#yanji

[lostinmac]

The Breaking Ice (2023)

Dir. Anthony Chen

#the breaking ice #Anthony chen #film #movie #chinese #chinese film #drama #romance #East Asian #yanji #zhou dongyu #qu chuxiao #Changbai mountains #china

[mydaylight]

Highlights from LLTG finale (eps 55-56)

(SPOILERS AHEAD)

- Zhao Lusi’s acting in that moment where Shaoshang thought Buyi was dead 😭😭😭😭

- The love confession between Lou Yao and He Zhaojun - it’s nice that we got some closure about their characters and made sure they’re doing okay with their lives after everything they have been through

- Yuan Shen finally getting a decent comic relief moment by reminding everyone about the ongoing assassination attempt on the Crown Prince

- Avengers couple Buyi/Shaoshang

- Everybody referring to Niaoniao as 少女君 even though she’s not married to Buyi yet

- NiaoNiao protecting that little girl really reminded my of Xiao Mei :(( You cannot convince me that was not intentional

- 我信她！The emphasis on their trust to each other and their belief in their common goals 😭 they’ve come a long way around and finally became 并肩同行之人

- The scene of Cheng Shi and Yuanyi arriving to save their baby girl which will go down in cdrama history

- The whole Cheng family listening to Niaoniao’s instructions

- Badass Yuanyi AND Qingcong in armour? They are feedings us good

- I started crying during the reunion scene I love them so much (and also during the final kiss scene)

- Cheng Shaogong you were barely there but I loved you keep doing your thing (also keep bringing out your Second Brother’s dirty laundry)

- Wan Qiqi being a girlboss for a final time

- XUAN EMPRESS 😭😭😭 You deserved to see Niaoniao’s wedding but I loved how they took the time to delicate this moment to her nevertheless

- Also can we talk about how beautiful and atmospheric the lighting in their final scene was? And I love how it brings back to memory the New Year’s scene where Buyi saw Shaoshang for the first time.

- Cheng Shi being scandalized by their kiss 😂 And Yuanyi being supportive for once awww

- Grandma Cheng joking about the wedding presents she has to receive we love a consistent character

- Wen Emperor getting bullied by Buyi and Empress Yue in the same scene poor man can’t catch a break

- Seeing Shaoshang and Yuanyi next to each other laughing almost made my heart burst

- I think it’s nice that we see Huo Buyi in the end realize that he has not only met the love of his life, but can count on her supportive family network. He isn’t alone anymore, he doesn’t need to rely only on himself, he has both a partner/wife and a family.

- My only complaint would be that I wanted to see Third Madam Sang Shunhua one last time :( but otherwise it was perfect.

#love like the galaxy #lltg spoilers #I'm not articulate enough to write a composite review so i'm just putting this out there #I love the show so much #not mentioning anything about Yanji because I didn't really care about her that much #long post

[arminreindl]

Fossil Crocs of 2022

For what its worth, its been a great year for fossil Pseudosuchians, many of which didn't get a lot of attention because people always assume its just "another crocodile". We'll go through them by the order of appearance in the fossil record, or in other words oldest to youngest. Better grab some popcorn and the drink of your choice, cause this is going to be a long one.

Mambawakale

Starting off is Mambawakale ruhuhu (Ruhuhu Basin Crocodile Ancestor in Kiswahili) from the middle Triassic Manda Beds of Tanzania. The fossils for this guy had been known since at least the 1960s, after which it was named Pallisteria angustimentum, a name that was never officially published however. It was a large animal, its skull 75 centimeters long attached to what was likely an animal similar in build to what we think of for "rauisuchians", given that it sits at the base of Paracrocodylomorpha. The below life reconstructoin was done by the fantastic Gabriel Ugueto with Steve Irwin inserted in post by me, tho its not rigorously scaled it gives a general idea of the animal's size.

We can then skip over the Jurassic (no new crocs from that period) and straight into the Cretaceous, specifically the Albian some 100 million years ago.

Yanjisuchus

Yanjisuchus longshanensis (Yanji City Crocodile from the Longshan Hill) was a paralligatorid, a group of Neosuchians I fully admitt I'm not too well aquainted with. Its fossils, which include a partial skull, vertebrae osteoderms, ribs, parts of the shoulder girdle and front limbs, were discovered in the Longjing Formation in what is now north-eastern China.

Confractosuchus

One I can decidedly talk more about is Confractosuchus sauroktonos (Lizard Eating Broken Crocodile) from the Australian Winton Formation, home to animals such as Isisfordia, Australovenator and Diamantinasaurus. The genus name refers to the fact that the skull is squashed to hell and back, but its the species name thats interesting. "Lizard eating" in this case refers to the fact that this 2.5 meter long basal Eusuchian was found with preserved stomach contents. Said stomach contents being the bones of a small ornithopod dinosaur as the press release art by Julius Csotonyi enthusiastically shows. The other image here not from the paper was drawn by Joschua Knüppe (@knuppitalism-with-ue ) showing a definitely more relaxed individual.

Eptalofosuchus

We did know about this guy for a bit longer as the pre-proof has been out since 2021, but lets include it anyways because I wasn't on Tumblr last year. Eptalofosuchus viridi (Green Seven Hills Crocodile) is not a crocodile in the strict sense but a Notosuchian, a cousin to the more typical Neosuchians. This animal is known from a single distinct lower jaw that belonged to a rather small creature. Among Notosuchians, Eptalofosuchus is most closely related to "advanced Notosuchians", specifically Sphagesauridae. We also know that it wasn't alone, as described alongside it are fossils of an unnamed baurusuchid (a large carnivore) and a peirosaurid, a more basal Notosuchian. Finally, both parts of the scientific name allude to the Uberaba Formation, specifically the nickname of Uberaba being “the city of the seven hills” and the green color of the sediments there. Life reconstruction of the little guy was done by the always incredible Júlia d'Oliveira.

