

Summer Sternfeld (TVD)

Jolene Warson (L)

Vera Griffith (L)

Lunare Bennett (L)

Twilight:

Ainsley Darbyshire

Daisy Hale

Mina Fuhr

Fandomless:

Adaline Golightly

Zoe Thanas

Fleur Marchand

Eloise Cophton

Bonnie of Corsica

#mobile muse list

[mediadiscord]

New Comic Book Releases - 7/6/22

If you're not familiar with where to go to find comics you can use this locator. Let's go ahead and take a look at what's out this week. A WAVE BLUE WORLDMezo Battle At Coban Rock #3 (Of 5)(Cover A Val Rodrigues), $3.99Mezo Battle at Coban Rock #3 (Of 5)(Cover B Terry Blas), $3.99Mezo Battle At Coban Rock #3 (Of 5)(Cover C Val Rodrigues Virgin Variant), ARYoung Men In Love A Queer Romance Anthology GN, $19.99 ABLAZEPromethee 1313 #1 (Cover A Jock), $3.99Promethee 1313 #1 (Cover B Andrea Sorrentino), $3.99Promethee 1313 #1 (Cover C Max Bertolini 2001 A Space Odyssey Parody Variant), $3.99Promethee 1313 #1 (Cover D Blank Variant), $10.00Promethee 1313 #1 (Cover E Jock Virgin Variant), ARPromethee 1313 #1 (Cover F Andrea Sorrentino Virgin Variant), ARPromethee 1313 #1 (Cover G Max Bertolini 2001 A Space Odyssey Parody Virgin Variant), ARPromethee 1313 #1 (Cover H Andrea Sorrentino Black & White Virgin Variant), ARPromethee 1313 #1 (Cover I Jock Black & White Virgin Variant), AR AFTERSHOCK COMICSAlmost American TP, $16.99Astronaut Down #2, $3.99Theres Something Wrong With Patrick Todd #1 (Cover A Gavin Guidry), $4.99Theres Something Wrong With Patrick Todd #1 (Cover B Damian Couceiro), AR ARCHIE COMIC PUBLICATIONSBetty And Veronica Jumbo Comics Digest #305, $8.99 ASYLUM PRESSVampires Halloween Special #1 (One Shot)(Cover C Blank Variant), $3.99 AWA STUDIOSAbsolution #1 (Cover A Mike Deodato Jr.), $3.99Absolution #1 (Cover B Frank Cho), $3.99 BANTAM / SPECTRAFire And Blood 300 Years Before A Game Of Thrones SC, $22.00 BATTLE QUEST COMICSNo’madd The Unconqurable The City Of Empty Towers #1 (Of 6), $4.99 BEHEMOTH COMICSBlind Alley #3 (Of 5)(Cover A IRRA), $3.99Blind Alley #3 (Of 5)(Cover B IRRA), $3.99Dark Beach #4 (Of 6), $3.99Heavy Metal Drummer #6 (Of 6)(Cover A Luca Vassallo), $3.99Heavy Metal Drummer #6 (Of 6)(Cover B Luca Vassallo), $3.99Heavy Metal Drummer #6 (Of 6)(Cover C Luca Vassallo), $3.99 BLACK CARAVANBallad Of Gordon Barleycorn #1 (Cover A Colin McHugh), $4.99Ballad Of Gordon Barleycorn #1 (Cover B Shawn Mansfield), ARBehemoth #1 (Cover A J. K. Woodward), $4.99Behemoth #1 (Cover B J. K. Woodward), ARBroken Souls Ballad Hell Is For Kids #2 (Cover A Ludovica Ceregatti), $4.99Broken Souls Ballad Hell Is For Kids #2 (Cover B Briane Andan), AR BLACKBOX COMICSWilder #5 (Of 5)(Cover A Umberto Giampa), $3.99Wilder #5 (Of 5)(Cover B Umberto Giampa), AR BLOOD MOON COMICSNot Of This World #1, $3.99 BLUE JUICE COMICSKnights Of The 5th Dimension #1 (Of 4), $3.99 BOOM! STUDIOSBasilisk #9 (Cover A Jonas Scharf), $3.99Basilisk #9 (Cover B Christian Ward), $3.99Basilisk #9 (Cover C Christian Ward Virgin Variant), ARBasilisk #9 (Cover D Ryan Sook Virgin Variant), ARBasilisk #9 (Cover E Jonas Scharf Virgin Variant), ARBuffy The Last Vampire Slayer TP, $19.99Magic #16 (Cover A Miguel Mercado), $4.99Magic #16 (Cover B Andre Garcia Secret Planeswalker Variant), $5.99Magic #16 (Cover C Miguel Mercado Virgin Variant), ARMagic #16 (Cover D Junggeun Yoon Virgin Variant), ARMagic #16 (Cover E InHyuk Lee BOOM! Guarantee Variant), ARMighty Morphin #21 (Cover A InHyuk Lee), $3.99Mighty Morphin #21 (Cover B Eleonora Carlini Legacy Variant), $3.99Mighty Morphin #21 (Cover C InHyuk Lee Virgin Variant), ARMighty Morphin #21 (Cover D Eleonora Carlini Legacy Virgin Variant), ARMighty Morphin #21 (Cover E Qistina Khalidah), ARMighty Morphin #21 (Cover F Taurin Clarke Reveal Variant), ARMighty Morphin #21 (Cover G Taurin Clarke Reveal Virgin Variant), ARMighty Morphin #21 (Cover H Qistina Khalidah Virgin Variant), AROnce And Future #27 (Cover A Dan Mora Connecting Variant), $3.99Once And Future #27 (Cover B Dan Mora Black & White Virgin Variant), AROnce And Future #27 (Cover C Evan Cagle Virgin Variant), ARPower Rangers Volume 4 TP, $16.99 BROADSWORD COMICSAlternate Paths Volume 1 Raven Hex The Swordmaiden GN, $31.99School Bites Deluxe Artprint Edition Volume 2 GN (Cover A Holly Golightly), $19.99School Bites Deluxe Artprint Edition Volume 2 GN (Cover B Holly Golightly), $19.99 COMIC SHOP NEWSComic Shop News #1820, AR CREEPY CLASSICS/MONSTER BASHMonster Bash Magazine #46, $8.99 DARK HORSE COMICSAvatar Adapt Or Die #3 (Of 6)(Cover A Mark Molchan), $3.99Cyberpunk 2077 Blackout #2 (Of 4)(Cover A Roberto Ricci), $3.99Cyberpunk 2077 Blackout #2 (Of 4)(Cover B Max Fiumara), $3.99Mind MGMT Bootleg #1 (Of 4)(Cover A Farel Dalrymple), $3.99Mind MGMT Bootleg #1 (Of 4)(Cover B Daniel Brereton), $3.99Mind MGMT Bootleg #1 (Of 4)(Cover C Marguerite Sauvage), $7.99Stranger Things Summer Special #1 (One Shot)(Cover A Diego Galindo), $6.99Stranger Things Summer Special #1 (One Shot)(Cover B Heather Vaughn), $6.99Vertical Sea HC, $24.99Ward #2 (Of 4)(Cover A Andres Ponce), $3.99 DC COMICSAction Comics #1044 (Cover C Derek Charm Pride Month Card Stock Variant), $5.99Batman #125 (Cover A Jorge Jimenez), $5.99Batman #125 (Cover B Jim Lee & Scott Williams Card Stock Variant), $6.99Batman #125 (Cover C Gabriele Dell’Otto Card Stock Variant), $6.99Batman #125 (Cover D InHyuk Lee Card Stock Variant), $6.99Batman #125 (Cover E Francesco Mattina Card Stock Variant), $6.99Batman #125 (Cover G Jorge Jimenez Wraparound Card Stock Variant), ARBatman #125 (Cover H Jock Foil Variant), ARBatman #125 (Cover I Alex Garner Foil Variant), ARBatman #125 (Cover J Chip Zdarsky Card Stock Variant), ARBatman #125 (Cover K Jim Lee & Scott Williams Black & White Card Stock Variant), ARBatman #125 (Cover L Blank Variant), ARBatman #125 (Cover M Jorge Jimenez Failsafe Protocol Card Stock Variant), ARBatman ’89 #6 (Of 6)(Cover A Joe Quinones), $3.99Batman ’89 #6 (Of 6)(Cover B Julian Totino Tedesco Card Stock Variant), $4.99Batman Beyond Neo-Year #4 (Of 6)(Cover A Max Dunbar), $3.99Batman Beyond Neo-Year #4 (Of 6)(Cover B Christian Ward Card Stock Variant), $4.99Batman Detective Comics Volume 2 Fear State HC, $29.99Batman Killing Time #5 (Of 6)(Cover A David Marquez), $4.99Batman Killing Time #5 (Of 6)(Cover B Kael Ngu Card Stock Variant), $5.99Batman Killing Time #5 (Of 6)(Cover C Ben Oliver Card Stock Variant), ARBatman Urban Legends Volume 2 TP, $24.99Birds Of Prey Whitewater TP, $19.99Black Adam The Justice Society Files Hawkman #1 (One Shot)(Cover A Kaare Andrews), $5.99Black Adam The Justice Society Files Hawkman #1 (One Shot)(Cover B Photo Card Stock Variant), $6.99Catwoman Volume 6 Fear State TP, $16.99Dark Crisis #2 (Of 7)(Cover A Daniel Sampere), $4.99Dark Crisis #2 (Of 7)(Cover B Juliet Nneka Card