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losergendered · 18 days

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ID: a set of 28 images in 14 pairs. each has one image of the listed regretevator character, with a white outline in front of their corresponding flags, and a second image which is a blank flag splice. END ID

Bive from Regretevator is an intersex transnull transentien fessivoia animinsequikenic paralurdarean oculagoric masc futch demiboygirl womanthing who is bisexual and demiromantic! She uses she/it and nameself pronouns! It suffers with PPD, bipolar-2, insomnia, nightmare disorder, agoraphobia, anthropophobia, and tokophobia!

Dr. RETRO is a hypergender hyperfeminine hypermasculine genderdoctor gendermedic gendermedical optiminihilismic lifemitres rotlace imagifriendic evclardette cat-thing catgirlthing who is aromantic bilechen and lesbilechen! Mew uses mew/she/it/that pronouns! She has C-PTSD and several charges of aggravated assault against it but we don't talk about that!

Gnarpy is a genderless stellavenostalgic alienthing cat-thing who is canonically aroace! They have delusions of grandeur and mythomania!

Infected is a genderfluid bigender emorosboy emothing scenething frutiaexplosion metalheartexplosion oldtechexplosion gendertoxic genderthmpk lovirium pinkthing guything who is a lithsexual gay guy! He uses he/it/O_o/XD pronouns! It is a nonhuman otherkin, specifically catkin, sparkledogkin, zombiekin, skeletonkin and robotkin! O_o has depression, separation anxiety, BPD, autism, nyctophobia, autophobia, and chronophobia!

Lampert is a luxthing deminonbinary demiman who is panromantic and orchidsexual! He uses he/him pronouns! He has intermittent explosive disorder, autism, and cyclothymia!

Mannequin Mark is a genderqueer butch gay man! He uses any pronouns and suffering from major depressive disorder!

Party Noob is a xenogender pasteinbowin rainbowfleuric confettigender cakegender birthdayboy birthdayspike sillyaean bubblexplosion strortcakexplosion funfettiexplosion cakexplosion sprinklic cakecoric kandigender confettium nonbinary partyboything! They are acrisexual and toric and use they/he/it/🥳/✨/🎉/🪅/🎈/🎊/🍰/🎂 pronouns! He has autophobia, atychiphobia, ADHD, and autism!

Pest is an intersex genderless agabless agender transnull adexsexual gay bugthing! He uses he/it/one pronouns! It has ASPD, PPD, BPD, bipolar-1, hypermania, and hypersomnia!

Pilby is a heehoogender clowngender sweetnsillygender kidcoric clowncoric xenogender sillygender clownish asclownbunplushic nonbinary bug! They use they/zhe/clown pronouns and are pansexual demiromantic! Zhe has social anxiety, autophobia, atychiphobia, equinophobia, hypomania, and seasonal affective disorder!

Prototype is a transentien genderless xenogender bubblegender computerthing who is also laimoromantic and caedosexual! He uses he/they/shi/bubble pronouns! They suffer with mild dysmorphia!

Split is a dessertgender cakegender gxrlfluxthing womanthing bambi lesbian! She uses she/her pronouns but also doesn't mind any other pronouns being used for her! She has BIID and BPD!

Spud! is a caedorose genderless being who uses any pronouns! They suffer with PTSD, anger issues, and insomnia!

Unpleasant is a binary abinary rosboy azurgirl bigender demiboy demigirl nonbinary genderfuid genderqueer xenogender genderweird sceneg3nd3r hypermasculine hyperfeminine zoomiegender faggit genderexplosion queerweirdo! It uses any pronouns and is bi gay! Xey are alterhuman, foxkin, wolfkin, zombiekin, and godkin! Shi has klazomania, egomania, mythomania, dermatillomania, hypomania, bipolar-2, and depression!

Wallter is a cis gay man who uses he/him or any pronouns! He suffers with PTSD and depression!

For 🎀 anon!

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crying-roses-moved · 2 years

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⁺⊹ . ｡. :☆ Scenething ☆: .｡.⊹ ⁺

Scenething is a -thing subterm for when one's gender is related to being scene, connected to scene aesthetics, scenecore, etc. and being a thing; a scenething.

Flag ID

[Flag ID: A flag with 11 similarly sized horizontal stripes. From top to bottom, the colours are black, vibrant pink, vibrant orange, vibrant yellow, black, white, black, vibrant green, blue, vibrant violet and black. End ID.]

