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cantsayidont · 5 months

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July 1988. An art book for a show that never quite came to be, ROBOTECH ART 3 is also the official account of how the planned sequel to ROBOTECH fell apart. if you've heard of ROBOTECH, you're almost certainly aware that it was an amalgamation of three similar but unrelated Tatsunoko anime series, tied together with a new storyline by American producer Carl Macek as a multigenerational saga with enough episodes for American TV syndication. The dilemma this presented (other than for aggrieved weebs insisting that the new storyline was a bastardization of the presumptively superior original series) was that characters from the different generations couldn't really interact, and some important plot elements could only be presented through exposition. ROBOTECH II: THE SENTINELS was to be a 65-episode original series that would chronicle how the survivors of the first generation (adapted from the popular SUPER DIMENSION FORTRESS MACROSS) set out to make peace with the Robotech Masters of Tirol (the villains of the second generation, adapted from SUPER DIMENSION CAVALRY SOUTHERN CROSS) and ended up embroiled in a war with the Invid, the villains of the third generation (adapted from GENESIS CLIMBER MOSPEADA), who eventually conquered the Earth. This was to lead up to the finale of the original series, which would be the starting point for a subsequent series.

For various reasons chronicled at length in the book, the project collapsed after only a handful of episodes were completed. (The surviving footage was later released on home video.) Macek's story outlines were then adapted in several similar but distinct ways in a series of prose novels by "Jack McKinney" (a pseudonym for the writing team of Brian Daley and James Luceno), in the Palladium roleplaying game, and later in American comic books by John and Jason Waltrip. There was also a fanon take that mostly rejected all of the other versions as incompatible with the actual scripts and footage of the original show, which eventually led Harmony Gold, the American production company, to retroactively declare the entire project apocryphal. Harmony Gold then hired the Waltrip brothers to create a five-issue comic book prelude to its truly dire 2007 direct-to-video animated sequel, ROBOTECH: THE SHADOW CHRONICLES, which is heavily reliant on the events of the SENTINELS storyline without being entirely compatible with any previous version of it, and is frustratingly unsatisfying to anyone who actually liked any of them. (Nobody won, in other words.)

THE SENTINELS is often derided for no particularly good reason. The basic storyline has its clunky aspects (in addition to the continuity issues the RRG contingent identified), but so do the original Japanese shows, and the Japanese MACROSS franchise has subsequently gone a lot of weird places that tend to undercut the claim that ROBOTECH is categorically inferior. Both have their flaws, but ROBOTECH and THE SENTINELS are hardly without merit. (The dismal SHADOW CHRONICLES is another matter …)

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specificiumray · 1 year

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Fans!

Art by Jason Waltrip

Written by T Campbell

#webcomics

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falcorskeeper-blog · 1 year

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Check out this listing I just added to my Poshmark closet: Vintage Comic Book Tsunami Girl 1999 Villians: Agent Powers, Harris, and Windar.

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joe-england · 3 years

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Remember those pages I posted for Jeffrey H. Wood's SnowBuni project? As you may recall, I said a thousand and two years ago that I would start selling the book online when it was done. Well, the time is now! You can order it here in standard comic or manga size, whichever you prefer. Oh, but let me know if you have any trouble with the order, alright? Especially with the shipping costs. PayPal has been dodgy lately.

#snowbuni #jeffrey h. wood #comic #art #lightfoot #jason waltrip #kyle miller #John p. morgan #teri s. wood #mike sagara #don chisholm #haunted house

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graphicpolicy · 5 years

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Preview: Robotech Archives: The Sentinels Vol. 1 TP

Robotech Archives: The Sentinels Vol. 1 TP preview. The longest-running Robotech comic series, collected at last as part of the Robotech Archives! #comics #comicbooks #Robotech

Robotech Archives: The Sentinels Vol. 1 TP

Thomas Mason, Chris Ulm (A) Jason Waltrip, John Waltrip In Shops: Sep 11, 2019 SRP: $24.99

The longest-running Robotech comic series, collected at last as part of the Robotech Archives! Featuring the work of fan-favorite creators such as the Waltrip brothers, and packed with classic material that is now out-of-print or has never previously been…

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#jason waltrip #john waltrip #robotech #titan comics #tomas mason chris ulm #trade paperback #trade paperbacks

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shadowwingtronix · 4 years

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"Yesterday's" Comic> Robotech II: The Sentinels book 4 #8

BW's "Yesterday's" Comic> Robotech II: The Sentinels book 4 #8

Guys, stop ruining your reveal on your own cover!

