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#whiteraven13
janearts · 5 months
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I know Roisia didn't think much of Gortash's offer to rule the world together, but what were her thoughts on the Steel Watch? Using humanoid brains to power robots seems at least a little necromancy adjacent
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[Ask refers to this previous ask.]
At some point I'll need to distinguish that Roisia is not a Dark Urge character. Her dark urges cackle and gurgle and trot along behind her. Anyway, the whole Steel Watch is not just necromancy-adjacent, it is Myrkulite necromancy... just flavoured with Illithid psionics. Reanimate a corpse, tadpole the poor sod, cut off its head, put the reanimated body into a Steel Watcher shell and the tadpoled brain into a jar, and wham, bam, thank you ma'am you've got yourself a Watcher.
Just because it's necromancy doesn't mean it pleases Roisia, though. Roisia is all about the wondrous nature of the organic form. The meat, the guts, the nerves, the intricate and complex systems that allow a body to function. Despite the fact that it was a Necromancer (Balthazar) who helped design the Steel Watch, she would think he missed The Whole Goddamn Point of necromancy and, essentially, nerfed the most powerful organ in the body and implanted a sophisticated organism into one that, while stronger, is far more primitive. She didn't feel there was anything particularly Myrkulite about the construction of the Steel Watch, but what the hell does she know?
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writingwithcolor · 1 year
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Jews (and Muslims) in space! AKA fun with halakhic hypotheticals
@whiteraven13 asked:
Hi, I'm writing a sci-fi book that involves a long spaceflight before arriving on a new planet. How would being in space affect things like Shabbat (since no sundown) and praying towards Mecca? I want people's faiths to be important in the book because it always drives me up the wall when sci-fi stories are like "In the future people will be enlightened and won't need religion any more." Thank you!
Oh boy are you in luck, because this is actually something we talk about all the time! An astronaut in our current world doesn’t have the option of taking a full 25 hours off work, but they have in fact marked the beginning of shabbat by lighting electronic shabbat candles. Jewish astronauts have generally observed the shabbat times of their point of takeoff; lighting shabbat candles in orbit therefore has a set precedent. 
We don’t yet have a precedent for which direction to face while praying; Judaism and Islam treat this issue differently, since in Islam they face toward the actual direction of Mecca, while in Judaism we face due east even in places where Jerusalem is to the West or North of us. My instinct says that on another planet we would face toward planetary East, but on a long spaceflight my thought is that we would likely not worry about what direction the Jewish prayer space faces, since we also have the convention of facing toward whichever wall the torah scrolls are stored on, regardless of which direction it is. Speaking of which, there has been a torah scroll in space, on more than one occasion. 
Judaism has a lot to say about time. We don’t only mark the beginning and end of Shabbat at certain times, we also pray three times a day, at set times, and we observe holidays linked to the seasons--the seasons as they are in Jerusalem, regardless of which hemisphere of the Earth we’re standing on. It might be a jar for characters who have been observing the shabbat times of Houston for years to finally set down on a planet where their sense of time might be completely different--and narrative-wise, that’s not a bad thing: an American Jew stepping off a plane in Australia might have a similar experience.
The question of whether pork products created by a Star Trek style replicator would be kosher is open for constant debate: my gut says that when it came down to it there would be some people who do and some people who don’t accept the kosher status of a replicated pork chop, just as there is now for Impossible or Beyond fake-meat cheeseburgers. 
Thank you for your discomfort with the trope of an enlightened future where the traditions of our ancestors have been eradicated, and for wanting to paint a picture of a better future, one where we are valued and given the resources and freedom to preserve and develop our living cultures. 
- Meir
I agree with Meir - the good news is these are very realistic dilemmas and you will find lots of relevant commentary online; the bad news is, you will find a lot more questions than answers! But that’s also good news, because you can pick and choose the decisions and outcomes that suit your story. The line of reasoning will matter more than the conclusion.
