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theonlyadawong · 6 months
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Promotional photos for the current touring cast of The Wiz
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erikahenningsen · 2 years
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A Strange Loop | May 14, 2022m | Kyle Ramar Freeman (u/s Usher)
**Do not share this outside of Tumblr, including posting links to this post on other social media**
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krokodile · 2 years
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realizing it’s been a bit since i’ve done a proper audio dump. as always i’m available to trade (though it might take me roughly 100 years to get back to you) but to be perfectly upfront with you, i post all of my masters anyway so if you’re looking to pad out a trade list maybe just give me a follow or check in from time to time.
anyway, leading with the oldest; A Strange Loop, 6/15/22 matinee (Broadway)
Kyle Ramar Freeman is Usher, and he’s PHENOMENAL.  Strongly recommend giving it a listen.
Thoughts and others played by L Morgan Lee, James Jackson Jr, John-Michael Lyles, John-Andrew Morrison, Jason Veasey and Antwayn Hopper.
https://drive.google.com/file/d/19Z_fj1JGE0_g3-UDg2e3OnRukvmwW1kT/view?usp=sharing
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insanityclause · 5 months
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Tom Hiddleston, Jenna Coleman, Sheila Atim and David Tennant are among the stars celebrating London’s stage talent at the 67th Evening Standard Theatre Awards on Sunday.
They will be at the event at Claridge’s joining Tuppence Middleton, Omari Douglas, Layton Williams, Hayley Atwell, Jake Shears and his Cabaret co-star Rebecca Lucy Taylor, AKA Self Esteem, among others, to hand out awards.
The event, hosted by the newspaper’s proprietor Lord Lebedev with the help of Ian McKellen, is presented by Susan Wokoma. The writer and actor, who played Edith in the Enola Holmes films and whose stage work includes appearances at the Bush, the National and the Royal Court, is about to start work on Three Weeks which she will direct and star in.
She said: “Theatre is always a labour of love and London stages have faced their fair share of difficulties in the last few years. So I think it’s paramount we celebrate excellence while we can.”
Among the awards presented on the night are best play, best actor and the Milton Shulman Award for best director which is named after the Standard’s late theatre critic. Other awards include the Natasha Richardson Award for best actress in association with Mithridate and the Charles Wintour Award for most promising playwright — named in honour of the paper’s editor for many years.
Also awarded on the night is the Lebedev Award, which is given to an individual or institution for lifetime achievement or a specific critically-acclaimed piece of work or series as well as two special Editor’s Awards.
Among those in the running are Paul Mescal, shortlisted for best actor for his role in A Streetcar Named Desire, with his co-stars Anjana Vasan and Patsy Ferran up for best actress. Mescal is up against Andrew Scott, who won in 2019 and is shortlisted for Vanya, as well as Paapa Essiedu for The Effect, and Mark Gatiss for The Motive and the Cue. The shortlist for best actress is completed by Rachael Stirling for Private Lives and Sophie Okonedo for Medea.
Also in the running is Nicole Scherzinger for Sunset Boulevard. She is nominated for best musical performance along with Charlie Stemp in Crazy For You, Kyle Ramar Freeman in A Strange Loop and Marisha Wallace in Guys & Dolls.
James Graham’s Dear England is shortlisted for best play alongside Jack Thorne’s The Motive and the Cue, Sam Holcroft’s A Mirror and Ryan Calais Cameron’s Retrogade.
Previous winners at the awards, which were first presented in 1955, include Dame Judi Dench, Dame Maggie Smith, Ralph Fiennes, Laurence Olivier, Benedict Cumberbatch, Gillian Anderson and Glenn Close.
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bestmusicalworldcup · 6 months
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The new Broadway revival of The Wiz is now selling tickets. It is currently running a pre-Broadway national tour, and will begin previews March 29th, with opening day set for April 17th.
This production is directed by Schele Williams, who is also directing The Notebook, another musical opening next year on Broadway. Amber Ruffin has also revised the book.
The Broadway cast includes Nichelle Lewis as Dorothy, Deborah Cox as Glinda, Wayne Brady as The Wiz (Alan Mingo Jr. plays The Wiz in most of the tour), Melody A. Betts as Aunt Em/Evillene, Kyle Ramar Freeman as the Lion, Phillip Johnson Richardson as the Tinman, and Avery Wilson as the Scarecrow.
