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#speak to me gayle
sangrialagoon · 1 year
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ⓘ this user has fumbled the bag
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tamorisana · 11 months
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CHEERLEADER ROACH 🗣️‼️🗣️‼️🗣️‼️🗣️‼️
VOLLEYBALL PLAYER SOAP🗣️‼️🗣️‼️‼️‼️‼️🗣️‼️
BASKETBALL PLAYER GHOST🗣️‼️🗣️‼️🗣️‼️🗣️‼️🗣️‼️
AND THEY ARE BOYFRIENDS ‼️‼️‼️‼️‼️
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funbloodclots · 1 year
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I made a chart on people who have a crush on Bob Belcher.
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mogseltof · 1 year
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i cannot believe i've gone through so many years of seeing this great fucking sean astin
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without it ever ONCE coming up that it's from 50 first dats?????
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lonely-dog-song · 1 year
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when other people are in the kitchen with me i feel like Gayle Waters-Waters
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me: i should listen to music, i'm playing the same songs again and again
also me: new album cover scary
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aquietanarchy · 1 month
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...
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koshkamartell · 26 days
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No One But Me
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masterlist
previous
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You walk with Joel back to his house without saying a word. After the confrontation at the mess hall there is a sense of exhilaration flowing throughout your whole body; you feel so light and free like you're walking on a cloud, with your heart thumping but your mind blank, still not having processed just what happened. All you can focus on is Joel's firm hand against your back and how safe and protected you feel in this moment.
You huddle closer to Joel to shield yourself against the cold night wind that whips against your cheeks. The cold weather has not eased and the amount of snowfall that has graced the landscape recently most likely indicates that it will continue for a while yet. The warmth of Joel's body radiates onto you and you whimper, feeling like a kitten yearning for somewhere soft to sleep. When you press your face into his side and inhale, taking comfort in his familiar scent, Joel's arm wraps tightly around your waist.
At the house Joel shuffles into the living room and flops down onto his arm chair with a grunt. He bends forward to remove his boots while you slip your shoes off at the front door. Now that you are surrounded by the quiet privacy of the house, away from the din of the mess hall and the prying eyes of other people, your high begins to evaporate. The weight of reality sinks ontop of your head and pours a flurry of questions down into your brain.
You need to talk about it, you need to know.
"Why did you do that?" You ask quietly as you unwind the scarf from your neck. You hang it on one of the coat hooks by the door. "And for Rhi, too? I thought you hated my friends."
Joel manspreads and leans back into the chair, the muscles of his body visibly relaxing as he settles against the cushion. You watch him while you remove your coat, your eyes falling to the way he dangles one of his hands by the inside of his thigh, close to his crotch. It is so effortlessly and distractingly sexy - why does Joel have to be so handsome, so strong, so beautiful?
He tilts his head to the side slightly and regards you with an almost scornful air.
"You really think I'd let some asshole talk to my woman like that?" Joel scoffs. "Or to any woman, for that matter?"
You stand still by the door contemplating his words. You couldn't ever deny that Joel was overprotective, but to witness him defend you publicly - and your friend, who he had expressed disdain for in the past - had left you astonished. It was exciting to witness him assert his authority over someone else for your sake, to reprimand someone for merely speaking about you disrespectfully. It was also undeniably arousing.
"Didn't see no one else pull him into line," Joel added.
You bow your head and scuff your socked foot back and forth over the floorboard. The mention of this observation stung you more than you expected, perhaps because it was true. Oscar had not defended you; he hadn't even noticed what was happening because he was too busy flirting with Gayle. You knew you shouldn't feel disappointed. You had no right to feel failed by him, not when you and Oscar weren't even together, but especially because you were still technically with Joel. You needed to suppress these useless emotions, these feelings that were pointless to cling to when they seemed so nonsensical.
Joel had done what he vowed to do. He was trying to fix the damage he had caused, trying to show that he was sorry. He had finally given you what you had wanted all along. And although deep down in the depths of your heart you believed the destruction to be irrevocable, you now felt you had little choice but to carry on. You had a family with Joel and Ellie, and he had proved he loved you and wanted to protect you.
And Oscar, your sweet, kind Oscar...he had found someone to love, someone to spend his time with, someone who was actually worthy of him.
You had to accept that this was your life. You had to try rekindle some of the lost love you had for the man infront of you.
"Yes, that's true," you admit quietly without looking up. You toy with the end of your braid that hung over your shoulder, awkward and unsure what to say next.
"Don't matter, though. Only matters that I was there, baby." Joel assures you gently, as if offering you comfort from something that had upset you.
You glimpse at Joel from under your lashes and see how his large puppy dog eyes stare at you with sincerity, serious yet soft, silently beseeching you to understand his devotion. In this instant you can't help the endearment that tugs at your heart.
"Now come here," Joel urges with a pat of his large hand against his thigh. This command and your subsequent subservience is a well practiced dance for you and Joel now, and the resulting gratification has conditioned you to want it. You want to sit in Joel's lap, you want to feel close to his broad chest and soft stomach and hear his praise.
You saunt over to the armchair obediantly and demurely slide into his lap without saying a word. His big mitt comes to rest on your lower back to support you.
"There's my good girl." Joel murmers as his opposite hand reaches up to tuck a stray strand of hair behind your ear. Despite having been in this exact position many times, your lower belly still flutters with arousal every time you are perched on his thick thigh.
"Tell me somethin'," Joel cooes in his honeyed Texan accent. "Did you like what happened back there tonight? You liked me tellin' that cocky piece of shit to fuck off?"
You did, and he knows it.
You bite back a smile and look down at your fingers fiddling in your lap. Joel is watching your reaction intently, focused on every microexpression that passes over your features. It makes you feel exposed and far too self conscious to answer his question or look at him, but in this situation you know he doesn't mind too much. Joel is savouring the flirtatious tension buzzing between you both - all part of the addictive, intoxicating game of seduction that he loves to enact with you.
Joel strokes his thumb over your chin and smirks proudly. "Yeah, my baby girl liked it, ain't that right?"
The gesture combined with the timbre of his voice makes your inner thighs clench together and a tiny whimper slip from your mouth. It is shameful, you think, how easily Joel can coax such a response from your body with just the pitch of his voice. Joel must be thinking along the same lines because he lets out a soft chuckle, the corners of his eyes crinkling in the way they do when he's genuinely amused by something.
"Just needed daddy to take control and keep you safe, huh?" He croons. You nod, certain that a pink tinge is now spreading across your cheeks.
"Show me them pretty eyes."
Joel's thumb and forefinger angle your chin upwards, directing you to look at him. The beguiling spell he's weaving has already begun to hypnotise you; your eyes are large and dreamy with desire while you chew your bottom lip, one of your hands now trailing up his chest to fist the collar of his flannel in a way that seems to beg him to keep going. Joel hums knowingly and shifts his hand to cup your jaw in his calloused palm.
