i was gonna draw tonight but i dropped my tablet pen and the barrel of the pen broke off and flew somewhere underneath (??) my bed (?) and now i cant find it so I’m just gonna answer asks before bed instead. just some art asks and more mentions of infinity train LOL
What program and brushes do you use when making your art?
@ravki hi! part of this is in my FAQ but i’ll say it again anyways LOL: I use photoshop CC and have used photoshop for pretty much....my whole art career. I’ve dabbled in clip and paint tool sai in the past but photoshop is my true wife, we eloped away from her awful father adobe many years ago and are very happy together.
as for brushes... I should prob put this info in my FAQ too lol,... my default brush set is actually free to download here! Tho I will say I also use steve ahn’s storyboarding brush sometimes and lately i’ve been using shiyoon kim’s brushes A TON. Shiyoon’s cost a couple bucks but they’re super worth it imo
How do you choose colors?
This is kind of a difficult one to describe from scratch but hmm.... I’ll put it this way. Generally when I go into coloring or painting something I already have some colors in mind. Like for a certain piece I know I want a bright green, or a magenta, or a dark blue in certain areas. A lot of the time I know a mood I want. So I’ll start with that core color tone and build around it. I’ll use an example from a recent piece
So you can see here that the first color I accessed was that bright cyan. So I start with that bright cyan and then bring in its “friends” in the form of analogous colors (shown below on the far left)
greens greys etc. THEN I know I want the characters to stand out against all the blue so I start laying down warm contrasting colors for them (middle group). the mat under them is orange, skin tones are warm, ryans flannel is red etc. then to get them to work together I work more cool colors into the shadows and slightly warmer (not too warm because its a cool img overall so in this case, greener LOL) colors into highlights.
hope that makes sense? for me choosing colors is a lot about story and composition. If you know what you want to say, the mood you want to create, where you want to go, the path to get there becomes a lot clearer imo.
Have you ever considered making an art book?
I have! But I don’t think I currently have enough...original illustrations for one LOL? Not that an art book has to be all original work but if I were putting fanart in an art book...at that point I’d just make a fanzine. I’m making more original work lately though so maybe this year....? Who knows. For now, I do have a sketchbook up on gumroad. Hoping to do one of those next year too.
Any tips for keeping background drawings from getting super stiff, especially since things like interiors have a lot of straight lines?
This is a really interesting ask. Really great question that I don’t think gets asked enough - forgive me if I get a bit art school here but I drew up some examples.
First I think we have to investigate the assumption that straight lines make things stiff. That seems true on an instinctual level and certainly proves to be true very often But I don’t think its actually the straight lines themselves but the sort of arrangements and compositions they tend to dictate. Take this for instance.
pretty big difference, right? there’s a couple things that make a composition feel stiff and one of the most significant is lines that are perpendicular and parallel to the frame. it feels locked in and solid, like bricks. but the moment you shift these angles even a little the composition instantly becomes more dynamic because our innate senses of weight, gravity, and directionality can sense movement.
But it’s not just diagonals let’s take this one step further
when lines meet and terminate together those tangents can flatten and lock space so the best way to solve this is with overlap and complete intersection, forms continuing past or behind each other feel more layered and less like a flat mosaic... again, even in the simplest line drawings. So how do we apply this to a background?
ok I drew this really fast so its potentially not the best example but I think the idea is there. This space isn’t even particularly deep, it’s basically a room, a doorway, and a hallway behind it, and we’re not seeing that much of any of those things LOL. but when you draw an environmental object like a doorway in a way that lines up with the perpendicular and parallel lines of the canvas you’re automatically flattening it and making it look rigid.
and when you create tangents with objects and characters you flatten the space around them and make it difficult to tell what is actually in front or behind or if they’re on the same plane.
GOD I HOPE THIS MAKES SENSE. Anyways. avoid those things and you’ll instantly have less stiff bgs no matter what kind of bg you’re depicting.
I wanna mention however that this isn’t to say a stiff bg with flat space doesn’t have its purposes.
sometimes you want to create parallels and tangents. it can make characters feel closed in, trapped, regimented, part of a routine, etc. it’s also great for making a composition look ornamental (especially combined with symmetry).
directors like wes anderson can even use these compositional elements to make images feel uncanny or harrowing! its very versatile. I think the important thing is to just be aware of when you are making something rigid and when that’s the last thing you want to do. conscious choices.
Can you speak Tagalog?
@lemuelzero101 I can! BUT NOT VERY WELL LOL ;;; both my parents are from Visayas! but they met and had me in the states lol so I’m pretty American born and raised. We go back to visit family on occasion but not regularly. My tagalog is mostly absorbed from listening to relatives at parties lol and my parents speak bisaya at home so I’m marginally better at that. Sorry to any filipinos out there hoping I’d be better educated, I’m like a little baby...
