Ineffable Playlist: Maude Maggart – I Remember You
Hi Steph, I’ve been thinking of this song after watching S2. It sort of matches the plot and feelings. I couldn’t find a version of it without the dialogue, so I decided to cut out the dialogue and uploaded it myself, lol. Oh, and your Friday liveblogging is the most adorable thing I’ve seen this year. It was magnificent! Please liveblog more when you get a chance. Looking forward to reading your metas!
I remember you
You’re the one who made my dreams come true
A few kisses ago
I remember you
You’re the one who said,
“I love you, too” I do.
Didn’t you know?
I remember, too
A distant bell
And stars that fell
Like rain out of the blue
When my life is through
And the angels ask me to recall
The thrill of them all
Then I shall tell them, I remember you
Was it in Tahiti?
Were we on the Nile?
Long, long ago,
Say an hour or so I recall that I saw your smile
I remember, too
A distant bell
And stars that fell
Like rain out of the blue
When my life is through
And the angels ask me to recall
The thrill of them all
Then I shall tell them, I remember you
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Hey Lovely!!
AHHHH Thank you for your kind comments on my blog AND for your appreciation of my meta!! It means so much to me, thank you!!
That said, OOOOF this song is A LOT isn’t it?? Perfect for the playlist!! Thank you so much!!
🎶 LISTEN TO THE INEFFABLE PLAYLIST ON [YOUTUBE] 🎶
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ROUND TWO !!!!
A
Keep Away - Isane Driver VS. Pulp Friction - Fool Heavy
Scatterbrain - Casual Tees VS. Sad Hit Song- V is for Villians
Patches - Jawbreaker Reunion VS. Animal Rites - John Congleton & The Nighty Nites
New Dance - DEERPEOPLE VS. Maple Leaf Etc - Maxshh
B
Mama - Eudora June VS. The Helper - Giannah Noelle
Victim of a Siren - Seraph Siege VS. There's a Darkness (but There's also a Light) - The Wild VS. Ray - Dylans
Alive - GON VS. You are Loved - David Lamotte TIE
Where U Goin? - Half in the Bag VS. For Me - Dearlie
C
The Hidden Word - Noe Venable VS. Echo in the Hills - Carrie Elkin VS. YOUR GALAXY - ROZLYN PELL
Juliet and Juliet -Kactus Kid VS. Low Rent Truman Show - Marc with a C
The Danger - Patricia Wallinga VS. Call Me Captain - Emrys Layne (@callmecapt) VS. Deep Blue - Grapefruit
D
PIANO GAMES - Hazma Notes VS. Worst in the World - Uncle Outrage
Cheese (original mix) -Cheese VS. Hokutoshichisei no Ichiya- Akiko lkuina
There'll be Someone at My Funeral Who Doesn’t Want to Be There - Sammy J VS. The Crayon Song - Class Of 3000
TECVM CIRCVMAMBVLARE NOLO - John Linnel VS. Imagination - Niel innes VS. Me and Nikolai - Pale Young Gentlemen
E
Eat Your Heart Out, Sigmund Freud - Mollie Maxwell VS. Don't Want You -Carpark
Runaways - Big Tree VS. 10,000 Days - OK Glass
Hurricane - My Cat Umi VS. Rotten - Missouri Surf Club
Born to it - Freefonix VS. last week/month/year - rain
F
Pointillize - Raccoon Fink VS. execute - ninty
Better Red Than Dead - KELChip VS. Ego -Powderpaint
... - subeteanatanoseidesu VS. Nighttime (I fall asleep) - Sam X
GOTH BITCH DUB - 621 gecs VS. To.Get.Her - Nixis
G
Dusk and Dawn - Das Fi VS. Between You and Me - Clementine Werchola
Monmon Fanmoran - Mochitsune VS. Can Graze the Roof Bring you Back to Childhood? - Anomaly Vector TIE
