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#listen look at arthur can you blame oscar
mikonez · 19 days
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going places, doing things, pining on the passenger seat
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yesttoheaven · 3 years
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I SEE YOU – chapter II
pairing – arthur fleck x female!reader
wc – 2.4k
warnings – none, just some rude people. It's gotham.
a/n – I'm late with this chapter, I know... 🙃 but I hope you like it!
chapter one here:
English is not my first language. I am getting help from google translator and he is not always a good ally, so I apologize for any typos or grammar errors.
Y/N – your name
Y/L/N – your last name
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A week has passed since Y/N met Arthur Fleck. It was a long week for her – with TV appearances, some biased rumors about a possible affair with her co-star and problems with the city's main NGO. The place was invaded and looters took what little they had to offer to the population. Gotham police were doing their best to find those responsible, but it would take some time.
Despite the problems, Y/N constantly found herself thinking about the brown-haired man. At some point he was always in her thoughts. Since the day she left him in front of a building on Winslow Avenue, they haven't seen each other anymore. Y/N would like to know what he thought of the movie, but the man never came.
Maybe he didn't like the movie, she thought. And that was totally fine. What was not right was this desire to find him again.
On Wednesday, Brian asked if 'the guy with the big shoes' had called her, but the actress confessed that she had not given him her phone number. What the young actress didn’t know, was that Arthur had crossed the city – more than once – just to tell her what he thought about the movie, but his attempts were marked by misunderstandings.
"The entrance for employees is on the other side." The receptionist informed, attracting the attention of Arthur, who was walking through the luxurious hotel lobby. He didn't know if she was talking to him directly, but he approached the counter anyway.
"Huh... Y-You talked to me?"
"You are the new janitor, right?" The woman stopped what she was doing and finally looked at him, repressing the urge to roll her eyes.
Arthur shook his head and with a small smile, he said:
"I'm looking for Y/N Y/L/N." The mere fact of saying her name made his heart run so fast. Arthur could not explain, but since he met Y/N, his days have become colorful. He still suffered from the brutality of the citizens of Gotham, but everything became more bearable.
"Y/N Y/L/N? The actress? Are you sure?" The receptionist asked incredulously and at the same time seemed to hold herself back from laughing. It really seemed like a joke to her. What could this strange man want with Gotham's Golden Star?
"I need to deliver this to her." Arthur showed the VHS tape, hoping it would guarantee his free pass. "What room is she in?"
"Listen, I don't know how you got through security... but you certainly saw all those people out there. Everyone wants to talk to Y/N or just ask for an autograph. The problem is that none of you are allowed to be here."
"Autograph? I'm not here for the autograph! She wants to know m-my opinion about her new movie."
"I'm sure the only opinion that matters to her is that of the Academy of Oscars."
"You are not understanding... We are practically friends, she saved my life in that alley! Ask her! Say that Arthur Fleck is here... S-She... She will remember me!" While Arthur was stuck in his own words, the woman called the security guards.
The moment two men approached, Arthur realized that things were going very, very badly. In his mind everything seemed easy. He found Y/N and she was happy to see him, but in practice he hadn't reached the elevator yet and the security guards were already putting him out.
"Wait! You got it wrong..." He tried to explain and get rid of the men who were holding him, but the receptionist just shook her head, telling them to get him out of the lobby before the residents showed up to see this show. This would not be good for the hotel's image. "I just want to see Y/N..."
"That's what everyone wants." One of the men said, laughing.
"And I wanted her to dance for me." The other security guard confessed, sighing sadly, while that desire would remain only in his dirty imagination.
Near the main door of the luxurious hotel, they treated Arthur like trash, throwing him on the sidewalk. The poor man managed to maintain his balance and remain standing with the little dignity that remained, but that disappeared as soon as a painful laugh cut his throat.
"Go back to your filthy home! You are too old for this fan and idol thing."
...
When the elevator doors opened, Brian left the metal box accompanied by two officers. Because of the police's satisfactory commitment in this case – obviously Y/N's status contributed to this – the actress received good news. The stolen supplies from the institution were found in a shed and a man was caught in the act. Other suspects are still being sought, but the only piece that doesn’t fit, is that the owner of this shed is Thomas Wayne, candidate for mayor and also owner of WayneCorp.
"Tell Miss. Y/L/N that we will capture the responsible."
"Or those responsible." The other officer added, reinforcing his commitment to the citizens of Gotham.
