Second batch of little friends to end of the year.
First batch here
Take good care of them, put them in your pocket
Ref for second pic
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Smell Check [Easy: Failure]
MDZS Disco Elysium AU part 1 (part 2 - part 3)
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“Tell me, father, which to ask forgiveness for: what I am, or what I’m not?
Tell me, mother, which should I regret: what I became, or what I didn’t?”
- source
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as we all know i LOVE rite of passage (detective comics #618-#621) and to the father i never knew (batman #480). i have analyzed them so much & i will continue to analyze them so much more in the future. they are so, so dear to me. i look at them with heart eyes.
at the same time, i blame them for fanon drakes.
because listen--the concepts that fanon drakes largely came out of are from these particular potrayals of them & particular panels from them--rite of passage is famous for the postcard letter, which fandom warped to mean they don't call tim (along with the drakes as selfish ceos) and the way thay they're portrayed as ostentatiously wealthy with the million dollar jet (leading to tim & the idea that he grew up ostentatiously weathly in the vein of bruce wayne wealth with his empty mansion and completely unaware what a banana costs or what normal people are like). the idea that they had tim as a business baby does have roots in jack saying that tim is going to take over the company one day (and tim not wanting to take over the company one day) in the father i never knew. now fanon has warped & exaggerated these traits immersely, but the initial concepts honestly stem mainly from alan grant's work on them (because it's the only time we see them *so* ostentatiously wealthy, on everyone else/the vast majority of the time they drakes are upper class but also jack and dana make tim do chores and he has normal sized rooms and boarding schools).
and i just wanna talk a little bit about how and why those traits came to be under him & why they ended up working in interesting ways in canon but end up falling flat in fanon. because those traits were put there for very specific reasons & when you lose or alter the context of them, it takes away what's interesting about them existing to begin with.
because let's give the main context for them: the drakes were this way under alan grant. and when alan grant is writing, alan grant is gonna put his agenda in there. and i say that in an entirely neutral way. and in the 80s, alan grant was an anarchist--notably creating the character of lonnie machin aka anarky. which brings us to our second main context: though he was never even a contender for it, alan grant had created lonnie with the thought that he could maybe make lonnie the third robin (unbeknownst to grant, wolfman and o'neil had already decided on and were creating tim drake specifically for the role--there were no other real contenders at the time).
so when you read through grant's issues on batman and on how he wrote the drakes you do have to take into consideration the following: that grant had a statement to make & thay he had a clear interest in foiling the robin that was created with that of the one he tried to. he wanted to explore a story of capitalistic greed and exploitation and its negatives. so when he writes the drakes as greedy, as ostentatious, as bitter people who argue over a beleaguered secretary's head in rite of passage it's because he has to *set the stage for how this greed will lead to their downfall*. and it does! it gets them kidnapped, it gets their secretary killed. it is a *lesson*, cautioning against greed--does he not have them also lament while they were kidnapped thay had they known what life had coming, they would have chosen to not waste any of the good things (their son)-- the things that *really* matter, not their greed or that which came of it. it is why that as they're reaping the consequences of their greed, tim is simultaneously in his own battle with anarky--so that he can be foiled against him, and making tim's parents stand for everything anarky fights against is *part of tim's foiling against lonnie*, part of his ideological fight with him--as tim is winning, his parents are losing. as tim walks away from lonnie, proud to be able to tell bruce that he tracked him down all by himself, proud to have won, tim is about to receive the worst news--that bruce was unable to save his mom and his dad is comatose, who paid the ultimate price for their greed. the exaggerated awful traits of the drakes work here *because* it fits into the bigger story as a whole--they need to be that awful to make a statement on how capitalism and greed kills and ruins you. and even then grant is not without sympathy for this--tim, as the person who loses so much as a result of everything, is treated very sympathetically despite being a foil for lonnie. tim may have won the battle against lonnie, but he lost so much more. even jack and janet are allowed their moment of realization that they made the wrong decisions before being punished for them. it works to service the inherent political statements embedded within. the exaggerated awful traits work as social commentary.
even in to the father i never knew, the themes of greed & what greed will cost are there (though there are also lots of other delicious themes as well). in here, tim and his lack of greed is played against the greed of his father and phil marin--his father wants him to take over the company, but tim wants to take care of the city--and meanwhile jack's company is being embezzled from by a man he trusts who *tim* ultimately stops. jack's greed and refusal to know his son almost loses him everything and he is unaware of it all. tim knows everything but can't tell him anything. again, jack's exaggerated awful traits work here as *social commentary*.
and when you take away this social commentary aspect of their traits when you exaggerate them and just make them awful to tim, you do start to lose what made these traits *work* in the comics. because then you just get awful for the sake of being awful. irredeemable with no remorse. a rich kid needing to be saved by a rich man. you lose the meat of what their exaggerated negative traits wete supposed to stand for when you lose the interplay of class and social commentary.
