Tumgir
#ritahayworrth
movie-gifs · an hour ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
That sounds like poetry. Poems don’t always have to rhyme, you know. They’re just supposed to be creative.
MOONRISE KINGDOM 2012 — directed by Wes Anderson
106 notes · View notes
tomdestry · 50 minutes ago
Photo
Tumblr media Tumblr media
Greta Garbo in Queen Christina (1933) & Ninotchka (1939)
54 notes · View notes
divineandmajesticinone · 5 months ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
WONDER BAR (1934) | dir. Lloyd Bacon
“The other [scene that stands out above the rest] involved a handsome man, asking a dancing couple if he could cut in. The female partner, expecting his attention, agrees, only to see him dance with her male partner. Jolson then flaps his wrist and says, “Boys will be boys. Woo!”. This scene almost caused the Production Code to reject the film, and was featured in the opening scenes of the documentary film The Celluloid Closet (1996).”
42K notes · View notes
classicfilmcentral · 2 months ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The Cabinet of Dr. Caligari (1920) dir. Robert Wiene
4K notes · View notes
trainstationgoodbye · 7 months ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks different now. Susan Sarandon and Geena Davis in Thelma & Louise (1991) dir. Ridley Scott
9K notes · View notes
auldcine · 23 days ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Nora! Darling! Sugar! Happy New Year! WILLIAM POWELL and MYRNA LOY in AFTER THE THIN MAN (1936)
2K notes · View notes
classicfilmblr · 3 months ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Psycho (1960) dir. Alfred Hitchcock
4K notes · View notes
isabelladjanis · 2 months ago
Photo
Tumblr media Tumblr media
AUDREY HEPBURN Love in the Afternoon, 1957
2K notes · View notes
filmgifs · 2 months ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The Green Ray (1986) dir. Éric Rohmer cinematography by Sophie Maintigneux
2K notes · View notes
normasshearer · 5 months ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
ROMAN HOLIDAY (1953) + letterboxd reviews dir. William Wyler
(insp./insp./insp.)
3K notes · View notes
deforest · 10 months ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
EARTHA KITT in ANNA LUCASTA (1958)      — dir. Arnold Laven
12K notes · View notes
movie-gifs · 9 days ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
PERFECT BLUE パーフェクトブル — 1997, directed by Satoshi Kon 
3K notes · View notes
tomdestry · a month ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Through dangers untold. And hardships unnumbered. I have fought my way here to the castle; beyond the goblin city, to take back the child that you have stolen. My will is as strong as yours, and my kingdom as great... LABYRINTH 1986 — dir. Jim Henson
3K notes · View notes
divineandmajesticinone · a month ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Marilyn Monroe at the “Call Me Madam” premiere in 1953 (video source)
2K notes · View notes
neve-campbells · 3 months ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Nat’s 1K Celebration ↳ ROMAN HOLIDAY (1953) dir William Wyler - ⏰ for@jabithas
2K notes · View notes
trainstationgoodbye · 3 months ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Well, anything might happen, the train could jump off the track. If it should happen that I don't see you again... It's been very nice knowing you. (insp.)
The Umbrellas of Cherbourg (1964), Make Way For Tomorrow (1937), Now Voyager (1942), My Reputation (1946), Brief Encounter (1945), Penny Serenade (1941), Knight Without Armour (1937), Paris Blues (1961), Summertime (1955)
4K notes · View notes
classicfilmcentral · 3 months ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Listen to them. Children of the night. What music they make. Dracula (1931) dir. Tod Browning & Karl Freund
2K notes · View notes
classicfilmblr · 2 months ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
DISHONORED (1931) dir. Josef von Sternberg — "In an article written by Robert S. White for the April 4, 1931 edition of The Scrutiner, he talks about animal actors, especially those who belonged to J.H. Kerr, the owner of an establishment called Animal Land which provided animals for film productions. Running down the list of animals provided for the film Morocco (another film directed by von Sternberg and starring Marlene Dietrich) a black cat is mentioned. The writer goes on to explain the cat’s name was Blackie and that he was one of Animal Land’s best money-makers. 'Blackie was a stray that wandered into the tightly fenced preserves of Animal Land one evening just about feeding time,' White writes. 'Finding the meal was first class, Blackie remained. He proved to be friendly, anxious to please and has become one of the most reliable of all animal actors.' (Another article from 1930 noted that Blackie was trained to stretch and yawn on command.) The article goes on to explain how Blackie became the property of Paramount Pictures. After his role in Morocco, Blackie was hired for Dishonored. 'But Blackie was not content to be just a fleeting brand,' White continues. 'When put before the cameras in Dishonored, he purred with conscious pride and proceeded to give one of the most remarkable feline performances ever witnessed by an astonished director and company. Blackie was promptly assigned a more important role. He became Marlene Dietrich’s pet, and thus carries an extended role through-out the entire production, even winning himself a big-eyed closeup at the end of the picture.' White went on to explain how von Sternberg proclaimed, 'That closeup will make Dishonored worth ten thousand dollars more at the box office. Buy Blackie for the property department and give him a home. I want him for my next picture.' Because of this, Blackie was given a valuation of eight thousand dollars." [x]
2K notes · View notes
classicfilmsource · a month ago
Photo
Tumblr media Tumblr media
It’s a Wonderful Life (1946) dir. Frank Capra
2K notes · View notes
filmgifs · 3 months ago
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Psycho (1960) dir. Alfred Hitchcock
2K notes · View notes