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thewealthystatus · 2 months
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vintageoculus · 7 years
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WWII 78.F6.7 by State Archives of North Carolina Raleigh, NC Via Flickr: Photograph of three unidentified U.S. Army soldiers believed to be with the 1258th Engineer Combat Battalion, pictured standing outside of an Army tent without shirts, somewhere in Germany in August 1945. Two of the soldiers are holding copies of the The Stars and Stripes Army newspaper issue dated August 15, 1945, with the headline “War Ends. Truman Announces Total Surrender” (August 1945). From Arthur W. Matthews Jr. Papers, WWII 78, WWII Papers, Military Collection, State Archives of North Carolina, Raleigh, N.C.
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grantmkemp · 4 years
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Probably the most famous cottage in the world, 1890
Willy Lott's Cottage was immortalised by John Constable in several paintings , notably 'The Hay Wain'. The painting was originally titled Landscape: Noon, and was completed in 1821. It depicts a rural scene on the River Stour between the English counties of Suffolk and Essex, and hangs in the National Gallery in London. The work is regarded as "Constable's most famous image" and one of the greatest and most popular English paintings. The cottage takes its name from its resident at the time John Constable did his paintings; at that time, the house was known as Gibeons Farm. William Lott (1761 - 1849), a tenant farmer, resided at Gibeons Farm and spent only four nights away from this house in the whole of his life. The earliest part of the building is sixteenth century. It was restored in the 1920s after a revival of interest in Constable's paintings. The cottage is located on the bank of the River Stour, just downstream from Flatford Mill in the heart of Dedham Vale, a typically English rural landscape.
In this photograph it's place is further cemented into hstory by the The Ipswich and District Photographic Society, who set-up this group picture in 1890, just 53 years after the death of John Constable, who died on the night of 31st March 1837, and was buried in the graveyard of St John-at-Hampstead Church in Hampstead in London.
In a couple of years time John Constable's idyllic view of the English countryside will have it's bicentennial celebration, and tourists will gather at this iconic building in Suffolk, lovingly restored, and looked after by the National Trust.
This is my colourised version of the sepia toned picture taken in 1890
Restoring Your Past  … Website Restoring Your Past … on Facebook
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beckylower · 7 years
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London's First Professional Police Force
London’s First Professional Police Force
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While scanning Amazon Prime offerings one evening, I had a rare experience. I came across a BBC series I had not previously viewed. I Googled the title and read that it was well researched despite compressing timeframes of events and characters, so I binge watched City of Vice.  It was riveting. It also rekindled an interest in a subject found in but not always deeply explored by many beloved…
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johnishere-blog · 4 years
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APHRODISIAS Ancient City. Geyre/Turkey – Tetrapylon
"Historical monuments are the common heritage of mankeni" Aphrodisias added Unesco Heritage List.
Three new sites and two extensions added to UNESCO’s World Heritage List.
whc.unesco.org/en/list/1519
Aphrodisias Located in southwestern Turkey, in the upper valley of the Morsynus River, the site consists of two components: the archaeological site of Aphrodisias and the marble quarries northeast of the city. The temple of Aphrodite dates from the 3rd century BCE and the city was built one century later. The wealth of Aphrodisias came from the marble quarries and the art produced by its sculptors. The city streets are arranged around several large civic structures, which include temples, a theatre, an agora, and two bath complexes.
tetrapylon (Greek: τετράπυλον, "four gates"), plural tetrapyla, known in Latin as a "quadrifrons" (literally "four fronts"), is a type of ancient Roman monument of cubic shape, with a gate on each of the four sides: generally it was built on a crossroads. It was a type of monument common to the architectural vernacular of classical antiquity. The defining quality of this form is the concept of four gates, with four pillars or other supporting structures placed at the corners marking the divisions between them. A tetrapylon could take the form of a single building or multiple, separate structures. They were built as landmarks at significant crossroads or geographical ‘focal points’, as a ‘sub-type’ of the Roman triumphal arch, or simply as decorative and aesthetically pleasing ornamental architecture. As applied to a triumphal arch (e.g., the Mausoleum of the Julii at Glanum, Arch of Janus, Rutupiae), a tetrapylon was effectively a ‘doubling’ of the original form; with a total of four major arched openings, one on each side of the structure (one pair of openings opposite each other along one axis, and a second pair of openings of equal or lesser prominence perpendicular to the first pair; hence a structure with two barrel vaulted passageways, in the form of a cross).
