#takemiya lala
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OFF AIR Yes Ka No Ka Hanbun Ka Vol.3 (light novel) (Special Edition)
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New Releases Mar. 12, 2024
Candy Color Paradox Assorted Pack by Isaku Natsume
Onoe and Kaburagi have had some rough patches in their relationship as these opposites navigate their unlikely love - but their bond is paradoxically stronger than ever. In true tabloid style, this compilation of never-before-seen Candy Color Paradox side and bonus stories spills all the juicy details of their romantic life. Includes a 16-page color gallery with exclusive illustrations and comic shorts!
Delinquent Daddy and Tender Teacher vol. 3: Four-Leaf Clovers by Tama Mizuki
Elementary-school teacher Hitsuji has been dating Hatoyama for a year now, spending his days peacefully with him and his adorable son, Hinata. The arrival of another spring ushers in Hinata's third year of elementary school, and this time his teacher isn't Hitsuji! Hatoyama and Hinata are understandably anxious about this, but it seems Hitsuji is grappling with his own feelings about the situation as well. Then, when someone from Hatoyama’s delinquent past comes back into his orbit, Hitsuji’s insecurities threaten to get the better of him. Will he be able to defend his place at Hatoyama’s side?
Pink Heart Jam vol. 2 by Shikke
FINAL VOLUME!
Haiga is further overjoyed when during their club’s music camp, he’s able to perform together with Kanae, and it’s during this time that he finally realizes his feelings for the upperclassman go beyond simple admiration. But his joy is quickly negated when his crush tells him to stop coming to the brothel. Is Kanae simply concerned for Haiga's health because of how hard he’s been working so he can afford to see him, or could it be that Kanae has finally found his special someone and left the brothel altogether?
Sheep Princess in Wolf's Clothing vol. 2 by Mito
Aki and Momo have been spending more time together, having even gone on a date outside of the castle. But Momo is always pushing for more, which makes Aki even more flustered than usual. After all, Momo is a princess, and Aki’s just a mere butler! Can Aki figure out her feelings for Momo before someone gets hurt?
Yes, No, or Maybe? - Center of the World (novel) vol. 2 by Michi Ichiho and Lala Takemiya
Kei has finally settled into his position as an Asabi TV news anchor, only for a rival channel to start a similar show in the exact same time block. As ratings for Kei's unexpected competitor climb, he begins to suffer an existential crisis. He never really planned to be in TV--is this even what he wants? Worse yet, he's stumbled into relationship troubles with Ushio, and now he has nowhere to turn to for comfort, let alone guidance. As Kei navigates his way toward an uncertain future, he must rely on the crew of Asabi TV, though he's beginning to learn that there's more to some of them than meets the eye…
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Takemiya Keiko's Boku dake ga Shitteiru
I bought a random Takemiya manga from Mandarake one day without knowing anything about it, and I want to share my findings.
Boku dake ga Shitteiru (僕だけが知っている - Only I Know or Nobody Knows But Me) is a collection of two stories published in 1991: Boku dake ga Shitteiru and Dare ni mo Yaranai (誰にもやらない - I Won't Give It to Anyone Else). I just found out that both long stories are also published in a later digital edition, Dare ni mo Yaranai (also why does this sound like an edgy BL title from the 90s?). So I'd advise you to get that if you want to read those. The digital edition has two more one shots too.
Front and back covers.
Boku dake ga Shitteiru
Title page.
First story, Boku dake ga Shitteiru, was originally published in Asuka Extra-Fresh Fantasy's 1990 #1 issue (prologue) and Asuka Extra-DX 1991 issue (main story). It tells the story of Yuuta, a cute little boy who can see and hear things, and the things he sees are captured on video. Like, when he touches a VHS tape, what he's seen is reflected on the screen. One day, he sees a terrifying demon when he's out to play, and it touches his hand. Afterwards, he becomes sickly, and has to quit school to undergo psyhological treatment.
This boy be suffering.
On his way to the hospital, he meets a cute miko at a temple, Nachi, who doesn't like to be associated with the holy and calls herself a simple esper. Nachi knows that something's up with Yuuta, but thinks he's an esper-lite, and doesn't think much about him. She says that the demon who's hanging around him is actually his guardian spirit, and nothing to be afraid of. She names the demon "Rasetsu" (and makes it take on a handsome human appearance-it's what you see on the volume cover), and Yuuta becomes friends with it. Nachi's views on Yuuta change after Yuuta discovers the dead body of a woman with the help of Rasetsu. The perpetrator comes after Yuuta to shut him up, but with the powers he himself is unaware of and Buddhist magic, Yuuta scares the murderer shitless. At the end, Nachi is very impressed with Yuuta's skills, and it ends on an omoshiroi note.
