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#know your damn history
thewhizzyhead · 1 year
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anyways now that I'm back on this site, let it be well fucking known that this filipino musical theatre rambler absolutely abhors the Here Lies Love musical and I am absolutely ashamed that it is gonna be known as the first Broadway musical with an all-filipino/fil-am cast BECAUSE GLORIFYING A PERSON (imelda marcos) INVOLVED IN A CONJUGAL DICTATORSHIP (wife of ferdinand marcos) THAT CAUSED HUNDREDS OF DEATHS AND AN ECONOMIC CRISIS DUE TO ILLEGALLY ACCUMULATED WEALTH FROM PHILIPPINE TAXES ESPECIALLY WHILE SAID PERSON IS STILL ALIVE WITH HER SON (ferdinand "bongbong" marcos jr) BACK IN POWER IS ALL SORTS OF WRONG
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bloodpen-to-paper · 10 months
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*Points at chart* Watch them
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yyunari · 6 months
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eric nam supports israel?? bro i bought tickets to his concert i need to sell them now bc ain’t no way😭😭
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marinehero · 1 month
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Stares off into the distance. Garp believes in Luffy so much. Believe isn't even the right word, he knows. He knew Roger. He knows if there's anyone who's going to do it, it's Luffy. He knew it early on and it terrified him. Just as he knew Roger's sotry, he knows how this story ends. He's terrified. He loves his grandson. He knows who he works for. He knows the powers in charge. But Luffy kept proving the world wrong again and again and again and even he couldn't deny anymore that if there's anyone who can make it and survive, it's Luffy. He's so damn proud, he always has been. Luffy's going to be the one and he knows it to be a fact as given as the sea.
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superanimepirate · 8 months
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So when are they announcing Jamie Lee Curtis as Dr. Kureha? And whatever abomination they come up with for Chopper?
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imminent-danger-came · 5 months
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There was one time before s4 of Monkie Kid aired where I was like, "MK is totally gonna parallel Mei from 3x10 and he's going to leave because he's scared of his own power", and let me tell you, watching s4 was the most validating experience of my life
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surpriserose · 8 months
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I think when we make fun of people saying theres a million butches in media we gotta stop being like all you see is femme4femme couples because girl that is not true either there are no femmes there are no butches there is no community or history there the average lesbian in media is a straight woman who happens to like women do you understand its all so far removed from actual bi and lesbian experiences for everyone do you really think femmes feel represented by skinny cis white women who peck other skinny cis white women on the lips
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cursed-clock-shop · 7 months
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Nelly always made sure to paint her entire fingernail so people would know that she wasn't like other girls. She was crazy.
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cloudcountry · 10 months
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also omg someone very suspicious showed up in isaac's route today and was so....................................................................👁️👁️
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colecassiidy · 27 days
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Runaway Turned Thief, His First Horse, and its Consequences.
Cole's first horse after the razing of his hometown is a dark bay no-spot appaloosa mare. She's built for long distance riding, and bursts of extreme speed for outrunning trouble. While she can go quite aways, there is definitely a lack of stamina in maintaining a sprint in comparison to a fully committed race horse.
He steals her from two drug mulers who had been camping out in the wilderness. This is where he ends up with most of his supplies that he keeps with him 'til Deadlock, including a second revolver to go with his first, a analog hunting rifle that he uses extensively for hunting and self-sustenance, and dressing knives. (Before then, he had a bed roll that was on its way out, carried in a ragged pack, a multi-tool, a foldable knife, and a water bladder; one extra set of clothes. Having a horse allowed him to pack greater inventory, travel further, and carry more quality of life items such as a wire set to cook over fires, rope, etc. Etc. In the case of meeting @/quick-drawn, she also allowed him to pack game to bring back home.)
He is on the verge of becoming 12, having left the orphanages some months prior (having been inducted into the system at 11 and spending time being tossed around for about 6-8 months). The whole debacle is a bit of a shit show with him waiting for the dark of night, pressed flat to the ground on his stomach amidst the cover of large rock and sage bush rooting between the crevices. He is, at this point, learning to be a little more clever with his thefts, scoping out the individuals, the layout of the camp (but fails at this time to consider escape plans, terrain.)