As soon as the officers left the building, Brian intended to go back to Y/N's room and check on her, mainly after receiving new information about the case, but his plans were interrupted by Susan, the receptionist. She showed a big smile, waving, and he approached the counter trying to look friendly.
"Hey, Susan! How was your day?"
"You know, check-in, check-out... The same things." She laughed, shaking her head. Her job was not exciting, but it paid her bills. That was enough. "I saw the cops... Do they have any suspects?" Curiosity was plastered on her face and Brian sighed, fully understanding why she had called for him. Gossip.
"Unfortunately I can't give too many details, but they are doing a good job." He stated, satisfied with the investigations.
"I don't know if that can help anything, but maybe he participated in the theft..." The woman murmured. The words seemed to be directed at herself, like a loud thought, but the bodyguard was unable to ignore and asked:
"What are you talking about, Susan?"
"A man was here looking for Miss. Y/L/N. His insistence scared me. He was determined to go into her room, only God knows what he intended to do, so I called the security guards, they put the man out. But Carl saw him across the street for three days straight."
"You did the right thing. It's unbelievable how Gothan became a fucking asylum!"
"Do you think I don't know? Sometimes it feels like we're living in hell... But the freak left his name. Arthur Fleck. I don't know if it's real, but you should check with the police."
"I will do this... Wait! Did you say Arthur Fleck?" Brian questioned, as confusion appeared on his face. That name was familiar to him.
"It's a strange name for a strange guy."
If it were possible, a lamp would be shining next to Brian's head right now. Arthur Fleck is the name of the guy with the big shoes.
Without any explanation, Brian ran for the elevator, leaving Susan extremely confused behind. When he arrived at the actress' room, he found her talking on the phone. She didn't look happy.
"Oh, he does not want to talk to me? Very busy, huh? You know I don't like to get involved in these problems... but he started it, Alfred!" Y/N had crossed her limit. The only thing she wanted to do was talk to Thomas Wayne about the NGO supplies that magically appeared in his shed, but that would be impossible. Alfred insisted, saying that the billionaire was at an important business meeting and that he had no connection to the theft. "Okay, I will not insist. Maybe when you regain your senses, you understand my side. Have a nice day, Alfred!" She ended the call and looked at Brian.
"I can't believe you called Thomas..."
"Likewise when he called the mayor’s office trying to ban the showing of Midnight Seduction." The actress argued, showing a fake smile. "These NGOs that I help, they are hindering his path, it is not very difficult to see. You know how men like Thomas Wayne build their empires. It's not pretty."
"God, I know... but be careful what you say. It is a very serious accusation." He advised, concerned for her safety. Y/N just walked over to the table in the center of the room, picking up her glass of scotch and drinking all the amber liquid.
"Don't worry, I'm used to white-collar men."
"Oh, I can see it, but I hope you're used to clowns too, because I have news about the guy with the big shoes." Brian started, capturing her attention immediately.
"Arthur was here?" Y/N's voice took on a hopeful tone and a beautiful smile formed on her lips. For a moment it was as if all her problems were gone.
"Well..." Brian cleared his throat, choosing the right words to tell her, but deep down he knew it wouldn't work. "Arthur was committed to seeing you, but Susan did not allow his entry."
"Why she did it? Usually she talks to me first..."
"It is the protocol, but in this case she considered his behavior to be atypical. I don't know if he was nervous and had another fit of laughter in the middle of the lobby, but she believed that he could present you with some danger or even be involved in the theft of the NGO... The security guards kicked him out."
For the first time in this conversation, Y/N didn't know what to say. The words were stuck in her throat. She felt stupid for not giving Arthur her number or simply putting his name on the reception list. Any of these options would have avoided the embarrassment he went through.
"Maybe you should talk to him. Do you know where he lives." The blond-haired man suggested. It was clear as the day outside that Y/N was silently blaming herself for what happened and that was not fair to her. "What do you think?"
"Arthur possibly hates me now..." She murmured, walking across the room. First he was beaten in a dark alley and now humiliated, practically compared to a criminal. All Y/N wanted at the moment was to go down to the lobby to clarify some points with Susan, but Brian was right. Talking to Arthur is the best she could do. "Prepare the car."
"What? Now?" The surprise was tangible in his voice.
"I don't know, maybe next month?" She rolled her eyes. "You have an appointment?"