I do love meeting and talking to other filipinos online though, I grew up in an area that was relatively diverse but the asian population was small and the filipino population basically non-existent. I was like one of maybe 2 filipino kids in my highschool of 2000.
Apart from infinity train what shows are you watching now? Have you seen jujitsu kaisen?
Man this is gonna sound so boring but I haven’t watched a lot of tv lately. It’s not really part of my daily routine. Let’s see... I was sort of watching Amphibia, Craig of the Creek, and the new Digimon Adventure 2020 but I keep falling off watching those for one reason or another. Also there’s a lot of episodes, it doesn’t feel like something I can just binge and be done with.
The last thing I binged was Succession. I want that show and Euphoria back so bad, when I’m done forcing all my friends to watch Infinity Train im cancelling my HBO subscription until Succession and Euphoria return so they know exactly what I’m on their list for LOL.
I have not watched jujitsu kaisen but I’ve kept up with some of the sakuga news (I keep up with anime industry news and production info like x5 the amt i keep up with actual anime) for it and their compositing/editing looks dope. I’ve read the manga actually LOL or at least part of the beginning. I wasn’t super keen on the whole finger eating thing. Also to be honest I kinda feel like its the new Bleach and I never particularly cared about Bleach. Characters look nice enough tho. I wholeheartedly support jjk fans.
Thank you! Thank you @keznodzieja! <3
And thank you anons who don’t watch infinity train LOL...it’s always nice to hear when people enjoy my fanart despite not knowing the source material because it lifts a little bit of the “oh god am I being annoying???” fear off my chest. But also I think you should watch infinity train because it’s really good I have no reservations recommending it.
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Friend - visual narrative
this is going to be a long thread bc i have a LOT of panels, so read under the cut!
since im reworking with Friend chapters panels, i paid attention to the details more than ever before.. and wow, the way these chapters are narrated is absolutely amazing
lets start off with my one of my fav panels
if there is a theme between these two that keep recurring it’s “duality” (whether when it comes to their character or the way their story is told) we will also find a lot of parallels with it.. this panel above starts it very well, one left, one right, they both call each other’s name, the expressions completely different, even the background is reversed
there we go again, all this in one chapter, i simply love how they have the same pose/image but reversed, its a really nice contrast with how different they are and yet are at the same level
also, look at their speech bubbles, most of the time, jugram has a round one while bazz a sharper one, its the case here and the previous panels aswell
AGAIN! kubo gives us each’s pov with the same image/paneling, i love that method bc he treats them the same, even if one is stronger than the other and ppl will most likely root for/side with one more than the other, they both get the same treatment, also, we get to see how both lives the same struggle, it both conflicts them this whole fight considering the past they had together
the transition is also really nice, the black background outside the panel and the partial grey shading that matches with it inside the panel.. we will get to see that technique again, but here?? lovely.
a whole page not showing their face even if you guessed who they were, you get that little surprise with the face reveal which comes out really nice
the chapter reveal!!!! its so pure and empty (no dialogue and it’s only one panel), it perfectly empathize on the title and its meaning
i love how discreet bazz motive to help out jugo is shown here, obviously none of them would speak about it (jugo is pretty closed and bazz despite being loud, he isnt obnoxious and he’s smart) so it had to be shown without any words and these panels do it so well!
the first panel is just so beautiful and you can tell how jugo is just, happy. and then, the moment his uncle speaks, his face drastically changes, from white to black, kubo loves to work with that contrast of b&w (just look how the ritters/espadas are dressed vs shinigamis.. there is also the sun/moon theme and so on... its not called bleach for nothing lmao) kubo uses contrast very often and we can tell he loves to do it (and he does it super well!!)
i know we dont have any colour on these pages, but both pages are from the same chapter, first one (right) being their fist meeting on a normal day (probably an evening so the sky is orange ish) and the second page is again a jump to a flashback but this time it’s not the sky that we are shown in the last panel, but rather flames, the same colour as the day they met... the two last panels look the same but arent....
there is also the absence of facial expression in some panels, which imo conveys the mood much better, we are not left up to interpretation, we clearly know what kind of feelings that are expressed yet they didnt need to be shown...
again with the parallels (left/right) and using the same image from younger to older to show their growth? nice.