Nachi flying into Yuuta's life.
This story feels so... incomplete. I expected to see at least a second part where Yuuta's powers are explained and we get to learn more about Nachi, but nada. This feel more like a prologue than a stand-alone oneshot. That's why I wasn't feeling it with this story.
Have some cute.
Dare ni mo Yaranai
And the second story, Dare ni mo Yaranai, is a more psychological than supernatural story. It was published in 1988 June and July issues of LaLa.
Had to steal this color title page from the trial reader of Booklive. I wish printed books kept these nice color pages too. And are you enjoying that peak 80s fashion as much as I do?
It's about Kichijouji Makoto, a young man majoring in psychiatry and working part time as counselor, and his neighbor, junior high student Naoyuki. Makoto is into young boys and doesn't hide it, so he can't help but watch his cute neighbor. However, he shows him a different face at times, not the cute face of an innocent junior high student. Intrigued, Makoto digs deeper only to find out that... Naoyuki has developed a multiple personality disorder.
Let me introduce you Naoyuki A, Naoyuki B, and Naoyuki C.
Sensei, this angle is illegal for an underage boy.
It turns out that when Makoto was in high school, he once tried to strangle this kid because he was frustrated with his mother, because she wanted him to go to a certain university. What a jerk! Makoto's chuuni speech about how he belongs to himself and himself only, and he should not give himself to anyone, and stay true to himself leaves an impression on young Naoyuki, upo which he creates different personalities to respond to different expectations from him. One of them is a wimpy kid who is bullied at school and easily influenced by others, another one is a delinquent-type who shoplifts, and the third one is the smug bishounen who has the hots for the neighbor onii-san.
When you want to save bae from his terrible personalities at night.
He works with Naoyuki's girlfriend and delinquent friends to put an end to this, and they make him get caught in flagrante delicto while shoplifting. However, even though the case doesn't make it to the police because Makoto pulls a "trust me I'm a doctor and he's sick" on the staff, the rumors make it to school. Naoyuki is shunned by his friends and is feeling confused, because his personality A has no idea what personality B did. In the end, he is called out by teachers. His mother is summoned to school, and she takes a very blaming tone against Naoyuki.
But what is this fashion sense?
After being saved from committing suicide at a railroad crossing and being forcefully kissed and confessed to by Makoto, Naoyuki goes back to his life with the help of his strong girlfriend Machi.
Delicious bad end.
I liked this story much, much more that the first one and will re-read it. The underlying theme of this story is the unrealistic expectations of parents from their children, and how vulnerable children are in the face of such pressure and even the smallest remark can leave a permanent scar on them. Makoto's mother forced him to study psychiatry because his father was a pshychiatry professor, and he now hates his life and his mother. Naoyuki felt absolutely devastated when his mother didn't believe that his son didn't steal, but reprimanded him instead of trying to understand him. In different panels, Takemiya-sensei drew the mother figures without a face, which I thought was an interesting "symbolism".
I am proud to have read another manga from my random backlog of manga.
#takemiya keiko#keiko takemiya#竹宮恵子#year 24 group#24年組#80s shoujo#retro manga#90s shoujo#僕だけが知っている#boku dake ga shitteiru#誰にもやらない#dare ni mo yaranai
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Seven Seas Entertainment Licenses the Yes, No, or Maybe? Manga Series and Additional Light Novels
Seven Seas Entertainment has announced the license acquisition of the BL manga series Yes, No, or Maybe? by Michi Ichiho and Yukimura, an adaptation of the boys’ love light novel tale that inspired an anime movie. Additionally, after publishing the original light novel in English in 2020, Seven Seas will also publish the two follow-up novels in the series, by Michi Ichiho and Lala Takemiya:…
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Un montón más de capitulos de Yes ka No ka Hanbun ka Bangai-hen VOL.2
Muchas gracias Nina!!!!
