“I’m just a little worried that Mike has to have a whole gay realization arc all in the last season”- YALL. PAY ATTENTION THATS WHAT HES BEEN DOING THIS WHOLE TIME:
Season 2: Mike is unaware of what his feelings mean but knows how much he cares about Will, legit spends the whole season being in love with him. By the end at the showball he realizes that somethings up, he doesn’t rlly understand what but he can tell something feels different and he doesn’t like it. Cue part 1 of his realization arc; subconscious denial
Season 3: Subconscious denial is rapidly turning to conscious denial, and at the start of the season we see Mike is in part 2 of his realization arc; a severe case of internalized homophobia. He cycles through it all the way to his absolute lowest point in part 2 (rain fight) and then he slowly comes back from it just a little bit. Then, at the end of the season, we see Mike shift onscreen from part 2 to part 2.5; conscious realization and fear. At this point Mike is halfway through his internalized homophobia arc. He KNOWS how he feels, but it still terrifies him. He grapples with this in the time period between s3 and 4.
Season 4: Ah yes, the penultimate season. The season that sets up endgame. The season that has an *entire gay road-trip plot line dedicated to byler*. This season is part 3 for Mike; acceptance. At first glance you miss it if you’re not looking, since s4 byler was almost entirely from Will’s lovely but very biased POV as he was also going through his own gayangstTM arc at the same time, but all it takes is a second glance to see that it’s there. At the start of the season Mike is on the very last, very flimsy legs of denial, and reuniting with Will again after not speaking for months is what catapults him into the acceptance chunk of his arc. In almost every cali crew scene, we see Mike slowly get closer and closer to total acceptance. We see him accept that he doesn’t love El the way he’d originally thought, he accepts that he loves Will the way he thought he was supposed to love El, and by the van scene, Mike is soso close to accepting that both of these things are okay.
Close being the key word here. Will accidentally throws him off again in volume 2, so Mike’s realization arc isn’t fully concluded yet, things are still very messy and season 5 has a lottt to address. But that’s the THING; season 5, as far as byler goes, actually only needs (for the most part ofc) to address development and realizations that have already happened. A lot of the fandom is really underestimating how much Mike suspects and has realized, at least about himself, and that’s where I think most of the remaining byler doubt is coming from (not including Twitter, we don’t count byler Twitter they do not know shit abt what’s going on 💀).
But that worry is unnecessary! Some of you guys don’t realize how perfect of a plot device Vecna is. I’m saying this as a writer: He’s like a writers dream bc you can basically tell viewers what’s happening in a character’s psyche while still maintaining “show don’t tell.” Bc now? All the writers rlly have to do to start canonifying Mike’s gay realization that has, once again, already happened, is have vecna target him! And they’ve clearly been planning that if that several billion hints in s4 and 3 and EVEN 2 AND 1 are anything to go by 👀👀
Guys, Mike’s *realization* arc is practically FINISHED. The duffers and writers have just been hiding it this whole time by not giving us any Mike POV in s3 or 4 bc they couldn’t confirm Mike before confirming Will, that would make byler endgame wayy too obvious they had to sneak it in there.
But it’s there, and it’s happened. The only thing WE have to worry about now is preparing ourselves for the sheer level of angst that is going to be Mike’s internalized homophobia plot line getting confirmed… I rlly don’t think we’re ready for that. I know IM not 😭
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One of the tricky things about speculating from a thematic and symbolic basis is that it gives you a very good gist of what the pieces are and what to derive from, but of course is harder to predict when - and sometimes precisely what - is going to happen.
For example: Callum has always been a character who has a tendency to get stuck in his head, hence why 2x08 has this happen literally. He also something in his possession related to Aaravos that he got in a situation that had good intentions but ultimately with sideways. From these two facts I deduced, 2-ish months post-S3, that Callum’s tendencies and behaviours would lead to him being more like Viren than he was comfortable with; that he’d have a part to play in Aaravos’ plans; and that his worst fear would be his mind being unsafe / his mind being invaded by Aaravos in some manner (dreams, nightmares, etc). I didn’t think it’d be quite so Literal and total as possession (although I did note Callum’s new S4 outfit with the circles around his wrist were rather like chains), but it was ultimately just a different take on the same thematic basis. I had all the right pieces and the right gist.
With all that said, here are the next set / ongoing set of pieces in approximate order of dissection:
Game Motif
Callum’s Associations with Freedom
Light and Dark Motif
Book 6: Star / Destiny
The Game Motif
The game motif is most interesting to me personally, as many people know. In S1-S3 it’s primarily carried through in Rayla’s comments regarding the Key of Aaravos, found in the game room (and pointed out) by her in 1x04. As of S4, the game motif has a subset consisting of Ezran’s hide and seek motif (given that the key and Aaravos’ prison was hidden), the literal puzzle it takes to figure out the placement of the prison (S4), and four figures displayed as game pieces: Viren (S4 intro), Callum (S4 intro) with the cube as a bonus, Avizandum (flashbacks in 2x06 and 3x06; also literally turned to stone), and Rayla (elven toy in 1x04).