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bkm-action · 10 months

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#the best man holidaythe best manthe best man moviethe best man partthe best man clipthe best man slapthe best man scenethe best man endingth

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offonaherosjourney · 9 months

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THE RED, WHITE AND ROYAL BLUE MOVIE HAS A POST-CREDITS SCENE

#red white and royal blue #rwrb #rwrb movie #red white and royal blue movie #casey mcquiston #nym's posts

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epikulupu · 2 years

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ID START ; an eleven striped flag. from top to bottom, the colors are: green, blue, purple, pink, yellow, black, yellow, pink, purple, blue, green. ; ID END

scenething !

a gender related to being scene and a thing, or a 'scenething'. non eyestrain flag under the cut.

scene + thing

from 'scene', and the suffix 'thing'.

requested by a headmate, coined by us.

original eyestrain flag under the cut

ID START ; the same flag, but with all colors highly saturated to make it eyestrain ; ID END

#thing #thing gender #thinggender #⭘ my terms #coining #mogai #mogaisafe #mogai community #mogaireal #mogai term #mogai flag #mogai coining #liom #liom coining #liom flag #liom community #xenogender #xenogender coining #gender coining

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mogai-headcanons · 1 year

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June Egbert from Homestuck is an amatopunk percimasculine genderfluid bungender sillyghostgender breathaspic trans aroflux lesbian with PTSD, depression, and ADHD who uses she/her and bun/buns pronouns, and bun is dating Jasprosesprite^2!

Rose Lalonde is an autistic blackcatgender grimgender eldritchenergic nerdgender magicgender lightaspic lesbiangender nonbinary trans wizardgirl lesbian dyke with NPD, PTSD, and depression who uses she/her, it/its, and 🔮/🔮s pronouns, and she's married to Kanaya and dating Jade!

Dave Strider is an autistic GNC bisexual intersex transneumasculine nonbinary bigender crowgender redgender timeaspic knighthing with depression, PTSD, and ADHD who uses any pronouns, and he's dating Karkat and Sollux!

Jade Harley is an autistic sapphic sparklefurgender pupgender plantgender weresciencegender beastlet biochemic spaceaspic genderspace transfeminine spacewound scientistgirl with PTSD, depression, narcolepsy, and ADHD who uses she/her and pup/pups pronouns, and she's dating Kanaya, Rose, and Davepetasprite^2!

Jane Crocker is an autistic GNC butch lifeaspic azurgirl transmasculine knightkisshandic caedgirl birl lesbiknight girlknight wifelexic beastbeing lesbiangender nonbinary dyke dykegender demisexual lesbian with BPD, depression, PTSD, psychosis, and ADHD who uses he/him and she/her pronouns with a preference for he/him, and he's fiancées with Calliope and Roxy!

Roxy Lalonde is an autistic heartpunk flamboric femme sapphic bisexual voidaspic ultrapinkgender techgender compugothic catgender nyagender transfeminine blackcatgender fluffyhousecatgender girlfuck cottoncandyaesic person with ADHD, PTSD, and depression who uses she/her, nya/nyas, and fae/faer pronouns, and nya's fiancées with Calliope and Jane!

Dirk Strider is an autistic gay heartaspic trans man with DID, depression, psychosis, AvPD, PTSD, and NPD who uses he/him pronouns, and he's dating Jake!

Jake English is an autistic femme transfeminine hopeaspic genderskull venturegender vestivir rosboy demiromantic fag gay man with depression, psychosis, PTSD, and anxiety who uses he/him and she/her pronouns, and he's dating Dirk!

Aradia Megido is an autistic demibiromantic aceflux agenderfluid genderdead timetravelthing kenochoric ghostgender froggender timeaspic genderclock ghostbeing with ADHD, PTSD, and low empathy who uses she/her, arc/arcs, they/them, ey/em, bone/bones, and it/its pronouns, and she's dating Sollux!

Tavros Nitram is a bisexual breathaspic man with depression and PTSD who uses he/him pronouns, and he's dating Equius!

Sollux Captor is an autistic bisexual bigender beegender redgender bluegender glitchgender doomaspic genderdead techgender biohazenic transmasculine man with PTSD and bipolar disorder who uses he/him, sie/hir, and bee/bees pronouns, and bee's dating Aradia and Karkat!

Karkat Vantas is an autistic biromantic demisexual transmasculine bloodaspic knightgender genderblood man with depression, PTSD, and anxiety who uses he/him and they/them pronouns, and he's dating Sollux and Dave!

Nepeta Leijon is an autistic aromantic bisexual catgender littleguyic creaturething transneutral loveic confettigender huntix cutecreature lovething pangender troll with ADHD who uses any pronouns, especially cat-related neopronouns, and purr is in a moirallegiance with Equius!

Kanaya Maryam is an autistic femme alderfang vampirigender lipstickgender bloodgender spaceaspic trans lesbian dyke with PTSD and anxiety who uses she/her pronouns, and she's dating Jade and married to Rose!

Terezi Pyrope is an autistic disabled blind GNC mindaspic dragongender transmasculine genderqueer genderplated scenix swordgender sparklefurgender rawrlexic littleguyic scenething tieflinggender dracochalkix lesbian with PTSD, ADHD, and depression who uses she/her, xe/xem, it/its, and they/them pronouns, and xe's in love with and soulbonds with Vriska!

Vriska Serket is an autistic disabled 8gender piratecoric lightaspic luckprotagonist genderbruise trans lesbian with PTSD, ADHD, BPD, and depression who uses she/her pronouns, and she's in love with and soulbonds with Terezi!

