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socialyawkdude · 5 years

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Top 10 animes for first time viewers

Hello, my socially awkward friends,

I’m back after a much-needed vacation to bring you the content, which you crave. In recent weeks, I’ve been approached by friends and colleagues, about what amines they should watch. To say that it was a loaded question is an understatement. With the world of anime and manga being so vast, it's hard to know where to start.

After thinking it over, I’ve decided to follow suit of my supernatural top 10 and do a top 10 for anime for beginners.

Today's post will cover amines for first-time viewers. Let me start by saying that, This Is my Opinion! Please do not jump my bones because of the line-up. Now with that being said, let get this party started.

(10) Sailor Moon/Sailor Moon Crystal

Written by Nanoko Takeuchi

Genre/subgenre: Magical girl, action, romance, shoujo, superhero

Manga original run: (December 28, 1991, to February 3, 1997)

Anime Run: Sailor Moon (1992-1993) 46 episodes

Sailor Moon R (1993- 1994) 43 episodes

Sailor Moon S (1994- 1995) 38 episodes

Sailor Moon Super S (1995- 1996) 39 episode

Sailor Moon Sailor Star (1996- 1997) 34 episodes

The series follows the adventures of the protagonist Usagi Tsukino, a middle school student who is given the power to become the titular Sailor Soldier. Joined by other Sailor Soldiers, they defend Earth against an assortment of evil villains.

Let us start with a classic, remade for the modern-day. For quite a few of my generation, Sailor Moon was our introduction to the world of anime. I can remember watching sailor moon, in the early morning before the school bus came. Sailor Moon was the beginning of my love affair with anime.

Now here is what I got to say on sailor moon. It is a bit wonky, timeline-wise. Sailor Moon's overall timeline can be a bit hard to follow. That is if you are going in-depth with it. As long as you stay away from the headache inducing timeline, you’ll be ok.

(9)Bleach

Written by Tite Kubo

Genre/subgenre: Action, Adventure, Shonen, Supernatural, Comedy

Original manga run: August 7, 2001 - August 22, 2016

Original anime run: October 5, 2004 - March 27, 2012

366 episodes

What can I say about Bleach? It is one of my favorite anime’s of all time. It's not perfect but what is? You have a diverse cast of characters, a good story and plenty of action. In my opinion, that makes a great anime for beginners. For me, Bleach was my return to anime, after years of not watching. I think that I've watched this anime from beginning to end, one too many times.

I'm talking watching the U.S. airing up to the point that I had the watch in Japanese. I finished the anime a full 2 years before the finale aired in the U.S. I would highly recommend this anime to any beginners.

(8) Restaurant to another World

Written by Junpei Inuzuku

Genre/subgenre= Fantasy, Isekai

Manga Original Run: November 18, 2016, to June 25, 2019

Anime original Run: July 3, 2017, to September 18, 2017

12 episodes

I was recommended this anime by a friend of a friend. I am going, to be honest; I didn't know what I was getting into. This would be my first experience with isekai anime. Looking back on this anime, it is quite an anime. Not much action, but at a great story. I would not recommend watching after a 420 session, you will get the munchies.

(7) Sword Art Online

Written by Reki Kawahara

Genre/Subgenre= Isekai, Fantasy, Action, Adventure

Light Novel Original Run: April 10, 2009, to present

Anime original run:

Sword Art Online = July 8, 2012, to December 23, 2012

Sword Art Online II= July 5, 2014, to December 30, 2014

Sword Art Online Alicization = October 6, 2018, to present

And here we go again with another isekai. The genre in itself is pretty much the same across animes. Someone dies and is sent to another world, but Sword Art Online is different. Instead of dying and going to another world; our main character is trapped in a virtual world and if he dies there, he dies in the real world.

In general, I've been pretty hard on SAO because of its a little too real world for me. It deals with some very real-world issues. To give some examples: Death, rape, incest, and other issues. To top it all off, with it being 2019; we are only months away from when the anime begins. (Where is my damn nervegear?)

If you can get past all of that it's a decent anime. The first arc is by far the best. The second arc is OK and the third I haven't finished yet. Sword Art Online is a good anime for beginners, in my opinion. Plus, Sword Art Online always puts out a beyond great soundtrack.

(6) The Saga of Tanya the Evil

Written by Carlo Zen

Genre/subgenre: Isekai, fantasy

Manga Original run: April 26, 2016, to present

Anime original run: January 6, 2017, to March 31, 2017

12 Episodes

Here we are with the last isekai on our list. I understand that there have been quite a few listed, but besides the honorable mentions, there are no more. The Saga of Tanya the Evil is the perfect end of the isekai on this list.

Following the usual isekai tropes, Tanya the evil can best be described as a fantasy, historical alternative reality anime; taking place in a world similar to World War 1. As of this post, I'm only eight episodes in and quite enjoying it. I highly recommend checking it out.

(5) Fairy Tail

Written By Hiro Mashima

Genre/Subgenre: Shonen, Action, Adventure, Fantasy

Manga Original run: August 2, 2006, to July 26, 2017

Anime original Run: October 12, 2009, to Present

328 + episodes

It was around 7 years ago that a friend recommended fairy tail, to me. At the time, it wasn't my cup of tea. I was following Bleach, at the time, and hadn't leaped into the world of anime. Fast forward several years and it is still not my cup of tea. Now here is the thing, even though I may not be into fairy tail, ii know a good anime when I see it Given that fairy tail is entering its last full season; it a great choice for beginners and old alike. This is why I’m giving it the number 5 spot.

(4) Attack on Titan

Written by Hajime isayama

Genre/Subgenre: Dark fantasy, post-apocalyptic

Original manga run: September 9, 2009, to present

Original anime run: April 7, 2015, to present

Attack on Titan is one of those manga/animes that is a hit from day one. With a post-apocalyptic feel straight out of someone's worse nightmare. This isn't the zombie apocalypse folks; this is something far worse. The following that Attack on Titan has garnered is on par with American shows like The Walking Dead.

Along with the manga and anime, Attack on titan has spawned a live-action movie in 2015. In my opinion, the movie was just as gory and the anime, but a little toned down. If your a fan of post-apocalyptic shows like The Walking Dead, this is one that you have to check out.

A little piece of advice, do not watch the movie until you have seen the first season.

(3) Miss Kobayashi's Dragon Maid

Written by Coolkyoushinja

Genre/Subgenre: fantasy

Manga original run: May 25, 2013 to present

Anime original run: January 11, 2017, to April 6, 2017

13 episodes plus OVA

If there was ever an anime that should be the official anime of this blog, this is it. Miss Kobayashi's Dragon Maid has been one of my favorite animes that I've seen in recent years. This is not the usual action-pack thriller, that you'll usually see from animes that make there way west. It the cute and funny story of Miss Kobayashi and how she ended up with a dragon maid and the adventures that follow. I would recommend this to anyone, anime watcher or not.

(2) Fullmetal Alchemist/ Fullmetal Alchemist Brotherhood.

Written by Hiroma Arakawa

Genre/Subgenre: Adventure, dark fantasy, science fiction, shonen

manga original run: July 12, 2001, to June 12, 2019

Anime original run:

( Fullmetal Alchemist) October 4, 2003, to October 2, 2004

51 episodes plus the movie Conqueror of Shamballa (2005)

( Fullmetal Alchemist Brotherhood) April 5, 2009, to July 4, 2010

64 episodes

Here we are at the number 2 spot. This was a toss-up for number one, but I decided against it. I would suggest watching Brotherhood because it follows the manga beginning to end. Fullmetal Alchemist ends at episode 51 and it is up the movie, Conqueror of Shamballa to bring an end to the story. I saw Conqueror of Shamballa and overall the movie was great. Well deserving of the praise it got from film festivals around the world. Do yourself a favor and check out this anime.

(1) Dragon Ball /Z/GT/Super/Heroes

Written by Akira Toriyama

Genre/Subgenre: Action, Adventure, martial arts, shonen

Manga Original run:

Dragonball= December 3, 1984, to June 5, 1995

Dragonball Super= June 20,2025 to present

Anime original run:

Dragonball(1986 to 1989)

Dragonball Z( 1989 to 1996)

Dragonball GT( 1996 to 1997)

Dragonball Super( 2015 to 2018)

Super Dragonball Heroes(2018 to present)

And here we are at the number one spot. Come on, everyone should have seen this coming. Anime lovers and non-anime lovers have heard of the Dragonball series. While I was fighting for Fullmetal Alchemist to be in the number one spot; it wasn't going to happen. The Dragonball series is perfect for new anime viewers fro many reasons. One of the main reasons is if you get confused, there is plenty out there to help you understand what’s going on. The Dragonball series has been around in manga form since 1984 and anime form since 1986. There is plenty out there to help newbies and confused them, at the same time. Just don't watch the shitty American made live-action movie.

Honorable mentions: Konosuba, Ghost in A Shell, Food Wars and Naruto

Like always my friends, don't forget to like/share/reblog and follow. To get more of an idea of what's coming, you can follow me over on twitter at @socialyawkdude.

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untitledtallgeesepodcast · 4 years

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[TRANSCRIPT] Episode 0: The Anime They Once Saw (Or Didn’t See)

Kat 0:00

Hello and welcome to the Untitled Tallgeese Podcast, a podcast where four of us will watch Gundam Wing and then tell you all about Gundam Wing. My name is Kat, I write about comics on the internet, and I will be your episode moderator for today.

Mallory 0:17

And I'm Mallory, and I also write about comics.

Cathy 0:20

I'm Cathy, I don't write about comics. I am actually a lawyer, which sucks.

All 0:26

[laughter]

Caitlin 0:28

I am Caitlin. I'm a PhD researcher in Tokyo right now working on Japanese film. Yeah.

Kat 0:33

Extremely legit.

Caitlin 0:35

Are we?

Cathy 0:36

and we're all here to talk about the Gundam Wing.

Kat 0:38

[crosstalk] I mean we might be.

Kat 0:41

We are here to talk about Gundam Wing, the maybe not critically acclaimed, but fandom, okay, audience favorite anime that was released in 1995 in Japan and then made its way to the US in March 2000 on Toonami. So, we're going to talk about our fandom history and our history with the show Gundam Wing and I guess I will kick that off. So I-- I grew up watching anime because my dad is a huge nerd. So we were obviously watching Toonami. And the promos blew my mind. My friends and I all got really into it in middle school. Then we discovered fanfiction and we started with Heero/Relena fan fiction. [Caitlin: Ugh.] And then then we realized people could be gay.

Caitlin 1:29

Uugh, thank god.

Kat 1:30

That opened up like, I know it was like the clouds parted. rainbows fell from the sky. We were like, Oh, wow.

Mallory 1:39

[singing] "A whole new world"

Kat 1:40

[laughter] And then I don't know. I wrote a lot of fanfiction posted it on FF dotnet, got into fandom and then stayed in fandom. So, Mallory?

Mallory 1:53

I didn't have cable growing up. So whatever anime exposure I got was like, whatever was on Saturday morning cartoons. So Digimon was my first fandom and I was really into that.

Kat 2:08

Hell yeah

Mallory 2:09

And that sort of like bled into Gundam Wing somehow, I don't really remember how. But I found my way to Gundam Wing, read a lot of fanfic, hadn't ever really watched the show. And then in high school, my friend had some like random episodes from the first season question mark. I have no idea. So I watched those, and really enjoyed that? But I have no idea what their context was, so I'm coming at this pretty, pretty new.

Cathy 2:44

So you have never watched it from beginning to end?

Mallory 2:47

No.

Cathy 2:47

Got it. This will be fun.

Mallory 2:50

I'm expecting to be really disapproving of all the adults in the room. I find that like, now that I'm watching anime about kids, I'm really protective of these kids like, "Hey, this is really unethical!"

Cathy 3:02

So I'm like Kat, I started watching anime when I was I think around Middle School. I had a friend who got me into Sailor Moon, then I think it was Dragon Ball that was on Toonami at the time? I can't really remember the chronology.

Kat 3:16

Yeah.

Cathy 3:17

But then they did the promos for Gundam Wing, so then I started watching that on Toonami. And it was my first mecha series. And my first Gundam series, I think it's a lot of people's first Gundam series in the United States.

Cathy 3:31

I have attempted to do similar projects to this multiple times where I go back and I rewatch, and I haven't really had the opportunity to actually finish those rewatches. But my memory of it is still kind of stuck of when I was in middle school slash high school. I did get into fandom, so I expect to remember a lot of inaccuracies about what happened. [laughter] Because a lot of what my facts have with this series are have now mutated and changed. But I was a huge Gundam Wing fan, I think it still remains my favorite of the Gundam series just because I have so many memories of it? But I really excited to talk to Mallory, about what you feel and your experiences because it's been so long since I've talked to somebody who actually has never seen the series and doesn't know the story. So I'm super excited about this.

