Gods of Jade and Shadow by Silvia Moreno-Garcia
Read time: 4 Days
Rating: 5/5
The quote: Words are seeds Casiopea. With words you embroider narratives, and the narratives breed myths, and there's power in the myth. Yes, the things you name have power. — Hun-Kamé
The ending of the Gods of Jade and Shadow is so bittersweet. I'd spent so long trying to figure out where it was going, how it was to end and how much pain and suffering I was in for. I was not prepared for that. I was not prepared to have my heart slashed, then trodden on and then somehow revived with the help of a rather jovial demon. Overall though I really enjoyed this. I didn't expect to enjoy this as much as I did. This is a book I legitimately found by just googling online on a theme. I knew nothing about it. But I have a fondness for mythology and strong women so I figured this was right down my alley. It has strong plot elements, strong characters and kept me guessing right until the end.
Gods of Jade and Shadow broadly follows 18-year-old protagonist Casiopea Tun on her journey to help Mayan God of Death, Hun-Kamé, regain his throne. Hun-Kamé was 'killed' and imprisoned by his brother for power with left eye, ear and index finger and jade necklace left in the care of different underlings. In order for him to regain his immortality and his throne from his brother, Vucub-Kamé, he needs to collect these pieces of himself. For him to do that have needs a mortal to use as a life source until he regains his immortality. That is where Casiopea comes in, a bone shard is embedded in her palm that feeds her chu'lel or life force to him, causing her to slowly die as her chu'lel drains. It sounds bad. But Casiopea has always been unhappy with her situation, has wanted to see the world, to swim in the ocean to dance the charleston and drive an auto automobile. Hun-Kamé is her way to get out, that he presents as an attractive man doesn't hurt. It turns into a cat and mouse game between Hun-Kamé with Casiopea as his representative and Martín as Vucub-Kamé's.
I like this plot it is simplistic enough, think of it as Percy Jackson and the Olympians but with higher stakes, life or death for both Casiopea and Hun-Kamé. It follows a familiar and comfortable pattern. The characters are what make this. Casiopea is a brilliant, headstrong, brave, young woman, living in a time of growth and beauty that likely wasn't ready for her. The changes in Hun-Kamé are gradual and so well done and Casiopea's humanity seeps into him. Their relationship also changes from god and supplicant (Lady Tun is the sweetest name) to lord and handmaiden to something near equals. Their affection for each other is clear even when neither of them expresses it. As a villain, Vucub-Kamé was complex especially when Casiopea starts relating to him because that means the reader related to him. Martín was even better written, his character development is complex, his thought processes are oddly endearing. You really aren't meant to like him I don't think but I did he was raised by an oppressive patriarch, his behaviour is kinda semi-logical. The support cast is mainly made up of Vucub-Kamé underlings. The most important of which is the highly amusing and almost sweet Loray. He was unexpected. Xtabay feels a bit like a succubus (from Greek mythology) I like her attitude. Fierce, femme fatale power and prismatic beauty. That whole situation was enjoyable. I'll leave the others alone because of spoilers but they suit their roles.
Gods of Jade and Shadow is written from multiple perspectives, Casiopea Tun, Martín Leyva and Vucub-Kamé. All three have very different feelings and tones. Casiopea is the protagonist stronger than she knows, in a situation she never asked for but trying to make the best of it raised as the poor relative in a wealthy Mexican family she has been living in a situation where she is not more than a servant. Martín Leyva is her older cousin, set to be the man of the family. They have a complex and fraught relationship based on jealousy and misunderstandings. Martín is in the (not so willing) service of the third protagonist, Vucub-Kamé. Vucub-Kamé the usurper Supreme Lord of Xibalba and the younger twin to Hun-Kamé. His tone is grimmer, darker, more manipulative and infinitely older than Casiopea or Martín. Martín is a self-absorbed and quite angry young man, the small fish in the big pond his language reflects this. Silvia Moreno-Garcia has a gift for creating mental, particularly when the perspective is Casiopea's. Casiopea is a fairly well-read woman (especially for one in her position) who has something of a poets soul. Words are something she likes, having her see the world and illustrative language well feels like something of a necessity. Some of the other perspectives have impressive passages of description but it feels like Casiopea is queen. In addition to these three perspectives in third-person, Moreno-Garcia occasionally slips into something akin to third-person objective. Like we are seeing everything from the world's perspective but perceiving none of the emotions of the moment. This is most common in Casiopea's chapters in times when she is missing something of relevance to the growing relationship between her and Hun-Kamé, or just lost in the moment. It is smart writing it allows all the cards to be on the table. Lessening the pressure on readers to interpret the moments for themselves and ensuring that moments make sense. It takes skilled writing and the right story for this sort of style to work and it really does here. I think it saves on confusion but it does still leave some mystery because yes as readers we are aware of their burgeoning relationship but how aware are Casiopea and Hun-Kamé? In combination with an already mixed perspective, it gives the broadest view possible of the situation.