Equius Zahhak is an autistic bisexual horsegender voidaspic troll who's questioning their gender and uses he/him and they/them pronouns, and he's in a moirallegiance with Nepeta and dating Tavros!

Eridan Ampora is an abro straight genderfluid princegender gendersylphen hopeaspic watergender transfeminine girl with NPD who uses she/her and they/them pronouns!

Feferi Peixes is an autistic bisexual gillgender eldrifigender genderfluid lifeaspic mergender troll who uses she/her, gill/gills, and sea/sear pronouns, and she has a crush on Nepeta!

Calliope is an autistic stargender spaceaspic xenic trans nonbinary kenovoicomfic translunar asexual lesbian with PTSD and anxiety who uses they/them and she/her pronouns, and she's fiancées with Roxy and Jane!

Jasprosesprite^2 is an autistic transneutral sungender sunthing lightaspic sunbeing catgender liongender lesbian with NPD and ADHD who uses she/her, he/him, and nya/nyas pronouns, and he's dating June!

Davepetasprite^2 is an autistic catgender genderhoarder sillylexic sillyaean fungender vibracenic gendernya glitchgender timeaspic heartaspic genderqueer nonbinary sprite with ADHD who uses they/them and cat-related neopronouns, and they're dating Jade!

Dirk's alter AR is an autistic gay genderhoarder who prefers not to disclose what genders he hoards, and he uses he/him pronouns and also goes by Hal!

dni link

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get-back-homeward · 2 years

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The Saga of the Bowler Hat: In Four Acts

Sep 30-Oct 15, 1961: Paris trip

We planned to hitchhike to Spain. I had done a spot of hitchhiking with George and we knew you had to have a gimmick; we had been turned down so often and we’d seen that guys that had a gimmick (like a Union Jack round them) had always got the lifts. So I said to John, ‘Let’s get a couple of bowler hats.’ It was showbiz creeping in.

Gustafson happened to bump into them the day they left, Saturday September 30. “They both had bowler hats on, with the usual leather jackets and jeans. They said they were off to Paris, so I walked down to Lime Street station with them and watched them go. They were an incredible pair: always great fun, irreverent, and so close.” [x]

We still had our leather jackets and drainpipes – we were too proud of them not to wear them, in case we met a girl; and if we did meet a girl, off would come the bowlers. But for lifts we would put the bowlers on. Two guys in bowler hats – a lorry would stop! Sense of Humour. This, and the train, is how we got to Paris. [x]

March 2-4, 1964: Filming A Hard Day’s Night train scene

The specially-hired train was destined for Minehead and back, where for the next three days scenes were filmed in the suitably cramped setting. There was a dining car for The Beatles to eat in...[their] dialogue was recorded using microphones hidden inside their shirts, but numerous retakes were required due to sound problems.

The first we did was the train, which we were all dead nervous in. Practically the whole of the train bit we were going to pieces.

I’m sure it’s less noticeable to people watching in the cinema, but we know that we’re dead conscious in every move we make, we watch each other. Paul’s embarrassed when I’m watching him speak and he knows I am. [x]

March 29, 1967: With A Little Help From My Friends day

At two o’clock in the afternoon John arrived at Paul’s house in St. John’s Wood. They both went up to Paul’s workroom at the top of the house...John started playing his guitar and Paul started banging on his piano. For a couple of hours they both banged away. Each seemed to be in a trance until the other came up with something good, then he would pluck it out of a mass of noises and try it himself. They’d already established the tune the previous afternoon. Now they were trying to polish up the melody and think of some words to go with it.

“Are you afraid when you turn out the light,” sang John. Paul sang it after him and nodded that it was good. John said they could use that idea for all the verses, if they could think of some more questions on those lines.

“Do you believe in love at first sight,” sang John. “No,” he said, stopping singing. “It hasn’t got the right number of syllables. What do you think? Can we split it up and have a pause to give it an extra syllable?”

John then sang the line, breaking it in the middle: “Do you believe—ugh—in love at first sight.”

“How about,” said Paul, “Do you believe in a love at first sight.”

John sang it over and accepted it. In singing it, he added the next line, “Yes, I’m certain it happens all the time.”

They both then sang the two lines to themselves, la-la-ing all the other lines. Apart from this, all they had was the chorus: “I’ll get by with a little help from my friends.” John found himself singing “Would you believe,” which he thought was better.

Then they changed the order, singing the two lines “Would you believe in a love at first sight/Yes I’m certain it happens all the time” before going on to “Are you afraid when you turn out the light,” but they still had to la-la the fourth line, which they couldn’t think of.

It was now about five o’clock. [x]

The Beatles began by recording the rhythm track in 10 takes, the last of which was the best. It had Paul McCartney on piano on track one, George Harrison’s rhythm guitar on two, Starr’s drums and cowbell played by John Lennon on three, and George Martin playing organ on track four.

A reduction mix, numbered take 11, made free some space on the tape for further overdubs. Starr then added his lead vocals to tracks three and four, with backing vocals by Lennon, McCartney and Harrison. This session ended at 5.45am, and recording for the song was completed on the following day. [x]

1967-1968: Paul’s favorite artist inspires Apple Corp name and logo

We were discovering Magritte in the sixties, just through magazines and things. And we just loved his sense of humour. And when we heard that he was a very ordinary bloke who used to paint from nine to one o'clock, and with his bowler hat, it became even more intriguing.