Not much to add except I answered a slightly similar question with some pointers on things to google and why:
Jewish Character Stuck in Time Loop
Thanks for including our religion and culture in a highly technological future world 😊
- Shoshi
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stoportotouch · 4 months
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Tag Game: 9 People You'd Like to Get to Know Better
thank you, @saints-who-never-existed!
last song:
the sea shanty from billy budd! i've had the opera on my mind a lot of late. can't explain why.
currently watching:
rather than any of the moderately dull youtube videos i watch i will say that i am watching the terror every thursday with two friends. we are watching the final episode tomorrow! (and then doing a mini terror camp!)
three ships:
would it be cheating to say all three possible arrangements of terror's lieutenants? because that's really the only way that i engage with the Shipping Goggles in relation to the terror. also i guess hodgson, fitzjames, and fairholme? that one really did just start as a joke but i think all three of them would have said yes if the other two had been more serious. and, finally, dundy and fitzjames i guess.
favourite colour
purple!
currently consuming
nothing at present. i am going to get an Interesting Sandwich before rehearsal perhaps, though.
first ship
hms pinafore. sorry.
relationship status
in the dry dock
last film
1776, i believe. i'm going through media that turns me into the rat from horrible histories.
currently working on
later parts of it hurts to pray to god, and also learning lines for my upcoming production of hoffmann. we have changed the perfectly serviceable recitative to dialogue, in a move pleasing to everybody except for me.
tagging
fuckin uhhhhhhhhhhhhhhhhhhhhhhhhh. @peglarpapers @infinitelytheheartexpands @witcheryen @widevibratobitch @the-golden-vanity @whiteraven13 @pizza-hats-of-the-world-1882 @lessthansix and @brimstone-cowboy
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Tag 9people you want to get to know better
I was tagged by @nitewrighter (thank you! 💗)
Three Ships
Percabeth: I was super into Percy Jackson in middle school and just loved their dynamic.💙 in seventh grade during our Greek Mythology unit we chose an individual god to present on, I wanted either Artemis or Athena, had my choice of the two and went with Artemis. Then in eighth grade in my world history class I did a project on the main six Greek goddesses. (because it’s either all twelve or just the dudes, what about the ladies?!)
Katniss/Peeta: We had to read the first two books in sixth grade (Hunger Games the summer before, Catching Fire during the school year) and then my mom bought Mockingjay for her and my sister while I was reading Catching Fire, and I was team Peeta the whole way through. To my interpretation, Katniss was never all that interested in Gale like that.
Padme/Anakin: I grew up watching the first six Star Wars movies but my favorite was Episode II: Attack of the Clones. I can definitely see the cringey bits now that I’m older, but back then I just enjoyed the movie. Plus Padme is one of my favorite characters of all time, and I think I would die if I ever met Natalie Portman. (Also, I think I just really like whatever the narrative ships. I want the characters to be happy and seeing their thoughts and what they chose in the story is what I end up supporting)
First Ship Ever
I mean, I always wanted characters to end up with their love interests in the Disney movies and things I would watch as a kid, but I think my first proper fandom ship was Percabeth from the Percy Jackson series.
Last Song
Can’t Hold Us sung by Pentatonix. The one before that was Hey Momma/Hit the Road Jack by them before that, I just want to hear the original version of Hey Momma. I’ve heard Hit the Road Jack plenty, but I can’t find the other one.
Last Movie
I watched The Help last night with my family
Currently Reading
The Last Bookshop in London by Madeline Martin. I got it for Christmas and I’ve been working on it since then.
Currently Watching
I don’t really watch tv, I’m just on YouTube a lot. I love Rachel Masky, Bernadette Banner, Abby Cox, and others, and the last creator I watched was Well Loved Knits as I cleaned my room. One show I want to see is Lockwood and Co.
Currently Consuming
It’s almost 9 as I type this, so all I have is water by my bedside table.
