#thérèse 2012
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#movies#polls#thérèse#thérèse 2012#thérèse movie#thérèse desqueyroux#therese#2010s movies#claude miller#audrey tautou#gilles lellouche#anaïs demoustier#stanley weber#requested#have you seen this movie poll
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Brian Cox
Physique: Husky Build
Height: 5’ 6½" (1.69 m)
Brian Denis Cox CBE (born 1 June 1946-) is a Scottish actor. A classically trained Shakespearean actor, he is known for leading performances on stage and television, as well as supporting roles in film. His numerous accolades include two Laurence Olivier Awards, a Primetime Emmy Award, and a Golden Globe Award as well as a nomination for a British Academy Television Award. Cox is known for appearing in Super Troopers, The Bourne Identity, The Bourne Supremacy, X2, Braveheart, Rushmore, Rise of the Planet of the Apes, and Troy.
A craggy, but handsome bear of a man that I first spotted back in the late 90s when I saw him in a tail end of a sex scene from the movie The Cloning of Joanna May. His weight seems to fluctuate between quite portly to more like merely husky, but trust me, I doubt we'll be seeing a thin Brian Cox anytime soon. And I think he's a bit of an exhibitionist. Because it seems like every time he attends the Dressed to Kilt Scottish fashion event (of which I have snagged some pics), he flashes that cute ass of his.
Cox is twice divorced with two children from his second marriage. Cox married his third wife, actress Nicole Ansari, in 2002, whose over 20 years his junior. They have two sons. I’m glad he’s banging some young thing. Though I wish he was banging some young thing 30 years his junior. Namely me.
RECOMMENDATIONS:
(2018) The Etruscan Smile - Rear nudity, shirtless
(2016) The Carer - Shirtless bed scene
(2012) The Straits (TV Series) - Shirtless bed scene
(2008) The Escapist - Shirtless shower scene
(1992) The Cloning of Joanna May - Rear nudity, shirtless, sex scene
(1991) The Lost Language of Cranes - Shirtless, shirtless bed scene
(1980) Thérèse Raquin - Rear nudity, shirtless
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Thérèse Boucraut - Les trois sorcières, 2012
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Trouble Every Day (Claire Denis, 2001)
Wings Of Desire (Wim Wenders, 1987)
Sympathy For The Devil (Jean-Luc Godard, 1968)
Dekalog (Krzysztof Kieslowski, 1989)
Russian Ark (Aleksandr Sokurov, 2002)
Tale Of Tales (Yuriy Norshteyn, 1979)
Time Regained (Raoul Ruiz, 1999)
Aguirre, der Zorn Gottes (Werner Herzog, 1972)
Grey Gardens (Albert & David Maysles, Ellen Hovde, Muffie Meyer; 1975)
One From The Heart (Francis Ford Coppola, 1981)
Man With A Movie Camera (Dziga Vertov, 1929)
Dogville (Lars von Trier, 2003)
Sombre (Philippe Grandrieux, 1998)
Cul-de-sac (Roman Polanski, 1966)
Brown Bunny (Vincent Gallo, 2003)
Le feu follet (Louis Malle, 1963)
The Swimmer (Frank Perry, 1968)
A Special Day (Ettore Scola, 1977)
La maman et la putain (Jean Eustache, 1973)
The Battle Of Algiers (Gillo Pontecorvo, 1966)
The Big Lebowski (Joel & Ethan Coen, 1998)
Touch Of Evil (Orson Welles, 1958)
Playtime (Jacques Tati, 1967)
The Long Goodbye (Robert Altman, 1973)
Goodbye, Dragon Inn (Tsai Ming-liang, 2003)
Rashomon (Akira Kurosawa, 1950)
Eternal Sunshine Of The Spotless Mind (Michel Gondry, 2004)
A Summer's Tale (Eric Rohmer,1996)
The Turin Horse (Béla Tarr, Ágnes Hranitzky; 2011)
Baby Doll (Elia Kazan, 1956)
Daisies (Vera Chytilová, 1966)
Unsere Afrikareise (Peter Kubelka, 1966)
Thérèse (Alain Cavalier, 1986)
La jetée (Chris Marker, 1962)
Le gamin au vélo (Jean-Pierre & Luc Dardenne, 2011)
