#rawalism

[bighandsomemenfolk]

#Ajay Rawal

[angelstills]

Needs (2023)

#Needs Tinashe #2020s #2023 #Tinashe #Sammy Rawal #music video

[inmyworldblr]

Woh Chokri (1994) | dir. Subhankar Ghosh

[ Neena Gupta and Paresh Rawal ]

#woh chokri #woh chokri 1994 #Subhankar Ghosh #neena gupta #paresh rawal #indian cinema #hindi cinema #cinema #films #movies #bollywood #bollywood movies #world cinema #1990s #cinematography #indian films #indian movies #bollywood films #film scenes #movie scenes #film quotes #movie quotes #film screencaps #movie screencaps #screencaps #film #movie

[terminusantequem]

Yogesh Rawal (Indian, b. 1954), Untitled, 1999. Tissue paper and resin on treated wood, 77.5 x 76.9 cm

#yogesh rawal

[someofitwastrue]

PLEASE i just woke up why did one of the avs journalist use a macdennis pic to describe miles wood and ross colton’s relationship……………

#EVAN I WILL KILL YOU #<- tried saying that on insta stories but got flagged i hate apps #i was like oh cool macdennis on twitter ☺️ *sees its posted by evan rawal an av’s journalist* MACDENNIS ON TWITTER????😧 #do i tag iasip or hockey…… #both #iasip #hockey #mine

[bollywoodirect]

Celebrating 24 years of "#HeraPheri" (31/03/2000), a landmark in Indian cinema, directed by Priyadarshan. This 2000 comedy thriller stars #AkshayKumar, Paresh Rawal, Sunil Shetty, and Tabu, alongside Gulshan Grover and Om Puri, weaving a narrative filled with humor and unexpected twists. The film, a remake of the 1989 Malayalam film "Ramji Rao Speaking" by Siddique-Lal, stands out for its unique storyline and memorable performances.

The screenplay was adeptly penned by Neeraj Vora, drawing its essence from the original Malayalam hit.

The film's visual storytelling was enhanced by Jeeva's cinematography, while N. Gopalakrishnan's editing ensured a seamless narrative flow.

The songs in "Hera Pheri" were mainly made by Anu Malik, and the special song "Tun Tunak Tun" was created by Lalit Sen and Bally Sagoo. The background music was made by Surinder Sodhi, and Sameer wrote the words for the songs.

#hera pheri (2000) #priyadarshan #akshay kumar #paresh rawal #suniel shetty #tabu #gulshan grover #om puri #siddique lal #ramji rao speaking #jeeva #N. Gopalakrishnan #anu malik #lalit sen #bally sagoo #surinder sodhi #sameer

[comphyjost]

EVAN PLEASE

#he speaks for the people #gabriel landeskog #colorado avalanche #evan rawal #nhl reporters

[queenjuhichawla]

This is going straight to the Chief Minister’s helpline. Breaking News! The police and real estate dealer’s scam.

JUHI CHAWLA as Veena Manchanda | Sharmaji Namkeen (2022)

#juhichawlaedit #bollywoodedit #Sharmaji Namkeen #Juhi Chawla #southasiansource #thatsent #userthing #userbbelcher #tvmoviegifsdaily #usercreate #femalegifsource #filmedit #Sheeba Chaddha #Paresh Rawal #bollywood2 #Veena Manchanda #sharmajinamkeenedit #sharmaji gifs #gifs #SPL #dailyworldcinema #dailybollywoodqueens #fyeahmovies #filmtvcentral #smudgedhenna

[bighandsomemenfolk]

#Ajay Rawal

[nahinsamne]

Cheeni Kum (2007)

#Cheeni Kum #Tabu #Paresh Rawal #Bollywood #Hindi Cinema #Gifs #~ #can't believe

[angelstills]

Needs (2023)

#Needs Tinashe #2020s #2023 #Tinashe #Sammy Rawal

[shut-up-rabert]

Welcome back is the worst sequel ever for several reasons but the one that irks me the most is that they took a movie like welcome, whose charm lied in the fact that these were people in bizzare situation acting just the right mix of normal and weird that seemed appropriate yet funny, to an over the top caricaturish just another watch and forget bad movies that John has lately made a name for.

I mean, firstly they go and replace the MC . Yes, I know the most memorable ones of the movie were Nana and Anil, but I think people forgot that the MC was still Rajeev, the guy who was the link tying the normalcy and fear of Ghungru to the incredible mafia life of his BILs, he was still the normal guy holding his ground perfectly in such a flambouyant situation (and Kudos to Akshay for playing the role so brilliantly that even though he was the underdog of the film, he still made his mark as the MC with what he was given) and while that might have seemed a given at first, when welcome back introduces Ajju bhai (yuck) you realise all over that Rajeev truly was one of the main components of the film, neatly joining the mundane with outlandish. Same with Sanjana tbh. I won't go out and say Katrina is a great actress, but the way she portrayed a sweet and somewhat light headed Sanjana despite the circumstances that surrounded her, that is memorable still. I mean, if Katrina seems like a better actress than Shruti Hassan, you know you doing shit wrong😶‍🌫️

And I mean, this argument can be used overall all the replaced characters. Feroz Khan as a gullible don seemed lot more funny than the tried and repeated formula of an Idiot , dramatic don portrayed by Nasruddin. Shiney Ahuja instead of Lucky was an eyesore tbh. The girl who took over Malika's role seemed to lack the wit and charm with which Ishika duped everyone, her scheming was shown a lot more often to be actually as smooth as Isha's.

All in all, bad character replacement. In case of Rajeev to Ajay, bad actor replacement aswell.