Titanochampsa

Sticking to South America we have Titanochampsa iorii (Ior's Titan Crocodile). A significant find no doubt tho with an estimated size between 2.98–5.88 m (sizable I admitt) based on very scant remains perhaps a little bit hasty. Alas we only have the skull table of this animal, so the precise size can still vary as you can see. But it is still a fascinating one due to the fact that its the ONLY non-Notosuchian from the Bauru Group. Cretaceous South America is almost synonymous with these mostly terrestrial crocodyliforms but surprisingly lacking a diverse semi-aquatic croc fauna. Being at the very least a Neosuchian, possibly Eusuchian, Titanochampsa seems to have filled this niche. Given that the big terrestrial Baurusuchids had relatively weak bites and reached a length of at most 4 meters, this presents an interesting contrast with the strong bite force of the potentially larger semi-aquatic Titanochampsa. And would you look at that, press release art by Júlia once again.

Eurycephalosuchus

One final croc for the Mesozoic, Eurycephalosuchus gannanensis is an animal I covered very recently so I'll keep things brief. Stemming from the Maastrichtian Hekou Formation in south eastern China, Eurycephalosuchus was a very small species of orientalosuchine. Orientalosuchina is recovered as a group of early alligatoroids in the paper, tho talking to Adam Yates (who's croc phylogeny is my go-to) there is a chance they might be closer to crocodiloids. Regardless, Eurycephalosuchus was a small animal with large teeth towards the front of the skull, blunt teeth in the back and an overall very short face (tho there is slight compression so its not 1:1 like the fossil). Over on twitter people started comparing it to DnD Kobolds, leading to the below artwork by Manusuchus (@ mmujicam2000; full body of course highly speculative lmao)

Qianshanosuchus

Following the cataclysm that was KPG, crocs held on and in China we next meet Qianshanosuchus youngi (Young's Qianshan Basin Crocodile). It's another tricky one. While important as being the first crocodyloid from Paleocene China, the material, as you could guess based on the tiny size, is that of a juvenile (I now realize this being kinda ironic given the small but adult croc above). So the phylogeny is hard to nail down and gave different results. Still it could hold significance in our understanding how crocodyloids spread around the world and entered Europe after KPG. Below a quick comparison of the material with my hand.

Coming up a duo of two new species but not new genera, I also didn't really go deep into their publication as with some of the others so I'll try to stay brief

Maomingosuchus acutirostris

Maomingosuchus acutirostris (Acute Snouted Maoming Crocodile) is a new species of the already established genus Maomingosuchus from China. This new species however, differentiated amongst other things by having a pointed, not rounded, premaxilla stems from the Eocene of northern Vietnam. The skull is about 55 cm long giving us a medium sized tomistomines. Like Qianshanosuchus, M. acutirostris could have implications for the dispersal of crocodilians, in this case the spread of tomistomines from Europe to Asia, which the authors suggest happened thrice. That being said it should be noted that, between the two main ideas of what tomistomines are, the paper goes with them being a sister group to crocs and unrelated to modern gharials as Lee and Yates suggest (the later idea like I said I am more drawn towards).

Diplocynodon kochi

Another new species in a familiar genus, Diplocynodon kochi (Koch's Double Dog Tooth) is the latest in a long list of Diplocynodon species, a genus of alligatoroid very prominent in the Paleogene of Europe. This newest species from Transylvania is known from some well preserved skull material and was recovered as being one of the most derived members of its genus. With a size of 1.76 meters it was a medium sized Diplocynodon species and small by our modern standards. What is interesting is that the fossilw as recovered from shallow marine sediments. This is unusual in so far that alligatoroids are not especially known for their salt tolerance. Tho there's exceptions like Deinosuchus, alligators usually don't venture into salt water unlike crocodiles. Still, given the shallow water and the ability of large adult Mississippie Alligators to tolerate brackish water, it might have occasionally entered coastal waters. It is noted that the skull is in such good condition that it couldn't have been transported for a very long time.

Kinyang

Back to new genera we got Kinyang (derived from various Nilotic terms for crocodile), a genus of "giant" dwarf crocodile from the Miocene of Kenya. Now this guy doesn't just introduce one new species but two: Kinyang mabokoensis (Maboko Island Crocodile) and Kinyang tchernovi (Tchernov's Crocodile). Occuring in western and northern Kenya, Kinyang was a prime example over the prominence osteolaemines (dwarf crocodiles) had in the early Cenozoic prior to the takeover of crocodylines. Kinyang was surprisingly large and had a robust, blunt skull with several traits clearly setting it apart from any modern species. Still there is some clues that could be taken. Given the robust nature and more widened skull rather than V-shaped, its likely that it went after prey as big or even bigger than itself. They appear to have inhabited the shores of lakes located in open forests and woodlands. Alas this might have been their doom too. Osteolaemines are known to build nests made of foliage and with Africa growing increasingly dryer around this point in earths history, both change in prey and environment could have been factors that drove the dwarf crocodiles into the rainforests they inhabit today while the more dry resistant Crocodylus took over their rolle in the grasslands. The first image shows all three known skulls, the second is a quick composite of the cranium and mandible of K. mabokoensis I put together before the third image was published (ironic) by Christopher Brochu.

Almost done, only two more to go.

