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cinemaspast · 2 days ago
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Paul Newman as Luke COOL HAND LUKE (1967) dir. Stuart Rosenberg 
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soniabragas · 20 hours ago
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BRINGING UP BABY 1938, dir. Howard Hawks
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johnryder · a day ago
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2022 Film Diary:
HOUSE OF WAX 1953 | dir. André De Toth
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musicalfilm · 2 days ago
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if i try and bend that far, i’ll break.
fiddler on the roof (1971) // dir. norman jewison
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vietlad · a day ago
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GENE TIERNEY as Isabel Bradley in THE RAZOR'S EDGE (1946) dir. Edmund Goulding
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guyfieri · 2 days ago
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I always think everyone’s looking at me, but I only look at myself.
Corinne Marchand in CLÉO DE 5 À 7 (1962) dir. Agnès Varda
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briarosie · 19 hours ago
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AUDREY HEPBURN Breakfast at Tiffany's, 1961
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tkaneshiro · 22 hours ago
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Persona (1966)
dir. Ingmar Bergman.
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howard-cassie · a day ago
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ALAIN DELON & BRIGITTE BARDOT Photographed by Sam Levin for Les Amours célèbres (1961)
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peggybrandt · 2 days ago
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She Done Him Wrong (1933) dir. Lowell Sherman
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stars-bean · 5 months ago
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Wilder and Diamond were precise writers. But when it came time to Some Like It Hot’s punch line, they were absolutely indecisive. They got as far as Lemmon ripping off his wig and saying he can’t marry Osgood Fielding III because, “I’m a man.” What comes next? Diamond suggested “Nobody’s perfect,” and Wilder said to keep it in so they could send the script to the mimeographer. But then they were really going to settle it. “We have a whole week to think about it,” Wilder said. “We thought about it all week. Neither of us could come up with anything better, so we shot that line, still not entirely satisfied.” Viewers felt entirely differently. “The audience just exploded,” Wilder said. “That line got one of the biggest laughs I’ve ever heard in the theater. But we just hadn’t trusted it when we wrote it; we just didn’t see it. ‘Nobody’s perfect.’ The line had come too easily, just popped out.”
Some Like It Hot (1959) dir. Billy Wilder
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boydswan · 4 months ago
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Guess Who's Coming to Dinner (1967) dir. Stanley Kramer
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divineandmajesticinone · 9 months ago
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WONDER BAR (1934) | dir. Lloyd Bacon
“The other [scene that stands out above the rest] involved a handsome man, asking a dancing couple if he could cut in. The female partner, expecting his attention, agrees, only to see him dance with her male partner. Jolson then flaps his wrist and says, “Boys will be boys. Woo!”. This scene almost caused the Production Code to reject the film, and was featured in the opening scenes of the documentary film The Celluloid Closet (1996).”
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isabelladjanis · 3 months ago
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AUDREY HEPBURN Love in the Afternoon, 1957
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vietlad · a day ago
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TYRONE POWER as Jesse James in JESSE JAMES (1939) dir. Henry King
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cinemaspast · a month ago
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Toshiro Mifune as Tajomaru RASHŌMON / 羅生門 (1950) dir. Akira Kurosawa
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gene-forrester · 3 months ago
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Psycho (1960) dir. Alfred Hitchcock
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dailyflicks · 4 months ago
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GENE KELLY giving the censors something to think about in THE PIRATE (1948) dir. vincente minnelli.
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monroe-marilyn · a month ago
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FANTASIA (1940)
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vintageblr · 2 months ago
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SINGIN’ IN THE RAIN 1952, dir. Gene Kelly, Stanley Donen
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