Robotech II: The Sentinels book 4 #8

Academy Comics, Ltd (July, 1996)

“Conquer And Divide”

WRITERS/ARTISTS: John & Jason Waltrip

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#Academy Comics #Black Death Destroyers #Commander Breetai #Invid #Lieutenant Rebecca Nicks #Lynn Minmei #Regent (Invid)#Robotech II: The Sentinels #T.R. Edwards #Tesla

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aethucyn · 4 years

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All the Comics 2019

Series I read as they came out:

Archie Assassin Nation Batman Universe Black Panther By Night Catwoman Die Exorsisters Ghosted in L.A. Ghostspider Giant Days Gwenpool Strikes Back Harley Quinn and Poison Ivy Invisible Kingdom Laguardia Last Stop on the Red Line Lazarus: Risen Lois Lane The Magnificent Ms. Marvel Man-Eaters Monstress Ms. Marvel Once & Future King Paper Girls Pretty Deadly: The Rat Redlands Sabrina the Teenage Witch Sleepless Spider-Gwen: Ghost Spider Spider-man and Venom: Double Trouble Steeple Superman's Pal Jimmy Olsen The Unbeatable Squirrel Girl The Unstoppable Wasp West Coast Avengers The White Trees The Wicked + the Divine

Graphic Novels & Trade Paperbacks

The Life of Captain Marvel Margaret Stohl Carlos Pacheco Batgirl Vol. 4: Strange Loop Hope Larson Sami Basri Jessica Jones: Blind Spot Kelly Thompson Mattia De Iulis Doom Patrol Vol 2: Nada Gerard Way Nick Derington Kim Reaper: Grim Beginnings Sarah Graley Batman Vol. 8: Cold Days Tom King Lee Weeks Hilda and the Troll Luke Pearson Batwoman Vol. 3: Fall of the House of Kane Marguerite Bennett Fernando Blanco X-23: Family Album Mariko Tamaki Juann Cabal Andre the Giant: Life and Legend Box Brown How to Understand Israel in 60 Days or Less Sarah Glidden Get Your War On David Rees March Book One John Lewis & Andrew Aydin Nate Powell Barbarous Vol 1 Ananth Hirsh Yuko Ota Barbarous Vol 2 Ananth Hirsh Yuko Ota March Book Two John Lewis & Andrew Aydin Nate Powell March Book Three John Lewis & Andrew Aydin Nate Powell The Real Folk Blues: A Cowboy Bebop Fanbook Anthology ed. Zainab Akhtar Batman Detective Comics Vol 2 The Victim Syndicate James Tynion IV Alvaro Martinez Off Season James Sturm Kiss Number 8 Colleen AF Venable Ellen T. Crenshaw Cleopatra in Space: Fallen Empires Mike Maihack Batman Detective Comics Vol 3: League of Shadows James Tynion IV Marcio Takara The Hero Business Season Two Bill Walko When I Arrived at the Castle Emily Carroll The Weather Man Jody LeHeup Nathan Fox The Girl Who Married a Skull & Other African Stories ed. C. Spike Trotman ed. Kate Ashwin ed. Kel McDonald ed. Taneka Stotts F*ck Off Squad Nicole Goux Dave Baker The Breakaways Cathy G. Johnson Laura Dean Keeps Breaking Up With Me Mariko Tamaki Rosemary Valero-O'Connell Batman Vol. 9 The Tyrant Wing Tom King Tom Taylor Mech Cadet Yu Volume Two Grek Pak Takeshi Miyazawa Sincerely, Harriet Sarah W. Searle The Legend of Korra: Ruins of the Empire Part One Michael Dante DiMartino Michelle Wong Avatar The Last Airbender: Imbalance Book Two Faith Erin Hicks Peter Wartman Snotgirl: vol 2: California Screaming Bryan Lee O'Malley Leslie Hung Skyward: Vol 1 Joe Henderson Lee Garbett Shuri: Vol 1: The Search for Black Panther Nnedi Okorafor Leonardo Romero Crowded: Vol 1: Soft Apocalypse Chrisopher Sebela Ro Stein Ted Brandt I Hate Fairyland: Vol 1: Madly Ever After Skottie Young I Hate Fairyland: Vol 2: Fluff My Life Skottie Young I Hate Fairyland: Vol 3: Good Girl Skottie Young I Hate