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BLCD Review: Yes ka No ka Hanbun ka 2
Title: Yes ka No ka Hanbun ka 2 Sekai no Mannaka (イエスかノーか半分か2 世界のまんなか)
Author: Ichiho Michi
Illustrator: Takemiya Lala
Release Date: 2020/12/04
Cast: LOOK AT THIS CASTLIST
Kawahara Yoshihisa x Abe Atsushi
Eguchi Takuya
Murata Taishi
Morikawa Toshiyuki
Tadokoro Hinata
Shimura Tomoyuki
Sasaki Takumi
Synopsis: Sequel to the series of the same name!
Review Proper
If there was something that made me even happier than knowing that Kotonoha no Hana was getting a manga adaptation, it’s this getting both an anime and a BLCD adaptation for the second volume with the same casting (minus Kimura Ryohei).
Why am I getting so emotional? It’s only just been what? 6 years?
Anyway, I was so confused at first because I knew how and where volume 2 starts and that was not it, so I just chucked it off as the studio deciding to scrap the first parts. Surprise! I was actually just a dumbass and was listening to volume 2! When did I realize it, you ask? When I finished the whole fucking disk.
It’s safe to say that the BLCD was pretty accurate to the novel sequencing-wise. I’m still annoyed over how Kei is still the hanbun yarou I knew and disliked, but I’m glad that it was toned down in the second disk. Lo and be hold, ladies and gentlemen, Bakugou had character development! Kei had been struggling with his motivations for work bc of Shitara-san and Asou-san that it made him take his frustrations out on Ushio. I thought that this would be resolved by Ushio chasing after Kei again and Kei going head to head against Ryou (the announcer/host for their rival channel), so I was so surprised that not only did Kei chase after Ushio to make up with him, but he also took the back seat and made Narayama (an AD who’s actually a reporter but who’s scared shitless about reporting) report on the story that set their show’s story with higher ratings that effectively shut Ryou, Shitara-san, and Asou-san down.
“Show me the difference between me and the you who truly loves their job.” - Kuneida Kei
Also, I’m definitely not mad about the super cliché selective amnesia here. I do admit that I snorted once it started happening, but the tension building up in Ushio—my god. I thought that this was going to be a sappy ride, and it was to an extent. But y’all should know that no matter what Kawahara Yoshishisa does, his voice is always packed with some heat one way or another, so I was sure that rather than exploding into a emotional spillage of the truth, Ushio was going to pin him down. HAHAHAHAHA
But I’m glad that he waited until Kei remembered all on his own. This was so out of character of Ushio because he never really waits! 👏👏👏 Ah, character development for everyone!
Moving on to the voice work, if y’all new to this hell-hole, then please know that I’m Kawahara Yoshihisa trash ever since. His Ushio is actually one of my favorite performances of his (spoiler: all of his performances are my favorite because he never underperforms), so best believe I know how he should sound. I wasn’t at all surprised to find out that neither he nor Abe Atsushi sounded any different from the first volume (and the chemistry is still alive, folks!). When I first heard Ushio talk in the first track, I WAS ON THE FLOOR CRYING. Yo, you don’t know how long it’s been ever since I’ve heard Kawahara Yoshihisa doing a younger voice. 😭😭😭 Lately, he’s just been voicing older daddies like Juda and Asahi-san, and like, I know that it’s appropriate for his actual age and all, but Kawahara’s higher tone is magic! 😭😭😭 But here’s some good news; Kawahara is going to do a younger voice in Pheromone Tantei that’s coming out this month! Ngl, I am a bit wary of the plot, but nevertheless, I’m excited to listen to it!!! Back on topic, not only was Kawahara voicing a younger character here, this was also the first time in a long while that he was voicing a character that was emotional and trying so hard to keep his hands off his man! I JUST WANT JUDA AND ASAHI-SAN POVS, OKAY?! Ushio had three whole tracks told in his POV, you know! I BEEN BLESSED!
As for Abe—WELCOME BACK, SIR!!! Last time I heard him was in 2019 in Ayashi no Horrible Disaster, and I don’t even want to remember what he sounded like there even though I’m 100% sure that he didn’t underperform. I’ll be honest here, I’m not really an Abe fan. Don’t get me wrong, he’s a great actor, but I really don’t like this tone (I also don’t like VAs who have similar tones with his). I may have liked some BLCDs where he was cast in, but there aren’t any particular roles that I like of his...EXCEPT FOR THIS ONE. Again, I hate Kei’s personality, but the switching he does is divine!
JAPANESE LANGUAGE LESSON TIME!!!