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uhlikzsuzsanna · 5 months
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Tom Hiddleston, Jenna Coleman, Sheila Atim and David Tennant are among the stars celebrating London’s stage talent at the 67th Evening Standard Theatre Awards on Sunday.
They will be at the event at Claridge’s joining Tuppence Middleton, Omari Douglas, Layton Williams, Hayley Atwell, Jake Shears and his Cabaret co-star Rebecca Lucy Taylor, AKA Self Esteem, among others, to hand out awards.
The event, hosted by the newspaper’s proprietor Lord Lebedev with the help of Ian McKellen, is presented by Susan Wokoma. The writer and actor, who played Edith in the Enola Holmes films and whose stage work includes appearances at the Bush, the National and the Royal Court, is about to start work on Three Weeks which she will direct and star in.
She said: “Theatre is always a labour of love and London stages have faced their fair share of difficulties in the last few years. So I think it’s paramount we celebrate excellence while we can.”
Among the awards presented on the night are best play, best actor and the Milton Shulman Award for best director which is named after the Standard’s late theatre critic. Other awards include the Natasha Richardson Award for best actress in association with Mithridate and the Charles Wintour Award for most promising playwright — named in honour of the paper’s editor for many years.
Also awarded on the night is the Lebedev Award, which is given to an individual or institution for lifetime achievement or a specific critically-acclaimed piece of work or series as well as two special Editor’s Awards.
Among those in the running are Paul Mescal, shortlisted for best actor for his role in A Streetcar Named Desire, with his co-stars Anjana Vasan and Patsy Ferran up for best actress. Mescal is up against Andrew Scott, who won in 2019 and is shortlisted for Vanya, as well as Paapa Essiedu for The Effect, and Mark Gatiss for The Motive and the Cue. The shortlist for best actress is completed by Rachael Stirling for Private Lives and Sophie Okonedo for Medea.
Also in the running is Nicole Scherzinger for Sunset Boulevard. She is nominated for best musical performance along with Charlie Stemp in Crazy For You, Kyle Ramar Freeman in A Strange Loop and Marisha Wallace in Guys & Dolls.
James Graham’s Dear England is shortlisted for best play alongside Jack Thorne’s The Motive and the Cue, Sam Holcroft’s A Mirror and Ryan Calais Cameron’s Retrogade.
Previous winners at the awards, which were first presented in 1955, include Dame Judi Dench, Dame Maggie Smith, Ralph Fiennes, Laurence Olivier, Benedict Cumberbatch, Gillian Anderson and Glenn Close.
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deadlinecom · 11 months
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The first time I listened to this cast recording, I teared up 30 seconds into the first track, because it was so original and evocative and made me feel a way I probably had not felt since the first time I heard the Hamilton cast recording in 2015. Today, I was fortunate enough to see the phenomenal Kyle Ramar Freeman (whom I first saw as Asaka in the national tour of Once On This Island!) as Usher. I watched this show from the second row of the Lyceum Theatre, which my husband agreed was exactly how it was meant to be experienced, with Usher’s thoughts and anxieties directly in our faces. As you may know by now, I am not a crier. I immediately burst into tears as soon as this show was over. Go see this show! Now! Hurry!
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popblank · 11 days
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Catching up on posts for things I have seen recently —
The Wiz at the Pantages Theatre in February:
(My memory of this show is a bit fuzzy so comments are kind of vague)
I was looking forward to this show since it's a well-known show that somehow I have never seen in any form, so I have no comparisons except the other adaptations of The Wizard of Oz. It was often campy and over-the-top but once I got a feel for the tone, I didn't find it overbearing. (For comparison, examples of fun shows that nevertheless felt like a little too much: Moulin Rouge! and Beetlejuice.)
There were three things that worked in sequence to get me on board with the show:
The orchestra
The orchestra sounded great and set the tone with the overture. Sometimes I want to leave as soon as possible after bows but in this case I also stuck around to hear the exit music.
Addaperle's escalating series of jokes about Evamene
The show had jokes that I actually found funny (!) which is not something I expect in comedies, because humor is subjective, etc. etc. (I sometimes brace myself for disappointment going into comedic shows. Little worried about Shucked next year.)