Fairyland: Vol 4: Sadly Never After Skottie Young California Dreamin' Penelope Bagieu Runaways: Best Friends Forever Rainbow Rowell Kris Anka Exit Stage Left: The Snagglepuss Chronicles Mark Russell Mike Feehan My Brother's Husband Gengorah Tagame Rice Boy Evan Dahm FTL Y'all ed. C. Spike Trotman ed. Amanda Lafrenais Gothic Tales of Haunted Love ed. Hope Nicholson ed. S.M.Beiko The Immortal Hulk: Or is he both? Al Ewing Joe Bennett X-23: X-Assassin Mariko Tamaki Diego Olortegui Ant-Man and the Wasp: Lost and Found Mark Waid Javier Garron Power Man and Iron Fist: The Boys Are Back in Town David Walker Sanford Greene Iceman: Thawing Out Sina Grace Alessandro Vitti Iceman: Absolute Zero Sina Grace Robert Gill Song of Aglaia Anne Simon Batman Detective Comics: Vol 4 Deus Ex Machina James Tynion IV Alvaro Martinez Harley Quinn: Broken Glass Mariko Tamaki Steve Pugh The Immortal Hulk: The Green Door Al Ewing Joe Bennett Power Man and Iron Fist: Civil War David F. Walker Flaviano Cosplayers Dash Shaw Bad Machinery: The Case of the Modern Men John Allison Is This How You See Me? Jaime Hernandez a city inside Tillie Walden The Immotal Hulk: Hulk in Hell Al Ewing Joe Bennett Slowly but Shirley Catalina Rufin Stage Dreams Melanie Gillman Homunculus Joe Sparrow Verse Book One Sam Beck Laid Waste Julia Gfrorer Gorgeous Cathy G. Johnson Cosmoknights Hannah Templer The Hard Tomorrow Eleanor Davis Pumpkin Heads Rainbow Rowell Faith Erin Hicks Funky Town Mathilde Van Gheluwe Pleading with Stars Kurt Ankeny Avatar The Last Airbender: Imbalance Book Three Faith Erin Hicks Peter Wartman The Love Bunglers Jaime Hernandez Spider-man Life Story Chip Zdarsky Mark Bagley Are You Listening? Tillie Walden November Matt Fraction Elsa Charretier Rusty Brown Chris Ware Dangerously Chloe Volume 3 David Lumsdon Jason Waltrip The Astonishing Ant-Man: Small-Time Criminal Nick Spencer Ramon Rosanas Doctor Aphra: Aphra Kieron Gillen Kev Walker Moonstruck Grace Ellis Shae Beagle

Minis

Maids no. 1 Katie Skelly Frontier #18 Tiffany Ford Two of Us Jessi Zabarsky Visiting Alivia Horsley Sobek James Stokoe Resort on Caelum Wren McDonald Boogsy Michelle Kwan Frontier #19 Hannah Waldron Maids no. 2 Katie Skelly Frontier #20 Anatola Howard Minotaar Lissa Treiman Pass the Baton Hana Chatani Cry Wolf Girl Ariel Ries At the Edge of the Stream at Dusk Jen Lee Cavity Michelle Theodore Hsthete Melanie Gillman David, I Love You Eileen Marie The Cutest Curse Laura Terry Churn Amelia Onorato An Eye for an Eye Kimberly Wang Women on Paper: 3 Stories Anna Christine Liminal State Maria Photinakis Melusine, The Collector and the Gift of the Pearls Edie Voges Infinite Wheat Paste Issue 3 Pidge Anew Dillon Gilbertson Anastasia Longoria Big Wally James McGarry Sam Bennett Frontier #21 Derek Yu Frontier #22 Tunde Adebimpe

Graphic novel is a stupid term that often encompasses things that are not novels, but I used it as a blanket term for anything comics I read that were bound rather than stapled. Minis are shorter works, stapled, and generally self-published by the artist, or done by a small press like Shortbox or Youth in Decline. I was totally lazy about crediting creators on series because my actual list for that is a grid, keeping track of each issue. Similarly, when listing creators on trades, I tended to only list writer and artist which is enough for some books, but sometimes there are many more, inkers, and colorists and letterers, and maybe I’ll do better next year.

