DPXDC Prompt #61 part 1
Danny didn’t like thinking about his old life. He was born to a family of assassins and as soon as he was out he never looked back. He had to fake his death and he changed his name, as far as anyone knew Damian Al Ghul had died on a mission to America. He was determined to keep this secret to the grave. Of course he knew who his dad was, Bruce Wayne was a prominent figure and he knew if we went there his secret would get out and he never wanted to be forced to be an assassin again. Once was enough.
Danny knew he had a soft heart, his adoptive parents, the Fentons and Jazz had told him so. Jazz knew he didn’t have the greatest childhood or past but she never pried, she understood his business was his and wouldn’t let her own curiosity get the better of her. The only issue their family had was their parents obsession with ghosts. Damian never believed in ghosts, the entire thing sounded like a hoax. He probably never would have believed in them but then life happened.
Danny believed, but it was kind of hard not too after everything that happened. When he had turned 14, his parents finished their biggest project yet. A portal to the ghost zone, of course it doesn’t work at first and his parents were very disappointed. Danny felt conflicted about the whole thing. On one hand he wanted his parents to succeed and he wanted them to be happy, on the other the portal was the reason he ate alone with his sister at night. He wanted a normal family life, something he was never allowed back at the league.
He did something so stupid that night.
After his parents along with his sister were asleep, he crept down to the basement and stood in front of the empty hole in the wall. He looked around the outside of it first but nothing seemed to be out of place. Then he stepped into it and before he got too far into it something happened. He knew there were a lot of cords on the floor and thought he had avoided them all, but as he realized he was quickly being acquainted with the floor, he out of instinct held his hand out to catch himself on the wall. Right onto the ON button.
He didn’t remember much but pain after that.
A lot happened in the year after the portal was turned on but Danny thought he was taking things well. His sister found out about everything sooner than he liked but having someone to help him was something he didn’t realize he really needed until then. The ghost attacks were frequent and Danny was having trouble finding the time for school, friends, and fighting ghosts that the assistance helped a lot.
Danny sat at as desk in Mr. Lancers class, who was going on about the play Hamlet. Danny was only half paying attention, he was preoccupied thinking about the latest conversation he had with Clockwork. Danny was recently crowned prince after his victory over Pariah Dark. He didn’t want the crown, ancients knew what Grandfather would do if he ever found out, but he had no other option but to accept. The conversation left him rather drained and it felt like every word his teacher spoke bled together.
He eventually made his way to lunch and before he could make it to his destination a blue mist wafted out of his mouth. Sighing he ran out of the room to find a place to transform. Once he was Phantom he wasted no time finding the ghost. Of course it was Boxie.
Before he had time to even fight though a portal opened up right besides Danny and he was kicked in by the Box Ghost. The world seemed to swirl around him until he landed harshly onto some pavement. The pavement was a roof and he appeared to be in a city.
Not just any city he soon realized as he looked over to a bank that had the words ‘Gotham Bank’ brightly plastered on the front.
Shit… Danny wanted to avoid something like this, unfortunately the portal was already gone.
After taking a moment to think about his predicament he decided the best course of action was to call Jazz.
He took a look around the rooftop he was on and when he didn’t see anyone he transformed back.
Pulling out his cell from his pocket he pulled up his sister's contact on it and hit the call button.
His sister took a bit longer than usual to answer but the hesitation in her voice caused him to pause, “H-hello?”
“Jazz, it’s Danny, we’ve got a code green,” he knew setting up code colors with his sister would come in handy. Red meant he was gravely injured, yellow meant the ghost got away and he was in pursuit, blue meant he caught the ghost, and green meant he fell through a portal or something similar.
There was silence on the other line for a moment and Danny was almost going to say something else but she spoke, “How do you know my name?”
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Hey, I'm a huge fan of your page, your analysis' have enlightened me on Dabi and Hawks. You explain and structure your stuff so well.
I have one question about Dabi's character
What would you say the overarching message of his character is, the concept.
