"-A chad."- my friend
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doodle of Wendy’s mom of a gay Peter Pan film from 1924, I write wrong on the paper. It’s very cute and it’s available on youtube, you’re welcome 🤍
this shit dog traumatized me though
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Peter Pan (1924
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“Mermaids sunning themselves on the rocks in the 1924 silent film “Peter Pan” Santa Cruz Island, California.
Peter Pan was released by Paramount Pictures in December 1924. It first film adaptation of the play by J. M. Barrie.
“Peter Pan” starred Betty Bronson as Peter, Mary Brian as Wendy, Virginia Browne Faire as Tinker Bell, Anna May Wong as princess Tiger Lily, Ernest Torrence as Captain Hook, and Esther Ralston as Mrs. Darling.
✨ The film was considered lost until a complete copy was rediscovered in the 1950s. The full 1924 movie is available online on Wiki, Archive org, and other websites.”
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Top 15 Portrayals of Peter Pan
A while back, in 2021 - in celebration of the 110th anniversary of “Peter Pan” - I posted a list of my favorite portrayals of the villain of the story, Captain Hook. Earlier this year, I updated that same list. I said then that, even as a kid, I always liked Hook more than his nemesis, the titular Peter. While this is true, I do think it’s important to state that, as much as I may love the dastardly pirate Pan battles constantly…this does not mean Peter is a bad character.
I think that Peter Pan gets a bad rap a lot nowadays, mostly because, if you read the original book…Peter is kind of a little psychopath. He’s sort of a little tyrant, threatening to kill or banish anybody who doesn’t do what he wants, and refusing to listen to reason when people try to help him or keep him under control. And that’s the entire point: Barrie’s story originally didn’t HAVE Hook. The original idea behind what would become “Peter and Wendy” was that Pan was a representation of both everything good AND everything bad about childhood: he is not necessarily EVIL, but he is stuck perpetually in a state of infantile, underdeveloped youth. He’s brash, cocky, and has a LOT of power that I don’t think even he is fully aware of. There’s a lot of mystery surrounding Peter, which actually makes him more fascinating to adults than I think many might realize. Peter’s arc in the story is one of coming to grips with emotions he’s never experienced before, and taking up a kind of responsibility he’s always tried to deny in the past. He’s much more dynamic and more interesting than many people give him credit.
I’ve been in a Peter Pan mood lately, so I decided…what the heck? I might as well give a bit of a spotlight to some of my favorite portrayals of the Boy Who Never Grows Up that have come around over the years. (On that note, there has long been a tradition, particularly in stage shows, of women playing Peter, so there will be some ladies included here. Don’t you dare whine about it, they’re absolutely awesome.) Some of these versions stick to the ambiguity of Barrie’s original, while others make Pan either more heroic or more villainous depending on interpretation. There’s a lot of ways you can go with the idea of an eternal child, both idealistic and cynical. So, think Happy Thoughts, everyone, and don’t forget the pixie dust! Here are My Top 15 Favorite Portrayals of Peter Pan!
15. Sandy Duncan, from the Styne-Charlap Musical. (The most famous stage musical version of the story; Duncan first played Peter in a 1979 Revival of the show on Broadway.)
14. Greg Tannahill, from Peter Pan Goes Wrong.
13. Petermon, from Digimon: Ghost Game. (Yeah. Peter Pan as a Digimon. That weirdness speaks for itself.)
12. Mia Farrow, from the 1976 TV Musical.
11. The Version from “Peter and the Starcatchers.” (I’m referring specifically to the books; there is a stage version based on the first book, but I haven’t seen it for various reasons. I love the original books, though. This is probably one of the “nicest” versions of Peter on the list, for lack of a better description.)
10. Robin Williams, from Hook. (Come now, you all knew he had to be here somewhere.)
9. The Version from “Alias, Hook.” (Without going into detail, this really shows how scary a Barrie-accurate Peter can be without much real change.)
8. Charlie Rowe, from SyFy’s Neverland.
7. Betty Bronson, from the 1924 Film.
6. Robbie Kay, from Once Upon a Time. (By far the most evil version of Peter Pan ever made, at least that I've discovered.)
5. Mary Martin, from the Styne-Charlap Musical. (She originated the part on Broadway, starting in 1954.)
4. Cathy Rigby, ALSO from the Styne-Charlap Musical. (She’s been playing the role off and on since the 1970s - no joke, look it up - with her most recent stint being in 2015. She was in her sixties then! Talk about Never Growing Up!)
3. Jason Marsden, from Peter Pan and the Pirates.
2. Jeremy Sumpter, from the 2003 Film.
1. The Disney Version. (Originally played by Bobby Driscoll; this one wins out mostly just because this is the first version I think of when I think of Peter as a character, and because I think the various spin-offs and such have really helped to make him a more likable protagonist over time, while still keeping him true to his established persona.)
