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crazyfox-archives · 2 years
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A scene from the now fragmentary “Illustrated Biography of Saint Myōe” (明恵上人絵伝) dating to the Muromachi period (1336-1573) in the collection of Kōzanji Temple (高山寺) up in northwest Kyoto, featuring Myōe in the upper left conversing with the Zen monk Enkū (円空) from downtown Kyoto’s Kenninji Temple (建仁寺)
Image from a booklet acquired at the temple March 30, 1997
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krizste · 2 years
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thichnhathanhgems · 2 years
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Washing the dishes and sweeping the porch are themselves the path to Buddhahood. Buddhahood does not come because of prostrations and long hours of sitting. Zen is to eat, breathe, cook, carry water, and scrub the toilet, to infuse every act of body, speech, and mind with mindfulness, to illuminate every leaf and pebble, every heap of garbage, every path that leads to our mind’s return home.
- Thich Nhat Hanh
Art: Myoe Win Aung
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yssring · 1 year
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ny nya nya nya meow meow nya myoe mew miao nyaow nya
uuwaa uyaa uwa uwaa!!!! wwy... why an i cryinf...? im surr.. "pyon" today.. . . . . . . ... .... -> ..... ... cconpyter...? wadda.. wada did i do....? wy copse evywhere.... aahahaahaha....
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tharizdun-03 · 1 year
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Kyousougiga Watchthrough
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Episode 1: A Family's Circumstances and its Background
uhm... holy shit
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Obviously, the first thing here is that the show feels very FLCL. Same kind of sporadic style of storytelling, with Gainax (like) visuals, lots of hints for stuff to be explored later that have few explanations now, and awesome music (tho obviously not the same type of music).
I'll admit, it was a bit difficult to keep track of everything that was going on, cause a lot happened very fast, but I think I followed along pretty well.
Visually, it is just gorgeous. Narratively; super fun concepts, already got some solid emotional hooks, and all around just felt like a fairy-tale come to life. I'm not sure what I'm getting into here, but I'm here for it.
Episode 2: What Came Was a Little Sister
Kyousougiga continues to be one of the most stunningly directed series I've ever seen with its second episode. Watching this show is like magic.
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Narratively, it's still a bit difficult to keep up with, but I think it's more of an experience rather than keeping up with the plot specifics.
It seems like the show is structuring this with each episode centering around one character's PoV and then we'll pull it together in the second half.
I think it did a good job of tying us into Koto's backstory and motivation, but it's really just the gorgeous art direction, Shiina Gou's orchestral score, etc, which makes it so special. I can't tell if the story yet will come to match, but I'm here for it. 
Also, great opening. Awesome visuals, but I really love the song too. 
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Episode 3: The Eldest and his Happy Science Team
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Not much to say about EP 3. It continues to be a beautifully directed show, and while I'm not blown away by the story or anything yet, I am interested in seeing where it'll go, as it's obviously still laying out the groundwork, establishing our character motivations.
Episode 4: The Second Daughter and her Wonderful Monsters
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EP 4 is Yase's episode, who doesn't care as much about going to the outside world, but just wants her Mother back. Like all the siblings really, it's about their love for their parents and the desire to be with them again. It's a very emotionally warm theme.
Episode 5: The Worries, Beginning, and Ending of the Young Third Son
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I'm not resonating overtly with Kyousougiga or anything, but presentation-wise, it is just the best anime has to offer. Solid, emotionally based themes as well, so might pull something together for me a bit later on. Had a good time with EP 5 as well either way.
Got Penguindrum vibes from the cardboard cutout-like people. 
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Episode 6: A Story Where Two Plan and One Worries
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EP 6 confirms that Myoue is suicidal because he never got over it the first time. He loves his "parents", but at the same time, they brought him back and made him unable to die, without his consent. I'm expecting their reunion to not just be a jolly good time.
A lot of previously unspoken resentment rising to the surface all at once between the siblings here. 