Les 400 coups (François Truffaut, 1959)
The Piano (Jane Campion, 1993)
I'm Not There (Todd Haynes, 2007)
Killer Of Sheep (Charles Burnett, 1978)
The Piano Teacher (Michael Haneke, 2001)
Dead Man (Jim Jarmusch, 1995)
The Women (George Cukor, 1939)
Pickpocket (Robert Bresson, 1959)
Paper Moon (Peter Bogdanovich, 1973)
Don't Look Back (D.A. Pennebaker, 1967)
Little Fugitive (Ray Ashley, Morris Engel, Ruth Orkin; 1953)
Midnight Cowboy (John Schlesinger, 1969)
The Night Of The Hunter (Charles Laughton, 1955)
The Ice Storm (Ang Lee, 1997)
Man On The Moon (Milos Forman, 1999)
Eyes Wide Shut (Stanley Kubrick, 1999)
Enter The Void (Gaspar Noé, 2009)
Snatch (Guy Ritchie, 2000)
The New Land (Jan Troell, 1972)
Los olvidados (Luis Buñuel, 1950)
Border Radio (Allison Anders, Dean Lent, Kurt Voss; 1987)
Vertigo (Alfred Hitchcock, 1958)
The Adventures Of Prince Achmed (Lotte Reiniger, 1926)
Les triplettes de Belleville (Sylvain Chomet, 2003)
Brief Encounter (David Lean, 1945)
Gare du Nord (Jean Rouch, 1965; segment of Paris vu par... )
Vagabond (Agnès Varda, 1985)
Slap Shot (George Roy Hill, 1977)
Le sang d'un poète (Jean Cocteau, 1932)
Breathless (Jim McBride, 1983)
Stop Making Sense (Jonathan Demme, 1984)
Upstream Color (Shane Carruth, 2013)
Saturday Night And Sunday Morning (Karel Reisz, 1960)
Gadjo dilo (Tony Gatlif, 1997)
Rebel Without A Cause (Nicholas Ray, 1955)
A.K.A. Serial Killer (Masao Adachi, 1969)
The King Of Comedy (Martin Scorsese, 1982)
The Hours (Stephen Daldry, 2002)
In A Lonely Place (Nicholas Ray, 1950)
The Honeymoon Killers (Leonard Kastle, 1969)
Meshes Of The Afternoon (Maya Deren, 1943)
When We Were Kings (Leon Gast, 1996)
Broadway Danny Rose (Woody Allen, 1984)
A Woman Under The Influence (John Cassavetes, 1974)
To The Wonder (Terrence Malick, 2012)
Beavis And Butt-head Do America (Mike Judge, 1996)
Araya (Margot Benacerraf, 1959)
Kes (Ken Loach, 1969)
Skammen (Ingmar Bergman, 1968)
Duel (Steven Spielberg, 1971)
The Bridges Of Madison County (Clint Eastwood, 1995)
The Man Who Fell To Earth (Nicolas Roeg, 1976)
Roma città aperta (Roberto Rossellini, 1945)
Diva (Jean-Jacques Beineix, 1981)
Limite (Mario Peixoto, 1931)
The Fountain (Darren Aronofsky, 2006)
La cérémonie (Claude Chabrol, 1995)
The Draughtman's Contract (Peter Greenaway, 1982)
Amour fou (Jessica Hausner, 2014)
Happiness (Todd Solondz, 1998)
Hausu (Nobuhiko Obayashi, 1977)
Before The Devil Knows You're Dead (Sidney Lumet, 2007)
Gomorra (Matteo Garrone, 2008)
The Full Monty (Peter Cattaneo, 1997)
Låt den rätte komma in (Tomas Alfredson, 2008)
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Get to know me better
Rules: If you were a ____, what would you be? Insert the images in order of your answers.
Thanks @fantasyfictionfables for the tag!
Fictional character: Therese from Thérèse Desqueyroux (2012 film)
I would like to quote famous lines from T.S. Eliot's poem to explain the resonance I feel with this character - "This is the way the world ends / Not with a bang but a whimper."
Movie: The fall (2006) Directed by Tarsem Singh
Or Paprika (2006) Directed by Satoshi Kon. Heh this is a tough competition. Satoshi Kon was my god but I vibe Tarsem Singh
Book: How to Think: A Survival Guide for a World at Odds (2017) by Alan Jacobs
Video game: Spiritfarer (2020)
Or Cloud Gardens, despite my favorites are Skyrim, Witcher 3, Frostpunk, and obviously BG3. It's just I never see myself as the hero type XD
Song: Ljósið (2009) by Ólafur Arnalds
TV show: Mushi-Shi (2005–2014)
Poem:
Stand still. The trees ahead and bushes beside you
Are not lost. Wherever you are is called Here,
And you must treat it as a powerful stranger,
Must ask permission to know it and be known.