Support your local library, your local comic shop (especially Hub Comics if you’re in the Boston area), and indie comic shows like MICE.

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ayellowbirds · 5 years

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42 Webcomics Keshet Reads

I was recently reminded that I currently read a lot of webcomics, or have done so in the past. Here’s an incomplete list, linking to the first page where i can (which will usually mean the worst art). Organized thus: Title, Author. Genre. Format (long-format stories, short-format & single-page stories, or mixed). Description.

The Adventures of Dr. McNinja, by Christopher Hastings. Comedy, Parody, Action. A man from a long line of Irish ninjas has devoted his own life to saving lives as a doctor, disappointing his family. His staff includes a sentient but non-speaking gorilla receptionist, and eventually a boy sidekick who grew a fabulous mustache out of sheer determination. Recurring threats include fast food mascots, ghosts, wizards, ghost wizards, and a disease that turns people into giant lumberjacks. Completed.

BACK, by Anthony Clark and KC Green. Comedy, Adventure, Absurdity, Weird West. Long-Format. A cowgirl comes back from the dead with no memory of who she was or how she died, and is told by a trio of “Cool Witches” that she has to bring about the end of the world—though what exactly that means remains a mystery. Consistently excellent visual storytelling from masters of sequential art; at least one WLW pairing among the characters.

Bite Me!, by Dylan Meconis. Comedy, Horror, Historic Fiction. Long-Format. A young woman becomes a vampire amidst the chaos of the French Revolution. Featuring immortal angst, a Jewish werewolf, and sacré bleu, the chickens. Completed (website can be slow to load).

Broodhollow, by Kris Straub. Horror, Weird Fiction. Long-Format. By the creator of the original creepypasta that inspired Channel Zero. A young man abounding with neuroses and compulsions comes to a strange little town in order to settle a late relative’s estate. Themes of unreliable memories and differences of perception.

Chainsawsuit, by Kris Straub. Comedy. Short-Format. Three-panel gag comic.

ChaosLife, by A. Stiffler & K. Copeland. Slice of Life, Autobiographical. Mixed-Format. The life of a queer couple and their pets: humor, lgbt issues, mental illness (K. experiences paranoid schizophrenia), cats, and occasional puppets.

Crunchy Bunches, by Scott Warren. Comedy. Mixed-Format. Cereal mascot parody focused on snaggle-toothed feline mascot Munchy and his friends.

Dead Winter, by Allison Shabet. Action, Horror, Comedy. Long-Format. Zombie apocalypse story with occasional partially-animated scenes, and a relatively low focus on the actual zombies. Infrequent updates, but has a Patreon with weekly content.

DRIVE, by Dave Kellet. Sci-Fi, Comedy. Long-Format. Humanity has taken to the stars, led by a second Spanish Empire that controls the secrets of FTL travel. When the crew of the Machito recover their science advisor and accidentally pick up a mysterious amnesiac alien at the same time, they become embroiled in intrigue that affects the whole of human space and beyond, caught between secret police, mind-controlling invaders, and a species dedicated to invention who have a grudge against humans.

El Goonish Shive, by Dan Shive. Adventure, Sci-Fi/Fantasy, Superheroics, Slice of Life, Mad Science. Long Format. Difficult to pin down, once described as “the most squeaky-clean fetish comic online”—lots of characters undergoing fantastic transformations of their bodies. Starts out weak but gradually grew into one of the most progressive webcomics out there as the creator started to really think about the meaning of someone wanting to transform from a nerdy boy into a busty girl. I’ve said more about it, here. Significant LGBT content, including canon gay, lesbian, bisexual, transgender, genderfluid, and asexual characters.