René Magritte, The Son of Man (1964)

One day [Robert Fraser] brought this painting to my house. We were out in the garden, it was a summer's day. And he didn't want to disturb us, I think we were filming or something. So he left this picture of Magritte. It was an apple - and he just left it on the dining room table and he went. It just had written across it "Au revoir", on this beautiful green apple...So it was like wow! What a great conceptual thing to do, you know. And this big green apple, which I still have now, became the inspiration for the logo. And then we decided to cut it in half for the B-side!

René Magritte, Le Jeu de Mourre [The Game of Mora] (1966)

The title was found by Magritte's friend, the Belgian poet Louis Scutenaire, and is probably a play of words on Les Jeunes Amours [Young Love] (1963), the title of a work by Magritte showing three apples. The game of mora is "a game in which one of the players rapidly displays a hand with some fingers raised, the others folded inwards, while his opponent calls out a number, which, for him to win, has to correspond to the total of the raised fingers.” [x]

Epilogue

Paul McCartney’s 1989 My Brave Face single cover

My Brave Face lyrics, written early 1988 with Elvis Costello

January 1988: The Beatles are inducted in the Rock and Roll Hall of Fame

#bowler hat #john and paul #mclennon #blaming friendodorothys tags for this #one google search in curiosity led me down quite a rabbit hole #i had no idea how deep the bowler hat thing went #but MLH did as shown in his j&p fanfic #theres two bowler hats in paris but fairly sure both AHDN and mar 67 are pure hat stealing #fashion accessory stealing is paul's equivalent of a hair twirl #also that game of mora thing is nuts do click the links #im now convinced that apple painting is cursed #violating my 1980s dont exist here rule :(#only because i realized the glasses are a dead match for johns 67 ones #and i couldnt stop thinking about it #then i realized the writing of it links with paul missing the induction ceremony and i was a goner #the labyrinths #fic bunny #for whoever wants it #1961 paris trip #a hard day’s night filming #march 1967 #rene magritte #the dangers of iconography #cursed apple painting #my brave face #paris #paul wearing johns things #mine

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lawleightinc · 1 year

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𝙇𝙖 𝙡𝙖 𝙡𝙖𝙣𝙙 💃🕺: Film Conventions

Musicals have grown to be one of the most popular forms of artistry in the past decade that have carried unto our century. From Singing in the rain (1952) to Sweeney Todd (1982) all the way to the smash-hit Hamilton (2015), the theatrical expression of where life-meets-song reverberates within us in a way other art forms can’t. One of the largely successful hits of our modern day and age, La la land, waltzes in with a fresh perspective of reality while simultaneously incorporating elements and paying homage to the older classics. Directed by Damien Chazelle, La La Land bestows a technicolor world of music and dances and ultimately, dreams.

In this blog today, I am going to discuss specific musical conventions adjacent to the movie itself, and how Chazelle was able to both challenge and fulfill it.

The Planetarium Scene

The five minute extract I chose for this blog would be the planetarium scene.

In this scene, it is supposedly the end of their night together, but Mia suggests they go to the planetarium. They sneak in, and because of the late hour the place is empty. One element worth mentioning in this scene is the slow fade out of the backdrop and fade into the observatory. This style of scene switching is also evident in Old Hollywood musicals.

Another musical convention already very evident within the scene is the background music playing. When music starts in a musical, the audience can usually expect a song and dancer number to follow through, and it does. There are no words exchanged by the two, only a silent mutual understanding permeates the air and as if on cue, Sebastian takes her hand and they start to dance inside the large room. This is something present within all musicals, bursting into song and dance without explanation. Chazelle wanted to convey how musicals hold a sort of vocabulary, and the way Mia and Sebastian feel- something too entirely unique and special to be conveyed through language. The passion of the character is too great within that moment, or their emotions are too strong, and so they would simply have to break into a song.

One unconventional element of the scene was the use of technical detail to create a picture where Mia and Sebastian dance amongst the stars suspended in the galaxy. Even this level of extravaganza would be excessive for normal musicals, but it does not go without purpose. When Mia and Sebastian lift off, the movie is showing us how they feel. With flatter, less believable characters, this sort of extravagant visual metaphor would come across as if La La Land is trying to project something onto them. Instead, the movie’s wilder impulses feel as if they emanate from inside the characters and the joyous, tumultuous relationship they share. This dance is not grounded within physical, but emotional reality. (Suderman. P, 2016)

They exchange their first kiss here and the shot ends with an "iris out," in the style of the old romantic movies.

All in all, I believe that Damien Chazelle was able to merge the old and the new in such a way that the pieces do not merely fit together, but blend in to create something entirely new.

