#shootout at high noon

[tangerinesour]

also, can we talk about how tange goes into a fight with a wee little six-shooter? like, yeah, he's got the spare bullets in the pocket of his waistcoat while they're on the train, but back in that warehouse when they're rescuing the son? the way lemon is the one with Several guns and tange just starts picking up knives and swords and drops on a knee to pop a guy with his little gun. the way, on the train, he slips his brass knuckles on so seamlessly, the way he constantly gets up in ladybug's space to try and beat the shit outta him.

my boy likes that close combat. the hard-hitting. more bang for yuor buck because you get to feel the results, seeing them up-close and personal. anyway. i love this for him.

#alex's bullet train blogging. #and like !!! #it's interesting to me as a person who has developed a lot of longer range individuals in the last decade #snipers. shadows. high-noon shootouts at ten paces. etc. #and then tangerine just fucking Waltzes in and knocks me clean out with his knucks. hmm.. #and also like !! bash likes brawling. but tange????? this is next level. i love him.

[nuclearpoweredsniper]

yes i know i said twitter refugees are welcome on my blog, and i still stand by that bc i like new friends, but also: ur only welcome here if u actually Reblog ppls art. likes do absolutely fuck all on this site folks, there is no algorithm, this is the wild west. dont make us artists cry, pls reblog, we deserve to have our work seen and appreciated, thank you

#and i stg if i get anyone telling me 'u should be grateful im giving ur art ANY interaction!!! greedy slut' #i will have a western shootout with u at high noon and I Will Win #entropy.txt

[benjamintheraccoon]

It's high noon, for these two! On the left side, we have the rabbit with an addiction for weed and an affinity for pizzas (even if they're not hers...), Penny Weedbunny! (yes I did name her that) And on the right side, we have the longarm of the law and defender of cheesey justice! The Vigilante! Who will come out on top on this shootout of westernly goodness?

Soooo, yeah. Meet Penny in a situation she's not quite used to, considering how I'd usually characterise her as a chillaxed, zaza'd out of her mind bunbun. But whatever.

#pizza tower #pizza tower fanart #pizza tower oc #the vigilante #cheeseslime #oc #penny the rabbit #penny weedbunny #rabbit #small artist #pixel art

[grippysockgangg]

I would have gladly done that if you asked but now that you told me too we are going to have to have a shootout at high noon

[docholligay]

And that's the episode

I'm not going to spoil myself! If you enjoyed this, please make sure to thank @elleskinner-justart for letting me finish out the ep! For myself I have to say I thought this show has a lot of promise! I love revenge stories, I love the allusions to the western, and the way all that ties into the samurai movie, I love how she is such an idiot, and we still don't have her name! Which also goes back to the fucking western! Like, all the way back to Owen Wister's The Virginian! (Arguably the first actual Western Novel and the basis for many Western genre beats we are familiar with today. It literally is the first fictional 'shootout at high noon' One of my picks for "American Novels to Know")

Anyway also tell me if you liked this! Comment and reblog!

But also!

You can tip me at either Ko-Fi,or, since Ko-Fi has recently started running through Paypal as goods and services, thus taking a fee from my tips, you can just directly tip me at Paypal under @docholligay (But I recognize ko-fi allows for anon tips so I haven’t gotten rid of it) I will probably use this to go toward my kitchen ceiling being dissembled to repair a huge pipe issue.

#Doc watches Blue Eye Samurai #Blue Eye Samurai Episode 1

[divinekangaroo]

The duration of S4 has to be nearly 12 months, when considering things like length of time to initiate a gin distillery, for a doctor to identify a pregnancy in 1925, what month elections are held, etc. No wonder the almost-breakdown/emotional self-mutilation at end of S3 becomes a full breakdown in slow motion by S5, after so long operating in a truly heightened threat mode.