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Episode 7: Mom's Back, and Oh, Dad's Back, Too
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EP 7 has their mother returning, and the siblings react perfectly in character. Yase is overjoyed, Kurama is a bit distant as he's suspicious, and Myoe is distant as well but because of his personal resentment. Good stuff.
Episode 8: Troublesome Talks Here and There
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EP 8 introduced a bunch of world-building drama with all the planes at the risk of being destroyed, which I don't really care about as much as the family stuff, but still some good stuff there and I'm not too worried about it or anything. Looks nice as usual.
Episode 9: Let's All Think about What We Can Do
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It's sweet how the fake siblings Inari created to keep Myoue company were the ones that ended up helping him more than their dad ever did. They might've been created to comfort you, but that doesn't mean their feelings aren't true.
Episode 10: A Manga Movie About People Who Have a Fun, Busy Life!
Kyousougiga's finale wrapped everything up pretty much perfectly.
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Overall Thoughts:
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What a directorial debut Kyousougiga was for Matsumoto Rie. Can't say the narrative resonated with me especially, but it's still a good story about family love. Its gorgeous aesthetics, rich direction, and spectacular soundtrack make it that much of an experience either way.
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jsilhavycz · 1 year
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Portrait Myoe Shonin, Japanese Buddhist priest @nightcafestudio #jsilhavycz #jsilhavyk #aiart #aiartist #digitalart #digitalartist #budhism #myoeshonin https://www.instagram.com/p/ClF0UVeoN6z/?igshid=NGJjMDIxMWI=
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argenaut · 2 years
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Myoe Shonin meditating, by Enichi-bo Jonin. Habging scroll; ink, colours on paper. Early 13th century
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abiabi0914 · 2 years
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Koto and Myoe
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suzetteshea · 2 years
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 Myoe Win Aung nació en 1972 en Yangon, Birmania
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littleeyesofpallas · 2 years
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shout out to magical, bed-headed, hat-wearing, affable, child wrangling, mentor figures secretly working outside the law to chase some morally dubious greater good that undermines the world order. gotta be one of my favorite genders.
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crazyfox-archives · 2 years
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A view of the Kaisandō Hall (開山堂) on the grounds of Kōzanji Temple (高山寺) up in northwest Kyoto, dedicated to the temple’s founder Myōe (明恵) (1173-1232) and adapted from his residence later in life, though mostly rebuilt in 1717 after extensive fire damage
Image from a booklet acquired at the temple March 30, 1997
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dukemercury · 3 years
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summer's ending over where i am so i wanted to celebrate the last of it
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las-microfisuras · 6 years
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Hace años vi ese dbujo por primera vez en el Kõzan-ji, un pequeño templo a las afueras de Kioto, y en los años siguientes retorné a aquel lugar a menudo. No había casi nunca visitantes. La lámina cuelga en un espacio abierto y luminoso con vistas a un jardín. Ahí puedes sentarte en el escalón superior de la escalera que conduce al jardín; un estanque, unas piedras cubiertas de musgo, árboles de colores otoñales. Y, cuando te das la vuelta, ves esa imagen en la que un hombre siempre aparece en un instante de quietud. Durante todos estos años intermedios no se ha movido. Él único que se ha movido soy yo. Se llamaba Myoe y vivió de 1173 a 1231. Fue un monje erudito de la escuela esotérica Shingon y el fundador de ese templo.(...) El Shingon nos enseña que somos seres iluminados, aunque no lo sepamos (una idea tranquilizadora). Basta con observar suficiente tiempo el misterio del mundo para que uno se deslumbre, lo cual viene acompañado de mucha luz, como es natural. Al final de su Divina comedia, Dante vio una luz tn intensa que no supo cómo describir la experiencia. La elocuencia de su silencio se manifiesta en los cuatro últimos versos de su poema, que parece haber escrito bajo esa luz.
• Cees Nooteboom, 533 días
El Ojo del Tiempo Siruela.
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artdepo · 5 years
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exciting art of Myoe Win Aung
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geritsel · 3 years
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Myoe Win Aung - watercolors
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mikec5555 · 3 years
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Myoe Win Aung - Tutt'Art@
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