"No, but you have." Brian added, crossing his arms. It took a few minutes, but as soon as the actress finally remembered, her mouth opened in a perfect O.
"The dinner with Charles is today! I completely forgot!"
"And before that I need to get Misty. If she gets here with the makeup artist and you're on the other side of town, we'll be in big trouble."
"Maybe not." Y/N smiled.
...
"If Misty finds out where we are..."
"First: You need to calm down. Second: She will only know if you open your mouth and tell her." Y/N listed it on her fingers and then took off her sunglasses, looking at the building across Winslow Avenue. "Just trust me."
"I think I will regret this later." He whispered to himself, leaving the interior of the car and opening the door for her. Y/N accepted the help and together they went to the entrance to the building. The next step would be to find out which floor Arthur lived with his mother. "And now what do we do, genius?"
"I confess I didn't think about that part..." The actress replied, looking around curiously. The place was nothing like the luxurious buildings in downtown. There was no lobby to ask for information and the reality here was completely different.
"Do you need help?" Brian and Y/N were surprised by a female voice and found a woman near the building's front door, holding some groceries from the market.
"Oh, hi!" Y/N smiled as the woman approached where they were. "We are a little lost... Do you know which floor Arthur Fleck lives on?" After that question, a mixture of confusion and surprise appeared on the woman's face.
She didn't believe it when Arthur said that a downtown girl saved his life, especially when that girl was the Gotham's Golden Star. It seemed impossible, but now Y/N Y/L/N was here, asking to see him.
Abandoning these thoughts, Sophie smiled, agreeing immediately.
"You are lucky. Arthur and I live on the same floor, I can accompany you there."
The actress smiled appreciatively and Brian offered to help with the bags from the grocery store. As soon as they were inside the metal box, the woman pressed the number 8 button and looked at Y/N, saying:
"By the way, I’m Sophie Dumond."
"Nice to meet you, Sophie. I am..."
"Oh, I know who you are." She stated, dispensing with the introduction. "I mean... Gotham breathes you!"
"Sometimes it is strange to open the window and see your own face on a billboard or on TV." Y/N confessed. The fame was glamorous, but sometimes suffocating.
"It sure is better than opening the window and seeing a pile of garbage. This is the privileged view we have here." The woman argued, laughing at the situation and the elevator stopped on the eighth floor. "Well, Arthur lives there." After leaving the metal box, she pointed to the end of the hall and while Brian helped her with the bags from the grocery store, Y/N thanked Sophie for the information and walked to the location indicated.
Looking at the "8J" sign, she took a deep breath, wishing she had a mirror nearby to check her appearance. She wanted to be presentable to finally meet Arthur again, even though he might be mad at her. Gathering courage, Y/N knocked on the door. To her disappointment, no one came. The apartment continued in absolute silence.
"Don't tell me there is no one at home." Brian appeared beside her. Realizing that the actress was anxious, he knocked on the door again, with more insistence this time. "We can come back another day..."
Without a better option, Y/N was ready to go back to the elevator, when the door was opened unexpectedly, revealing a woman on the other side.
"Hello, you must be Arthur's mother! I'm Y/N and this is Brian, we are friends of your son."
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a/n – I really don't know if anyone is going to read this, but I would be happy to know what you think of the story :)
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Joker
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It’s hard to write a movie review for a movie that everyone already has an opinion about (whether they’ve even seen the film or not). And I know that comes off as very “boo hoo, pity me, the poor movie reviewer who saw this movie for free and now has to WRITE WORDS about it for fun” but listen, there’s some real pressure here. Todd Phillips’ vision of Arthur Fleck (Joaquin Phoenix) and his descent into madness at the hands of a cruel and violent world is nominated for 11 Oscars, including Best Picture, and even though as a society it feels like we’re kind of over the Oscars, they are also somehow still Very Important all at the same time. So is this film a gritty, IMPORTANT, timely warning of the dangers of a man pushed too far? Or is it a sad power trip that encourages an all too common sense of entitlement and violence amongst the men who are presumably most likely to resonate with its message? Well...
Honestly? Fucking neither. It’s shot beautifully (how could it not be when Todd Phillips is just trying to do everything Martin Scorsese would do, but a little less well) and Joaquin Phoenix’s performance is truly, singularly committed and brilliant. But Phoenix is suffering from the same problem as Rami Malek and his incredible performance as Freddie Mercury last year - the movie each man is at the center of (in spite of their incredible acting) is not nearly as clever or interesting as it wants to be or could have been. 