"Want everyone to know you're mine, huh?Don't you worry, baby, I'll tell 'em," Joel purrs seductively, his hooded eyes flitting from your eyes to your lips and back again.
"Tell 'em you're mine and I'm yours. That I'm the only man who can take care of you and fuck you like you need. What do ya think of that?"
Your pussy clenches around nothing and you whimper softly. You are hardly aware of the way you're already squirming in his lap from being so turned on. Joel chuckles darkly and nuzzles his nose against yours.
"Reckon you'd love that," he whispers. "Everybody in town knowin' it's me who gets this pussy wet and beggin' to get fucked. "
You are so desperate for some kind of relief from your throbbing clit that your hips unconsciously grind down into his thigh.
"Bet you're fuckin' soakin' through your panties right now," Joel rasps.
His hand snakes down your neck and your breasts and roams over your belly to the waist band of your jeans. You exhale a breathy sigh and lean back into his chest, parting your legs instinctively and angling your hips the tiniest bit upward.
"Yeah, I know, sweetheart. Know how desperate that little pussy gets for me."
Joel's fingers slip under your pants and past your underwear, the pads of his fingers immediately meeting with your slick arousal. He groans into your neck and dips two fingers lower toward your opening to collect the wetness seeping out of you. Joel brings them back up to rub your clit in slow circles, the sensation of his lubricated digits making you moan softly and buck your hips. You can feel the hardness of his huge cock in his jeans underneath your ass.
"Yeah," Joel breaths. "So needy and I've barely touched ya."
Your eyes roll back and your hand reaches up to run your fingers through his hair "Yes," you whisper back. "N-need you so much."
Joel hums, a deep rumbling in his throat. He massages your clit at a steady, leisurely pace, occasionally stopping to plunge his fingers down into your pussy hole.
"I know, babydoll, I know. Need daddy to touch you and make you feel good, huh?"
Your eyes fall shut and you nod eagerly, your fingers tugging at his crown of greying curls.
"Please, please," you beg. "Make me feel good."
"I will," Joel murmers. His voice is now rough and husky with his own desire. "Get upstairs and strip, wait for me on the bed."
He retracts his hand from your pussy and pulls out of your underwear, making you whine and pout at the loss. His fingers shine obscenely with your slick.
"Do as your told," Joel growls.
He urges you to stand with a firm push of his hand against your back, then heaves himself off the armchair. You obey and scamper up the stairs to Joel's bedroom.
••••••
Not even five minutes later you are completely naked and laying your back in Joel's bed. He lays on his stomach in the middle of your open legs, still fully clothed, still the one in control despite having his head buried between your thighs.
Joel starts by licking a slow, thick stripe from your opening up to your clit. The sensation of his warm tongue caressing the most sensitive spot of your body forces a long moan to escape from your lips. You shiver momentarily and your back arches.
Joel groans hungrily and slowly laps at your clit, his thick fingers digging into the flesh of your inner thighs as he holds you open for him to devour. He continues the motion of his tongue over and over until you can feel the wet mess of your slick and his saliva drip down to your asshole.
Joel had always loved eating your pussy. But tonight he seems determined to take his time pulling you apart. His mouth works expertly to lavish you with such intense pleasure that you feel you'd float away if not for the tight grip of your fists in his hair.
You keen with every fat, languid stroke of Joel's tongue and then gasp when he occasionally stops to suckle on your sensitive bundle of nerves. The alternating actions have your whole body tensing and shuddering, steadily building up to what you know will be an explosive orgasm.
Joel stops and pulls his face from your exposed pussy to speak, his moustache glistening with your juices.
"Taste so fuckin' sweet, babydoll." He pants, his voice rough with lust filled hunger. "Want you to soak my face when you cum, alright?"
You nod, dazed and drunk, unable to form any words. Joel gives your inner thigh a firm swat with his hand to get your attention. You yelp and buck your hips, instinctively tugging on his hair that you still hold in your fists.
"Yes daddy," you gasp. "Yes."
Joel hums in approval and leans back in to continue eating your pussy. He presses his two thick fingers against your entrance and he swirls his tongue back over your clit, his nose bumping against your mound.
"Joel," you moan loudly. "Fuck, don't stop, please...f-feels so good."
Your hips rock in small circles, chasing the stimulation of his tongue, desperate for the tightening coil of your climax to hit its peak. When Joel slowly pushes his fingers all the way inside of you and curls them to hit your g spot, you cry out at the overwhelming pleasure. You are wrecked, totally devoid of any coherent thought and not able to utter anything but his name. Joel, Joel, Joel.
He begins to fuck you steadily with his thick fingers while sucking gently on your clit, making you wail loudly, your walls contracting tightly. It doesn't take much longer for your ecstasy to culminate in a fervent orgasm, heightened by Joel's unrelenting ministrations. You squeal and arch your back as you cum and gush into Joel's mouth, your vision bursting with stars.
"Oh my God, Joel," you choke out through panting breaths. "Fuck!"
Joel continues thrusting and sucking all the way through your climax, only letting up once your walls have stopped spasming and your moans are reduced to soft sighs. Joel cannot completely stop there, though; he prolongs your bliss with light swipes of his tongue over your throbbing clit until your legs shake and you mewl pathetically from the overstimulation. Only then does he stop and slide his fingers outside you, leaving your cunt a quivering mess.
Joel crawls ontop of your lax body and captures your mouth in a sloppy, passionate kiss. You are still delirious from your high but you can taste yourself on his tongue, can smell yourself on his moustache, and it is utterly intoxicating.
He kisses you and it is savage and desperate and loving all at once; nothing exists in this vacuum of carnality but you and Joel, just the heat of your bodies and the thundering of your hearts, seemingly forever entwined.
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A week and a half had passed since the incident in the dining hall. Day to day life remained the same, although there were some small changes in your routine.
One of the other teachers, Mrs. Thompson, was entering her third trimester of pregnancy and had been experiencing progressively worsening morning sickness and swelling in her feet. She approached you before class one day and burst into tears as she recounted the agony of heartburn and regular episodes of vomiting, the pain of bearing weight on her swollen soles. Although Mrs. Thompson had three older children, the effects on her body from this pregnancy had been the most challenging. She confided that it was becoming increasingly difficult for her to persevere through the sickness in order to continue her work duties.
You understood right away that Mrs. Thompson needed your help in covering her shifts, and so you readily offered your availability before she could even ask. Mrs. Thompson was a good woman, always hard working and dependable, someone you looked up to in the community. You wanted to help alleviate her stress and make yourself useful, so you offered to swap your Wednesday at the library for her teaching shift at the school. You could switch your library day to a different day, perhaps even take on an extra work duty.
You ignored the sad ache in your chest and accompanied Mrs. Thompson to meet with Maria about your proposed roster changes.
Time to move on, you thought.
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Joel wasn't supposed to see you tonight.