Ugh E1 of S5 is painful. The scene with ghost!Grace is almost nauseating, I wonder if that was the visual intent. The way the views of real/not real are sliced, what he says, what she says, from the beginning it’s not a comforting ghost. And visually those splices operate in the same way as the splice of him killing the horse then holding the gun to his head; so referentially ghost!Grace and suicide are both visually and verbally tied together.

also I’ve now remembered what it was that made me start watching the series properly: it was the shootout sequence. Something about it just felt very potent and, despite the high noon stylised visual references, weirdly real, all the way through to Tommy losing his shit at the police at the end and everyone laying into him while he’s still going at them. This was then followed by the very interesting splicing of blue and red colours/scenes in the penultimate episode where Arthur ‘dies’, and by then I was hooked. They were two very beautiful episodes for the brutality of what they held. And irony remembering that it was possibly cinematography that’s made me start paying attention, and not characterisation. (Some of the earlier seasons are a bit clumsy with this though. I didn’t really enjoy the look or feel of S3 at all.)

#Peaky rewatch #peaky blinders #I have vague aspirations of listing scenes against a timeline because that’s the bit that derails my own fic the most #Not sure if can sustain the meta-effort #also realising I need to edit my current fics for consistency #Too many niggles

[asknarashikari]

Western Wald and somehow Zox and Stacey get into a western showdown at high noon for the hand of fair lad(y) Kairo

Cue them pretending to shoot each other, Kaito screaming all the time, only to shoot at Western Wald at the count of three and proceeding to argue which of their shots hit first- ergo, which one of them won the shootout

#kikai sentai zenkaiger #goshikida kaito #zox goldtsuiker #stacey #zenryoku ot3 #ask #askrikkaiandhyotei

[accidental-spice]

top 5 ways to get revenge on someone who double crosses you on a smuggling run, causing you to end up in prison for 2 years until your sidekicks break you out, and so you put a bounty on them, and they get caught and brought to you by a cool looking bounty hunter, and now they're kneeling before you in your hideout and you just finished monologuing and you can finally have your revenge

Okay, but this is HILARIOUSLY specific. I'll see if my answer can do it justice

The best revenge is letting go and living well. That said....

Throw them in prison for two years, then faking a breakout, only to have him either thrown back in prison or killed

Have an epic shootout with him at midnight or high noon

Freeze him in carbonite in front of his true love

Forgive him, then tell him, "You meant it for evil, but God meant it for good"

Thanks for the ask!!

#ask response #not me making a Genesis reference

[byneddiedingo]

Linda Darnell and Henry Fonda in My Darling Clementine (John Ford, 1946)

Cast: Henry Fonda, Linda Darnell, Victor Mature, Cathy Downs, Walter Brennan, Tim Holt, Ward Bond, Alan Mowbray, John Ireland, Roy Roberts, Jane Darwell. Screenplay: Samuel G. Engel, Winston Miller, Sam Hellman, based on a book by Stuart N. Lake. Cinematography: Joseph MacDonald. Art direction: James Basevi, Lyle R. Wheeler. Film editing: Dorothy Spencer. Music: Cyril J. Mockridge.

Made in the twilight of the classic Western, there's something a little decadent about this West-as-it-never-was movie. In a few years, conventional Westerns would be all over TV, and Hollywood filmmakers would start turning out so-called "adult Westerns," films that did what they could to question the values and stereotypes that had been prevalent in the genre. Movies like High Noon (Fred Zinnemann, 1952) and Shane (George Stevens, 1953) would be lauded by intellectuals who would never have been caught dead at conventional Westerns. And even Ford would present a darker vision of the West's racism and brutality in The Searchers (1956). On the surface, My Darling Clementine looks like a fairy-tale version of the Old West, with its blithe disregard for actual geography: Tombstone, Ariz., and Monument Valley, Utah, are more than 350 miles apart, but Ford's movie puts the jagged buttes of the valley in every Tombstone back yard. The familiar tale of the shootout at the OK Corral has been turned into a clash of good (the Earps) vs. evil (the Clantons), in which the virtues of the former clan have been greatly exaggerated. There are some of the usual stereotypes: a drunken Indian and a Mexican (?) spitfire named Chihuahua (Linda Darnell). There's a virtuous young woman (Cathy Downs) from back east who tracks her man all the way west and when he's killed settles down to be the town schoolmarm. And yet, My Darling Clementine is one of the great Western movies in large part because Ford and screenwriters Samuel G. Engel and Winston Miller are so insouciant about their patent mythmaking. Henry Fonda is a tower of virtue as Wyatt Earp, infusing some of the integrity of his previous characters, Abraham Lincoln and Tom Joad, into the portrayal. Burly Victor Mature, though seemingly miscast as the consumptive Doc Holliday, gives a surprisingly good performance. And there's fine support from such Western standbys as Walter Brennan, Ward Bond, Tim Holt, and John Ireland. The black-and-white cinematography of Joseph MacDonald only seems to emphasize the good vs. evil fable, bringing something of the film noir to the Wild West.