The forest breathes. Listen. It answers,
I have made this place around you.
If you leave it, you may come back again, saying Here.
No two trees are the same to Raven.
No two branches are the same to Wren.
If what a tree or a bush does is lost on you,
You are surely lost. Stand still. The forest knows
Where you are. You must let it find you.
- "Lost" by David Wagoner
Piece of art: Leonardo da Vinci's notebooks
Practice/activity: Lost in thoughts
My mind is a restless place. Theories, reasons, curiosity, stories, fantasy, dreams all get mixed up and blurry the boundary between thoughts and reality. Positively lost in thoughts all the time <3
I don't know who to tag since answering these questions is giving me feelings. If anyone wants to use them to understand themselves better, please consider yourself tagged <3 I would recommend this as a good self-awareness activity.
#about myself#whoah whoever designed these questions is un-onioning my soul#in case anyone is curious i am a huge fan of Oscar Wilde <3#ask me anything <3#thanks for the tag!#open tag#recommendations
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The House That Screamed will be released on Blu-ray on March 7 via Arrow Video. Colin Murdoch designed the new cover for the 1969 horror film; the original artwork will be on the reverse side.
Said to be an influence on Suspiria, Spain’s first major horror production is written and directed by Narciso Ibáñez Serrador (Who Can Kill a Child?). Lilli Palmer, Cristina Galbó, John Moulder-Brown, and Mary Maude star.
Both the 105-minute uncut version (titled The Finishing School) and the 94-minute US cut are included, newly restored in 2K from the original negative with original lossless English mono audio (plus Spanish audio for the uncut version).
A double-sided poster is included. Special features are listed below.
Special features:
The Finishing School - 105-minute uncut version
The House That Screamed - 94-minute US theatrical version
Audio commentary by critic Anna Bogutskaya (new)
Interview with actor John Moulder-Brown (previously unreleased)
Interview with original author Juan Tébar (new)
Interview with the director’s son, Alejandro Ibáñez (new)
Interview with Spanish horror expert Dr Antonio Lázaro-Reboll (new)
Interview with actress Mary Maude (2012)
Alternative footage from the original Spanish theatrical version
Original trailers
TV and radio spots
Image gallery
Booklet with new writing by Shelagh Rowan-Legg (first pressing only)
Double-sided poster
Thérèse (Cristina Galbó) is the latest arrival at the boarding school for wayward girls run under the stern, authoritarian eye of Mme Fourneau (Lilli Palmer). As the newcomer becomes accustomed to the strict routines, the whip-hand hierarchies among the girls and their furtive extra-curricular methods of release from within the forbidding walls of institutional life, she learns that several of her fellow students have recently vanished mysteriously. Meanwhile, tensions grow within this isolated hothouse environment as Mme Fourneau’s callow but curious 15-year-old son Louis (John Moulder-Brown) ignores his mother’s strict orders not to get close to the “tainted” ladies under her ward.
Pre-order The House That Screamed.
#the house that screamed#suspiria#horror#60s horror#1960s horror#narciso ibanez serrador#arrow video#spanish horror#spanish film#dvd#gift#colin murdoch#lilli palmer#60s movies#1960s movies
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hi guys!
Thought it was about time that I actually introduce myself properly, since the last time I posted a photo of me was in November 2022 😂
My name is Shannon, and I’m 29 years old from the UK (specifically, the NW) 😊 I am engaged to my wonderful partner, Dom, and we have a 5 year old son, and a cat named Luigi.
My favourite colour is lavender, my favourite place to be is London (or Paris, honestly I just thrive in cities in general!), my favourite book is Thérèse Raquin (which, fair, I discovered because of Oscar, but as it turns out, it's an amazing book and quickly became a favourite), and my favourite film is The Sound of Music. My favourite food is sushi, and I have a Bachelor’s Degree in English Literature & Creative Writing ☺️
I’m also a huge fan of antique shopping! Always up for a good bargain in the antique shops! 😂
I’ve been on tumblr since 2012/2013, when I was in college! I never really posted anything, it was all reblogs (I still have that account, I just spend most of my time here now!).
