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#herbert brenon
adaptationsdaily · 26 days
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Peter Pan (1924) Directed by Herbert Brenon
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weirdlookindog · 9 months
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Lon Chaney and Loretta Young in Laugh, Clown, Laugh (1928)
"Director Herbert Brenon loved to pick on and ridicule a 14-year-old Loretta Young in her first big role, but was civil with her whenever Lon Chaney was present on the set. Chaney noticed this and never left her side, even if his character wasn't needed for shooting that day. He directed her throughout the shoot and became her surrogate father on the project. "I shall be beholden to that sensitive, sweet man until I die", said Young of Chaney." source
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boydswan · 2 years
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PETER PAN (1924)
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gatutor · 2 months
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William E. Shay-Theda Bara "Kreutzer sonata" 1915, de Herbert Brenon.
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capfly · 13 days
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The Spanish Dancer (1923)
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Films Watched in 2023:
15. Laugh, Clown, Laugh (1928) - Dir. Herbert Brenon
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byneddiedingo · 9 months
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A Lon Chaney Double Feature
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Norma Shearer and Lon Chaney in He Who Gets Slapped
He Who Gets Slapped (Victor Sjöström, 1924)
Cast: Lon Chaney, Norma Shearer, John Gilbert, Ruth King, Marc McDermott, Ford Sterling, Tully Marshall. Screenplay: Carey Wilson, Victor Sjöström; titles: Marian Ainslee; based on a play by Leonid Andreyev. Cinematography: Milton Moore. Art direction: Cedric Gibbons. Film editing: Hugh Wynn.
He Who Gets Slapped is not a film for coulrophobes (people with a fear of clowns). It's crawling with them, performing antics that are supposed to be, to judge from the hilarity they induce in the audiences shown in the film, side-splittingly funny. The film seems to be based on the highly dubious premise that watching someone get slapped repeatedly is one of the funniest things ever. (There may be people who think so, to judge from the perennial popularity of the Three Stooges.) The whole movie is an artificial concoction, anyway, and only the brilliance of Lon Chaney gives it some grounding in real-life feeling. It was one of the films that launched the MGM studios on the road to Hollywood dominance, and the first one to feature Leo the Lion in the credits. It's also a film that contemporary audiences should watch to see the young Norma Shearer, when she was at her freshest and most natural. In He Who Gets Slapped, her love interest is John Gilbert. It was only after the advent of sound that Shearer's husband, MGM's creative director Irving G. Thalberg, decided to make her into a great lady, the cinematic equivalent of Katharine Cornell, putting her into remakes of Broadway hits like The Barretts of Wimpole Street (Sidney Franklin, 1934), which had starred Cornell, or Strange Interlude (Robert Z. Leonard, 1932), which had featured another theatrical diva, Lynn Fontanne. She is barely in her 20s in He Who Gets Slapped, however, and she's delightful, with no trace of the diva to come.
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Lon Chaney and Loretta Young in Laugh, Clown, Laugh
Laugh, Clown, Laugh, Herbert Brenon, 1928
Cast: Lon Chaney, Bernard Siegel, Loretta Young, Cissy Fitzgerald, Nils Asther, Gwen Lee. Screenplay: Elizabeth Meehan; titles: Joseph Farnham; based on a play by David Belasco and Tom Cushing. Cinematography: James Wong Howe. Art direction: Cedric Gibbons. Film editing: Marie Halvey.
Laugh, Clown, Laugh puts him in clown makeup again, but the film is a grand showcase for Chaney, whose reputation as the man of a thousand faces was somewhat misleading. He had one well-worn face that, no matter how much he distorted or disguised it, shone through. Here he's given an opportunity to perform without disguise through much of the film, and the range of expressions available to him is astonishing. The leading lady is 14-year-old Loretta Young. That she often looks her age is one of the more disturbing things about the film, in which she's supposed to be in love with both Chaney, who was 45, and the improbably pretty Nils Asther, who was 31. The cinematography is by James Wong Howe. Laugh, Clown, Laugh was eligible for Oscar nominations in the first year of the Academy Awards, and Chaney should have received one. The closest the film came to an award was the one that Joseph Farnham received for title writing (the one and only time the award was presented). But Farnham's award was for the body of his work over the nomination period, and not for a particular film.
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There is no reference to the third girl in the photo of Herbert Brenon on the set of Peter Pan (1924). Herb was born in Dublin, and had 124 director credits from 21 1912 shorts to 1940. He was Oscar nominated at the first Oscar ceremony for the long forgotten Sorrell and Son. His other notable credits include silent versions of Beau Geste and The Great Gatsby, and Laugh Clown Laugh with Lon Chaney.
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rwpohl · 11 months
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letterboxd-loggd · 2 years
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Laugh, Clown, Laugh (1928) Herbert Brenon
July 20th 2022
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On December 21, 1928 Laugh, Clown Laugh debuted in the Netherlands.
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weirdlookindog · 10 months
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Laugh, Clown, Laugh (1928)
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carbone14 · 3 days
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Affiche du film "Ris donc, Paillasse !" (Laugh, Clown, Laugh), drame muet américain réalisé par Herbert Brenon avec Lon Chaney et Loretta Young - 1928
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gatutor · 7 months
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Pola Negri-Antonio Moreno "La bailarina española" (The spanish dancer) 1923, de Herbert Brenon.
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mariocki · 3 months
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The Flying Squad (1940)
"If I go, it will be of my own volition!"
"Yeah, and if you don't go, the volition will be from my boot. Come on, get out."
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perfettamentechic · 10 months
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21 giugno … ricordiamo …
21 giugno … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2022: Elettra Romani, attrice teatrale, comica e cabarettista italiana. Nel 1949 esordì come ballerina di avanspettacolo, poi soubrette, e infine attrice sia drammatica che brillante. Nel 1959 si unì professionalmente e sentimentalmente al comico Alfonso Tomas con cui svolse tournée di avanspettacolo: i due poi nel 1980 formarono il “Duo Tomas”, coppia comica cabarettistica. Nel 1990 lavora in…
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