Currently Craving
Nothing really at the moment, but chocolate is always good.
Tagging: @duskholland @sunshineisdelightful @whiteraven13 @magicalbookwormprincess @fragileizy @free-laughter @spiritually-a-pinecone @eridineon @mrv3000
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captain-lovelace · 3 years
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I’m pretty sure I found your blog thanks to tumblr recommendation. I stayed around because of the fate content.
I’m glad you stuck around!
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snarktheater · 7 years
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sluttylotor replied to your post “I personally love k-project, or at least the first season and two...”
kuroshitsuji is black butler in english. idk if that helps or not lol
Ah, yeah, I know of it. Although I think all I know about it is from a Loose Canon episode though. Which…spends all of a minute on it.
@whiteraven13 replied to your post “I personally love k-project, or at least the first season and two...”
Black Butler is kind of terrible. The anime loves staging shippy scenes between a 12/13 year old and a millenia old demon and season 2 cranks that up to 11. Season 2 is super uncomfortable to watch
I…will take your word for that?
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I saw in your tags on a post that you thought the manga of Usagi Drop was B A D. I've read the first few volumes and didn't see anything too bad; should I quit while I'm ahead?
You should ABSOLUTELY quit while you’re ahead. The anime is totally fine, it’s cutesy and inoffensive, and it ends on a mellow, satisfying note. The manga from that point onward is gross and bad, and it retroactively tarnished my enjoyment of the show. Stick to the anime, and pretend the manga doesn’t exist.
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artsy-hobbitses · 2 years
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Flood Relief art commissions! Thank you to @whiteraven13 and @korloniumcrystals for your donations! TFP-style Transformers are definitely not something I see myself drawing regularly (The blockier G1 designs are easier for me to grasp), but I had fun working with Orion here!
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gehayi · 7 years
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Is there going to be a message sent from the Das-Sporking livejournal once the new place is set up?
Yes, there is!
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janearts · 3 months
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Are Roisia’s ghouls the ones from Necromancy of Thay? If so how does that work? Does Astarion have his own set or did she not share it with him?
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Answered your questions in detail below the cut!
TL;DR: Some! Does exactly what it says on the tin. No and yes.
Are Roisia’s ghouls the ones from Necromancy of Thay?
They could be, but they aren't necessarily! Roisia is a Necromancer so the ghouls from the Necromancy of Thay stack with the number of summons Necromancers accrue as they rise in power. IIRC, Roisia had a pack of 10 ghouls following her by the end of her adventure. Unless I draw winged ghouls, the ghouls from NoT are indistinguishable from her regular ghoul summons.
If so how does that work?
I wasn't sure what you meant by this question, so I'm gently adding a spoiler tag for anyone who hasn't undertaken or finished the Necromancy of Thay questline. I saw no reason why Roisia's canon should be different from in-game: she unlocks the spellbook, she persists despite the onslaught of the spirits that protect the book, and she continues to hone her mastery of Necromancy with The Tharchiate Codex. (I drew what a protective spirit might look like to Roisia in this post if you're curious!)
Does Astarion have his own set or did she not share it with him?
I was confused by this question, and it (in combination with the previous question) made me wonder whether or not you've played through the quest or the game itself. No judgement at all if you haven't! If you haven't played one or the other, then I should let you know that, to my knowledge, the Necromancy of Thay can only be read by one character of the player's choosing. I, obviously, chose to give a Necromantic tome to my Necromancer. So Astarion does not have his own set in my game (or canon) because Roisia needed the book for her own purposes.
But, that being said, even if Roisia could share the spellbook, she wouldn't. I know I frequently portray Roisia as someone who is kind-hearted, generous, and compassionate—(and she is all of those things!)—but I don't wish those qualities to overshadow the fact that she is also—(simultaneously!)—ambitious, ruthless, and power-hungry. Everything in Ilyn Toth's lab was hers for the taking as far as she was concerned.