Sacacosuchus

On the other side of the world, specifically the Sacaco locality of Peru's Pisco Formation (among others) we have Sacacosuchus cordovai (Córdova's Sacaco Crocodile). A medium sized and longirostrine "tomistomine" gharial, here is where we come in conflict between the crocodylid and gavialoid model of what these guys are. Earlier with Maomingosuchus you had the idea that tomistomines were related to crocodylids, well here we have tomistomines being a paraphyletic group leading up to derived gharials. There is some significance to Sacacosuchus for seemingly showing that gharials entered South America on two separate occassions, but imo that's not the coolest thing about it. No instead I prefer to talk about the fact that its not just a marine gharial, living in the coastal waters of the Pacific, but that it coexisted with a second gharial showing perfectly how they specialise in different things. While the contemporary Piscogavialis was notably larger (about 7 meters) it had a very narrow and long snout, better adapted at catching fish. Sacacosuchus meanwhile was only 4.3 meters long, but with much more robust jaws, showing that it was much more of a generalist than its relative. This is well shown in the reconstruction by Javier "Canelita" Herbozo, tho it doesn't show the immense size difference. The third iamge shows Rodolfo Salas-Gismondi with the material and the fourth illustration by Gabriel Ugueto does not feature Sacaco, but the much more gracile Piscogavialis.

Hanyusuchus

The final one, Hanyusuchus sinensis (Han Yu's Crocodile from China) is the youngest crocodile described this year. How young? Well the OLDEST records of the species date to the Chinese Bronze Age, 4.000 BC, while the most recent records indicate that it went extinct in the 15th century. Hanyusuchus is a large tomistomine with a length between 5.43–6.19 meters and, if historical reports are to be believed, a big appetite. Stories tell of large crocodiles in Southern China attacking livestock, deer, boats and even killing humans while other reports suggest that these animals were used to fill moats and fed with prisoners. Despite appearing relatively narrow snouted, people often underestimate just how dangerous such animals could be. Even the modern false gharial has reports of it attacking and eating humans. Unsurprisingly, in addition to spawning some unique folklore (like crocodiles turning into tigers during autumn), this lead to humans attacking and killing these animals in retaliation. Fossils from the Bronze Age bear the clear marks of human attacks with cut marks focused around the animals head and the neck. Given the age of this material humans likely used bronze axes to kill and decapitate Hanyusuchus, drying their heads afterwards. Things didn't get better later in history. Han Yu, poet and politician and namesake of the genus, once demanded that the crocodiles leave the Han River delta before threatening to kill them. Later in history soldiers were sent to kill them in masses to avenge the death of a child. Eventually all of this, coupled with habitat loss, lead to the extinction of Hanyusuchus a mere 600 years ago. The below reconstructions were done by Hikaru Amemiya and Joschua Knüppe respectively.

And that is basically every crocodile officially published in 2022 (I think). Personally, I think its been a fantastic year for Pseudosuchian taxa, with some unique and fascinating additions.

#crocodiles #palaeoblr #mambawakale #hanyusuchus #sacacosuchus #kinyang #qianshanosuchus #eurycephalosuchus #diplocynodon kochi #maomingosuchus acutirostris #titanochampsa #confractosuchus #eptalofosuchus #yanjisuchus #prehistory #paleontology #pseudosuchia #steve irwin for scale #2022

[yesterdayandkarma]

Yanji by Kunal Patel

[doitinanotherlanguage]

Non-Anglo Movies You Should Watch 40/∞: 燃冬 (2023; The Breaking Ice), dir. Anthony Chen

Country: China, Singapore

Language: Mandarin Chinese, Korean

Genre: (Romantic) Drama

Summary: The Breaking Ice follows the blossoming relationship among three young adults in their twenties, all yearning for connection. A suicidal young Shanghainese man comes to Yanji, a northern Chinese border city near North Korea. There, he meets a tourist guide and her friend, a local cook.

#this movie is mesmerising #i can't stop thinking about it #the breaking ice #mandarin langblr #langblr #learning mandarin #movie recs

[zgongjin]

I was wondering if you had an opinion on Wu Zetian's relations with the Zhang brothers. I wrote an answer pertaining to this question at an earlier point, so I was wondering your opinion? Personally, I think that while I don't think that having male favourites is problematic, as male emperors had many concubines, I think she started to favour them a little too much.

Not exactly familiar with the power dynamics involving the Zhang brothers, but I do agree with the perhaps problematic over-favouring.

Wu Yanji married Li Xian's daughter, and was on good terms with Li Chongrun -- his wife's elder brother of the same mother (Empress Wei), Li Xian's eldest official son and emperor-to-be. It was such a perfect circumstance, the Li and Wu family would go together, regardless of a future with the Wu imperial clan or Li imperial clan. Wu Zetian was already facing problems with successors as she grew old, and by the turn of 8th century the court opinions did not show support for a Wu imperial line. This Li-Wu relation was thus the ideal scenario if she wants to ensure the continued survival and prosperity of her clan.

But Yanji, his wife Princess Yongtai and her elder brother Li Chongrun were killed for merely talking about the state of affairs concerning the Zhang brothers.

And we all know what happened to the Wu clan after Wu Zetian's death.

[ebrununblogu]

Le e zanim,ere welle e zanim nava dileminde pir tişt mırın o kesekji çu,yanji maye hena eji nizanim

Nizanim:/

#xeyal #tedileminşikand

[double-croche1]