Like what would say is the message Horikoshi was trying to convey to the reader when he was writing Dabi's character
Hey! Thank you so much for taking the time to read my analyses! It makes me happy that you find them enjoyable 💕
Anyway, to answer your question: I don't know if I'd talk about a message per se, because there is too much back and forth with the framing of the Todoroki family's plotline. And that makes it kinda hard to judge if Hori is trying to push forward a moral lesson, besides the barebones of "abuse is bad." But Dabi's arc definitely follows certain themes that fit into an overall narrative, so we can talk about that instead.
I think that Dabi's role in the story is that of challenging the idea that heroes are infallible. For the longest time I assumed it was exposing the idea that they are corrupted instead, and that's why I started getting frustrated with the story the longer heroes didn't face consequences for their actions. But recently I adjusted my reading.
See, if we're talking about unveiling corruption in the hero system, that's Stain's role, not Dabi's. Stain not only was the first character to introduce that very idea, but he also is the only one who prompted a slight social change. After the resonance his ideology had on the masses, the HPSC was forced to readjust some things. They lowered the number of provisional hero licenses issued every year to students, thus making an effort to promote quality over quantity. Of course, this adjustment didn't change much, in the grand scheme of things. As it didn't address the blind idolization of heroes as gods, it didn't solve the underlying problem of corruption overnight. But I'm bringing this up to contrast it to the public's reception of Dabi's broadcast.
While Stain had charisma and people gravitated towards his ideology because they recognized the truths in it despite the fact that he was a murderer, the public can't see past Dabi's (and the League's) kill count and finds him a threat instead. Dabi wanted social change, and he thought that unveiling even more corruption would bring sympathizers to his cause the same way Stain gained followers by speaking of those issues. But Dabi had the opposite result. People turned even more of a blind eye to the heroes' misdeeds, and instead demanded that the top three go back to protecting the country.
So if we only read the purpose of Dabi's character as an agent of social change, the result would be pretty unsatisfying. Those who expect his backstory to have resonance and revolutionize the system will likely end up disappointed. There was a point where that still seemed like an option, but the more the story progresses — and the heroes aren't condemned for their methods and their beliefs — the more I reckon that using Dabi and the League's past as a condemnation of his abusive father and of the uncaring system backing him up as "irredeemably bad" was never quite Horikoshi's point.
So, if not that, then what is the point? Why were we even shown all that corruption in great detail, and from the sympathetic perspective of an abuse victim?
Don't get me wrong, Dabi was definitely created to confront Enji with his actions. No doubt about that. It's even stated straightforwardly in the story. He became a villain because he wanted his father to finally acknowledge all the pain he caused. But this is where it gets complicated with the "message". Hori is certainly writing Dabi like a sympathetic victim turned violent, but at the same time he's not portraying Endvr as a morally black bad guy anymore. Instead, the focus is on atonement and forgiveness (or lack thereof).
This is how I came to my current reading. If Dabi's overarching goal was just that of confronting his father to ruin him, then either Dabi or Enji would've died in the war arc and it would've been a wrap. Cutting it off there would've solidified the idea that there is no coming back from what Enji has done to his family. It would be a moral condamnation of abuse, and that would be it.
However, the story moves forward, and both of them are still alive. So clearly that wasn't the overarching point, was it?
As I pointed out in my last meta (the one about the noodles), the Todofam is written around the the goal of an eventual reconnection. To have that, Dabi's broken bond with his father will likely have some kind of closure (not in death or emprisonment tho. I'm taking about mending things, not futher separation).
If we then work on the assumption that exposing his dad was never the end goal of Dabi's arc but rather a mid point, it helps understanding what I mean when I say he exists within the narrative to address that heroes aren't infallible.
See, All Might puts forward this belief that heroes are pillars, that their work is the backbone that keeps society standing against the chaos and unregulated violence of the pre-quirk and early quirked gen era. And while that might've been true at some point, possibly at the beginning of heroism as a profession, society has evolved past that. Things are no longer as black and white as they were at first. Nagant even tells us that heroes staged criminal activities that they then busted to cheat the system and up their rankings. Society progressed to a point where the line between heroes and villains is a lot blurrier than it was supposed to be at first. In those gray areas where the public doesn't look, corruption thrives.