Some thoughts:
Arthur is certainly a man in pain in a world that doesn’t really care about him. Gotham is a tense, struggling city, and all the people Arthur encounters treat him with disdain or cruelty. To me, this is less an issue of the moral decay or lawless attitudes of the city, and more about the ways in which poverty poisons people’s lives and souls. This movie depicts class warfare in a way that feels garish and cartoonish, which would be appropriate and possibly kind of cool if it weren’t trying to take everything VeRy SeRiOuSlY. 
He’s isolated, depressed, full of rage, and everyone thinks he’s creepy - sure, random coworker, hand him a gun, that checks out.
Also, the movie places us in a weird position almost from the start, because Arthur can’t help that he has brain damage and a disability (his laughter) that makes people uncomfortable. But we’re also supposed to...feel bad for him? understand his frustration? when he gets fired for bringing a gun to a children’s hospital. I don’t think the film necessarily positions us to sympathize with Arthur by the end of the film, but it doesn’t not do that either. 
If a man you don’t know walks outside your gate with a clown nose on, you turn and run.
If a man you don’t know puts his thumbs in your mouth, you DEFINITELY turn and run.
One interesting thing that I did ruminate on for quite awhile - Arthur never harms any people of color. Zazie Beetz and Brian Tyree Henry both have interesting supporting roles and are true highlights of the film, and they manage to escape their encounters with Arthur relatively unscathed (albeit disturbed). Let it be said, Arthur only punches up, not down.
A big part of the reason why I say the movie isn’t as clever as it thinks is the lack of engagement with all of the big, nasty themes running through it. A lot of big thematic punchlines are left unexamined, and I’m sorry, just pointing out LOOK AT THIS THING THAT EXISTS is not the same as engaging with it. This is like the Ready Player One approach to social justice issues, or if that phrase is too triggering how about simple fucking human decency, and it rings hollow. For example, two police officers heavily imply that Arthur’s mother (Frances Conroy) is to blame for the violence she and Arthur suffered at the hands of an abusive boyfriend. Is Phillips’ script trying to comment on victim blaming and rape culture here? Based on Arthur’s reaction to the news, I would say no. Or how about the social worker Arthur goes to for counseling saying her department is being shut down due to budget cuts. Is Phillips trying to interrogate the lack of infrastructure in place for mental health support or any other social safety net meant to enhance the public welfare? Well, considering people who have a mental illness are more likely to be the victim of a violent crime than to perpetrate one, I’d say again, no. 
When this thing gets bloody, it gets REAL BLOODY. I was prepared, kind of, but it still turned my stomach.
I’m unsure how to feel about Arthur’s appearance on the talk show - the southern belle accent, the dancing, the makeup - it all feels very camp, very queer coded villainy in a way that feels regressive rather than a loving homage to theater and film history. 
In fact, describing anything about this movie as loving feels impossible. Even the beautiful cinematography and the effective score - it all feels like it’s born out of spite and ugliness. Like someone dared Todd Phillips to make the most anti of antihero movies, and he wrote the script by fear pissing the words into a snow bank. 
Did I Cry? Um yeah, no. 
From a structural standpoint, the beats are solid and the tension is tight. It builds and builds until Arthur’s face-off against the late night talk show host (Robert De Niro) who was once his hero until he brutally mocked Arthur on his show. It’s the climax of the film, the pot that boils over, the match lighting the gasoline, and I was so tense I thought I was going to cry and then....I wasn’t. The balloon popped too early for me, the scene verged into something so over-the-top that I completely lost any sense of narrative tension for the rest of the movie. 
Which brings us to the ending, that shit-eating-grin-ain’t-i-a-stinker ending. If it undermines everything that came before it, I feel like well what was the point? And if it doesn’t, I feel like well what was the point? You can only play with ambiguity so much before the audience either gets bored or gets mad. Also, I’m gonna have a real hard fucking time if this movie that ends like an episode of Scooby Doo wins a Best Picture Oscar.
The performances are all top notch, but I found this a deeply unpleasant movie watching experience that feels like a very expensive meal at a fancy restaurant. The ingredients are all there, but throwing them all together in very small quantities and dressing them up with pretty garnishes doesn’t necessarily leave anyone feeling satisfied or full of anything but the potential for what could have been. 