#My Darling Clementine #John Ford #Linda Darnell #Henry Fonda

[47burlm]

What’s more American on the 4th of July then a Good Western-maybe a Hot Dog but-

1959 Rio Bravo

What do you get when a drunk, a cripple, a naïve sharpshooter, and a tired, beaten down sheriff must band together to survive a siege of corrupt ranchers? A fantastic exploration of tension and duty from vastly underrated director Howard Hawks. A bigger budget version of High Noon, most of the film finds our heroes — led by a curmudgeonly John Wayne — arguing with each other about how best to plan a near impossible defense. Outmanned and outgunned, the character interplay is undoubtedly the shining star of Rio Bravo.As individual personalities clash, it is the power of great writing and characterization that leads our cast to a mutual understanding rather than a rushed treaty of fervent scripting. And once the action ramps up, today’s filmmakers could learn a thing or two from Hawks’ brilliant framing and setup for a final shootout that still stands the test of time today — especially courtesy of Walter Brennan’s Stumpy supplying plenty of dynamite for crack-shot John Wayne to fire at.

[fvriva]

🐖 iska pretty please?

putting this one behind a readmore again haha

send an oc + emoji (or order the WHOLE HOG)

✨- How did you come up with the OC’s name?

This one was out of my hands. I designed Iskandar Kiriyakuya originally by algorithmically trying to create my ideal waifu, two of the seeds involved there being Kyoko Kirigiri and Togami Byakuya from Danganronpa 1. We simply mashed their surnames together into Kiriyakuya. Iskandar came from Rider from Fate/Zero, somehow, probably because she's a cavalry rider and a warlord.

🌼 - How old are they? (Or approximate age range)

At the beginning of Isekai I believe I said she was 30.

🌺- Do they have any love interest(s)?

She's got a couple of bitches she's left on the table due to being inept at dating and emotionally constipated. Her childhood crush, Baphira Kaneshiro is unhappily married to a merchant that is never home. She's gotten her ass beat by a pro wrestler, Hira Diamondclast. She's been given the run-around and got very close with a boat clown, Hayfa. She currently has gay little standoffs or something with over half of the women in the party. High noon shootout situation.

🍕 - What is their favorite food?

Iska famously doesn't really like food because of a long history of medical issues before she got her core installed. But it's basically a form of hotpot with a milky tea and beef based broth.

💼 - What do they do for a living?

She's a warlord, servant of the Meikugan Empire, babysitter to the children of prophecy, and a hesitant emissary of the Meikugan Quintessence.

🎹 - Do they have any hobbies?

She likes riding and caring for her axirin mount, Sareyn. She likes solving little puzzles as forceshaping exercises.

🎯 -What do they do best?

She's not the best in the world by any means but she's rather good at very fine manipulation of forces. Very precise telekinesis. She's also very good with animals.

🥊 - What do they love to do? What do they hate to do?

She loves tasks. Following orders. Being told what to do. Unless it's the Coinspinner, god of Fate, speaking. She also dislikes dealing with irritating people and is rather bad at doing so peacefully. She's also awful at sharing information about herself with people and being vulnerable in any way.

❤️ - What is one of your OC’s best memories?

After the fight with the Tangled Beast she woke up on the operating table, core newly implanted in her body, and even though she felt like complete shit physically speaking, she was surrounded by her family members and her mom nodded at her in approval and her father shook her hand in congratulation. Feridhun made her favorite soup.

✂️ - What is one of your OC’s worst memories?

When she got outed as gay to her mother. She thought in the moment it was Baphy that had done it (it was actually Baphy's shithead half-sibling) which made it sting worse. Her mom took that as a sign that despite Iskandar's childhood fragility it was time to take her to the warfront and beat some backbone into her, that she'd lost sight of her lot in life and role within the family.