Have a couple of notable quotes.
"No enemy can wound you, nor course you into wounding yourself, not when a Lord of Xibalba walks beside you. Not even one who has lost his throne. It must be by your hand and your hand alone. Free will." — (Hun-Kamé) Of course free will makes an appearance and is kinda core to the premise of the book. He can force her to do anything neither can anyone else.
He has some of the sweetest names for her over the course of the book. The names change as his humanity and affection increase. His compliments to her are the same.
"And who told you life was fair?"
"Maybe I thought it would be fairer with a god at my side." — (Hun-Kamé & Casiopea) This is such a common exchange in book like this but I always like them.
The concept of patan is fascinating to me. My culture doesn't have anything like it. Not just tribute, but duty and beyond duty, the obligation that carves your place in the world, and she wasn't about to disregard it. (Casiopea)
"Death speaks all languages," he replied.
"But I am not death."
"You wear me like a jewel upon your finger Casiopea." — (Hun-Kamé & Casiopea) This comes across as so romantic to me. It's the jewel line. It shakes her too.
"I like your daydreams, dear girl," he said quietly.
"I've never them aloud before." — (Hun-Kamé & Casiopea) Again this is so romantic. And it is so important to see a person as private as Casiopea open up and give her wishes for the future even if some of them aren't possible.
"I deal in illusions. It is my gift. But it's not an illusion. Who I am right this second with you. Do you understand? I can't say it any better. Remember me like this, if you choose to remember me at all." — (Hun-Kamé) At this point, I almost broke down in tears.
At one point Vucub-Kamé says "Three is a special number, for it is the number that represents women". I was thinking about this. I can't find any direct references to the three in Mayan mythology and lore. But then I remembered the idea of the Triple Goddess (think the Moirai, the Horae and Tridevi) but most importantly the idea of the Maiden, the Mother, and the Crone.
I didn't put it in the main part of my review but this is set in Mexico in the 1920s. It takes a country girl and moves her through big cities and things she's never experienced before. It is a stunning setting to use. From the old world and rustic to the new and flashy. It suits Casiopea over time too, the closer to bigger cities she is the stronger and forceful and brave she is. Though she does become frailer too.
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thinking about if konoha ninja who became anbu frequently 'died' so they wouldn't be on any registry and so other villages would get word that notable shinobi have 'died'. they don't do it often, that would be suspicious, but they do it to kakashi. minato assigns him to anbu and apologizes blandly when he tells him his death is going to be faked. kakashi, broken traumatized and depressed, thinks nothing of it.
kakashi 'dies' on a mission months after the death of rin, after obito watched, after he lost pretty much everything and any sense of self he had. his body isn't recovered and the circumstances of his death are unclear.
if im being entirely cruel, this means that no one in the village (guy, asuma, iruka, etc.) would know that kakashi is still alive. they all think he's dead and they grieve him and kakashi... disappears. he doesn't know himself anymore and he can't, because he's dead and he's in the anbu now and that's all that matters. his life for konoha in life and death, always.
obito, being the stalker he is, looks for kakashi. he missed him entering the anbu, he missed the faked funeral, he missed a lot. he tries to find him in his shoebox apartment, stakes out minato's home, sits at the memorial stone and rin's grave. but kakashi never shows up and obito decides he'll check the active missions in konoha, just to know where kakashi is (definitely not to follow him and watch him, that'd be weird, duh). so after sneaking into the hokage's office with kamui, he rifles through the piles of s-rank and a-rank missions, but kakashi's name is nowhere to be found. confused and almost insulted on kakashi's behalf, he checks the b-ranks and below, but no dice.