He was supposed to be spending the evening at Tommy's playing poker with a bunch of the guys that made up Tommy's social circle. Some were senior patrolmen, like Troy and Joel, while others were friends he had known since the early days of his arrival in Jackson.
Cocky, charismatic and idealistic, Tommy had always found it relatively easy to make friends and was a well liked and popular member of the Jackson committee. He cherished the commraderie of the community, ever grateful of the security and love it had bestowed upon him, and he did his best to nurture this brotherhood.
It was very clear that Tommy's personality was fundamentally different to that of his older brother's. Joel hated what he deemed as meaningless socialisation and avoided most gatherings, but for Tommy's poker nights he made an exception. Despite their differences and rocky history, Joel felt an undying loyalty to his brother and secretly treasured the time they spent together. He was also encouraged by Ellie, who threatened to kick his old ass if he didn't make an effort to participate for Tommy's sake.
Joel wasn't supposed to visit you tonight but with each passing minute he was becoming more desperate to see your face. He was falling more in love with you, losing more and more of himself in his obsession with you. He wasn't able to tolerate another night of giving you space. He refused to.
With the aid of a few shots of whiskey Joel was able to persist through three rounds of poker before making the excuse that he was tired and was going to go home. The men all protested and tried to persuade him to stay, playfully insulting his age and joking about his stamina in all areas of life. Tommy slapped him on the back with a knowing grin and told him to "get the fuck outta here".
Joel made his way directly to your place, stalking through the camouflaging vegetation on the makeshift path his boots had created from repeated trampling over the past year. He couldn't wait to see your pretty face and kiss you and run his hands all over your soft body.
Joel was about to sneak in through the side door of your cottage when he heard your voice floating along the late night breeze. He paused. It seemed to be coming from your front porch.
Why were you awake and who were you talking to?
Even with his good ear facing the direction of your voice Joel couldn't quite make out what was being said, so he skulked slowly along the wall toward the front of your cottage. He stopped at the very edge of the weatherboard exterior and peeked furtively around the corner.
Joel's entire body went rigid at the sight of Oscar standing at the end of your porch.
What the fuck is going on?
••••••
"I'm so sorry, I know it's late. But I just had to see you."
"No, it's okay, really. I wasn't asleep or anything." You sound slightly breathless.
The way you're self consciously tugging on the bottom of your sleep shorts and pursing your lips makes Oscar want to swoop in and kiss you. But he just nods and runs a hand through his dishevelled hair.
"Oh, good. Good." He mumbles.
There is a moment of silence while the two of you look each other up and down, soaking up the unfamiliar sight of the other in casual sleeping clothes. You crack a tiny smile at the fitted black sweat pants and loose grey sweater he wears, faded red block letters that spell HARVARD adorning the front. In turn Oscar's eyes scan over the length of your bare legs, the fuzzy mismatched socks on your feet, and the oversized pink sweater covering the top half of your body.
"Why are you here, Oscar?" You ask quietly. "Why do you need to see me?"
Oscar bows his head and swallows thickly, steeling himself for this very scene he had been dreaming of for weeks.
"I'm here because I just can't stop. I can't stop thinking about you. Because I hate myself for not telling you how I felt about you sooner."
Okay, this is it, he thinks. Oscar lifts his head to look directly into your eyes and the words seem to spill from his mouth before he can properly articulate himself.
Your eyes widen in shock and blink rapidly. "W..what? How you felt?"
"Yes, how I feel," he quickly corrects. "But please let me finish. I need to say this because it is eating me up inside." Oscar beseeches, his emotive brown eyes pleading with you. You nod your understanding and chew your bottom lip nervously as you wait for him to finish.
"I love you." Oscar confesses softly. "I've loved you since the first day I met you."
You gasp and cover your mouth with your hand. He sees the glimmer of tears welling just above your waterline and resists the urge to kiss your eyelids. It feels like an eternity that you are standing face to face on the porch of your cottage, gazing at each other in weighted stillness as if time has stopped.
The moonlight is the only source of illumination around you and its beams offer just enough light for Oscar to see your features. He didn't think it could be possible but you look even more beautiful under the soft glow of the moon.
There's a sudden crackling sound nearby that shatters the moment and causes you both to jerk your heads toward the street. A squirrel darts out from a shadow and scampers up a tree across the way. You let out a breathless, nervous laugh and Oscar turns back to you.
"I know you're with Joel Miller now and I shouldn't be here. But I just needed to tell you." Oscar says solemnly. "I came to the library today to tell you but you weren't there."
You sigh and wrap your arms around your waist, seemingly shrinking into yourself. "I changed my roster. I thought you wouldn't come, anyway." You mumble, looking out onto the street to avoid Oscar's gaze.
"Really? Why wouldn't I?" He questions, frowning with confusion. "I always meet you on Wednesdays."
You huff like you're close to exasperation.
"You stood me up the last time," you retort sharply. "And you're busy with Gayle now. I didn't expect you to."
His face contorts with a mixture of surprise and bewilderment. Stood you up? Gayle?
"I didn't stand you up!" Oscar blurts out. "I left you a note saying sorry, that I had to fill in a patrol shift for Joel. Didn't you see?"
It's your turn to look puzzled now and when you speak your tone is significantly softer and borders on apprehensive.
"What note? And...you filled Joel's shift?"
"Yes, I slipped a note under the library door that morning apologising. Tommy was desperate to get someone to cover Joel." Oscar explains with calm sincerity. You're staring at him now and he cannot quite decipher why you appear so timid all of a sudden.
"And I'm not with Gayle. Why would you think that?" Oscar reaches out to cup your elbow, no longer able to resist touching you, needing you to see him and hear him. "I hardly know her."
You allow him to hold your arm while you sigh once more. He notices your body shivering and how your bare legs are now prickled all over with goosebumps.
Shit, you must be freezing, but you have yet to invite him inside your home to escape the cold. Maybe you're not pleased that he's knocked on your door. Maybe it's time to go.
"I promise you, I am not with Gayle. And I'm sorry, both for not telling you about my feelings earlier...and for coming tonight," Oscar mutters awkwardly, pulling away from you. "Uhm, so...have a good night."
He turns to go but before he can walk away from your porch he feels a tug at the back of his sweater, then your sweet voice uttering a plea.
"Oscar, please wait, don't go."
When he whips back around and sees your bottom lip nervously pulled between your teeth and your eyebrows dolefully knitted together he wants nothing more than to enfold you into his arms and kiss you. Oscar is positive that if he were given that opportunity, to have that moment with you as his last on this earth, he would die a happy man.
"I'm sorry, Oscar," you croak. "I don't know what to tell you. You don't know how much you've meant to me these past few months, how happy you've made me. You became the best thing in my life."
"Are you...is what you're saying true?" He murmers in stunned disbelief. "Me?"
When you sniffle and nod your head, Oscar's heart is flooded with an overwhelming surge of adoration and relief. He's made you happy. That's all he ever wanted - your happiness.