Stock Variant), $5.99Dark Crisis #2 (Of 7)(Cover C Rafa Sarmento Homage Card Stock Variant), $5.99Dark Crisis #2 (Of 7)(Cover D Mario Foccillo Card Stock Variant), ARDark Crisis #2 (Of 7)(Cover E Lucio Parrillo Card Stock Variant), ARDark Crisis #2 (Of 7)(Cover F TBD Foil Variant), ARDC Poster Portfolio Jenny Frison TP, $24.99DC Vs. Vampires #7 (Of 12)(Cover A Guillem March), $3.99DC Vs. Vampires #7 (Of 12)(Cover B Francesco Mattina Card Stock Variant), $4.99DC Vs. Vampires #7 (Of 12)(Cover C Lesley Leirix Li Card Stock Variant), ARFlashpoint Beyond #3 (Of 6)(Cover A Mitch Gerads), $3.99Flashpoint Beyond #3 (Of 6)(Cover B Xermanico Card Stock Variant), $4.99Flashpoint Beyond #3 (Of 6)(Cover C David Marquez Card Stock Variant), ARFlashpoint Beyond #3 (Of 6)(Cover D Doug Mahnke Card Stock Variant), ARGreen Lantern Volume 2 Horatius TP, $29.99Joker #15 (Of 15)(Cover A Giuseppe Camuncoli), $5.99Joker #15 (Of 15)(Cover B Dike Ruan), $5.99Joker #15 (Of 15)(Cover C Brian Bolland), $5.99Joker #15 (Of 15)(Cover D Guillem March), ARJustice League Infinity TP, $16.99Monkey Prince #6 (Of 12)(Cover A Bernard Chang), $3.99Monkey Prince #6 (Of 12)(Cover B Marcus To Card Stock Variant), $4.99Monkey Prince #6 (Of 12)(Cover C Kim Jacinto Card Stock Variant), ARMultiversity Teen Justice #2 (Of 6)(Cover A Robbi Rodriguez), $3.99Multiversity Teen Justice #2 (Of 6)(Cover B Stephanie Hans Card Stock Variant), $4.99Nubia Queen Of The Amazons #2 (Of 4)(Cover A Khary Randolph), $3.99Nubia Queen Of The Amazons #2 (Of 4)(Cover B Taurin Clarke Card Stock Variant), $4.99Poison Ivy #2 (Of 6)(Cover A Jessica Fong), $3.99Poison Ivy #2 (Of 6)(Cover B Jenny Frison Card Stock Variant), $4.99Poison Ivy #2 (Of 6)(Cover C Claire Roe Card Stock Variant), $4.99Poison Ivy #2 (Of 6)(Cover D Alvaro Martinez Bueno Card Stock Variant), ARPoison Ivy #2 (Of 6)(Cover E Sweeney Boo Card Stock Variant), ARPoison Ivy #2 (Of 6)(Cover F Christian Ward Card Stock Variant), ARPoison Ivy #2 (Of 6)(Cover G Jenny Frison Foil Card Stock Variant), ARRWBY Justice League TP, $16.99Suicide Squad Blaze #3 (Of 3)(Cover A Aaron Campbell), $6.99Suicide Squad Blaze #3 (Of 3)(Cover B Valentine De Landro), $6.99Suicide Squad Get Joker HC, $24.99 DEL REYLore Olympus Volume 2 GN, $21.00Lore Olympus Volume 2 HC, $27.99Star Wars Ronin A Visions Novel SC, $18.00 DK PUBLISHINGStar Wars Be More Obi-Wan HC, $12.99 DYNAMITE ENTERTAINMENTBoys Oversized Omnibus Volume 3 HC, $99.99Boys Oversized Omnibus Volume 3 HC (Signed Edition), $199.99DIE!Namite Never Dies #5 (Cover A Tony Fleecs), $3.99DIE!Namite Never Dies #5 (Cover B Lucio Parrillo), $3.99DIE!Namite Never Dies #5 (Cover C Arthur Suydam), $3.99DIE!Namite Never Dies #5 (Cover D Lesley Leirix Li), $3.99DIE!Namite Never Dies #5 (Cover E Gracie The Cosplay Lass Cosplay Variant), $3.99DIE!Namite Never Dies #5 (Cover F Lesley Leirix Li Black & White Variant), ARDIE!Namite Never Dies #5 (Cover G Arthur Suydam Black & White Variant), ARDIE!Namite Never Dies #5 (Cover H Lesley Leirix Li Virgin Variant), ARDIE!Namite Never Dies #5 (Cover I Arthur Suydam Virgin Variant), ARDIE!Namite Never Dies #5 (Cover L Lucio Parrillo Ultraviolet Variant), ARDIE!Namite Never Dies #5 (Cover M Lesley Leirix Li Ultraviolet Variant), ARDIE!Namite Never Dies #5 (Cover N Gracie The Cosplay Lass Cosplay Virgin Variant), ARDIE!Namite Never Dies #5 (Cover O Lucio Parrillo Ultraviolet Virgin Variant), ARDIE!Namite Never Dies #5 (Cover P Tony Fleecs Black & White Variant), ARDraculina #4 (Cover I Collette Turner Virgin Variant), ARDraculina #4 (Cover J Rose Besch Virgin Variant), ARElvira In Horrorland #1 (Cover L David Avallone Atlas Comics Signature Edition), ARGail Simone’s Red Sonja #1 (Facimile Edition), $3.99Invincible Red Sonja #1 (Gem Mint Variant Cover), $100.00Pathfinder Special Fumbus #1 (One Shot)(Cover C Tom Garcia Glow In The Dark Variant), $25.00Project Superpowers Fractured States #4 (Cover A Michael Rooth), $3.99Project Superpowers Fractured States #4 (Cover B Scott Kolins), $3.99Project Superpowers Fractured States #4 (Cover C Geraldo Borges), $3.99Project Superpowers Fractured States #4 (Cover D Paula Andrade), $3.99Project Superpowers Fractured States #4 (Cover E Rus Wooton), $3.99Project Superpowers Fractured States #4 (Cover F Rus Wooton Black & White Variant), ARProject Superpowers Fractured States #4 (Cover G Scott Kolins Black & White Variant), ARProject Superpowers Fractured States #4 (Cover H Rus Wooton Virgin Variant), ARProject Superpowers Fractured States #4 (Cover I Paula Andrade Virgin Variant), ARProject Superpowers Fractured States #4 (Cover J Michael Rooth Virgin Variant), ARProject Superpowers Fractured States #4 (Cover M Geraldo Borges Black & White Variant), ARProject Superpowers Fractured States #4 (Cover N Paula Andrade Black & White Variant), ARProject Superpowers Fractured States #4 (Cover O Michael Rooth Black & White Variant), ARProject Superpowers Fractured States #4 (Cover P Scott Kolins Virgin Variant), ARRed Sonja Red Sitha #3 (Cover A Junggeun Yoon), $3.99Red Sonja Red Sitha #3 (Cover B Mirka Andolfo), $3.99Red Sonja Red Sitha #3 (Cover C Lesley Leirix Li), $3.99Red Sonja Red Sitha #3 (Cover D Valentina Pinti), $3.99Red Sonja Red Sitha #3 (Cover E Gracie The Cosplay Lass Cosplay Variant), $3.99Red Sonja Red Sitha #3 (Cover F Valentina Pinti Black & White Variant), ARRed Sonja Red Sitha #3 (Cover G Lesley Leirix Li Black & White Variant), ARRed Sonja Red Sitha #3 (Cover H Valentina Pinti Virgin Variant), ARRed Sonja Red Sitha #3 (Cover I Lesley Leirix Li Virgin Variant), ARRed Sonja Red Sitha #3 (Cover J Junggeun Yoon Virgin Variant), ARRed Sonja Red Sitha #3 (Cover L Lesley Leirix Li Ultrviolet Variant), ARRed Sonja Red Sitha #3 (Cover M Gracie The Cosplay Lass Cosplay Virgin Variant), ARRed Sonja Red Sitha #3 (Cover N Mirka Andolfo Black & White Variant), ARRed Sonja Red Sitha #3 (Cover O Junggeun Yoon Black & White Variant), ARRed Sonja Red Sitha #3 (Cover P Lesley Leirix Li Ultrviolet Virgin Variant), ARRed Sonja The Price Of Blood TP, $14.99Red Sonja Volume 6 #10 (Cover I Mirka Andolfo Virgin Variant), ARRed Sonja Volume 6 #10 (Cover J Lesley Leirix Li Virgin Variant), ARRed Sonja Volume 6 #10 (Cover K Joseph Michael Linsner Virgin Variant), ARSavage Tales #1 (One Shot)(Cover A Arthur Suydam), $4.99Savage Tales #1 (One Shot)(Cover B Liam Sharp), $4.99Savage Tales #1 (One Shot)(Cover C Rafael Kayanan), $4.99Savage Tales #1 (One Shot)(Cover D Blank Authentix Variant), $4.99Savage Tales #1 (One Shot)(Cover E Rafael Kayanan Virgin Variant), ARSavage Tales #1 (One Shot)(Cover F Liam Sharp Virgin Variant), ARSavage Tales #1 (One Shot)(Cover G Arthur Suydam Virgin Variant), ARSavage Tales #1 (One Shot)(Cover H Red Blank Authenitx Variant), ARSavage