Memories - Jens East (Ft. Lotta Rasva) VS. Moongrains with Lyrics feat. Gumi A - Anonaly Vector VS. Ode to Janey Lou- FOE
The Dreaming- Marquis of Vaudevill VS. Best Friend - Taitoki
H
Rusalka and The Shepherd Girl - The Forgetmenauts VS. Four Tall Trees - Leslie Fish
Captain Ward - Tempest VS. The Trials Of Oscar Wilde - Alan John
Winter's Tooth - Alexander James Adam VS. He of Sidhe - Alexander James Adam
Labyrinth - Madeline S VS. The Phoenix - Julia Ecklar
I
Liar and the Hound - Beneath Eden VS. Bodysuit -FlooringCo
Pause Button - Particle Devotion VS. On a Walk - Fort Womb VS. Death is a Girl - Skippocalyptic
52 Pickup - Z. VS. 山谷澗 - Mysterain小雨樂隊 VS. Pub Money - Bag of Cans
J
Never be Famous - Hussalonia VS. 613 - FC the kid VS. Lhasa - Shapaley
Collide - Harold J VS. We Made it - JAMIEvx VS. 412 (coffin built for two) - Mollie Maxwell
Unretractable Fact - Second Person VS. SCARY* - EXIT ONLY
Preserve - PETROLEUM! GENDERLOSS VS. No Proposals - Physical Plant
K
Maneater- Blue Eyed Blondes VS. la somnambule - La Femme Pendu
Center Stage - Howard Martin VS. Gears of the Atom Man - Angels of Liberty TIE
Wake Up Girl - Skeeter Truck VS. Dark Rip - Teen Girl Scientist Monthly
Trust Me - Time Crash VS. Not Yet - Leo and the Little Things
L
Grace - Raelle VS. Animal- Xisco Feijoó
Hyperphantasia - Fearful Earful VS. Tonight Eternity Alone - Rene Clause
Cardigan Sweater - Jasmine Kennedy VS. Milá má - Nahore VS. Side A -Alohaha
The Binding Of isaac - Schmekel VS. Slip! - Bright Orange
M
Boy who Blocked the Sun - Demi the Daredevil VS. Rainy Day Georgia - Jayne Trimble VS. Burn it Down with Math - Deuce of Gears
Haircut Song - Shannon Moser VS. Reunion - Brent Spiner & Maude Maggart
Small Parts of Something Much Larger - Suns VS. Sunshine and Lollipops 2020 - Sad Snack
Say What You Want - Growth Spurt VS. Mirëmëngies - Edona Vatoc
N
Have You Ever Seen a Duck, Like, in Real Life? - Lisa the Beauty Queen VS. Housekeeper- Faun Fables
Caroline - Espers VS. Tales of the Phantom Ship - Nathan Landis Funk
Lotus eaters - Jessica Law VS. Raising the Dead! - Jessica Law VS. Autism Murder Memorial - Fit to Work
Blow Up the Moon - Feel Spectres VS. All For Me Grog! - Spud Bugs
O
Reclaim - Porch Cat VS. Orpheus on Ice - The Small Calamities VS. Violin Concerto in the Key of Crippling Regret - The Small Calamities
Homme Offer Knee - Ben Below VS. Hold My Heart - The Dune Sea
Each Time She Calls - Jessie Gosling VS. flexible guy - clown residue
Howard - Demo- Mother Aiden VS. Blooming Strangely - Ginger & Pear
P
恐竜あげみざわ★ - Kyouruu Friends VS. 星の旅人- Sayaka Senbong & Yumiri Hanamori
The End of the World - Fred Deakin VS. 運命は※ Love You - チームDEKAI
Ultimate Performance of Abandoned Magic Boxes ~ Racks of Junk - KR. Palto47 VS. 薔薇は美しく散る x 輪舞 revolution - okurigi66
297回の試行 - Image44 VS. They'll Make a Monster Out of You - Freefonix
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Fiona Apple Album Review: Fetch the Bolt Cutters
(Epic)
BY JORDAN MAINZER
It’s not just that Fetch the Bolt Cutters is a perfect album for right now, a testament to what you can achieve using what’s inside of and immediately around you. It’s also, and more importantly, that when you have something to say, it can reach many.