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shadows-twilight · 5 years
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RWBY Volume 7 Chapter 2
Sorry it's late (work is a pain), but here are my thoughts and opinions on Chapter 2 of RWBY Volume 7, "A New Approach"
SPOILERS BELOW:
While my initial reaction to the new theme song was just as lukewarm as the last three were, I can already feel it growing on me. Excellent.
I guess it wouldn't be Nora if she wasn't going feral on her handcuffs. I wonder if all of the Rooster Teeth animations are in the same universe and she's not distantly related to Camp Camp's Nikki.
I didn't even realize that there was someone else in the carriage with them last episode. He feels like a random (if somewhat comedic) one-off, but the credits name him as "Forest", so perhaps we'll see him in the future.
Oh come on, Robyn Hill and her Happy Huntresses? Are Miles and Kerry even trying to be subtle with the character allusions anymore?
Woah, now THAT is a beautiful reveal shot of Atlas. Really shows the scale of the place.
Ooh, Atlas Academy looks swanky.
Geez, Winter, I'm sure asking nicely or even phrasing it as an order would have done just fine. Though I suppose that is an appropriate reintroduction to your character.
Wow. Ironwood's office is huge! It's like he took one look at Ozpin's and said "There is no way I'm letting him have this"
Of all of the reactions I expected Ironwood to have to the heroes stealing an airship, mild amusement was not one of them.
Adorable hugs is starting to become one of Weiss's signature moves and I am all for it.
Not gonna lie, my initial reaction to Ironwood telling them about the Relics and Salem wasn't too in favor of it, but the more I thought about it, was it really too different from Qrow telling Team RNJR about it in Volume 4?
Why do I get the feeling that the Staff of Creation is not safe inside the vault? I mean, I believe that Penny thinks it is, but it totally isn't, right?
Hmm, so the Winter Maiden is some old woman? I guess that squashes any theories about it either being Winter or Willow, since I'm sure they would have made a point to mention that by now.
"I needed to ensure that Salem couldn't infiltrate Atlas" Yeeeeeaaaaaah, about that.
Hmm, turning Amity into Remnant's first global communication satellite? I like it. Not sure how well the whole "out of reach from the Grimm" part will work now that Salem's got her flying monkey's. Though I suppose they aren't the first airborne Grimm, so there's nothing to say they can reach higher than the others.
Hoo boy, there's a lot to unpack here. On one hand, I can see where Ironwood's thinking is going with this plan to tell everyone about Salem. With Grimm being the number one problem of the world, banding all of Remnant together against her isn't exactly the most outlandish of fantasies. That being said, I imagine that there are scores of people like Tyrian, Watts, Hazel, and Cinder that wouldn't have any problems with joining her, and with Salem exposed, she would have ample opportunity to spread her own message of a brand new world and recruit such people to her cause. Eventually, it would turn into an all out war between Salem's now sizable faction against the rest of Remnant. If anything Ironwood's plan would really only help Salem's plans in the long run. I'm also suspicious about Ironwood's plan to come in and "help out"other kingdoms once he tells them about Salem. It sounds to me like a scheme to get back into everyone's good graces after every single stunt he's pulled since the Fall.
To quote Blake from the previous episode, Ironwood's reaction to Oscar's identity is strangely wholesome.
Hmm, Ruby's lying to Ironwood not unlike Oz kept things from them. Can't say I blame her. Ironwood hasn't exactly proven himself to be trustworthy in the past, and while I like a lot of the things he's selling, I'm getting the feeling that he's keeping plenty from them. Still, after their reactions to Ozpin's secrets in the previous volume, I wonder if this is going to lead to some small arc where Ruby and the gang grow to realize the position he was in, and later apologize to him when they next speak to him. That would certainly be nice.
I wonder what kind of weapon upgrades we might be seeing. We've seen Gambol Shroud getting repaired, Yang's arm getting buffed, and the OP showed off Jaune's shield getting a hard light enhancement (Jaune is slowly becoming Felix), but I wonder if anyone else will be getting upgrades as well.