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howtofightwrite · 6 years
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Q&A: Demon Hunting in Urban Fantasy
whiteraven13 said to howtofightwrite:
I had an idea for an Urban Fantasy setting where a group of humans are covertly fighting demons. I wanted to have the humans stick to swords and bows/crossbows and that sort of thing while the demons rely on their natural abilities. My excuse for no guns is that demons aren’t affected by mundane weapons and have to be killed with special enchanted weapons, with bullets being to small to properly enchant. Is that a good enough reason or should I go back to the drawing board?
This may sound like a nitpick, but it’s not an excuse; it’s how you’ve designed your setting. That is a legitimate rationale, and in the grand scheme of things word choice like that can affect how you view your own work.
The important thing to remember is that guns are not the right tool for all situations, even in the real world. They’re noisy, expensive, leave lots of evidence around when used, and are the first thing any security checkpoint will look for. Even if guns do work, they’re not going to solve all your character’s problems.
Guns exist, and people take precautions to deal with that.
If you have a setting where magic and enchantments exist, people would take precautions to deal with those as well.
So, let’s talk about Urban Fantasy as a genre for a moment, and work through the basic idea.
Urban fantasy is, by design, the modern world with fantasy elements. That means you’re still dealing with all of the trappings of the modern world, mixed in with other things. Cops still carry firearms and have a shotgun in their car. Every other idiot is carrying a smartphone which can upload video of that inexplicable thing they’re seeing to Youtube faster than you can summon John Cleese to plug the Spanish Inquisition sketch, and Google will happily provide you with a wealth of information on the supernatural, most of it bogus from lonely teenagers in the Midwest who, “had a weird experience last night.”
Like any fantasy genre, there is a lot of leeway, when you’re setting the ground rules. Your characters could come from backgrounds that would seem entirely plausible in the real world. For example: a real estate agent, a waitress, and an auto mechanic hunting the monsters who tore their lives apart. They could be something more fantastic, like an elite CDC unit tasked with identifying and eliminating supernatural monsters that can infect and turn normal humans. They could be part of that world, and are members of an ancient conspiracy who secretly rule the world. Who your characters are does a lot to define what kind of tools your characters can get their hands on, what kinds of options they’ll consider.
There’s a second problem here, “demons,” aren’t a specific supernatural creature. So, as a result, it’s a little tricky to say exactly how well your approach would fare. We occasionally run into this problem when we’re talking about vampires, and even werewolves. However, with demons specifically, but the entire concept is very vague in the real world realm of religion, mythology, folklore and metaphysics.
There lots of creatures which fall under this specific header. Depending on your perspective, a demon could be anything from a small extra-dimensional scavenger who could be put down with basic weapons, to a literal fallen angel, who personally participated in the creation of the universe and has enormous power over fundamental forces like the gravity or molecular motion. A monster who can, literally, strip the electrons from your body on a whim, reducing you to a whiff of smoke. Going after a low grade scavenger isn’t necessarily safe, but it’s manageable. You’re not going to take on a primordial universal force escaped from the original prison with a glorified sword. You could, but it won’t end well. Trying would be an insult to the creature, and to you.
This is also ignoring one of the more horrific demonic varieties in fiction: the possessing spirit. This flavor of demon isn’t a physical foe your characters can fight, it hijacks hosts, riding around, taking control of them, and switching out when it’s achieved its goals. With something like this violence won’t get the job done. You can’t kill it, you can’t even harm it. If you managed to, it’d just jump to a new host, maybe one of your hunters. There’s even intermediate ranges where your demon may compel or thrall other normal humans to use as shock troops. Or the demon has set up cults, and there’s no compulsion involved at all. The humans will just try to kill you.
Some demons are in a category equivalent to the forces of nature. You don’t attempt to take out a hurricane with a .45, mystical or otherwise. Some writers will, but doing so undercuts all the work they did to make this creature scary in the first place and killed their tension in the process.