It’s mentioned in vol. 1 that Kei has distinct nasal consonants which is why he was hired as an announcer even though he didn’t apply as one. To put it simply, instead of just pronouncing ka, ki, ku, ke, ko, Kei pronounces it like nga, ngi, ngu, nge, ngo. Think “sungoi” instead of “sugoi”. This trait is so rare nowadays that only announcers who are trained to do them and some of the older generations who are situated/live around the Eastern regions of the country still do it. You can search Dogen’s video about this on YouTube for a more concrete explanation. Abe Atsushi doesn’t actually nasalize consonants in real life, but he sure sounds like he does! UGH. VETERANS! He’s also the only one who does this among his fellow announcers in vol 1! Despite my dispreference of his tone, his acting is one of the main reasons why this BLCD was one of my go-to’s for so long. I MEAN, THOSE MATTRESS MAMBOS 👀 Abe is easily Gen 1 Yamashita Seiichirou. Man, I wish Abe gets more roles that are up my alley because he’s a Gen 1 himself, and I can’t keep living my life without listening to his recent work before he...godforbid leaves. *cries the Thames
As for our supporting cast, I was quite excited to find out who was going to voice Asou-san because he was finally going to have some dialogue here. In vol. 1, Asou-san developed gastric cancer and was sent away to recuperate, which is why Kei become The News’ main hitter in the first place. Asou-san’s since recovered, so he came back and WAS BEING VOICED BY MORIKAWA TOSHIYUKI!
IT’S A VETERAN PARTY!!! I knew that Moririn also nasalizes his consonants, so it made so much sense!!! I just want to talk to the casting director and promise them that I will bless 16 generations of their family.
Ugh. My heart is so happy. 😭😭😭 I am a little disappointed that Kimura Ryohei didn’t come back for Minagawa bc I low-key shipped Minagawa and Kei, but Egu did a great job with his Minagawa regardless. He was able to capture how Kimura Ryohei did him, which oddly, made him sound a little like a mix of Makonyan, Tattsun, and Nakajima Yoshiki. I know it’s weird, but it is what it is. But the good news here is that I still ship Egu’s Minagawa AND MORIRIN’S ASOU-SAN WITH KEI. 😌
I love how Shimura Tomoyuki came back to reprise his role as Shitara-san even though he’s never been a BL actor himself. Glad to know that he liked the series enough to get back to it (SatoTaku does Shitara-san in the anime tho and idk y bc he’s supposed to be considerably older). Shitara-san is actually a very kind, calm, and encouraging character, but he just always manages to step on Kei’s landmines like it was his goddamn talent. 😂 I wanted to see more of Murata’s Ryou and Sasaki Takumi’s Narayama tbh, but they didn’t really have a major presence even in volume 2. I haven’t read 3 yet, so here’s to hoping that there’s a volume 3 adaptation and they both get to have larger roles. 🤞 My very special special mention will go to Tadokoro Hinata tho because I really didn’t realize that he was doing Nishikido-san up until I checked a few mins ago! WHAT THE FUCK?! I thought that the person voicing him was a veteran from another industry like Shimura Tomoyuki because he sounded so mature. Tadokoro just never fails to amaze me. We might never know how old Tadokoro really is, but I’m gonna throw hands if I find out that he’s still in his twenties and he already has that kind of talent. Give us more Tadokoro please!!!
If you still can’t tell after the novel of a review I just typed out, I loved this. I’m encouraging you all to listen to this from the first volume onwards even if you’ve already seen the anime bc they left a lot of details out (I mean, it’s just an hour-long episode, no wonder). The BLCDs themselves did cut some stuff out, but nothing really major. The plot, no matter how cliché it was, is still very interesting up to the most minute details, so please read the novel! Definitely listen to this if you want to further your BLCD education as I believe that this should be a rite of passage just like Kotonoha no Hana and Rakuen no Uta. An English translation for all of the volumes is still up in novelcool, so you can read them once first before reading them again as you listen to the CDs. Also, if you loved Customer Masquerade!, then do give this a chance since the plots are similar (altho Etou-san does have a good excuse for his fake attitude) and it’s also produced by Atis! Another good announcer BL is Broadcast wo Toppatsure! starring Sugitan and Yusa! Oh my gosh, I really am old. 💀
#blcd reviews#blcd 2020 reviews#yes ka no ka hanbun ka#ichiho michi#takemiya lala#atis#kawahara yoshihisa#abe atsushi#morikawa toshiyuki#eguchi takuya#murata taishi#shimura tomoyuki#sasaki takumi
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Another BL anime adaptation ❤
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Shio fails to keep his promise to attend his father’s alma mater by failing both his middle school and high school entrance exams.