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got let loose in the 4 reais store again today btw. look at my little trinkets. if you even care
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The novelisation of the Phantom Menace has made me so incredibly sad, where little Anakin sees an injured Tusken and decides to disobey Watto to sit by the Raider until he wakes up. Anakin has such a deep, loving heart that he was willing to suffer the consequences of disobedience to make sure a Tusken Raider would be safe, a being he was taught all his life were brutal and cruel. And in this chapter, Anakin admits that the only thing that truly scares him, is of losing his mother. That juxtaposition, that note of I will care for this creature to I fear losing my mother, put so much more weight onto AOTC, and of Anakin's rage. He broke, and he lost himself to his rage. When faced with what he did, he rages against the world and his actions, before breaking down into further sobs at the loss of his mother and the actions he made. His worst fear was realised, and he became the monster that everyone claimed the Tuskens to be.
It'll be interesting to read the AOTC novelisation, to see if this scene is ever called back to. I just find it interesting, and further showcases the depths of Anakin's feelings and compassion, as well as the pitfalls that such strong emotions come with. For if you feel compassion and love as deeply as Anakin does, so will you feel the destructive nature of all of your rage. And that, that is Anakin's biggest weakness; he feels too strongly to ever truly control it.
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i really liked my tags on this post so i wanted to touch them up and post them as a stand alone! i ended up adding quite a bit to this ''':)
What artistic skill does Izzy possess?
I think he has a lot of 'practical' artsy skills. he’s decent at sewing (mending your own clothes isn't just useful, it's almost a requirement at sea with limited possessions and resources) he's probably decent at braiding hair from having to splice rope- simply anything with roots in being useful I think he has done enough to be decent at by this point in his life.
Singing comes into this as well, holding a rhythm is important for certain sailing tasks, and while I think he can sing in ways that don't translate to shanties, I don't think he has utilised this in a long long time (so excited that we are apparently getting an Izzy singing scene in s2!!!! I need him to know he can have fun)
Another thing is I think he was a really good tattoo artist! I don't actually see him as having the creativity to come up with interesting and unique designs but I do think he is excellent at the act itself, and at copying requested designs. you need a swallow? an anchor? a ship? any common sailors tattoo? he can absolutely do it and it will probably be the best tattoo you have. it was always a mark of honour if you could convince him to do yours on the Queen Anne- he was very busy and didn't often do them, and definitely wouldn't do them if he didn't respect you. He's done a lot of Ed's 'quality' tattoos (though I think Ed also does a lot on himself), he's done tattoos for Fang, and Ivan, and he will do them for the rest of the kraken crew in the future. (he will even do one for Lucius one day, one of his own pieces of art as long as its not an Ed face or a dick. They understand each other now)
anything else? I don't know, I see him very much as, he won't let himself do things if they aren't practical. his canon whittling is as close as he gets and that's more of a 'thing to do with your hands while watching the deck' kind of thing. have knife will whittle
I think ultimately, Izzy doesn't let himself do things for himself. if you love something, if you have a soft spot, it can be targeted, taken away.
I do think he maybe dances though. He always plays it off as something Ed forces him to do when they're drunk/on shore but... he loves it- the motion; the reliance on another partner and the intimate understanding of exactly what they're gonna do next? I think he would love that actually.
I think dancing might be the one thing he always does for fun. He never lets himself have it, but if Ed demands a partner? Yes, of course, anything for his Captain.
(Ed always demands a partner. he likes dancing well enough but he likes seeing Izzy do it more- he knows Izzy will never do it on his own, he understands why, but Ed is Blackbeard. Nobody fucks with Blackbeard- and if he wants to dance? if he wants his first mate to dance? they're fucking dancing.)
but that's not the truth of the situation, really.