[CANNES 2023] NOTRE TOP

Le Festival de Cannes est désormais terminé. On a vu pas moins de 85 films (dont 19 sur les 21 de la Compétition), toutes catégories confondues ! Le classement de nos films préférés parmi ceux-ci, avec les dates annoncées de sortie en salles, ci-dessous :  1. ‘Eureka’ de Lisandro Alonso (CPR) 2. ‘Le Procès Goldman’ de Cédric Kahn (QC, 27/09) 3. ‘Anatomie d’une chute’ de Justine Triet (SOC, 23/08) 4. ‘Jeunesse (Le Printemps)’ de Wang Bing (SOC, 03/01/24) 5. ‘L'Enlèvement’ de Marco Bellocchio (SOC, 01/11) 6. ‘Les Feuilles mortes’ d’Aki Kaurismaki (SOC, 20/09) 7. ‘Fermer les yeux’ de Victor Erice (CPR, 16/08)  8. ‘May December’ de Todd Haynes (SOC) 9. ‘La Zone d’intérêt’ de Jonathan Glazer (SOC, 31/01/24) 10. ‘L'Eté dernier’ de Catherine Breillat (SOC, 13/09) 11. ‘The Sweet East’ de Sean Price Williams (QC) 12. ‘Los Delincuentes’ de Rodrigo Moreno (UCR, 27/03/24) 13. ‘La Grâce’ d’Ilya Povolotsky (QC) 14. ‘Only the River Flows’ de Shujun Wei (UCR) 15. ‘Les Herbes sèches’ de Nuri Bilge Ceylan (SOC, 12/07) 16. ‘Conann’ de Bertrand Mandico (QC, 28/11) 17. ‘La Chimère’ d’Alice Rohrwacher (SOC, 06/12) 18. ’La Fille de son père’ d’Erwan Le Duc (SM, 20/12) 19. ’Lost Country’ de Vladimir Perisič (SC, 11/10) 20. ‘Conte de feu’ de Weston Razooli (QC) 21. ‘Mars Express’ de Jérémie Périn (CPL, 22/11) 22. ‘Vers un avenir radieux’ de Nanni Moretti (SOC, 28/06) 23. ‘L’Autre Laurens’ de Claude Schmitz (QC, 04/10) 24. ‘Elémentaire’ de Peter Sohn (HC, 21/06) 25. ‘Banel & Adama’ de Ramata-Toulaye Sy (SOC, 30/08) 26. ‘Anselm, le bruit du temps’ de Wim Wenders (SS, 18/10) 27. ‘Le Règne animal’ de Thomas Cailley (UCR, 04/10) 28. ‘Simple comme Sylvain’ de Monia Chokri (UCR, 08/11) 29. ‘Ama Gloria’ de Marie Amachoukeli (SC, 30/08) 30. ‘Club Zéro’ de Jessica Hausner (SOC, 27/09) 31. ‘Linda veut du poulet !’ de Chiara Malta et Sébastien Laudenbach (ACID, 18/10) 32. ‘Si seulement je pouvais hiberner’ de Zoljargal Purevdash (UCR, 27/12) 33. ‘L’Amour et les forêts’ de Valérie Donzelli (CPR, en salles) 34. ‘La Mère de tous les mensonges’ d’Asmae El Moudir (UCR) 35. ‘Légua’ de Filipa Reis et João Miller Guerra 36. ‘The Feeling That the Time for Doing Something Has Passed’ de Joanna Arnow (QC) 37. ‘Augure’ de Baloji (UCR, 22/11) 38. ‘Les Colons’ de Felipe Galvez (UCR, 20/12) 39. ‘Vincent doit mourir’ de Stéphan Castang (SC, 15/11) 40. ‘De nos jours...’ de Hong Sang-soo (QC, 19/07) 41. ‘Merle merle mûre’ d’Elene Naveriani (QC) 42. ‘Dans la toile’ de Kim Jee-woon (HC, 08/11) 43. ‘The Old Oak’ de Ken Loach (SOC, 25/10) 44. ‘Monster’ de Hirokazu Kore-eda (SOC, 27/12) 45. ’Sleep’ de Jason Yu (SC) 46. ‘Occupied City’ de Steve McQueen (SS) 47. ‘Bonnard, Pierre et Marthe’ de Martin Provost (CPR) 48 ‘Goodbye Julia’ de Mohamed Kordofani (UCR, 08/11) 49. ‘L’Arbre aux papillons d’or’ de Thien An Pham (QC, 13/09) 50. ‘Chambre 999’ de Lubna Playoust (CC) 51. ‘Le Livre des solutions’ de Michel Gondry (QC, 13/09) 52. ‘Les Meutes’ de Kamal Lazraq (UCR, 19/07) 53. ‘Le Ravissement’ d’Iris Kaltenbäck (SC, 11/10) 54. ‘Little Girl Blue’ de Mona Achache (SS, 01/11) 55. ‘Creatura’ d’Elena Martín Gimeno (QC) 56. ‘Perfect Days’ de Wim Wenders (SOC, 29/11) 57. ‘Lost in the Night’ d’Amat Escalante (CPR, 04/10) 58. ‘La Fleur de Buriti’ de João Salaviza et Renée Nader (UCR) 59. ‘Le Syndrome des amours passées’ d’Ann Sirot et Raphaël Balboni (SC, 25/10) 60. ‘Un hiver à Yanji’ d’Anthony Chen (UCR, 22/11) 61. ’Power Alley’ de Lillah Halla (SC, 22/11) 62. ‘Asteroid City’ de Wes Anderson (SOC, 21/06) 63. ‘Une nuit’ d’Alex Lutz (UCR, 05/07) 64. ‘Les Filles d'Olfa’ de Kaouther Ben Hania (SOC, 05/07) 65. ‘Indiana Jones et le cadran de la destinée’ de James Mangold (HC, 28/06) 66. ‘Chroniques de Téhéran’ d’Ali Asgari & Alireza Khatami (UCR, 27/12) 67. ‘Acide’ de Just Philippot (SM, 20/09) 68. ‘Un prince’ de Pierre Creton (QC, 18/10) 69. ‘Déserts’ de Faouzi Bensaïdi (QC, 20/09) 70. ’Il pleut dans la maison’ de Paloma Sermon-Daï (SC) 71. ‘Rien à perdre’ de Delphine Deloget (UCR, 22/11) 72. ‘La Passion de Dodin Bouffant’ de Tran Anh Hung (SOC, 08/11) 73. ‘How to Have Sex’ de Molly Manning Walker (UCR, 15/11) 74. ‘Le Jeu de la reine’ de Karim Aïnouz (SOC, 28/02/24) 75. ‘A Song Sung Blue’ de Zihan Geng (QC, 06/12) 76. ‘Jeanne du Barry’ de Maïwenn (HC, en salles) 77. ‘Rosalie’ de Stéphanie di Giusto (UCR, 24/01/24) 78. ‘In Flames’ de Zarrar Kahn (QC) 79. ‘Hopeless’ de Kim Chang-hoon (UCR) 80. ’Tiger Stripes’ d’Amanda Nell Eu (SC, 13/03/24) 81. ‘The Idol’ (série, épisodes 1 et 2) de Sam Levinson (HC, 05/06) 82. ‘The New Boy’ de Warwick Thornton (UCR) 83. ‘Omar la Fraise’ d’Elias Belkeddar (SM, en salles) 84. ‘Hypnotic’ de Robert Rodriguez (SM, 23/08) 85. ‘Agra’ de Kanu Behl (QC) SOC : Sélection Officielle - Compétition UCR : Un Certain Regard CPR : Cannes Première CPL : Cinéma de la Plage HC : Hors Compétition QC : Quinzaine des Cinéastes SC : Semaine de la Critique SM : Séances de Minuit CC : Cannes Classics ACID : L’ACID Nos chroniques de ces films sont à retrouver dans les articles Daily #1 à #11 sur notre page dédiée.