now obito is getting...nervous might not be the word but he's definitely feel angry at this point. if kakashi isn't home, on a mission, grieiving, or with minato then where is he. obito stalks guy next, finds him sitting on a rock by a stream, glum. he's pale, his eyes are watery, he looks exhausted and obito is definitely nervous at this point. he'd never admit it but for something to get guy of all people down... obito fears for the worst.
through much stalking and espionage, obito finds out where kakashi is.
he's dead.
that can't be right.
he would've heard if kakashi was dead, right? zetsu would've told him. he would've known. kakashi has one of his eyes, he definitely would've known. and obito, pissed, scared, and indignant, opens up the connection between him and kakashi, searching for kakashi's vision, for what he can see. he hasn't done it since that night when rin...
he didn't want kakashi to know it existed, never even wanted to take that chance. but he doesn't care anymore. kakashi isn't dead. it's just not possible.
obito was right. kakashi isn't dead.
but he might as well be.
kakashi has no way out of the anbu now, no way that wouldn't give away konoha's secrets. guy can't help him because guy thinks he's dead, minato can't help him, he killed him in the first place. kakashi will forever live, breathe, and die for konoha. it makes obito's blood boil, he feels reminiscent of the night rin died.
he hates kakashi. he wants to hate kakashi. he can't hate kakashi. he can hate the world, he can despise konoha, he can want to kill minato. but kakashi...
he's never been able to hate him. no matter how hard he tried, how easy kakashi made it for him. when it came to kakashi, his balance between love and hate was never more skewed.
there's a particularly awful mission, kakashi is the only one to return to the village and he's...he's not good. obito watches him laugh hysterically as he washes his hands of blood that isn't there. he's never seen kakashi so broken and it hurts more than he ever thought it would.
obito gets kakashi out of the anbu. kakashi hates him for it, fights him, thrashes against him and his will and ideologies. kakashi doesn't know him, obito was too ahamed to reveal himself. it doesn't matter though, kakashi wants to die. he was happy in the anbu, he says. it'd be a quicker death, a noble death.
you've already died, obito shouts at him, enraged and torn apart. how can't he see it? how can he be so naive and blind to it all?
kakashi doesn't answer, doesn't know what words to say to make this stranger believe he isn't worth the trouble. obito has no choice.
with a shaking hand, he removes his mask. kakashi watches, eyes wide and wet and obito throws the mask to the side to hold out his hand. you've already died, but you can be reborn.
with me.
kakashi, broken tattered and thoroughly sure he's lost it, takes obito's hand. yes, kakashi thinks, he's died. but if this is the afterlife, than maybe things won't be so bad...
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Before I watched Saw IV and V, all I knew about Hoffstrahm was that they had a bit of an antagonistic relationship to each other (that caused people to ship them) and there was a scene where they’re in a Saw trap together and one of them gets into a glass coffin to survive while the other subsequently dies
All this to say: I thought the whole glass coffin scene was supposed to be Strahm sacrificing himself by shoving Hoffman into the box and Hoffman watching in horror, trying to open the coffin but being unable to… and in hindsight I could not have been more wrong about any of the context of the scene lol
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day 19 was to draw something i hate drawing!!! fun fact! i HATE drawing front facing portaits
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treech th type of guy to listen to one direction and clarity by zedd. n jst the early 2010s music in general. lamina though? definitely into 80s pop, madonna, cyndi lauper, pat benatar- the WORKS
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GAY MICE REAL?????
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first book of 2024 = finished woooohoooo!!!!
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[ 𝚔𝚎𝚒 𝚊𝚗𝚍 𝚎𝚒𝚔𝚘'𝚜 𝚝𝟸 𝚒𝚗𝚝𝚎𝚛𝚛𝚘𝚐𝚊𝚝𝚒𝚘𝚗 ]
it's the idealization duo's interrogation time! these two have a lot to say this time, hopefully it helps you understand their crimes and backstories a little better (especially kei's. btw what's everyone thinking about his crime rn)
Q.001. What would you want to hear from your lover?
Kei: That they accept me.
Eiko: That they want to be the best partner I've ever had.
Q.002. Can you drive?
Kei: Eiji, don't you remember how I used to drive you to school when you were younger?
Eiko: I do have a license and my own car, but I don't really drive. I'd prefer my partner to do that.
Q.003. What's your favorite drink?
Kei: I like milkshakes, especially strawberry ones. I have a lot of nice childhood memories associated with them, haha.
