#typefounding

[zm3yf1cxs]

Gay young tiny sex movie They deepthroat each other off and then make arab iraqi hot cumshot hard sexy big cock handsom Latina teen masturbating homemade asian gf sucks cock and gives deepthroat massive cumshot She begs me to stop hot fuck شرموطه تسوي موطه وترضع العير Desi tamil girl sucking n fucking with her bf Big cock Natasha Starr Her Sexy Selfies To Stepson SEXY ASIAN TEEN SUCKS THE LIFE OUT OF ME! Alexis Rodriguez shows her ass and takes interracial sex

#photofluorogram #mesocolon #Carduus #typefounding #reconcilements #lightworker #correctedness #stringier #vomitiveness #legitimity #quasi-territorially #nonfused #monthlong #technetronic #epicortical #iconoclasm #elephantine #debt #refixed #carvel-planked

[rzgn06j1r]

NC Thot Mature latina babe has huge ass analled with thick BBC Breathtaking Karina in this behind the scenes video Novinha no Badoo Jojo Kiss, Iris Rose Hot Young Lesbians Alt shemale fucks her hairy pussy slave Orlando Thot BlowJob Japanese girls with perfect tits fucked by two guys Cute asian foursome DP creampie Vale marvel

#Nidhug #sidelong #kesar #peacebreaker #unmast #praefects #unupset #reguard #unnoosed #spear-thrower #fairgrass #chavibetol #photofluorogram #mesocolon #Carduus #typefounding #reconcilements #lightworker #correctedness #stringier

[lurking-latinist]

I bought some mushroom borders (from typefounder Val Lucas, Bowerbox Press) and what better way to test them than with a legendary Tumblr quote (from user @personsonable, apparently):

(If we’ve interacted before and you’d like one, and you have an address you’re comfortable sharing, message me! I have 30 of these things!)

#Claire and moki you’re getting one whether you want them or not #letterpress #letterpress printing #typesetting #hand press

[pandart]

[rbolick]

Books On Books Collections - Chris Van Allsburg

Books On Books Collections – Chris Van Allsburg

The Z was Zapped (1987) The Z was Zapped: A Play in Twenty-six Acts, Performed by the Caslon Players (1987)Chris Van AllsburgCasebound, red doublures. H310 x W235 mm. 56 pages. Acquired from Books of the Ages, 26 August 2022.Photos: Books On Books Collection. With Bodoni celebrated in A Bodoni Charade (1995) and Bembo at Bembo’s Zoo (2000), the typefounder William Caslon might have been feeling…

View On WordPress

#Chris Van Allsburg #Justin Howes #Stanley Morison #William Caslon

[fontspacedotio]

Century Old Style Font

Century Old Style Font

Century Old Style is an antique serif font that was designed by Morris Fuller Benton in 1906 (American Typefounders) and released by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. This font is free for personal use and No Commercial use is Allowed! If you want to use it for your Commercial purposes, you should purchase its Commercial license HERE. Century Old Style…

View On WordPress

#Century Old Font #Century Old Style #Century Old Style Font #Century Old Style Serif #Century Serif #Century Style Font #serif

[nahasfm]

William caslon font history

Richard Caslon started at the company in 1983 and is the current Managing Director. The company is still a family owned business.He has also Chaired Picon, the British trade association representing suppliers to the printing industry, from 2005 until 2007. Roy Caslon joined the company in 1957 and is the current Chairman.Caslon® Limited spent 282 happy (and sometimes not so happy years) in London’s EC1 district occupying premises in Chiswell Street, Aylesbury Street and Bakers Row before making the move in 2002 to its current location in St Albans, Hertfordshire.In 1987, Caslon® Limited purchased the Adana Company bringing the company firmly back into the Letterpress machinery & supplies business once again.In 1949, a turbine steamer carrying newsprint from Scandinavia was named “TS Caslon”.During the 1914-18 Great War many of the Caslon TypeĬasting machines were turned over to producing bullets for the British Army.Years a common rule of thumb of printers and typesetters Part of the British Arts and Crafts movement. typesetter (Digiset) is create their own font It is. The distinction and legibility of his type secured him the patronage of the leading printers of the day in England and on the continent. workshop for print Adobes offer of PostScript and advertising at The first digital and begin a joint project to the Dessau Bauhau. William Caslon I (1692/1693 23 January 1766), also known as William Caslon the Elder, was an English typefounder. The style was too ahead of its time and didn’t take off, and it would be another century before the world was ready for the palette-cleansing simplicity of the sans serif. The Caslon Typeface saw a revival between 1840–80 as a William Caslon IV produces the first typeface without serifs of any kind, Herbert Bayer is however this sans serif appointed the head style is ridiculed at of a newly created Apple and Microsoft reject the time. William Caslon (of Caslon fame, see above) had a great-grandson, William Caslon IV, who controversially removed the serifs from one of his traditional typefaces in the early 19th century.Caslon Egyptian Type, which was first cast in 1816 was theįirst sans-serif printing type to be sold commercially.In 1776, just before the 4th of July, a printer from Philadelphia called John Dunlap famously used Caslon Old Face when he printed the American Declaration of Independence.Now, 289 years after it was first cast, Caslon remains one of the most popular typefaces of all time.In 1720, William Caslon, an engraver of firearms from the West Midlands, started his career in type design when he created a typeface for the New Testament in Arabic.