Indeed, like Laura Marling, Fiona Apple, against her label’s wishes, chose to move up the release of her first album in 8 years. Self-produced and recorded with some past collaborators and inner circle members (bassist Sebastian Steinberg, her sister Maude, her dogs) and other newcomers, now infamously having used various household objects to amplify the percussion (including the bones of one of Apple’s deceased furry friends), Fetch the Bolt Cutters is certainly fit for being forced to sit inside your living space. I posit, though, that the album’s rapturous reception--as of publication time, it’s the only album to have a perfect score of 100 on Metacritic, and it received the first perfect 10 rating from Pitchfork in almost 10 years-- would have come independent of the context in which it was released. Aesthetically, it’s heavy on percussion, piano, and Apple’s unmistakable voice. Composition-wise, it’s not reliant on traditional song structures, adhering more to the tenets of jazz than verse-chorus-verse style, Apple often using repeated phrases to twist and turn the sounds. In other words, it’s a Fiona Apple record, brilliant and inventive just like we expected.
What makes Fetch the Bolt Cutters stand out among Apple’s catalog and music in general is the clarity with which Apple seethes at those who have wronged her and other women, whether ex-boyfriends or patriarchal oppressors, and looks to her relationships with other women for peace of mind. The former we’ve heard from Apple before; after all, this is the woman who sang on The Idler Wheel’s “Regret”, “I ran out of white doves' feathers / To soak up the hot piss that comes from your mouth / Every time you address me.” She’s got some all-timers here, too: “Your face ignites a fuse to my patience,” she begins highlight “Cosmonauts”, the song on here that could fit on any past Apple album, describing a relationship weighed down with baggage over time. “I would beg to disagree / But begging disagrees with me,” she asserts on “Under The Table”, before daring a significant other to challenge her glorious impropriety at an offensive, stuffy dinner: “Kick me under the table all you want / I won’t shut up.” And the difficult, stunning “For Her”, starting out with a sigh, but picking up as an empowering pseudo cheerleader chant, leads to the most direct line Apple’s ever sung: “Good morning / You raped me in the same bed your daughter was born in,” she presents as is, exposing irredeemable men all the way up to Brett Kavanaugh for who they are.
It’s the latter--where Apple finds a sense of kinship with other women--that’s the most arresting theme of Fetch the Bolt Cutters, what grabs you and what unites. “Shameika” is an immediate standout, about a woman who “wasn’t gentle and...wasn’t my friend / But she got through to me” by telling Apple she had potential. They didn’t have to commit to friendship to experience a sense of solidarity. On the self-reflexive title track, Apple differentiates herself from Kate Bush, a woman who managed to rise above a male-dominated industry rigged against her by making one tour de force after another. “I grew up in the shoes they told me I could fill / Shoes that were not made for running up that hill.” The subject of much male gaze and sexist scrutiny, Apple recognizes the hurt brought upon her, and with the title track and Fetch the Bolt Cutters, finally conquers it with her own singular vision, the accompanying sounds of dogs barking and chaotic plucks of the bass and percussion.
Importantly, though, Apple also recognizes the ways in which patriarchal society pits women against each other. “I wonder what lies he’s told you about me / To make sure that we’ll never be friends,” she sings, the female harmonies in the song an act of symbiotic bolstering. More relaxed but no less powerful is “Ladies”, where Apple manifests a world in which the current fling discovers the leftover clothes and groceries of the ex fling and is encouraged to put them to good use instead of succumbing to the jealousy exacerbated by male illustrations of women as irrational and rash. As she wisely repeats on “Relay”, “Evil is a relay sport when the one who’s burned turns to pass the torch.” Her empathetic look at those who have been hurt--victims of a system more than individual ill-will--is holistic. Apple strives to live in a world where men no longer use women like they do their row of guitar necks, pieces of a puzzle that fit to their whims. Fetch the Bolt Cutters is the sound of her loving and wanting to be loved, but on her terms.
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