Tales #1 (One Shot)(Cover I Rafael Kayanan Black & White Variant), ARSavage Tales #1 (One Shot)(Cover J Liam Sharp Black & White Variant), ARSavage Tales #1 (One Shot)(Cover K Arthur Suydam Black & White Variant), ARVampirella Ascending Evil (Cover D Amanda Conner Black & White Special Edition Variant), $75.00Vampirella The Dark Powers TP, $19.99 FANTACO ENTERPRISESEerie Publications The Complete Covers The Whole Bloody Mess HC, $59.95Eerie Publications The Complete Covers The Whole Bloody Mess SC, $39.95 FANTAGRAPHICS BOOKSDisciples HC, $24.99Unrepentant Artist The Paintings Of Jonah Kinigstein HC (Fantagraphics Underground), $75.00 FLOATING WORLD COMICSCity Of Crime Comics GN, $15.00 GHOST SHIPCall Girl In Another World Volume 4 GN, $13.99Fire in His Fingertips A Flirty Fireman Ravishes Me With His Smoldering Gaze Volume 4 GN, $13.99Gungured x Sisters Volume 2 GN, $13.99Super HxEros Volume 8 GN, $13.99Wicked Trapper Hunter Of Heroes Volume 1 GN (not verified by Diamond Distribution), $13.99 GUMBY COMICSCharley And Humphrey #2, $3.99 HERO COLLECTORBattlestar Galactica The Official Ships Collection Magazine #25 Astral Queen, $69.95Battlestar Galactica The Official Ships Collection Magazine Special #4 Muffit The Daggit, ARBeatles Cross-Stitch Hoops #1 Sergeant Pepper’s Drum, $34.95Beatles Cross-Stitch Hoops #3 Magical Mystery Tour Bus, $34.95Doctor Who Figurine Collection Magazine Special #10 Mega Mondasian Cyberman, $199.95Expanse The Official Spaceships Collection Magazine #1 Rocinante, $54.95Rick And Morty Figurine Collection Magazine #5 Evil Rick, $19.99Rick And Morty Figurine Collection Magazine #6 Evil Morty, $19.99Rick And Morty Figurine Collection Magazine #8 Jerry Smith, $19.99Star Trek The Official Starships Collection Magazine #28 Jupiter Station, $74.95Star Trek The Official Starships Collection Magazine #29 U.S.S. Discovery NCC-1031-A, $79.95Star Trek The Official Starships Collection Magazine #30 U.S.S. Prometheus NX-59650, $79.95Star Trek Universe The Official Starships Collection Magazine #13 U.S.S. Voyager NCC-74656-J, $54.95Star Trek Universe The Official Starships Collection Magazine #14 U.S.S. Nog NCC-325070, $54.95Stargate The Official Starships Collection Magazine #2 Goa’uld Mothership, $54.95 IDW PUBLISHINGTeenage Mutant Ninja Turtles The Last Ronin HC, $29.99 IMAGE COMICSCloset #2 (Of 3)(Cover A Gavin Fullerton), $3.99Closet #2 (Of 3)(Cover B Michael Walsh), ARCloset #2 (Of 3)(Cover C Fernando Blanco), ARCreep TP, $9.99Fire Power By Kirkman And Samnee #22 (Cover A Chris Samnee & Matthew Wilson), $3.99Fire Power By Kirkman And Samnee #22 (Cover B David Finch & Dave McCaig), $3.99Fire Power By Kirkman And Samnee #22 (Cover C Kim Jacinto), $3.99Fire Power By Kirkman And Samnee #22 (Cover D Kim Jung Gi), $3.99Killadelphia #23 (Cover A Jason Shawn Alexander), $3.99Killadelphia #23 (Cover B Eli Minaya), $3.99Killadelphia #23 (Cover C Jason Shawn Alexander Black & White Noir Edition), $3.99Little Monsters #5 (Cover A Dustin Nguyen), $3.99Little Monsters #5 (Cover B Jay Stephens), $3.99Metal Society #3 (Of 5)(Cover A Guilherme Balbi & Marco Lesko), $3.99Metal Society #3 (Of 5)(Cover B Marco Rudy), $3.99Paris HC, $24.99Prodigy The Icarus Society #1 (Of 5)(Cover A Matteo Buffagni), $3.99Prodigy The Icarus Society #1 (Of 5)(Cover B Matteo Buffagni Black & White Variant), $3.99Prodigy The Icarus Society #1 (Of 5)(Cover C Bill Sienkiewicz), $3.99Prodigy The Icarus Society #1 (Of 5)(Cover D Blank Variant), $3.99Saga #60 (Cover A Fiona Staples), $2.99Spawn #331 (Cover A Bjorn Barends), $2.99Spawn #331 (Cover B Carlo Barberi), $2.99Starhenge Book One The Dragon And The Boar #1 (Of 6)(Cover A Liam Sharp), $3.99Starhenge Book One The Dragon And The Boar #1 (Of 6)(Cover B Liam Sharp), $3.99Starhenge Book One The Dragon And The Boar #1 (Of 6)(Cover C Chris Weston), $3.99Starhenge Book One The Dragon And The Boar #1 (Of 6)(Cover D Ben Templesmith), $3.99Starhenge Book One The Dragon And The Boar #1 (Of 6)(Cover E Christian Ward), $3.99Starhenge Book One The Dragon And The Boar #1 (Of 6)(Cover F Ryan Brown), $3.99Starhenge Book One The Dragon And The Boar #1 (Of 6)(Cover G Matylda McCormack-Sharp), $3.99Starhenge Book One The Dragon And The Boar #1 (Of 6)(Cover H Mike Perkins), $3.99That Texas Blood #15 (Cover A Jacob Phillips), $3.99That Texas Blood #15 (Cover B Dani), $3.99Time Before Time #14 (Cover A Declan Shalvey), $3.99Time Before Time #14 (Cover B Vlad Legostaev), $3.99Twig #3 (Of 5)(Cover A Kyle Strahm), $3.99Twig #3 (Of 5)(Cover B Skottie Young), $3.99Twig #3 (Of 5)(Cover C Peach Momoko), $3.99Twig #3 (OF 5)(Cover D Kyle Strahm Virgin Variant), ARTwig #3 (OF 5)(Cover E Peach Momoko Virgin Variant), ARTwig #3 (OF 5)(Cover F Skottie Young Virgin Variant), ARTwig #3 (OF 5)(Cover G Skottie Young Black & White Virgin Variant), ARWalking Dead Deluxe #42 (Cover A David Finch & Dave McCaig), $3.99Walking Dead Deluxe #42 (Cover B Charlie Adlard & Dave McCaig), $3.99Walking Dead Deluxe #42 (Cover C Stephen Platt & Dave McCaig), $3.99Walking Dead Deluxe #42 (Cover D Julian Totino Tedesco), $3.99Walking Dead Deluxe #42 (Cover E Charlie Adlard), $3.99What’s The Furthest Place From Here #6 (Deluxe Edition With 7 Inch Record)(2nd Press), $15.99What’s The Furthest Place From Here #7 (Deluxe Edition With 7 Inch Record)(2nd Press), $15.99 JYW.I.T.C.H. Part IX 100% W.I.T.C.H. Volume 4 GN, $15.00 KEENSPOT ENTERTAINMENTBonyeer The Aromatic #2 (Cover A Hirano Piyotycho), $4.99Bonyeer The Aromatic #2 (Cover B Owen Gieni Illuminated Variant), $4.99Bonyeer The Aromatic #2 (Cover C Erik Klaus), $4.99Bonyeer The Aromatic #2 (Cover D Hirano Piyotycho), AR KODANSHA COMICSBattle Angel Alita Volume 8 GN, $10.99Blue Period Volume 7 GN (not verified by Diamond Distribution), $12.99Edens Zero Volume 17 GN, $10.99Fire Force Volume 27 GN, $10.99Noragami Stray God Volume 24 GN, $10.99Seven Deadly Sins Four Knights Of The Apocalypse Volume 4 GN, $10.99When Will Ayumu Make His Move Volume 6 GN, $12.99 MAD CAVE STUDIOSBattlecats Volume 3 Hero Of Legend TP, $19.99Last Session Volume 1 Roll For Initiative TP, $17.99Speed Republic #5 (Cover A Emanuele Parascandolo & Michele Monte), $3.99Speed Republic #5 (Cover B Fabian Lelay & Lisa Schroer), $3.99Tiger’s Tongue #1 (Cover A Odera Igbokwe), $3.99Tiger’s Tongue #1 (Cover B Odera Igbokwe), $3.99 MANUSCRIPT PRESSComics Revue Presents June 2022, $19.95 MARVEL COMICSAmazing Spider-Man #5 (Cover A John Romita Jr.), $3.99Amazing Spider-Man #5 (Cover B Esad Ribic), ARAmazing Spider-Man #5 (Cover C Russell Dauterman Hellfire Gala Variant), ARAmazing Spider-Man #5 (Cover D Miguel Mercado), ARAmazing Spider-Man Epic Collection Volume 1 Great Power TP (New Printing), $44.99Avengers Forever #7 (Cover Read the full article