"Your friendship has saved me in many ways, you know," you whisper. There's a hard lump stuck in your throat causing your voice to come out thick and cracked. "And for that I will always love you."
Oscar takes hold of your hand and you interlace your fingers with his as if it's the most natural thing in the world. You give his hand a small squeeze.
"But I am with Joel," you affirm. "And although things...well, they haven't always been so good. They really haven't been good."
You are crying now.
"But we've been together for over a year now. And Ellie's even given us her blessing. We are a family now. I...I just can't leave that, even if I wanted to."
Oscar feels at a loss as you unleash your emotions onto him. He is torn between wanting to comfort you and wanting to tell you to forget it, forget everything he confessed to you, to forget him completely.
"Pease understand that I just can't, Oscar." You sob.
And despite his own heart beginning to crumble and perish, he unlocks his hand from yours and pulls you into his tight embrace. You fall into Oscar and bury your face into his neck and wrap your arms around him. One of his hands cradles the back of your head while the other supports your lower back, keeping you pinned firmly against his front.
"I want you in my life," he whispers. "As my friend, as my lover...whatever you give me, I want it."
Oscar isn't sure how much time passes before he eventually extracts you from his hold. He knows he needs to leave. He bestows a final kiss on your temple and bids you goodnight, forcing himself to ignore your little whimper of sadness. Oscar leaves you alone in the darkness and retreats from your cottage without glimpsing back at you.
••••••
The unbearable pain of betrayl and jealousy crush Joel's heart like a vice. He shuts his eyes and squeezes his shaking hands into fists so tight that his knuckles turn white. His jaw clenches so hard that his head begins to pound.
For the first time ever, Joel is almost paralysed by an onslaught of emotion; he isn't angry or provoked into impulsive violence, but instead is genuinely hurt by what he has heard. He had given you so much, had tried so hard to change for you, and this is how you act? You're practically cheating on him right now, baring your soul to another man while bad mouthing him.
How could you?
Joel slumps against the side of the cottage and tilts his head back, trying his best to maintain control over his increasingly panicked breaths.
Fuck, not now, not now.
He loves you. You're his. When did you become so unhappy with him? Didn't you love him, too?
Joel shakes his head, willing his buzzing mind to silence itself, to allow him to breathe and rein in the hysteria that threatens to take over. He exhales a heavy, shuddering breath and feels some of the pent up pressure inside his chest disperse along with it.
He stays slumped against the wall while he rides through the wave of panic. It takes almost five minutes for the distress to abate enough for Joel to decide to abandon his plan to surprise you tonight. He goes back to his own house and gets drunk instead.
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Joel meets you at your cottage for dinner the following night. You have made a lamb and vegetable stew specially for him as you've noticed it is one of the very few dishes that Joel consumes with zeal every single time. You still crave his praise - that groan of pleasure that rumbles in his throat as he takes his first bite always makes your tummy flutter and your heart beam with pride.
You aren't hungry but you join him at the dining table anyway, perched on the chair opposite him with a novel in your hand. You know Joel likes it when you are close by, keeping him company throughout even the smallest of tasks.
Joel is quiet during the meal, even more so than he usually is, but you don't pay much attention to his brooding. He is prone to sullen moods and you have become accostumed to the occasional bouts of grumpiness, now unfazed by Joel Miller's characteristic sullen sulking.
Maybe he had a bad day at work, or maybe he's just tired. Whatever the reason, you show no curiosity or concern, only paying attention to the book you're reading.
It's a paper back romance novel, a genre you had never really delved into before, but decided to take a chance on. The spine is worn and the cover is dog eared, but the picture depicted on the front of the book was enough to capture your interest. The artwork shows a woman dressed in a corseted gown collapsing into the arms of a handsome man above her. The swell of her round breasts peek out from the top of her neckline and her head is tilted back sensually as she gazes up at him.
When you had first spotted the book and studied the cover you felt a flutter inside the walls of your pussy. It was erotic, the way the characters were positioned, the passion and lust conveyed through their expressions. You thought there was a romantic quality to the scene, too, something in the way the man's hands cradled his lover, and that was what prompted you to give it a go.
You're so lost in the story that jumps to life from the pages of text that you don't even register what Joel says at first.
"Hmm?" You look up at him from the spot you were reading.
"Said I don't want you eatin' in the hall anymore." Joel says offhandedly as he scrapes his spoon against the ceramic of the bowl, not even looking at you, the words falling so casually from his lips.
Your brows crease at the sudden random remark and you look at him, confused. You lay your book open in your lap and clear your throat to speak.
"Uh, what do you mean? Why not?"
Joel doesn't respond to you right away, instead chewing the food in his mouth in an unhurried manner, then taking a long sip from the glass of water next to him. He still does not meet your eyes and it feels as though he is purposely ignoring you. You wonder if he is secretly enjoying the drawn out suspense from his lack of explanation, and irritation prickles your skin at his apathy.
"Joel?" You implore as you lean forward to catch his attention. "What do you mean?"
"Too many men there, don't want them lookin' at you." He states gruffly.
He scoops up the last bit of stew and eats it before dumping the spoon in his bowl and finally looking up at you. His expression is unreadable, almost blank.
You stare at him still frowning. As far as you are aware, no men look at you in the mess hall during dinner or any other meal times, and if they did then it did not perturb you as long as none of them spoke to you.
"No one looks at me, Joel," you say firmly.
"That's a lie and you know it," Joel spits out straight away.
The bitterness in his tone startles you. It makes you feel caught out and exposed.
Is he talking about someone in particular or is he just acting paranoid and possessive?
Regardless of what Joel is alluding to you still keep your eyes focused on him, not wanting to let him intimidate you. It seems impossible though, with the stoic way his eyes bore into you, and it takes all your will to not bow your head.
You do not want Joel to dictate what you can and can't do without a logical reason, and not wanting you to eat in the mess hall because there are other men around seems ridiculous to you. Well, it is ridiculous. Why had this not been an issue before?
Joel sits back in his chair and crosses his arms without breaking eye contact with you. He licks his tongue across his top teeth and clicks his tongue.
The atmosphere in the dining room is suddenly loaded with tension. You realise that whatever has been simmering inside Joel tonight is about to spill out from him. His jaw ticks.
"I don't know what you're talking about," you say adamantly.
Joel scoffs and raises his eyebrows. "Oh, you don't? You didn't see how your little friend Estrada was starin' at you the whole damn time we were there?"
Shit.
That day at lunch time the dining hall had been teeming with people; among them were you and your friends at one table, Joel and Tommy at another, and Oscar and a few patrolmen sitting at another. You caught glimpses of both Joel and Oscar staring at you from time to time and you couldn't relax at all. At the time you had hoped the men hadn't noticed the other gazing at you, but now you knew Joel had.
You understand immediately that you will need to tread carefully with this conversation.
You look away from Joel and shake your head.
"No, I didn't," you lie.