A&B

#cannes2023

[the-monkey-ruler]

New Marshal Canopy (2019) 天蓬新传

Director: Liu Yanjie Screenwriter: Yin Yuzhou Starring: Gu Shangwei / Long Xinyue / Yan Zhenning / Zhuang Han Hang Zhuang / Feng Gang / Zhang Jiazhen / Zhang Nina / Jiang Yihan / Li Bin Genre: Comedy / Science Fiction Country/Region of Production: Mainland China Language: Mandarin Chinese Type: Reimanging

Summary:

Taking Zhu Bajie from a new perspective as the starting point, we conduct a new interpretation of the original work and create a three-part magical love comedy with a time-travel theme. The core of the play combines the concepts of "Buddha's Tears" and "greed, anger, and ignorance" in Buddhism to reshape Zhu Bajie's three love stories in the Tang Dynasty, the late Qing Dynasty, and modern times.

In the first life, Bajie and Cuilan parted ways and shed their first tear. After returning from Buddhist scriptures, Bajie still couldn't forget Cuilan, so he begged the Buddha to let him reincarnate and renew their relationship, and the Buddha agreed. In the second life, Bajie and Cuilan ended up regretting it again, shedding a second tear. In the third life, Bajie traveled to a modern campus and crashed the school anniversary party as soon as he appeared on the stage, making the big star Gu Kexin make a fool of himself. He even proposed to Gao Cuilan in this life - the teacher in charge of the school anniversary, Gao Shengnan - in public, and the school anniversary turned into a farce. Tang Seng and his apprentices, who traveled through time a year earlier, recognized Bajie and took him back. Cuilan is going to hold a drama festival and Gu Kexin discovers that Cuilan is having an affair with her childhood sweetheart Song Hexiao, and goes against Cuilan everywhere. Cuilan vowed to leave school if she couldn't handle it.

Here Gao Cuilan was so anxious that Bajie realized that he would return to his second life as soon as he fell asleep. The past emotions inspired Bajie to propose marriage again and again, but after seeing Cuilan secretly crying, he realized that what he really should do was to help Cuilan run the drama festival. The four master and apprentices began to make suggestions for the drama festival. Bajie took the initiative to serve as screenwriter and changed the script to the story of his and Cuilan's two previous lives. During the rehearsal process, the two always quarreled over the details of the script, and Song Hexiao took advantage of the opportunity to date Cuilan. The drama festival was successfully held. Bajie knew that Cuilan would not survive until the age of 25 as long as she was with him, so he gave up the opportunity to Song Hexiao. But Cuilan was still sent to the hospital. It turned out that today was her 25th birthday, and she had fallen in love with Bajie. Song Hexiao appeared in the ward and told Bajie that he was a demon and that all this was a bet between him and the Buddha. After realizing this, Bajie and the four master and disciples launched the final battle against the demon.

Source: https://chinesemov.com/2019/New-Marshal-Canopy

Link: N/A

#New Marshal Canopy #天蓬新传 #jttw media #jttw movie #movie #lost media #live action #reimagining #continuation #zhu bajie centered #zhu bajie #gao cuilan

[leileixixi]

Love Like The Galaxy Novel snippet

Wang Yanji: Although Cheng Shaoshang hid in the palace, gossip was everywhere. “They laughed at her for having a good dream in vain, being fascinated, being kept in the dark, and used as a shield for your revenge!”

Huo Buyi: “I know all of this.”

“On that night when I killed them, I saw Shaoshang chasing after me with tears all over her face, regretted it.

When I threw her off the horse, I regretted it too.

When she kowtowed to His Majesty, to Empress Xuan, and begged to divorce me, I regretted it even more!”

Afterwards, I traveled to the Northwest, and spent countless cold nights in the wind, frost and bitter cold, watching the pastures with cattle and sheep alone. As long as I think of her, I regret it over and over again.”

“I thought, if I could do it all over again, I would definitely not take risks like that. I will restrain myself, if the Ling brothers live a few more years, and even if revenge is more difficult, I will still follow the righteous path.”

#love like the galaxy #星汉灿烂 #星汉灿烂 幸甚至哉

[le-petit-blog-de-roxane]

Le but de ce blog étant juste de voler les devoir de @lucie-dezaux-22-23 (oui oui vous lisez bien !), je vais donc vous citer une petite liste non exhaustive et pas piqué des Hanneton de mes films favoris.

(Les films ne sont pas rangés dans l'ordre et ♡ signifie ce qui me sont le plus chers à mon cœur ; bonne lecture !)