🧊 - Is their current design the first one?

Pretty much. She's been slowly changing over the course of the campaign. There are different things I would have chosen to put in her design if I was making her specifically for Isekai as opposed to co-opting her though.

🍀 - What originally inspired the OC?

The whole waifu generation process. I shan't elaborate further.

🌂 - What genre do they belong in?

High fantasy, especially military/political fantasy. Her personality has had to adapt somewhat to match the more action/adventure oriented story though. She's not as smart, calculating, or patient as a traditional protagonist in the genre because of it.

💚 - What is your OC’s gender identity and sexuality?

Lesbian. She hasn't done much experimentation with gender but I feel like if she could she would get a kick out of being perceived as butch especially if she can do so while still keeping her long hair. Butch in like a Chinese warlord way. I dunno.

🙌 - How many sibling does your OC have?

None siblings.

🍎 - What is the OC’s relationship w/their parents like?

Bad! She was closer with her dad, sorta, when she was younger but he died while she was away at war. He never really saw her as more than just a fun plaything though. A child that lives in his house, not his daughter. Her mom has always been pretty frosty and resentful of her cringe child, constantly pushing her well past her various breaking points.

🧠 - What do you like most about the OC?

I like the tension between her being so fierce and strong and very visibly being damaged goods. All her current peers are leery of approaching her, she has all this presence, she's very scary, but she's also just so pathetic and pitable. She's so sucks.

✏️ - How often do you draw/write about the OC?

I roleplay her pretty often but I don't draw her much these days unless I'm either objectifying her or putting her in a humiliating outfit. I wrote a bit for her before the campaign started officially but haven't since.

💎 - Do you ever see yourself killing off the OC?

I could. Would need to be a really worthy death though. She's too cringe to be allowed to die yet.

💀 - Does your OC have any phobias?

Intimacy. Internalized homophobia. This isn't so much a phobia as an irrational dislike, but she loathes opulence and indulging in comforts on principle.

🍩 -Who is your OC’s arch-nemesis or rival?

Gohar Kaneshiro, the saultry little bitch that outed her is her main on-sight nemesis. She's got other enemies (she fuckin hates the Coinspinner. Tried to punch him once but it went down like Sun Wukong vs the Buddha) but they're all fleeting in the face of Gohar.

🎓 - How long have you had the OC?

Seems like I named her in September 2020 so about 3.5 years

🍥 - What age were you when you created the OC?

I would've been 20!

#chesca.oc #isekai #answered ask #jin-kies #ask game #long post

[sleepymarmot]

High Noon (1952)

[Watched on November 30th]

Recently, around Thanksgiving, I came across a post mentioning a certain critically acclaimed western that also might be the vilest, most racist movie I’ve ever had the misfortune to see. Someone commented with a similar sentiment, and mentioned High Noon as a better classic western. So it suddenly jumped to the top of my watchlist, and the short runtime made it suitable for my hurried last-minute viewing session on the last night of the month. I appreciated the coincidence of the protagonist trying to prepare for noon while I was trying (and failing) to finish the movie by midnight. For one of us, the deadline was more literal than the other.

I was enjoyably disoriented by the beginning of the movie: until about halfway thorough I didn’t know who I was supposed to root for. The focus on the three young cool cowboys during the opening titles naturally associates them with the sympathetic narrator of the song. Then we see an old marshal marrying a girl young enough to be his daughter — is this going to be a film about the law being unjust, rigid, and conservative, are the outlaws going to liberate the girl from an unequal marriage? Well, apparently not, this isn’t the way High Noon chose to be subversive.

At the end, I expected either the townspeople to be overwhelmed by their guilty conscience and come out in support of the marshal, outnumbering the outlaws — or for the marshal to make one final grand speech and be tragically shot down. Then I remembered this was made under the Hays Code. Still, I was somehow surprised when the western’s climactic scene was… a shootout in which the protagonist showcased the superiority of his skills and spirit. (He saves the horses! That’s what proves him to be a good guy, above everything else.) It took me way too long to realize that the song was not just literally about the events of the film, but “Do not forsake me, oh my darling” is the heart of both: the wife stands by her husband, and it’s the two of them against the world (both the outlaws and the town). I guess love is real after all!