You grab your book and push your chair back to stand, the legs scraping loudly against the wooden floorboards. You turn away to walk out of the room and hear Joel's chair drag as he jumps up to follow you.
"Where you goin'?" He barks.
"To bed," you bite back at him.
You hurry to the bedroom and push the door open. Joel is so close behind you that you can hear the heavy breaths of frustration huffing from his nose. He grabs hold of your upper arm and whirls you back around to look at him, your face close to his.
"Did you tell him you already got a man?" Joel asks accusingly, his firey brown eyes darting back and forth between yours. "When you were spendin' so much time with him behind my back?"
"Behind your back?"
"You know exactly what I'm talkin' about," Joel bristles. "His visits to your work, sneaking around to see you on his fuckin' lunch break."
Your breath siezes in your lungs and you stare back at Joel, incapable of masking the panic that briefly glosses over your eyes.
He knows.
Joel clocks the alarm in your expression, what he interprets as a silent admission, and snarls. "Tell me, did you tell him you're mine?"
You're suddenly struck by the absurdity of what Joel is asking you. How could anyone have known you belonged to Joel when he was the one who refused to be in an honest relationship with you? He had dictated the terms of your relationship this whole time, and yet here he was now, criticising you for keeping it a secret?
You shrug your arm out of his grip and raise your hands in an exasperated gesture. Your resolve to remain calm and navigate the conversation had completely disappeared.
"Well, what did you want me to do?" You snap. "Tell him I am taken but my boyfriend won't walk down the street holding my hand? You didn't want to publicly be with me so why would Oscar know you're my man? Seriously Joel, that is so unfair!"
Joel lifts his eyebrows, surprised at your little outburst. Just when did you become disrespectful like this? How did you get the balls to speak to him like this? Where had his good girl gone? Maybe he had been giving you too much freedom lately, was too lenient in allowing you to call the shots.
Maybe it was time to rein you in a bit.
Joel's eyes darken and narrow at you. You instantly recognise that look - the look of stern intimidation that challenged you to quickly rethink your behaviour lest you wanted some kind of cruel reprimand. The palpable change in his demeanour is disturbing but you cross your arms over your chest and boldly hold his gaze, lips pouted defiantly.
Joel runs his hand over his face and chuckles mirthlessly. "Christ, baby. When did you become such a goddamn brat?"
"All I did was ask what I was supposed to do." You argue stubbornly. "You know what? Whatever, Joel. I don't want to have this conversation."
"You really think you can talk to me like that, little girl?" Joel asks cooly, voice low and bordering on ominous. His jaw ticks in irritation.
"Like what?" You heedlessly snip back.
"Like you're forgettin' who you're fuckin' speakin' to right now."
The foreboding tone of Joel's voice combined with his icy, piercing glare causes a stirring of the familiar knot of anxious dread in your lower belly. It's all so reminiscent of the past episodes of violence he's inflicted upon you.
Was this the calm before the storm? There was no way you could do this again, no way you could endure whatever nastiness he was going to impose on you.
Your confidence deflates rapidly and you realise you need to change tact to diffuse the situation. You sag your shoulders and drop your chin in an effort to appear more submissive.
"I'm just confused about how...what you expected of me, Joel." You reply timidly. "I'm just asking--"
"No, see...you ain't," Joel shook his head. "You're bein' downright disrespectful right now. I suggest you watch your tongue."
Your strategy hasn't worked. You were too bold, too rebellious, and now you will pay the price. You gulp and instinctively step backwards to maintain some distance between you and Joel.
"I'm not," you protest weakly, hating the pleading inflection that comes across in your voice. "But you're getting upset with me for something that isn't my fault."
"And leadin' him on wasn't?" Joel growls, his fists clenching by his sides. Your mouth falls open in shock.
Leading Oscar on? By being friends and spending time together? The shock fizzles away and is replaced by anger; anger at Joel for his unfair judgement, anger at yourself for not having told Oscar how you truly felt earlier, anger at the whole fucked up situation.
"Lead him on? How? By being friends?" You retort. "Talking about...about books and-and music and whatever else friends talk about?"
It was so much more than that, you know. You're purposely diminishing the beauty of what you and Oscar shared, downplaying just how important the friendship was to you. If Joel found out just what Oscar meant to you then you would truly dread what may happen.
"Why the fuck do you need him for?" Joel booms. "I'm not good enough for you to talk about that shit with?"
You almost scoff at how ridiculous he sounds. It is like he is mocking you. Joel had never initiated any kind of discussion with you about anything meaningful - no profound conversations about music or books, no questions about your work or your passions, no display of genuine interest for anything that mattered to you.
However, Oscar was the complete opposite. He asked question after question about you and listened intently to everything you had to say. How could Joel be so ignorant to your needs and feelings?
Had he truly never acknowledged you as an individual, as a woman with a personality and dreams and desires?
"You don't like to talk about those things with me! Infact you don't like to talk about anything with me!" You argue back, rage and frustration once again swallowing your sense of self preservation and robbing you of your better judgement. "All you want to do is fuck me, Joel!"
Joel's reaction comes faster than you could anticipate. He reaches out and snatches your bicep tightly into his grasp, making you squeal in pain and surprise. He roughly drags you toward him and brings your face close to his, his lip curled into a snarl and his chest expanding wide.
His eyes appear black, pupils blown wide with wrath. It elicits a deep seated fear from within your gut, that ever present primitive fight or flight mechanism, adrenals in overdrive from the previous times Joel has unleashed his vehemence upon you. All of your courage drains from your body and you tremble, tears quickly filling your eyes.
"You better fuckin' quit this before I make you regret what the fuck you just said," Joel hisses.
"Let go of me," you whimper, "let me go right now."
"Not til you listen to what I have to say to you, you cheating little bitch," he growls.
You flinch at his vemon laced words but his iron grasp on you keeps you from recoiling away. You hang your head and begin to sob pitifully.
"From now on, you will not talk to another man. You will not look at another man. You are going to live at my house and you will come straight home from your work duties. You hear me?"
Joel gives your arm a tight shake. When you don't say anything in response he squeezes your flesh between his fingers, causing you to cry out.
"Answer me!" He barks.
"Y-yes sir," you sob in defeat, your tears falling directly to the floor as your head remains bowed.
Joel releases his hold on your arm and leans down to whisper into your ear, voice low and menacing.
"And if I see you with that son of a bitch ever again, I'll kill him."