Caitlin 4:24

Yeah!

Cathy 4:25

All right, Cait, tell us about your family history.

Caitlin 4:27

Yeah, so similar to all of us, I guess, I watched anime growing up. I got into Sailor Moon sort of through an accident of just happening to see a very specific episode on Toonami in like 1999, 1998 maybe. So after that, I got really into anime and really into the internet. I think I was very depressed as a child. [laughter] So I spend a lot of time online. I believe that like my my first memories of Gundam Wing are when it was on Toonami: Sailor Moon was on first and then Dragon Ball Dragon Ball Z, and then Gundam Wing. And then they also were showing like the quote unquote unedited versions late

Cathy 5:09

Yes!

Kat 5:09

Yes, the midnight run

Cathy 5:11

The midnight run Right.

Cathy 5:12

Yeah. So very specific memories of like, I think I was mainly attracted to the, like, team format of Gundam if that makes sense? [Cathy: Yeah yeah yeah!] where it was used to sailor Sailor Moon where you have a team of color coded characters. And I'd, at a younger age been really into Power Rangers, where you had a team of color coded characters. So the marketing of Gundam Wing really appealed. You know, cuz I was just a kid watching on TV, I never really, I don't know if I watched the whole thing as a kid, but I got really into the fandom. And by 2000, 2001, I already knew about gay stuff online.

Kat 5:48

Wow. Look at you early bloomer.

Caitlin 5:50

Yeah. So So I got really into the various Gundam Wing pairings, I think it was mainly, I was mainly a 3x4, I think as a child. I went through some, 1x2, and then 2x5 phases. [laughter]

Caitlin 6:09

I still am a big advocate for 2x5, I think it's underrated.

Kat 6:12

I'm a big 2x5.

Cathy 6:13

2x5 is a good pairing, it definitely is.

Kat 6:16

Yeah.

Cathy 6:16

It's a better pairing as an adult.

Kat 6:17

So okay, I think that's actually a pretty good bounce off. So these are the things we remember about Gundam Wing. It was marketed, like, I remember the Toonami marketing 'cause I was really hype for this show. They had like these really extreme commercials.

Caitlin 6:34

Yeah.

Kat 6:35

Um, and I thought the voice acting was good. I don't know, maybe we'll revisit that during this watch, to see if it still is,

Caitlin 6:43

[crosstalk] Was it dubbed?,

Cathy 6:44

[crosstalk] It was dubbed, yes.

Kat 6:44

But I was ready for it. It was dubbed.

Caitlin 6:46

It was dubbed. One thing with the with the Japanese voice acting though, is that it's every single famous voice actor from the 90s. And so you can, you can use Gundam Wing is like a six degrees of every single voice actor from the 1990s.

Caitlin 6:59

Oh, that's cool.

Mallory 7:00

I mean, there are a lot of big American or like, dub dub names on the dub side, too.

Cathy 7:06

One of the things that I remember very strongly about Toonami is that they had what I think we would now call anime music videos, AMVs.

Kat 7:16

Yeah

Cathy 7:17

But they would play

Caitlin 7:18

Yeah,

Cathy 7:18

These montage trailers, where they'd stich together all their different series. And as they accumulated more anime series, these became really, I think, cinematic and gripping tales, where they would kind of try to tell a story to be about, like bravery or honor or like,

Kat 7:36

It's like, plugged directly into my little 11 year old brain like, Whoa,

Cathy 7:40

Yes. And one of them was, I remember was called, like, "technological development" or something like that, that featured a lot of the Gundam Wing clips.

Kat 7:47

Oh, yeah, cuz you only download them from like, KaZaa, or whatever horrible thing I was putting into my computer.

Caitlin 7:52

Yeah. We gotta see if we can find those. [crosstalk] They must be online somewhere.

Cathy 7:56

They are online. And I think they actually came out with like, I think somebody had either like hand by hand remastered them.

Kat 8:03

[crosstalk] Oh sick.

Cathy 8:02

Or they created a remastered version of it. They're wonderful. But that's I think one of the things about Toonami that I remember really strongly was Gundam Wing kind of is one of their, like epitome of like, Cool Anime that I feel like Toonami did and what it did was like they stiched together all these different things Outlaw Star and Tenchi Muyo and all these other stories to create a story about teenage growth, which is kind of strange and also weirdly fitting at the end of the day about like where Gundam is in the whole universe.

Kat 8:07

I think that's one of the reasons it blew up so much here because the marketing was really intense. Like Toonami, like it sort of right at the beginning, like people were into Sailor Moon, Dragonball Z was getting big. And like the manga boom was sort of happening in bookstores. So contextually, I think, Cartoon Network knew what the hell they were doing. They were like, "We can market the hell out of this."

Caitlin 8:55

And also objectively speaking, Gundam Wing was one of their cooler series. Like, Sailor Moon is cool. Tenchi Muyo is not cool.

All 9:04

[laughter]

Kat 9:06

Yeah.

Caitlin 9:07

Even even if you love it, it's not really cool. Dragon Ball. Love it. I don't know if it's really cool. Gundam Wing had like a very strong -

Kat 9:14

[crosstalk] like the chad of animes

Caitlin 9:16

- adult aesthetic to it, even though it was like, relatively, well, relatively appropriate for like 12 year olds.

Kat 9:23

And they swore during the midnight show.

Caitlin 9:25

Oh yeah,

Kat 9:26

They swore and there was blood.

Caitlin 9:27

So it was very cool. And so I felt very adult watching it even though I didn't really understand what was going on because it's all this fake politics crap.

Kat 9:35

Yeah, I was gonna say I did do a rewatch in like, like, right after college, so it was probably around 2010 ish, maybe? And I don't think we finished the series, but it was like, wow, I used to think this was very deep. [laughter] And I thought all the people in it who are the adults like Mallory, you were mentioning earlier, like they're actually like 17 and 19

Cathy 10:01

Yes!

Kat 10:01

in this show. So watching it at the age of 21, I was like, "Ooh no, don't give these people anything."

Cathy 10:09

I was actually thinking about that. Because when you said Mallory, "oh, well, I become very protective of the children. I disapprove the adults," in my head of thinking "what adults?" [crosstalk, Caitlin: yeah what adults?] because actually, in Gundam Wing, there's a funny thing where people are either 15, 25 or like 70. And there's no in between and nobody really makes adult decisions. So it, That was one thing that really shocked me because as I go back to revisit it, I think, "Oh my god, I'm actually older than almost everybody in this series."

Caitlin 10:39

How old, how old is Treize supposed to be?

Cathy 10:41

He's like 23, or 24.

Kat 10:42

He's 19.

Cathy 10:43

No, Zechs is 19.

Kat 10:44

Oh, Zechs is 19. Right.

Cathy 10:47

I just the idea of giving people who, you know, would have either been in college or just graduate college in my worldview, huge robots.

Kat 10:58

I think the ages of all the characters gets obscured by the anime art style, you know?

Cathy 11:03

Yeah.

Kat 11:03

In a lot of anime fandoms.

Mallory 11:04

And when you're watching this, when you're a kid, you want to see yourself as the protagonist. So it makes sense that, you know, a 17 year old seems like old and cool, and I want to be that person. And then when you're 30, you're like, the 17 year old should not be at war.

Kat 11:23

Relevant is that we definitely watched Evangelion. That was our last series.

Caitlin 11:29

I don't know, I think, I think Heero Yuy is doing fine in war. I'm gonna, I'm gonna be honest, as a 30 year old, I think these kids are much better at war than I would be.

Cathy 11:39

Well, so that's what I find kind of interesting, is that I think this series actually... I don't, I know this wasn't the point but when I rewatched it recently, or just like the first couple of episodes, it seemed, it made a lot of sense, because they were like 15 or 24. Like the series, actually stitches together...

Caitlin 11:58

Yeah.

Cathy 11:58

...really well, because of how young they are, and kind of like the purity of feeling that they have, which I think is

Kat 12:05

Yeah, it is, like

Cathy 12:06

only maybe

Kat 12:07

like that [indistinguishable?]

Cathy 12:07

which I think is like only really, truly possible because I have to think of them as like 15 or 21 or 19 year olds. that is not at all when I took away when I was watching in high school. Right?

Mallory 12:21

Well, I mean, right.

Caitlin 12:22

Part of the ideology of Gundam in general is like trying to restore a form of hope, and youth to, like, young people growing up in Japan, who are the target audience for this, and this idea that, like, you still have the power to change the world, you still have the power to bring about peace in a way that you want, even though you're being manipulated and oppressed by all these crazy adults who make you pilot giant robots. So I think there's a significant, like part of the series is the fact that they are kids who have been recruited into child warfare, and now have to find some way out of that. And like my memory of the series is that even though most of, most of the decisions made are very bad, the kids in general are not making terrible decisions. They're making pretty good decisions.

Kat 13:12

Yeah, the pilots themselves...

Mallory 13:14

[crosstalk] Yeah

Kat 13:14

...are like doing the best they can be doing in that circumstance.

Cathy 13:17

[crosstalk] Exactly, exactly

Kat 13:19

But I think it's sort of interesting, 'cause it's like, to me Gundam Wing is definitely like a fandom era, because I think a lot of stuff exemplifies like...there's like a lot of tropes cycling through it. But also like, the series itself, is so perfectly...like, I think of it as a series that are so perfectly set up for fandom because there's a lot of like, here's my one episode mission, and we have to be at a safe house, I guess. And it's just like, a long interminable war. So there's like, a big, a lot of world building. Yeah, that creates all these spaces that sort of separate from all the political machinations of the series.

Caitlin 13:58

And that's also I think, a lot of what it was meant to be when it was created within the Gundam franchise like it was it was designed to have sort of a BL appeal to girls writing for comic market and that sort of thing. So it had like the setup of five hot guys who you could combine in various forms. And then also like Gundam itself, in general, it's designed to be and a sort of open universe that you can step into at various points, which also facilitates fandom engagement

Mallory 14:28

[crosstalk] literal fandom bait.

Caitlin 14:29

usually in the form, yeah, usually in the form of model collecting, which is like one of the main Gundam forms of fandom which we probably won't talk about too much on the show. But you, you kind of

Kat 14:41

Uh I've definitely built some Gundam models.

Caitlin 14:43

Yeah. Well, you will be the expert on that because I've never touched a Gundam model in my life. But that is like the big thing where you can you can get the model you can construct it, you can learn a little bit more about the, like, the technology and the different like details of the models and stuff like that. And it just gives you like a slight, like Little bit more of these like tiny narratives and that sort of what the fans are consuming rather than an overall plot that makes sense, which is not what Gundam has really.

Kat 15:11

So Gundam [Wing] has like the cool robots but also these hot boys in them.

Caitlin 15:15

That's what I want.

Mallory 15:16

I mean Well, that's exactly what I want to show right now. So it sounds perfect?

Kat 15:21

Honestly, yeah.

Mallory 15:23

I think Evangelion, sort of, because, Kat, you and I just finished -- or are almost finished with -- Neon Genesis Evangelion [Kat, crosstalk: we haven't done all the movies yet] which was also it was my first time [Cathy, crosstalk: Congratulations, laugh] watching the whole series...wow, grim

Kat 15:40

I also only consumed

Mallory 15:42

[crosstalk] grim

Kat 15:42

[crosstalk] I consumed it like piecemeal too

Mallory 15:44

And depressing

Kat 15:45

It was great.

Mallory 15:46

Very good but um grim.

Kat 15:50

Yeah it's pretty grim.

Cathy 15:52

Yeah, it's interesting to me because I feel like Evangelion doesn't make a lot of sense as a cultural product unless you've consumed a series like Gundam or its ancestors before watching it and yet Evangelion is a lot of people's introduction to giant robot series. So I always find that kind of interesting...

Caitlin 16:13

[crosstalk] It's very weird.

Cathy 16:14

because it, it is subversive, and I think it's subversive even if you don't know the tropes of the giant robot series, of which Gundam is perhaps a prime example. Gundam Wing...

Kat 16:27

So I was gonna ask that and like, would you say, since Evangelion is definitely a like the subversion of this genre, would you say Gundam Wing is like the type of series that it is subverting? Or do you think it's in a different place?

Caitlin 16:41

Gundam Wing and Evangelion came out the same year? Gundam Wing is in some ways a, it's already like a parody form of the original iteration of Gundam.