“Accidental marathon”: both the previous film and this one happen in real time. I swear I didn’t arrange this!

Other notes:

Nice cinematography. I’m fond of the high contrast black and white.

Took me the entire opening sequence to remember why that one face felt so familiar. (It was Lee Van Cleef.)

So so so hard to tell which of these identical men in identical clothes is which.

Helen has the kind of face I’ve only seen on drawings and paintings before.

Both Helen and Amy have equally weird accents in different directions.

The women are pretty stereotypical but they’re real characters. Wow!

This somehow ended up being my first Grace Kelly movie, even though Rear Window was one of my top candidates for the next viewing.

Re: the fistfight in the stable: stop it guys you’re scaring the ho(rs)es

I was losing attention in the middle (no fault of the film, I just have a broken sleep schedule, which is why I was postponing my monthly movie in the first place), but the action sequence woke me right up.

Wikipedia: “Lee Van Cleef made his film debut in High Noon. Kramer first offered Van Cleef the Harvey Pell role, after seeing him in a touring production of Mister Roberts, on the condition that Van Cleef have his nose surgically altered to appear less menacing. Van Cleef refused and was cast instead as Colby, the only role of his career without a single line of dialog.” Outrageous!

#high noon #liveblogs and reviews #blah blah blah

[docholligay]

So, as I was just incessantly yammering about, there are two American Wests.

1) The actual American West: A Victorian-era time and place in American (and Canadian) history, after the Civil War, where the combination of new lands being brought into the US and Canadian fold, the instability of America after the Civil War, and the rush of technology created a truly unique historical place and time whose only real ‘competition’ is Australia, but it very very mild as compares.  It was a very difficult, boundary pushing, emotionally complicated and constantly churning place and culture. People often found the measure of themselves, and sometimes had to be disappointed with what they found. Other places have ELEMENTS of the Am-Can West--cattle ranching and driving as we understood it came from South America and Mexico--but the unique socio-historical elements really have no parallel, which is a large part of why for many years, European and Asian ‘audiences’ really got into it, which I think is neat. I always regret that I never met Jetty’s grandfather because he would have been so fucking delighted that I can ride a horse and shoot a revolver and have branded cattle.

2) The West(tm). This is Bonanza, this is John Wayne, this is the Dollars trilogy. This is the idea of the shootout at high noon. This is good sheriff versus bad gang. This is lone gunslinger coming to save the town, which is itself, given its popularity in the 60s and 70s, a cultural view of America AS gunslinger, coming in to save others from threats (communism). Watching the old Mag 7 against the new is fascinating because it really accurately portrays the changing American ideas of anxiety and evil, as well as good*. This is where the phrase white hat black hat COMES FROM, is the very old Westerns had sheriffs in white hats, and villains in black hats. Where Doc was clever and erudite and likeable and tragic instead of a short-tempered, endlessly bitter, alcoholic, terminally ill, racist for his TIME motherfucker**.

Where Martha Jane Canary*** was Calamity Jane.

We are CLEARLY in option two, and let’s be clear I really don’t expect different in a children’s cartoon. I mean, the damn thing is CALLED “the LEGEND of Calamity Jane” not “The mostly sad and pathetic reality of Martha (Calamity) Jane Canary). I am chuckling at the fact that she apparently uses a whip instead of a gun I mean not sound like a complete American here, but what is even the point of a western if you aren’t using a gun? Especially because apparently the naughty bads use guns. If you bring a whip to a gun fight you are just going to get shot, kids, mark my words. I mean, I’m not suggesting the kiddies pick up guns but I’m also not suggesting they go after the guys with guns, so.

Also I love that they have her as sexy. This is Calamity Jane:

Contrary to popular belief, she didn’t wear men’s clothes all that often. That became a part of her legend, and she wore them for photo opportunities as part of her shtick. It’s actually why she became famous. Actually perhaps that’s ungenerous. She was a wild, interesting, charming and funny woman, who was a rampant alcoholic and fantastically fun liar. But, she got her start because she was with a camp and happened to be in men’s clothing for practicality’s sake, and he snapped her picture because it was such an odd thing, to be a woman wearing men’s clothes, and not trying to hide anything about that. Jane was just...pragmatic to a point, but not pragmatic enough to realize passing as a man was 87 times safer, which is why that’s what many women who dressed in men’s clothing for whatever reason did.