Now, in order to pass his exams and get accepted next year, Shio crams every day all the while believing there is a light at the end of the tunnel.
One rainy May day early in the morning at the library, Shio happens to see Katsura, one of the more laid back homeroom teachers, cry.
The tears are so pure, it makes Shio’s heart throb.
Thus begins a Snow White Romance descending quietly and enveloping all in white.
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Yes ka No ka Hanbun ka, rivelata la data di debutto dell’anime con un trailer
I due protagonisti saranno interpretati da Atsushi Abe e Yoshihisa Kawahara.
Diffuso un primo trailer per l’anime tratto dalla light novel “Yes ka No ka Hanbun ka” (Yes, No, or Maybe?) di Michi Ichiho, il quale ne fissa la data di debutto in Giappone per il mese di dicembre. Assieme al video è stata anche pubblicata l’immagine promozionale che vedete in testa all’articolo, realizzata dall’illustratrice dell’opera, Lala Takemiya.
Il tema musicale dell’adattamento, che potete ascoltare nel trailer, si intitola "Sekai to Kakurenbo" ed è cantato da Atsushi Abe e Yoshihisa Kawahara, rispettivamente i doppiatori di Kei Kunieda e Ushio Tsuzuki.
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L’anime farà parte dei vari titoli del BL FES!!-Boys Love Festival!!, proiettati in via limitata in vari cinema giapponesi, fra i quali troviamo anche il cortometraggio animato basato sul manga “Marudase Kintarou” di Naomi Guren.
Le vicende ruotano attorno al giovane e celebre presentatore Kei Kunieda. In televisione mantiene sempre un’aura di perfezione tale da essersi guadagnato l’affettuoso soprannome di “Principe”, ma nel privato è una persona completamente diversa. Rimossa la maschera pubblica è un uomo acido, che inveisce e si lamenta sempre dell’incompetenza altrui. Il caso vorrà, però, che questo suo lato nascosto venga scoperto dallo sceneggiatore Ushio Tsuzuki.
Il romanzo di genere boys love è stato pubblicato in tre volumi fra il 2014 e il 2016. Dal 2017 ne è in corso lo spin-off “OFF AIR Yes ka No ka Hanbun ka”, giunto attualmente al secondo volume.
* NON VUOI PERDERTI NEANCHE UN POST? ENTRA NEL CANALE TELEGRAM! *
Autore: SilenziO))) (@s1lenzi0)
[FONTE]
#yes ka no ka hanbun ka#yes no or maybe?#anime#manga#boys love#yaoi#bl fes#lala takemiya#michi ichiho#cartoni animati#giappone#animazione#newsintheshell#news in the shell
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Los animes Marudase Kintarō y Yes ka No ka Hanbun ka se estrenarán juntos el 11 de diciembre
Nueva entrada publicada en https://www.animefagos.com/2020/09/11/los-animes-marudase-kintaro-y-yes-ka-no-ka-hanbun-ka-se-estrenaran-juntos-el-11-de-diciembre/
Los animes Marudase Kintarō y Yes ka No ka Hanbun ka se estrenarán juntos el 11 de diciembre
La página web oficial del proyecto BL FES!!-Boys Love Festival!!- ha anunciado que el 11 de diciembre se estrenarán en cines las adaptaciones animadas del manga yaoi Marudase Kintarō, de Naomi Guren, y de la serie de novelas Yes ka No ka Hanbun ka, de Michi Ichiho. La serie de novelas Yes ka No ka Hanbun ka, con…
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OFF AIR Yes Ka No Ka Hanbun Ka Vol.3 (light novel)
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Yes, No, or Maybe? (light novel) (Nov. 3, 2020)
by Michi Ichiho and Lala Takemiya
Kunieda Kei is a popular TV announcer known for being a cool and flawless professional. But on the inside, he’s the opposite: brash, hot-tempered, and as prickly as can be. Still, Kei juggles his private and professional personas successfully until one day, the unthinkable happens: stop-motion animator Tsuzuki Ushio from work sees him at the grocery store with his real personality on display! Now Kei has to figure out how to navigate a relationship he didn’t expect. But is that really as scary as the possibility that someone might love both sides of him?