I would also like to discuss the social and economic messages Chazelle wanted to get through to every viewer out there. These mainly being unequal opportunities. The Hollywood industry is infamously known for being cut-throat, meaning it is very competitive and the successful are those at the very top. If artists are unsuccessful, they could be making much lower than the minimum wage and struggle to support their basic needs. This is a projection of Chazelle’s real life experience, and how he initially struggled until he was able to find a production company willing to budget La La Land.

The movie shows us that these are not people who merely become stars, but the harsh truth of talent being lost to reality. If you are more well-off or financially stable, the more chances you have of making it big. This is what Mia and Sebastian struggled with since they are middle-class citizens who are self-supported financially.

In the world of La La Land, where the lines blur and one cannot tell where reality ends and where dreams start, Chazelle teaches us a most important lesson:

Dreams require sacrifices.

#la la land #analysis #mia and sebastian

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leena459 · 1 year

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The sound of raindrops dancing on the roofIs like music that's put us all in the moodTo snuggle up with a book and drink in handAnd to let our thoughts freely expandAs the rain falls, so do our worriesWe're lost in a dreamland, no need to hurryThe world outside is calm and sereneIt's like we're in a different sceneThe air is chilly, but we're warm insideThe ice in our drink clinks as we glideThrough the pages of our favorite storyIt's like we're in a cocoon, safe and worry-freeThe pitter-patter of rain on the roofIs a reminder that sometimes we need to goofTo slow down, take a breath, and just unwindAnd let the rain wash away all that's unkind.

#quotes #dark academia #gloom #coffee #rain #books #quote #words #Poem

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reubenallanmedia · 1 year

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Narcos Title Sequence Review

Editing

The opening sequence of Narcos uses a lot of editing as it is made up of loads of different clips, so they cut together using a lot of transitions such as a rendition of a wipe that is mixed with a dissolve. This is used early in the sequence when it goes from a plane on a runway with a very orange sky in the background to the inside of the plane and showing all the people inside with bars over their eyes and some with crosses as well as bars, this shows the mysteriousness of the show and Pablo Escobar and fits with his story of him not being caught for 16 months during the fugitive hunt for him and the rest of the Medellin Cartel. Also, the transitions happen quickly between photos and videos included which can also show the elusiveness of Pablo Escobar and how quickly he would get away. There is also writing put over some of the scenes which you can't read but there is also drawings that would be used by the DEA to figure out where Pablo Escobar could've been.

Camera

Most of the opening sequence is close ups of objects such as drugs because that is part of what the show is about and of money which is included in the show. When the camera goes onto the plane showing people in there with a kind of medium long shot it pans along the seats as if we have entered the plane and are leaving again. There is then a long shot of a Medellin Cartel soldier standing in front of a lot of cocaine with a gun which shows he is protecting it from all sorts of people, which was a big part of the drug wars. There is then a medium shot of Miss Colombia which does not seem to have much relevance to the show itself apart from her being a part of Colombian culture just like Pablo Escobar infamously was. There is then a birds-eye shot of a woman led down then it cuts to what seems like that same woman biting her lip in an extreme close-up and this is all done without seeing her eyes which cover identity which also links with Pablo Escobar and the Cartel with them hiding. Throughout there are more birds-eye shots of stuff such as animals running on the grounds of Pablo Escobars zoo which was on his estate in Colombia. There are then medium shots of both Pablo Escobar and a DEA Agent which shows two of the main characters of the show. It then ends with establishing shots of a Colombian city which also came up on the screen throughout the opening title sequence.

Sound

The only sound in this title sequence is the song ‘Tuyo’ by the Brazilian singer-songwriter Rodrigo Amarante. This song was made specifically for Narcos. The song is sung in Spanish as most of the show is in Spanish with all of Pablo Escobars scenes being Spanish. In the song it says, “I am the fire that burns your skin” and “I am the water that quenches your thirst” and this is linked to Pablo Escobars rule over Colombian authorities as he bribed them so he controlled it all and was the solution to a lot of problems as the authorities were not in control. It also talks about treasure in the song and about how he protects it which is referring to the drugs and money Pablo Escobar had.

Mise-en-scene

The sequence starts with a recorder starting and someone setting it up which shows the start as it isn't shown again. There is also a lot of drugs and money in the sequence as that is what the show is mainly about. Most of the sequence is not videos from movie sets but are videos that were already made from news reports for example and photos found that are of Pablo Escobar or the Medellin Cartel.

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sunbonded · 2 years

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murder scene

the best friend

you told them and told them to be careful. now they've gone and gotten themselves killed and you have no one to blame but yourself. in your bed at night do you replay everything you said or did wrong? of course. because you should be perfect. you have to be. the specters wrap themselves around your lungs so tight you can't breathe and you turn your music down low as if that would help you see better. down, downing, drowning. lips blue, gasping for breath. the weight of your sins is heavy. you are not the killer that they are looking for, no, no, but you are a murderer all the same. the only place for you is hell.