the built up with the grand reveal... wow, love it, also, that panel was such a surprise to me when i first read it... still give me goosebumps today ngl..(if you are a manga reader to likes to have the book, well, this the end of vol69... what an ending :))) just look at the build up, the bg is dark and you get that white and empty panel right after like, wow
AGAIN WITH THE SUPRISE AND WOW IT HURTS, also the title being in capital... OOF, im going to loose it
ppl like to call kubo lazy with his titles, but is it?? i mean, here, i really cant think of a better title, remember how the first chapter friend was introduced? so sweet and smooth and then you get this... the fact friend is written here is a good call back to their relationship, what it is, what it really means, and the current situation
the way bazz recalls all the things he had heard about this.......th-that hurts (we’re like in his mind, we’re just as shocked as he is) also, it shows well how bazz recall all these moment in silence and does all the realization without saying a thing, bc no, he didnt say a thing ever since yhwach started to talk..
the left panel is yhwach talking (as he was for like the whole chapter) and there is no dialogue going on, the two boys didnt say a thing... as the slience was taking place, bazz breaks is with a shrieking voice, just looking how the letters are written in japanese, we went from pure, clear panel to a messy and dark one....
jump back to present, with both jugrams having the same pose but they both don’t convey the same feeling, with the shading and how cut it is (not being able to fully see jugo’s eyes) you can tell the first one is more disturbing/devastating than the second one
there we go... we get to see both of their expression at the same time and it change within the following panels,.. (im telling you, kubo love both of them, not just one.., both.)
this is one of my favorites moments, the way know bazz has lost his fight and how HE is self-conscious about it..., the way he monologues about jugram is really depressing, and how we are only given images that illustrates his struggle...the images are so strong, desperate and yet, his words are so empty, powerless, he knew he lost.. (the moment i start reading it, i cry on the fucking floor)
i mentioned earlier how i loved kubo’s choice in not showing the face, well we have it here again in a flashback and the end of the fight... jugram turning his back to bazz, he did it in the past and did it after bazz’ death.. it’s his way to avoid to face his feelings. (the fact we are shown he did it in the past and the reason to it, let us know why he did it again even later)
here again with empty panels, the fact it’s only bazz who is talking.... feels really heavy and the way he clings to jugram with burning hands....... you really need to look at every panel carefully to feel that heart wrenching moment,, there is no crying or screaming, he just softly admits his defeat and that’s it, like, im sorry but that’s fucking sorrowful
here again with kubo choosing to not show the face, but in this case, it’s harder for us to tell which expression jugram has (since he’s so closed about showing emotions or his intentions) but the fact kubo deliberately chose to hide it proves jugram has something to hide from us, something he didnt want us (readers) to see.........
these panels? concludes their story perfectly
you have jugram walking up the stairs leaving bazz-b alone laying behind, being reminded of the day they met where bazz was the one standing high while jugram is on the ground
the setting: the cold empty castle during nighttime vs the warm summer day met in a forest at daytime
bazz reached to jugram and jugram left him behind, they met with touched hearts only to leave with empty ones, bazz used to look down on jugram and now, jugram does, they used to be so different and still do but only now, their role are inverted...
thank you @equipollency for that remark! i think your post does it much better if yall wanna read it !
i mentioned earlier how the background (outside the panel) would change from black to white, we know the black means the past, but i love how its broken here, going back and forth from the past and present (within the same page) to show how things are still the same between them, the same struggle, the same fight over and over
also, the “not yet” is just so perfectly placed, i cant, it just emphasize even more on my point earlier (how things between them never changed on that matter) and it finally concludes the flashbacks (with the way it’s presented: the b&w,, and the words themselves, how they weight so much)
the black shading like that is rarely used with kubo but when he does, you know it conveys extreme emotions (we didnt get to see it with bazz bc it wasnt as intense as jugram has it but also) the trigger to these emotions for jugram are related to trauma, the first one being his uncle and the second being his friendship (im not calling his relation with bazz traumatic, its how important this relationship was to him and how ended up broken that triggers him)
but NaKi ThErE iS ThiS pAneL wHerE baZz Is ShaDeD bLacK! yes i know, but it’s not about bazz expression nor emotions, its about the scene, the situation (the white bg vs the black silhouette: perfect), so no it doesnt count, but its still a very nice panel just like with the jugo’s reveal with everyone “kneeling” to him.. white bg was The way to go
i forgot to talk about how i like their fight, how there is so little dialogue and how there are a lot of empty pages just to let place to the fight... it lets you enjoy their fight while we suffer with their flashback, anyways, im not a fan of endless dialogue in fights unless it really changes something, here, they both already know each other and they know what they want, so it was a good pick to just, us reader, witness their story through their mind instead of them narrating/recalling it to us
i know kubo uses that technique outside of these chapters, but the grey shading... i love.. he also has a LOT of close ups with eyes bc we all know how expressive eyes are;... i love that too
i know i talked about some facial expressions, but really, kubo’s art is amazing, the way he can convey certain expressions that are so precise... here, have some panels that i think are underrated naki your boys are underrated.. bc i love kubo’s art so much
i had the chance to see the colored version only once, and to be honest, the black and white is just, Amazing. nothing close to that, kubo’s use of b&w and how he keeps his panels pure is MADE to stay that way
anyways, im really in love with how Friend was made and thought out in it’s visual narrative (and story wise too ofc), kubo didnt just do a side story, these chapters are fucking amazing and ppl often ignores that sadly..