En attendant Bojangles ♡♡♡♡♡♡

Better Day♡♡♡♡♡♡

Le cercle des poètes disparus ♡♡♡♡♡♡

Ponyo sur la falaise ♡

Retour vers le future (1,2,3)♡♡

The Truman Show ♡

Sunny♡

Vol au dessus d'un nid de coucou ♡

Lady Vengeance ♡♡♡♡♡

J.S.A♡♡♡♡

I'm a Cyborg but that's okay ♡♡♡♡♡♡

The Commitments ♡

Ballroom Dancing ♡

Je verrais toujours vos visages ♡

Forest Gump

My Annoying Brother

Naussica et la vallée du vent ♡

A Taxi Driver ♡

Le château ambulant

Certain l'aime chaud

Baby Driver ♡

Mademoiselle ♡

Swing Kids

Star Wars (4,5,6)

Mia et les Migoud

Le renard et l'enfant

Hors Normes ♡

Wall-E♡♡

Metropolis♡

Rendez-vous à Tokyo ♡

La colline au coquelicot ♡

Azur et Asmar♡

A Man ♡

Les figures de l'ombre ♡

Adieu les cons ♡

Borsalino

Chicago

Monster (L'innocence)♡

Thelma et Louise

Atlantis,le royaume perdue ♡

La famille Asada ♡

Le Mans 66

Rush

In the Mood for Love

Volt ♡

Là haut ♡

Grease

Coco ♡

Le garçon et la bête

Burning

Dragons (1,2,3)

Un Hiver à Yanji ♡

Dear Ex

Tempura

Le roi pêcheur

Secret in the Hot Spring

Mommy

Ton nom en plein cœur

Barbie

Dune

#movie #film #Lucie je t'aime

[arytha]

“Then,” Sang Yuanyuan considered the words for a while, “You don’t want Jiang Yanji’s body anymore, right? Then is it okay if we just kill her?”

“Kill, kill, kill.” Jiang Yan said, “When the money is in place, you can do whatever you like. Ah, just do whatever and however you like with it. I have no opinion, no opinion at all!”

Sang Yuanyuan nodded lightly.

“You and Mr. Ming must be very happy, right?”

“Wait!” Jiang Yan stared at her warily, “It wouldn’t be that, you notice that my husband is handsome and think it’s no use prying my corner, so you just make up a story on the spot about seducing my son, right!”

Sang Yuanyuan: “!!!”

Who will teach her how to get along with this wonderful Mother-in-law!

“Forget it, forget it.” Sang Yuanyuan waved her hands. “Since you’ve forgotten those things and you’re living well now, there’s no need to go back anymore.”

“It’s actually not very good either.” Jiang Yan smiled slyly, “There’s not enough money to spend.”

Sang Yuanyuan: “…” Really sorry. When she slipped out of the hospital, she had already donated the money to the disaster area.

this extra is worth all the pain it took my brain to get here. i love jiang yan

#she's so fucking funny #mara reads #mr atswm

[monahanstentoft36]

Eating Solutions at the Capital of Red China Olympic Games

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[guyniemann43]

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[greaterbayarea]

Board the "Penghu" to see the new energy marine ranch platform followed by Kenneth Fok Kai-kong

By Chen Yanjie

Hong Kong Commercial Daily,Shenzhen

Aerial Photography of the World’s First Semi-Submersible Wave Energy Aquaculture Platform "Penghu".

Recently, upon an invitation from the Guangzhou Institute of Energy Conversion, Chinese Academy of Sciences, journalists visited the world’s first semi-submersible wave energy aquaculture platform, "Penghu," located in Zhuhai City, Guangdong Province. A 20-minute boat ride from Guishan Island reveals the "Penghu" in a submerged state, with parts resembling a bird's beak visible above water, while beneath the water surface, huge aquaculture nets painted red are seen. It was introduced that a new batch of approximately 72,000 pounds of grey mullet fry, released last October, is currently growing and expected to hit the market by August this year.

Aerial photo of "Penghu".

In the context of global food safety and sustainable development, marine aquaculture plays a crucial role. Marine ranching is a sustainable marine cultivation model that aims to enhance marine biomass production and maintain ecological balance through scientific management and artificial intervention in specific sea areas to simulate natural ecosystems. Not only does it increase the supply of food resources, but it also promotes the protection of marine biodiversity and the restoration of the ecological environment. The semi-submersible wave energy aquaculture platform "Penghu" aims to address the challenges faced by deep-sea aquaculture, such as the impact of strong winds and waves, energy supply limitations, and ecological and environmental protection requirements. The successful implementation of "Penghu" and its derivative project products has attracted industry attention towards its future development direction and potential for integration with the Hong Kong and Macau markets, making it a topic worth exploring on how to promote fisheries cooperation and sustainable development within the Guangdong-Hong Kong-Macao Greater Bay Area.

The "Penghu," powered by new energy, is fearless of typhoons The new season of marine aquaculture trials has been fruitful

Supported by the Ministry of Natural Resources and Guangdong Province, the Guangzhou Institute of Energy Conversion, Chinese Academy of Sciences completed the world’s first semi-submersible wave energy aquaculture platform "Penghu" in June 2019, deployed in the Zhuhai sea area. "Penghu" is 66 meters long, 28 meters wide, and 16 meters high, with an aquaculture water body of 15,000 cubic meters, including wave energy generation of 60 kW, solar energy generation of 60 kW, and energy storage of 500 kWh, equipped with automatic feeding and video monitoring, conducting aquaculture trials of pomfret, tiger grouper, and dragon grouper, as well as integrated marine tourism and fishing experiments.

"Penghu" in floating maintenance mode.

"Penghu" in submerged aquaculture mode.

Notably, since its deployment, "Penghu" has successfully withstood all typhoon attacks, especially the direct hit by the super typhoon "Sura" on September 2, 2023, maintaining stability, secure anchorage, and clear communication throughout the typhoon.

Fish farmed by Penghu.

Currently, "Penghu" is conducting large-scale aquaculture trials for the new season. On October 28, 2023, a new batch of approximately 72,000 pounds of grey mullet fry was released. After nearly five months of scientific aquaculture, the grey mullet survived multiple rounds of cold snaps and high waves, with a survival rate exceeding 96% to date, and the total fish weight nearing 300,000 pounds, expected to gradually hit the market for sale in August this year. In addition to providing fish meat, the fish maw can also be processed into high-value-added fish maw products, offering good economic value.