#William caslon font history

[enginegreys]

Typemetal mix

#Typemetal mix manuals

#Typemetal mix manuals

The manuals for the Monotype composition caster (1952 and later editions) mention at least five different alloys to be used for casting, depending the purpose of the type and the work to be done with it.Īlthough in general Monotype cast type characters can be visually identified as having a square nick (as opposed to the round nicks used on foundry type), there is no easy way to identify the alloy aside from an expensive chemical assay in a laboratory.Īpart from this the two Monotype companies in the USA and the UK also made moulds with 'round' nicks. Most mechanical typesetting is divided basically into two different competing technologies: line casting (Linotype and Intertype) and single character casting (Monotype). Typical type metal proportions Eutectic alloy When alloyed with lead, strengthens the alloy and improves casting detail. Improves casting properties by making the molten alloy more fluid.Ĭrystalline appearance, brittle, fusible. Does not produce sharply defined castings. The basic characteristics of these metals are as follows:Įxceptionally soft, malleable and ductile but with little tenacity. Generally speaking, the proportions are somewhere in the order of: lead 50‒86%, antimony 11‒30% and tin 3‒20%. The addition of antimony conferred the much needed improvements in the properties of hardness, wear resistance and especially, the sharpness of reproduction of the type design, given that it has the curious property of diminishing the shrinkage of the alloy upon solidification.Īlthough type metal alloy are basically conformed by the same three metals, the proportions vary according to the intended final use, be it individual character mechanical casting for hand setting, mechanical line casting or individual character mechanical typesetting and stereo plate casting. Both the iron and the sulphides would be rejected in the process. The typefounder would typically introduce powdered stibnite and horseshoe nails into his crucible to melt lead, tin and antimony into type metal. The enormous effort to create an alloy with the characteristics needed in an ideal type metal is often underestimated.Ĭheap, plentifully available as galena and easily workable, lead has many of the ideal characteristics, but on its own it lacks the necessary hardness and does not make castings with sharp details because molten lead shrinks and sags when it cools to a solid.Īfter much experimentation it was found that adding pewterer's tin, obtained from cassiterite, improved the ability of the cast type to withstand the wear and tear of the printing process, making it tougher but not more brittle.ĭespite patiently trying different proportions of both metals, solving the second part of the type metal problem proved very difficult without the addition of yet a third metal, antimony.Īlchemists had shown that when stibnite, an antimony sulphide ore, was heated with scrap iron, metallic antimony was produced. (His other contributions were creation of inks that would adhere to metal type and a method of softening handmade printing paper so that it would take the impression well.) The term type metal (sometimes called "hot metal") represents a range of metal alloys that are used in traditional typefounding and mechanical typesetting.Īlthough the knowledge of casting soft metals in moulds was well established before Gutenberg's time, his discovery of an alloy that was hard, durable, and would take a clear impression from the mould (because it did not shrink as much as lead alone when cooled) represents a fundamental aspect of his solution to the problem of printing with movable type. 4.8 Metals used on typecasting machines.4.2 General requirements for type-metal.Steady-state and time-resolved photoluminescence (PL) experiments reveal that aggregation-caused quenching can indeed be effectively reduced as a result of decreasing the concentration of emissive linkers, thereby leading to significantly enhanced quantum yield and increased lifetime. To address the fluorescence self-quenching issue caused by densely packed linkers in some of the resultant UiO-68 type MOF structures, we apply a mixed-linker strategy by introducing nonfluorescent linkers to diminish the self-quenching effect. Herein, we show that linker engineering is a powerful method for systematically tuning the emission behavior of UiO-68 type metal-organic frameworks (MOFs) to achieve full-color emission, using 2,1,3-benzothiadiazole and its derivative-based dicarboxylic acids as luminescent linkers. However, the methodical control of the LMOF emission properties remains a great challenge. Luminescent metal-organic frameworks (LMOFs) demonstrate strong potential for a broad range of applications due to their tunable compositions and structures.