It’s very difficult to pin down what your demons may be after, which will give you some insight into how to stop them. There’s a lot of possibilities, ranging from retribution against mankind for some biblical grievance, to exiles simply trying to survive in a hostile universe, looking for someplace to call their own. These goals scale with what your demons are capable of. Somewhat obviously, a fallen angel who would bend a modern city to their will or obliterate all life on the planet on a whim probably won’t be scrabbling around in the gutters where your characters could take them out.
So, which demons do you have?
The Buffy the Vampire kind, which are campy monsters of the week who regularly get kicked off balconies until we’re reminded they can occasionally be frightening. The little imps from The Darkness who’ll rip off faces when they’re not busy trying to give themselves nose rings with that .45. Fallen spirits back from Hell that are just glorified ghosts like the kind seen in Supernatural, many of whose hosts have been murdered by the Winchesters. The much more dangerous variants like those seen in The Exorcist and other horror movies. The demons from Demon the Fallen, a playable RPG characters who can at their base mess with the laws of physics. The mass of conflicting creatures from folklore you can find in Leonard R. Ashley’s Complete Book of Demons and Devils which is just a catalogue of encounters.
Demons says exactly nothing. Every person who reads your story will come to it with their own understanding, and if you don’t specify that is the one they’ll continue to carry with them. It is your responsibility to clearly define your creatures and the rules, especially for yourself. In fantasy, those rules are your lifeline because they’re the only way anyone other than you can tell what’s going on. The audience doesn’t need all the answers, but you need to be consistent.
A lot of this comes down to world building. There are reasons for a character to carry a sword in Urban Fantasy. For example, it could be a mythical artifact like Excalibur or or it may be a celestial weapon, like Michael or Azarael’s blades (the Catholic angels of death, if you’re wondering.) At that point it’s probably worth pinning down exactly what the enchantment is. A sword that protects the wielder from possession would be very useful against a body hopping demon even if actually killing the creature wasn’t a viable option.
Taking a sword against a monster who is significantly faster and stronger than a normal human is not going to end well. Not well at all. This is like saying you’re going to go hunting a bull African elephant solo with nothing but a spear. That may sound badass on the surface, but you’re going to wind up very dead in short order. Just ask a hunter what its like to hunt for cougars without dogs. You can’t find them. They can, however, find you. The raccoon and the possum can give you rabies, and if you’ve ever heard stories about close encounters then you’ll be glad you never did. Human is not on the menu for them unless they act in self-defense, the same is not true when it comes to monsters.
The monster is giving up nothing to fight your character, they have no handicap in the violence department. They’re perfectly built for killing. This includes the most urbane of demons.  Their nature is not that of a human. In a dark back alley, they have the advantage. They’re creatures of horror built to prey on mankind.
They hunt you.
At that point guns might still be the wrong tool for the job, but it would be in your characters’ best interest to identify tools to deal with the threats they’re facing. Those may not be technological. It could be tactics or magical innovation. Most importantly, remember, violence isn’t always a viable response. Even for monster hunters.
Taking the every problem is a nail approach and using violence when it isn’t sensible undercuts your story, especially a story based in fantasy. For a monster hunter narrative to be successful, the monsters are required to be viable antagonists. Remember, the terminology for demons has its basis in horror both as a genre and in folklore. In a fictional sense, they exist to teach necessary lessons and impart wisdom through the failures of the characters in the narrative. You’re not supposed to mindlessly fight them off, because in some situations violence is doomed to failure or certain types of violence are due to failure. You’re supposed to be clever and realize every situation must be approached in a unique fashion, that brains are needed as well as brawn.
In Christian mythology, demons are outwitted with wits and cleverness. Those who face them with brute force are the ones who die. The purpose of these parables is to teach the listener to think in new directions, to approach dangerous situations with sense, to pay attention, and to gain insight into what is occurring before them. Learning that every problem cannot be solved with a hammer is the literary purpose a demon historically serves. That, and a test of faith. One you survive by enduring and staying the course against temptation.