It always takes him a second to let his guard down, but he relaxes into it. He lets himself loose in a way Ed only sees when he's deep into the rhythm of a swordfight. And perhaps it's the same, to him- finding the flow of the battle, of the music. Feeling his partner, understanding them and being understood in return? It's all the same- but dancing is safe. Dancing is fun. In a swordfight there are stakes- and he loves the stakes, he loves that this thing that means everything to him matters, but sometimes, just sometimes, it really is nice to move like that in a way that doesn't matter.
And when they really get going- all twirls and jumps and frankly being a little ridiculous, Izzy laughs. A deep belly laugh, a kind of joy you didn't think was possible from him. But here he is, letting go at last. He laughs and he smiles and he feels such joy, the rest of the world melts away, and it is just him and his partner, dancing.
(later- much, much later, a man will play a battle song over their raids, a jaunty little tune that throws off everyone they fight against, and Izzy gets to dance, and fight, and feel free, unburdened by the weight that he's carried with him his whole life. They'll dance after too, and he will have finally found a place where he completely belongs)
(if you liked this, can I recommend Talking Bodies by ItsClydeBitches, i feel like that fic fits the themes of dancing incredibly well)
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@fatherforgivethem has infected me with thoughts of Aegon/Helaena/Aemond and their kids, and I have an idea, and I sorta mentioned it in my last HC post, but I just need it out of my skull for the sake of my well-being
the parents taking the kids to courts/dinners/events.
an agreement that if the kids fuss or ask for them to a certain point, they be brought to either of them, no matter what they're doing, if they're in front of a lord or nobleman or one of the god forsaken Seven. they will always come before the court, who can blame them for wanting some sort of out.
Jaehaera being brought to Aegon during one the few court meetings his mother actually got him to attend, meaning he can't leave, even for his daughter, or his head will end up on a spike. so instead she insists she will be quiet, taking his sniffling baby girl into his arm, assuring the nobles that he's listening and that she won't spill any of their secrets, cooing at her a little, while walking off s bit to the side. he rocks her till she's mostly asleep before returning to his place at the table, not sitting down, but rocking back and forth in front of his seat. he's kissing her forehead and stroking a finger over her little nose and chubby cheeks, smoothing her hair. he's so clearly infatuated with her and it catches everyone's attention. her presence also seems to make him act a bit wiser, like a proper prince, so he's loving on his baby while quipping into the meeting every now and then (he's got to be a good example for his girl)
no one can necessarily get mad, Jaehaera is adorable and they had all hoped and prayed fatherhood would settle the prince, which now they fear it's settled him too much.
Aemond stopping his sword training to lay out a blanket for the twins to sit in the grass and watch, goading Criston into putting on a show for them, imitating whatever story they come up with. letting them take up wood swords eventually and starting to incorporate them into his training.
Helaena having her lunch with Mother and a lady in waiting interrupted by her son being brought to her. he's huffy and tired, most likely woken from his nap by dreams he didn't understand, wanting nothing more than to just cuddle up with his mum. he's sitting against he glumly, clearly wanting his mum all to himself, to go up to her chambers and cuddle while she sings him the lullaby she has since he was born. but between his grandmother and the lady in waiting coaxing him to giggle, his mum trying to cheer him up, be comes to enjoy himself a bit.
The family having to go to some dinner for some noble and having kids on their hips. they don't like letting people take them from them, especially not little Maelor, so they're in guard all night. having to play nice when Lords and Ladies would reach out a finger to play with the babies, acting as if they don't want to snap at them.
Aegon carrying Maelor around the event while Helaena and Aemond keep the twins together.
trying to get them to sit nice at the dinner itself but finding themselves caring more about messing around with them than keeping up appearances
the 3 standing together, babes in their arms during some court meeting in the throne room, looking very accidental renaissance.
having matching outfits. Aemond and Aegon looking especially nice in the lighter colors for once.
they're just too cute and infecting every waking moment I have
(repost cause I accidentally posted it privately at first and tumble sorta ate it.. I don't know what happened, it was weird)
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i just don’t think it’s too much to ask that ccs learn that their every thought does not need to be public. that’s all.
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🧸🧃⛈️
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having so many feelings about dff ep 7
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"Yeah, I don't like those online dating apps, Kinder or whatever the fuck people call it these days. I ain't got time to swipe left on their shitty profiles so they'd better impress me!"
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what’s a bitch gotta do to run into a chonky black cat and take it home
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Hey guys, how y’all doooooinnn? 😃
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