Kat 16:55

Okay, so it's--is it like, um, like the pure essence of teens-robots.

Caitlin 17:02

It's, it's more like, I feel like by the time of Gundam Wing, the tropes of the original Gundam series are so well set that a lot of things in Gundam Wing to, like the fans who watched the original Gundam or like later Gundams, seemed like a rehash but it was designed to bring in new fans. So something like Zechs Merquis is very clearly like a Char Aznable character. It's just sort of a reiteration of that.

Kat 17:29

So is it like a Star Wars, like a Star Wars sequel?

Caitlin 17:33

Like how the Force Awakens is kind of a rehash of yeah, of A New Hope. And then, but it still brings in a lot of fans and has appealing characters and good aesthetics

Kat 17:43

Right, yeah, I guess I think of them, the two shows, as sort of like, splitting the take on... like, what would you say is like the ur-mecha show?

Cathy 17:52

The original Gundam

Caitlin 17:54

Original Gundam?

Cathy 17:54

Yeah, Mobile Suit Gundam.

Caitlin 17:56

I mean, they're, they're older iterations, there's other robot shows. But I feel like when people think of mecha, the first thing they think of is Mobile Suit Gundam.

Cathy 18:06

So the way like I now think of Gundam Wing after the fact of experiences I have now is that like Gundam Wing is actually a perfect like K-Pop boy band way that they built it and so if you can kind of think of it like that, like it's, you need enough of the tropes and symbols, so that everybody watches it and immediately knows it's a Gundam series.

Cathy 18:30

Like the colors of Wing Gundam are so obviously

Kat 18:34

Yeah.

Cathy 18:34

a Gundam Mecca and you need that you can't get away from it. And same thing with like Zech's having a mask it the reason I think of it as being in in the Kpop industry is like there's a derivative sense. And that's animated by both like Merchandising, and advertising and what audiences want but at the same time, it's like this incredibly pure understanding of what makes us like things? And like when you get that when you really get it, like, it doesn't matter how like, quote, unquote manipulative or exploitative it can seem like you love it. And that's enough, right to make it like a thing that we all want to keep coming back to.

Mallory 19:12

And there's basically like, an archetype right? In all of the different characters like you have the more

Kat 19:18

Yeah, you have the serious one.

Mallory 19:20

That's what I was thinking.

Kat 19:21

Like, the goofy one.

Mallory 19:23

Yeah, the goofy one, the sort of mess

Kat 19:25

the ugly one,

Mallory 19:26

like really cute one.

Kat 19:29

Yeah, that's why I was thinking American boy bands cuz they all have to have like a type of heartthrob. Yeah, I'm a bad boy. I love death.

Caitlin 19:38

One of them's, one of them's a rapper.

Kat 19:40

Okay, so we talked a little bit about how we got into it. We talked a little bit about fandoms. And we touched on pairings, do we want to go into pairings at all? Or like our fave characters, or who we think our fave characters will be Before this rewatch?

Cathy 19:54

You know before we do that--Mallory, can you try to tell us what you think this series is about? I'm actually really curious, like before you do a complete viewing, like what? what is what is your understanding of what happens in Gundam Wing?

Mallory 20:08

Um, there's a long interminable war. These boys are recruited by some shadowy government whatever. And they're piloting these mecha. Uugh, I just remember Duo being really annoying.

Caitlin 20:28

[loud gasp] [laughter] [crosstalk] Oh my god.

Mallory 20:29

I mean, not annoying, like, being sort of...

Kat 20:32

Wow.

Mallory 20:33

...the one the pushy one like, he's the challenging one to Heero's "I'm serious and dour." Literally, I have the most broad strokes impressions of what this show is. I just know it looked really fucking cool every time I saw it in, like, a commercial and couldn't watch it.

Cathy 20:55

Fascinating.

Caitlin 20:57

Honestly, even having seen Gundam Wing, I'm not sure I could explain it much better. I don't remember who recruited them.

Mallory 21:03

Okay. Okay, that does make me feel better. Because I was like, Oh, I don't? Do I actually know what the show is? What am I getting myself into?

Caitlin 21:14

There's there's a lot of weird politics.

Mallory 21:17

Well, I'm really excited for that. And I don't mean that sarcastically. Like, I'm really excited to, to see what this world is like, because I remember, like images or impressions. But everything is like out of context. So it'll be cool to see what that context is. Like deja vu? Oh, I remember that. I've seen that in AMV.

Kat 21:48

I remember this from fics that just rewrite scenes from this show.

Mallory 21:55

Yeah, like, what do I know? What do I know of Gundam that is from fanfic only, or is actual canon? I'm curious to figure out.

Kat 22:10

I think everyone's a lot less obnoxious in canon.

Caitlin 22:14

That's true.

Mallory 22:15

Okay, okay.

Caitlin 22:16

This was a this was a really good fandom for the the fandom phenomenon of, you take a character's most, like, annoying trait, and you emphasize it like times 10 in your fanfic.

Cathy 22:28

Yes.

Kat 22:28

Yeah

Caitlin 22:28

Just so everybody knows you know what that character is like.

Kat 22:31

Heero's gonna threaten to kill everybody all the time, constantly.

Caitlin 22:34

"Omae o korosu."

Cathy 22:36

[laughing crosstalk] And so, it's funny that you guys mentioned safe houses, because actually, there are very few safe houses in the original series. In fact, I think there's like maybe one or two scenes ever, where they are all in a safe house provided by one of their allies. And it's a really fascinating trope, because it like pervades the fanfic? But I remember, that I remember was like a big deal, like, I went back and I was like, actually, these people spend very little downtime with each other in the actual series and I find that fascinating.

Kat 23:12

Right? So you have to fill it all in.

Mallory 23:13

Oh, wait, what?

Caitlin 23:14

They actually barely know each other.

Cathy 23:16

Yeah, they truly barely know each other. [crosstalk]

Mallory 23:18

Wait. Oh no, I thought, I thought this was going to be like..

Kat 23:23

[crosstalk] They actually never interact.

Mallory 23:24

we're going to get together and become like a team

Caitlin 23:26

No, no.

Cathy 23:26

Absolutely not,

Caitlin 23:27

They don't fight together; It's 50 episodes of them not interacting.

Cathy 23:31

They, they literally have like, they like, there's probably one or two scenes in which all five of them are on the same battlefield at the same time. And almost every single one of those scenes involves them fighting with each other because like,

Kat 23:44

[crosstalk]Oh, yeah, they fight each other alone.

Cathy 23:45

What's going on? And this was the thing that I'm sure we'll come back to when I came back to this is when I was rewatching. It in college, I realized that of the two people who spend the most time with each other, it's like Trowa and Heero. Because, yes, it is what arc where they actually go on a road trip, which like,

Kat 24:03

it's great. I wrote a thing

Cathy 24:04

like wiped it from my memory when I was thinking about the series, but it really drives home. You know, again, to your point like what of this series do I did I remember that was just from fanfic, and was just what like the fanfic I read very specifically. And so that was one of the things is like, when you come back as an adult, I was like, all of this stuff is so much more interesting to me because like, I actually, like, I don't get me wrong, I still have shipping opinions. But like, I'm older and I have I I'm famous for this. And Kat knows this. I like don't have OTPs. And I'm like not very good about actually being very loyal to pairings. And so as an adult coming back to this, I was like, Oh, this is actually really interesting because the permutations that fandom came up with also came from, like, non-canon material, because there's a lot of non-canon material, like promotional images that bear no resemblance whatsoever to canon.

Kat 24:54

Okay, I would, I would call those extra canonical, right?

Caitlin 24:58

No, they're, they're extra canonical, they count in some form.

Kat 25:02

Right? 'Cause they're official.

Cathy 25:04

I guess so. I mean, sure, we'll talk about that as time comes but like.

Caitlin 25:08

Listen, a canon is not just the story. It's the entire media mix around it. It's those, it's those things that you can collect. It's the extra manga. It's Frozen Teardrop,

Cathy 25:18

Like, Gundam Wing actually, I think is one of the few franchises I know where like "pair the spares" was a real merchandising tactic.

Kat 25:26

Yes, it was.

Cathy 25:27

And so, so everybody had somebody... gay, I mean, like, not like,

Kat 25:34

Wufei had two!

Cathy 25:35

They had a gay and a straight interest that they were paired up with. And so, um, so it's like, fascinating to me to come back and be like, actually, the canon is a lot more flexible and interesting than I remembered it.

Caitlin 25:49

The canon for me is like, remarkable in its commitment to not officially putting anyone together. Like it was, it's very good at balancing out all of the different pairings that it wants to support.

Mallory 26:01

Mm hmm.

Caitlin 26:02

Um, it's interesting to see which ones got picked up as the main two in fandom, which for me, were always 1x2 and 3x4 dominated the fandom, because they're both like, friendly, maybe talkative, personable guy and like silent, brooding, weirdo,

Kat 26:22

Warrior.

Caitlin 26:22

What fandom loves! Fandom loves that exact dynamic in every form. And so like, what 1, 1 and 3, were never going to work together because they're both silent and brooding. Fandom was never gonna pick that up. It's too It's too boring. It's not dynamic enough, right?

Mallory 26:37

Like, you can't fight. There's no banter,

Cathy 26:39

Which is actually weird, because if you go back and watch the episodes, you'll see it. Heero actually is not that quiet. And Trowa is like a nutcase. And so

Kat 26:48

they're really funny together,

Cathy 26:49

when they are together, they're actually incredibly dynamic in ways that in fact, the canon doesn't establish 1x2, or 3x4 to be. And so it is really fascinating, because I do agree with Caitlin. What came out of this canon is very different from what I think the show gives. And I don't know the show was like, open minded because it wanted to sell as much merch as possible or

Caitlin 27:13

It's that.

Cathy 27:13

Yeah, so I don't know.

Mallory 27:14

Capitalism.

Kat 27:16

I am gonna say I think the show is a 3x4 shipper. Like I think if the show had a pairing, it would be a three, it would be 3x4, like from my recollections of the show

Mallory 27:26

Yeah

Caitlin 27:26

I always thought that was true. But now

Cathy 27:28

I disagree.

Caitlin 27:29

I feel like I'm gonna go into this and and be like, they never

Kat 27:32

Nobody else has a musical interlude.

Cathy 27:34

But the but the thing is, here's Okay, so not to, like, make this too much about the pairing... But I also think 1x2 and 3x4 become established. I put that in quotes early in the series. And so it becomes entrenched and people assume that that's the pairing. But actually, I just remember so strongly when I went back and rewatched that I was like, there really is not that much evidence for Trowa and Quatre's like instantaneous connection because Quatre has that with almost every other pilot, and Trowa's relationship with Heero is like so much more interesting when I come back to it, even though I definitely think they would never work. They would like killing each other and instead as an adult.

Kat 28:12

And I mean, I love that pairing. And like the one thing that came out of my rewatch a million years ago was I wrote a 1x3 fic cuz I really love those episodes, and fandom didn't do anything with it. But I feel like, I feel like Quatre and Trowa are framed slightly differently than all the other potential pairings so that they could be together.

Cathy 28:33

Even up until Endless Waltz like, I really just feel like that that was an early series thing. And then as you go on into the series, that relationship while still important, was not really emphasized any more or less.

Kat 28:47

But I mean, if it, if it comes out of the gate strong, [laughter] like

Caitlin 28:51

That's all that matters

Kat 28:52

I still think that the show was pushing that one if it pitched. Like if it was giving the most evidence to any one of them, I think the early stuff was really like, ~look at this beautiful pairing.~

Caitlin 29:04

So wait do we all want to, maybe to end this episode, we should all go through and predict what are OTP or pseudo OTP for Cathy will be by the end of this rewatch.

Kat 29:16

But also tell me your fave character because that's what I asked like, 15 minutes ago.

Cathy 29:21

Okay, Kat you first.

Kat 29:23

Oh, well, my favorite character has always been Duo Maxwell. And I'm predicting that he's still going to be my fave character. And I am going to stake my flag on Duo/Wufei, 2x5.

Cathy 29:36

Mallory?

Mallory 29:37

I think from what I remember, I really liked Trowa, I thought Heero was too dour, but I also think that I might relate to him a lot more this time around. So I'm going to say that Heero is going to be my favorite character. And I've always liked...see, I don't know about fandom pairings. I want to say it'll be...well it was Duo/Heero before? No, but I've-- I really like Duo/Wufei so, like, I think that's just always gonna be my Gundam Wing ship.