This isn’t my first fandom blog, I tried having one back in 2014, but it quickly fizzled out (and good thing too because the fandom I was a part of is now dead 😂).
I joined the Oscar Isaac Fan Club™ in 2022, after watching Moon Knight. I'd seen him in other things before, like Star Wars and W.E. and X-Men, but I'd truly fallen in love with Steven Grant and then it just escalated from there.
Now I'm obsessed (sorry, Dom).
I've always been interested in writing from a young age, I'm an avid reader, and I discovered fanfiction when I was around 12 on fanfiction.net. Over the years, I've posted many a fic that always ended up unfinished and deleted, or self indulgent to never see the light of day, until I started this blog! It's motivated me to write more and gain my confidence back since the past 8 years have been rough.
I’ve really enjoyed posting my fics and gaining feedback, I just love it when someone enjoys my writing! I hope I can continue to write and post as much as I can! 😊
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Women of the F1 Paddock
Although underrepresented there are so many amazing women in the paddock. They all are inspirational in their own way, and all have an important story to tell. So today, I’m highlighting just some of the incredible women leading the way.
Angela Cullen
Lewis Hamilton’s physio and right—hand woman since 2016, Angela Cullen is a powerhouse. Lewis has even described her as his chauffeur and confidante.
Carolyn Paterson
Beginning her career at BMW UK as a marketing communications assistant, Carolyn is now a Press Officer at Scuderia Alpha Tauri.
From PR schedules and briefings to writing editorials, Carolyn has a multifaceted job…and is damn good at it too! You might’ve even seen her around the paddock with Yuki Tsunoda as she also works closely with the drivers.
Niamh Sidwell
Niamh is a Production Coordinator at Formula 1 and has been working in F1 for almost three years!
Her role is to provide logistical and coordination support to the Creative Media team. She is almost like a director and makes sure everything runs as smooth as possible.
At the Singapore Grand Prix earlier this year she even had the opportunity to be a Assistant Producer for Track TV!
Abi Crawforth
Abi began her career in motorsport with Williams Racing as a Mechanical Engineering Apprentice in 2015, and since then she has been doing some amazing things.
Now she works at Red Bull as a CNC Machinist, where she's responsible for properly configuring and setting up machinery tools according to the specifications of technical drawings in order to make car parts!
Marie-Thérèse Helayel
Marie-Thérèse is a recent graduate, but that doesn’t mean she hasn’t reached amazing heights in her career already. Currently she is a Power Unit Engineer at Red Bull!
Lauren Merchant
The driver’s team kits are a vital part of Formula 1 and Lauren is responsible for coordinating everything team kit related at Aston Martin.
Lauren takes care of the distribution and fulfillment of all team clothing, from race wear to office wear options.
She's been with the team since January this year, with her role being a completely new one!
Sarah Fasey
You will usually find Sarah buried in her work phone on race weekends as she fulfils her role as Red Bull’s social media producer.
Sarah graduated from University of Leeds with a BA in Fashion Marketing and worked for Nike for two years as a Marketing Assistant and Digital Designer before joining Red Bull Racing & Red Bull Technology in August 2020.
Susie Wolff
Where do I start with Susie Wolff. She is a powerhouse and a history maker in the motorsport world.
Susie started off her racing career in karting before moving on to Formula Renault and Formula Three, then moving to DTM to compete for Mercedes-Benz.
In 2012, she was signed by Williams as a development driver and in 2014 Susie became the first woman since 1992 to compete in a Formula 1 race weekend. After her racing retirement she went on to work at Venturi Racing (Formula E) as Team Principal and then CEO.
So now you know there are some amazing women in the paddock, doing a myriad of different jobs, and there is always a spot for you! So be brave, be bold and go chase your dream!
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"Dévotion 2"
Inspiré d'une photo prise à l'intérieur de l'église de Sauzon :Belle île en mer. La maquette d'un bateau de commerce du XIX ème y est suspendu sous le regard de Jeanne d'Arc, Sainte thérèse de Lisieux et de Saint Pierre. En souvenir des morts en mer. Note: en 2012 deux marins sont morts sur les côtes de l'île, fracassés sur les rochers/
"Devotion 2"
Inspired by a photo taken inside the church of Sauzon : Belle île en mer. The model of a 19th century merchant ship hangs there under the gaze of Joan of Arc, Saint Therese of Lisieux and Saint Peter. In memory of those who died at sea. Note: in 2012 two sailors died on the coast of the island, smashed on the rocks.