Ok, now we get to meet the the Ace Ops (which I can not believe I missed as a pun on Aesop's) properly. Thankfully, the credits gave us their full names, so here we get: -Elm Ederne (who I believe to be the Plane Tree. My quick search didn't bring up too many fables about trees, and she doesn't seem arrogant enough to be the Oak from The Oak and the Reed). She seems really friendly, if a bit overly energetic. I can't wait to see more of her. -Marrow Amin, who is either a dog or wolf faunus (hopefully dog, Aesop tended to cast wolves as villains, which would not bode well here). To put it simply, he's a tsundere. Moreso than Weiss ever was. Dear lord. -Clover Ebi (obviously based on A Fisherman's Good Luck, considering his weapon and numerous good luck charms). Seems rather generic for now, but we'll see how he develops. -Harriet 'Hare' Bree. Oh, come on guys. I'm trying to feel really clever figuring this stuff out, which is very hard when you just give it to us like that. From her competitive tendencies to her Flash-like effects in the OP, clearly this the Hare from easily one of Aesop's most famous fables, The Tortoise and the Hare. Side note, I like that they gave forwent the obvious route in making her a rabbit Faunus (unless there's a cottontail we're not seeing) and instead simply gave her rabbit-ear-like bangs. It's a nice creative touch. -Vine Zeki (not a clue). He looks like Zenyetta had a weird robo-love-child with ABLE from gen:LOCK.
Oh my, I can hear the Ironqrow shippers screaming for joy.
It just occurred to me that Penny probably doesn't get tired. Gawd it's great to have her back.
Damn, Watts looks sharp as hell in that coat.
Or should I say, Dr. Arthur 'No Fucks Given' Watts.
Listening to Tyrian murder someone as he casually complains about moving around is highly disturbing.
Ooh. That's a lot of blood. Hope it wasn't originally inside of somebody we know.
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daisymondays · 6 years
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Prompt: Harry and Draco (as a couple or not yet) meeting Aunt Muriel Weasley. It can be another wedding, a Ministry reception, whatever you want. Props if you make her poor old eyesight really bad and she thinks Draco is another Weasley. Hope it inspires something in you even if it ends up not being this prompt :D
Aahaha i’ve been meaning to do this prompt for a while and I got sort of carried away but i amused myself and do enjoy
unbetaed
Harry tried to keep his eyes from glazing over as he listened to whatever-his-name with the red nose and squinty eyes drone at him about something that Harry absolutely ought to put his name behind. Harry didn’t like to stereotype when he was aware that his boyfriend was the biggest posh twat to exist, but he had a feeling from the tone of the man’s voice alone that it wasn’t a petition Harry would have much interest.
Harry wasn’t sure who had invited this prat to a raising money for Werewolf rights, but he was probably important. If Harry squinted he was pretty sure he could recognise the face… he just couldn’t put a name to it.
Harry glanced over red nose’s shoulder (maybe his name was Ralph?) to where Draco was schmoozing away with the Head of the Prophet. Draco was much better at these sort of things than Harry, and Harry wasn’t sure why he’d let himself become separated from Draco in the first place.
Draco — unlike red nose — was not an eye sore and he made the entire evening more entertaining but encouraging Harry to get absolutely shit-faced and by making sarcastic comments under his breath. Dating Draco had drastically increased Harry’s ability to keep a straight face when wanting to laugh.
Draco — as if knowing that Harry was watching him — looked up from who he was talking to, a secretive smile playing at his lips as if he knows that Harry is dying of boredom.
“I’m really sorry,” Harry said, cutting off red nose mid-conversation, “I’ve got to go and speak to…” He paused, desperately trying to think of an excuse, “Hermione Granger about the speeches later.”
“Oh, are you making a speech?”
Harry fucking hoped not. “Maybe, you’ll have to wait and find out,” he said, nodding as the other man laughed before quickly slinking away. He tapped Draco on the shoulder, gesturing for him to follow him before making his way over to the bar.
The alcohol at events like this was always over priced but it was more than worth it to avoid having to be sober. He bought two glasses of firewhiskey and was just telling the bartender to put it on Draco’s tab when he felt a hand resting against his back.
“That better be for me,” Draco said, leaning over and picking up one of the whiskeys and taking a sip.
“They were both for me actually, but go ahead.”
“Walking around with two drinks in your hands in a way to end up on the front page of the Prophet,” Draco teased.
Harry rolled his eyes. “Walking around is a good way to end up on the front page for me.”
“It’s because you’re so handsome,” Draco sighed, taking another sip, his face glowing in the warmth of the firey whiskey. “No-one can resist looking at you.”
“I long for the day they tire of my face,” Harry said, bumping Draco with his shoulder. 
Draco bumped him back. “Good luck with that.”