Endvr is a monster created by that obsession with the limelight and by the blurring of those lines. He's neither completely good nor completely bad. But because the HPSC worked for decades to make the labels distinct and separate, to put heroes on pedestals of moral rectitude and not question things past that, the abuse of the Todoroki family happened undisturbed for 25+ years without anyone noticing.
But Dabi challenges that. He calls out that bias, that normalized tendency of assuming heroes always have a "good reason" to do what they do. Before Touya, no other character showed us the "dark side of heroes" quite as thoroughly. Stain addressed the corruption of people who get in the business for the wrong reasons. But Touya's story goes one step further and points out the fallibility not of fake heroes themselves, but of a system engineered to assume heroes can't have flaws.
Because everyone always expects the best from heroes, no one foresees the number two Endvr to also be Todoroki Enji, the domestic abuser. Because people don't expect pros to make wrong choices, until the broadcast no one thought of connecting Dabi the villain with a top hero.
So yes. Part of Dabi's role in the story is exposing all that. Dabi, like the rest of the League, poses a challenge to the official narrative by denouncing all the different reasons why individuals keep falling through the cracks of the hero system. Their backstories are instrumental to that. They point out that the corruption of heroic ideals (the normalization of quirk discrimination, hero worship and the focus on individualism and the greater good) not only creates fake heroes, but also gives birth to a lot of villains.
But earlier I said that I don't think Horikoshi created Dabi just to throw him at Enji to ruin him. In other words, Dabi doesn't exist purely as a narrative consequence of Enji's hubris. He is also a narrative challenge.
What will Enji, and the society he represents as number one, do to face the things Dabi denounces?
An overarching theme in bnha is that a true hero is someone who extends a hand to help those in need. But Touya notably was never offered one. Specifically, he was never offered his father's.
Not only that, but in his attempt to get justice for the abuse he suffered, what he got instead was the public doubling down on their support of his father, not only once but twice (after he fought Hood and after the war, with the fam + Hawks gathered to encourage him). So far, Enji hasn't really done anything substantial to show his growth and demonstrate that the trust he received was well-placed. In fact, he's still prioritizing the wrong thing to this day. He's still avoiding Touya and leaving him in Shouto's care. Now, consistent and cohesive storytelling would have it that as long as Endvr does that, Touya won't be saved successfully. Basically, Enji needs to get over himself and prove Touya wrong. Shouto alone isn't enough to overwrite Dabi's mindset that heroes only care about their pride and only ever help themselves. And that's because it wasn't Shouto who abandoned Touya over and over. It was Endvr.
By stating that heroes can be fallible through Dabi, Horikoshi is basically setting the stage to eventually give Endvr's character the growth he needs to carry the story to its final act. I'm working under the assumption that Hori's building towards a hopeful ending where hero society correct its karmic bad by letting the heroes choose to do things differently than the norm. That is, by saving the believed-to-be "too far gone villains" instead of killing them. Cause this story is optimistic to a fault at times, and Deku's still too naive himself to suddenly become invested in revolution.
Framing the heroes as fallible gives Horikoshi room to write their eventual growth without having to revoke their licenses, and thus have the chance to write that hopeful ending where the power of friendship and connection will save the world. He's been building up towards this since Deku's rogue arc. I don't think he's planning for a substantial change in how society functions on hero worship and sheep mentality. The public's too stubborn and used to their old ways for that, and too many heroes still see villains as weapons and not humans for any change to happen overnight. Not even with the new gen focused on rescuing their villain foils. (in fact, I'd even argue that the kids, while well-meaning, are still far from thinking critically of those social issues themselves. Deku's fight with Nagant in particular solidified for me the idea that for all its flaws, they're gonna keep this system standing and only replace the people in power).