#;;dash games

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losergendered · 18 days

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heyooo hwllooo :^3 All characters r from Regretevator

Bive is an intersex transnull transentien fessivoia Animinsequikenic paralurdarean oculagoric masc futch demiboygirl womanthing who is bisexual and demiromantic ! She uses she/it and nameself pronouns . It suffers with ppd , bipolar 2 , insomnia , nightmare disorder , agoraphobia , anthropophobia , and tokophobia

Dr.RETRO is a hypergender hyperfemine hypermasculine genderdoctor gendermedic gendermedical optiminihilismic lifemitres rotlace imaginarvriendin evclardette cat-thing catgirlthing who is aromantic bilechen and lesbilechen ! Mew uses mew/she/it/that pronouns . She has c-ptsd and several charges of aggrevated assault against it but we don't talk about that :3

Gnarpy is a genderless stellavenostalgic alienthing cat-thing who is (canonically !!! !!!) aroace . They have delusions of grandeur and mythomania .

Infected is a genderfluid bigender emorosboy emothing scenething frutiaexplosion metalheartexplosion oldtechexplosion gendertoxic genderthmpk lovirium pinkthing guything who is a lithsexual gay guy ! He uses he/it/O_o/XD pronouns ! It is a nonhuman otherkin , specifically catkin , sparkledogkin , zombiekin , skeletonkin and robotkin . O_o has depression , separation anxiety , bpd , autism , nyctophobia , autophobia , and chronophobia .

Lampert is a luxthing deminonbinary demiman who is panromantic and orchidsexual . He uses he/him pronouns . He has intermittent explosive disorder , autism , and cyclothmia .

Mannequin Mark is a genderqueer butch gay man . He uses any pronouns and suffering from major depressive disorder .

Party Noob is a xenogender pasteinbowin rainbowfleuric confettigender cakegender birthdayboy birthdayspike sillyaean bubblexplosion strortcakexplosion funfettiexplosion cakexplosion sprinklic cakecoric kandigender confettium nonbinary partyboything ! They are acrisexual and toric and use they/he/it/🥳/✨/🎉/🪅/🎈/🎊/🍰/🎂 pronouns . He has autophobia , atychiphobia , adhd , and autism .

Pest is an intersex genderless agabless agender transnull adexsexual gay bugthing ! He uses he/it/one pronouns . It has aspd , ppd , bpd , bipolar 1 , hypermania , and hypersomnia .

Pilby is a heehoogender clowngender sweetnsillygender kidcoric clowncoric xengender sillygender clownish asclownbunplushic nonbinary bug ! They use they/zhe/clown pronouns and are pansexual demiromantic . Zhe has social anxiety , autophobia , atychiphobia , equinophobia , hypomania , and seasonal affective disorder .

Prototype is a transentien genderless xenogender bubblegender computerthing who is also laimoromantic and caedosexual . He uses he/they/shi/bubble pronouns ! They suffer with mild dysmorphia .

Split is a dessertgender cakegender gxrlfluxthing womanthing bambi lesbian . She uses she/her pronouns but also doesnt mind any other pronouns being used for her . She has BIID and bpd .

Spud! is a caedorose genderless being who uses any pronouns . They suffer with ptsd , anger issues , and insomnia .

Unpleasant is a binary abinary rosboy azurgirl bigender demiboy demigirl nonbinary genderfuid genderqueer xenogender genderweird Sceneg3nd3r hypermasculine hyperfeminine zoomiegender faggit genderexplosion queerweirdo! It uses any pronouns and is bigay . Xey are alterhuman, foxkin, wolfkin , zombiekin , and godkin . Shi has klazmomania , egomania , mythomania , dermotillomania , hypomania , bipolar 2 , and depression .

Wallter is a cis gay man who uses he/him or any pronouns . He suffers with PTED and depression .

OS SORRY abt the long ass request 😭 im NOT NORMAL abt regretevator

( 🎀 )

posted!

#🎀 anon #asks #long ask

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washwashgalaxy · 4 months

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HOMECOMING By Gitanjli Mridul

HomecomingAm I dreamingOr is it trueA picture dwelling in my eyesOr only in dreamsIt is revivedThe same pastoral sceneThe origin of my poesyI’m sure is lying somewhereIn these barren fieldsBuried underneath the chimesOf those bullocks and the cowherd sturdyThe dumb awestruck hillsCalling for their cowherdsFor the homecoming of thoseLascivious laborious maidensSweating profuselyShoulder to…

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tea-and-waffles-errday · 11 months

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Shining a Light on the Creative Possibilities of Mini LED Lights

Mini LED lights have allowed us to explore and expand upon the creative possibilities for enhancing our lives and spaces. With built-in dimming capabilities and multiple colors available, we can create atmospheres and achieve effects that were not possible before. Mini LEDs are highly adaptable for indoor and outdoor lighting, offering the opportunity to add a modern touch to almost any ambience. They are also becoming increasingly affordable and easy to install, making it possible for anyone to create unique and innovative lighting displays at home. By creating and experimenting with mini LED lights for crafts, we can explore the possibilities of transforming a space into something truly special. By putting a spotlight on the creative potential of these amazing little lights, we can create a world of our own, right from the comfort of our home.