Cathy 30:20

So when I was a kid watching it my favorite was Duo Maxwell, but I know from my prior rewatching, or attempts to rewatch the series, that as an older person coming into the series, I actually like the girls a lot more, like Relena and Dorothy and Noin became my favorite characters and I did not give them the credit they deserved when I was watching it as a younger person.

Cathy 30:41

I also was 1x2 shipper but again, I know that what I came out of the series really shipping was disastrous Heero/Trowa, and then Duo/Wufei.

Caitlin 30:56

Okay, I see we are all Duo/Wufei fans now.

Kat 30:59

[crosstalk] That's why this is going to be the superior Gundam Wing podcast.

Caitlin 31:02

Yeah. I feel like so, my favorite character when I was originally watching as a kid was Quatre. I think probably because like I always liked like, the friendly blondes in boy bands?

Kat 31:13

That go apeshit?

Caitlin 31:15

When I got older, I was more into Duo and Duo is was probably still my favorite character. I was into Duo/Wufei for a long time. I just think that they are funny together and terrible. And I actually really like Wufei a lot. I sort of admire that fake honor sort of thing. But I, since everybody said Duo/Wufei, I feel like I should say something else, which is that I think that I will get more into 3x4 again after this rewatch, because it's a comforting pairing, in some ways. It's a return. And we're all very full of anxiety right now. [laughter] And so we just need Quatre and stupid, crazy Trowa, you know, having their pure love connection that fandom imagined for them from the beginning.

Kat 32:02

It's real.

Mallory 32:03

I look forward to it.

Cathy 32:04

I do too. I also look forward to hating Treize because that's what happened the last time I rewatched this. He's such a fuck boy.

Kat 32:12

I'm excited to love Dorothy and Relena.

Cathy 32:14

My god, they're so good. Yeah, they're so good. That's what I should have said is my favorite pairing.

Kat 32:20

Fandom definitely ruined me for a little bit, like, "urgh, Relena!"

Caitlin 32:24

When I was a kid, part of the appeal of Gundam Wing fandom was in some ways that it was so sexist, and so I could like act out my own internalized misogyny at the time. And so like, I like I was definitely participating in that of like a group breaking up the boys, whatever. And then in later iterations, I like love Relena. So.

Kat 32:45

Yeah, she was just such an easy reason for them to get together, right? For 1x2, but in the show, she's way more than a plot device. So that was kind of frustrating.

Caitlin 32:56

In the show, she's easily the most one of the most interesting and active characters for sure.

Kat 33:02

As podcast Daddy, I declare Episode Zero officially over. Thank you everyone for your time and catch us in two weeks with Episode One: The boy whose wings killed adolescence.

Caitlin 33:16

Byeeee [laughter]

Transcribed by https://otter.ai

#gundam wing #untitled tallgeese podcast #transcripts #mobile suit gundam wing #gundam #episode 00

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sailorsoapbox · 4 years

Note

Hi. How long have you been Sailor Moon fan? I first watched Swedish-dubbed sailor moon in middle school, then all 200 episodes in Japanese language in high school and I read manga, watched PGSM and SMC a little bit.

Hello! I've been a fan since August 1995! Like you, I started with a dubbed version (the infamous English DiC dub) and moved on to the Japanese version about a year later because I was desperate to see the rest of the series. I remember an old website that had info about the Swedish dub - I believe Usagi was called Annie? I've seen and read almost everything, the only exception being most of the older Sera-Myu productions. My favourite version of the series remains the 90s anime (give me all those delicious character moments!), but I love the manga as well.

#quick answers

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deuterium51614 · 5 years

Text

I put more effort into this than some essays I’ve done for school/college

There are two confirmed dates we know in the Boueibu timeline.

In LOVE LOVE, March 13th is on a Friday. (Shown on Kinshirou’s omen calendar.)

In Happy Kiss, August 31st is on a Friday 10 years later. (Shown on Rashio’s calendar and a wall calendar in the Kurotama.)

In Robihachi, we know the moon landing happened on July 18, 1969 (in real life it was July 20th), which was marked as Galaxy Century 0001. The current timeline is happening in GC 0051, so sometime after July 18, 2019 (unless the GC is added to on New Year’s, but I’ll get to that).

Let’s start off with when Boueibu can’t take place. (The main timeline, at least. Flashbacks are possible.)

The 70s. The only March 13th that’s on a Friday is in 1970. This would put all of LOVE in 1969, and Happy Kiss in 1979. We know the beginning of LOVE takes place pre-July, so this wouldn’t work because it’s before the first contact. There’s also the case of all the flashbacks – Goura being a hero, the Beppu’s father’s job… Aliens had definitely made contact, so none of that could’ve taken place in the 60s.

The 00s. While March 13, 2009 is on a Friday, it would mean Happy Kiss takes place in 2018. The technology in Robihachi seems too advanced for it to take place the year after Happy Kiss, unless Binan went untouched by the technological advances shown in Neo-Tokyo. Plus, Boueibu LOVE and LOVE LOVE merch and posters were shown on a planet that loves mainly retro anime. It was most likely CIDER rebranded as Boueibu. The 00s is too recent to be retro.

So, there are three possibilities for where Boueibu fits in:

LOVE – 1980-81, HK – 1990

LOVE – 1991-92, HK – 2001

LOVE – 1997-98, HK – 2007

As of now, we can only speculate which option is correct. Under the cut, I’ll explain which of the options I think it is, and why.

We may be able to narrow it down further based on the events that Atsushi asks En if he’s thinking about:

The tax increase – L

The Olympics – L, LL, and LLL

The constitution – LL

Chikuwabu – LL

Toyosu – LLL

Trump - LLL

Chikuwabu being brought up in the second season is a reference to the first season, but it’s also a hint – none of the subjects Atsushi brings up is random. Everything he mentions is something En has talked about in the past in a similar train of thought conversation, though off-screen. So it doesn’t necessarily need to be a current event for Atsushi to bring it up – after all, En ranted about chikuwabu in what was probably April or May, only for Atsushi to guess it in November.

Something to keep in mind for Atsushi’s comments is they were probably meant to be references to current events from when the seasons/OVA came out. However, I still was able to find things relating to them in the 80s and 90s. Their timeline is also split off our own – changes started happening July 18, 1969. So, these could be references to things that never happened in our timeline, or things that could have happened but didn’t. So these points are really in a gray area.

The one constant through LOVE, LOVE LOVE, and LOVE LOVE LOVE is the Olympics, so let’s start with that. I looked up Olympic years to see what the overlap was with the timeline estimates.

1980 – winter was in the US, summer was in the Soviet Union

1992 – winter was in France, summer was in Spain

1996 – summer, in the US

1998 – winter, in Japan

The tax increase – According to Wikipedia, there was a tax increase to 5% in April 1997. For tax-related things in general, “Japan introduced the national consumption tax of three percent in 1989” (Wikipedia).

The constitution – According to Wikipedia, “From the 1960s to the 1980s, Constitutional revision was rarely debated.” There were some suggestions for revisions in the 1990s.

Toyosu –Urban Dock LaLaPort opened in the 1980s – it’s a huge shopping mall with a cinema, restaurants, and cafes.

Trump – It could be referring to anything for these three estimates – financial losses in the 1980s, the Grand Hyatt Hotel was opened in 1980, and in the 90s he was dropped from the Forbes List, had some bankruptcies, got a divorce, and met his current wife. There’s probably more, but that’s really what I could find on Wikipedia.

Now, you may be thinking, “This was supposed to narrow it all down! There’s too many options!” Like I said, these are events that were current for when the anime was airing, but I wanted to prove that they could apply to all three options.

To narrow things down for real, there are a few things we have to look at.

When the twins are watching Maximum Gorar, they have an old TV and a strange looking remote control. Takamatsu tweeted about it back in 2016, and the remote is based on one that actually existed – the Zubacon. He said it came out in the early 1970s, and I found it came out in 1971, to be exact.

The second flashback is in Happy Kiss. In the treasure hunt/time capsule episode, there’s a flashback with a poster of a GameCube-style system with the kanji 新発売 – which translates to “new product/model.” In reality, it came out in 2001, but there were some updated models that were released until it was discontinued in 2007.

According to Yang, Binan Shonen Love-Love was an anime from when he was in grade school – specifically he says 小学生 which is elementary school, so first to sixth grade. He would have been anywhere from six to twelve. The art style doesn’t look like Hizakuriger, so we know it’s not a retro-retro anime, but we don’t have Yang’s official age. We also don’t know if Binan Shonen Love-Love was based off of Boueibu or if Binan was chosen in CIDER due to the anime’s popularity.

Until we get an official age, let’s say Yang’s 30 at the youngest, and 45 at the oldest. If he’s 45, he would have entered first grade in 1980 and left sixth grade in 1986. If he’s 30, he would have entered first grade in 1995 and left sixth grade in 2001. So Binan Shonen aired sometime between 1980 and 2001.

Finally, there’s references to other anime.

In LOVE’s beach episode, Atsushi references Detective Conan. That started in Shonen Jump in 1994.

On the stats screen for the idol battle in LOVE LOVE, Ryuu is making a Sailor Moon pose. Sailor Moon started in 1991.

In Happy Kiss’s beach/vacation episode, Karurusu references the Sazae-san anime, which began airing in 1969 and is the longest running animated television series. (While Sazae-san won’t help us on the timeline, I just want to point out it’s interesting that it started the same year as the moon landing – GC 0001.)

Putting all of this together, from what we know I think it’s safe to say Boueibu took place during the third option – 1997-98, with Happy Kiss in 2007.

Why?

It’s mainly because of the last point – the anime references. However, this shouldn’t be the driving factor of the timeline theory. After all, because of the contact with aliens, these series could have all started sooner. However, let me back up and explain with the other points.

It places the third years’ births in 1979, the second years in 1980, and Yumoto in 1981. With the twins being born in 1980, this would make them start elementary school in 1986. While their remote is from the early 70s, it’s plausible they would still be using it in the 80s to watch Maximum Gorar. Because really, how often do you change your remote?

Now, the GameCube lookalike. Kingo is a first year, so if Happy Kiss takes place in 2007, the flashback could have taken place around 2001, possibly a few years earlier if alien technology sped up the process in which the GameCube was released.

From the glimpse we saw, Binan Shonen Love-Love doesn’t look like an 80s anime. It could have aired in the gap between the OVA and Happy Kiss, based off the popularity of CIDER – sometime between 1998 and 2001, when Yang was still in elementary school. However, if CIDER chose Binan because of the anime, it could have taken place as early as 1980.

Having LOVE take place in 1997-98 makes sense for their current technology – their phones appear to be the model Sony Xperia S, which was released in 2012, but due to alien technology could have been released sooner – especially since the first touchscreen phone was released in 1992.

In the New Year’s episode, the remote control doesn’t look modern – it could pass as one from our 90s or 00s. Plus, Atsushi has a DVD boxed set, not Blu-rays. The first DVDs came out in the late 90s.

In Happy Kiss, the Kurotama now has a flat screen TV that looks like an older model (for us). Yumoto uses an older looking instant Polaroid camera in Ata’s flashback in Happy Kiss. They’re still used today, but they were popular in the 90s.

In conclusion, LOVE takes place in 1997-98, and Happy Kiss takes place in 2007.

Now, to find out what Galaxy Centuries they take place. 1969 is counted as 0001 – which makes the math slightly confusing. It’s not like birthdays, where you count the anniversaries and not the actual birth. This makes 2019 GC 0051.

Assuming that Galaxy Centuries start in July and years are counted separately (because of the New Year episode), LOVE takes place in GC 28-29, and Happy Kiss takes place in GC 38-39.

If the next GC starts on New Year’s, then LOVE takes place in GC 29-30, and Happy Kiss takes place in GC 39.

Anyway, onto how old the LOVE and Happy Kiss boys would be if they appear in Robihachi!

LOVE:

Third years – 40

Second years – 39

Yumoto – 38

Happy Kiss:

Third years – 30

Second years – 29

First years – 28

(Also, if Hatchi really is 18 like his bio says (instead of being older and hiding his age to keep his identity as the moon prince secret) his birth year would be 2001, three years after the OVA, making it possible that Kinshirou could be his father if he had him at 22.)

#boueibu #boueibu love #boueibu happy kiss #robihachi #robihachi spoilers

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theloniousbach · 5 years

Text

50 Years of Going to Shows, Pt. 2: The Grateful Dead Universe

Part one of this series extrapolated from the conceit that the 9/4/19 Hot Tuna show here at the Sheldon Concert Hall also marked the anniversary of my Fall 1969 Johnny Winter concert that was my first rock show. 50 years!! That segment was about those early concerts in KC (well, a couple of Dylan shows in St. Louis and then Chicago).