Harry laughed but it was cut short when his eyes fell on an overly large hat coming his way. “Draco—” he managed to get out before he winced at the sound of—
“Well, if it isn’t darling Harry Potter!” Aunt Muriel screeched as she stalked over towards them. Harry had a feeling her use of the word darling was sarcastic seeing as the last time they’d met had been Hermione and Ron’s wedding and he’d spilled champagne over her so-called priceless robes. Harry had never claimed to be able to tell designer from dumpster but he was pretty sure her robes were more moth-eaten than anything. 
The ones she was wearing now were a deep red shade and that was all Harry could notice because he was utterly distracted by what looked to be a stuffed fox on her hat.
She was wobbling, and Harry had a feeling the glass of champagne in her hand was far from her first. It had to be if she had decided that a stuffed fox hat was an acceptable thing to wear ever, let alone to a Ministry Charity ball.
“It’s been too long, Harry,” she cooed, squeezing his cheek. “I was just telling my good friend Arnold about you, and your closeness with my family.”
Harry grimaced both at the pain in his cheek and the fact that he was probably going to end up in the paper. She really was a stupid old bat.
“I can’t wait for the day you and Ginerva finally get back together and you become a true Weasley.”
Harry felt Draco stiffen beside him and decided it was time to end this conversation for good. “I don’t think Ginny and I will ever get back together,” he said slowly so as not to offend Muriel, “and I actually have a boyfriend, this is Draco.”
Muriel’s beady eyes turned to Draco, narrowing as she took him in. Harry readied himself for the onslaught of rude comments that he was sure he was about to hear from either one of the two sharp tongued people beside him.
Muriel hummed. “Well, I would have rather a witch, but a Weasley is a Weasley none the less,” she said and Harry paused, lost utterly for words. He didn’t seem to be the only one as Draco let out a whimper from beside him. “I’m certain you’re not one of Arthur’s lot,” Muriel continued, reaching up and pinching Draco’s cheek, “Are you from Oscar’s side of the family? I imagine so, they’ve softer hair, just a gentle strawberry blond. I blame it on his wife, honestly…”
Harry tuned her out as his brain couldn’t quite keep up. Weasley. Oscar. Draco. Strawberry blond. Draco. Weasley.
“I’m sorry,” Draco said, sounding anything but as he managed to refind his voice. “Are you suggesting I’m a Weasley?”
“What was your name again? Was it Daniel? Yes, Oscar certainly has a son called Daniel,” Muriel continued, not seeming to care for Draco, “I am glad that you’ll be marrying into the family, Harry Potter.”
Harry bit his lip hard enough that he could taste blood as he tried to stop himself laughing. He could feel his shoulders going, as his jaw trembled.
“Marrying into the family,” Draco repeated.
Muriel sighed. “Honestly, Daniel do you need a hearing-aide.”
“No,” Draco snapped, “but you might need a pair of glasses!”
“I beg your pardon?!”
Harry snorted, and took a sip from his whiskey to try and hide it.
“How dare you accuse me of being a Weasley?!”
“Accuse?!”
“I am a Malfoy! I am Draco Malfoy!” Draco said, sounding like he was moments away from stomping his foot like a child. “I am not a Weasley!”
“Well obviously not,” Muriel sniffed, “a Weasley would never lack such manners!”
“Manners?” Draco squawked, and Harry lost it. He tried to turn his laugh into a cough but he couldn’t control it and was forced to walk away from the pair of them before he completely and utterly lost it.
Kingsley tried to stop him but Harry was forced to hold his hand up in apology as he hurried from the room, wheezing with laughter. Once out in the corridor, he finally let himself go, resting his hands on his thighs as his whole body shook.
“I’m glad one of us is amused.”
Harry glanced up at the sound of Draco’s voice, his cheeks hurting from grinning. “That was the best thing I’ve ever witnessed.” He couldn’t wait to tell Ron.
“I hate you,” Draco said, but there was a smile playing at the corner of his mouth.
“You know your hair does look kind of strawberry blond in some lights,” Harry said, biting his lip again as Draco glowered at him.
“Don’t make me hex you Potter.”
“You wouldn’t dare,” Harry said, letting Draco crowd him up against the wall, “Malfoy,” he added.
Draco grinned at him before leaning in and claiming Harry’s lips. “And don’t you forget it,” he murmured against Harry’s mouth.
Harry smiled, losing himself in the kiss because he had no intention of forgetting who he was dating. Ever.
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