Utilizing the Power of Mini LEDs to Transform Space

Mini LED lights have become a powerful tool to transform any type of space and draw attention from viewers. For set design, the use of mini LEDs can create specific atmosphere and provide motion, contrast, and perspective. For example, the entrance of guest performers might be accompanied by a round of colored lights that emphasize their presence on set. In addition, they can turn an otherwise vast and dark space into a dynamic and inviting atmosphere. By breaking up darkness and incorporating layers of lighting, mini LEDs can evoke a specific emotion. Moreover, they can also be used as a spotlight to highlight the main characters onstage or a particular section of the set. This eye-catching effect helps focus the audience’s attention on a specific scene.

Exploring New Ways to Incorporate LEDs into Set Design, Costumes, and Props

When it comes to making a show more visually arresting, the possibilities of designing with mini LED lights are endless. For set design, these tiny lights can be used to create a variety of effects such as pulsating or flashing illumination. They can also be used to create unique patterns along the stage and set pieces, which can be particularly effective during night scenes. Along with designs, mini LEDs can be creatively used as a lighting source for costumes and props to give a distinctive look. Actors wearing costumes adorned with mini LEDs will give a whole new impression to viewers as they stage their performance or movements. In addition, LEDs can also be used to enhance props as add-ons. They can be used to illuminate a ballroom or a garden scene, creating a magical and surreal effect.

Analyzing How Mini LEDs Add Visual Interest to a Scene

The main advantage of mini LEDs is their ability to add visual interest to any space. As compared to traditional lighting, these lights can be programmed to create various patterns. This is especially handy when it comes to developing a scene-specific aesthetic. By arranging them to interact with each other, mini LED lights can be used to create marvelous motion effects. With the help of controllers, they can be set to pulse or flow in a specific or random pattern, producing a mesmerizing effect that lends an extra layer of depth to the scene. They can also be used to add depth and texture to a set. For example, in a forest scene, LEDs can be scattered among the trees for a more realistic look.

Fully Leveraging Their Versatility to Create Unique Lighting Effects

Mini LED lights are highly versatile, allowing viewers to experience a variety of lighting effects. They can be used to generate an intense feeling of chill, warmth, and intimacy, while also adding visual impact to the performance. By adjusting brightness levels and changing colors, mini LEDs can be used to create a unique atmosphere. From subtle transitions of color and light to bright and intense flashes, mini LEDs can help take productions to the next level. In addition, by programming light sequences, LEDs can be used to create synchronized motion effects. This feature can be used to move the audience’s focus from one area to the other, or to highlight segments of the performance as they occur.

Understanding the Interplay of Colors and Sizes for Maximum Impact

The selection of the right colors and sizes of LEDs depends on the specific audience and the desired outcome. Color temperature and intensity can be adjusted to create a specific effect. For instance, for a calm atmosphere, a cooler color might be a good option, while a warmer one may be better suited for a dramatic mood. Another essential factor to consider when using LED lights is the size. Depending on the size of the set, they come in a variety of shapes and sizes that can be used to create intricate designs. By blending mini LEDs in different sizes and selecting the right color, a captivating effect can be created that captivates viewers and takes their breath away.

Assessing the Role of LEDs in Enhancing Performance and Storytelling

When used strategically, mini LED lights can add an unexpected layer of depth to any performance. By carefully employing them into a performance, LEDs can enrich the story being told. As they can be used to focus attention on the main characters’ lines and movements, they can draw the audience’s attention into the subtexts. This helps viewers to appreciate the nuances of the performance and become more invested in what’s going on onstage. In addition, mini LEDs can also create a powerful visual image, making the performance more immersive and engaging.

Realizing the Endless Possibilities of Mini LEDs in Creative Applications

Mini LEDs come in a plethora of colors, sizes, and shapes that offer endless possibilities for creative applications. While traditional lighting sources have their limitations, mini LEDs offer unlimited possibilities to create dynamic and unique light displays. They can be used to bring any scene or atmosphere to life. From dance to theatre to musicals, mini LEDs can add a mesmerizing touch to any performance and create a powerful impact in the audience’s mind. In addition, their flexibility allows for creative installation and unique designs that make any show more visually interesting. So, whether you’re looking for a way to create a dynamic atmosphere or add a subtle touch to your performance, mini LEDs can help realize your vision.

Conclusion

The mini LED lights have revolutionized the creative lighting world by opening up a plethora of new options for creative minds. From LED lamps to light displays, these dynamic LED lights are powerful tools for realizing creative ideas that were never before possible. They provide users with a versatile and cost-effective option to light up their creations with endless possibilities. Mini LED lights are the ideal choice for those needing the perfect lighting solution to bring their next creative project to life.

#mini LED lights for crafts

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suvashis · 11 months

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Growing the Technology Startup Scene

The technology startup scene is an exciting and innovative space for entrepreneurs to explore, providing endless possibilities for anyone willing to venture into uncharted waters. In the last decade alone, a growing number of tech startups have come on the scene, paving the way for a more innovative and connected society. From fledgling start-ups making their presence known in the tech world, to well-established companies striving to stay ahead of the game, the technology startup scene is truly starting to soar. In this article, we'll discuss the factors driving the growing success of the technology startup scene and how new entrepreneurs can benefit from the burgeoning opportunities.