[hohwarchive]

they found a letter that he wrote he said, "it's best off if we burn the page" i wrote it very long ago in different days i guess i'm tired of talk of hope

#ts4 #vatore #ts4 story #ts4 legacy #ts4 vampires #ts4 occult #g1 #caleb vatore #carmela vatore #rafael golightly

[aion-rsa]

Last Night in Soho Ending Explained

https://ift.tt/3GxvO8V

This article contains Last Night in Soho spoilers.

Thomasin McKenzie’s Eloise Turner is a young woman who’s always been haunted by ghosts. That was true at the beginning of Edgar Wright’s Last Night in Soho and it proves just as accurate by the end when she smiles at a blonde haired specter in the mirror. But then learning to live with your spirits, including the horror that comes from their legacies, is all part of growing up. And for Eloise—or Ellie T. as she muses at one point—that takes on quite literal connotations.

Perhaps this is why the climax of Wright’s first psychological horror movie has taken so many audiences by surprise when it cuts straight for the jugular. Up until that point, we’d been led to believe Ellie’s dreams were taking her back to 1965 in order to witness the downward spiral of another young woman who already cast an otherworldly spell before her death: Anya Taylor-Joy’s mysterious Sandie. And yet, by movie’s end, we learn the brusque landlord in her flat, the elderly Ms. Collins (Diana Rigg), has been Sandie this entire time—alive but trapped in a hell of her own making. Well her making, plus the aid of others: namely Jack (Matt Smith) and the johns, who were users and abusers all.

The film then pivots toward the giallo and Grand Guignol as “Sandie” in both past and present takes a knife to the girl who would save her soul. It’s a fairly shocking turn of events, and one which has made and broken the film for a number of my colleagues. But how could Sandie and Ms. Alexandra Collins be the same person? And more importantly, why is it so pivotal for Ellie to still see the girlhood innocence in the woman chasing her up the stairs with a knife?

Why Eloise Saw Sandie as a Ghost

The twist of Sandie being the only technical killer in this story is jarring since for so much of the film, Ellie is able to walk in Sandie’s shoes. From the first moment she goes to sleep in old Ms. Collins’ ancient flat, she is transported to a lovely evening in Soho where Sandie can dominate an entire ballroom just by standing next to the entrance. All ethereal charm and brash confidence in an age where it was considered risqué for a young woman to attend a nightclub alone, Sandie appears as transgressive for her era as many of the other pop culture icons Ellie keeps posters of on her wall: Audrey Hepburn’s fictional Holly Golightly or the real singer Sandie Shaw (who’s stage name Alexandra Collins has clearly borrowed).

It’s an intoxicating experience for Eloise, who is painfully introverted and lost in a sea of her own loneliness in the big city. However, just because she is watching the world through Sandie’s eyes does not necessarily mean Sandie’s the one who invited her. She never sees Sandie’s life outside of the times she meets men who attempt to posses her, including on this first magical night out on the Soho town where Sandie catches the eye of Matt Smith’s Jack, a fella who pretends to be a talent manager but is more of a self-aggrandizing pimp. He tips his hat toward Sandie’s independence like Sean Connery’s James Bond would for a potential conquest—notably Sandie orders a Vesper martini after passing a Thunderball poster in the same sequence—but it’s only so he can make her his… and anyone else who will pay.

Every sequence we see in ’65 is about Sandie’s increasingly terrifying encounters with Jack or the men he forces her to go to bed with in the very flat space Ellie has rented in 2021. These are the ghosts who’ve summoned Eloise’s supernatural sensitivities to the past. Recall that at the beginning of the film, Eloise has become accommodated to an entire childhood where her mother’s phantom watches her from her bedroom mirror—she doesn’t even tell her grandmother (Rita Tushingham) about how frequent Mum’s spectral visits are.

Unfortunately, moving to London has attracted the interest of spirits whom Eloise is not yet equipped to handle the attention of; lecherous men whom Sandie eventually murdered in that same room and hid the bodies of in the walls and floorboards (one presumes the smell must’ve been something awful for the back half of the ‘60s).

This is the reason Ms. Collins never left this building. When we first meet her, she tells Ellie that she lived here most of her life and eventually bought the building: she is chained to this dreary spot because if she ever sold it or let someone renovate, they’d discover the literal bodies she left in her wake. The only person who even remembers she once went by Sandie is Lindsay (Terence Stamp), the old-time copper and ladies man whom Ellie initially mistakes for Old Man Jack. He was the sole man who asked for Sandie’s real name in her youth, seeing Alex’s pain behind Sandie’s facade. This is why he tells Ellie that “Alex killed Sandie.”

But Alex also killed a lot of other blokes too, hence the ghosts taking Eloise back in time. Like the spirits in The Sixth Sense, they’re pleading for Ellie’s help, asking for her to end their earthly torment—which apparently lasts as long as Alexandra breathes. Of course Ellie has good reason to deny their lamentations…

The Spirit of the ‘60s

Beyond the plot mechanics of the twist, the Last Night in Soho ending works in large part because of late Dame Diana Rigg, and both what she represented in this movie and in her own life. As one of the great icons of UK culture in the ‘60s, Rigg was the star of the series The Avengers from ’65 through ’68, and she appeared in movies as synonymous with that era as the 007 flick On Her Majesty’s Secret Service (1969). Like the character of Sandie, Rigg was at the heart of swinging London’s mod culture as it swept Carnaby Street.

In the context of Last Night in Soho, Rigg’s final film, she thus represents the true living memory of that world—which by the hardness of her stare is not nearly so rosy and beatific as pop culture has reduced it to be after 50 years of nostalgia. Indeed, the romantic nostalgia in Soho extends far beyond Ellie’s starstruck eyes for Sandie. Their relationship is merely a metaphor for, yes, Wright’s own affection for the ‘60s zeitgeist, but also everything from Austin Powers to the last film made by Wright’s buddy Quentin Tarantino, Once Upon a Time… in Hollywood (1969).

Tarantino’s movie, which was nominated for Best Picture at the Oscars, celebrates everything sentimentalized about this decade, albeit in a slightly different context—the California Dreamin’ and Summer of Love at the end of the epoch. But like so many other films about this moment in time, there’s a universal wistfulness about what a paradise future generations missed out on, and it’s usually personified by a free and feminine spirit shaking off the doldrums of the post-war years. In the case of OUATIH, that was summed up by Margot Robbie’s enchanting but largely parabolic version of Sharon Tate, who became the idol of her age. The youthful ‘60s spirit who should’ve lived and danced forever.

Well, Anya Taylor-Joy’s equally effervescent presence initially looks the same in Ellie’s eyes. She’s a free-loving and independent woman who despite all her exuberant movement seems to glide on air. But those romanticized airs are fleeting; affectations as meticulously hand-crafted as the pink frock Ellie attempts to mimic in her design class. Underneath the glamour is a real girl who is as alone in the big city as Ellie, and who lived at a time that celebrated her youth and sexuality, yes, but only inasmuch as it served the rigged game she was set-up to lose.

She plays the free spirit the first night she meets Jack, who will punch the sleaze bucket in a tux when he calls Sandie a slut, but Jack will eventually use that same word after he’s gotten what he personally wants out of her and now looks to control her body for other purposes. The alleged sexual liberation of the ‘60s—which was playfully symbolized in its time by pop culture as chauvinistic as those early Connery and Ian Fleming James Bond stories we see referenced—was more often than not a one-sided affair that still favored the pleasures and assumed dominance of men.

Last Night in Soho takes a lurid and fantastical look at that ugliness behind its romantic phantom’s mask, and behind our own often simplistic and misleading rose-tinted glasses. It forces Eloise and audiences to see the horror of “the decade of youth.” Even Stamp’s old Lindsay, who was the one man in Sandie’s youth to actually see the real suffering Alexandra beneath Sandie’s pretenses, only seemed to want to help her because of her beauty. Her “loveliness.” He said she’s too good for this gutter, but as his older countenance warned Ellie, he liked to think he “protected the girls” as much as kept them in line back in the day—Alex was the exception, not the rule.

Ergo, when old Ms. Collins goes Suspiria on Ellie (Argento, not Guadagnino) and starts chasing Eloise up the stairs with a butcher’s knife, Ellie cannot condemn her. Alex/Sandie played a game she could never win, and even if she did something as awful as murder a dozen men, they murdered her own innocence and dreams for their seedy pleasures. They called her “lovely,” but they built a prison for her that she could never leave, as literalized by her being trapped in that same goddamn room where her life was ruined in her final moments alive. When Alex realizes the game is over, her personal hell never looks more tangible as when she sits on her old bed surrounded by flames.

Ellie won’t kill her; she’ll even forgive her. Still, it’s far too late for Sandie to ever leave that room.

Read more

Movies

Edgar Wright on Ghosts, Musicals, and Last Night in Soho

By David Crow

Movies

Last Night in Soho: Quentin Tarantino and Jordan Peele Got the James Bond Poster in the Movie

By David Crow

The Ghost Beside You and the Eerie End Credits

The very end of the film shows that after enough time passes, Ellie has endured and even thrived. She has successfully launched her own fashion show as a student with styles inspired by the ‘60s and Sandie’s unearthly countenance. But Ellie herself is no longer beholden to that spell. She’s dyed her hair brown again and in a style that is neither as girlish as how she was introduced or a throwback to a bygone era.

She’s learned from the past and carries those lessons with her—like her ghosts. We see those too, in the shapes of her mother and now also Sandie, youthful and free again. Both watch Eloise every time she looks in the glass. That’s because to paraphrase Faulkner, the past is never dead; it’s not even past. Eloise will always love her mother, just as she’ll always love the ‘60s culture which inspires her and is embodied by Sandie’s shade. But seeing them clearly, and learning to accept their legacies, warts and all, allows her to move through the world as an adult.

As Rigg’s old Alexandra said, this is London. Someone’s died in every room and in every building, and on every street corner. You accept their world as your own simply by breathing in the same space.

It’s a line of dialogue that Wright told me he wrote because he believes it. Which also explains the eerie final images of the film. During the end credits, Wright evades doing anything as tacky as a post-credits scene or final jump scare. Nonetheless, the last images roll by during the end credits as we see the streets of Soho abandoned and vacant. Occupied only by their own ghosts and the half-forgotten memories of worlds long lost and far older than swinging London.

Wright revealed to us that those quiet, moving images were a spur of the moment choice which he filmed during London’s lockdown last year.

“It took me a few months to summon up the courage to walk through [Soho] in lockdown,” Wright said, “but it was completely and utterly deserted, which added an extra level of poignancy to it. There’s a lot of added poignancy too since we shot the movie, not least because two actresses in the movie are no longer with us. And then there’s another part of it that’s bittersweet or elegiac in a way. Soho is rapidly changing. Some of those buildings with ghosts in them, they’re just going forever, which is very sad.”