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Do you remember Peter Pan (2003)? I do, I do!
by Maria Isabel Nieves Bosch
The story of J. M. Barrie's Peter Pan & Wendy has been adapted many times in movies, from Walt Disney's animated picture Peter Pan (1953) and Paramount Pictures' silent film Peter Pan (1924) to live action films like Hook (1991), Peter Pan (2003), Pan (2015), Wendy (2020) and TV shows, such as Syfy's prequel Neverland (2011) and Peter Pan & Wendy (2023) on Disney +. Apart from these adaptations, a biopic titled Finding Neverland (2004) based on J. M. Barrie's life was also made depicting his inspiration for writing the beloved children's tale. Nevertheless, the character of Peter Pan first appears in an episodic narrative for adults in 1902 titled The Little White Bird. Professor Sally Bushell of Romantic and Victorian Literature at Lancaster University writes, "Peter is represented in multiple ways, with his identity morphing and changing across these works to a considerable degree."
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The Many Faces of Captain James Hook
With the release of the first promotional images of Jude Law’s Captain Hook for Disney’s upcoming Peter Pan and Wendy, there’s been a lot of complaints about both the costuming choices made and the fact that Law’s Hook bears little physical resemblance to the captain’s more “traditional” look and seems to be older than most versions with his graying locks. Some have even gone so far as to call Law’s Hook “ugly”—which I find rather unfair and even laughable. (If you find Jude Law in any role ugly, your male beauty standards are ridiculously high and I hate to think how hideous you must think most average people are.) Further, it’s a bit shallow to reduce a character completely to his physical attractiveness—especially a character as complex and complicated as Captain James Hook. Barrie’s Hook was described as being handsome, yes, but the popular vision of Hook as being an inherently “sexy” character is a fairly modern phenomenon in the story’s history—probably largely due to Jason Isaacs’ performance in the 2003 Peter Pan and, more recently, Colin O’Donoghue’s “Killian Jones” (who isn’t even technically James Hook) for Once Upon a Time. But the character has existed for close to 120 years, and in that time, he has borne many faces—some instantly recognizable as our favorite captain; others less so. He has worn a variety of colors and clothing styles, had nearly every shade of hair, and possessed varying degrees of facial hair. In fact, you may be surprised to find that the iconic waxed mustache, red coat, and ostrich plumed hat likely didn’t become mainstream until around the time Disney put out their version of the film. (That’s not to say other, previous Hooks didn’t ever have these characteristics. Only that Disney was probably the catalyst that solidified the look into the mind of the fandom.) For those who may not be as familiar with the history of the Hooks, let’s take a quick look at some of the lesser known versions of the character…some of whose influences can still be seen in Law’s Hook.
Here we see the costume design for Captain Hook by William Nicholson for the first production of Peter Pan, Duke of York's Theatre, 1904. You’ll notice the concept art doesn’t feature the bright red coat or any pluming on the tricorn hat.
You can see how this costume idea might have translated onto an actor in this image of one of the earliest actors to play Hook on stage, Robb Harwood.
Notice, he has no facial hair at all and although he looks like a gentleman, he’s far less “frilly” than the standard Hook is today.
The iconic mustache is also conspicuously absent in the silent film’s Hook, played by actor Ernest Torrence. He also still has the tricorn hat without any plumage. Note that Barrie was still alive at the time of the silent film when it came out in 1924, and some of his suggestions made it into the film.
Another early Hook, played by famed horror actor Boris Karloff for the 1950 Bernstein musical looks downright terrifying.
He has the mustache and the hair going on but I don’t know if I’d call him exactly “handsome” here.
Then we get to the 1960s. This seems to be about the time that we get the bicorn hat that Law’s Hook wears in the promotional photo. It shows up both in some scenes with Cyril Ritchard’s version of the character (notably, Ritchard was in his 60s when the film version was recorded, and his Hook has gray hair)—though he also has the red plumed hat we associate with most modern Hooks—and in Vincent Price’s stage Hook (sadly, not recorded to my knowledge).
Of course, we also get Disney’s version of Hook in 1953, and after that, we start to see more of the “iconic” Hook look that we’re used to with a few exceptions, such as Fox’s Hook from the 1990 series Peter Pan and the Pirates, who has white hair, no facial hair, and a dark navy blue/black outfit.
Despite looking more like an angry Quaker Oatmeal man than the usual Captain Hook, this guy gets a lot of love from the fandom because Tim Curry’s voice acting knocks it out of the park and personality wise, his Hook is both refined and threatening.
We also have to remember that even Hoffman’s 1991 version of the captain is likely much older than (and not quite as good looking as) he comes off as when he’s fully made up. Recall the scene near the end when he loses his wig:
And Rhys Ifans’ “prequel” Hook in SyFy’s Neverland (2011) hardly looks like a Hook at all when we first meet him.
Even after his transformation into the pirate we’re more familiar with, he still has the “wrong” hair color and no mustache.
Yet he manages to get the right “feel” for Hook, which makes up for everything else, epitomizing the messed up father figure in Peter’s life, inspiring both our sympathy and revulsion.