The two theories regarding the Key of Aaravos that I’ve had are centred around the assumption that it is something Aaravos wants or needs back (as this could not be the case). The first, most likely if the Key’s use is revealed in S5, is that it’ll relate to his prison. The second, perhaps more likely if it the secret is only revealed post-S5, is that it is a Key related to Aaravos: his chest piece, a memory holder, or something else he needs to seemingly regain his full powers.
The Game Motif, therefore, on a certain level works quite well with TDP’s tendency to be both more literal than expected (see: possession plot line) and simultaneously less literal than expected. If the Key is related to his prison, then it’s more literal, in which a captured chess piece can be exchanged for a pawn if the latter has reached the end of the board (hi, Aaravos getting out in S5). If it’s related to something else Aaravos adjacent and is involved in S6, then it’s still literal, but involved not in his escape but in his victory, or checkmate, if you will, key squares with pawns and kings and all. It would also make sense that Viren is the primary pawn in S5 and for Callum to be the primary pawn in S6 (as indicated in the Ziard-Viren-Callum game motif art forever ago).
But more on that later.
Callum’s Associations with Freedom
I’ve talked more about Callum’s associations in this meta about how TDP is inherently thematic, so I won’t repeat too much of it here. The core of it is that of course Callum is a Sky mage (“My breath for freedom”) being set both literally and thematically against a being from the Stars (“and destined to play right into my hands”) as the centrepiece of the story’s conflict. Aaravos’ associations and hand in creating/discovering dark magic and Callum being a human primal mage with an arcanum just extends this further.
What this means going into S5 / the coin / possession plot line threads (for future seasons) is that Callum and Aaravos are both seeking freedom, much like Claudia (for Aaravos and her father by extension) and Kim’Dael (for herself). Which is to say: in S5 Aaravos is seeking Callum’s thematic core, and that’s interesting to say the least. The symbolism of a Key and Breaking the Chains of History don’t help either.
What this means, ultimately, is that there are roughly two main thematic paths (in line with the above) that this can take.
1) Callum is coerced into helping to free Aaravos (cube or otherwise) and that’s how his freedom is trampled upon, quasi-losing his own in exchange for Aaravos’ literal formation (+ possible bonus points if freeing Rayla or her parents’ plays a role as well).
2) Callum’s role in Aaravos’ plans relates to Aaravos’ checkmate move. This would more away from the more literal manifestations of Callum’s role as like, Freedom, to his more lowkey motif of Breaking Things (Rayla’s binding, the primal stone, the seal of King Harrow’s letter, the chains in 2x07, Rayla’s pendant in 3x08, and probably the boat in S5). This again plays into Aaravos’ talk of shattering: “And when everything they have built lies shattered, I will savor their fall from the sky” (TDP Reflections: Patience).
The key factor to each, I think, is putting Callum’s wrestling of freedom, and by extension narrative control and bodily autonomy, on full display. S5 and S6 are the Tragedy Seasons, and given that all signs point to him losing Aaravos’ game (at least at first). Whether it’s him doing something under possession (although more on that later) or him regaining his freedom by well, breaking free, only to play into Aaravos’ hands anyway... It’s clear the Startouch elf wants him for something, and it can’t be anything good, whether it’s a Path of Darkness or Light.
And, speaking of which...
Light and Dark Motif
Again, I’ve gone over this before (here’s how it manifests with Rayla and Callum, and here is why the ‘light’ isn’t the solidly good thing it can be easy to think of it is, in-show). General light and darkness motif tag here for anyone interested in tracking this motif further / it’s extensiveness going into S5.
What matters though is that 4x02, 4x04, and 4x07 complicate the Game Motif and Callum’s dynamic with Aaravos further by tethering it explicitly to the Light and Dark motif. It’s not just that the cube is in Callum’s hands before Aaravos picks him up; it’s that the cube flashes a bright white light as well beforehand. It’s “In darkness, gaze upon a Fallen Star” and “the human mage, already tainted by darkness, and destined to play right into my hands” and “what if I’m on a path of darkness?” This duality also ties back into Viren’s statement in 2x06 (“We emerged into darkness and quickly got to work. [Xadia] held both the promise of our salvation and threat of our destruction”) as well as statements regarding Rayla (“So they might kill you or they might save you” from the book 1 novelization, explicitly about Rayla / “Now you’re back. That’s kind of good and kind of bad”). These both tie into the keys themselves being something that can lock and mutually unlock things.
They’ll either come to fruition in book 5 (which, I could see Rayla breaking Callum out of brainwashing, and/or Callum doing something that leads him into being ‘in darkness’) or will be built upon mildly in order for S6 to deliver the true sucker punch. But it is still likely in the cards that Rayla will save Callum from brainwashing when the Light and Dark Motif finally, fully, comes to call.