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There is no better way to get to know someone than through a good question tag. In this case we have decided to make an Indie game dev question tag with the responses of our four developers. We hope that it will reveal many unknowns, but if you are left with any questions, do not hesitate to use our ask.
What part of game development are you responsible for?
Athe: I write and write, I melt in my seat, I correct, I cry and then I program. It’s an endless cycle. Occasionally I laugh like crazy while I eat Pringles.
Sam: I draw and color without leaving the lines (almost always) the sprites, the illustrations and the ravings that usually occur to us past 3 in the morning.
Illy: English translations.
Sher: I draw BGs
What tools do you use (hardware / software)?
Athe: Recently my desktop PC has passed away, so I’ve had to rescue my old PC from the garage. I also have a laptop that saves my life more times than I would like to admit. As for the software, I need, above all, drive documents, video editing programs, image etc (I have an Adobe package) and of course Renpy and Atom.
Sam: My main friend and companion is my tablet, a wacom intuos S (pistachio color, so cute). As programs I mainly use the Paint Tool Sai, because there is nothing in this life like its stabilizer. And less frequently than I would like (for details, texture brushes, effects ...) I also use Clip Studio Paint, which I only know how to use at about 2% of its capacity ... If someday I have time I would love to stop and learn seriously what can be done with it.
Illy: During the school year I live in a residence, so I use an old laptop, and when I return home I use a desktop computer that never has memory space. I translate the chapters in the same Atom where the complete script is and I keep them in google drive files where I share them with our beta reader. I also use editing programs like photoshop when I have to translate comics or procreate for when my artistic skills are required.
Sher: ipad+procreate+some final tweak in photoshop, I don't need much more
What is your favorite part of the job?
Athe: Would it be wrong if I say that is when we released the episode? During the whole production time everything is very stressful, there are times when it’s really uphill, but when we release a new chapter it feels soooo good. It's like saying to yourself, yeah, dammit, I can do it. Look at everything you've climbed by yourself. You're doing it right.
Sam: In general, my favorite parts are when the first scenes start to be programmed, and I can see the sprites with the backgrounds, the texts, and how the illustrations look. Everything always looks so much better when viewed in-game… I also really like being able to check out the script as it is written. And from the artistic part that concerns me, when I see that my hands capture the idea that I had in my head ... Especially in character designs.
Illy: Having to find a way to translate very spanish expressions into English, research vocabulary that I have never had to use and commenting on some translations with our beta reader (which we adore) to make it understandable without losing the original meaning.
Sher: I like to do the lineart when the sketch is complete, if I no longer have to think about anything else and it's just going through it, I find it very fun and relaxing
What is the most difficult part for you?
Athe: Offf, yes, I admit it, sometimes writing is the WORST. Other times I love it, especially when I can expand on the descriptions or stop at a part that is intimate or that I find interesting (for example, Hasiel's conversation from 6.3, small spoiler: P). But, I HATE having to paste scenes, often the protagonist moves between scenes and you always have to add lines to those transitions that really do not interest anyone, but that otherwise the text would be confusing. Anyway... It is a very wide world, with a lot of history, I have to deal with what I need readers to know to understand the facts, although sometimes it gets a bit boring.
Sam: What part does not... Rather who e.e Zihel and Ariel are a thorn in my side. Especially Zihel. I know it has to do with the fact that it has never been my strength to draw boys, and much less if they are more masculine in appearance... That's why I also suffer a lot from drawing muscles. Another thing that brings me a headache is the perspective of the illustrations. Every time I try to get out of the typical shot or poses a little... It doesn't work out.
Illy: Doughy’s stuttering ¬.¬
Sher: chairs, sofas, tables... anything with four legs is my enemy
Anything to help or encourage you while you are working?
Athe: I need music, no, seriously, I NEED IT. I’m unable to focus without it. If, on top of that, I can get what I hear to act as a sounding board for what I write, the text is a thousand times better... But the muse is a pretty bad person.
Sam: Having a show/movie in the background that entertains me. The longer the better, so I don't have to stop to think what I want to put on next.
Illy: Eating sunflower seeds to trick my brain and not be tempted to do something else that distracts me.
Sher: I try to see other artists to motivate and inspire me before I start drawing, what I find most difficult is that initial push and that is where I need the motivation, then I usually have something in the background but it is not necessary
Something that’s a pet peeve or discouraging?