#yes no or maybe#michi ichiho#lala takemiya#yes ka no ka hanbun ka#lgbt manga#light novel#manga#gay#boys love
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LGBTQ+ Manga
I’m making a list of licensed queer manga, since I always forget them whenever I’m asked. Please tell me ones I’ve missed!
*digital only release
Gay
10 Dance by Satou Inoue
Bad Boys Happy Home by SHOOWA
Black or White by Sachimo
Blue Flag by Kaito
The Cat Proposed by Dento Hayane
Canis Dear Mr. Rain by Zakk
Caramel by Puku Okuyama (digital)
Chéri, My Destiny! by Okoge Mochino
Cherry Magic! Thirty Years Of Virginity Can Make You a Wizard?! by Yuu Toyota
Classmates by Asamiko Nakamura
The Cornered Mouse Dreams of Cheese by Setona Mizushiro*
Deko Boko Sugar Days by Atsuko Yusen
Deko Boko Bittersweet Days by Atsuko Yusen
Don’t Call Me Daddy by Gorou Kanbe
Don’t Call Me Dirty by Gorou Kanbe
Entangled Circumstances by Kikuko Kikuya
An Even More Beautiful Lie by Kei Kanai
Fangs by Billy Balibally
Given by Natsuki Kizu
Glass Syndrome by Eiko Ariki
The God and the Flightless Messenger by Hagi
Go For It, Nakamura! by Syundei
Hanger by Hirotaka Kisaragi
His Extra-Large, Ever-So-Lovely... by Omoimi*
Hitorijime My Hero by Memeco Arii
I Can Hear the Sunspot by Yuki Fumino
I Cannot Reach You by Mika
Katakoi Lamp by Kyohei Azumi
Key Ring Lock by ymz*
Kisses, Macarons, and Lonely Pie by Hyougo Kijima
Koimonogatari by Tohru Tagura
Links by Natsuki Kizu
Liquor & Cigarettes by Ranmaru Zariya (both are bi)
Like Two Peas in a Pod by Kanbe Gorou
Manly Appetites: Minegishi Loves Otsu by Mito
Monster and the Beast by Renji
My Brother’s Husband by Gengoroh Tagame
My Summer of You by Nagisa Furuya
New York New York by Ragawa Marimo
The Night Beyond the Tricornered Window by Tomoko Yamashita*
No. 6 by Hinoki Kino, Atsuko Asano
No Touching at All by Kou Yoneda*
Our Dining Table by Mita Ori
Our Not So Lonely Travel Guide/Bokura no chikyuu no arukikata by Mone Sorai
RePlay by Saki Tsukahara
The Rule of Standing on Tiptoe by Puku Okuyama (digital)
Sarazanmai (novel) by Kunihiko Ikuhara and Teruko Utsumi
Sarazanmai: Reo and Mabu by IKUNIRAPPER, Kunihiko Ikuhara, Misaki Saitoh, miggy
Sasaki and Miyano by Syou Harusono
Scattering His Virgin Bloom by Aya Sakyo
A Season of Young Leaves by Venio Tachibana, Akeno Kitahata
Seven Days by Tachibana Venio, Takarai Rihito
Star Collector by Sophie Schönhammer, Anna Backhausen
The Song of Yoru and Asa by Harada
Summer of the Fox by Nacolat (summer 2022)
The Summer of You (My Summer of You Vol. 1) by Nagisa Furuya
That Blue Sky Feeling by Okura
There Are Things I Can’t Tell You by Edako Mofumofu
This Wonderful Season WIth You by Yusen Atsuko
Twilight Out of Focus by Jyanome *
The Two Lions by Nagisa Furuya
A Vampire and His Pleasant Companions by Narise Konohara, Marimo Ragawa
What Did You Eat Yesterday? by Fumi Yoshinaga
The Wize Wize Beasts of the Wizarding Wizdom by Nagabe
Would You Like to Be a Family? by Koyama
Yes, No, Or Maybe? (novel) by Michi Ichiho, Lala Takemiya
Lesbian
Adachi and Shimamura (novel) by Hitoma Iruma
Adachi and Shimamura (manga) by Moke Yuzuhara
After Hours by Yuuta Nishio
Akuma no Riddle by Sunao Minakata, Yun Kouga
All You by Ruri Hazuki *
Alter Ego by Ana C. Sanchez
Assymetry by sheepd*
As You Wish by Aosaki Rusou (digital)
Beauty and the Beast Girl by Neji
Bloom Into You by Nakatani Nio
Bloom Into You (novel) by Hitoma Iruma, Nakatani Nio
Breath of Flowers by Caly
Can I Pretend to Buy You With Money? by Tachi (digital)
Catch These Hands by Murata
