Yo my mestise queers, I love you all 💙
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Certainly it is a bit depressing how so many otherkin accidentally fall into ecofascism and such because of hating humanity. loathing humans won’t do anything, humans are also an animal species, but also with a unique capacity of altruism and caretaking. A cat does not care that a bird species can go extinct, but humans do, and there is truly something beautiful in humanity. It also alienates us otherkin where our kintypes are actually very close to humanity—drakons are protectors of human houses, pantries, and givers of health. My kintype is bound by humanity yet there is barely any representation for otherkin such as myself.
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thinking about why I love monster hunter and how it's not just that it delivers on the very specific power fantasy of defeating large beasts in cool ways with a bit of metal on a stick, it's that most substantive problems can be solved by defeating a large beast with a bit of metal on a stick
interpersonal conflict is vanishingly rare in monster hunter. everyone's united against a common environmental threat. greed, oppression, the various evils of humanity barely make an appearance. if there's a problem you can probably kill an elder dragon about it.
it's a nice little bit of escapism to go to a place where everyone is just trying to be nice and help you succeed. at bopping the god of monsters in the face with a hammer.
also there are cats everywhere and they are my friends.
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hits the disinformation machine with a bat a big bat a big heavy lead-core thick wood bat kablam whack whack whack whack whack. miguel ohara does not have "spider instincts," he has never in even one piece of official material ever had nor experienced the phenomenon that fandom colloquially refers to as "spider instincts," okay, that concept is entirely and 100% a fandom-born headcanon that people created post-ATSV as an excuse to write the guy as a stupid Feral Brown Beast-Man caricature . lord have mercy. it takes. two seconds of research 2 not perpetuate racist malarkey. do better
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"A strong queen is just what this country needs!"
The Irish who know the queen in question as the famine queen:
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one thing i think the terror does really well (which i think is reallyyyyy difficult to properly execute) is managing to create a sympathetic portrayal of colonisers, whilst still condemning colonisation. these characters are dying. they’re suffering and in pain. but they’re still portrayed as invaders, and their actions have (sometimes life threatening) consequences. that also doesn’t negate the feeling and emotional connection that is created with them. think about goodsir’s appreciation for the world, even after seeing the worst of it. or the pain of crozier’s recovering alcoholism. the characters and their actions aren’t separate, but you can still see their suffering and empathise with it. i just think that’s neat.
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i admit that i find it a little bit frustrating how Wildly Astonished other antizionist jews act when i tell them my israeli jewish family have lived in the region since [some unknown length of time before 1800 when there start being records about it]
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No but you don’t understand. The storytelling of the flashbacks to Cassian’s life as Kassa on Kenari. The fact that we get no translations for the language, but everything we need to know is communicated to us anyway. We understand which kids are In Charge, we see the leader’s prudence, how she commands respect, her generosity in allowing Kassa to join. We see the ritual of the marking application. We see jewelry, bowls, cups, toys— and weapons, though we don’t realize exactly what kind they are until they are needed, but used too late. We don’t know what the last thing Kassa said to Kerri was. We know exactly what he said. The green of the forest, the yellows greens and oranges of the kids’ clothing. The older kids stepping over a log, but Kassa, the youngest and smallest and last of the pack, swings his legs over sitting down. The shot panning from the green of the forest to the dead land near the mining site. The shot of Kassa overlooking the ridge where the mining happens. The total saturation of Kassa’s world— the color, the teeming life, the grime. Contrasted with the world of the Republic-soon-to-be-Empire, which is dead, cold, grey and black and artificial red. Glassy and clean. Literally and metaphorically surrounded by death, Kassa is the only alive thing on that ship. His shirt is the same color as the dead crew’s faces. The pop of color of the Andors: Maarva and Clem’s bickering, their bright clothes, Bee’s shiny paint, Maarva’s bright hair. Theirs are the first words chronologically that the audience can understand. Kassa can’t. Maarva kidnaps a frightened, angry, child with a community— on a whim. After the event itself, the fact that she kidnapped him is never discussed. Two people were lost to that band of kids: their leader and their straggler. Cassian is still looking for his sister. Cassian keeps going home and promising he’ll be back. Kassa never returns to Kenari.
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Hey guys,
As a Phandom, can we not depict w*ndigos as some cryptid or ghost thing?
The native cultures the folklore is from by and large don't want them to be used or depicted by the general populace. Additionally, the general populace doesn't know them or depict them as the original sources do - rather, they are stripped of their context. Because of this, using them is disrespectful.
Using them is cultural appropriation.
I know a number of people don't realize this - heck, I didn't know it was disrespectful and cultural appropriation until the backlash against Supernatural using them, because most the sites I visited that had them just didn't mention it. (The same goes with s**nw**kers, by the way - the folklore they're from says we shouldn't use the name, and the cultures the folklore is from don't want us using it.)