Family Man, by Dylan Meconis. Historic Fiction, Horror, Romance, Libraries. Long-Format. A learned man of Jewish ancestry takes a position as a lecturer at a small Christian university in the middle of nowhere in the Germanies of the 18th century, and falls in love with the daughter of the head of the university—who has some secrets relating to her mother’s family On hiatus as of July 2017.

Freefall, by Mark Stanley. Comedy, Sci-Fi, Furry. Long-Format. A larcenous alien and his naive robot pal living on a human colony world acquire the services of an uplifted humanoid wolf as their ship’s engineer under less-than-legal circumstances. As time goes on, the crew becomes caught up in the struggles and politics of the artificial intelligences of the colony. Binge-reading page here, colored strips here.

Girl Genius, by Phil & Kaja Foglio. Gaslamp Fantasy (Not-Steampunk), Action, Comedy, Mad Science, Alternate History. Long-format. A young woman discovers that she is the latest in a line of mad scientists including the vanished heroes of Europa as well as some of its most terrible villains.

Goblins, by Ellipsis Hana Stephens. Fantasy, RPGs, Action, Body Horror. Long-format. A tribe of goblins go from being mere MOBs to taking levels as adventurers themselves, facing ambiguity about alignment, morality, and the place of "monsters” in a world that seems to favor humanoids. Can get very gory at times. Light LGBT content including a prominent gay male character; transgender creator.

Goodbye to Halos, by Valerie Halla. Fantasy, Adventure. Long Format. Forced through a gateway to another world for her own safety, Fenic finds herself in the “run-down queer district” of a city of animal people—and spends a few years coming into own identity as a trans lesbian, forging a new life. But the reasons she was forced into this world are catching up to her, and she’ll need to turn her protective streak towards defending herself. Heavy LGBT themes; often not safe for work. The only work i can think of where a trans girl’s underwear bulge is treated as a completely nonsexual and innocent thing.

Grrl Power, by Dave Barrack. Superheroes, Sci-Fi. Long Format. Probably Not Safe For Work. Comics nerd Sydney Scoville winds up becoming a superhero herself after circumstances force her to reveal her powers and join up with an agency providing training and oversight. While consistently funny and clever with the use of powers, it can be very centered on the male gaze; the art starts out being pretty . I actually first started reading it because I recognized one of the characters from years prior when the artist was posting softcore smut to furry websites.

Guilded Age, by T. Campbell & Phil Kahn, art by John & Jason Waltrip and Erica Henderson. Fantasy, RPGs, Action, MMOs. Long-Format. A group of adventurers face off against threats to their world—such as the CEO of the company that programmed their world in the first place. Strong themes of intrigue, the nature of violence, and the concept of good and evil in fantasy settings. Completed, now running extras & side stories, including annotated repeats of the original pages.

Gunnerkrigg Court, by Tom Siddell. Fantasy, Sci-Fi. Long-Format. A young girl attends a strange boarding school specializing in matters of the supernatural and obscure, making friends with classmates, a ghost, robots, psychopomps, living shadows, fairies, and eldritch horrors in the form of silly woodland creatures while exploring the mysteries of the school and her own ancestry. Shows remarkable art progression; the style of the first storyline is unrecognizable from the present. Especially rewarding if you’re into alchemy. LGBT content, including prominent WLW characters. Warnings: unreality is a recurring theme, and there is a bit of “suicidal” fairies desperate to be reincarnated as humans. Boxbot is rubbish.

Johnny Wander, by Yuko Ota & Ananth Hirsh. Autobiographical, Fantasy, Humor, Mixed-Format. A mix of slice-of-life autobiographical pages, and short stories, including the longer format “Barbarous” and “Lucky Penny”.

Kevin & Kell, by Bill Holbrook. Comedy, Slice-of-Life, Furry. Mixed-Format. Extremely long-running strip (daily updates since September of 1995). In a world of anthropomorphic animals where predatory species can legally & without repercussions hunt & consume other species, a businesswoman wolf (Kell) and her uncommonly large rabbit husband (Kevin) make their blended family work in spite of social stigma against predator/prey relationships. Far more light-hearted than it sounds, though it often touches on social issues and drama. Light LGBT content from some minor recurring characters.