I also lowkey think Hori wrote Touya's backstory the way he did to make this happen. If Touya loved his dad and "only" became a villain when his father ignored his existence for years on end, then all it takes to "solve" the todofam plot is for Enji to finally stop ignoring him. Ta-dah. I'm oversimplifying and flattening things, but so is the story, kind of. By going at it this way, Hori can let the heroes off the hook while also saving the villains. It's a have your cake and eat it too type of situation, but also what I realistically see him go for at this point.
So... Yeah. The concept behind Dabi is simple. He is an obstacle to overcome in the heroes' journey, but also a narrative challenge for them to see the pain they caused and do something about it. Not necessarily something that will fix society, but definitely something that will "fix" the villains — and by this I mean, removing the reasons that caused their descent into villainy. Eventually, acceptance will work better than a fist to restore peace. That's what the whole "extending a hand" thing is supposed to build towards, anyway.
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TODAY’S EPISODE!!!!!!!!!!!!!
Koku you amethyst time!!!!!!!! 🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰 And it’s apparently the moment that the show’s staff have been waiting for just as eagerly as I have because it’s the best looking episode not just of this season but maybe… of the entire series since its inception…????!! I genuinely can’t think of another one that has Multiple dedicated cuts of detailed action in a row like the sequence from kyou kai snapping on the mountain road to the encounter between shin and kyou kai + rai do and koku’ou at kan ki’s camp, and certainly not one anywhere near as good looking, it’s such a treat…!!!!!!!
[quick aside, before I forget I want to add that rai do is addressing shin as ‘obocchan’ in the last cap above :DDD truly the gift that keeps on giving]
And anyways that’s without even touching on how good this sequence would be regardless of looks because it’s still Amethyst Plot time 🥰❤️💞❣️💓💍💘 Bi hei giving in to peer pressure in just the kind of moment of weakness that you can’t actually detest him for (of course you would want to believe him when he tells you it wasn’t a civilian village..), kyou kai absolutely fucking snapping, the cool head ten maintains between trying to hold shin back and immediately pivoting the hi shin unit to a defensive formation for the real possibility that shin and kyou kai actually start pvp against the kan ki army , and of course shin and kan ki putting their cards on the table :)))))
^ my favourite panel of him ever now animated!!!!!!! 🥰🥰🥰🥰🥰 and my favourite moment in the exchange between them, shin’s is still yet to come (I think all his talk in this week’s episode about kan ki not being equipped to handle sei’s dream of unification *is* sweet and sincere but it’s also dumb and that’s why kan ki is able to refute him so easily; the point that really matters and where his moral stance becomes unassailable, for me, is in the fact that it’s all for hyou’s sake. there’s no counter-argument about what you may or may not be turning a blind eye to there, it’s the mandate made absolute and incorruptible instead…) but this is maybe my favourite line of kan ki’s ever… he’s just following through on the promise he made you; these are the rules you agreed to play by! 🥰🥰🥰 i don’t even need to go into the premium emycore aspect of ever part of this sequence lol, the indulgence of it all…
also I was pleasantly surprised to see that they preserved just about all all of the gore from the scenes covered in this week’s scenes; there are some minor changes (the zhao soldiers kan ki is having the saki clan interrogate early in the episode are shown a little less mutilated than they are in the manga, and there’s no nudity) but they really are minor which bodes pretty well for the saki clan artworks coming up soon :~) I think there’s a chance we might not see that scene until the week after next since next episode’s primary focus will of course be Bi Hei And The Hi Shin Unit as per the ep title, but i’m so curious to see what they do with it since the anime has *always* omitted saki and saki-adjacent activities in the past. but I won’t get ahead of myself when we still have all of bi hei’s crisis to savour first :D
also, in shin’s speech telling kan ki off, we got a little additional visual of ran dou from sanyou campaign! always on the lookout for scenes from s1-2 appearing in flashback in the current art style <3
and i really had forgotten what he looked like lol even though this is another scene I absolutely adore for similar reasons to the one in the camp in this episode - though there’s no mou ten around to step in and defend shin this time, of course… :)
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