Secondly, its the script itself. It sucks, the scenes suck, the dialogues suck, the idea itself sucks. All the good scenes I remember were all references , fucking references either to welcome 1 or other Nana's and Anil's movies. Imagine making a movie so bad that Nana Patekar, Anil Kapoor, Paresh Rawal, Nasruddin Shah, Rajpal Yadav TOGETHER cannot save it and then going ahead and removing Akshay Kumar aswell💀

Just look at the stuff. Lucky’s replacement is more one dimensional than lucky despite having more scenes, Ajay and Anjana’s Chemistry is so bleh when you compare it to how cute and wholesome Rajeev and Sanjana were, Uday and Majnu are stupid enough to fight over the same girl for a second fucking time. Uday and Majnu don’t feel like Uday and Majnu; both were gullible enough and shown powerful, here they are SCARED OF HIDING A DEAD BODY YOU GUYS ARE FUCKING GANGSTERS HELLO?!?!

Thirdly and finally, expanding on the script thingie, the acting that it required from the actors is not what welcome was about.

Like I pointed out, Welcome was a comedy that was absolutely absurd, but what made the charm for me was how rationally everyone was overreacting (how is that any making sense? Lmao). It was how Nana laughed after Majnu got insulted on call, my man looking much less angry than someone who threw someone off a yatch, ready to punch Rajeev after Lucky was presumably killed. Anil Kapoor hogging a road on gunpoint and painting like, idk, a normal person? A don that doesn’t give a fuck? That ek tang nakli guy just being there for plays and it Nana Patekar just keeping him being so funny? Akshay Kumar being rightfully frustrated in situations so, so funky that it feels so wrong yet so right at the same time.

Basically, you get the point, right? The comedic sounds and overracting was limited, they let the comedy sink in and never forced it (example, the ghode gadhe waali painting) The movie was not off the hinges, just barely holding onto them. People acting weird with body language but sane with speaking (mostly), ya must be getting it I hope

Now replace that with a generic off the hinges over acting film, where the comedy is so forced that you just cannot laugh because its that unfunny. The actors are phenomenal, well ‘cept John and Shiney, so and made the last movie so good. Welcome back relied and was banking on Welcome so bad but it lacked the movie’s very essence. Who will like it? What were they thinking making it? Why?

So yeah, tldr: Welcome back sucks and Welcome has no sequel.

This post was made by Welcome is my favourite movie ever gang

*poster for extra feels*

#desiblr #Welcome movie #akshay kumar #katrina kaif #nana patekar #anil kapoor #paresh rawal

[mainapnifavouritehoon]

they're making hera pheri 3 with the OG cast

🤞please be good 🤞please be good 🤞please be good🤞

#Please dont ruin my fav movie #Hera pheri 3 #akshay kumar- suniel shetty- paresh rawal #Bollywood #Please dont let me down #I have high hopes for this one #Hera pheri is a classic

[terminusantequem]

Yogesh Rawal (Indian, b. 1954), Untitled-YR, 2010. Paper collage tissue papers cellulose synthetic resins on wood, 76 x 72 in.

#yogesh rawal

[anbroids]

i think about integument dirk ALL THE TIME he is so weird and i mean that in the best way i love your characterization so much and your writing is so detailed and entertaining

oh my god. thank you so much <3 feedback like this really does mean the world to me as corny or repetitive as it might sound.

as much as i write from (and i think at times it is important to write from!) a self indulgent place i cannot tell you what a treat it is to be like: i'm just going to go wild with my own character interpretation here and experiment with these concepts for my own enjoyment. oh well! and then hear it resonate with even just one reader in maybe even a way they can't explain. like. this guy is so weird. and it stuck with me. that really is the dream i think. it's something that i think makes the characters in hs so interesting to me, that so many of them are a pandora's box of (for lack of a better word and fear of getting too specific here) layered weirdness that you can't help but want to parse through it all.

and although i enjoy working with canon i frequently find myself in the trappings of... oh god. if i am not understanding, responding to, or building off of the nuance of every single reader's interpretations and readings of these themes in the context of the greater canon work, i will have failed somehow. and so i think there is a very specific joy and relief in an au format where you have more freedom to be personally interpretive. especially so with zeroing in on what makes a character interesting or relatable or confusing to you and then building off of that in just about the most specific and niche way you can.

personally i think worrying too much about (in the context of transformative works) is this a creative reading of this character's nuance as informed by canon or is it is ooc or god forbid self-insertive and reductive? will just bog down your excitement and enjoyment of writing. and yet i still worry about this all the time! but you never know what might hit home with an audience (or the complete opposite for that matter) anyways. all this to say: thank you anon :,) the positive feedback is really motivating and makes me really happy!

#i'm sorry this took me weeks to get to anon thank you so much for leaving me this ask <3 #tldr making dirk collect pvc elbows and rawal plugs is actually something that can be so personal etc etc #ask

[bollywoodirect]

26 Years of Chachi 420 (19/12/1997).

Chachi 420 is a comedy film, co-written, produced and directed by Kamal Haasan. The film is a remake of the 1996 Tamil movie Avvai Shanmughi. The film stars Kamal Haasan and Nassar along with Tabu, Amrish Puri, Om Puri, Johnny Walker, Paresh Rawal, Rajendranath Zutshi, Ayesha Jhulka and Fatima Sana Shaikh. Songs by Vishal Bhardwaj and Gulzar.

#chachi 420 #kamal haasan #gulzar #vishal bhardwaj #johnny walker #paresh rawal #om puri #amrish puri #ayesha jhulka #fatima sana shaikh #bollywoodirect #bollywood