The glaring omission from that note was the Grateful Dead (11/11-12/72; 6/16/74 Des Moines; and 10/28/77). I propose correcting that with this entry that can take up 7/26-27/94 and 7/5-6/95 (shows 4 and 3 from the end) plus visits with The Other Ones, The Dead, Furthur, Dead and Company, various Phil Lesh and Friends iterations (including the Q 3 times, the Campbell/Greene band twice, another time with Campbell, and this past summer with an Allison Krauss sit in); Ratdog maybe 5 times; Weir and Wolf Bros; and Joe Russo’s Almost Dead to whom I’ve passed the torch.

This is a quite modest Deadhead roll call, but it does include 1972, a Wall of Sound, and 1977. So I’ve been around long enough to have opinions.

And I do have opinions.

1972–The 11/11 show was all we thought we were going to get. A Sunday night show after them always missing us. There was a rumor then, pure fiction it turns out, that they opened (?!?) for Iron Butterfly (#@%!) in KC before I got on the bus (1969ish?). I was transfixed—the long unfolding two sets, pauses including for a cigarette puffs), the wide range of songs, the stacks of speakers and Macintosh amps even if it wasn’t quite officially a Wall of Sound show—but that’s all I remember. Set lists say there was a Box of Rain.

The second show got added and I was going to go no matter what—two school nights in a row. And that one is better fixed in memory because of an Owsley Stanley tape that captures a sprawling Playing in the Band to close the first set. I don’t need that tape to remember the Dark Star>Morning Dew, though being able to revisit it sure is a treat. It was in fact huge though I was beside myself from the opening notes announcing that the adventure was beginning. In the moment, I just knew it was happening and that was good enough then. It is a big big one though with lots of space travel before settling into the Dew. I turned grumpy about Dew but this one was magic then and now.

1974–I couldn’t get anybody to go to Des Moines to see them that June. My dad, actually, was up for the drive and camping (him staying in camp while I and the other Deadheads went to the afternoon outdoor show. He had a draft dissertation to read which he left somehow but we got it back). The key parts of this show (another Playing with a gnarly breakdown) were released officially as part of the Road Trips series honoring the Wall of Sound. That was a sight though I thought I’d seen a version of it inside in KC. Also a sight was Garcia’s chin and upper lip as he had reduced the beard to mutton chops for a very short while. The second set was where the meat of the show was culminating in the Playing. I experienced it at the time as meandering and anxious, without the tranquil spaciness of some of their explorations, but it’s just fine and part of the oeuvre as per repeated listening AND a much broader experience with their music.

1977–When Steal Your Face and then Blues for Allah came out, my enthusiasm was waning. To this day, I’m a pre-hiatus fan with a real focus on 71-74 when Kreutzmann was the only drummer. They were more lithe, exploratory, and dynamic. Still a good friend told me I was going back to Memorial Hall for a late 1977 show, so I got part of that magical year. And what stood out was 1977 slinkiness even though there wasn’t a Dancin’ in the Streets. But Lazy Lightning>Supplication, Samson and Delilah, and Passenger all caught my ear. It was fun, but I was not on the bus much.

The taping scene pulled me back in in the late 1980s, though I’d been intrigued by Lowell George of Little Feat producing Shakedown Street. I suppose in some ways I am a secondary Touch Head, though Without a Net too was welcome.

I was on the periphery of the Brent Mydland era and actually found Bruce Hornsby’s interlude a real boost to the creativity, particularly Garcia’s. That was spent really by 1994 and 1995. I went to both nights that they were in St. Louis on those summer tours. Still I was glad to see the break outs and covers (Here Comes Sunshine, Take Me to the River), but they were going through the motions, keeping Garcia in tow. It was fun, I'm glad, I'm went, they are memorable in a general sense, but I won't go play recordings. 1995 was the third and fourth shows from the end as they headed from here to Chicago. Within 5 weeks, Garcia was dead.

It was about the party or, ahem, the cultural experience. I'm glad I got that too with the originals (and subsequent Furthur Festival/The Other Ones/The Dead/Furthur/Dead and Company shows in big venues were as much about that as the music), but an advantage of the end of the big machine is that the shows got much smaller. The party was still there, but the music was closer. Also as I have aged, I've been willing to pay for better seats (to see Phil Lesh at Willie Nelson's Outlaw Festival this summer we even paid for premium parking. Sheesh.) so that helps put the music to the fore.

So has couch touring—and that is how my concert gang and I saw the first night of Fare The Well—GD 50 from Levi Stadium in the Bay Area as well as the Friday and Sunday from Chicago. We also saw a Phil Lesh Quintet reunion. Being in real time, I count those as shows which indicates that experiencing the music live is what counts for me.

The GD Meet Up at the Movies don’t, but they do remind me that I like to be in the presence of those songs and their creators. And that has pulled me along so far to shows that have included at least Phil Lesh and/or Bob Weir. I actually am a fan of Drums/Space and stay in my seat to watch the spontaneous magic happen, so having Kreutzmann and Mickey Hart along for The Other Ones, The Dead, and Dead and Company is just fine. But those operations felt a little bloated. They have to be in large spaces to accommodate the party, so the gestures are equally grand and the rituals are observed. Furthur (Lesh and Weir’s operation) was a bit more nimble—one drummer, Joe Russo, and more flexible set lists. But I saw them in a small arena (12 K) and The Fox Theater (almost 5 K), so those were big concert experiences.

Bob Weir is an indefatigable road warrior, sometimes when he shouldn’t. St. Louis was an early stop of a Fall 2004 tour that was aborted. But we got to see him and it was awfully good, one I return to. It jammed into Jack Straw into the opening of a Terrapin that would be concluded in the second set and the rest of the suite in the encore into Dark Star (my first since 1972 and the only one of two more I saw in person, both from Ratdog) that concluded at the end of the set before back into Jack Straw. The second set had Peggy O, The Winners, and Friend of the Devil for a can’t be beat acoustic interlude before firing up The Other One and Uncle John’s Band (its reprise after Terrapin proper closed the second set. With the exception of Playin’, he rehearsed all the big tunes and was energetic and in good voice. That one was a treat.

Ratdog was always fun, a solid band and a showcase for Weir’s quirkinesses which help make the GD experience. I like many of his songs more than Garcia’s, excuse the heresy, but I confess that I probably haven’t given up being angry at him not just for being dead but for dying, for giving up which probably started in the 1980s.

Ratdog shows were chances to hear the songs and Weir’s take on them, including Garcia’s at the heart of the canon were always good to hear. He brought most things into circulation. The bands were not the all star configurations that Lesh’s were, but they were effective. St. Louis shows reflected his connection with Johnny Johnson (a 2003 The Dead Show had Johnson and Willie Nelson jam on Little Red Rooster (overplayed over the years, but the way to do a 12 bar blues) and Lovelight that was historic). After Johnson’s death, it was his horn section sitting in, usually for one of the big jam tunes. A Dark Star stands out, but there must have been a Sailor>Saint or Eyes another year.

But it is Lesh who is the curator of the part of the universe that matters to me—the invention, the opportunity that any tune can unfold into a world of possibility. That was most clear with the Q—John Molo, Warren Haynes, Jimmy Herring, and Rob Barracco whom I got to see in their prime three times. They played the big barn with Weir’s Ratdog to open in July 2001, with a Weir sit in to open set one. The feature of that one was a Viola Lee Blues sandwich that wove out of that primal jam vehicle from the GD past four times with interludes of Lovelight, Tons of Steel, and Into the Mystic. Lesh would pull out tunes that had fallen out of the rotation—Alligator and Doin’ That Rag that night, Caution with Furthur at the Fox, Cosmic Charlie with the Q that November, and Viola itself. The Q revival Couch Tour show we saw had a Mountains of the Moon which suggested a potential (not developed) for that tune as a subtle jam vehicle just as it was the last night of Fare The Well. They did Beatles tunes, Brent Tunes, Van Morrison. The second show at the Fox for some reason doesn’t leap out as magical. But the third one, also at the Fox, on what would have been Garcia’s 60th birthday was. The first hour was Bird Song>Here Comes Sunshine>Not Fade Away and had me riveted. The second set had Sunshine of Your Love and a transcendent Low Spark of High Heeled Boys with Haynes somehow capturing the piano parts on guitar.

My only quasi bit of touring was to run over to Indianapolis to see Lesh in a hybrid band of Molo and Barraco with Larry Campbell, Barry Sless on pedal steel, Greg Osby on alto, and Joan Osborne on vocals. It was a hot hot day but good adventurous stuff. The Peggy O as a story with Lesh narrating, Osborne being the fair maid, Campbell as our captain was very cool. Bertha, Viola, and Shakedown stretched things out too.

With the Molo/Larry Campbell/Jackie Greene/Steve Molitz band, I got to see the premiere of the Ritter Eyes of Horus bass. A dark stage, the fretboard LED lights on, a solo into The Other One and then Truckin' made quite an impression. It didn't have the heft/power of the Modulus instruments he used before and after (a possibly smaller one) and it was more striking then pretty, but it was a moment of GD lore that happened on my watch. Those were two good shows with Campbell showing a range I hadn't expected. He could dig into the jams whereas I thought he would be more of a Robbie Robertson fills and one chorus solos player. It was also fun to watch Greene grow. It was like he went to grad school or maybe a post doc in that band.

I have seen Greene at least 5 subsequent times (Duck Room, Old Rock House twice (band and "acoustic," Delmar Hall, and as an opener for Gov't Mule). He has tasty covers including but not exclusively GD ones and some damn good tunes. It's good to see his efforts to extend the GD universe.

But I'm putting my money on Joe Russo's Almost Dead as where the legacy will reside.

I saw them earlier in the year and they strike me as not just a Dead cover band, but a PLQ cover band--anything can be jammed out, the tunes can be played in any order in any part of the set. Russo is a dynamo of energy on drums and his alter ego Marco Benevento is an inventive player. It's cool to see the varied opportunities the music presents.

My shows this year with Weir (the Wolf Bros trio) and Lesh at Willie Nelson’s Outlaw Festival felt valedictory. Weir was an interesting disappointment in that his wonderfully idiosyncratic guitar was at the fore, but too often through a too thin toned D’Angelico Bedford guitar. He had that jangled tone in Ratdog but it went away during Fare The Well and beyond when he used Fender Stratocasters. His voice too was thinner. So, while I wanted to see him in the spare setting, I don’t need to do it again.

And, though I’m likely to succumb to peer pressure if Dead and Company comes to town, I don’t need that party.

So, I’m content to go out on the Phil and Friends set at the barn with Willie Nelson as my last time seeing an original member. There was Molo once again, Jason Crosby and Stu Allen from the Terrapin scene, and a new other guitarist Cris Jacobs. The set had Jack Straw, Brown Eyed Women, Sugaree, and a Cumberland Blues (a favorite) as the closer. Eyes was the jamming tune, but so was Help>Slip>Morning Dew. And what a Dew it was as Alison Krauss sang it as she did on To Lay Me Down. Amazing and what a rare moment in the Dead universe.

Dead music is magical and so it has been for me right to this end.

But long live JRAD too.

#Grateful Dead #Phil Lesh #Bob Weir #JRAD #Ratdog #2019

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picturebookmakers · 3 years

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Ingrid Godon

In this post, Ingrid talks about her working process, and she shares stunning illustrations from some of her books, including the ‘Ik Wou’ trilogy with words by Toon Tellegen, and ‘Dantesken’ which features over 600 pages of autonomous drawings. She also shares wonderful fabric sculptures, ceramics and textile art.

Visit Ingrid Godon’s website

Ingrid: When I was a child, I was always watching. From a distance. Who did what, and how they did it. I drew. Not what I saw, although I did store the images in my mind. One day, they would come out. Drawn. School didn’t work out, but I kept drawing. I met Rik Van den Brande, an illustrator and teacher, at the academy. He took me under his wing and I kept drawing. I soon got assignments as an illustrator. I was working! Drawing became my work.

Educational publishers gave me assignments. This led to the creation of ‘Nellie & Cezar’ in 1995, which, via an educational detour, turned into a short book which remains popular with toddlers and teachers to this day. It became a success in many versions, animated movies were made from it, and Nellie & Cezar became great puppets. And I kept drawing, especially for children.

I made ‘Waiting for Sailor’ in 2000, and took the initiative for a story of my own for the first time. My dear colleague André Sollie wrote my story and I drew. That was the start of an international story. The book won many awards, and was published in English, French, German and Korean.