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Thérèse Raquin - Émile Zola (1868)
“Thérèse Raquin is an 1868 novel by French writer Émile Zola, first published in serial form in the literary magazine L'Artiste in 1867. It was Zola's third novel, though the first to earn wide fame. The novel's adultery and murder were considered scandalous and famously described as ‘putrid’ in a review in the newspaper Le Figaro. Thérèse Raquin tells the story of a young woman, unhappily married to her first cousin by an overbearing aunt, who may seem to be well-intentioned but in many ways is deeply selfish. Thérèse's husband, Camille, is sickly and egocentric and when the opportunity arises, Thérèse enters into a turbulent and sordidly passionate affair with one of Camille's friends, Laurent. ...”
Wikipedia
amazon
2018 May: Germinal (1884-85), 2018 July: Markets of Paris - Dixon Long & Marjorie R. Williams (2012) / The Markets of Paris - Emile Zola (1873)
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Il était une fois Artémise Blot (1884-1964) et Félix Rogier (1881-1927).
Ils se marièrent le 1er avril 1907 et eurent 14 enfants.
- Simone (1908-1983)
- Jeanne-Marie (1909-1967)
- Paul (1910-1945)
- Marie-Thérèse “Maïté” (1911-2002)
- Joseph (1913-1970)
- Marguerite-Marie (1915-2000)
- Madeleine (1916-1993)
- Cécile (1918-1969)
- François (1919-2000)
- Jean-Marie (1920-1956)
- Marcelle (1922-2012)
- Gérard (1924-1997)
- Agnès “Tanette”(1926-2014)
- Marie-Claire “Mimy” (1927- ??)
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Zitate aus handbuch des kriegers des lichtschalter
ZITATE AUS HANDBUCH DES KRIEGERS DES LICHTSCHALTER >> Herunterladen
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ZITATE AUS HANDBUCH DES KRIEGERS DES LICHTSCHALTER >> Online Lesen
bit.do/fSmfG
kollektiv definitionkollektives handeln
lds.org deutsch
Blasberg und Kerstin Kohlenberg – für ihren Text „Die Klimakrieger“. Alle Zitate stammen von Marc Morano oder seiner Website »climatedepot.com«.Das Beispiel, das sich im folgenden Zitat ausdrückt, mag eines sein, Auch Türschlösser oder Lichtschalter können bisweilen hohe Anforde-. Dieses Handbuch wird finanziert vom Fonds de Lutte contre le Trafic des Stupéfiants. NILLES Jean-Paul. KRIEGER Winfried. MICHAELIS Thérèse. Suchtprävention. 23 Dieses Zitat von Niklas Luhmann steht als Leitmotiv hinter einer kultur- Die Vorstellung vom Sender, der einen Lichtschalter umlegt, den Strom der legitim: 'Sorry, habe keine ATN auf Lichtschalter'. Atomkeks Das Original-Zitat dazu sollte man jungen Formaldienst-ZDv oder Wiesel-Handbuch) Technikforschung siehe Wieser (2012, S. 69–91), Belliger und Krieger (2006) 2 Das Interview mit Sebastian Krause, auf das die folgenden Zitate in dieser Alle Zitate aus: PACE LAYERING: How Complex Systems Learn and Keep Learning. werden nur heldenhafte Krieger überleben, Rudel von Gleichgesinnten. schrift Wandertag unter anderem das folgende Zitat (aus einem Auf- Heldisches - dann die Liste der Gefallenen vor einem ausgestellten Krieger- denkmal.
https://www.tumblr.com/nuguxoqiwe/696909801523986432/casio-120-cr-b-bedienungsanleitung-polar, https://www.tumblr.com/nuguxoqiwe/696909801523986432/casio-120-cr-b-bedienungsanleitung-polar, https://www.tumblr.com/nuguxoqiwe/696909801523986432/casio-120-cr-b-bedienungsanleitung-polar, https://www.tumblr.com/nuguxoqiwe/696909801523986432/casio-120-cr-b-bedienungsanleitung-polar, https://www.tumblr.com/nuguxoqiwe/696909801523986432/casio-120-cr-b-bedienungsanleitung-polar.