Athe: Some narrative climax moments. Generally, they are not important plot moments (that is almost entirely decided), they are often small decisions to go from scene A to scene B, but I can spend a LOT of time deciding which is the fastest and best way to tie those two ends. I'm the worst.
Sam: Many times when starting, I can't get the poses to fit the way I want, for example.
Illy: Finding many parts in a row that I find especially difficult to solve and that make me believe that I have forgotten how to English properly. And looking at how many lines I still have left.
Sher: When I don't know how to fill in some area, if I see something very empty but I don't know how to solve it, I can spend days looking at the screen without being able to advance, even if I have other areas that I could do in the meantime
What is required on your table or work surface?
Athe: Notebooks, sticky notes, pens… I’m a person who writes everything down, especially the tasks, but I also order the story by color schemes. The stack of sticky notes have 9 different colors, each one represents a character and I play a lot with them for a lot of nonsense. Besides, even though I have been writing on the computer for many more years than I wrote by hand, I still have a preference for the analogical.
Sam: Coffee, sweets, chocolate, cereals... And cats.
Illy: My phone, the sunflower seeds, a Capital America: Civil War 1L water cup, sticky notes that remind me of tasks.
Sher: I have nothing really lol all my things are for decoration
Your most productive hours?
Athe: Owl. Totally nocturnal. Although I have several crises a month to force myself to work at other times that always end... Wrong.
Sam: Also at night for the most part, although I can no longer stay awake as long as I endured before having a job (the good old days...) However, in the middle of the afternoon, when the zoo that I have at home is still taking a nap, I also manage to go a long way.
Illy: From when I finish eating until 7 or 8 in the afternoon, when I don't have to cook, clean, run errands...
Sher: I take over for Illy apparently, from 7 or 8 is when I start to get into the mood until bedtime
Do working hours make you forget to eat or make you eat twice as much?
Athe: It depends, in the past I ate a lot, now if I have stress I don't eat anything. If I'm in a normal productive phase and I'm not on my nerves, I'm probably eating by inertia.
Sam: They make me eat more, but especially junk food e.e And they make me forget healthy meals, especially dinner at night.
Illy: It depends on my mood, but I usually eat twice as much.
Sher: I'm generally a VERY distracted person so I don't usually get to focus on a task to get to either of those two modes but I guess when I am sooooooo much on the task, I forget. But that happens like a couple of times a year and "forgetting" is "I delay an hour."
What part of your set up would you improve / change (in aesthetics or functionality) if you had no money limit?
Athe: I'm trying to match some of my peripherals with the rest. They are all a damn different color, apparently I'm cursed... Now seriously, I wish I had a better graphic card that would allow me to make video captures, some speakers and a quality printer.
Sam: Actually, I don't think I need anything more complex than what I already have… But if I had to improve something, I'm curious about the most professional tablets, the big ones with the included screen and all that stuff.
Illy: A new laptop that lets me open 4 chrome tabs, Atom and photoshop at the same time without dying.
Sher: A pc screen that will not change the colors I use on the iPad would be nice, really
Which character are you most like? And why?
Athe: Phew I think the easy answer would be to say Akane ... But, Akane is a better person. : P
Sam: This is very difficult... They are all very different, but still I do not think I look much like any of them. If I have to say something, I could identify with Maske's tendency to avoid problems, and his more homey and calm side. And well… Since Akane has been an OC of mine for many years, surely I have something of her too.
Illy: I think I partly have Maske's instinct to stay out of trouble, and on the other hand Joe's shallowness, although tbh I wish I really did look like any of our awesome babies.
Sher: surprised because (unpopular opinion around here) is one of those who I "least care" about really but I would say that Pin because he is a little dumb, happy and probably has a Satanic room and proud of it
Favorite CG/art.
Athe: AT THE MOMENT. Maske chapter 1. It couldn't be more predictable. I know.
Sam: I quite agree with Maske in chapter 1. But I would also put Pin in chapter 5 and Akane in chapter 6.2 on the top.
Illy: Kyeran in Coco's tank ?? Is he even real? Being basic is my brand.
Sher: surprised again and disappointed but I would say that of angel Hasiel because I like pretty dresses, pretty hairs and pretty wings
Favorite BG/scene.
Athe: The Red Light District amazes me. I already liked the life of that place, its history, but the way of expressing it... Uggg Sher took it to another level. The dirt on the street, the night, the constricted buildings...
Sam: I think I’ll say Raziel’s square, I like it a lot from the first day.
Illy: I don't know if I can choose just one T__T but I would say that the Red Light District and Valefar's pub are at the top.
Sher: for not repeating the red light district that I also like very much, I really like the areas of Coco's laboratory, including the “main” area although the perspective is horrible and makes the characters look tiny, but I like how it looks :(
Your favorite chapter to date?