He continued, “So I walked around and saw how deserted it was, and I called my production designer and my line producer and said, ‘Hey, you’ve got to meet me in Soho at night, take a look at this.’ So then we took photos, and then we actually went out with a crew and shot it… That was something I felt was, in a way, like a little epilogue to the movie by showing what Soho was like right now.”

A memory of a time that’s already gone—but which will always stay with us.

Last Night in Soho is in theaters now.

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The post Last Night in Soho Ending Explained appeared first on Den of Geek.

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#aion-rsa #Den of Geek

[lgcmei-blog]

Classic looks *:･ﾟ✧

@lgcmiso​

Simplicity that was more than met the naked eye was the way that she’d describe her style. She stood in front of her mirror in nude underwear, black garter and nude nylons. There were a few more things she needed to do with her makeup before she did her hair and ultimately put on her dress. Although the dress was worth almost pocket change to her, she still wanted to care for it. Plus, she knew someone else would get good use of it once she wore it. Of course, with pictures being taken at the party, she’d never get a chance to reuse it. Mei shuddered at the possible headlines. She imagined the scandalized call from her mother! It made her chuckle a bit. The familiarity was nice. Knowing that her life had changed but not in that many ways.

Mei adds the finishing touches to her makeup and finally puts on her eyelashes. She starts brushing through her hair and quickly trying to arrange it into the updo that the classic look was known for. She looks over at the fancy, black dress and gloves. Her eyes scan the room in a panic until she locates the very important pearl necklace. She felt confident that she’d look just like Holly Golightly. Mei had taken so long to do just her make up that she almost forgot to check up on Miso. It was impossible to forget about her, though. Miso had been such a comfort, possibly without knowing. How would Mei have coped if she hadn’t been as warmly welcomed by the other girl into their dorm.

Despite Mei’s limited and conversational Korean the girls got along pretty well and had become close over the course of her time in Legacy. Mei couldn’t imagine going to this party with anyone else after the week they’d had. Once she secures her hair in the updo, she ties a back ribbon on top of her head and leans towards the bathroom door. “Miso!” she calls out. “Did you need help? Are you almost ready? I’m probably going to need you to zip me up in a bit!”

#classic looks **** #lgcmiso #lgc: halloween2k19 #para;; #event;;

[linds-sims]

Violet singing her lungs out as her oldest baby blows out her birthday candles. 

#sims #sims 4 #ts4 #s4 #legacy #sims4legacy #colby vatore #violet golightly #gen 2

[applecry5-blog]

A List of 8 Fashion Divas of All Time

Custom Embroidered Patches Fashion is a subjective topic. People have different opinions on what looks stylish and what not. Some people are snobby about their style and only wear designer's cloth, while some can wear down-market with custom patches and make it a fashion. So it is a matter of personal choice. Nonetheless, some people etched such a profound mark on the fashion scene that they became one of the icons of modern fashion era and we all agree regardless of our opinion on fashion. Today, we will look at some of the fashion icons and what made them famous: 1. Audrey Hepburn Described as the most famous Hollywood fashion icon of all time, Audrey Hepburn has everything that makes her a true style diva. Whether it is her petite body, elegant dressing or naïve looks, she embodied grace from head to toe. She became an epitome of fashion after she appeared in the avatar of Holly Golightly in the classic "Breakfast at Tiffany's." Her portrayal of a young woman became an iconic character, and it breathed a new sense of style to women clothing. She flaunted her style with new trends like form-fitting trousers, jerseys, and ballet flats. She was very particular with her hairdos, and her chignon hairstyle became a rage during the 1950s. Audrey Hepburn is among the few fashion icons who are still adored for her elegant sense of style, and she continues to top the ranks for the most fashionable celebrities in history. 2. Marilyn Monroe Marilyn Monroe began a new era of women fashion that was both classy and sultry. She was a pretty face and got a fantastic sense of style. She became the poster face of classical Hollywood cinema, and she sparked the screen with her looks and style. Her desirable physique and killer charm pervaded in American society and made her a diva. Marilyn Monroe gave a new dimension to women dressing and popularized a contemporary style of clothing that accentuated the women beauty. She became a cultural icon of America during the 1950s and became an inspiration for American women who started wearing skin-tight clothing. Her untimely death left a big void in fashion and cinema. 3. Jackie Kennedy Jackie Kennedy reinvented the traditional wear and infused a modern feel to the conservative clothing of America. Being the First Lady, she carried herself with grace and made a strong style statement. She was a patron of French clothing and chose Chanel apparels that flattered her personality as the First Lady of United States of America. Her big sunglasses, headscarves, and pillar-box hat became her signature fashion accessories. She continued to experiment with her style and began wearing wide pantsuits and A-line skirts during the latter part of her life. Jackie Kennedy is remembered for her sophisticated style, and she will be celebrated as the most stylish First Lady of the United States of America. 4. Madonna. The style sense of Madonna can't be described in one word. It is outrageous, chic, classy, and sultry. And they all define the aura of the singer. Madonna was among the most adored fashion icons during the 1980s and 1990s. Fashion artists and critics dubbed her style as bold and racy. She remained the undisputed reigning queen of the pop industry for more than two decades, and her style has a significant impact on her fame. Today, Madonna is revered as one of the most stylish pop icons, and she is admired equally for her sense of fashion and musical gigs. 5. Grace Kelly. The original diva of Hollywood, Grace Kelly stands true to her name. She was born in an elite family, and she has style in her DNA. Her signature pieces of clothing are pearls, and coats which graced her elegant look. After marrying the Prince of Monaca, she remained under the constant limelight of media and fashion photographers who cited her as a "fashionista." She was often seen with a leather bag in public appearances and it became such a cultural thing that many bag manufacturers started producing similar bag with custom embroidered patches. Her impeccable style sense lied in her timeless beauty that epitomizes class and sophistication. She died in an accident in 1982 and sorrowed the world. She remained one of the most elegant looking women in history and left a rich legacy for the fashion world. 6. Twiggy. Whether it is her long eyelashes, prominent eyes or short hairs, Twiggy was a quintessential beauty who was known for her exquisite looks and sense of style. Her unique looks quickly made her a known face in the fashion world, and she became the first supermodel of the modern time. She was the face of British fashion during the 1960s, and she was frequently photographed flaunting the A-line skirts, suits, and neckties. Her clothing was inspired by the couture of military uniforms with the exception that they don't have those custom iron on patches that represent the logo of the army. She also popularized the miniskirts, knee-long boots, and shift dresses. An incredible fashion connoisseur, Twiggy will remain the ultimate style diva for the coming generation. 7. Diana Ross. A melodious singer, an accomplished actress, and a fashion diva, Diana Ross is a multifaceted celebrity who reigned the fashion world for more than three decades. She is an ultimate oomph girl who dared to don the most eccentric dresses of her time. Her choice of weird outfits was the most noticeable part of her fashion, and she was unapologetic about it. Whether it is her catsuits, rhinestone outfits, or flashy gowns, Diana Ross looked her best in every avatar. Her dreadlocks were the hottest assets in her looks. All in all, she is a legendary fashion icon who inspired the many celebrities including Beyoncé, Rihanna, and Madonna. 8. Elizabeth Taylor. The life of Elizabeth Taylor can be defined in three words cinema, marriages, and style. Elizabeth Taylor is considered among the most famous Hollywood actresses of all time. Part of her fame is associated with her good looks and perfect sartorial choices. She was known for the portrayal of eponymous character Cleopatra in which she wore the "cat-eye" make-up which complimented her contours so much that it became a fad. However, she was equally stylish off-screen, and she popularized the deep necklines, fur wraps, and glitzy ornaments that she flaunted in public appearances. Today, she is considered among the most iconic Hollywood actresses, and she is regarded as a fashion celebrity. Fashion icons are the people who set new trends and shape the future fashion world. The aforementioned are some of the most famous fashion icons of all time who gave a new name to style.

[zed-air]

CKUA - Top 100 of 2021 Countdown

______

From 6AM-6PM MT on December 31, 2021, CKUA counts down its top 100 albums of 2021. Visit CKUA.COM to follow the countdown in realtime via the online playlist. The ranking was generated by the number of plays songs from each album received on CKUA during the year. The hosts for the day are:

Oskar Zybart from 6am-10am, presenting albums #100-66

Amy Van Keeken from 10am-2pm, presenting albums #65-34

Brian Golightly from 2pm-6pm, presenting albums #33-01

Click the “keep reading” link below for the full 2021 Top 100 list, and for my playlist.

