what are your suggestions for starter poetry for people who dont have strong reading/analysis backgrounds
I've answered this a few times so I'm going to compile and expand them all into one post here.
I think if you haven't read much poetry before or aren't sure of your own tastes yet, then poetry anthologies are a great place to start: many of them will have a unifying theme so you can hone in based on a subject that interests you, or pick your way through something more general. I haven't read all of the ones below, but I have read most of them; the rest I came across in my own readings and added to my list either because I like the concept or am familiar with the editor(s) / their work:
Staying Alive: Real Poems for Unreal Times (ed. Nick Astley) & Being Alive: The Sequel to Staying Alive (there's two more books in this series, but I'm recommending these two just because it's where I started)
The Rattlebag (ed. Seamus Heaney and Ted Hughes)
The Ecco Anthology of International Poetry (ed. Ilya Kaminsky & Susan Harris)
The Essential Haiku, Versions of Basho, Buson and Issa (ed. Robert Hass)
A Book of Luminous Things (ed. Czesław Miłosz )
Now and Then: The Poet's Choice Columns by Robert Hass (this may be a good place to start if you're also looking for commentary on the poems themselves)
Poetry Unbound: 50 Poems to Open Your World(ed. Pádraig Ó'Tuama)
African American Poetry: 250 Years of Struggle and Song (ed. Kevin Young)
The Art of Losing: Poems of Grief and Healing (ed. Kevin Young)
Lifelines: Letters from Famous People about their Favourite Poems
The following lists are authors I love in one regard or another and is a small mix of different styles / time periods which I think are still fairly accessible regardless of what your reading background is! It's be no means exhaustice but hopefully it gives you even just a small glimpse of the range that's available so you can branch off and explore for yourself if any particular work speaks to you.
But in any case, for individual collections, I would try:
anything by Sara Teasdale
Devotions / Wild Geese / Felicity by Mary Oliver
Selected Poems and Prose by Christina Rossetti
Collected Poems by Langston Hughes
Where the Sidewalk Endsby Shel Silverstein
Morning Haiku by Sonia Sanchez
Revolutionary Letters, Diane di Prima
Concerning the Book That Is the Body of the Beloved by Gregory Orr
Rose: Poems by Li-Young Lee
A Red Cherry on a White-Tiled Floor / Barefoot Souls by Maram al-Masri
Deaf Republic by Ilya Kaminsky
Tell Me: Poems / What is This Thing Called Love? by Kim Addonizio
The Trouble with Poetry by Billy Collins (Billy Collins is THE go-to for accessible / beginner poetry in my view so I think any of his collections would probably do)
Crush by Richard Siken
Rapture / The World's Wife by Carol Ann Duffy
The War Works Hard by Dunya Mikhail
Selected Poems by Walt Whitman
View with a Grain of Sand by Wislawa Szymborska
Collected Poems by Vasko Popa
Under Milkwood by Dylan Thomas (this is a play, but Thomas is a poet and the language & structure is definitely poetic to me)
Bright Dead Things: Poems by Ada Limón
Teaching My Mother How to Give Birth by Warsan Shire,
Nostalgia, My Enemy: Selected Poems by Saadi Youssef
As for individual poems:
“Wild Geese” by Mary Oliver
[Dear The Vatican] erasure poem by Pádraig Ó'Tuama // "The Pedagogy of Conflict"
"Good Bones" by Maggie Smith
"The Author Writes the First Draft of His Weddings Vows (An erasure of Virginia Woolf's suicide letter to her husband, Leonard)" by Hanif Abdurraqib
"I Can Tell You a Story" by Chuck Carlise
"The Sciences Sing a Lullabye" by Albert Goldbarth
"One Last Poem for Richard" by Sandra Cisneros
"We Lived Happily During the War" by Ilya Kaminsky
“I’m Explaining a Few Things”by Pablo Neruda
"Stopping By Woods on a Snowy Evening" //"Nothing Gold Can Stay"//"Out, Out--" by Robert Frost
"Tablets: I // II // III"by Dunya Mikhail
"What Were They Like?" by Denise Levertov
"Those Winter Sundays" by Robert Hayden,
"The Patience of Ordinary Things" by Pat Schneider
“I, too” // "The Negro Speaks of Rivers” // "Harlem” // “Theme for English B” by Langston Hughes
“The Mower” // "The Trees" // "High Windows" by Philip Larkin
“The Leash” // “Love Poem with Apologies for My Appearance” // "Downhearted" by Ada Limón
“The Flea” by John Donne
"The Last Rose of Summer" by Thomas Moore
"Beauty" // "Please don't" // "How it Adds Up" by Tony Hoagland
“My Friend Yeshi” by Alice Walker