Eiko: Just lemon tea is fine.
Q.004. Your ideal type?
Kei: Someone who doesn't judge me and someone who can keep up with me.
Eiko: Someone who is always honest with me and someone who is willing to do their very best for me. I think I'd like to date someone like you, Eiji-kun~
Q.005. Do you have any fun memories of your childhood?
Kei: My favorite one is when our dad's friend taught me how to take photos with my new camera and he told me to go and take a picture of anything I want. I took a picture of a dead butterfly lying on the ground. He said that I'm very creative and that I have a bright future ahead of me.
Eiko: I remember going shopping with my dad when I was little and he told me that I can have anything I want. I told him that I want to see him smile. He almost cried after that for some reason.
Q.006. Have you ever tried learning a foreign language?
Kei: I can speak English fluently, I mean, our dad is half-American and I've also spent a lot of time overseas. I tried to learn some other languages too, like French and Spanish, but I gave up. I'm not even that good at reading and writing kanji, so..
Eiko: I can speak English and a little bit of Korean, but mostly because I listen to a lot of music in those languages, haha.
Q.007. State the meaning of your name.
Kei: I think it's supposed to mean "gemstone"? Mom said that she named me that because she thought I was so beautiful, she wanted me to have a name that would have a meaning just as beautiful as me.
Eiko: I think it's something like.. "an excellent child"? Haha, my parents must've had a lot of expectations for me.
Q.008. What do you think about your siblings?
Kei: I love you, Eiji, even if you can be really mean sometimes.
Eiko: My little brother is very nice. He does have his quirks, but I think they make him cuter.
Q.009. What are lies to you?
Kei: Something that is necessary to have a fun life!
Eiko: Something that is forgivable only if it's done to save someone. I still won't forgive anyone who lies to me though.
Q.010. What are your parents' occupations?
Kei: Dad's a movie director and mom's a toymaker! Both of them are so creative! There's just something about our family that makes all of us so artistic.. You too, Eiji. Dad always praised you for being so reliable.
Eiko: I don't know actually. And I don't really care. Well, as long as they continue to buy me gifts and help me with money if anything happens, I'm fine.
Q.011. Do you like children?
Kei: I wouldn't be surprised if it turned out that I actually have one, considering my lifestyle.
Eiko: Not really. They're not a part of my concept of a perfect life.
Q.012. What is/was your major?
Kei: Photography, obviously.
Eiko: Fashion design, though I'm more interested in modelling than designing clothes.
Q.013. Tell us about your dating history.
Kei: Um, are we talking about, like, "serious relationships"?.. Then I guess Ruka is the only one that counts..
Eiko: My victim was the only person I've ever dated.
Q.014. Did you have any friends in school?
Kei: I think I had one?..
Eiko: Yeah, but I wasn't really close with them. We talked a lot, but our relationship wasn't that deep.
Q.015. What's the greatest act of love?
Kei: Uhh, if it's from my lover, I think I'd just want them to tell me that they love me even when I don't look so good. If it's from me.. I don't know! Holding myself back
Eiko: Promising to make someone's life as happy as possible and actually keeping that promise.
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HOLY MOLY I found your creator reader just now and I (respectfully) please give me more!!!!! Its so wild how you tied in the history (I’m also invested in the lore vomit there’s so much to uncover!!)
I’m so sorry for the long rant but I’m just super invested in all this!!
Ok ok! I know you said it’s not supposed to be sagau BUUTTT I can really see how well your story can be fitted in the imposter au. Like imagine from all the wars that took place technically since reader fell asleep after the first war aka the war between the primordial one and the seven sovereigns. But from a standpoint it will be like the primordial one or the heavenly principles is the imposter and the reader is the real creator, just forgotten since again the war and the seven sovereigns getting defeated. Only when the reader fell asleep did the humans come out and that will only make sense that the reader is kinda like “gone” or that the primordial one is the known god because only the seven sovereigns know about the reader’s existence.
On a side note *cough* please give us some more of that Neuvillette action.
OOH This is a good one
Yeah I can see it! I never really thought about it that way but I like the way you think ;)))
I feel like we could explore more on this eventually, I’ve seen sagau fics where apparently, the abyss recognizes their creator while the other humans are hellbent on fucking them up. And maybe it’s because yknow, it could be that before the humans or gods walked the world, there was only the light realm aka the vishap world and the void realm aka abyss. So yeah it would make sense
I haven’t even fully explored this kind of lore integration yet, but i kinda hc that apep would remember the non sagau creator but neuvillette, since he did not reborn as a vishap again because he was deemed impure or smth had his promise kinda fucked over because angst rules and a memory wipe is always good.