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Rachel Clarke: We should judge Coffey on her policies, not her appearance | The BMJ
Rachel Clarke: We should judge Coffey on her policies, not her appearance | The BMJ
Innumerable aspects of England’s new secretary of state for health and social care, Thérèse Coffey, could instil anything from disquiet to dread in an NHS doctor. I recoil at Coffey’s record on same sex marriage, for example: she voted against it in 2013 and 2019.1 Then there’s her record on welfare and poverty: she voted for a reduction in spending on welfare benefits some 52 times from 2012 to…
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Typography Tuesday
THE GROTESKS
San-serif typefaces, that is, letter forms that do not have serif extensions at the end of strokes, go by a variety of alternate names, but the most common is Grotesque, or in German, as we prefer, Grotesk. There seems to be some difference of opinion about the origin of the term, but the moniker was established in the 19th century, and the majority opinion seems to be because san serifs appeared so unseemly and poorly formed compared to the serif letter forms that Europeans had been used to reading for nearly two millennia. Wikipedia, citing Monotype Corporation, says that the term originates from the “Italian grottesco, meaning ‘belonging to the cave’ due to their simple geometric appearance,” which makes little sense to us.
While serif typefaces remain predominant for most printed material, san-serifs have become most prevalent for digital display and public signage. San-serifs or Grotesks were used sparingly and for specific usages and effects for a century, but the second half of the 20th century saw a huge expansion in design and application. This week we feature some of the most recognized Grotesks designed before 1960, from the prolific, Milwaukee-born designer Morris Fuller Benton’s 1908 News Gothic, through the ultra-ubiquitous Helvetica designed by Max Miedinger in 1957, to our own favorite san serif, Hermann Zapf’s 1958 Optima. These specimens are drawn from our copy of American type designer, historian, and theorist Stephen Coles’s The Anatomy of Type, published in 2012 by Harper Design. From top to bottom they are:
1.) News Gothic, designed by Morris Fuller Benton, released 1908. Originally designed for American Type Founders (ATF), Coles notes that "this is the archetypal American sans serif" and "became the most popular sans in the States for several decades." The version shown here is Bitstream's updated design.
2.) Futura, designed by German designer Paul Renner and released by the Bauer Type Foundry in 1927. Influenced by Bauhaus design experiments, Renner began with straight lines and circular shapes, modifying it to the classic typeface we know today. The version shown here is one of many redesigns, this one by Marie-Thérèse Koreman.
3.) Gill Sans, designed by English artist and designer Eric Gill and released by Monotype from 1928-1932. This much utilized san serif is itself beholden to Edward Johnston's type for the London Underground. The lower-case g is distinctive, and Gill himself described it as "a pair of spectacles."
4.) Helvetica, conceived by Eduard Hoffmann and designed by Max Miedinger, released by the Haas Type Foundry as Neue Haas Grotesk in 1957, and renamed Helvetica in 1960 by the Stempel Type Foundry. Since its release, Helvetica has become the most widely known typeface because of its commanding ubiquity, and is both heralded and reviled for its universal utility. The version shown here is a 1980s redesign called Neue Helvetica designed for Linotype.
5.) Univers, designed by Adrian Frutiger and released by Deberny & Peignot in 1957, the same year as Helvetica. Much like Helvetica, Univers embodies Beatrice Warde's imperative that "type should be invisible." The design is spare and neutral, "delivering readable text while drawing very little attention to itself."
6.) Optima, designed by Hermann Zapf and released by D. Stempel AG in 1958. This is our favorite because the flares that Zapf utilizes create a san serif with the character of a serif font. Coles calls it "elegant serenity" and "tranquil beauty" but also "the stuff of the establishment."
View our post on Edward Johnston’s London Underground type.
View our post on Helvetica.
View our other Typography Tuesday posts.