"De Humanis Corporis Fabrica"byJohn Burnside
“What Do Women Want?” // “For Desire” // "Stolen Moments" // "The Numbers" by Kim Addonizio
“Hummingbird” // "For Tess" by Raymond Carver
"The Two-Headed Calf" by Laura Gilpin
“Bleecker Street, Summer” by Derek Walcott
“Dirge Without Music” // "What Lips My Lips Have Kissed" by Edna St. Vincent Millay
“Digging” // “Mid-Term Break” // “The Rain Stick” // "Blackberry Picking" // "Twice Shy" by Seamus Heaney
“Dulce Et Decorum Est”by Wilfred Owen
“Notes from a Nonexistent Himalayan Expedition”by Wislawa Szymborska
"Hour" //"Medusa" byCarol Ann Duffy
“The More Loving One” // “Musée des Beaux Arts” by W.H. Auden
“Small Kindnesses” // "Feeding the Worms" by Danusha Laméris
"Down by the Salley Gardens” // “The Stolen Child” by W.B. Yeats
"The Thing Is" by Ellen Bass
"The Last Love Letter from an Entymologist" by Jared Singer
"[i like my body when it is with your]" by e.e. cummings
"Try to Praise the Mutilated World" by Adam Zagajewski
"The Cinnamon Peeler" by Michael Ondaatje
"Last Night I Dreamed I Made Myself" by Paige Lewis
"A Dream Within a Dream" // "The Raven" by Edgar Allan Poe (highly recommend reading the last one out loud or listening to it recited)
"Ars Poetica?" // "Encounter" // "A Song on the End of the World"by Czeslaw Milosz
"Wandering Around an Albequerque Airport Terminal” // "Two Countries” // "Kindness” by Naoimi Shihab Nye
"Slow Dance” by Matthew Dickman
"The Archipelago of Kisses" // "The Quiet World" by Jeffrey McDaniel
"Mimesis" by Fady Joudah
"The Great Fires" // "The Forgotten Dialect of the Heart" // "Failing and Flying" by Jack Gilbert
"The Mermaid" // "Virtuosi" by Lisel Mueller
"Macrophobia (Fear of Waiting)" by Jamaal May
"Someday I'll Love Ocean Vuong" by Ocean Vuong
"Still I Rise" by Maya Angelou
I would also recommend spending some times with essays, interviews, or other non-fiction, creative or otherwise (especially by other poets) if you want to broaden and improve how you read poetry; they can help give you a wider idea of the landscape behind and beyond the actual poems themselves, or even just let you acquaint yourself with how particular writers see and describe things in the world around them. The following are some of my favourites:
Upstream: Essays by Mary Oliver
"Theory and Play of the Duende" by Federico García Lorca
"The White Bird" and "Some Notes on Song" by John Berger
In That Great River: A Notebook by Anna Kamienska
A Little Devil in America: Notes in Praise of Black Performance by Hanif Abdurraqib
The Book of Delights by Ross Gay
"Of Strangeness That Wakes Us" and "Still Dancing: An Interview with Ilya Kaminsky" by Ilya Kaminsky
"The Sentence is a Lonely Place" by Garielle Lutz
Still Life with Oysters and Lemon by Mark Doty
Paris, When It's Naked by Etel Adnan
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land soup (or ten year old Jurdan being kids in faerie before everything)
Jude stomps away from Madoc’s stronghold. Her and Taryn just squabbled ferociously and she needs to be as far from Taryn as possible. Taryn wore on her last nerve, especially after dealing with the cries of the new adoptive baby Madoc took in, along with a bride. Jude was due some much needed alone time and quiet.
The luster and frightening feel of Faerie has worn off ever so slightly after the three years her, Taryn, and Vivi have now lived here.
Ten years old, angry with her sister, and with one of her fingers healing where the tip had been bitten off a few odd weeks ago; Jude feels for the first time in a long time, like she is out of place. If she was in the mortal realm, she would have probably taken her bike and rode off somewhere to blow off steam. But alas, her bike is more than likely covered in a thick layer of dust in her family’s former garage. Or, maybe, a different kid was using her bike now.
She shakes the thought and forges on. Careful not to step on any suspicious mushrooms or plants. Jude is ever weary of any creatures looking at her through the trees so she keeps her head high and her focus forward.
She’s walked off farther than she ought to have, but finds herself grateful for it. After passing through the milkwood she happened upon a hidden lake, enshrouded by lazy willow trees and surrounded by flowers in every shade of blue and purple. No matter the horrors of Faerie, there were still these scenes that seemed to have come straight from one of the fairy tale books of her youth.