Athe: Ufff... The first and second one I assure you no, hahaha. I will say that the third one, but also for things that are not necessarily from the chapter, but of the production. It was a good moment. I felt that everything was flowing with ease. We all assumed a clear role, they were times that made us feel comfortable and capable of assuming what came next, I think it was a qualitative leap also, both in texts and in art.
Sam: Oh. Well let's see... Chapter 5 is amazing for me, for everything that happens but also because there are many personalized interactions and choices. I can't say I have a definitive favorite, but it could come close… Also from the last ones I really like the 6.2.
Illy: Chapter 5 has so many details, so many things happen, it's hard not to be my favorite. But the last ones with the specific routes are so great that if I stay with the 5 it’s with the pain of my heart to have to choose one.
Sher: I would say 5 also because in the end when a lot of things happen is when you remember the most
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No hay mejor forma de conocer a alguien que a través de un buen tag de preguntas. En este caso hemos decidido hacer un Indie game dev question tag con las respuestas de las cuatro desarrolladoras. Esperamos que os aclare muchas incógnitas, pero si os quedáis con alguna no dudéis en usar nuestro ask.
¿Qué parte del desarrollo del juego llevas a cabo?
Athe: Escribo, escribo, me derrito sobre mi asiento, corrijo, lloro y después programo. Es un ciclo sin fin. Ocasionalmente me río como una demente mientras como Pringles.
Sam: Dibujo y coloreo sin salirme de las líneas (casi siempre) los sprites, las ilustraciones y los desvaríos que suelen surgir a partir de las 3 de la mañana.
Illy: Las traducciones a inglés.
Sher: Hago fonditos
¿Qué herramientas utilizas (hardware/software)?
Athe: Recientemente mi PC de sobremesa ha fallecido, así que he tenido que rescatar mi viejo PC del trastero, también tengo un portatil que me salva la vida más veces de las que me gustaría admitir. En cuanto al software, necesito, sobre todo, documentos de drive, programas de edición de video, imagen etc (tengo un paquete de Adobe) y por supuesto Renpy y Atom.
Sam: Mi principal amiga y compañera es mi tableta, una wacom intuos S (color pistacho, muy cuqui.) Como programas uso sobretodo el Paint Tool Sai, porque no hay nada en esta vida como su estabilizador. Y con menos frecuencia de lo que querría (para detalles, pinceles de texturas, efectos…) también utilizo el Clip Studio Paint, el cual sólo se usar como a un 2% de su capacidad… Si algún día tengo tiempo me encantaría pararme a aprender seriamente todo lo que se puede hacer con él.
Illy: Durante el curso vivo en una residencia, así que uso un portatil del año que reinó carolo, y cuando vuelvo a mi casa un ordenador de sobremesa que nunca tiene espacio en la memoria. Los capítulos los traduzco en el mismo Atom en el que está el guión completo y los guardo en drive donde los comparto con nuestra beta reader. También uso programas de edición como photoshop cuando tengo que traducir viñetas o procreate para cuando mis habilidades artísticas son requeridas.
Sher: ipad+procreate+algún retoquito final en photoshop no necesito mucho más
¿Cuál es tu parte de favorita del trabajo?
Athe: ¿Estaría mal si digo que es cuando sacamos el episodio? Durante toda la producción todo es muy estresante, hay veces, que se hace realmente cuesta arriba, pero cuando liberamos un nuevo capítulo sienta taaaan bien. Es como decirte a ti misma, sí, joder, puedo hacerlo. Mira todo lo que has escalado tú solita. Lo estás haciendo bien.
Sam: En general, mis partes favoritas son cuando se empiezan a programar las primeras escenas, y puedo ver los sprites con los fondos, los textos, y cómo se ven las ilustraciones. Todo queda siempre mucho mejor cuando se ve dentro del juego… También me gusta mucho poder cotillear el guión conforme se va escribiendo. Y de la parte artística que me toca, cuando veo que mis manos plasman la idea que tenía en mi cabeza… Sobretodo en diseños de personajes.
Illy: Tener que buscar la forma de traducir a inglés expresiones muy nuestras, investigar vocabulario que no he tenido que usar jamás y comentar algunas traducciones con nuestra beta reader (a la que adoramos) para conseguir que se entienda sin perder el significado original.
Sher: me gusta hacer el lineart cuando el sketch está completo, si ya no tengo que pensar nada más y es solo ir repasando me parece muy divertido y relajante
¿Cuál es la parte que más te cuesta?