I know this has come up in the Phandom before - Phanniemay nearly used it as a prompt several years ago, but it was quickly removed once the situation was explained.
I'm not naming any names - but I'm starting to see terms and folklore we shouldn't appropriate crop up in Phandom again, so I wanted to spread the word.
Here are some sources on the actual folklore, and why we shouldn't use it:
Stolen Spirits: The Appropriation of the Windigo Spirit in Horror Literature (Kallie Hunchman, Ball State University)
More Than Monsters: The Deeper Significance of Wendigo Stories (Kaitlin Smith, Facing History and Ourselves)
A Creature Without a Cave: Abstraction and (Mis)Appropriation of the Wendigo Myth in Contemporary North American Horror (Francesca Amee Johnson, University of Warwick)
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"twilight was a deeply anti-indigenous text with an abusive power-imbalance masquerading as a romance story written by a mormon and it was weird when white people tried to rehabilitate it" and "a lot of contemporary criticism of twilight boiled down to homophobia and misogyny and wanting to keep some kind of purity in a constantly-changing vampire mythos" coexist.
also donation link to the Quileute Move To Higher Ground initiative
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Fun fact: in Anishinaabemowin, the term for a cat purring is "nagamo gaazhagehns" / "nagamo biizhehns" / " nagamo boozhehns" (different dialects have varying words/spellings for a house cat)
But the main thing is that "nagamo" is the verb for "he/she/that one sings"
Cat purring in Anishinaabemowin is essentially called "cat singing"
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Nooooooo, not doing celebrity discourse. I have lived in that world and it's far too complicated by bad faith and people putting fucking bizarre spins on statements and scrutinizing especially women, LGBTQ+, and PoC for any potentially bad opinions or things that might be construed as bad opinions or things that are bad opinions, period in order to pass a clear moral judgment on a person YOU DO NOT KNOW, in sum total. And I ain't doing it. Miss me with that.
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anyway please show love to your queer and indigenous friends and show support for the groups and organizations trying to make a difference for these communities IN the states they live in. most of us don’t want to leave, and we shouldn’t HAVE to leave to be recognized as humans worthy of rights and respect and love, not just by our representatives but also by queer people (especially white people) in big cities in the north who assume their experiences are universal.
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Books of 2024: NEVER WHISTLE AT NIGHT: An Indigenous Dark Fiction Anthology, ed. by Shane Hawk and Theodore C. Van Alst Jr.
This has a bunch of authors I already love in it (Stephen Graham Jones, Darcie Little Badger, Waubgeshig Rice, and Rebecca Roanhorse!!), and several authors I've been meaning to try (like Tommy Orange, Nick Medina, and Kelli Jo Ford, to name a few), so I'm really hyped for them all to be together in one volume! Plus dark fiction is very much my jam (especially when it comes in a bright and colorful package).
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thinking about how mishandled the herb brides are because like. The Text tells us they're not sexual beings (P1 mentions them being virgins, engaged to the Earth, and not to be touched even by their husbands, almost, for a lack of a better word and to conjure an image more than anything, priestess-types) and that their dances are nonsexual and sacred (all all true and correct) WHILE. giving them detailed / 3D modeled nipples. topless. clothes very conveniently torn [in ways that would be unrealistic for actual dancing like in the fucking moshpit]. all pretty thin hairless white-passing blemishless 20-something women. being already sexualized as white-passing asian women, but if they looked more like other NPC models/members of the Kin like the Kayura models (which to me would make more sense because they are never mentioned to be mixed in the way Artemy, an indigenous man who's blonde blue eyes due to being mixed, is [while still very much being indigenous and it being a central part of his story]), it would be even more obvious and would steer even more into Very Blatant fetishization of asian women. and then one asks, are they white-passing because they're sexualized? are they sexualized because they're white-passing? was it an admission of guilt to not make them look like Kayura model, because it would be too obvious then? or is it an admission of lust for women more white-passing? is it about beauty in the eye of the beholder?
then there's bewildering and dehumanizing lore of members of the Kin being non-humans, through the existence of the Worms (literally half-soil), them being a (more or less literal) hivemind, and that being "less human"/closer to the earth (nice_dichotomy_what_lies_outside_of_it png but also... the game touches on that...) immunizes them to the Earth's disease... and yet the Brides look like women... pretty thin hairless white-passing blemishless 20-something women who someone found wise to give 3d modeled nipples to, still good for the ritual cutting... do you hear how i'm going mad yet...
edit to add because while i was so mad and it WAS in my mind i just didn't have the strength to add it when i first wrote:
and they're bought and traded between the odonghs they pair with (again, closer to cattle or things) ... ladies there's so much. there's too much.
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