Jude decides to set up in this beautiful area for a while. Gathering rocks from around the small lake she skips them across the surface. Or attempts to. It’s been a while since she’s done this. It feels bittersweet. Her father had been the one to teach her how to skip rocks on their summer trips to the beach.
“What are you doing?” A commanding, yet curious voice questions over shoulder. To her embarrassment, she startles and whirls around, narrowly missing the mystery person's head with a thrown rock.
With quick reflexes she’s not able to study who the mystery person is, when said person is throwing the rock back at her. She ducks in time, then springs back up to find none other than the youngest Prince of Faerie’s piercing kohl eyes studying her.
“You.”
She’s familiar with Cardan. He’s in the academy with her and Taryn. They don’t interact all that often considering their difference in social standing.
“I command you to show me how to do what you were just doing.” The prince says snootily. Jude has the brief instance where she thinks she wants to laugh in his face or tell him off, but instead she bites her tongue. It was a bad idea to make enemies of the royal family. Respect for the Greenbriar line has been drilled into Taryn and Jude ever since Madoc took them in.
More like he murdered their parents, and kidnapped them. But in faerie, Jude has learned that might just be any other Tuesday for the Folk.
Jude rolls her eyes and trudges closer to the shore of the pristine lake.
“First we need to find some rocks.” She states, searching the bank and finding a small handful. To her surprise the youngest prince has gotten onto his hands and knees and is digging through the dirt. If a Prince of Elfhame digging through dirt is a shock, the tail emerging from behind him is an even bigger one.
She says nothing and waits for him to collect his rocks. She tucks the observation away for a later time, a question for Vivi, perhaps.
Jude shows him the motions and watches as Cardan attempts to skip them across the surface. She quickly gets bored when she realizes he’s going to be doing this for a while. His focus is seemingly stuck on perfecting the skill.
Instead, to kill more time, Jude trudges over to a decaying tree stump and takes up an act from her childhood that has been long forgotten. The urge to collect various pieces from nature and make a ‘land soup’ with the stump as the cauldron consumes her. It may be childish for someone whose age is now in the double digits, but she is alone, save for the Prince still tossing rocks. Nonetheless, she indulges on this small ounce of her lost childhood.
After collecting leaves, rocks, brambles, a collection of blue and purple petals Jude stirs them into the cauldron. She found a large stick to act as a stirring device and set to work. Watching with rapt attention as the different bits of nature become this hodge-podge of nasty within the stump, she fails to hear Cardan creep up behind her.
“What is that horrible mess?”
To her great embarrassment, once again, she jolts-- her stick cracks against the stump from the shock.
“It’s land soup.” She mutters.
“Your pardon?”
“It’s a game from my childhood.” She’s not exactly sure how much of her life the Prince knows about, so she only supplies the minimal answer.
“Ah.” He gets closer to the slop. “Have you considered adding water?” Jude swivels to look at him, astounded by his suggestion. If she’s read him correctly, he’s being playful. Before she can answer, Cardan is already rushing the few feet over to the lake. He gathers water in cupped hands, spilling some on the dash over to the stump.
Wordlessly, with two mirroring grins, they hobble back and forth from the stump and the lake with cupped hands of water. The smell becomes atrocious, a sure-fire sign you’ve made land soup properly.
“It smells awful.” Jude remarks, watching as Cardan uses her stick to swirl around the murky contents of the stump.
“It’s more appealing than most of my meals.” From the strangely serious demeanor he adopts, Jude cannot tell if the Prince is joking.
The sun is beginning to set below the horizon. Jude hadn’t realized how long she’d been away. She had tried to retreat when everyone else would have been asleep, completely disregarding why the Prince would ever be awake at this hour as well.
Cardan catches her studying the moon rising in the distance.
“Do you know your way home?” He questions softly. She nods. It’s growing dark now though, and she can’t see in the dark like the fae. The two still stand around the stump.
“I can’t see in the dark.” She admits.
“Madoc’s stronghold?” Cardan asks.
Jude pauses then utters an affirmative. Swiftly his hand wraps around her wrist, and he’s dragging her through the dark patch of forest, until she recognizes the heady smell of the milkwood, all the way until she sees the familiar torches of Madoc’s stronghold just beyond the tree line the two are tucked into.
She’s not sure what to say, or what to do with Cardan. In turn, he decides for both of them. Jude knows the honey laced sound of a glamour. She feels briefly infuriated and hurt, until he begins to speak.
“You will go to your room, sleep, and mention our meeting to no one. You will not remember what happened tonight, you were simply going for a walk and got turned around.”
Jude’s feet trample through the dark until she makes it to the door. Oriana ushers her in and up to her bedroom where Jude flops face first into her mattress. Exhausted with the smell of mud and flowers laced in her hair and clothes. When she wakes she craves honey cakes.
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