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taglist - @sofiparallel @harriedandharassed @kewwrites @romanarose @fan-fiction-floozy @anoverwhelmingdin @unknownsuser101 @shesarealcarpentersdream @sheeeeeppp @uncassettodiricordi @axshadows @puduvallee @gossipgirl-03 @mandoloriancookie @oldenoughtoknowbettersstuff @missannfairy @bean-security
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l8tof1 · 2 months
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speaking of his voice do you have any interview recs? old and new 🥹 or your anons maybe
i have some that i watch for comfort, they're so soothing (to me):
in the car with super blondie
mercedes benz australia event
on purpose video podcast
some other random ones that come to mind:
with mariana becker at the brazilian gp 2023
gq italia event
in the car with jenson button (old but a fun time lol)
in conversation with misan harriman
in conversation with gayle king (old but still interesting)
crowdstrike interview (also older but i used to watch this a lot)
i've answered an ask like this before (can't find it atm) and everytime i do, i definitely forget some of my absolute faves... there are so many!
everyone feel free to comment your interview recs! 🫶🫶
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terrorofthetrident · 6 days
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the way gayle speaks about alys and her approach to playing her has me even more excited to finally see her as alys
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brf-rumortrackinganon · 3 months
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Meghan was leaking about the Queen being on her deathbed and her death before it was announced & before the whole family knew and I think it got back to the family who was leaking to the press about her condition and was the reason why Charles basically said Meghan can fuck off…
Yep, I agree. I feel pretty confident that she was the one talking to Scobie that day (which he writes about in Endgame) just by him describing the source as an "insider" and "someone whose word I had come to trust."
There were rumors at the time that Meghan had been talking to American journalists, and they were later confirmed when Gayle King said a couple of things about the Sussex/Charles rift a few days later.
I don't know that she was speaking of the Queen's condition before she passed. I have to trust everyone else's judgement on that.
So confession time: I was at a family wedding that weekend. As my luck had it, I was gone Thursday 9/8 to Tuesday 9/13 (the plane had just landed and we were rolling up to the gate when I saw the "Her Majesty has been advised to rest" announcement) and I unfortunately have a "the family must do ALL the things together ALL the time EVERY time" grandmother so there was no sneaking away to watch the BBC app on my phone. I saw nothing live or in real time that weekend, only to come home to find out that my cable company dropped BBC World News from my package (gotta love that capitalism) so the DVR recordings I set via the app didn't even take and I had to upgrade to the premium package. Ooh, that reminds me. I DVR'd the BBC's coverage of the funeral and I wonder if I still have the recording, since the royal family made the BBC take it down last year.
Anyway, back to the point. I do agree with you that the family absolutely knew Meghan was leaking about the Queen's passing because of Sophie. Oh, man, Sophie was so, so pissed that day at the Lying-in-State when she and Meghan were in the car together and she also iced Meghan out at the funeral too.
Kate too -- Kate knew something at the Windsor walkabout because it was all over her face and in her body language. At the time, the story/rumor was that the Waleses found out the Sussexes were planning their own walkabout in Windsor with Netflix/CNN and/or that the Sussexes had kept them waiting at least an hour, but I always felt there was more to Kate's anger than that.
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So you want to learn Scottish Gaelic
These are just some resources and organisations I have found/used in my learning so far
Sabhal Mòr Ostaig - The Sabhal Mòr Ostaig is a Gaelic school on the Isle of Skye. They offer both in person and long distance courses in a variety of Gaelic related subjects and a variety of levels. Obviously I wouldn't recommend taking on a full university degree unless you're really interested in that as it's a lot of time, money, commitment etc, but I've listed them because they're a major contributor to the Gaelic learning world. They also have online summer courses for learners of various levels
Duolingo - This is a great starting place. Their Gaelic course was created in partnership with the the Sabhal Mòr Ostaig. The full grammar notes for the course can be found here. From what I've found, this course is estimated to get you to roughly A1 going on A2
LearnGaelic - This website has a mixture of basic grammar intro lessons as well as a dictionary. I find that the dictionary sometimes has trouble filtering relevance of vocab, but overall I find it quite helpful
Gaelic Books Council - The Gaelic Books Council supports Gaelic writers and publishers, promoting and selling Gaelic books in a range of genres. They have both original works, and popular works which have been translated into Gaelic
Acair Books - A Stornoway based publisher of Gaelic, Scots and English books. They have a large selection of children's books which are great for beginner learners, but also have adult books
The Scottish Book Trust - A charity dedicated to reading and writing in all of English, Scots and Gaelic. You can browse their website for a range of poetry, prose, learning resources, writers' awards and fellowships
Am Faclair Beag - The Little Dictionary. I find this dictionary is slightly better at filtering by relevance than the LearnGaelic dictionary, so I often use it to cross reference. LearnGaelic has a tendency to give you the most obscure translation first, whereas Am Faclair Beag will usually prioritise more common translations
Speak Gaelic - Speak Gaelic is a series created by BBC ALBA. There is a YouTube series with Joy Dunlop, a podcast with John Urquhart, and a website with quizzes to test your learning. The initial series is roughly A1, with some of the later episodes aiming for A2. A good intro, though the website is known to be a bit glitchy
Beag air Bheag - Little by Little. Also by the BBC, this is a slightly more advanced series than Speak Gaelic, but hosted by the familiar John Urquhart. I can't find the exact CEFR level, but I seem to remember it being advertised as B1-2
BBC ALBA - The BBC's Scottish Gaelic programs. I occasionally scroll through their iPlayer. Some of the shows have captions which I find helpful, although not all do. Children's TV is always a great way to learn a new language as it is designed with children learning the language in mind. I think I saw they had some Moomin Valley last time I looked
Faclair nan Gèidheal - The Dictionary for Gayls (gay/queer Gaels). This is a great resource filled with a tonne of terminology relating to the LGBTQ+ community. This is where I get vocab like tar-ghnèitheach and neò-bhìnearaidh from
Open Book Reading - An organisation who run Gaelic speaking, reading and writing sessions both in person and online. I'd recommend looking at their Eventbrite page
The Mega Folder - I'm sure people have seen me talk about this before. I'd personally recommend Scottish Gaelic in Twelve Weeks
Editing this to specify that Gaelic means the Scottish variety. If people keep tagging this as Irish I swear to God
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bananaofswifts · 1 year
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HOW DO WE measure the impact of a musician in 2023? Streams can be bought. Awards can be finessed. Is it when demand for show tickets leads to a congressional hearing about Ticketmaster’s policies? Or when flight attendants shout out a fanbase making a pilgrimage to see a tour opener? Or when TikToks of merch inspirations and setlist predictions rack up millions of views? Nearly a decade ago, a headline ran declaring ‘Taylor Swift Is The Music Industry’ and those with even the slightest pulse on pop culture can tell she’s only grown more omnipresent since. It all led to a warm evening in Glendale, Arizona where months after delivering her most commercially-successful album to date, Midnights, Swift debuted a discography-spanning setlist that lasted over three hours and kicked off an aptly-named stadium run. The Eras Tour has arrived.
The sheer length of the set is a feat, but not completely surprising considering the breadth of catalog at Swift’s disposal. Watching the 12-time Grammy winner take the stage right at 8pm, and continue past 11pm triggers the often overused cliché: Who’s doing it like her?