The repeated iterations of "Ease On Down The Road"
The riff that opens the song is cool and catchy and full of anticipation. As a viewer who is familiar with source material and characters, seeing the band of travelers built up one by one with a joyful & hopeful song is really enjoyable setup. Each of them has great individual moments (particularly liked Kyle Ramar Freeman as Lion) but it is most fun to see them all together.
(Honorable mention: the "Emerald City" dance sequence that opens Act II)
The audience was very responsive and I think it really improved my viewing experience. One couple to my right seemed to be on a date night and were evidently having a great time; they got "RIP Evamene" t-shirts at intermission. (I do wish the guy hadn't sung along to part of "Home" but oh well.)
Several of the songs were familiar to me outside the context of the show, and in this case seeing them as part of the show was a pleasant surprise (contrast with "Don't Rain On My Parade" in Funny Girl).
Projections worked reasonably well in Oz to illustrate a mood; the semi-realistic landscapes that represented Kansas were a bit anticlimactic after all the wonder of Oz. It still felt like a touring show more so than a Broadway show, possibly due to sets that felt scaled down. Would that be less of an issue in a significantly smaller Broadway theater?
Overall, performances were good, I had a good time, and I was glad I didn't miss it.
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Obsessions EP92: A Little Night Music
This is a page dedicated to documenting the various theatre news, performances and the like that Lia and Odiesia mention in the “Obsessions” segment of the show. Listen to this episode here. You can also find our fave songs playlist here.
Lia
Joker: Folie à Deux will be a jukebox musical
Ariana Grande and Bowen Yang in Moulin Rouge SNL skit
Odiesia
Kyle Ramar Freeman to play the Lion in The Wiz on Broadway
Shoutout (not in episode post-show finds):
Sondheim teaches 'Later' from A Little Night Music (AllanWo)
Sondheim teaches Send In The Clowns (Part 1) (AllanWo)
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flagbridge · 6 months
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Show I Saw in 2023, Part 8: The Wiz
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Folks, the energy in this show BRINGS IT. Absolutely packed house for the pre-Broadway run of The Wiz at the National Theater in DC (I am once again reminding you that DC is the second-best live theater city in the United States, and I've lived in Chicago). The show is very updated for the 21st century and an absolute delight. 24-year-old Nichelle Lewis is Tony-ready, but my favorite was Kyle Ramar Freeman as the Lion. Glad I got to see Alan Mingo, Jr. as the Wiz before Wayne Brady takes over in New York. This is a very dance-heavy show--that's probably what is most memorable. The Wiz doesn't have a lot of memorable tunes besides, well, the one everyone knows, but the show doesn't suffer for it. It's visually stunning, I liked the use of the AI backdrop, and the show was absolutely hilarious at times.
A few soundboard and lighting goofs, but you will be humming "Ease on Down the Road" for the next year. Since it's family-friendly, and can survive without star power in the leads, I'm sure this show will run for a few seasons.
The 2024 Broadway season is looking really competitive and I'm glad I saw this before it opens in New York!
I've also now added a Shows I Saw in 2023 tag so you can see them all!
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perry-tannenbaum · 4 years
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Soul and Spirit of the Caribbean in a Ramshackle Village
Soul and Spirit of the Caribbean in a Ramshackle Village
Review: Once on This Island By Perry Tannenbaum
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  Early in the colorful Tony Award-winning revival of Once on This Island, we learn what differentiates the upper-class grand hommes of this French Antilles fantasyland from the darker-skinned impoverished peasants they have shunned. The upper crust have their money, their steady flow of rich tourists, their fine champagne, their Frenchified style,…
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larryland · 4 years
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Tony Award-Winning Revival of "Once on This Island" Returns to Proctors
Tony Award-Winning Revival of “Once on This Island” Returns to Proctors
TONY AWARD®-WINNING BROADWAY REVIVAL OF ONCE ON THIS ISLAND RETURNS TO PROCTORS FROM JAN. 17 TO JAN. 18
  SCHENECTADY, NY – JAN. 7— Winner of the 2018 TONY AWARD FOR BEST REVIVAL OF A MUSICAL, ONCE ON THIS ISLAND is the sweeping, universal tale of Ti Moune, a fearless peasant girl in search of her place in the world, and ready to risk it all for love. Guided by the mighty island gods, Ti Moune…
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deadlinecom · 11 months
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