Kill Six Billion Demons, by Abbadon. Fantasy, Metaphysical, Martial Arts. Long Format. A college student’s attempt at heterosexuality is interrupted by the arrival of a legendary king of all reality. Thrust into a battle over the greatest power of all worlds, Allison faces devils, angels, and the city at the center of the 777,777 universes. It’s a lot to take in. Occasionally not safe for work. Frequent LGBT content, including WLW.

Love Me Nice, by Amanda Lafrenais. Comedy, Hollywood. Long Format. Set in a world shared by cartoon characters and ‘real’ people (think Roger Rabbit), where TV star Mac T. Monkey Jr. struggles between his irresponsible instincts and his attempts to build a life as an adult and a relationship with fellow protagonist (and manager) Claire. Some LGBT content; infrequent updates. Occasionally Not Safe For Work.

Manly Guys Doing Manly Things, by Coelasquid. Comedy, Videogames, Parody. Mixed-Format. The staff of a temp agency for “ludicrously macho guys” tries to help the protagonists of video games, TV, and movies deal with their testosterone-addled brains in a constructive fashion. Occasional LGBT content—mostly MLM, naturally. Keep an eye out for the fluffy little velociraptors, and Mr. Fish the Gyarados. On indefinite hiatus since June of 2018.

Narbonic, by Shaenon K. Garrity. Comedy, Sci-Fi, Mad Science, Gerbils. Mixed-Format. Comp Sci. grad Dave needs a job. Helen B. Narbon, cute blonde mad scientist with a gerbil fixation, is hiring. Story arcs feature action-packed forensic linguistics, a worldwide conspiracy of guys with the same name, rodents uplifted to sentience, time travel. Some awkwardness around gender transformations, light LGBT content. Completed, with author annotations.

Nedroid Picture Diary, by Anthony Clark. Comedy, Absurdity. Short Format. Short comics that very quickly come to focus on the antics of the anomalous ursine orb Beartato and his friend/roommate Reginald, a bird who is just terrible.

Not Drunk Enough, by Tess Stone. Supernatural, Action, Horror. Long Format. A survival horror styled webcomic by a creator with a history of exceptionally dynamic page composition and lettering. Expect lots of magnificently weird body horror.

O Human Star, by Blue Delliquanti. Roboticist Al Sterling died. Al Sterling woke up an android body mimicking his own. As he reconnects with his former partner-in-several-senses, he explores a world that remembers him as one of its greatest innovators. Major themes of identity, the definition of humanity, and gender and sexuality. LGBT themes including MLM and transgender characters. Warning for some discussion of self-harm.

Outsider, by Jim Francis. Sci-Fi. Long Format. Beautifully-illustrated science fiction story that is painfully slow to update. If you watched a lot of 80s and 90s sci-fi anime, you’ll get the vibe that this has—including its arguable weak point of being centered on a man who finds himself among an alien race dominated by warrior women.

Patrik the Vampire, by Bree Paulsen. Supernatural, Slice-of-Life. Long Format. The unlife and history of an exceptionally awkward vampire and the mortals around him—book club, knitting, coffee shops, violent murder. Some LGBT content.

Poppy O’Possum, by I. Everett. Fantasy, Furries. Long Format. A single mother in a world of animal people where only opossums lack magic, Poppy just wants to settle down in quiet and safety with her daughter Lily. The world has other ideas—but fortunately, Poppy is mind-blowingly strong. On hiatus. Some LGBT content.

Questionable Content, by Jeph Jacques. Slice-of-Life, Comedy, Sci-Fi. Mixed-Format. Starts out focusing on indie rock fan Marten and his robotic “anthroPC” Pintsize. As the art evolves, so does the subject matter, focusing more and more on the rest of the cast and topics like the nature of personhood and identity for artificial intelligence. Eventually comes to feature significant LGBT content, including bisexual and transgender characters in the main cast.

Rae the Doe, by Olive Brinker. Comedy, Slice-of-Life. (Mostly) Short Format. If Garfield was a transgender doe and wore clothes and also there weren’t any jokes about Mondays or lasagna and the comic was constantly assumed to be autobiographical in spite of its creator frequently asserting otherwise and the comic was still genuinely funny. But otherwise just like Garfield, really.