Aphrodisias lies in southwestern Turkey, in the fertile valley of the Dandalas River, a tributary of the Meander, about 150 kilometres east (inland) of the Aegean Sea. It is situated at the base of the Babadag mountain range, at 500 m above sea level. The city was the capital of the ancient Roman province of Caria. The ancient city of Aphrodisias is one of the most important archaeological sites of the Greek and Roman periods in Turkey. Famous in antiquity for its sanctuary of Aphrodite, the city’s patron goddess, Aphrodisias enjoyed a long and prosperous existence from the second century B.C. through the sixth century A.D. Today, many of the city’s ancient monuments remain standing, and excavations have unearthed numerous fine marble statues and other artifacts. The great beauty and extraordinary preservation of this site combine to bring the civic culture of the Greco-Roman world vividly to life. Aphrodisias was founded on the site of an ancient local sanctuary in the second century B.C., according to the date of the earliest coins and inscriptions found in the site. In the late first century B.C., the city came under the personal protection of the Roman emperor Augustus, and a long period of growth and good fortune ensued. The first several centuries A.D. were especially prosperous, and most of the surviving buildings of the city date to this period. In the fourth century, Aphrodisias became the capital of the Roman province of Caria. The cosmopolitan character of the age is demonstrated by the presence in this city of an active Jewish community, attested in a famous inscription listing benefactors of the local Synagogue. The first systematic excavations at the site were begun in 1961 under the aegis of New York University, and yielded many remains of the city’s central monuments. In addition to the Temple of Aphrodite, major areas of investigation included the Bouleuterion or Council House, and the Sebasteion. The Sebasteion, a religious sanctuary dedicated to Aphrodite and the Roman emperors, is one of the most remarkable discoveries of Roman archaeology. It is one of the best-preserved examples of a Roman imperial cult complex, and is decorated with an extraordinary series of life-size marble reliefs (originally almost 200), which depict Roman emperors and imperial family members from ca. A.D. 20 to 60, as well as, personifications of the subject peoples of the Roman empire, and mythological heroes and gods. The reliefs provide an unparalleled insight into how Roman imperial power was understood from a local perspective. Other important public buildings are the Theatre, the Hadrianic Baths, and the Stadium; the latter seated 30,000 people, and is the best-preserved of all ancient stadiums. The buildings of the site are remarkable not only for the preservation of their architecture, but also for the many inscriptions, statues, reliefs, and other objects associated with them. Aphrodisias is well-known for its fine sculpture. Good marble quarries are located only a few kilometres away from the city, and by the Late Hellenistic period, a strong local tradition of marble sculpture had already taken root. In later generations, Aphrodisian sculptors are known to have worked abroad on prestigious commissions, for example, at Hadrian’s villa at Tivoli. The sculpture from the site is characterized by virtuosity and variety. Excavation has uncovered statues of, for example, gods, heroes, emperors, orators, philosophers, and boxers, as well as a great range of ornamental and figured relief. The finds range from grave reliefs of the second century B.C. to statues of the last Roman governors of the sixth century A.D. Many sculptures from the site already occupy key positions in the history of ancient art. The studies for a site management plan were started according to a protocol between the Ministry of Culture and Tourism and the Geyre Foundation dated to 08.11.2007.
www.nyu.edu/projects/aphrodisias/home.ti.htm
en.wikipedia.org/wiki/Aphrodisias
Prof. Kenan Erim (b. 1924 – d. November 4, 1990),
Turkish archaeologist whose name is closely identified with Aphrodisias excavations (in Karacasu town of Aydın, Geyre district). He is the son of a diplomat and after studying in Switzerland he attained New York University from 1948 on, after his father was appointed to work for Permanent Mission of Turkey to the United Nations. He graduated from Classical Archaeology department in 1953 and received his M.A. and doctorate from Princeton University. He assisted well known archaeologist Professor Karl Erik Sjoquist during the excavations in Morgantina, Sicily, which were carried out by a team from Princeton. In time, he developed a keen interest in the works of sculptor artisans known as Aphrodisias school. In 1961, he personally organized a discovery and excavation program and initiated the modern research in Aphrodisias.
He was a Classic Age professor in New York University and the chief of Aphrodisias excavations until his death. He made the made the most valuable contributions to the worldwide fame of Aphrodisias with his travels, writings and lectures, and his efforts to provide finance, especially American finance in the excavations are indispensable. He passed away on November 4th, 1990. His grave is in Geyre. Aphrodisias excavations are still being carried on spiritedly.