Foreign publishers were now asking me to make books for them as well. Often the German, French, Swedish or English books were never even published in Dutch. I received more awards, and in 2020 I was longlisted for the ALMA for the fourth time.

Photography has played an important role in my life for a long time now. A series of photographs could grab me, and I could go to work with it. For instance, I became enthralled by the work of Belgian photographer Norbert Ghisoland. He made portraits of ordinary people in his studio in the Borinage, an industrial region, each of them dressed to the nines, but there is a great deal of misery behind the well-groomed facade. This became the foundation for my work which was mainly aimed at adults: IK WOU (I Wish). Toon Tellegen wrote the text for the first series of portraits for this book; 33 portraits of serious people. Dressed to the nines. I drew them.

IK WOU became a trilogy, with IK DENK (I Think) and IK MOET (I Must) as parts two and three.

The trilogy has been successful, not just in Belgium and The Netherlands, but also in the French and German-language regions. It also led to beautiful exhibitions, with a large exhibit in Frankfurt being the tentative highlight. In Cologne, I displayed the works from IK WOU in combination with the children’s portraits of August Sander in 2016. I WISH, the American edition of IK WOU, was published in the spring of 2020. At the end of 2020, its portraits were supposed to be in an exhibition at C.G. Boerner in New York City, but this was cancelled due to Covid-19.

2018 was an important year for me. For the first time, I made a book without a story. Unless the viewer finds a story in there, of course. DANTESKEN: over 600 pages of drawings, an explosion of what goes on in my head. For me as an artist – because that is how I finally started seeing myself as well – this was an important step. More than ever before, I realised the importance of entrusting the paper (or canvas or wood or printing press or clay or fabric) with lines and shapes. I can do no different. I keep drawing.

Recently, I started making little sculptures out of fabric: three-dimensional drawings, like puppets stepping out of my drawings.

I’ve also been working more and more with ceramics and textile art.

My work is becoming increasingly autonomous, and diverges more and more from merely illustrating. Drawings live lives of their own, become works in their own right, sometimes with a story, sometimes starting from a story, sometimes from nothing.

I have no style; I have the Ingrid Godon style. I’m continuously looking for the right way to tell my story, rustling around in my box of materials, alternating between pencil and paint, covering it with a paint roller, cutting into wood and printing it, scribbling on photographs. I keep searching.

I mainly draw people who – like me – look in all directions and are curious about what goes on in front of them. They sometimes look away, but they are always very present. I have at times – on request – drawn landscapes. But even then, I could not resist placing a person in the landscape here and there. Looking, like I do. I search continuously, take different paths, and keep looking. Full of wonder.

In the meantime, I keep working on commissions, I take the initiative to make books, I keep searching for the right pen line or brush stroke, the images keep flowing from my head, and I keep drawing. I draw and I draw.

Buy the English edition

Ik Wou / I Wish

Ingrid Godon & Toon Tellegen

Lannoo, Belgium, 2011

‘Pairs portraits with poetry to articulate wrenching individualism, yearning, humour, desires, and pathos. This probing psychological journey makes for an exciting exploration in empathy.’ —Kirkus Reviews

‘Each face is round as the moon, with small shining eyes that sit curiously far apart... One boy wears a bellhop’s uniform; another, a red jersey and cap... By voicing the fears, angers, and secret desires of the figures, Tellegen spurs readers to embrace those of others, and their own.’ —Publishers Weekly

Dutch: Lannoo

English: Elsewhere Editions

German: Mixtvision

French: La joie de lire

Buy this book

Här är vi / Here we are

Åsa Lind & Ingrid Godon

Lilla Piratförlaget, Sweden, 2017

What happens when we become us? And how do we look at them? Belonging and not belonging is the theme of this poetic picturebook. Åsa Lind is one of Sweden’s most loved authors, and Ingrid Godon is an award-winning Belgian illustrator. Together they have created an unforgettable story about us and them.

Buy this book

Dantesken

Ingrid Godon

MER / Borgerhoff & Lambrechts, Belgium, 2018

Who are the creatures that populate Ingrid Godon’s drawings? They are people, sure. But what is there of a person who only exists as an image? In this book we travel through the works of a gifted artist, illustrator and image maker.

Who will we meet? Who, or what, will we recognise? A book with 800 images which speak for themselves.

#belgium

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recentanimenews · 7 years

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FEATURE: Crunchyroll Favorites 2016, Part One: Anime and Manga!

Hoo boy, 2016 was a rough year (and that's putting it very, very mildly)--but there were a few bright spots, and that's what we're here to talk about today! Crunchyroll Favorites kicks off its fifth year with another three-part look at all our favorites from the past twelve months!

The rules were simple: for Part One, only anime, manga, and related media that were released in 2016 (or received a Western release in 2016), or experienced a major milestone (like starting a new season or closing up a major arc). There's a lot to look at in Part One--let's get started!

NATE MING (@NateMing)

FLIP FLAPPERS- Finally, a modern magical girl series that steps out of Madoka's shadow and delivers something that's unique, energetic, and positive as hell. Callouts to everything from Fist of the North Star to Sukeban Deka to (of course) Sailor Moon are welcome for longtime fans, while still getting appropriately dark and moody. Cocona is all about the unease of adolescence, and Papika exudes the simple charm of Son Goku in all her pure, heroic glory. Speaking of...

Dragon Ball Super- I rarely get excited to watch simulcasts as they come out--I tend to wait and binge, but I'm there every week within a day for Dragon Ball Super. In 1995, when I was 13 years old, I wanted a sequel to Dragon Ball Z with Future Trunks coming back. Now, over twenty years later, I get to see a DBZ sequel where Future Trunks comes back--and the series feels even more like the original Dragon Ball. This is the real secret to eternal youth.

Yuri!!! on ICE- Yeah yeah, "fujo bait" or some other BS, you're just mad their fandom is more organized than yours. That says a lot to me--that a TV anime, a sports anime, can pull together so many people and get them excited, week after week. Lapsed fans have viewing parties, share recommendations, and remember why they were once into anime in the first place. This is what happens when it feels like something's made for you, and that's a wonderful thing. Yuri!!! on ICE was a pretty okay show, but it's what it symbolizes that means so much more to me.

JoJo's Bizarre Adventure: Diamond is Unbreakable- I always say that JoJo's is like the original Star Trek movies--the best parts are even-numbered. Diamond is Unbreakable continues Studio David's glorious adaptation of Araki's mega-epic, bringing out all the style and soul and violence of Josuke and the gang's battle to save their town. New to JoJo? Start here--and buckle up.

Tanaka-kun is Always Listless- Anime comedies are pretty important to me--whether it's the sheer absurdity of Cromartie High School or the more low-key silliness of Tonari no Seki-kun, finding a fairly simple premise and then focusing on it is a good way to hook me. In this case, a lazy guy has to deal with his high-energy friends, and we learn that sometimes, taking it easy is the only easy way to get ahead in life.

Evangelion 3.33: You Can(Not) Redo- It felt like this movie was never going to come out here after its 2012 release, but holy crap it was worth the wait. After the familiar ground of 1.11 and the bold, assertive new direction 2.22 took, 3.33 brings us back to what Evangelion does best: raw emotional pain, horrifying visuals, and never quite trusting or rooting for anybody we see on-screen. What a ride.

Rurouni Kenshin live-action trilogy- Another awesome release that was a long time coming, this adaptation of my all-time favorite manga condenses the first 17(ish) volumes of the series into three movies, trimming some plotlines and making them all just work as dynamic, rough, yet stylish martial arts actioners. Thankfully, great fights and drama don't overshadow Rurouni Kenshin's sense of fun. Check these out when you can!

Thunderbolt Fantasy- Written and created by Gen Urobuchi? Voice acting by Junichi Suwabe, Rikiya Koyama, Nobuyuki Hiyama, and Tomokazu Seki? An opening by T.M. Revolution?! I don't care what you say, you have those credentials, it can be live-action and be made in Antarctica and still be anime as hell. As the only person I know who regularly bought ComicsONE's kung-fu manhua, Thunderbolt Fantasy brought me back to the days of hunting down volumes of Saint Legend and Heaven Sword and Dragon Sabre.

My Hero Academia (manga)- There's always a certain point when a manga hooks me, and I'm in it for better or for worse. One Piece had Arlong Park (and later Enies Lobby). Naruto had the Chunin Exam. Hunter x Hunter had Yorknew City. Now, My Hero Academia's 2016 developments--and a very public, dangerous reveal and its emotional fallout--have pulled me in. I don't just say "My Hero Academia is good." Now I say "My Hero Academia is One Piece good."

Crunchyroll x Funimation- Competition's good, but everybody wins when we all work together. Funimation are the other half of what we do, and have been in this business a hell of a lot longer. Being able to watch brand-new anime subbed on CR or dubbed on Funi is the kind of thing I never thought I'd see, and I am excited as hell to be a part of this, and to see what good it can do for anime fans.

JOSEPH LUSTER (@Moldilox)

Dragon Ball Super- Dragon Ball Super went from "this thing I keep hearing is poorly animated" to "my favorite show of the year" in record time. As soon as it was available legally I jumped into a mountain-leveling, rosé-tinted marathon of madness, and as of right now it's the best damn thing since DBZ. Super has completely rekindled my not-so-dormant love for all things Toriyama, and I can't wait to see where they take the series next.

Mob Psycho 100- I loved the One-Punch Man anime, but I'm pretty sure Shigeo "Mob" Kageyama could take Saitama in an unrestrained fight. That's saying a lot, but it's just another indicator of how much I adored BONES' gorgeously-animated spin on ONE's manga (which needs to come out in English ASAP). It certainly has some of the most creative fights of 2016, and that's a year that brought us the butt-battling of Keijo!!!!!!!!

Re:ZERO -Starting Life in Another World- On paper, Re:ZERO isn't something I should have enjoyed as much as I did. I read the first volume of the light novel series and found it as clunky and poorly written as most other light novels I've attempted (noted exception: Kizumonogatari), but the anime really hooked me. It's one of the few series I felt I was watching right alongside everyone else, and it never failed to surprise me and punch me in the gut when it mattered most. This one will be remembered fondly down the line, and here's hoping we get more since Tappei Nagatsuki is still churning out volume after volume of the novels in Japan.

Also, Subaru is great, you just can't handle how devastatingly real he is.

PETER FOBIAN (@PeterFobian)

FLIP FLAPPERS- On a visual level, FLIP FLAPPERS is a fascinating tour de force of concept and animation, featuring regular bouts of intense sakuga and amazing environmental design in the diverse worlds of pure illusion all illustrated in a pseudo-classical style. For critics it is a cornucopia of satisfying references to fine art, science, psychology, philosophy, and spiritualism with visual callouts to a diverse range of media from Neon Genesis Evangelion to The Shining to Popeye. For the casual viewer it’s a powerful story of adolescent discovery told both literally and through beautifully-rendered metaphor.

Re:ZERO -Starting Life in Another World- Despite the formulaic basis of Re:ZERO’s story, appearing as one of a dime-a-dozen isekai light novel adaptations featuring a female harem, Re:ZERO proved to have some serious narrative worth. Not quite a deconstruction, Re:ZERO featured a deeply flawed protagonist in Subaru and an atypical narrative featuring a novel premise in Subaru’s ability to resurrect from death. This gave the anime a huge potential for speculation, and created an entire community of enthusiasts and analysts who followed it from week to week to see what happened next.

ERASED- Halfway through winter season I was absolutely convinced that nothing in 2016 would be able to top the combination of subtle direction, emotional narrative, and unique premise of ERASED. The series masterfully invested its audience in Kayo’s well-being, so for the viewer, the series became less about solving the mystery of the murders than the simple hope that this brave, unfairly abused girl could find some modicum of happiness in a cruel world. Satoru’s altruistic quest, forthright concern, willingness to admit his own faults, and habit of accidentally vocalizing his thoughts made him a truly endearing protagonist.

March comes in like a lion- This show tells a story that's as difficult to look at as it is to look away from. The inextricable nature of the sources of Rei’s joy and sorrow have created a narrow path he must walk upon just at the edge of despair. Studio SHAFT makes excellent use of visuals, employing darkness and deep water to give Rei’s emotions an elemental quality that allow you to experience the suffocating hold that his depression has upon him, while surrounding the Kawamoto household with a warmth and childlike simplicity that represents the refuge their unconditional love offers to him.

