Outlander will end with season eight based in Written in My Own Heart's Blood but Diana Gabaldon had Just wrote go tell the bees that i am gone and now She Is going to write the tenth book and It means that they will transform in the movies the Last two books as they did It with Downtown Abbey
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In a Week by Hozier ft. Karen Cowley
“The raven is death, obviously. When I die, I want a good tombstone—something right spooky. LT’s got something against the underground, though you’d think that would be just his kind of place. That’s alright. He needs to, he can cremate me. It’s not exactly Catholic, and Mam would turn in her grave, but God is a unicorn and no one is pure anymore, so. What’s all that got to do with me?”
Johnny “Soap” McTavish has a journal. Had. It is his no longer.
Simon “Ghost” Riley had dreams—awful ones, the kind that sank claws into his lungs, dragged him into sleep, and then sent him careening out of it. He still has dreams, but they’re different, now. Better. Johnny’s pages have folded themselves under his eyes and gotten into his head, brighter and more infectious than anything else has ever been. It’s more than the past, that rotting carcass behind him, and more than now. Now is nothing. Now is ash. It’s like, it’s like—blinding, is what it is. He’s a blind man.
It is biblical now. Ghost has read it backward and forward and sideways and inside out. When he runs out of things to read, he reads them again, and when that is not enough, he reads between the lines.
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there is hope...
"I‘m sorry," he said, very softly.
"It‘s not—don‘t worry, I‘m … He‘s only a cat," I said, and a small fresh grief tightened like a band round my chest.
-- An Echo In The Bone
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Jamie took my hand and squeezed it hard. He was flushed from the walk, and even more from excitement; the color ran right down into the open neck of his shirt, turning his skin a beautiful rosy bronze.
“I’ve brought ye home, Sassenach,” he said, his voice a little husky. “It willna be the same—and I canna say how things will be now—but I’ve kept my word.”
My throat was so choked that I could barely whisper “Thank you.” We stood for a long moment, clasped tight together, summoning up the strength to go around that last corner and look at what had been, and what might be.
Something brushed the hem of my skirt, and I looked down, expecting that a late cone from the big spruce we were standing by had fallen.
A large gray cat looked up at me with big, calm eyes of celadon green and dropped a fat, hairy, very dead wood rat at my feet.
“Oh, God!” I said, and burst into tears.
-- Written In My Own Heart's Blood
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Tbh the more I think about how Diana handled Percy in Bees, the more I wonder why she decided to write him into the main series in the first place. What was the point, really?
Everything he did could be achieved through a brand new character. Let’s say, Claude Beauchamp himself. Claude could be the one looking for Fergus. He could be the French spy that was once John’s opposite in the Black Chamber. John wouldn’t trust him anyway.
It just makes no sense to me, from a narrative standpoint, to bring a character from the LJG series, who shares a complicated history with John, and not have their relationship further developed/dealt with in any meaningful way to the characters.
Percy is connected to the main series through John, mostly, but they never had a single conversation about them that actually did something to further develop their dynamic (no, that brief conversation they had in the end of Bees added nothing new to their dynamic).
And this is not me saying that they necessarily had to get back together, mind you (even though I’d like that very much), just that they needed… to talk. About them. About what happened 20 years before. Unresolved things. And from there Diana could’ve gone anywhere really, writing them getting back together or not.
The thing is, the ending of BOTB — sad and tragic as it is — could pass as a satisfying closure to their relationship. So one could assume that bringing Percy back meant dealing with unfinished business between them, right? But Diana doesn’t even make an effort to do that.
So what was the point of Percy specifically? If we could easily have a different character doing the exact same things (with some adjustments)? It just screams bad writing to me, and, if I had to bet, that’s also part of the reason why so many readers struggle to care about Percy’s storyline in the main series.
Because, yeah, most of them haven’t read the spin-off series, so they get pretty confused when they hit the first chapters of Echo. And what Percy brings to the table is essentially a political side plot with some mystery surrounding Fergus — so, unless you get really interested in Fergus’ parentage storyline, Percy’s plot and overall presence becomes a big “ok… so what?” (add that to the fact that 2 huge books later and the Fergus storyline still hasn’t gone anywhere, so even if you like that plot, which I do btw, you are gonna be frustrated by the lack of development).
What about Percy’s relationship with John? Well, that is not dealt with in any way, shape or form besides “something happened between them in the past, John doesn’t trust him”. So much so that the readers who haven’t read the LJG series have to either accept the vague informations that are given to them or search more about it online. There’s no emotional investment by the readers whatsoever because Diana doesn’t make them care at all.
Actually, that’s a problem that also exists within John’s plot as a whole in the main series and the reason why so many readers struggle with his storyline in the later books (something something *John not having a character development in the main series* something something)… but I’m gonna leave that conversation for another post because this one is already too long.
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He laid me down on his kilt, and came back into me, strongly enough that I gave a small, high-pitched cry of relief.
"Ask me to your bed,” he said. “I shall come to ye. For that matter—I shall come, whether ye ask it or no. But I am your man; I serve ye as I will.”
......
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Thee is my wolf,” she’d said to him. “And if thee hunts at night, thee will come home.” “And sleep at thy feet,” he’d replied.
—Diana Gabaldon, Written in My Own Heart's Blood
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"I know what it felt....like when I.... thought you were dead, and--" A small gasp for breath, and her eyes locked on his. "And I wouldn't do that to you."
Her bosom fell and her eyes closed. It was a long moment before he could speak.
"Thank ye, Sassenach," he whispered, and held her small, cold hand between his own and watched her breathe until the moon rose.
-Written In My Own Heart's Blood
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Willie in Outlander Book 7 realize that Jamie Fraser Is his father but i really Hope that if Jemmy will learn that Stephen Bonnet Is his biological father in the Last two books of Outlander because Rob Cameron, the true villain in Outlander franchise, tried to warn him in Outlander Book 7 and 8
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Gotham, you must know. How is it that Rob Cameron can go through the stones?
Do we know for a fact that he (and Jem) did?
😶
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Ok so this scene always confused me:
"Where I come into it doesn't matter”, he said. "And there isn't time. You need to find your son quickly. As to why I tell you…”
John saw it coming and didn't pull away. Percy smelled of bergamot and petitgrain and the red wine on his breath. John's grip on Percy's arm loosened.
"Pour vos beaux yeux," Percy had whispered against his lips and laughed, damn him.
(Written In My Own Heart’s Blood, ch. 73)
Did Percy actually kiss John here? Or did he just come really close to John’s face like he was going to kiss him but instead just whispered against his lips?
I want it to be a kiss (even though I find the 2nd option sexy af tbh 👀), but idk. If it was an actual kiss wouldn’t the scene describe his mouth tasting like wine rather than his breath smelling like wine?
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Outlander the TV show is celebrated for its slow pace and earnestness and its sex positivity, but it ignores the main appeal of the Outlander novels, which is scenes of truly outrageous melodrama. The scene early on in WIMOHB featuring the inappropriately dressed duke of wherever, a very angry Scottish lady with a grudge against him, the Quaker doctor who wants to marry his daughter, his disapproving housekeeper, and a frazzled Jamie, all of them trying to beat each other up with a brandy decanter, is comic gold. See also, the later scene with Claire, Fergus, Germain, a thief, a bitey mule, and a shady aristocrat who is for some reason pretending to be French. Hilarious, I have no notes. The TV show needs more scenes where all its plots crash into one another and cause absolute chaos
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