After night had fallen and GAYLE and Paramore revved the crowd up with a mix of recent chart-toppers (GAYLE’s “abcdefu”) and cultural anthems (Paramore’s “Misery Business”), it was time for the main event. At 7:57pm, a timer appeared on a massive screen prompting screams from all corners of State Farm Stadium. Lesley Gore’s “You Don’t Own Me” played as fans braced themselves for the arrival of Swift. When the timer hit 0:00, the house we’d seen in the “Lover” music video assembled on the screen, indicating that this evening was first and foremost about reviving the feelings each era evoked.
“So tonight, we’re going to be going through an adventure, one era at a time,” Swift said. “We’re going to be exploring the last seventeen years of music that I’ve been lucky enough to make and you’ve been kind enough to care about.”
It’s easy to compare one of Swift’s stadium shows to something you’d see on Broadway — never has that been more true than for The Eras Tour. The setlist is cut up into acts, grouped together by eras for each of Swift’s ten studio albums. For each era/act, Swift went full-send into that album’s look, feel, costume, color blocking, and more.
Many eras got a few songs. At one moment, it seemed like Swift’s soft spot for Folklore would mean we’d hear the entire album. On the opposite end, Speak Now’s part of the show was short but impactful. Swift played only one song from her third studio album, “Enchanted,” while wearing a stunning floor-length ballroom gown designed by Nicole + Derr. Hopping from act to act, Swift made it extremely clear when she’s taking the audience out of one era and into another. This isn’t a hastily put together setlist with a vague thread of connective tissue — Swift is taking her audience on a nostalgic extravaganza.
For both Swift and her fans, it’s been a long road to get to The Eras Tour kickoff. Friday night’s opener was four projects, millions of record sales, and over 1,500 days removed from the last tour stop on the Reputation stadium tour in 2018. Plus, who can forget the Ticketmaster fiasco in handling the sale of The Eras Tour tickets, which not only prompted an apology to Swift from the ticketing monopoly but also for Congress to investigate.
In perhaps a sympathetic nod to the canceled Lover Fest, Swift began the festivities with the Lover era. Wearing a jaw-dropping Versace bodysuit, Swift launched into “Miss Americana & the Heartbreak Prince” for the opening number. Swifties eager to see “Cruel Summer” live weren’t disappointed, as Swift strutted down the catwalk towards the stadium’s center, belting out the fast-paced bridge eager to deliver what stans had snatched away from them due to pandemic-related cancellations.
For “The Man,” Swift completed her Versace look with a blazer and made sure everyone could see the red bottoms when she kicked her feet up on a conference room table as she delivered the masterfully written and scathing assessment of gender inequality in pop culture. Swift closed out the Lover era act with “You Need to Calm Down” and “The Archer,” the latter getting a beautifully stripped down rendition so Swift’s vocals echoed across the stadium: “Because all of my enemies started out friends / Help me hold onto you.”
At one point, as Swift ran through hits from her Fearless era, she flashed a smile and announced to the crowd that she was taking us back to high school with her. The nostalgia seeped into the show, resulting in some of the loudest crowd participation yet, especially from those old enough to have grown up with Swift and were in high school at the same time she was. The singer ran through “Fearless,” “You Belong With Me,” and “Love Story,” reminding us of a time when we discovered the pop phenomenon unbeknownst to the level of celebrity she’d achieve.
Something about Swift — she’s online. If the fact that she decided to end last night with the TikTok-friendly “Karma” doesn’t make that obvious enough, her joke about disliking Evermore hammers home the point.
“We’re currently in the middle of the Evermore album, which is an album I absolutely love despite what some of you say on TikTok,” Swift said with a grin.
Later on in the act reserved for her ninth studio album, in line with how theatrical the event was, Swift set up a beautiful dinner setting only to deliver a heart-wrenching rendition of “Tolerate It.” She also performed “Tis the Damn Season,” “Willow,” “Marjorie,” and “Champagne Problems,” giving fans a sizable taste of the Evermore live experience they weren’t able to receive when the project came out in 2020.
For the acts dedicated to Reputation and Red, fans were treated to a masterclass in visuals and hitmaking, two key elements that has assured Swift prolonged success for as long as she’s had it. The powerful, striking, snake motifs were an awesome callback for fans who attended the Reputation tour.
For Red, Swift went through “22,” “We Are Never Ever Getting Back Together,” and “I Knew You Were Trouble. She closed out the act with a beautiful performance of the 10-minute “Taylor’s Version” of “All Too Well.” In the evening’s most ethereal moment, small white confetti made to look like snow blanketed the State Farm Stadium as she neared the end of her magnum opus, singing “Because in this city’s barren cold/I still remember the first fall of snow/And how it glistened how it fell/I remember it all too well.” Not only is Swift a savant for world-building, but she’s perfected the ability to translate those worlds into the live experience.
Swift wasn’t shy about making sure people got the full Folklore live experience. A makeshift cabin, not unlike the one made during Swift’s 2021 Grammys performance, sat on the stage with Swift perched on it during “Invisible String.” The star also discussed how she finally got comfortable crafting narratives for purely fictional characters, rather than ripping them from the headlines about her life.
“Folklore was such a different album for me. I start writing it about two seconds into the pandemic. I was just so very aware of how much time I was going to have to spend away from you,” Swift explained before launching into “Betty,” “The Last Great American Dynasty,” “August,” “Illicit Affairs,” “My Tears Ricochet,” and “Cardigan.” “With this album, I thought it would be so fun to create characters, and storylines, and they can live in different times, and then can do all of these things, and they could fall in love and hurt each other and go to war…”
1989’s era act turned the party up and restored the energy, with Swift donning a Roberto Cavalli top and skirt and going through “Style,” “Blank Space,” “Shake It Off,” “Wildest Dreams,” and “Bad Blood.”
To cap off the evening, Swift returned to Midnights, performing album highlights “Lavender Haze,” “Mastermind,” and more. It was hard to ignore the immense gratitude the singer continued to exude throughout the evening, with the “thank yous” coming more and more often the closer she got to the end.
Eventually, the singer asked the crowd if they had time for one more and launched into her finale, “Karma,” a track with a passionate chorus that’s begging to be scream-sung in a room of about 60,000 who’ve been waiting for this exact moment for years. Maybe it’s fitting that an artist who’s had more than her fair share of ups and downs, and at times has been the most polarizing musician alive, ends her stadium tour opener with a song about how she can finally protect her peace. Karma’s a relaxing thought, indeed.
The Eras Tour is a feat. It’s live music at its highest spectacle and greatest excess. And for most, without the catalog and showmanship of Swift, it’d be too much. But 17 years into her career, maybe we ought to stop being surprised when she finds a way to top her own efforts year after year. Towards the end of Paramore’s set, Swift’s good friend Hayley Williams said we had gathered that evening to celebrate Swift’s incredible career. There’s something funny about a greatest hits concert for someone who’s never been more in her prime, isn’t there?
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Still Tone Deaf: Oprah Winfrey shocked over Maui fire donation backlash
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Oprah Winfrey is breaking her silence and responding to her critics. 