Mob Psycho 100- Mob Psycho 100 may justifiably have a place on top 10 lists for 2016 simply for visual power of the anime alone. Like FLIP FLAPPERS, Mob Psycho 100 is a demonstration of what is possible when you let artists loose on a project. It also showcased ONE’s versatility as a storyteller, strangely, by portraying the same type of overwhelmingly powerful protagonist through a different lens. Behind all the oddball humor and eye-popping art is the story of a boy who struggles with being normal, while everyone around him wants to stand out.

Shōwa Genroku Rakugo Shinjū- What we have here is one of a kind: a dedicated, generational period piece not only faithfully depicting post-war Japan, but doing so through the the lens of an obscure and nearly-extinct form of artist theater that is uniquely Japanese. Rakugo feels like the sort of soulful, arthouse passion project that a Hollywood director would have to put years of time in to build the clout to justify its creation. Its direction, emphasizing on gesture and expression, is absolutely cinematic, drawing out each emotional note of the melancholic narrative. The somber humanity of Rakugo almost doesn’t feel like an anime, and is a testament to the versatility of the medium.

My Hero Academia- The next up-and-coming shonen hall-of-famer, in many ways My Hero Academia has already surpassed many of its peers with its fascinating triadic rivalry between Deku, Kacchan, and Todoroki. MHA does a tremendous job of portraying its immensely charming cast of characters' pursuit of diverse personal goals that are equal parts altruism and self-interest. Most importantly, Horikoshi has tapped into the ethos of superheroes, creating inspirational figures that are intrinsically human, but saddled with the responsibility of representing something larger than life.

JoJo’s Bizarre Adventure: Diamond is Unbreakable- Despite my many attempts to get into the series, Diamond is Unbreakable is perhaps the first iteration of JoJo that had something interesting to say. The slow-burn murder mystery set in an idyllic town and the many asides, notations, and references all work in concert to build the fictional city of Morioh into a nearly real place like The Simpsons' Springfield. With that hurdle passed, Araki’s stylized art and its amazing adaptation into color and movement by Studio David become an art form unto themselves.

Tanaka-kun is Always Listless- Maybe it was how atypical Tanaka was as a lead in a medium where protagonists are homogenously faceless, featureless, and altruistic that drew me to this series. The entire cast each have some sort of hang-up, but the titular Tanaka-kun just treats it differently (ironically) by treating them all the same. Tanaka-kun definitely has a lot of offer on the classroom comedy front, but it also provides a unique sort of iyashikei, or healing media, in which characters' idiosyncrasies are taken in stride and wholeheartedly accepted, even appreciated, by others. It’s this light-hearted dedication to the positive that makes this anime so dear to me.

Yuri!!! on ICE- Complaints about animation and 11th hour writing aside, I do believe Yuri!!! on ICE was one of the most important anime this year or perhaps of the past several years. Yuri!!! on ICE is a story meant to appeal to a much more vast audience than the more targeted content we’re used to, and it showed. It's created new fans for the sport of figure skating, reached out to the LGBT community, and represented countries that hardly see a mention in modern media. It was written for a global audience and it reached it. Only time will tell if it's destined to have any sort of lasting cultural impact, but in the present, at least, it has drawn some deserved attention to the art form.

KARA DENNISON (@RubyCosmos)

Kabaneri of the Iron Fortress- I had this show dropped on me by a friend with absolutely no lead-in whatsoever. I've had my fill of steampunk and zombies, so I nearly gave it the brush-off... but then I realized Mikimoto was behind the character designs! It's a gorgeous piece of work, and not at all tuned to the tropes I was expecting. The promise of more is incredibly exciting.

BAKUON!!- Motorcycle anime? Sign me up. It took literally zero arm-twisting to get me into a show about schoolgirls on bikes. Especially when one of them is pretty much literally the Stig. I haven't finished this yet, but I'm looking forward to watching the end very soon!

Love Live! School Idol Project (pre-2016)- Yeah, yeah, I'm late to the party. After lurking around on the game, I finally gave the anime a try to see what all the fuss was about. And I admit it: it's actually really good. It helped that I was in touch with the characters after playing on the app for so long, I think, but I really did jam with this. Looking forward to starting Sunshine soon.

EVAN MINTO (@VamptVo)

Space Patrol Luluco- As Crunchyroll’s resident Trigger fan, I’m obligated to put Luluco at the top of my list. It’s the famed studio of loony ex-Gainax dorks indulging in some of the most surreal, self-referential comedy this side of FLCL (the show where Luluco director Hiroyuki Imaishi got his start as an animation director). Not only does Luluco boast references to every Trigger property from Kill la Kill to Kiznaiver and cameos from Little Witch Academia, Sex & Violence, and 2016’s REAL Best Boy — Inferno Cop — but it’s also a surprisingly sincere shojo-inspired cosmic love story!

Mob Psycho 100- I loved what I saw of One-Punch Man, though I never did finish it (I know, I know). Mob Psycho 100, also from webcomic artist ONE, has some of the same appeal — superpowered battles, lush animation, and an absurd, slightly dark sense of humor — but cuts it with a heartfelt coming-of-age-story. More than anything else, though, I watched Mob just to see what wild shots the animators at BONES would try next, and I was rarely disappointed. Mob Psycho 100 is easily one of the best-looking shows of the past five years; every animator gets a chance to show off their unique style, and even the most mundane scenes are infused with energy and personality.

ERASED- It’s rare we get an anime series I can comfortably recommend to my parents, but ERASED manages to capture the nail-biting cliffhangers and complex mysteries that drive so many popular modern American TV series. On top of all of that, director Tomohiko Ito (of Sword Art Online fame, go figure) crafts powerful, cinematic visuals without resorting to expressionistic anime flourishes. When it all comes together it’s a captivating experience. The ending needs a bit more room to breathe, but even with a few stumbles at the finish line, ERASED is a series I’ll be recommending for years to come.

JoJo’s Bizarre Adventure: Diamond is Unbreakable- I wasn’t super pleased with Stardust Crusaders, but Diamond is Unbreakable brings back all of the wacky charm of the first two parts of the JoJo’s saga, EXCEPT WITH STANDS. This time Araki doesn’t hold back, introducing a host of completely absurd Stand powers, including: “transform a person into a newspaper and read their life story,” “heal people via Italian food,” and “a real army but the size of toys.” It’s also much smaller-scale, with a lot of recurring characters, many of whom are some of my favorites in the whole series. Though they’ve dropped the incredible Kamikaze Douga OP sequences, David Production makes up for it with colorful, high-contrast artwork that perfectly accentuates Araki’s manic sense of style. I’m sad to see Diamond is Unbreakable go, but JoJo’s still has so much more in store.

Only Yesterday- At 25 years old this year, Only Yesterday is hardly a “new” title, but 2016 was the first time we got it in the United States! Produced at Studio Ghibli and directed by Grave of the Fireflies’ Isao Takahata, the film is a beautifully understated, lyrical look at a woman’s life, told simultaneously through a summer spent farming and a series of memories from her childhood. Most of the movie is ordinary almost to a fault, but like many of Takahata’s movies, it builds carefully and almost imperceptibly to a sublime emotional climax. Only Yesterday is easily one of my favorite anime of all time.

Belladonna of Sadness- Another retro release, Belladonna is the third and final film in the Animerama series of erotic art films produced by Osamu Tezuka’s Mushi Productions. This one, however, is entirely directed by Eiichi Yamamoto (Tezuka co-produced the other two). Suffice it to say, it’s not exactly what you might expect from the studio that produced Astro Boy. A medieval lord rapes a beautiful peasant woman, who seeks revenge by making a deal with the devil. Yamamoto presents the story’s gothic horror — complete with Satanic rituals and frightening descents into madness — with elaborate animated paintings and an incredible psychedelic rock soundtrack from Masahiko Satoh. Not for the faint of heart, Belladonna of Sadness is an arresting work of experimental animation that’s a welcome change of pace from the banality of modern anime.

One-Punch Man (manga)- I’m finally close to caught up with One-Punch Man, and I’m surprised I didn’t read it sooner! Eyeshield 21’s Yusuke Murata has a great eye for character design and pulls off some surprisingly ambitious page layouts, but it’s ONE’s absurd, childish sense of humor that makes the series stand out so much from its shonen action contemporaries. Saitama’s complete apathy undercuts every opportunity for serious danger or drama, giving the series a sardonic self-awareness that’s relatively rare in shonen action series.

And Yet the Town Moves- After a 10-year run, And Yet the Town Moves is finally over. Masakazu Ishiguro’s decade-long manga never follows a single storyline for more than two or three chapters, instead constructing a deliberately out-of-order series of episodic comedy vignettes about a small Japanese town and the grossly out-of-place maid café at its center. What always made And Yet the Town Moves a joy to go back to was Ishiguro’s ability to weave endless strings of jokes at his characters’ expense, all while painting a picture of a tight-knit community of decent, lovable folks both old and young. Appropriately for a sitcom that consistently shuns sentimentality in favor of comedy, the final chapter ends with just another dumb joke.

The Gods Lie.- Lots of anime and manga feature children as the main characters, but it’s rare that these stories really tackle what it means to be a child in modern society. The Gods Lie, on the other hand, tackles it head on with the story of three kids — the oldest of whom are in 6th grade — who live alone in an abandoned house for a summer. There’s a fair bit of high drama in this single book (an absentee father, a sick, elderly soccer coach) but The Gods Lie communicates far more about how how societies nurture and shelter their children through showcasing the fractured but functional surrogate family that the three kids form for each other.

The Osamu Tezuka Story- Though it’s sometimes a little too detailed for its own good, The Osamu Tezuka Story is an invaluable book for anyone like me who’s obsessed with the life and work of Osamu Tezuka, the “God of Manga” who created Astro Boy and revolutionized both the postwar manga and anime industries. In manga form, author Toshio Ban lays out Tezuka’s life from his schoolboy days sketching in the margins of notebooks to his death in 1989, pulling from memoirs, interviews, and personal accounts from those who knew him best. Tezuka loved to write manga epics about the lives of heroes and historical figures, so it’s fitting that he’d get immortalized in his own manga biography.

SAM WOLFE (@_Samtaro)

One Piece- 2016 was another great year for the One Piece manga, as the Straw Hats finally did something fans have been anticipating for years: take on one of the Four Emperors of the Sea! Luffy has been making waves on Whole Cake Island, home to the notorious pirate lord Big Mom (and let me tell you, she’s got that name for a reason). Next to Teach, Big Mom has become one of my favorite One Piece villains, largely due to her distorted views on family. But is Big Mom really so bad? After all, her dream is to sit at a table where everyone sits at the same height…

ERASED- ERASED was a critically received murder mystery and drama that took the anime world by storm earlier this year, and I can’t sing its praises enough. Regardless of your feelings on the ending, ERASED had us gripped, and because the anime promised an alternate ending than its source manga, we were all in the dark. But to me, the success of ERASED was its appeal to both anime fans and non-anime fans. When a newbie asks me for anime recommendations, ERASED is sure to be on that list.

Dragon Ball Super- Dragon Ball Super really wasn’t on my radar until it was licensed in the States, and boy am I happy it was. As a big fan of Battle of the Gods and Resurrection F, Super was familiar territory, but this year I realized how good of a follow-up this show is to Dragon Ball Z; the power levels are higher, as are the stakes, and Goku is finally an underdog again. It’s good to be back.

Yuri!!! on ICE- I know, I know, you’ve heard enough about this one, but it deserves the nod. Yuri!!! on ICE is a special show for a lot of reasons: it’s appealing to anime fans and non-anime fans alike, it was an original story (meaning, it’s not based on a manga or light novel), and it told the story of two male figure skaters falling in love. It’s more than just a fujoshi dream come true; Yuri!!! on ICE did something really new, and that’s worth noting, even if you’re not a fan.

ISAAC AKERS (@iblessall)

As has been my custom with this space over the past few years (okay, just last year), rather than highlighting the shows that made it into my top 10 of the year, I’ll be touching on a few of the year’s offerings that just missed the cut.

She and Her Cat -Everything Flows- One of the quietest and shortest shows of the year was also a serious contender for being one of its best. Based on an earlier work of the same main title by Makoto Shinkai, She and Her Cat -Everything Flows- is a peaceful, melancholic look at the life of a young woman struggling with the loneliness and sadness that can come with being out on your own in the world. Much like one of my favorite short pieces from 2015, the Animator Expo’s tomorrow from there. She and Her Cat captures with ease and empathy a kind of wistful yet warm existential state. If you’ve been in the main character’s shoes even a little (or, if you’re in them right now), She and Her Cat -Everything Flows- is like getting a nice hug.