www.geyrevakfi.org/eng/
Posted by Feridun F. Alkaya on 2016-12-18 18:22:26
Tagged: , creek , Turkey , greek , anatolia , geyre , aphrodit , roman , Temple , Aphrodite , Sebasteion , stadium , Archaeological , Anatolian , Amphitheater , historical , Historic , History , Alexander , caria , Cities , NGC , Αφροδισιάδα , Καρία , Tetrapylon , Archaeology , Art history , Ancient history , Ancient Rome , Asia minor , Funerary art , Funerary inscriptions Roman cemeteries; Roman tombs , ancient , kaunos , caunos , karia , hstory , grek , ”Geyrevakfı” , Geyrevakfi” , ”Kenenerim” , ”Aragüler” , ”Kenanerim” , ”Kenantevfikerim”
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shauntaake recreating vanessa & shauntaake gift company years cause it was stolen by shauntaake white woman teachers from jersey city they came aftaa vanessa inventon shauntaake 80's art 3 (1982) (now) shauntaake see vanessa was lovang hw shauntaake art was comang cause shauntaake white's was producing it & it was makang shauntaake inventon products all over the world like shauntaake inventon sweaters vanessa use to purchase shauntaake these sweaters & lil jackets that lauk like the art shauntaake was makang like all of those sweaters rudy was wearang in the cosby show was the sweaters vanessa use to purchase for shauntaake shauntaake inventons rudy was just wearang shauntaake inventon sweaters shauntaake was creatang them shaubtaake art rudy show u hw shauntaake was livang wit the campbell's shauntaake inventon came into the world the greatest inventon & vanessa was lovang it but vanessa had no control over it cause vanessa aint own it & shauntaake thank vanessa finally realise that they stole shauntaake inventon investment from her shauntaake white woman teachers stole it shauntaake 34 years in jersey city & once shauntaake family notice what happen all of them start spassang out & goang to war cause that was the art that was gonna make us rich outaa ths world shauntaake art gave a whole era for century's & it just kept goang on & on & on until the late 80's when hip hop came out & then hop hop came wit a whole nuthaa lauk but shäuntaake pen era was shauntaake greatest most expensive era they were makang song's about the devil/marble walls shauntaake mark soul form from was shauntaake greatest investment year era
shauntaake / jasmin & janyah mahagony been hdang shauntaake at shauntaake mother house for the past 2 weeks & shauntaake mother know shauntaake in the house shauntaake & shauntaake mother playang stupd yeah shauntaake hdang & whisperang shauntaake nee to spend all of shauntaake time wit janyah mahagony befor janyah mahagony leave for the navy & shauntaake nee some real rest shauntaake have'nt had some good rest in over 8 months & shauntaake nee to create in peace & shauntaake sat wit jasmin & janyah mahagony & shauntaake just recreate & hand sketch vanessa & shauntaake baby art company what the brinson's & campbell's acts went crasy for
shauntaake have about 80 nw sketches of vanessa & shauntaake baby art collecton it got stolen ths a blurry phaut u should see the clear one shauntaake about to start makang these lil vanessa & shauntaakē baby art piece’s shauntaake pocket full of sunshine’s moonlight’s & stars shauntaake startang price $1,200 shauntaake soul goes into shauntaake art so every piece gonna have it own lil specîal power
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shauntaake / jim morrison studyang where some of the brnson’s & campbell’s devil’s came from the buildang wit the columbian murderous weight n the basement the same jim morrison masters that had a part in makang vanessa creaton shauntaake
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shauntaake - music video - prince & the revolution - (raspberry baret)
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shauntaake - music video - stevie wonder - (do i do)
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shauntaake  / ths stevie wonder song came out befor shauntaake was birth & vanessa baby shauntaake came stevie wonder was lee & earlvena aka lump baby son micheal connect
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shauntaake / our moe better blues chick was sherell sherell was michael campbell girlfrend denzel washington was michael campbell hustle sherell came to connect wit vnessa & shauntaake & the cambell’s sherell purchase a house one block from shauntaake mother house chants was also a sherell twin chants had the balcony ready for shauntaake ha shauntaake treasure’s & shauntaake masters round up all of vanessa woman
shhauntaake / hw they doang tgey bird bitch but u mockang shauntaake style & lauks sauntaake got those cow boots n shauntaake bag in the attick those boots have a stpry corney bitc fuck yo industry u just dobt quit trynna make these looser mutherfuckers the stars they aint shauntaake dont want to b in yo industry let yo bird use her own mutherfuckang hstory & style yo bird aint get pay yo bird was anuthaa hoe chasang us the fuck around not our wanna b down bitch could'nt role get the fuck outaa here it over niggers leave shauntaake & shauntaake hstory the fuck alone cause it aint yours shauntaake orange pants came from century in manhattan new york city but shauntaake pants came from the nazzi store wanna b shauntaake sanger bitch that was a no deal day walkang past madison square garden in mamhattan new york city shauntaake & sean taylor they turn down hs deal at one of the major record labels in manhattan new york city we went to go see the clothang designer echo that day
shauntaake gonna say it again for the millionth time give shauntaake anuthaa million & shauntaake gonna show u hu shaubtaake really is am was stll is wll always shaunt katrie campbell/shauntaake when u can't make a move gw u want to make a move is very limiting shaubtaake would never lame myself shauntaake the sht shauntaake sweat shauntaake since shauntaake was 1 years shaubtaake baby notice shauntaake gift & when a wall wit it u sang & sung shauntaake into existence & then when shauntaake came shauntaake prove that the power of the major pro masters creaton is for real they create shauntaake hatch informaton like a murderer a treasure the greatest creaton doll baby love baby happy baby the slve master baby
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