Images of aquaculture fish groups captured by underwater cameras on "Penghu" .

This round of grey mullet aquaculture is Zhuhai City’s first large-scale deep-sea grey mullet aquaculture activity, fundamentally proving that grey mullet can be a suitable species for large-scale marine ranch equipment. Next, "Penghu" will gradually conduct aquaculture demonstrations of high-value fish species such as tuna and red snapper, solidly advancing the effective integration of advanced aquaculture equipment and techniques, contributing to the construction of a modern marine ranch in Guangdong Province.

The deep-sea aquaculture platform technology has been successfully applied in coastal provinces such as Guangdong, Hainan, Guangxi, Fujian, and Zhejiang, conducting series equipment research and development based on different sea conditions, forming three major product series—for mild sea areas, the purely cultured, low-cost "Haiwei series"; for open sea areas, the strong wind and wave-resistant, high-safety "Puseng series" marine fishery factory; and for high-end fishing tourism integration needs, the fully functional "Mintou series" fishing tourism platform.

"Mintou No.1" guest rooms.

"Mintou No.1" equipped with restaurant.

Custom research and development based on demand Optimistic about the potential of the Hong Kong market, looking forward to jointly building the "Guangdong-Hong Kong Grain Barn"

Hong Kong, as an international trade center and international tourist city, enjoys a booming marine tourism industry, a prevalent yachting culture, a developed catering industry, and strong high-end fisheries consumption power. Hong Kong residents and tourists have a strong demand and consumption capacity for high-end seafood products, requiring high-quality seafood and fisheries products.

Golden Coast Yacht Club.

Kenneth Fok Kai-kong suggested increasing the number of aquaculture technology exchange meetings organized by the Chinese Academy of Sciences in collaboration with relevant Hong Kong departments, facilitating connections between mainland research institutions, enterprises, and the Hong Kong industry. Let Hong Kong's four new aquaculture zones become part of the Greater Bay Area's seafood supply base, jointly constructing the "Guangdong-Hong Kong Grain Barn."

Kenneth Fok Kai-kong also suggested strengthening cooperation between the mainland and Hong Kong in fisheries, supporting the industrial upgrading and transformation of mobile fishermen in Hong Kong and Macau, providing a clear direction for the comprehensive development of fisheries resources in the Guangdong-Hong Kong-Macao Greater Bay Area. Kenneth Fok stated that Hong Kong fishermen achieved a fish survival rate of over 80% when attempting deep-sea aquaculture, significantly higher than the previous average, demonstrating the potential of deep-sea cage aquaculture as a global sustainable fisheries development trend and indicating the potential of Hong Kong and Macau to become the supply base for aquatic products in the Greater Bay Area.

Wang Zhenpeng, associate researcher at the Guangzhou Institute of Energy Conversion, Chinese Academy of Sciences, introduced to reporters from Hong Kong Commercial Daily how "Penghu" utilizes wave energy to achieve new energy supply.

Wang Zhenpeng, associate researcher at the Guangzhou Institute of Energy Research of the Chinese Academy of Sciences, told reporters that "Penghu" faces Lantau Island, Hong Kong, across the sea, offering a clear view of the mountains and sea in fine weather. "The marine green energy platform combined with deep-sea aquaculture technology has broad application prospects. The project's technology can effectively drive the transformation and upgrading of the industry. We mainly engage in research and development, customizing the development of different marine platforms based on customer needs. Currently, our clients are primarily fishing companies, but we can also undertake related marine scientific research." Wang Zhenpeng said. Regarding future development directions, the institute is exploring industry integration development models with offshore wind power, especially developing minimalist offshore aquaculture facilities to reduce costs and promote technical upgrades of traditional net cages. Additionally, combined with the growing demand for marine leisure tourism, the research and optimization design of high-end fishing tourism integrated platforms will also be a focus of future work. At the same time, actively promoting connections with the Hong Kong and Macau markets, especially the Hong Kong market, is a key area of expansion.

High-end Fishing Tourism Platform Design Diagram.

Sheng Songwei, researcher at the Guangzhou Institute of Energy Conversion, Chinese Academy of Sciences, stated that the institute has accumulated over 40 years of research and development in the field of wave energy. In recent years, it has achieved breakthrough developments in stable wave energy power generation research, with its eagle-style wave energy technology obtaining invention patents in China, the United States, the United Kingdom, and Australia, achieving an international advanced level of "wave-to-electric energy" conversion efficiency under real sea conditions. Deep-sea aquaculture is a powerful approach to achieving high-quality development of the marine economy and rapidly developing the marine economy, with the Guangdong-Hong Kong-Macao Greater Bay Area being a key region. Sheng Songwei hopes that advanced marine equipment technology can support further development of the domestic marine economy, including in Hong Kong and Macau. The institute is actively contacting relevant Hong Kong departments, hoping to enter the Hong Kong market as soon as possible.

Wei Shunbing, a relevant person in charge of Zhuhai Ocean Development Group, accepts media interviews

During an interview with the media, Wei Shunbing, a relevant person in charge of the Zhuhai Ocean Development Group, stated that as the investment and operation platform for Zhuhai's marine industry, the group mainly plays a role in coordinating, investing in, constructing, and managing operations related to Zhuhai's marine resources. It focuses on building a modern marine industry system around four major business sectors: marine biology, marine equipment, marine fishing tourism, and smart ocean.

"In the field of marine ranching equipment, two major technical teams have already settled in Zhuhai. The group collaborates with the Guangzhou Institute of Energy, Chinese Academy of Sciences. Based on Penghu Hao, through continuous product and technology iteration and upgrades, we aim to create a Zhuhai model for the high-quality development of modern marine ranches in Guangdong Province. By exporting mature models and products, we further enhance the urban competitiveness of Zhuhai's marine economy," said Wei Shunbing.