Athe: Ufff, sí, lo admito, escribir a veces es lo PEOR. Otras me encanta, sobre todo, cuando puedo explayarme con las descripciones o detenerme en una parte íntima o que a mí me parece interesante (por ejemplo, la conversación de Hasiel del 6.3, pequeño spoiler :P). Pero, ODIO tener que empastar escenas, a menudo el protagonista se mueve de escenarios y hay que agregar siempre líneas a esas transiciones que realmente no interesan a nadie, pero que de lo contrario el texto quedaría mal montado. En fin… Es un mundo muy amplio, con mucha historia, tengo que lidiar con lo que necesito que los lectores sepan para entender los hechos, aunque a veces se haga un pelín peñazo.
Sam: Qué parte no… Quiénes, más bien e.e Zihel y Ariel son mi espinita. Especialmente Zihel. Sé que tiene que ver con el hecho de que nunca ha sido mi punto fuerte dibujar chicos, y menos si son de aspecto más masculino… Por eso también sufro mucho dibujando músculos. Otra cosa que me trae de cabeza es la perspectiva de las ilustraciones. Cada vez que intento salirme un poco del típico plano o poses… No sale bien.
Illy: El tartamudeo de Doughy ¬.¬
Sher: sillas, sofás, mesas… cualquier cosa con cuatro patas son mis enemigos
¿Algo que te ayude o anime mientras estás trabajando?
Athe: Necesito música, no, en serio, LA NECESITO. Soy incapaz de concentrarme sin ella. Si ya consigo que lo que escucho haga de caja de resonancia de lo que escribo, el texto es mil veces mejor… Pero la musa es bastante mala gente.
Sam: Tener alguna serie/peli de fondo que me entretenga. Cuanto más larga mejor, así no me toca pararme a ver qué es lo que quiero poner después.
Illy: Comer pipas para engañar a mi cerebro y no tener la tentación de ponerme a hacer otra cosa que me distraiga.
Sher: intento ver otros artistas para motivarme e inspirarme antes de empezar a dibujar, lo que más me cuesta es ese empujón inicial y es donde necesito la motivación, luego ya suelo tener algo de fondo pero no es necesario
¿Algo que te corte el rollo o te desmotive?
Athe: Los nudos narrativos. Generalmente, no son nudos gordos de la trama (eso está decidido casi en su totalidad), a menudo son decisiones pequeñas para pasar de la escena A a la escena B, pero puedo tirarme MUCHO tiempo decidiendo cuál es la forma más rápida y mejor planteada para atar esos dos cabos. Soy lo peor.
Sam: Muchas veces a la hora de empezar, no conseguir encajar las poses como quiero, por ejemplo.
Illy: Encontrar muchas partes seguidas que me cueste especialmente resolver y que me hacen creer que no tengo ni idea de hablar inglés. Y mirar cuantas líneas me quedan todavía.
Sher: cuando no se como rellenar alguna zona, si veo algo muy vacío pero no se como solucionarlo puedo tirarme días mirando la pantalla sin ser capaz de avanzar, incluso aunque tenga otras zonas que pudiera ir haciendo mientras
¿Qué no puede faltar en tu mesa o superficie de trabajo?
Athe: Libretas, post-its, bolígrafos… Soy una persona que lo anota todo, sobre todo, las tareas, pero también ordeno la historia por esquemas de colores. La pila de post-its tienen 9 colores diferentes, cada uno representa un personaje y juego mucho con ellos para miles de idioteces. A parte, a pesar de que llevo muchos más años escribiendo a ordenador de los que escribí a mano, sigo teniendo querencia a lo físico.
Sam: Café, chucherías, chocolate, cereales… Y gatos.
Illy: El móvil, las pipas, un vaso de 1L de agua de Capital America: Civil War, post-its que me recuerdan las tareas.
Sher: no tengo nada realmente lol todas mis cosas son de adorno
¿Tus horas más productivas?
Athe: Búho. Nocturna totalmente. A pesar de que tengo varias crisis al mes para forzarme a trabajar a otras horas que acaban siempre… Mal.
Sam: También por la noche en su mayoría, aunque ya no aguanto trasnochando tanto como antes de trabajar (qué tiempos aquellos…) Aunque a media tarde cuando el zoo que tengo en casa aún está echando la siesta también consigo dar un buen empujón.
Illy: Desde que acabo de comer hasta las 7 o las 8 de la tarde, cuando no tengo que cocinar, limpiar, hacer recados...
Sher: le tomo el testigo a Illy aparentemente, a partir de las 7 u 8 es cuando empiezo a entrar en el mood hasta que llega la hora de dormir
¿Las horas de trabajo hacen que te olvides de comer o te hacen comer el doble?
Athe: Depende, antes comía mucho, ahora, si tengo estrés no como nada. Si me encuentro en un rango productivo normal y no estoy de los nervios, probablemente, esté comiendo por inercia.