Haven’t fully fleshed it out yet but yeah this seems like a fun thing to explore!
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Maybe I should confront the idea that I immediately latched onto Roxas because Im autistic
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no lets talk about the lesbophobia and misogyny actually. tell me why a minor femslash ship pisses you off so much to the point you disqualify them when theyre winning and you cry that you got “fucked over” by the person who coined it and was clearly taking it in good fun? or do you only like femslash when it means your male faves can hook up without a girl getting in the way and feel vaguely uncomfortable when it exists completely independent of that
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Strong world is the nami and luffy twins manifesto written by oda this is my one piece.
You see luffy's finishing attack with his giant hammer being fueled by lightning which is nami's main weapon with her clima tact and she even made the guy steer the islands towards the cyclone so even if the lighting isn't produced by her the lighting is provided by her either way so luffy AND her finished that guy and even luffy attacked after nami announced how he will lose which also means nami knew and trusted luffy to end him after that and of course he did and
Oh my god luffy making nami explain herself about the message he left on the tone dial and being pissed that she didn't trust him to save and protect her but he got so mad and didn't hear the whole message and she asked luffy to save her omg....... she knew after all that they will come and win..... I love this ending I am going to walk into the sea now goodbye.
Why are whitebeard and ace on the ending credits I already cried. Watching aces part again cause he looks so good. Hello alive dead wife
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i agree with that u said abt bringing mine back i also could never imagine how a daigo and mine reunion would look like and why he’s been in “hiding” for like a decade if he did survive
maybe mine opened a bar in okinawa who knows at this point
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ppl will be explaining how a difference is a difference & not a Deviation from a Superior state, & people who are the ones considered Default Normal (superior) will be like "okay....to be polite....i Might say i consider Some aspects of Some people's existence mere 'difference' & not being less than me...." as like hey i'm a Benevolent god. i still actually get to consider you worse & don't have to "humor" anything that challenges my superiority. if you only want everything to fit into the norm then it will all come back to upholding the norm. thinking of people's analysis of their own realities as equally legimate as being like Obscure, Irrelevant, Superficial & then using that reasoning to justify dismissing them. same as worrying that the [Different Lessers (Others(tm))] as Everywhere = a manifestation of the awareness that, yeah, respecting them as equals Does threaten your norm which is smothering everything everywhere. ppl who need to lock in the idea of Borders around personhood like um Yes they're all delineated separate Identities outside any hierarchy & so i think it's relevant to for some reason push back against "ohh so now Everyone's queer" like why not. why couldn't they be. what if they were. what if queerness was everywhere b/c it's ideological not a cordoned off Alternative Identity that is accommodated by focusing on Love(tm) as the new border around whose existence we might begrudgingly accept at arm's length (i.e. being otherwise "normal"! just imagine swapping out the binary gender (or, deep breath, presumed Private Parts) of one partner in an exclusive romantic lifelong nuclear family marriage, & that is Gay / Trans Rights. still gross but maybe we can do it, as long as they don't talk about it or shove it in our faces or even exist for more than one encounter w/us in our lives b/c what are the odds). evergreen laughing at someone suggesting ableist logic might be embedded in language of past & present b/c it's just So little to ask for that it's irrelevant but it's also So much to ask for that of course i'm not gonna do anything more than pass it along like "this is why i don't take ableism seriously" like yeah it's the disabled randos like it's the individual cringe teens(tm) ruining [the cishets would take Gender seriously otherwise!!!] & that's why you won't think about it or do anything about it & continue being comfortable with the norm & resent that actually their Difference is Less & disability is something worse that ppl "excuse" & all these ways that people are & all these things that they do are funny & weird & inexplicable & etc & one can't possibly be cruising along perpetuating a hierarchy with a sense that you're reasonable, well meaning, kind, etc etc & thus Justified, systemic oppression definitely wants to maximize how uncomfortable & arduous it feels to everyone rather than push to make it more streamlined & rewarding to embrace, or at least accept, whatever superiority over others you're afforded
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last few hours in boston :(
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