Sky turns indigo, then a void of black fractured by the salt-scatter of stars. Fire's died out to embers and the men retire to their tents. Cole scrapes himself up to his feet, scurries down the path tied between hasty and careful and rifles through their supplies like a shambling animal that's wandered someplace it don't belong. He ransacks ammunitions, the aforementioned firearms, some cans of food and a flask engorged with gin, amongst an assortment of other things; gathers and piles them up in the saddle bags on the Appaloosa.
Men start rousing as he's on the tail end of packing - the one stirring with a need to take a piss - and the little heist becomes a smash-and-grab operation where he's cutting the reins with a knife and blasting down the mountainside as they start yelling and searching for their firearms.
Later on, when it's deemably safe and he's lost them, he rummages through her saddle bags and finds papers reading Honeysuckle and his face scrunches up sour. Amber-brown eyes dart up from crinkled black print to the dark pits of the horse's. "Y'don't seem like a Honeysuckle."
He doesn't know why, but the name Maria falls off his tongue much easier. Fits her features more, he thinks. (It is, absolutely, a lapse back into his religious roots. Finding the name like a prayer, which he utters in both thanks and apology. Most of all, the significance just falls down to lyrics of Plastic Jesus: Goin' 90 I ain't scary, 'cos I got the Virgin Mary assurin' me I won't go to hell.)
She's a playful mare, likes to 'sneak up' on him while he's turned away despite the very obvious noise of her shoes hitting the ground. Likes to nuzzle her head into his neck, or knock into his back, set his hat off-kilter. Loves hoofing at creek/river/brook water - though that's a learned habit when he decided to splash at her on a non-eventful, idyllic day at a lakeside shore. Steady girl - he'll call her lady, sometimes. There are days where he'll share a beer with her, too.
He is somewhere in the throes of 13 when he unfortunately re-crosses paths with his victims. It's serendipity on their end, an accidental run-in out in the wilderness near an ol' gutted hunting lodge. The owners recognize Honeysuckle and they sneak up on him like he'd done with them, except instead of running off with a horse and materials, they put a gun to him and have him flag up his hands. They don't know what to do with him (there's an additional man to the original duo) and they murmur amongst themselves in Spanish after beating him to the ground and tying him up; they converse like this thinking the boy can't understand.
There's not a lot going for them to toss him towards a lawman; not a lot of pretty coin for a petty thief, not in these days where the economy and infrastructure's been starved out to a post-war drought. One of them suggests killing him out back. There's nothing really stopping them, and they could re-collect their stolen goods and continue on their way. They'd lost money because of the kid's stunt, lost out on 50% of what they could mule with only 1 horse instead of two.
Third man finally says, Sell him. Some place beyond the border where English is just a rumored language spoken only on tv sets. Labor camps need more hands. Sold men are cheaper than the free ones. He gets his reckoning, we make-up our money and then some.
In English, they tell him that in ancient times the law would have his hands severed from the wrists for theft and they knot up the binds on his hands aggressively tight to prove the point.
And then they'd travelled South, days piling into days. The ribbed rope would gnaw the skin raw, chafing towards bone like it's trying to eat him alive, and the entire thing leaves his wrists risking sepsis and scars; bloody, mangled.
they're stopped by in some post-war abandoned location along the way to rest that's filled with rusty tools and broken beer bottles. Some sort of logging warehouse. Cole finds a shitty piece of glass on a countertop and palms it; clenches his hands around it even when it threatens to nip cuts and draw blood. The men get ready for bed. Cole starts sawing at rope fibers. One of the men check up on him while he's just about free - the binds snapping loose as he realizes something isn't quite right.
Cole doesn't know where the guns are; his hands are in too much pain to aim straight anyway. First man goes down with Cole tackling him right into exposed pipes, gritty sawblades. Commotion brings the other two out: one tries to grab him from behind, while the other moves to sling a punch to the gut. Cole kicks wildly, butts his head into the nose of the man who's got hands on him. He's dropped to the floor. His knees ache from impact but it's his wrists that are screaming and he chokes out a strangled noise of pain, blearily grabbing at a slaughtered beer bottle that he's landed right next to.