And while the full resolution of the plot line would work nicely for Book 5: Ocean (the ocean is about navigation and inherently cyclical; Rayla is accordingly scared of water and of losing him) I do wonder about the well, irresistible temptation perhaps of it being in S6. Callum choosing Rayla over Aaravos’ brainwashing is him choosing agency and love (for however long) over fear and control. A chosen destiny over an enforced destiny. And well, doesn’t that sound like
Book 6: Star
It is known now that in S5 we’re going to get to go to a place that Rayla went to during her time away, meaning she gets to act a bit like a guide. We also know that however Rayla and Stella, and indeed why Stella is connected to the Star arcanum, is important and yet untold. And that Stella is our only non-Aaravos related being/object related to the Star arcanum that is also not a quasar diamond or tied to Aaravos (the key, the staff, Sir Sparklepuff, and the elf himself).
And that the Key, the star arcanum, Stella, and Rayla’s reappearance into Callum’s life are all tied together with Light in 4x02.
Uncovering secrets and discovering the truth is also often associated with light, both in general and canonically in-universe with the show’s symbolism (i.e. Callum walking towards Rayla in the light out of the darkness once he discovers the truth about King Harrow).
The fact of the matter is that until the Key comes into play in some way, the according foreshadowing attached to it ( “I hope it was worth it to you, putting everyone’s lives in danger” / “Are you practicing magic or losing to Bait at a game of rolly-cubes?” / “It’s the Key of Aaravos. No good can come of it”) is still floating up in the air.
And thematically, Stars is all about Destiny, wishes, and vision. Stars are lights in the dark, both a sign of hope (hi Leola’s Wish and the South Star) and a manifestation of our main villain. S6 could also be dark magic, which would take the ‘dark and light’ associations to a new level. If S5 is about getting Callum be in or more inclined to the darkness, then S6 is when he will presumably be in it, whatever that means (possession or hopelessness/rage, probably).
I could see him becoming obsessive to figure out the Key, hoping that it’ll be a weapon or Aaravos’ downfall (as also posited pre-S4) only for it to lead to everything spiralling out of control, leading to possession or putting Ez and Rayla at risk in another manner. And of course, they/she save him, because they always will. But as I’ve said many times, S6 is also the Tragedy Arc. It has to bring everyone to their lowest moment. One of these Tragedy Seasons will also, I think, be the perfect place for Callum to do his Fucked Up Thing and bring his Viren (and Claudia) parallels full circle. “They aren’t games, they’re tests” and “tests of love” and all that. Cause if all those plot threads and parallels and consistent imagery doesn’t go somewhere in S5 (and S5 has already majorly added to it) it has to go somewhere, and S6 is it.
After all, with Aaravos’ shattering in mind...
And when everything they have built lies shattered, I will savor their fall from the sky.
I laid out here how Rayla and Aaravos represent Callum’s two future paths (similarly to the way Rayla and primal magic vs Claudia and dark magic are Callum’s two paths in S2) and how well, choosing her over Aaravos may not be as mutually exclusive as he thinks.
It’s not a coincidence, either, that S4 ramps up the negative cube associations to a 10: showing Callum toying around with it while Zubeia explicitly states that mages are Aaravos’ favourite prey; the cube being in the 4x04 intro when it did not have to be, and the intro exists entirely for the audience’s benefit; Callum being unable to let it go / give it up in 4x07, even though he’s willing to give up his life to stop Aaravos from using him, etc.
Explaining/exploring Stella’s connection to the Star arcanum in the same season that will finally explain the Key of Aaravos in the same season Callum has to confront ‘his destiny’ in the same season that the kids are destined to lose more than ever? Sounds amazing, don’t you think?
Conclusion
One of the reasons it’s comparatively easy to speculate is because well, like any good tragedy, we know how S5 and S6 have to end: not well. It seems more likely than ever that Aaravos will indeed be released by the end of S5 / very beginning of S6, leading to destruction and upheaval. Either way, it leaves S6 to be Aaravos, in his mind, ending the story. Finishing the book. This is his checkmate, his victory. Callum and the rest of his pawns have lived out their usefulness. But just like how Aaravos outlived the end of his myth/story, so will they, and Callum (and Rayla, and Ezran) at the very least will return to successfully win in S7, come hell or high water.
As such, much of what is highlighted above is taken from these consistent puzzle pieces, if you will, and attempting to figure out the various options we have for their execution. And of course, TDP could always throw us some delightful curveballs, but it seems the gist and playing out of well, the game, has to fall somewhere along these patterns / routes, tethered together by the possession plot line and Callum being coerced to do Aaravos’ bidding. There’s not a lot of ways those things can go happily in a Tragedy.
And that is exactly why I am very happy and excited to see where it all goes, and I hope you are too.
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