Chasing After Aoi Koshiba by FLY
Cocoon Entwined by Yuriko Hara
Conditions of Paradise by Akiko Morishima
Days of Love at Seagull Villa by Kodama Naoko
The Demon Girl Next Door by Izumo Ito
Donuts Under a Crescent Moon by Shio Usui
Eclair by ASCII Media Works
Even If We Became Adults by Takako Shimura
Failed Princesses by Ajiichi
Farewell to My Alter by Nio Nakatani
Fragtime by Sato
Futaribeya by Yukiko
Girlfriends by Milk Morinaga
Goodbye, My Rose Garden by Dr. Pepperco
GUNBURED × SISTERS by Wataru Mitogawa
Hana and Hina After School by Milk Morinaga
Harukana Receive by Nyojizai
HIRAETH -The End of the Journey by Yuhki Kamatani* (this might have more representation but I’ve only read 2 chapters so far)
How Do We Relationship? by Tamifull
I Love You So Much I Hate You by Yuni
I Love Yuri and I Got Bodyswapped with a Fujoshi! by Aijiichi
I Married My Best Friend To Shut My Parents Up by Kodama Naoko
If I Could Reach You by tMnR
If We Leave on the Dot by Ayu Inui
It’s Personnel! by Yuni
Kase-san and... by Hiromi Takashima
Kiss and White Lily For My Dearest Girl by Canno
The Life of a Yuri Couple in Love by mk*
A Lily Blooms in Another World by Kaeruda Ameko *
Magnum Lily by Rei Abe*
Monologue Woven For You by Syu Yasaka
Mushroom Girls in Love by Kei Murayama
My Alcoholic Escape From Reality by Nagata Kabi (third in the “series”, but probably can be read alone like the second)
My Idol Sits the Next Desk Over! by Tetsu Tsutsui and Koyubi Sugawara*
My Lesbian Experience with Loneliness by Nagata Kabi
My Solo Exchange Diary by Nagata Kabi (technically the sequel, but can be read separate from My Lesbian Experience)
Nameless Asterism by Kina Kobayashi
Night and Day by Yu Akegata (manga planet)
Now Loading..! by Mikanuji
Otherside Picnic (novel) by Iori Miyazawa
Out Teachers Are Dating! by Pikachi Ohi
Our Wonderful Days by Kei Hamuro
Pandora in the Crimson Shell: Ghost Urn by Shirow Masamune and Rikudou Koushi
The Rain and the Other Side of You by Moto Monoma (digital)
Roadqueen by Mira Ung Chua
Roll Over and Die (novel) by kiki, kenta
Sailor Moon by Naoko Takeuchi
School Zone Girls by Ningiyau
Secret of the Princess by Milk Morinaga
semelparous by Jun Ogino
Sexiled: My Sexist Party Leader Kicked Me Out, So I Teamed Up With a Mythical Sorceress! (novel) by Kaeruda Ameko, Miya Kazutomo
Shiori and Yuki by Twa (digital)
Side-by-Side Dreamers (novel) by Iori Miyazawa
Strawberry Fields Once Again by Kazura Kinosaki (Dec. 2020)
Superwomen in Love! by sometime (Apr. 2021)
Sweet Blue Flowers by Takako Shimura
Syrup: A Yuri Anthology by Yoshimurakana, Kodama Naoko etc
A Tropical Fish Yearns For Snow by Makoto Hagino
Vampeerz by Akili (Jul. 2021)
Wednesday - Maybe I Love You: Fubuki & Yuzu & Ruiro by Ruri Hazuki (digital)
Whenever Our Eyes Meet...: A Women's Love Anthology by ASCII Media Works
Whispered Words by Takashi Ikeda
Whisper Me a Love Song by Eku Takeshima
A White Rose in Bloom by Asamiko Nakamura
A Witch’s Love At The End of the World by Kujira
The Whole of Humanity Has Gone Yuri Except Me by Hiroki Haruse (June 2021)
Yunagi Marbled by Moto Monomo (digital)
Yuri Bear Storm by Ikunigomamonaka, Akiko Morishima
Yuri Is My Job! by miman
Yuri Life by Kurukuruhime
Bisexual
My Love Mix-Up! by Wataru Hinekure
Transgender
Boys Run the Riot by Keito Gaku (trans male)
The Bride Was a Boy by Chii (trans female)
Claudine by Riyoko Ikeda (trans male)
Wandering Son by Takako Shimura (trans male and trans female mcs)
Non-Binary
Love Me For Who I Am by Kata Konayama
Multiple Representations