What are these demons doing for your narrative?
What purpose are they serving in pushing your characters toward development?
These are two questions far more necessary than how one wields a crossbow or a sword. And if you can’t answer them, then you’ve got a myriad more problems than a lack of understanding in the violence department.
-Starke
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A few viewing and reading recommendations:
The Ninth Gate (2000): Superficially this might not seem to be a film about hunting monsters at all. (It’s not, exactly.) It’s about a rare book dealer (Johnny Depp) hunting down books supposedly written by the Devil.
Fallen (1998): A homicide detective (Denzel Washington) tracking a serial killer finds himself dealing with a body hopping demon.
The Last Wish (Andrzej Sapkowski): Not technically Urban Fantasy, nor about demons, Sapkowski’s Geralt of Rivia is an excellent examination of the limitations of violence for a monster hunter. Sword of Destiny is arguably a better example, but both are easy to recommend. (Incidentally, Sword of Destiny is the second Witcher anthology chronologically, I’m not sure what the Book 4 bit is about on Amazon.)
I think I’ve recommended Ultraviolet recently, but it’s still an excellent series. This was a fantastic British TV series about vampire hunters. No demons, but if you’re having trouble adapting classic monsters to the modern era, this should give you some ideas to kick around. (Jack Davenport, Idris Elba, and Suzannah Harker.)
Demon: The Fallen: Part of White Wolf’s World of Darkness, Demon was a late addition, and is somewhat hard to come by now. The game focused on demons who’d participated in a war against Heaven, had been imprisoned in hell and were just starting to escape back to Earth as the end of days started revving up. Probably useful for its own (extensive) lit review for suggested media at the beginning. Hunter: The Reckoning from the same setting may also be worth a look for ideas when it comes to street level monster hunters and the challenges they face.
Fair warning: The World of Darkness was bleak as hell, but it is probably still be worth a look, as there’s a lot of very good concept work baked in.
The Complete Book of Demons and Devils by Leonard R. Ashley – I like Leonard Ashley’s collection because they’re just lists of history and folklore including events attributed to the supernatural that did occur or were said to have occurred by people in history. Its a great resource for getting your boots on the ground for the breadth of mythology, and finding weird trivia you can dig into further for inspiration. If anyone writes Urban Fantasy, Paranormal, or any fiction based in the supernatural then I recommend checking out his books. This is a great way to figure out the phenomena people throughout history and all thought were related to the demonic. Some of these sources involve very mortal people who were very evil, and others not so much. Helpful in either case.
Q&A: Demon Hunting in Urban Fantasy was originally published on How to Fight Write.
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stoportotouch · 4 years
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For the send-you-an-aria ask: Queen of the night aria
it is a BOP! and a threatening bop at that, which we love... there was a window of maybe half a year quite a while before i started t when i could get up there... technically, but it sounded bad, and i never had any particular desire to sing it anyway. still slappeth tho.
technically i do have falsetto range which i COULD potentially and very much hypothetically try to train up there - there are cis male countertenors who are Yer Actual Sopranos - but i don't particularly want to
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snarktheater · 7 years
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Did you ever read The Giver? I know you reviewed the movie, and it would be interesting to here your thoughts on the differences between the book and movie, since the book was written way before the Hunger Games made dystopias cool whereas the movie (based on the trailers) looked like it was trying to be yet another Hunger Games/Divergent
Haven’t taken the time to read it yet. It would probably be interesting, you’re right about that, although I wonder if a better comparison wouldn’t be with other dystopian novels.
Then again, our current dystopias don’t always seem to know themselves what they want to be about (or when they do, like Divergent, it’s…kind of scary what it reveals about the author and society), so maybe not. I don’t know. More on that whenever I actually get around to reading this book.
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