- - - - -

RANKING • TITLE • PERFORMING ARTIST • ALBUM • AIRTIME

2021-12-31 - 06:00-10:00

>>> Rankings only appear when relevant

Where Are We Now? • David Bowie • THE NEXT DAY • 06:01

100 • Blame It On the Sugar • Crystal Shawanda • CHURCH HOUSE BLUES • 06:06

99 • Give Me Back My Wig • GA-20 • TRY IT...YOU MIGHT LIKE IT • 06:09

Your Mind Is On Vacation • Holly Cole • HOLLY • 06:13

98 • White Dove • OXLIP • YOUR MOTHER WAS A PEACOCK • 06:17

As I Wander • Bill Callahan • GOLD RECORD • 06:21

97 • KD and Lunch Meat • Boy Golden • CHURCH OF BETTER DAZE • 06:25

Sugarglider • Renny Wilson • SUGARGLIDER • 06:29

96 • The Pet Parade • Fruit Bats • THE PET PARADE • 06:35

95 • Fly At Night • Jr. Gone Wild • STILL GOT THE JACKET • 06:42

One More Year • Tame Impala • THE SLOW RUSH • 06:47

94 • Cotton And The Cane • Amy Helm • WHAT THE FLOOD LEAVES BEHIND • 06:54

93 • Pay No Mind • Burnstick • KIYANAW • 07:00

92 • Marilyn • T. Buckley • FRAME BY FRAME • 07:06

91 • Some Fool • Evan Cheadle • FAULT LINE SERENADE • 07:10

Days Like Today • Doug Hoyer • GETTING OLDER • 07:15

90 • You Are My Sunshine • Shovels & Rope • BUSTED JUKEBOX: VOLUME 3 • 07:20

Talk Meaning • BADBADNOTGOOD • TALK MEMORY • 07:25

89 • Just A Little Heat • Del Barber • STRAY DOGS • 07:30

88 • Spirit • Dione Taylor • SPIRITS IN THE WATER • 07:34

87 • Nicim (feat. Shauit) • Laura Niquay • WASKA MATISIWIN • 07:43

Fog • Bailey Kate • WITHIN / WITHOUT • 07:47

86 • Sanctuary • Hiss Golden Messenger • QUIETLY BLOWING IT • 07:52

85 • The Globe • Son Volt • ELECTRO MELODIER • 07:56

84 • Look • The Weather Station • IGNORANCE (DELUXE) • 08:02

83 • Keep On Pushing • Cedric Burnside • I BE TRYING • 08:06

82 • Wonder • Greg Keelor • SHARE THE LOVE • 08:09

81 • Lover Girl • Aaron Frazer • INTRODUCING... • 08:13

80 • Not All Roses • Slow Leaves • HOLIDAY • 08:17

79 • Something New • Brandon Isaak • MODERN PRIMITIVE • 08:21

78 • Nothing's Changed • Spencer Burton • COYOTE • 08:24

Weasel • Bumarang • ECHO LAND • 08:28

77 • Rutting Season • Charles Spearin • MY CITY OF STARLINGS • 08:33

76 • Stir Crazy • The Heavyweights Brass Band • STIR CRAZY • 08:37

75 • Natural Rhythm • Joan Armatrading • CONSEQUENCES • 08:41

Contact • Jarvis Cocker • CHANSONS D'ENNUI • 08:44

74 • Nocturne Child • Daniel Romano • COBRA POEMS • 08:49

73 • Boogie Let Me Be • Colin Linden • BLOW • 08:53

72 • Ya Habibti • Mdou Moctar • AFRIQUE VICTIME • 08:58

71 • She Calls Me Kingfish • Christone Kingfish Ingram • 662 • 09:03

70 • Hopeful (clean edit) • Curtis Harding • IF WORDS WERE FLOWERS • 09:08

69 • Little Record Girl • Bahamas • LIVE TO TAPE: VOLUME I • 09:12

Dans L'obscurite • Coeur De Pirate • IMPOSSIBLE A AIMER • 09:14

Si j'te disais • Post Script • AMOUR FATAL (EP) • 09:20

68 • Mon Epoque • Dobet Gnahore • COULEUR • 09:23

More by the Minute • Nuela Charles • BLISSFUL MADNESS • 09:27

67 • Ala Vida • El Michels Affair • YETI SEASON • 09:31

Soulgroove '66, Pt. 1 • The New Cobras • ______ • 09:35

Ain't It Hard • Sharon Jones • DAP-DIPPIN' WITH SHARON JONES • 09:39

66 • Can't Let Go • Robert Plant & Alison Krauss • RAISE THE ROOF • 09:44

Roots And Wings • The Wallflowers • EXIT WOUNDS • 09:48

Don't Go • Lollipop • SLED ISLAND ROCK LOTTO • 09:51

Superstition • The Bobby Cairns Legacy Band • PLAY IT FORWARD • 09:54

- - - - -

THE FULL TOP 100 OF 2021 LIST FOLLOWS BELOW

The Weather Station: Ignorance (Next Door)

Dominique Fils-Aimé: Three Little Words (Ensoul)

Kat Danser: One Eye Open (Black Hen)

Shaela Miller: Big Hair Small City (Independent)

D'orjay The Singing Shaman: New Kind of Outlaw (Independent)

Maria Dunn: Joyful Banner Blazing (Distant Whisper)

VISSIA: With Pleasure (Hurry Hard)

Allison Russell: Outside Child (Fantasy)

Daniel Lanois: Heavy Sun (eOne)

Valerie June: The Moon And Stars: Prescriptions For Dreamers (Fantasy / Concord)

The Bamboos: Hard Up (BMG)

Yola: Stand For Myself (Easy Eye Sound)

Daniel Romano: Kissing The Foe (You've Changed)

Whitehorse: Strike Me Down (Six Shooter / Universal)

Chad VanGaalen: World's Most Stressed Out Gardener (Flemish Eye)

Steve Marriner: Hope Dies Last (Stony Plain)

The Fretless: Open House (Birthday Cake)

k.d. lang: Makeover (Nonesuch / Warner)

Jon Batiste: WE ARE (Verve / Universal)

Charlotte Day Wilson: Alpha (Stone Woman)

Angélique Kidjo: Mother Nature (Verve)

Willie Dunn: Creation Never Sleeps... The Willie Dunn Anthology (Light In The Attic)

Alex Cuba: Mendó (Caracol)

Lake Street Dive: Obviously (Nonesuch)

Los Lobos: Native Sons (New West)

Trevor Tchir: Sun & Moon (Independent)

Meggie Lennon: Sounds From Your Lips (Mothland)

Durand Jones & The Indications: Private Space (Dead Oceans)

Maria Muldaur with Tuba Skinny: Let's Get Happy Together (Stony Plain)

Willie Nelson: That's Life (Legacy)

Arlo Parks: Collapsed in Sunbeams (Transgressive)

Whitehorse: Modern Love (Six Shooter)

Mariel Buckley: 97 Riverdale (EP) (Birthday Cake)

The McDades: The Empress (Independent)

Menahan Street Band: The Exciting Sounds Of Menahan Street Band (Daptone)

Cat Clyde & Jeremie Albino: Blue Blue Blue (Majesticsilk)

Son Of Dave: Call Me A Cab (Goddamn)

Steve Earle: J.T. (New West)

Amythyst Kiah: Wary + Strange (Rounder / Concord)

Layten Kramer: Dear Apathy (Oscar St)

The Black Keys: Delta Kream (Easy Eye Sound)

Nathaniel Rateliff & The Night Sweats: The Future (Stax / Fantasy / Concord)

Bobby Dove: Hopeless Romantic (Independent)

Kimberley MacGregor: Sitting, with Uncomfortable Feelings (Independent)

Ronald Nyandoro: Sabhuku (Independent)

Astral Swans: Astral Swans (Independent)

David Myles: That Tall Distance (Tiny Little)

Serena Ryder: The Art Of Falling Apart (Warner)

Crowded House: Dreamers Are Waiting (EMI)

Lucy Dacus: Home Video (Matador)

Lydia Ainsworth: Sparkles & Debris (Zombie Cat)

John Hiatt with The Jerry Douglas Band: Leftover Feelings (New West)

Bernice: Eau de Bonjourno (Telephone Explosion)

Curtis Salgado: Damage Control (Alligator)

The Band: Stage Fright (50th Anniversary Remaster) (Capitol/ Universal)

Anoushka Shankar: Love Letters P.S. (Mercury KX)

TUNS: Duly Noted (Murderecords)

Phyllis Sinclair: Ghost Bones (Independent)

Michael Wimberly: Afrofuturism (Temple Mountain)

Sue Foley: Pinky's Blues (Stony Plain)

Brandi Carlile: In These Silent Days (Warner)

Begonia: The Fear Tour (Live) (Rex Baby)

Electric Religious: Tragic Lover (Crystal Baby)

St. Vincent: Daddy's Home (Loma Vista)

David Wax Museum: Euphoric Ouroboric (Mark Of The Leopard)

Robert Plant & Alison Krauss: Raise The Roof (Rounder / Concord)

El Michels Affair: Yeti Season (Big Crown)

Dobet Gnahoré: Couleur (Cumbancha)

Bahamas: Live To Tape: Volume I (EP) (Barchords/ Brushfire)

Curtis Harding: If Words Were Flowers (ANTI-)

Christone 'Kingfish' Ingram: 662 (Alligator)

Mdou Moctar: Afrique Victime (Matador)

Colin Linden: bLow (Highway 20/Thirty Tigers)

Daniel Romano: Cobra Poems (You've Changed)

Joan Armatrading: Consequences (BMG)

The Heavyweights Brass Band: Stir Crazy (Slammin)

Charles Spearin: My City Of Starlings (Arts & Crafts)

Spencer Burton: Coyote (Still)

Brandon Isaak: Modern Primitive (Independent)

Slow Leaves: Holiday (Birthday Cake)

Aaron Frazer: Introducing... (Dead Oceans / Easy Eye Sound)

Greg Keelor: Share The Love (Warner)

Cedric Burnside: I Be Trying (Single Lock)

The Weather Station: Ignorance (Deluxe) (Next Door)

Son Volt: Electro Melodier (Transmit Sound/Thirty Tigers)

Hiss Golden Messenger: Quietly Blowing It (Merge)

Laura Niquay: Waska Matisiwin (Musique nomade)

Dione Taylor: Spirits In The Water (Matay)

Del Barber: Stray Dogs (Acronym)

Shovels & Rope: Busted Jukebox: Volume 3 (Dualtone)

Evan Cheadle: Fault Line Serenade (Victory Pool)

T. Buckley: Frame by Frame (Fallen Tree)

Burnstick: Kîyânaw (Independent)

Amy Helm: What The Flood Leaves Behind (BMG)

Jr. Gone Wild: Still Got The Jacket (Stony Plain / weewerk)

Fruit Bats: The Pet Parade (Merge)

Boy Golden: Church Of Better Daze (Six Shooter / Universal)

OXLIP: Your Mother Was A Peacock (Garment District)

GA-20: GA-20 Does Hound Dog Taylor: Try It...You Might Like It! (Alligator / Colemine)

Crystal Shawanda: Church House Blues (New Sun / Linus)

#playlist #ckua #radio #best of 2021 #best of #2021 #year in review

[breezygardensofficial]

zzz

#simblr #sims 4 #ts4 #sims 4 screenshots #ts4 gameplay #ts4 simblr #ts4 legacy #golightly legacy

[antoniwrites]

STARTER CALL LIST!!!