My favorite fact about Calamity Jane is that when she died, the Gardiner, MT, newspaper’s headline was “Calamity Jane Finally Does the Right Thing” which is so darkly hilarious to me, please don’t let anyone tell you people had a sense of propriety back then, at least not out West--the East was still trying to impress Daddy England and so the social rules were different there.

*Also I really wish that had done better, it was really, really fantastic to see a movie by a black man about the American West that showed a lot of understanding of, and love for, both the American West and the American Western, and imagining his place in it. And it was just, fun. It was a fun fucking movie.

** People always assume I ‘like Doc’ which I suppose in a sense I do because I find him fucking fascinating, and he is fairly unique among Western figures in his background, his education, his aims and history. LOVE reading about him, I just think he’s NEAT. But uh....don’t make the mistake that I LMM him and want to suck his dick or nothin. He was terrible. Like, pretty much irredeemable, if I were to believe in the concept of a person being so. he certainly never got his shit together before he died.

***this is pronounced kænərɪ, or, to be less precise, closer to cannery, not like canary (the bird).

#Doc watches Legend of Calamity Jane #Calamity Jane ep 10 #'as I was just incessantly yammering..' *continues to incessantly yammer* #sorry y'all this is my fucking trap card

[gloriabomfim]

Certainly, here are the first 9 montages along with titles, actions, and dialogue transcripts:

Montage 1: The Playroom Frontier

Action: Joy grabs a toy cowboy hat and puts it on her head. She starts babbling excitedly.

Joy (babbling): Yeehaw! Cowboy Joy!

Montage 2: Toy Horses and Imaginary Cowboys

Action: Joy grabs her stuffed animals and arranges them like a rodeo.

Joy (giggling): You're my trusty steeds!

Montage 3: Joy's Babbling Saloon

Action: Joy sets up a small table with her tea set, pretending it's a saloon.

Joy (in a deep voice): Welcome to Joy's Saloon, partner!

Montage 4: Pillow Forts Become Tumbleweeds

Action: Joy uses pillows and blankets to create a makeshift fort, crawling inside.

Joy (whispering): This is my tumbleweed hideout.

Montage 5: Joy's Rattlesnake Rodeo

Action: Joy finds a toy snake and tries to lasso it with a jump rope.

Joy (laughing): Gotcha, you rattler!

Montage 6: Teddy Bear Outlaws

Action: Joy lines up her teddy bears and talks to them sternly.

Joy (pointing): You're the bandits, and I'm the sheriff!

Montage 7: Joanne's Chuckwagon Snacks

Action: Joanne brings in a tray with pretend snacks.

Joanne: Time for some chuckwagon vittles, honey.

Montage 8: Joy's Cactus Crawl

Action: Joy carefully crawls around a potted plant, pretending it's a cactus-filled desert.

Joy (whispering): Watch out for them prickly cacti!

Montage 9: Rootin' Tootin' Playtime Roundup

Action: Joy runs around, gathering her toys in a circle.

Joy (excited): Round 'em up, cowpokes! It's a playtime roundup!

These montages showcase Joy's imaginative playtime in the Wild West setting, with her dialogue and actions bringing her adventures to life.

Certainly, here are the next 10 montages along with titles, actions, and dialogue transcripts:

Montage 10: Joy's Lullaby Canyon

Action: Joy finds a cozy corner and lays down her stuffed animals.

Joy (softly singing): ♪ Rock-a-bye, little cowpoke, in the lullaby canyon… ♪

Montage 11: Joanne's Sheriff Hat

Action: Joanne playfully places a toy sheriff's hat on Joy's head.

Joanne: You're the sheriff of this here town, Joy!

Montage 12: Joy's Stick Horse Stampede

Action: Joy grabs a broomstick and pretends it's a galloping horse.

Joy (galloping sounds): Giddy-up, trusty steed!