Selkie, by Dave Warren. Sci-Fi, Slice-of-Life, Comedy, Drama. Long-Format. Former adoptee Todd becomes a father himself to a strange young girl who turns out to be a refugee from a secret underwater civilization. While the public gradually becomes aware that humans are not alone, family forms and is redefined as secrets from both Todd and Selkie’s past are revealed and dealt with, and kids confront issues of inclusion and exclusion. Also, for some reason two of the kids from Evangelion are Todd’s neighbors.

Skin Deep, by Kory Bing. Fantasy, Coming-of-Age, Monster Girls (and Boys). Michelle discovers the secret world of mythical monster people after a small medallion unlocks her own heritage as a sphinx—supposedly long-extinct, according to the other monsters. Michelle must explore who she is and her family history while also trying to avoid completely upending nonhuman society and maintaining secrets within a culture already used to the use of magical illusions and transformations. Light LGBT content.

Skin Horse, by Shaenon Garrity. Comedy, Sci-Fi, Mad Science, Zombies, Canadians. Mixed-Format. Set in the same universe as Narbonic (see above), “Skin Horse” follows an organization of the same name dedicated to providing social services to beings only recognized by the secret shadow government—staffed by a patchwork zombie bioweapon, a talking sled dog, a cross-dressing pansexual psychologist, and a receptionist in the form of an immobile Victorian robotic weapon of mass destruction, all overseen by a sentient swarm of bees. Frequent LGBT content.

Something*Positive, by RK Milholland. Comedy, Slice-of-Live, Parody. Mixed-Format. Very long-running comic that gradually grows from a dark and misanthropic sense of humor into a dark and misanthropic sense of humor with a warm and gooey center. Earlier comics can be pretty weak and handle many subjects very poorly (the first strip, linked above, features an abortion “joke”); gradually improves.in terms of LGBT representation to the point that it’s one of the better webcomics in that regard. I might recommend skipping ahead in the archives to the current decade (the “1937″ and “1938″ are strips flashing back to the previous generations).

Spacetrawler, by Christopher Baldwin. Sci-Fi, Comedy. Long-Format. The naive but brilliant alien race known as the Eebs are enslaved by interplanetary society at large, depending on their servile nature to maintain the high standard of technology and transportation across the void of space. A group of utterly incompetent aliens come to Earth to seek help in freeing the Eebs... and generally fuck everything up for the best with their terrible choices of sample humans. Currently in the midst of a sequel series focusing on new intrigue and antics, including a talking, murderous kangaroo.

Spinnerette, by Krakow Studios. Superheroes, Comedy, Sci-Fi. Mixed-Format. A grad student develops spider-themed superpowers—including extra arms—and attempts to navigate both concealing her transformation, and becoming a superhero in a world where super-powered vigilantes and criminals are a fact of life. Not Work-Safe due to suggestive artwork including improbably form-fitting costumes over improbably large bosoms. Recurring LGBT content.

Val & Isaac, by @tredlocity. Sci-Fi, Fantasy, Comedy. Mixed-Format. A space mercenary, her wizard buddy, and the cyborg fish girl who keeps all their technology functional, occasionally featuring their shapeshifting assassin friend Space Dread. Major LGBT content, including WLW and MLM, and a prominent transgender character.

Vattu, by Evan Dahm. Fantasy, Worldbuilding. Long-Format. Born to the Fluters of the grasslands, Vattu finds her traditional subsistence lifestyle torn away as a multi-species empire asserts a claim over her people’s lands. A fantasy epic with several major arcs; see also the creator’s earlier completed works Rice Boy and Order of Tales.

XKCD, by Randall Munroe. Science, Parody, Comedy. Short Format. Stick figures and scientific silliness. Make a point of checking the alt-text of each comic by moving your cursor over the strip. Early pages are much more along the lines of experimental sketches; link above directs to a random comic in the archives. Some comics are more along the lines of interactive games!