Cardcaptor Sakura by Clamp (gay, lesbian, bisexual)
Love Me For Who I Am by Kata Konayama (non-binary, trans female, gay)
Our Dreams at Dusk (gay, lesbian, asexual, trans male, questioning)
#manga#lgbt manga#lgbt manga masterlist#lgbt#i think i made a mistake#trying to organize by rep#i feel like this list has become unwieldy#but too much work has gone into it lmao#april 2022 update
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Crunchyroll Adds Yes, No, or Maybe? BL Anime Film
Crunchyroll announced Yes, No, or Maybe? as the latest addition to its anime lineup today. Based on the boys' love light novel series written by Michi Ichiho and illustrated by Lala Takemiya, the anime film joins Crunchyroll today starting at 10:00am Pacific Time.
Masahiro Takata directs the film, with Ayano Owada adapting the character designs for the Lesprit production. Check out the streaming details below.
Yes, No, or Maybe?
Launch Time: March 10 at 10:00am PT
Territories: World excluding Asia and German-speaking Europe
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Joseph Luster is the Games and Web editor at Otaku USA Magazine. You can read his brand new comic, MONSTER FLIGHT, at subhumanzoids. Follow him on Twitter @Moldilox.
By: Joseph Luster
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Novel: OFF AIR~イエスかノーか半分か~
Author: Ichiho Michi
Illustrator: Takemiya Lala
Release date: August 29, 2017
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Yes, No, or Maybe?: il lungometraggio animato è su Crunchyroll
L’anime tratto dall’opera boys love di Lala Takemiya è disponibile in streaming sottotitolato in italiano.
Aggiunto in catalogo da Crunchyroll il lungometraggio animato “Yes ka No ka Hanbun ka” (Yes, No, or Maybe?), tratto dall’omonimo romanzo boys love firmato da Lala Takemiya.
Uscito lo scorso dicembre in Giappone, il film ha una durata di circa 53 minuti ed è attualmente disponibile in streaming sulla piattaforma sottotitolato in italiano, esclusivamente per gli abbonati premium; da mercoledì prossimo sarà visibile anche gratuitamente.
youtube
L’adattamento è stato diretto e sceneggiato da Masahiro Takata (High-Rise Invasion, Libra of Nil Admirari), presso lo studio Lesprit (THE IDOLM@STER Cinderella Girls Theater, How clumsy you are Miss Ueno). Il character design è stato curato da Ayano Ohwada (How clumsy you are Miss Ueno), mentre le musiche sono state composte da Tomoki Hasegawa (Sayonara Zetsubou Sensei, Nana).
Le vicende ruotano attorno al giovane e celebre presentatore Kei Kunieda. In televisione mantiene sempre un’aura di perfezione tale da essersi guadagnato l’affettuoso soprannome di “Principe”, ma nel privato è una persona completamente diversa. Rimossa la maschera pubblica è un uomo acido, che inveisce e si lamenta sempre dell’incompetenza altrui. Il caso vorrà, però, che questo suo lato nascosto venga scoperto dallo sceneggiatore Ushio Tsuzuki.
I tre volumi della light novel sono stati pubblicati in Giappone fra il 2014 e il 2016, corredati delle illustrazioni da parte di Lala Takemiya. Fra il 2017 e il 2020 sono invece usciti due volumi del romanzo spin-off dal titolo “OFF AIR Yes ka No ka Hanbun ka”.
* NON VUOI PERDERTI NEANCHE UN POST? ENTRA NEL CANALE TELEGRAM! *
Autore: SilenziO))) - Twitter @s1lenzi0
[FONTE]
#yes ka no ka hanbun ka#yes no or maybe?#anime#film#light novel#boys love#yaoi#newsintheshell#cartoni animati#news in the shell#animazione#streaming#on demand#crunchyroll#sub ita#shounen ai
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