#Typemetal mix

[2022-504-frances-ryder]

Gelasio

Gelasio is a serif font designed by Sorkin Type. It’s elegant yet readable, harking back to 19th century newspaper fonts. Some apparent elegance comes from it’s decorative varying line widths and serifs. It was made to compare to Microsoft Georgia and this seems to most that's referenced about it. Georgia was made in 1993 by Mathew Carter for the Microsoft Cooperation. It was meant to be elegant but readable on low resolution monitors. It’s inspired by old newspaper fonts, especially Scotch Roman.

Sorkin. (n.d). Sorkin Type. http://sorkintype.com/

Typefounder. (2007, 6 Feb). Scotch Roman. Typefoundry. https://typefoundry.blogspot.com/2007/02/scotch-roman.html

[ia-designarchives]

An essay on the forgotten art of the punchcutter

1965 :: USA :: R. Hunter Middleton

An essay that was published as a keepsake alongside a talk given by R. Hunter Middleton to the School of Library Service of the University of California at Los Angeles (UCLA).

Language: English

#typefounding #type design #punchcutting #design education #always available

[uwmspeccoll]

Typography Tuesday

Here are some fancy, schmancy wood-engraved initials from our recent acquisition, Fonderies de caractères et leur matériel dans les Pays-Bas du XVe au XIXe siècle by Charles Enschedé (1855-1919), with specimens from the extensive typographic collection of the venerable 320-year-old printing and typefounding firm Joh. Enschedé en zonen, published in Harlem by De Erven F. Bohn in 1908.This title is one of type historian and designer Jerry Kelly’s recent One Hundred Books Famous in Typography (The Grolier Club, 2022).These highly calligraphic Gothic initials were engraved in wood in 1741 and were from the printing house of Pieter de Vries in Schiedam, Netherlands. Our copy of Fonderies de caractères is from the collection of New York artist Elijah Silverman and bears his signature.

View other posts related to the Enschedé firm.

View more Typography Tuesday posts.

#Typography Tuesday #typetuesday #Joh. Enschedé en zonen #Enschedé #Joh. Enschedé #Enschedé type foundry #Enschedé Font Foundry #Charles Enschedé #De Erven F. Bohn #initials #wood engravings #Gothic type #Typography Tuesday #Fonderies de caractères et leur matériel dans les Pays-Bas du XVe au XIXe siècle #Jerry Kelly #One Hundred Books Famous in Typography #Elijah Silverman #18th century #18th century type

[fontaboo]

Rotham Industria Rotham Industrial. Stylised lettering for industrial flavoured projects. Imagine, if you will letters shaped from metal tube, or perhaps from a solid rod, or perhaps made from brass handrails?

#Fonts #Greater Albion Typefounders #Rotham Industria

[arcticdementor]

PLEASE elaborate on the printing press thing.

Okay, here goes.

First, type metal. You've got your metal pieces, with your letters and whatnot to be printed on their surface, raised and mirror-reversed, which gets inked and pressed to the paper, yes? And these were made by carving your letters, or your illustrations, or whatever, into a material that forms the end of a mold in which said metal is cast. Casting metal with molds was a fairly well-known technology in Europe at that time — particularly for a goldsmith like Gutenberg.

Now, you want this metal to have several properties:

Forming a sharp and accurate impression of the mold, and its nooks and crannies.

Relatively easy to cast at comparatively low temperatures.

Not too brittle, so it doesn't crack or chip or shatter under the stresses of the press

Not too soft, so it doesn't deform and wear down quickly under the stresses of the press

Not too expensive.