Three Leaves, Three Colors- Studio Dogakobo is well-known for their bouncy comedies, with recent hits like Monthly Girls’ Nozaki-kun and Love Lab leading the list. However, Three Leaves, Three Colors (from the same mangaka as Engaged to the Unidentified) is a somewhat more demure affair despite sharing many of the same trappings. With standout bits of animation scattered throughout and great color work, it’s a pleasure to look at, but it also boasts a rock-solid main trio of friends who play off each other in fun ways. There are even some almost surrealistic comedic interludes interspersed here and there. If you like moe comedies and missed this one this year, here’s your cue to check it out!

The Lost Village- Arguably the most controversial show of the entire year when it was airing, whether The Lost Village was genius, mediocre, or horrid varies depending on who you ask. I’ve weighed in on the matter with my own thoughts multiple times, but even considering how much respect I ended up having for the show I still find myself a bit baffled by it. That being said, it’s definitely one of the shows I had the most fun watching, writing, and discussing during the year, and I think those who engage with it ready to be flexible with their expectations will find, at the very least, a very unique anime to add to their completed list.

As for manga… I didn��t read any manga this year and I don’t think Nate will let me put Orange on my list for the third straight year, so sorry. [EDITOR'S NOTE: I would have been cool with this.] Pokemon Special’s still fun and good, by the way.

NICK CREAMER (@B0bduh)

FLIP FLAPPERS- FLIP FLAPPERS offered basically everything I want in an anime: great character writing, stirring themes, beautiful worlds, and an overall sense of whimsy that kept the whole thing fun and propulsive even when it was touching on topics like child abandonment and an inability to love yourself. It was an astonishing visual showcase and also a remarkably well-constructed character story, using its many diverse Pure Illusion adventures to consistently illustrate new things about its central characters. It’s one of those weird passion projects that make anime special, and I’m very happy it exists.

Concrete Revolutio: The Last Song- Okay, when I said FLIP FLAPPERS was everything I want in an anime, I sort of lied - I also like shows with searing political messages, and The Last Song was that all over. Depicting the breakdown of an alternate post-war Japan where superheroes are real, The Last Song was more reflective and bittersweet than Concrete Revolutio’s first season, but just as clever, creative, and engaging. From its wild pop-art style to its smart application of superhero archetypes to the social turmoil of 60s/70s Japan, The Last Song offered me a hefty meal to dig into every single week.

Sound! Euphonium 2- And reaching the final pole of my anime preferences, Sound! Euphonium continued to be thoughtful character drama done right. The show’s second season was messier than its first, adapting some material that couldn’t match the consistency of its predecessor, but the show’s characters continued to be very strong, and Kyoto Animation’s execution was just beyond compare. While many shows use the open canvas of animation to tell soaring, fantastical narratives, Euphonium demonstrated just how much magic and beauty there is in the personal and everyday.

Kizumonogatari- Oh, I also watched the first two Kizu movies this year, and they were glorious. Monogatari has been one of my favorite anime franchises for years now, but seeing Tatsuya Oishi’s gorgeous take on the prequel novel still felt like a revelatory experience. Instead of the TV series’ usual embrace of heavy internal monologue, Oishi fully realized Araragi’s depression, panic, and sexual mania through sound and pictures alone, making for one of the most distinctive and visceral film experiences I’ve seen. The Kizu films are a remarkable achievement.

FROG-KUN (@frog_kun)

Yuri!!! on ICE - An anime that was born to make history. Besides all the pretty boys and ice skating, the one thing that will stick with me about this show is how international its scope was. Yuri!!! on ICE takes you around the world and offers a surprisingly detailed and true-to-life picture of international competitive ice skating. We got to see skaters from Thailand and Kazakhstan excel at what they love on the world stage. As compelling as Yuri's journey as an athlete was, any of the skaters could have been the main character of this story. In fact, this was something that director Sayo Yamamoto and mangaka Mitsuro Kubo specifically went out of their way to suggest. No wonder this series was so beloved around this world!

Re:ZERO -Starting Life in Another World- This series might look like a typical fantasy-adventure story about an insufferable male nerd at first glance, but I was really impressed by how much empathy the narrative had for its main character. Subaru is an extremely weak character in the scheme of things, and the world doesn't revolve around him. His struggle to connect with others and move past his self-hatred resonated with me for similar reasons that My Teen Romantic Comedy SNAFU and Neon Genesis Evangelion did. I also happened to really love all the side characters in this series, and there's enough left unexplained by the end to make me burn with curiosity to find out what happens next. Season 2 when?!

your name.- I got to see Makoto Shinkai's masterpiece when it came out in Australian cinemas in November, and I ended up loving it so much that I saw it twice in three days! In my view, it's the first Shinkai film that balances its macro plot and themes equally with the love story, and that might be one of the reasons why I found it so personally relatable. your name. was created in response to the Fukushima disaster, and I found its message of empathizing with others and treasuring every fleeting moment especially profound in that context. I also think that the film touches on something deep about the way we humans connect with each other, and how it's possible for us to emotionally identify with people we've never even physically met. For that reason, among many others, it has become one of my favorite anime of all time.

WILHELM DONKO (@Surwill)

Sound! Euphonium 2- The first Sound! Euphonium was already my favorite anime of 2015, and the sequel again managed to make my list this year, as the second season was not lacking any of the traits and attributes responsible for the remarkable first season. Sound! Euphonium 2 kept its authentic grounded tone, which was accompanied by realistic characters and character-interactions, relatable drama, and background art nothing short of stunning. After a bit of a slow start, the season really picked up after the incredibly animated musical performance during the Kansai Competition, and in the end managed to tie up most loose ends beautifully. I’d also like to quickly mention Kumiko’s voice actresses’ unusual and mellow performance, which added a lot of personality to her character in my opinion.

Haikyu!!- Volleyball? I’m surely not going to care for an anime about a sport I don’t even know all the rules to. Boy, was I wrong. I picked up Haikyu!! around the start of the year, while the second cour of the second season was still running, and was immediately hooked. The show is extremely engaging, energetic, fast-paced, and almost always kept me on the edge of my seat during the matches. Haikyu!!’s cast is equally lovable (even the opponents in the show are great), and undergo some major character development throughout the seasons. I really did not care for Tsukishima at the beginning of show, but he soon became one of my favorites, especially after the thrilling third season. I guess I could say the same about Haikyu!! in general.

Re:ZERO -Starting Life in Another World- I don’t think I need to talk a lot about Re:ZERO, as it was undoubtedly one the biggest, if not the biggest anime this year. The show was definitely one of the more interesting takes on the Isekai (different world) formula in recent memory, and always sparked a great amount of discussion after each episode. And what can I say? I really liked to see Subaru suffer.

Love Live! Sunshine!!- I’m fully aware that Love Live! Sunshine!! is the odd one out of all my picks, and I would never objectively consider it as anime of the year, but it was my personal favorite of 2016. Even though I watched both seasons of the original, I never really cared for the Love Live! series, but that drastically changed with the start of Love Live! Sunshine!! While I never warmed up to Muse, I just adore every member of Aqour’s, and generally consider Sunshine!! to be a step up in every aspect compared to the original. However, it wasn’t until my own pilgrimage to the show’s setting, Uchiura and Numazu that I really fell in love with the series. I’ve done a lot of anime pilgrimages, but this one ranks among my favorites. After that I started collecting everything Love Live! Sunshine!! related I could get my hands upon. From art books, to figures to coffee mugs, I have it all – I even play that darn mobile game every day. Yousoro ~

Honorable Mentions: Flying Witch, KONOSUBA, Ajin.

BRANDON TETERUCK (@Don_Don_Kun)

FLIP FLAPPERS– Magical girl anime have encountered a bit of a dry spell in recent years. Thankfully Kiyotaka Oshiyama brought us a unique spin on the genre with his directorial debut, FLIP FLAPPERS. While FLIP FLAPPERS was a mishmash of different styles, ranging from campy shojo horror to Mad Max action, each episode worked harmoniously to create a cohesive emotional narrative. FLIP FLAPPERS’ two heroines, Papika and Cocona, learn more about themselves and each other by exploring a slew of psychedelic and dreamlike worlds. Although the peculiar fusion of genres may not suit every audience’s taste, FLIP FLAPPERS had essentially what I wanted out of a modern magical girl anime: creative and experimental animation sequences, heavily allegorical storytelling, and fabulous henshin scenes.

KIZNAIVER– Hiroshi Kobayashi’s directorial debut, KIZNAIVER, was an ambitious project unlike anything studio Trigger had attempted before. Alongside scriptwriter Mari Okada, Kobayashi created a contemporary adolescent drama that wasn’t afraid to tackle some of the touchier issues in Japanese society. Throughout KIZNAIVER, its cast of misfits constantly grapple between wanting to feel the physical and emotional pain of others and questioning whether an artificial connection could create a sense of togetherness. This was the primary dramatic narrative of KIZNAIVER, and while intriguing in and of itself, it was truly Kobayashi’s thoughtful directing and clever use of visual symbolism that elevated the material. KIZNAIVER may have lacked narrative polish around its edges, but it was one of the most visually poignant pieces of commercial anime to come out of the industry in the past couple of years. Here’s hoping that Kobayashi will have more directing roles in the future as his cinematic vision brings a lot to the table for commercial anime as a whole.

Sound! Euphonium 2– The first season of Sound! Euphonium had always been a favorite of mine, and as such, the bar was set quite high when I heard a prequel was announced. Despite a rather lackluster first arc, the second half of 2016’s Sound! Euphonium 2 blew me away. The relationship between Kumiko and Asuka, two of the central pillars of Kitauji High’s concert band, embodied both the heart and soul of Sound! Euphonium’s web of emotional connections. It was beautiful to see their close-knit bond - built upon respect, trust, and understanding - unfold as the barriers between senpai and kohai were broken down. It set the stage perfectly for the resolution of Sound! Euphonium’s many other narratives: Kumiko and her older sister’s mending of their sibling conflict, Reina’s emotional maturing, and Taki’s finding peace within himself over his late wife. With a soulful conclusion to an already fantastic anime by Kyoto Animation, Sound! Euphonium is a series that couldn’t have ended in a more satisfying manner.

Mob Psycho 100– Mob Psycho 100 is unequivocally a testament to the creativity and passion of the anime industry’s top animators. Director Yuzuru Tachikawa and animation director Yoshimichi Kameda created an experimental take on ONE’s source manga that showcased the importance of animation for storytelling and expression. While still operating within the confines of a shounen work, Mob Psycho 100 is an anime with a visual and ideological identity that does not confirm to the sterile and idealistic standard of perfectionism that is seen in many contemporary anime. “If everyone is not special, maybe you can be who you want to be.”

Love Live! Sunshine!!– Last, but certainly not least, is a pick that you may find a bit strange if you’ve been reading the reasoning behind my other favorite anime of 2016. While I do value artistry in animation and direction, there are times when a fun anime with a cute and charming cast of characters is just as enjoyable to watch. Despite adopting a similar plot structure to the original Love Live! series, Love Live! Sunshine!! knew how to play around with its audience’s expectations, in some cases subverting characterization tropes and outright parodying the original. The girls of Aqours were a low-key bunch of loveable dorks who enthusiastically attempted to emulate the franchise’s previous group of idols (often times with hilarious or unfortunate results). Aqours’ playful banter and goofy antics quickly made me invested in their underdog soul search for stardom, while the intimate relationship between Chika and Riko brought a smile to my face. With the collective energy and excitement it brought to my life while watching, Love Live! Sunshine!! was one of my most pleasant surprises of 2016. Also, Dia is best girl.

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And that's a wrap for Part One of our three-part series! Be sure to tune in at the same time tomorrow for PART TWO: VIDEO GAMES! And if you're still in the mood for past CR Favorites, check out the previous years' features here:

Crunchyroll Favorites 2015 Part One Part Two Part Three

Crunchyroll Favorites 2014 Part One Part Two Part Three

Crunchyroll Favorites 2013 Part One Part Two Part Three

Crunchyroll Favorites 2012 Part One Part Two Part Three

Crunchyroll News' Best of 2011 Part One Part Two

What were your favorite anime and manga of 2016? Remember, this is a FAVORITES list, not a BEST OF list, so there's no wrong answers--sound off in the comments and share your favorites with us!

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Nate Ming is the Features and Reviews Editor for Crunchyroll News, creator of the long-running Fanart Friday column, and the Customer Support Lead for Crunchyroll. You can follow him on Twitter at @NateMing.

By: [email protected]

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