Earlier this month, the former talk show host and Dwayne “The Rock” Johnson faced backlash after asking fans to donate money to help those affected by the Maui wildfires — despite having a combined net worth of more than $2.8 billion.
During an interview on “CBS Mornings,” Oprah, 69, opened up about the matter while speaking with best friend Gayle King. “I was so excited about it, and then I got up the next morning, and I saw all of this vitriol, and I was, like, ‘Whoa, what happened here?’” she said on Tuesday. “It made me sad that we are at this state in our country.”
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Winfrey revealed that she was inspired by Dolly Parton, who organized a support fund to aid victims of wildfires in Gatlinburg, Tennessee, in 2017. 
Winfrey and Johnson, 51, collectively kicked in $10 million to launch the People’s Fund of Maui, but then jointly asked their fans on Instagram and TikTok to donate the rest.
Fans complained they were already living “paycheck-to-paycheck,” and that the uber-rich celebrities should dole out more of their own money toward relief efforts.
“I would but I’m broke…you two got this though!” Carolina Moreno wrote in the comment section on TikTok under the August 31 video.
“Billionaire asking for money from the poor, what a joke,” another outraged fan commented on Winfrey’s follow-up video on Instagram.
Fans slammed Oprah’s videos asking for donations.
“You have billions. You could donate $100 million and still be as wealthy as before donating. YOU give the money,” Maribel Rubio criticized Winfrey. 
“This should be a private message between you and your billionaire mates,” another critic wrote. “It’s so outrageous that you are pleading for money.”
Another wrote: “How is the richest woman in the world asking for money? Make it make sense.”
Fans were not impressed by Oprah and The Rock asking them for donations.
Oprah defended herself and said that her donation fund with Dwayne Johnson is “a really strong idea.”CBS
After acknowledging that she was blindsided by the “vitriol,” Winfrey said she’s still standing behind the idea for the fund. 
“We’re going to create something and I still think it’s a really strong idea,” she said. 
Winfrey and Johnson are just the latest celebs to face backlash for their response to the fires in Hawaii.
Last month, Stevie Nicks, 75, was slammed as “self-centered” and “tone deaf” for her Instagram post about how the tragedy affected her niece’s vacation. 
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cboffshore · 4 months
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hi everyone. I come bearing IICT(OSC) insider knowledge, hints, and memes.
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bc spoilers: everything else is under the cut. Do not proceed before you read the fic. Unless you like having twists untwisted in advance. That's on you.
(one day I wanna try my hand at redrawing/tracing this Gayle meme to be Nya, but that's neither here nor there.)
If I ever do any super, super in-depth analysis of this work, it's not happening today, as I'm fighting a weather migraine and longform ideas are NOT my friends. However, I did want to make a few fun bonus notes. These aren't bulleted bc mobile browser formatting.
The weapon in the escape scene was only originally supposed to be a rusty pipe (loosely inspired by a piece of Fall Out Boy promo art used on "What a Time To Be Alive", and yes I KNOW Pete has a baseball bat. I said LOOSELY.) I waffled on the chain element for a LONG time. However, on Halloween, Han doodled this for Trick or Treat asks, and that was enough to make me commit to the idea. @spinjitsuburst: I have no idea if you've read this fic or not, but I never did properly tell you how helpful that was. (And none of that is a spoiler if you do go read it, just turn back now and you'll be safe.)
The Incense Gambit is a real chess strategy; however, we don't call it that. The actual move set is called the Bongcloud Attack, which I learned about when I was doing chess research for this fic. I started out by trying to learn chess online, and at some point, I decided it would be fun to have Nya win with a recognizably stupid move set. Knowing very little about chess at that point (having lost to most of the bots and people I played), I Googled a list of joke chess openers and picked the one that made me laugh the hardest. The Mighty Donut was in second place, but that requires both players to cooperate, so that wouldn't have worked. Not wanting to write "what, you've never heard of the Bongcloud Attack?" as a dialogue line, I switched the name to Incense Gambit both as a reference to smoke and for the fact that "incense" also means "to anger." I should also disclose that one of my few chess wins happened when I USED the Bongcloud, which... that's not normal.
In my first outline, the REAL Landon was originally supposed to set off the escape sequence. Stopping Nya was supposed to be pure luck/desperation on his part, followed by an encounter with Nadakhan where I would've been able to cram in a small analysis of how he treats his crew members. It didn't work out and I never wrote it, but there were secret passageways involved, and it could've been fun if I'd gotten it to work. I still think that bringing the shapeshifting back was the wiser choice, though.
I've already gotten two separate comments that, to different degrees, claim this would have worked as a plausible canon installment. Which is good! The whole point of this is to fill the gaps in her experience, so hearing that this seems believable is always lovely.
If you reread c5, take note of who resets the board each time. Without realizing it, I assigned that duty to whoever feels more strongly that they are controlling the situation at that point.
The wine vs tea thing I hinted at in a few past posts: both beverages are written as symbols of how much Nadakhan is present in a given scene. Wine only appears if he's directly visible - things like the chess sequence and in the dream, where I use wine to describe the air. Tea, however, only appears if Nya can't see him, but he's still influencing the events. These include his gloves smelling like black tea when Nya is blindfolded, the presence of tea on the meal tray, and - of course - the tea she uses as a weapon in the escape sequence.
Speaking of the escape sequence, I made this meme VERY early on and I still find it stupid funny:
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saintaemond · 3 months
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Hi ! I was thinking about Alysmond and I was wondering what kind of relationship Alicent and Alys would have .I like the idea of them having a weirdly closer mother in law -daughter in law duo ,but at the same time ,I think that Alicent ,who was groomed and abused by a much older name (Viserys) would be wary of Alys because of the age gap with Aemond.
What do you think ?
I do not subscribe to the idea that Alys in any way groomed or abused Aemond. I think that her age isn't specified in the book (and most of what we know of her character is rumours whispered by men who were intimidated by her) and second, explain to me how grooming applies to the context we meet them? The dynamic feels incredibly complex but I do not believe this word applies.
We don't know what they'll do in the show or how they'll portray their dynamic yet so I won't speak more to it. (But might I add that Gayle Rankin is in her 30s so)
However, hypothetically, if Alys and Alicent ever met did meet I do not believe they would get on. It would be fun to imagine that they would and I see a mutual respect blossom (eventually) but that would be the extent of it. They are both strong women of faith and both have an impenetrable exterior that protects them from the world they had to learn to survive in. So there would be an understanding there.
I imagine a family dinner where Criston has already warned Alicent what kind of woman Alys is (tells her to brace herself). They try to have a nice meal but Alys laughs in a shrill cackle while throwing her drink in some nobleman's face bc he said something insulting about her. Aemond would already have his dagger to the man's throat. Criston would be holding him back. Alicent would have her head in her hands saying she should not have invited anyone outside of the family for their first meeting - her mistake.
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