1. Planting the Seeds of Tech Revolution

The idea of tech revolution has been around for decades, but its impact on our lives is reaching new heights. From smart homes that make life more convenient to driverless cars that make our roads safer, technological advances are becoming a part of our everyday lives. But how did these technological miracles come to exist? At the core of these innovations lies the concept of “planting the seeds of a tech revolution”. This means providing the right conditions for new tech paradigms to develop and grow, such as offering financial resources, creating supportive legal frameworks, and building the necessary infrastructure. It also involves giving access to the right experts and helping them come together to craft creative solutions. This approach has been used by individuals and companies alike, allowing them to foster the type of technology that can have the greatest impact. We’re already beginning to see the results- AI-driven services, limitless streaming options, digital currencies, immersive virtual reality and more. Those who are interested in bringing about the next tech revolution need to start planting the seeds. Furnishing the tools and knowledge for innovators to succeed is crucial for inspiring and sustaining progress. And in the end, we’ll all reap the benefits. The world is ripe for new technological breakthroughs, and those who seek to take advantage of this opportunity must sow the seeds of change now.

2. Nurturing the Start-Up Scene

The start-up scene is an exciting new world in its own right. In the past few years, the exponential growth of start-ups has fuelled a surge of ideas, innovations and job opportunities - a big deal in a world where new ideas are a growing asset to any business. With such an abundance of emerging technology and entrepreneurial growth, it's important to nurture start-ups. Here are some ways to encourage the start-up scene: - Supporting policy: Governments and municipalities create laws, regulations, and funding that is tailored to support start-ups. - Accelerator and incubator programs: Many start-ups are seeking capital and investments, and programs like accelerators and incubators provide additional guidance and connections to potential investors. - Collaboration: Start-ups thrive when collaboration with larger entities and companies happens. This comes in the form of meaningful partnerships and joint ventures. - Tax incentives: Tax incentives help to offset the cost among start-ups, allowing them to focus on development and expansion. - Mentorship: Start-ups need mentors to navigate the many challenges of running a business. Mentorship can come in the form of existing business people, industry experts, investors and advisors. Engaging with the start-up scene can further encourage its growth, and provide more opportunities for start-ups to spark new ideas and innovation. By being a part of the start-up movement, you can be a part of history in the making.

3. Embracing Innovation and Risk-Taking

Innovation and risk-taking is an essential part of any organization's success. To stay ahead and remain competitive, is crucial. Here are a few best practices for making this happen: - Celebrate success: Reward successes and make sure these moments are celebrated. This will help motivate employees in their efforts to innovate. - Give autonomy: Give employees the autonomy to make decisions and take risks. A devoted team empowered to set their path will be more creative. - Encourage experimentation: To ensure innovation, set up an environment where experimentation is encouraged. When the idea of mistakes is eliminated, employees will be much more willing to take risks. It is also important to educate employees. Educate them on the possibilities and give them the tools they need to take risks and innovate. Take an approach of continuous evolution and be willing to adapt solutions when needed. Ensure that everyone in the organization understands the value of risk-taking and how it can help the whole company succeed. By embracing a culture of innovation and risk-taking, organizations can become an unstoppable force.

4. Reaping the Rewards of a Thriving Tech Ecosystem

Technology is often the cornerstone of a thriving economy, and the same is true for most large cities. By creating a tech ecosystem in your city, you can reap the rewards of having a forward-thinking economy. It's important to ensure that technology businesses in your city have the resources they need to succeed. This can include: - Access to capital – startups and scale-ups alike need access to funding to make their projects a reality. - Networking opportunities – create avenues for businesses to connect with each other and learn from each other. - Incubation programs – encourage, support and mentor up-and-coming tech companies. When a tech ecosystem is healthy, businesses can more easily access the capital, talent, and resources they need to grow and succeed. This leads to more job opportunities, more innovative products, and even an increase in home values. Increased tax revenues are also a bonus. As the technology industry continues to evolve and expand, the growing startup scene is sure to offer hundreds of new possibilities, opportunities, and inventions. No matter what the future brings, rest assured, there will always be a vibrant and growing technology startup scene wanting to make a difference. With that said, now it’s up to you, tech gurus of the world, to bring your vision forwards and truly explore what you can do with this exciting space! Read the full article

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lvsamine · 2 years

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murder scene

the detective

you are bound and determined to finish what you have started. so persevere, my love, but you might not like what you find. go on. let it consume you. it eats you from the inside and the outside at once and as the shadows fill your eyes you realize that your obsession consumed you a long time ago.

you are a husk of yourself. a shadow-spindly thing. the same determination that filled you punishes you. your mouth tastes like ashes. insanity is your release.

who is the true killer here?

you.

#HGSLFHKGLSDFJK #THIS HITS HARD DAMN #OKAY #dash games;#ooc;#headcanon;

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