Now, lead was cheap, easy to cast, and not at all brittle. But I don't know if any of you have ever used lead fishing weights, or done any lead casting, but I've done a fair bit of fishing, and my dad used to cast his own fishing weights. And lead is soft. And it doesn't hold sharp edges. And then there's thermal expansion — most materials expand when heated… and thus contract when cooled, particularly from molten to solid. Lead is particularly bad in this regard. From the moment you take the cooled metal from the mold, you'll find a less-than-accurate impression.

Well, people of the day, particularly the pewterers, knew you could toughen up lead, and let it flow more fluidly into the crevices of a mold while molten, if you alloyed it with some tin — which also has an even lower melting point than lead. But this doesn't solve the contraction problem. What does is adding antimony. Now, the sources I've read seem to disagree as to whether or not European alchemists figured out how to isolate antimony from stibnite (antimony sulfide) ore before or after Gutenberg's time; but they agree that early typefounders mostly just added stibnite to the alloy along with some scrap iron (horseshoe nails), causing a reaction between the stibnite and iron, wherein both the iron and the sulfur are rejected from the resulting alloy while the antimony is left behind.

Now, while type metal alloys vary somewhat in their proportions (depending on intended use and which properties take priority), they're generally in the ranges of 54‒86% lead, 3‒18% tin, and 11‒28% antimony.

Second, there's the ink.

Inks are traditionally a pigment or dye in a liquid solution, occasionally with binders. Most early inks used carbon-based black pigment — "lampblack" soot, charcoal, "bone black," graphite, etc. "India ink" — invented in China — consisted mostly of these bound together with animal glue into an "inkstick," which is ground with water on an inkstone to form the ink. Or then there's iron gall ink, mixing iron (ii) sulfate with tannic acid from oak galls into a solution, with gum arabic as an added binder (the soluble ferrous tannate formed penetrates the paper, then darkens and becomes insoluble by oxidizing via exposure to air into a ferric tannate; however, excess tannic acid generally meant that it could slowly eat through the paper over time). Or then there was cephalopod ink — see the origin of the word "sepia."

But what all of these have is that the solvent for the solution is water. And all these water-based inks will generally run right off your metal type. To adhere to the type metal, the inks used by Gutenberg and his successors weren't just thicker than those used with pen or brush, they were oil-based — closer to an oil paint or varnish than a traditional ink. (Hence, why they're applied to, spread across, and smoothed over the type via ink balls and rollers.) And while his inks used carbon soot as their pigment, they also contained high levels of metal, including copper, lead, and titanium (and thus his printed works have text which is actually rather shiny). Later printers mostly converged on a black ink recipe combining walnut oil, turpentine, and soot.

(And while I said earlier it wasn't about the paper, but Gutenberg also figured out how to moisten the paper to allow the type to better "bite" into it.)

So you see, there was a lot more to the printing revolution than just making the mechanical press.

#johannes gutenberg #printing press #printing #type metal #thermal expansion #lead #tin #antimony #alchemists #ink

[myfontz]

#pangramma #packard old style #fonderia: international typefounders #2011

[type-found-blog]

Frabill Blue Waters #vintage Minnow Bucket. Not much use yet here in New England, until the ice thaws. It is a nice 1-color water scene on the front on the blue metal bucket. . ➡️ Follow us at @type.found #typefound #foundtype #typehunting #typehunter #vintagegraphics #vintagelettering #vintageadvertising #802 #Antique #Antiques #Americana #FleaMarket #midcentury #vintagestuff #typography #fishing #water #milwaukee #goodtype #designinspiration #branding #visualidentity #rust #typographyinspired #rustic #patina #tv_hiddenbeauty #typevstime #can https://www.instagram.com/p/Bu6iT7vgRV1/?utm_source=ig_tumblr_share&igshid=2esr2rbs35by

#vintage #typefound #foundtype #typehunting #typehunter #vintagegraphics #vintagelettering #vintageadvertising #802 #antique #antiques #americana #fleamarket #midcentury #vintagestuff #typography #fishing #water #milwaukee #goodtype #designinspiration #branding #visualidentity #rust #typographyinspired #rustic #patina #tv_hiddenbeauty #typevstime #can

[egmusian]

A poster about old style serif typeface Sabon. It is designed by Jan Tschichold in 1964. Its design is based on the types of Garamond and the name comes from the French typefounder Jacques Sabon.

Material: 150gsm uncoated matt paper Available Sizes: A4 / A3 / A2 Tools: Illustrator, Photoshop, After Effects, Lightroom, Blender

#sabon #font #typeface #poster #postpaper #castle