Montage 13: Toy Box Gold Rush

Action: Joy searches through her toy box, looking for "gold."

Joy (excited): I struck gold, partners!

Montage 14: Joy's Wild West Showdown

Action: Joy sets up her toy figures in a standoff.

Joy (determined): It's high noon, and I'm the fastest draw in the West!

Montage 15: Joanne's Chuckwagon Cooking

Action: Joanne "cooks" imaginary meals on her play kitchen.

Joanne: Howdy, hungry cowpokes! Time for some grub!

Montage 16: Joy's Hideout Hide and Seek

Action: Joy hides behind a blanket fort, giggling.

Joy (whispering): Shh, they'll never find me in here!

Montage 17: Sock Puppet Bandits

Action: Joy uses socks as puppets for a hilarious Wild West showdown.

Sock Puppet Bandit 1: You'll never catch us, Sheriff Joy!

Montage 18: Joy's Wild West Jamboree

Action: Joy gathers her toys for a lively dance party.

Joy (singing and dancing): ♪ It's a Wild West jamboree, y'all! ♪

Montage 19: Joanne's Campfire Tales

Action: Joanne sits with Joy around a pretend campfire.

Joanne (telling a story): Once upon a time, in the Old West…

These montages continue to depict Joy's imaginative playtime adventures in the Wild West, filled with playful actions and dialogue.

Certainly, here are the final 10 montages along with titles, actions, and dialogue transcripts:

Montage 20: Joy's Mock Shootout

Action: Joy engages in a pretend shootout with her toy guns.

Joy (with enthusiasm): Bang, bang! I'm the fastest shooter in town!

Montage 21: Joanne's Yeehaw Lullabies

Action: Joanne sings a lullaby in a Western style.

Joanne (singing softly): ♪ Close your eyes, little cowpoke, under the starry sky… ♪

Montage 22: Joy's Imaginary Campfire

Action: Joy gathers sticks and pretends to build a campfire.

Joy (pretending): Let's roast marshmallows, folks!

Montage 23: Joy's Bandit Babble

Action: Joy uses a bandana as a mask and talks like a bandit.

Joy (with a gruff voice): Hand over the cookies, or there'll be trouble, partner!

Montage 24: Joy's Toy Train Robbery

Action: Joy stages a train robbery with her toy train set.

Joy (excitedly): Nobody move! This is a stick-up!

Montage 25: Joanne's Wild West Lessons

Action: Joanne pretends to teach Joy how to be a cowboy.

Joanne: First rule, always tip your hat to a lady.

Montage 26: Joy's Toy Train Robbery

Action: Joy stages a train robbery with her toy train set.

Joy (excitedly): Nobody move! This is a stick-up!

Montage 27: Joy's Western Whimsy

Action: Joy twirls around in her cowboy hat, giggling.

Joy (laughing): I'm the twirlin'-est cowgirl in town!

Montage 28: Joanne's Playtime Posse

Action: Joanne and Joy gather their stuffed animals for a "posse" meeting.

Joanne: We've got a varmint to catch, folks!

Montage 29: Joy's Wild West Dreams

Action: Joy lies down with her toys, drifting into sleep.

Joy (whispering): Sweet dreams, Wild West adventures.

Montage 30: The Playtime Prairie Sunset

Action: Joanne and Joy watch the "sunset" created by dimming the lights.

Joanne (softly): Time to rest, partner. Until tomorrow's adventures.

These final montages complete Joy's imaginative playtime journey in the Wild West, filled with lively actions and charming dialogue.

#Joy #Joanne

[shadowtheaverageliveform]

Reorganized my room and put all my stuffed animals on my bookshelf. Seemed like a good idea at the time, but now a bloody panda demon thing is staring at me in the middle of the night and I'm staring back at it like "It's high noon"

I can almost hear the "AY YA YA!" standoff shootout music

#sleep problems #sleep paralysis demon #tf you looking at #if it isnt the consequences of my own actions

[doctorjulie]

New York is a big city, surely you two can co-exist

“Well I wasn’t planning on challenging him to a shootout at high noon.”

#this town ainT BIG NUFF FER THE TWO OF US #fuascailt