This is a starter call list for all of my muses!

Wicca:

Kaia Karverson

Harry Potter:

Gaia Gryffindor

Elara Dalca Black

Freya McGonagall

Cosette Greengrass

Descendants:

Aurelia Olympia

Chevalier “Chevy” Facilier

Raven Boogie

Astrid of Arendelle

Star Wars:

Zari Calrissian

Lucifer:

Belladonna Harvey

ATLA:

Ember

Game of Thrones:

Kostia Flowers

Valeria Stone

Kenna Baratheon

Lyriana Stark

Chilling Adventures of Sabrina:

Emmeline Lovecraft

Dorothea Shade

Adelaide Luna

Petra Scratch

DC:

Lunara Sol-El

Alara Yat

Cosima Dru-Zod

Jesta Quinn Joker

Marvel:

Kisa Mileda

Lolita Torrez

Chelsea Dagger

TVD/TO/Legacies:

Jolene Warson (Legacies)

Eloise O’Connell (TO/Legacies)

Cecelia Waverly (Legacies)

Giselle Deveraux (TO)

Riverdale:

Adaline Golightly

Phoenix Arlington

Marie Golightly

Jim Golightly

Twilight:

Berevity Black

Ainsley Darbyshire

Eliana Wilde

Greta Grayson

Celeste Plante

Vikings:

Thora Sylvisdottir

Hertha Sylvisdottir

Ylva Fenrirsdottir

Aideen Mac Loughlainn

Stranger Things:

Marigold Thompson

Mamma Mia:

Sheila Sheridan

Shameless:

Misty Milkovich

Krista McCallister

Call Me By Your Name:

Sofia Mancini

SKAM:

Skadi Berg

Fandomless:

Vida Thanas

Zoe Thanas

Clarissa Constance

Augusta Rush

Amelia Abernathy

#muse list #starter call

[hohwarchive]

a candle; burns in a choir, held with a righteous hand and i'm reminded... of a silent night, all for a broken man one i don't understand

#ts4 #vatore #ts4 story #ts4 legacy #ts4 vampires #ts4 occult #g1 #shelley braun #rafael golightly

[aion-rsa]

Why Turner Classic Movies is Reframing Problematic Hollywood Favorites

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Breakfast at Tiffany’s is a movie Alicia Malone fell head over heels in love with during childhood. Seeing it more times than she can remember in her native Australia, the future author and Turner Classic Movies host still recalls failed attempts to launch a high school film club with Audrey Hepburn’s Holly Golightly as the star attraction.

“I thought for sure people were going to get excited about classic movies if they watched Breakfast at Tiffany’s because it has so much life to it!” Malone says today. How could they not fall for Hepburn’s iconic performance, which Malone still describes as luminous? “Holly Golightly is a complex female character, and for the times it was quite sexually progressive.”  Yet there was always another element, even in those halcyon days, which Malone recognized as uncomfortable—that discomfort has only grown to modern eyes.

Beyond the movie’s bittersweet romance between a pseudo-call girl and the kept man living in the apartment upstairs, there’s a grossly racist caricature of Japanese Americans in the movie’s margins, and it’s portrayed no less than by Mickey Rooney in yellowface makeup. It’s technically a small part of the movie, only appearing briefly and sporadically, but each time the character arrives, it’s like a sledgehammer swung across the screen. For decades the performance has been rightly criticized by Asian American advocacy groups, and even Rooney acknowledged late in life that if he knew people would become offended, he “wouldn’t have done it.” Nevertheless, the shadow that character casts over the movie has only loomed larger with time.

“I just kind of hold my breath and half shut my eyes every time Mickey Rooney shows up,” fellow TCM host Dave Karger says during a Zoom conversation with Malone and myself. “Mercifully, he’s gone pretty soon, and I’ve chosen actively not to let that performance ruin the movie for me, because ‘Moon River’ and the party scene, and George Peppard looking so great—there’s just so much to love and appreciate, so I actively choose to focus on that.”

Despite those personal struggles with the movie, Karger and Malone are both unafraid to examine the full implications of Rooney’s Mr. Yunioshi head-on. It’s why they hosted, alongside Ben Mankiewicz, a lengthy discussion of the character’s legacy last week during a special Turner Classic Movies presentation. That conversation was part of TCM’s Reframed series, a new season of content from the network which looks at some of the most beloved Hollywood classics of the 20th century—the crème de la crème, as Karger describes them—and studies why they can also be problematic and, in some cases, stunningly offensive. In the case of Breakfast at Tiffany’s, that can even lead to larger discussions about prevailing anti-Japanese attitudes and stereotypes in American society that persisted in the immediate decades after World War II… and can still be found as echoes in the anti-Asian stereotypes of today.

For Karger and Malone, these are the types of discussions TCM hosts have been having off-screen for years. So bringing those dimensions to the forefront for new generations of viewers felt only natural with Reframed.

Says Malone, “We often talk to each other about how we approach certain films when it comes to writing our scripts for our intros and outros for each individual film. We also talk with the producers about what we should bring up, what we shouldn’t bring up; if we should talk about an actor or director’s problematic past during that particular film, or if it doesn’t go with the content of the movie.”

So the five main hosts of TCM–who also include University of Chicago Professor Jacqueline Stewart and author Eddie Muller–were eager to have these frank discussions on screen while offering historical context from a modern perspective.

“All of us at TCM are watching the world change and watching the culture change,” Karger says, “and even though we show movies by and large from the period of the ‘30s to the ‘60s, we all realized that it doesn’t mean we can’t be part of today’s cultural conversation. It’s not a stretch at all to talk about classic movies from a point-of-view of the 21st century; that’s very possible to do, and I think a lot of our fans are looking for that kind of context when they watch the channel.”

The Reframed series, which was spearheaded in part by Charlie Tabesh, the TCM head of programming, and organized by producer Courtney O’Brien, looks to balance what Karger describes as the push and pull between nostalgia and criticism. Both Malone and Karger are acutely aware of the hesitance some classic movie fans might have about evaluating works from nearly a century ago through a 21st century prism, however the new program is intended to renew engagement with these movies—particularly in an era when there are just as many loud voices that attempt to dismiss or wipe away the legacies of these film’s from the cultural canon.

“That’s really important to remind everyone that this series is not here to shame these movies or to tell anyone that they can’t love these movies,” Karger says. “And if there’s a frustration that I’ve had in this last month, it’s to see some of the reaction to this series be along the lines of ‘you’re part of cancel culture with this series.’ It could not be more the opposite of that. We’re not cancelling anything; we’re showing the films a hundred percent in their entirety, we’re just talking about them.”

Malone further emphasizes this is what can keep so many of these movies vital in an era when sequences like the aforementioned Rooney scenes in Breakfast at Tiffany’s are being deleted from a Sacramento film festival—effectively erased from the collective memory.

“I think everyone at TCM sees this as the way forward,” Malone says, “the way that we can continue to make sure these movies stay alive for younger generations. We can continue talking about them, discussing them, they can change over the years, our feelings can change about them; you can love a film and not be able to justify parts of it at the same time. What’s so important though is just to have the discussion, to talk about these problematic areas and face up to them rather than hiding them. To me, if you take out a film from existence or you just delete parts of a film, you’re in a way saying these problems never existed.”

Indeed, even the opinions of folks as steeped in this history as the hosts of Turner Classic Movies can evolve as the culture does. Ben Mankiewicz, for example, is TCM’s unofficial statesman but he surprised some viewers two weeks ago when he revealed during a Reframed discussion that he can no longer comfortably watch Gunga Din (1939), a rollicking adventure movie set in British India. Based on a Rudyard Kipling poem, that classic film’s influences can still be felt in more modern blockbusters like Indiana Jones and the Temple of Doom (1984). However, Gunga Din is also a movie that glorifies the British Empire at the expense of then-contemporary Indian independence movement, with the villain being a character who Mankiewicz noted is physically modeled after Mahatma Gandhi, who would’ve been seen as subversive by some white audiences in the ‘30s.

“I’ve never been a huge fan of that movie, even though Cary Grant is my favorite actor,” Karger says. “And I was even a little surprised when Ben and Brad Bird included it on [the TCM program] The Essentials last year. Not because it’s not a revered classic movie, but because it’s more than a little offensive. And it was fascinating to be part of that conversation with Ben, talking about the evolution of his feelings for Gunga Din, because he’s been with the network 15 years. I can’t imagine how many times he’s talked about that movie, and it’s just showing you that culture and history are living, breathing things.”