My point in saying all of this is not to explicitly praise Law’s Hook or make any kind of judgement—for that, we’ll have to see the film itself—but to simply remind folks that Hook has worn many faces over the years, and ultimately, what he looks like matters less than the actor and director’s grasp of who he is as a person. Hook, as a fan favorite, has some incredibly large boots to fill and whether or not Law will live up to those expectations remains to be seen. But let’s give the guy (and his character) a chance to speak for himself before we go judging too much. Some of the greatest Hooks haven’t always looked like what we’d expect him to.
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Here is a man in a bear suit. George Bollingbroke, aka, George Ali played one in the 1903 Broadway play Midsummer Night Fancies, by George Lederer. Mr Bollingbroke was well known for playing animals on stage, playing horses, mules, lions, tigers and most famously, Nana in the 1924 film Peter Pan.
https://www.youtube.com/watch?v=X7wmQHqSQEY
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Favorite Villains of Classic English Literature
Professor Moriarty - This villain is pure, beautiful simplicity: he's an alternate version of the hero with the morality removed. Both Holmes and Moriarty are quirky loners with genius IQs that thrive on challenging their intellects via loaning it out to others in some form of service. But Holmes has a conscience, a sense of right and wrong, which is why his service is that of a consulting detective, whereas Moriarty is a total sociopath whose service is that of a consulting criminal, meaning that he has an invisible hand in almost every crime that's carried out in London. Sir Arthur Conan Doyle gives an absolutely perfect description of him and how he operates as a villain: "He is the Napoleon of crime. He is the organizer of half that is evil and of nearly all that is undetected in this great city. He is a genius, a philosopher, an abstract thinker. He has a brain of the first order. He sits motionless, like a spider in the center of its web, but that web has a thousand radiations, and he knows well every quiver of each of them. He does little himself. He only plans. But his agents are numerous and splendidly organized. Is there a crime to be done, a paper to be abstracted, we will say, a house to be rifled, a man to be removed--the word is passed to the Professor, the matter is organized and carried out. The agent may be caught. In that case money is found for his bail or his defense. But the central power which uses the agent is never caught--never so much as suspected."
Favorite adaptations: Professor Moriarty (Ernest Torrence) in Sherlock Holmes (Fox, 1932), Professor Moriarty (Lionel Atwill) in Sherlock Holmes and the Secret Weapon (Universal, 1943), Professor Moriarty (Eric Porter) in Sherlock Holmes (Granada, 1984), Professor Ratigan (Vincent Price) in The Great Mouse Detective (Disney, 1986), Jim Moriarty (Andrew Scott) in Sherlock (BBC, 2010), Jamie Moriarty (Natalie Dormer) in Elementary (CBS, 2012), and William "Liam" James Moriarty (Soma Saito) in Moriarty the Patriot (Shueisha, 2016).
Captain Hook - If Professor Moriarty is a great complex presentation of a simple character, then Captain Hook is the opposite: a complex character who is presented simply. A ruthless pirate captain with a limb replaced by the object he derives his name from is the easiest thing in the world to understand, but there's much more to old James beneath that surface: a well-educated English gentleman depressed with the notion that he's squandered his life away but too far gone in his pride to turn back, constantly striving for "good form" even when his occupation doesn't allow for much of it, and obsessed with getting revenge on Peter Pan partly out of jealousy and partly to distract from the inevitability of the end result of what Pan did to him - namely, an ever-pursuing crocodile that will ultimately mark the end of his life when the clock it swallowed finally stops ticking. If Pan shows the problems with never growing up, then Hook shows the problems with losing your innocence when you grow up. For as over the top of a villainous character as he is, he's also a tragic, even relatable one.
Favorite adaptations: Captain Hook (Ernest Torrence) in Peter Pan (Paramount, 1924), Captain Hook (Hans Conreid) in Peter Pan (Disney, 1953), Captain Hook (Cyril Ritchard) in Peter Pan (Broadway, 1954), Captain Hook (Tim Curry) in Peter Pan and the Pirates (Fox, 1990), Captain Hook (Dustin Hoffman) in Hook (Amblin, 1991), Captain Hook (Jason Isaacs) in Peter Pan (Universal, 2003), "Jimmy" (Rhys Ifans) in Neverland (Syfy, 2011), Killian Jones (Colin O'Donoghue) in Once Upon a Time (ABC, 2012), Captain Hook (Stan Tucci) in Peter and Wendy (ITV, 2015) and Captain Hook (Jude Law) in Peter and Wendy (Disney, 2023).
And hey, wouldn't you know it! The same actor got the ball rolling in my favorite adaptations of both these characters! Clearly, the two of them were always destined to share this post.
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Mermaids on the set film "Peter Pan," ca. 1924.
Peter Pan is a 1924 American silent adventure film released by Paramount Pictures, the first film adaptation of the 1904 play by J. M. Barrie. It was directed by Herbert Brenon and starred Betty Bronson as Peter Pan, Ernest Torrence as Captain Hook, Mary Brian as Wendy, Virginia Browne Faire as Tinker Bell, Esther Ralston as Mrs. Darling, and Anna May Wong as the Native American princess Tiger Lily.
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Virginia Brown Faire as Tinker Bell in Peter Pan (1924)
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