Yet Another Fantasy Gamer Comic (YAFGC), by Rich Morris. Fantasy, Comedy, Parody. Mixed-Format. Not Work-Safe. The inhabitants of a world heavily based in Dungeons & Dragons go about their lives as monsters, humanoids, and soul-searching mixes of the two. Begins with a romance between a beholder and a goblin, gradually builds up to battles between nations and the gods themselves, while also finding time to explore family, loss and love, and whether kobolds count as sapient. Moderate LGBT content including recurring gay & bisexual characters (it’s a very large cast); new readers guide here.

#long post #webcomics

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bloody-neo-chan · 7 years

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Can we talk about how officially licensed comics feel it's okay to trace other people's work and pass it off as their own? Even if you don't know what Robotech or Macross is please help me spread the word on this blatant art theft. The comic cover in question is by Robotech artists, Jason and John Waltrip for a new comic series this year. The original artwork is from a 260 paged Macross artbook first published in 1984. When overlaying it you can see it's very obviously traced Robotech uses Macross in one of it's arcs in it's television show so one can argue they have the right to this artwork, but as fellow artists, exactly how do you feel about these artists passing other people's art off as their own with 0 credit?

#macross #robotech #art #theft #art theft #waltrips #titan comics

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cantsayidont · 5 months

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March 1992. Probably the most interesting change the ROBOTECH storyline makes to the plots of the three Japanese anime series from which it's derived is that in ROBOTECH, the Invid, the snail-like alien race that conquers the Earth at the beginning of the NEW GENERATION/GENESIS CLIMBER MOSPEADA storyline, are a colonized people, interstellar refugees. As explained in the Jack McKinney novels and later dramatized in the six-issue miniseries ROBOTECH GENESIS: THE LEGEND OF ZOR, based on Carl Macek's story notes, centuries ago, the Tirolian scientist and explorer Zor visited the Invid homeworld, Optera, and discovered that the Invid "Flower of Life" could be used as the basis of a potent form of bio-energy he called Protoculture. Zor stole the secrets of the Flower and took them back to Tirol, where Protoculture soon sparked a technological revolution that created space fold travel, reflex weaponry, and bioengineering. The lords of Tirol, calling themselves the Robotech Masters, used this power to annex their neighbors, and created the giant Zentraedi to police their new empire. The Masters then ordered the Zentraedi to defoliate Optera to monopolize their control of the Flower. The surviving Invid split into two factions: one, led by the Regent, fixated on vengeance against Zor and the Masters, and the other, led by the Regiss (or Regis), determined to find a new home and a new evolutionary form that would enable their survival. The Invid later killed Zor, but not before he sent the last Protoculture factory to Earth (as shown in the 1986 ROBOTECH graphic novel), hoping in vain to put it beyond the reach of the Masters.

When Zor Prime, a clone of the original Zor, destroys that factory at the end of the ROBOTECH MASTERS/SOUTHERN CROSS segment of ROBOTECH, it effectively seeds the Earth with the Flower of Life and draws the attention of the Regiss, who invades in hopes of finally reclaiming what had been stolen from her. (This isn't the case in the original MOSPEADA storyline, where the Inbit simply invade Earth because it seems like a habitable spot for their eugenics project.)

This is a clever amalgamation of ideas from the original shows, and it gives ROBOTECH a very different perspective on colonialism than the original series. MACROSS says explicitly that the devastation of the Zentraedi holocaust makes the colonization of other worlds a moral imperative for the human survivors; the original SOUTHERN CROSS storyline is about defending a human colony world (established after a nuclear war devastated Earth) against the return of that world's weird and malevolent original inhabitants; and MOSPEADA ultimately suggests that the Regess has been a more-or-less benevolent, religiously motivated colonizer who leaves the Earth better than she found it. The ending of ROBOTECH is a series of moral reversals: The Invid Regiss has gone from refugee to conqueror, doing to the humans what the Masters and the Zentraedi did to her, but at the same time, the human survivors of the war with the Zentraedi have in effect become the new Robotech Masters (something the Regiss says pretty explicitly in her final monologue), prepared to replicate the devastation of Optera and the Zentraedi holocaust to keep the Regiss from winning. Her ultimate departure, which also destroys the attacking REF fleet, is driven by shame, and a desire for a very literal kind of restorative justice that seeks to redress the humans' sins as well as her own, which makes for a morally complex and bittersweet finale for the saga (the misbegotten SHADOW CHRONICLES notwithstanding).

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