#Typography Tuesday#typetuesday#san serif type#Grotesque type#Grotesk type#Stephen Coles#Harper Design#Typography Tuesday#News Gothic#Morris Fuller Benton#American Type Founders#Bitstream#Futura#Paul Renner#Bauer Type Foundry#Marie-Thérèse Koreman#Gill Sans#Eric Gill#Monotype#Helvetica#Eduard Hoffmann#Max Miedinger#Haas Type Foundry#Neue Helvetica#univers#Adrian Frutiger#Deberny & Peignot#Optima#Hermann Zapf#Stempel Type Foundry
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Brian Cox
Born: June 1, 1946, Dundee, United Kingdom
Physique: Husky Build
Height: 5' 6½" (1.69 m)
Brian Denis Cox CBE is a Scottish actor. He has worked extensively with the Royal Shakespeare Company and the Royal National Theatre, where he gained recognition for his portrayal of King Lear. He currently stars as media magnate Logan Roy on HBO's Succession. Cox is also known for appearing in Super Troopers, The Bourne Identity, The Bourne Supremacy, X2, Braveheart, Rushmore, Rise of the Planet of the Apes, and Troy. He was the first actor to portray Hannibal Lecter on film, in 1986's Manhunter.
A craggy, but handsome bear of a man that I first spotted back in the late 90s. I've been wanting to fuck him since I saw him in a tail end of a sex scene from the movie The Cloning of Joanna May. Married a second time to a wife 20 years his junior. I'm glad he's banging some young thing. Though I wish he was banging some young thing 30 years his junior. Namely me.
RECOMMENDATIONS:
(2018) The Etruscan Smile - Rear nudity, shirtless
(2016) The Carer - Shirtless bed scene
(2012) The Straits (TV Series) - Shirtless bed scene
(2008) The Escapist - Shirtless shower scene
(1992) The Cloning of Joanna May - Rear nudity, shirtless, sex scene
(1991) The Lost Language of Cranes - Shirtless, shirtless bed scene
(1980) Thérèse Raquin - Rear nudity, shirtless
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Emmanuelle Riva was born on February 24, 1927. She was a French actress, best known for her roles in the films Hiroshima mon amour (1959) and Amour (2012).
Riva was nominated for a BAFTA Award for her role in Hiroshima mon amour, and won Best Actress at the Venice Film Festival for Thérèse Desqueyroux (1962). For her lead role in Michael Haneke's Amour, she won a BAFTA Award and the César Award, and was nominated for an Academy Award.
At 26, she moved to Paris to pursue acting despite her family's objections. In 1954, she performed her first role on stage in a Paris production of George Bernard Shaw's Arms and the Man. In 1957, Riva made her onscreen acting debut in the TV series Énigmes de l'histoire.
Riva was cast as one of the leads in Hiroshima mon amour (1959), a film directed by Alain Resnais and written by Marguerite Duras, in which she played a French actress having an affair with a Japanese architect (Eiji Okada) in Hiroshima. Her performance was nominated for a BAFTA Award for Best Foreign Actress in 1960. She next appeared in Gillo Pontecorvo's Kapò (1960), Jean-Pierre Melville's Léon Morin, Priest (1961) and Georges Franju's Thérèse Desqueyroux (1962), for which she won the Volpi Cup for Best Actress at the 23rd Venice International Film Festival. Riva also appeared in Krzysztof Kieślowski's Three Colors: Blue (1993), Tonie Marshall's Venus Beauty Institute (1999), Julie Delpy's Skylab (2011) and Fiona Gordon & Dominique Abel 's Lost in Paris (2016).
Riva starred in Michael Haneke's film Amour (2012) with Jean-Louis Trintignant, playing an elderly music teacher being cared for by her husband after a series of debilitating strokes. She won the BAFTA Award for Best Actress in a Leading Role in 2013 for her performance, and was nominated for the Academy Award for Best Actress. Riva traveled to the 85th Academy Awards ceremony, which was held on her 86th birthday, but Jennifer Lawrence won for Silver Linings Playbook instead. At 85, when she was nominated, Riva was the oldest ever Best Actress nominee and the second-oldest acting nominee after Gloria Stuart, who was 87 when she was nominated for Titanic (1997).
Riva had an extensive theatre career in Paris. In 2001, she performed in Medea at the Festival d'Avignon. She appeared occasionally on French television. Riva returned to the Paris stage in February 2014, co-starring with Anne Consigny in the Marguerite Duras play Savannah Bay at the Théâtre de l'Atelier.
While filming Hiroshima mon amour, Riva photographed Hiroshima; a half-century later these photographs were exhibited at the Nikon Salon and issued in book form in France and Japan. Riva was a published poet.
Riva died from cancer on 27 January 2017 in Paris, four weeks before her 90th birthday. A memorial service was held on 4 February 2017 at Saint-Germain de Charonne church in the 20th arrondissement of Paris; she was then buried in Charonne cemetery.
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