Man in front of him's had enough, is going for his gun when Cole launches up into him with the bottle in hand. The serated glass punctures cheek flesh, into an eye socket. Man screams. Cole reels the glass back and keeps jamming it back down - and his face is soaked by the gore of it. The screams stop coming, and there's a thick hand that gloves around his shoulder. By some blind, desperate instinct, his other hand has found the handle of the dead man's gun when he is swung around with a fist cracking into his jaw. The glass bottle crashes into the floor. A gunshot spears the air. A third body cripples to the floor, blood guttering from the stomach. He spits on them, staggering to his feet: hablo español, hijo de puta - ir a la mierda.
He shambles out from the building, doused in blood, brain matter, and tries to put on a brave face, but he starts breaking down and ends up mumbling in a sort of low-key hysterics to maria "im sorry, im sorry, im sorry" -- doesn't know what he's apologizing for, that he stole her, that he killed her previous owners, that he's alive. Between the adrenaline and everything crashing in all at once, it's the first time he's reduced to tears since the times before the war.
Exhausted, he falls asleep outside. Leaves the men as is and weakly cuts their horses free (too tired by it all, he doesn't think to search their pockets for money, to rifle through saddle bags before releasing their mounts.) It's a mistake, because the news will later search for the horse owners, talk about a bloody horror scene found in the stomach of a logging complex. But, until then, the next few days are of travel, trying to find a main road while his wrists are pounding hellfire.
He ends up stumbling into a gas station in the middle of bumfuck nowhere looking like road kill. The attendant is startled right out of his seat as Cole walks up to him and shoves forward a fistful of ruddy-colored bills.
His voice rattles like pennies in a rusted gutter; tinny, scraping. He croaks, "I got some money for a band-aid and some rubbin' alcohol."
Man thinks this kid's been in a motor vehicle collision, says, "Kid you're going to need a lot more than just a band-aid" as he unlatches the medical kit from the wall. He seats Cole down on a plastic foldable chair, patches him up free-of-charge to the best of his ability the way a gas station attendant can offer. Man adds in a pair of gloves to make sure the gauze don't shift around too much. Man asks questions.
Where's your parents? What happened?
Cole says war got them. That he got into an accident.
Man tries to have Cole clean up in the bathroom, says there's snacks waiting outside while he phones for the police. Cole washes up, peels off his clothes for the last set he's got, and pockets the medical supplies the man had been using. He walks off, leaving the bathroom -- just does not come back inside -- and hitches back onto Maria and starts to ride off before anyone can come.
He leaves a few crumpled dollar bills on the sink.
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princessefemmelesbian · 11 months
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Me when an article says that “stud” is for “Black and Latinx(sic) lesbians”: 
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gunthermunch · 1 year
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Argentina fans on twitter are being racist to Saudis calling them slaves, calling Brazilians monkeys, disrespecting Mexicans, etc. like... misinformation? your country has always been known for being racist and proud of it 🥴
oh yeah im not letting this one pass. guess what? there are horrid bigots everywhere (check the USA) and sadly argentina is no exception yet you can't grab an entire country and call them racist, would you like us to do the same to you? want to talk about operation paperclip? plan condor?
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iamthemaestro · 10 months
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unfortunately catholicism knew how to do one (1) thing right and that was Be Sexy
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cruelsister-moved2 · 8 months
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I think about this part all the time when i see online conversations about bigotry and oppression that focus on the most cartoonish and blatant (and isolated) iterations (also often explicitly associated with an 'uneduated' [working class and/or nonwhite] perpetrator), rather than the subtle structural machinations which actually serve to fundamentally define the way a marginalised person is able to move through society. & the way people are able to affect an academic posture when discussing a form of oppression which they themselves benefit from and participate in which allows them to appear to transcend this relationship altogether, making them not only not complicit in this relationship but also actually better placed to comment on it than either those who perpetuate it or those who are marginalised by it.
you can read the whole article here if you're interested I would really recommend it :)
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blackjacktheboss · 2 years
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still can't belive you invented traite fr
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when you’ve got it, you’ve got it
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erabundus · 1 year
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the  inherent  hypocrisy  of  accepting  your  past  while  also ( metaphorically )  breathing  not  a  single  word  of  it  to  your  other  half.
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