Sam: Me hacen comer más, pero sobretodo porquerías e.e Y hacen que me olvide de las comidas sanas, sobretodo de cenar por la noche.
Illy: Depende de mi estado de ánimo, pero normalmente comer el doble.
Sher: en general soy una persona MUY distraída así que no suelo conseguir centrarme en una tarea para llegar a ninguno de esos dos modos pero supongo que cuando estoy muuuuuuy dentro de la tarea, me olvido. Pero eso pasa como un par de veces al año y “olvido” es “lo retraso una hora”.
¿Qué parte de tu set up mejorarías/cambiarías (en estética o funcionalidad) si no tuvieses límite de dinero?
Athe: Estoy tratando de que alguno de mis periféricos peguen con el resto. Todos son de un maldito color diferente, al parecer estoy maldita… Ahora en serio, desearía tener una mejor gráfica que me permitiese hacer videocapturas, unos altavoces y una impresora de calidad.
Sam: En realidad, no creo que necesitara nada más complejo de lo que ya tengo… Pero por mejorar, me llaman la atención las tabletas más profesionales, las grandes con la pantalla incluida y eso.
Illy: Un portátil nuevo que me deje abrir 4 pestañas de chrome, el Atom y photoshop al mismo tiempo sin quedarse tieso.
Sher: Una pantalla de pc que no me cambiara los colores que uso en el ipad seria bonito la verdad
¿A qué personaje te pareces más? ¿Y por qué?
Athe: Ufff Creo que la respuesta fácil sería decir Akane… Pero, Akane es mejor persona. :P
Sam: Esto es muy complicado… Son todos muy distintos, pero aún así no creo que me parezca mucho a ninguno. Por decir algo, me podría identificar con la tendencia a evitar problemas de Maske, y su lado más casero y tranquilo. Y bueno… Dado que Akane es OC mío de hace muchos años, seguramente tenga algo de ella también.
Illy: Creo que en parte tengo el instinto de alejarme de las movidas de Maske, y por otro la superficialidad de Joe, aunque tbh ojalá parecerme realmente a nuestros bebés geniales.
Sher: sorprendida porque (unpopular opinión por aquí) es de los que “menos me importan” realmente pero diría que Pin porque es tontito, feliz y probablemente tenga una habitación satánica y orgulloso de ello
Tu CG/arte favorito.
Athe: DE MOMENTO. Maske capítulo 1. No podría ser más predecible. Lo sé.
Sam: Coincido bastante en la de Maske del capítulo 1. Pero también metería en el top la de Pin del capítulo 5 y la de Akane del capítulo 6.2.
Illy: ¿¿Kyeran en el tanque de Coco?? ¿Es siquiera real? Ser básica es mi marca.
Sher: sorprendida de nuevo y decepcionada pero diría que la de Hasiel de ángel porque me gustan los vestidos bonitos, los pelos bonitos y las alas bonitas
Tu BG/escenario favorito.
Athe: Me flipa el Barrio Rojo. Me gusta la vida de ese sitio, su historia, pero la forma de plasmarlo… Uggg Sher lo llevó a otro nivel. La suciedad de la calle, la nocturnidad, los edificios constreñidos...
Sam: Creo que me quedo con el de la plaza de Raziel, me gusta mucho desde el primer día.
Illy: No sé si puedo elegir solo uno T__T pero diría que el Barrio Rojo y el bar de Valefar están en el top.
Sher: por no repetir el barrio rojo que también me gusta mucho, me gustan mucho las zonas del laboratorio de Coco, incluida la zona “principal” aunque la perspectiva sea horrible y haga a los pj parecer diminutos, pero me gusto como quedo :(
¿Tu capítulo favorito hasta las fecha?
Athe: Ufff… El uno y el dos os aseguro que no, jajaja. Diré que el tres, pero también por cosas que no son necesariamente del capítulo, sino de la producción. Fue un buen momento. Sentí que todo estaba fluyendo con facilidad. Todas asumimos un rol claro, unos tiempos que nos hacían sentir cómodas y capaces de asumir lo que venía después, creo que fue un salto cualitativo también, tanto en los textos, como en el arte.
Sam: Ay. Pues a ver… El capítulo 5 es una pasada para mi, por todo lo que pasa pero también porque hay muchas interacciones personalizadas y elecciones. No puedo decir que tenga un favorito definitivo, pero podría acercarse… También me gusta mucho de los últimos el 6.2.
Illy: El capítulo 5 tiene tantos detalles, pasan tantas cosas, que es difícil que no sea mi favorito, pero los ultimos de rutas específicas son tan geniales que si me quedo con el 5 es con un poco de dolor de tener que elegir uno.
Sher: Diría el 5 también porque al final cuando pasan muchas cosas es cuando mas se te queda grabado
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