Opinions change. Malone had a similar experience when she joined Mankiewicz and Muller to discuss John Ford’s seminal Western, The Searchers (1956), a movie where the director began reckoning with his depiction of Native Americans on screen. The film is a touchstone to this day for filmmakers like Steven Spielberg, Martin Scorsese, and George Lucas. Mankiewicz and Muller note that Ford is grappling with the racism of his earlier films via John Wayne’s lead character, an unrepentant bigot who becomes both the movie’s protagonist and antagonist. However, the film still bathes Wayne’s character in heroic imagery, and still relies on Native American stereotypes.

“Watching The Searchers again with the lens of talking about it during Reframed, I just saw so much,” Malone says. “I know John Ford was trying to have a conversation about racism involving Native Americans, but there’s just no doubt that many of his films contributed to the very dangerous and horrific stereotypes based around Native American people. And I think Native American people have suffered greatly because of the way they’ve been stereotyped in Hollywood films.”

That subject of intent comes up quite a bit during the Reframed series; Karger describes the movies they discuss as running the gamut from mildly problematic to extremely offensive, yet that ambiguity should invite education about the times they were made in, as opposed to preventing audiences from knowing about those eras.

Says Malone, “I think [Reframed] does show an attempted evolution on the parts of the filmmakers, and that’s interesting. Seven Brides for Seven Brothers and The Searchers, and My Fair Lady are trying to comment on a particular issue. Seven Brides for Seven Brothers comments on the sexism of the brothers in the film; My Fair Lady comments on the misogyny of Henry Higgins; and The Searchers comments on racism. But at the same time, they are also sexist, misogynistic, and racist.” She ultimately concludes movies can be both progressive and not progressive because of the times they’re made in.

Read more

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My Fair Lady (1964) will be the centerpiece of TCM’s final night of Reframed programming this Thursday. A lavish big screen adaptation of Lerner and Loewe’s Broadway musical, which itself was an adaptation of George Bernard Shaw’s 1913 play, Pygmalion, it deals with the story of cockney flower girl Eliza Doolittle (Audrey Hepburn) being remade into Professor Henry Higgins’ (Rex Harrison) ideal woman through diction lessons. And the fact the musical, written in the 1950s, changed the more transgressive ending of the original play where Eliza leaves Higgins behind, will invariably come up on Reframed.

“Some people would look at that and say, ‘My Fair Lady? What could be the problem with that? It’s a very strong female character who stands up for herself and has so much agency and power in the movie,’” Karger admits. “But then when you really look at specific scenes, particularly the end of the movie, which is what I think we talked about a lot, there are certain things that just kind of make the movie, for me at least, have the tiniest bit of a sour note.”

The question of whether My Fair Lady is a sexist movie or rather a movie about sexism became the heart of its Reframed discussion.

Adds Malone, “We also talk about the fact that that ending has been changed by some stage productions. That is happening now, and we also talk about the idea of the makeover movie. I think the Pygmalion myth is something that’s fairly sexist and outdated when you look at it, but there’s also so much to love about My Fair Lady.”

The opportunity of having these discussions has been a gift for Karger and Malone. They both stress they don’t have the answers to all the questions they raise, and that even with added time for the outros on Reframed, there is no way to cover everything that needs to be said about a film in a handful of minutes.

“I thought about multiple things I wish I said or I forgot to say, or just didn’t have time to say,” Malone says. However, she hopes the series gives viewers the tools to begin engaging more seriously with these films and embrace a greater curiosity about the past. On tonight’s line-up alone, Malone and Karger will both get to engage in discussions of films they lobbied to have included in the Reframed series.

“I had just a brief conversation with Charlie [Tabesh] about including something around the idea of gender identity, or the transgender community, because I wanted to delve into that,” Malone says. “And of course from there, it becomes what do we have the rights to? What’s in license, what can we show? So there are certain limitations on the types of films we can show in the series.” The film they ended up agreeing on is Alfred Hitchcock’s Psycho.

“I love the fact that it is one of the classic movies that everyone should watch, a horror classic,” Malone adds.

Karger by contrast will be discussing another Audrey Hepburn movie, this one dealing with Hollywood’s history of depicting LGBTQ characters on screen.

Says Karger, “I will never forget watching the documentary The Celluloid Closet in the mid-1990s when it was released, and that was one of the seminal moments for me, as far as looking at film critically. This was a history of LGBT characters in film history over the years, and one thing you learn when you watch a documentary like that, there was this trope in films where if there was a character who was gay, that character would not live to survive at the end of the movie. That character would either be murdered, have some kind of horrible accident, or end his or her own life.”

He continues, “So you think of The Children’s Hour in the early 1960s and at first you think, ‘Oh this is something to applaud. Shirley MacLaine and Audrey Hepburn playing two women who may or may not be lesbians. Wow! This is a great thing to bring attention to.’ And then you realize they couldn’t even use the word lesbian in the movie… then the character who ends up being gay also ends up being dead by the end of the movie, and I just think it’s this unfortunate trope that tells people, consciously or not, that you can’t be gay and you can’t be alive in society… It’s a shame, because it came so close to getting it right but you realize it didn’t have the opportunity to get it right in 1961. It couldn’t with all the restrictions in the film industry and society in general.”

It will be the last night that TCM dives so directly into the murkier waters of some of Hollywood’s legacy, although both hosts hope for a second season of Reframed. Karger, who admits he shouldn’t spend so much time on social media, has seen the predictable social media reactions of “you’re ruining these movies” by talking about these elements. But he’s also been heartened by responses from fans who wished TCM provided Reframed discussions on movies that aired later in the evening, like Stagecoach (1939) or Tarzan, The Ape Man (1932). Karger says if he has it his way, they’ll include all those movies in a second season of Reframed.

Meanwhile Malone would really like to continue a thread begun with the screening of the Katharine Hepburn and Spencer Tracy classic, Woman of the Year (1942), from several weeks ago.

“I love having discussions for films where we talk about the representation of female characters,” Malone says. “That’s something I’ve done a lot of work on, so that’s something I’d like to continue—to talk about the way women have been portrayed in films throughout Hollywood history, and we could talk about that in terms of their beauty and how that was seen to be the most valuable quality a woman could have, or the way they could search for love. I love all the women’s pictures that forces the woman at the end to give up everything for love, but for most of the movie she is a fantastically independent woman.”

Other examples of this trope she cites are His Girl Friday (1940), and nearly every movie Katharine Hepburn made after The Philadelphia Story (1940).

Karger conversely would be interested in revisiting movies with extreme age differences between couples.

“I’d love to look at films like Gigi or Love in the Afternoon,” the host says, “because I think there are some people who have issues with the much older man and much younger woman pairing. And I think I’d love to hear what my fellow TCM hosts have to say about that, because you never see it in the opposite direction.” In fact, based on just this one comment, Malone began thinking aloud about all the ageist movies spawned by Whatever Happened to Baby Jane? (1962), a camp horror classic that kicked off what Malone describes as “hagsploitation.”

When it comes to revisiting (and reframing) Hollywood classics, the options for learning more are limitless. Not that the lessons should be intimidating.

“I think it’s quite exciting the way things change,” Malone says. “Society changes so quickly, and you learn more and have different opinions, [including] on films. I love being more educated and finding out more of my own blind spots and trying to fix them.”

Reframed continues that search on Thursday March, 25, beginning with My Fair Lady at 8pm EST.

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[bigyack-com]

Calhoun Becomes President and CEO of Boeing

David L. Calhoun assumed the role of President and Chief Executive Officer of The Boeing Company on Monday Calhoun, 62, has served in various senior leadership roles within several large-scale enterprises including at the Blackstone Group, Nielsen Holdings and GE.

During his 26-year tenure at GE he led multiple business units including GE Transportation and GE Aircraft Engines. Calhoun has served on the Boeing Board of Directors since 2009 and served as chairman from 11 October to 22 December 2019. "I'm honored to lead the talented people of Boeing as we face our challenges. Working together, we will strengthen our safety culture, improve transparency and rebuild trust with our customers, regulators, suppliers and the flying public," said Calhoun. "With the strength of our team, I'm confident in the future of Boeing, including the 737 MAX." Boeing is one of the world's largest aerospace companies and employs more than 150,000 people worldwide. "With deep industry experience and a proven track record of performance, Dave is the right leader to navigate Boeing through this challenging time in our 104-year legacy," said Lawrence W. Kellner, chairman of the Boeing Board of Directors. "We're confident Dave will take Boeing forward with intense focus on our values, including safety, quality and integrity." See latest Travel News, Interviews, Podcasts and other news regarding: Boeing, CEO, President. 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KLM Group  Malaysia Airlines Launches Shuttle Fares on Flights Between KL and Singapore  Accor to Open 125-Room Mercure Hotel in Canberra in January  Openings Push Australia's Hotel Inventory to Over 300,000 Rooms  Alban Dutemple Appointed Cluster GM of Two Hotels in Bahrain  Air New Zealand Trials Edible Coffee Cups  Manchester Airport Unveils Details of £1 Billion Transformation  South Africa Beat New Zealand to Win Dubai Sevens  Aviation: RPKs Up 3.4% in October 2019  China Airlines to Launch Flights Between Taipei and Cebu, Philippines  Seaplanes in Thailand? Interview with Dennis Keller, CBO of Siam Seaplane  Seven HD Videos from IATA Airline Industry Retailing Symposium 2019 in Bangkok  Vietnam Airlines Signs EngineWise Service Agreement with Pratt & Whitney  Future of Airline Distribution and NDC - Interview with Yanik Hoyles, IATA  Cambodia Airways Interview with Lucian Hsing, Commercial Director  HD Videos and Interviews  Podcasts from HD Video Interviews  Travel Trade Shows in 2019, 2020 and 2021  High-Res Picture Galleries  Travel News Asia - Latest Travel Industry News  Read the full article

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