The "Penghu Hao" project is not only an important achievement of the Guangzhou Institute of Energy, Chinese Academy of Sciences in the field of marine science and technology but also provides new ideas and directions for the development of fisheries in Hong Kong and the entire Guangdong-Hong Kong-Macao Greater Bay Area. It can be foreseen that with continuous optimization of technology and expansion of application scope, "Penghu Hao" and its series of derivative projects are expected to become an important force in promoting the sustainable development of regional marine fisheries.

[double-croche1]

[CANNES 2023] SÉLECTIONS

Les différentes sélections du Festival de Cannes ont annoncé leur programmation. SÉLECTION OFFICIELLE - COMPÉTITION Films datés : 21/06 : ‘Asteroid City’ de Wes Anderson 28/06 : ‘Vers un avenir radieux' de Nanni Moretti 05/07 : ‘Les Filles d'Olfa’ de Kaouther Ben Hania 12/07 : ‘Les Herbes sèches’ de Nuri Bilge Ceylan 12/07 : ‘Le Retour’ de Catherine Corsini 23/08 : ‘Anatomie d’une chute’ de Justine Triet 30/08 : ‘Banel & Adama’ de Ramata-Toulaye Sy 13/09 : ‘L'Eté dernier’ de Catherine Breillat 20/09 : ‘Les Feuilles mortes’ d’Aki Kaurismaki 27/09 : ‘Club Zéro’ de Jessica Hausner 25/10 : ‘The Old Oak’ de Ken Loach 01/11 : ‘L'Enlèvement’ de Marco Bellocchio 08/11 : ‘La Passion de Dodin Bouffant’ de Tran Anh Hung 29/11 : ‘Perfect Days’ de Wim Wenders 06/12 : ‘La Chimère’ d’Alice Rohrwacher 27/12 : ‘Monster’ de Hirokazu Kore-eda 03/01/24 : ‘Jeunesse (Le Printemps)’ de Wang Bing 24/01/24 : ‘May December’ de Todd Haynes 31/01/24 : ‘La Zone d’intérêt’ de Jonathan Glazer 28/02/24 : ‘Le Jeu de la reine’ de Karim Aïnouz Film non daté : ‘Black Flies’ de Jean-Stéphane Sauvaire SÉLECTION OFFICIELLE - UN CERTAIN REGARD Films datés : 05/07 : ‘Une nuit’ d'Alex Lutz - Clôture 19/07 : ‘Les Meutes’ de Kamal Lazraq 04/10 : ‘Le Règne animal’ de Thomas Cailley - Ouverture 08/11 : ‘Simple comme Sylvain’ de Monia Chokri 08/11 : ‘Goodbye Julia’ de Mohamed Kordofani 15/11 : ‘How to Have Sex’ de Molly Manning Walker 22/11 : ‘Augure’ de Baloji 22/11 : ‘Un hiver à Yanji’ d’Anthony Chen 22/11 : ‘Rien à perdre’ de Delphine Deloget 20/12 : ‘Les Colons’ de Felipe Galvez 27/12 : ‘Si seulement je pouvais hiberner’ de Zoljargal Purevdash 27/12 : ‘Chroniques de Téhéran’ d’Ali Asgari et Alireza Khatami 24/01/24 : ‘Rosalie’ de Stéphanie di Giusto 27/03/24 : ‘Los Delincuentes’ de Rodrigo Moreno Films non datés : ‘Salem’ de Jean-Bernard Marlin ‘Only the River Flows’ de Wei Shujun ‘La Fleur de Buriti’ de João Salaviza et Renée Nader ‘La Mère de tous les mensonges’ d’Asmae El Moudir ‘The New Boy’ de Warwick Thornton ‘Hopeless’ de Kim Chang-hoon SÉLECTION OFFICIELLE - CANNES PREMIÈRE Films datés : 24/05 : ‘L'Amour et les forêts’ de Valérie Donzelli 16/08 : ‘Fermer les yeux’ de Victor Erice 04/10 : ‘Lost in the Night’ d'Amat Escalante 29/11 : ‘Le Temps d'aimer’ de Katell Quillévéré 24/01/24 : ‘Bonnard, Pierre et Marthe’ de Martin Provost Films non datés : ‘Eureka’ de Lisandro Alonso ‘Kubi’ de Kateshi Kitano SÉLECTION OFFICIELLE - HORS COMPÉTITION Films datés : 16/05 : ‘Jeanne du Barry’ de Maïwenn - Ouverture 05/06 : ‘The Idol’ de Sam Levinson (série, épisodes 1 et 2) 21/06 : 'Elémentaire' de Peter Sohn - Dernière séance 28/06 : ‘Indiana Jones et le cadran de la destinée’ de James Mangold 16/08 : ‘Strange Way of Life’ de Pedro Almodóvar (court-métrage) 18/10 : ‘Killers of the Flower Moon’ de Martin Scorsese 08/11 : ‘Dans la toile’ de Kim Jee-woon 08/11 : ‘L'Abbé Pierre - Une vie de combats’ de Frédéric Tellier SÉLECTION OFFICIELLE - SÉANCES SPÉCIALES Films datés : 01/11 : ‘Le Théorème de Marguerite’ d'Anna Novion 18/10 : ‘Anselm, le bruit du temps’ de Wim Wenders 01/11 : ‘Portraits fantômes’ de Kleber Mendoça Filho 01/11 : ‘Little Girl Blue’ de Mona Achache Films non datés : ‘Occupied City’ de Steve McQueen ‘Man in Black’ de Wang Bing ‘Bread and Roses’ de Sahra Mani SÉLECTION OFFICIELLE - SÉANCES DE MINUIT Films datés : 24/05 : ‘Omar la fraise’ d’Elias Belkeddar 23/08 : ‘Hypnotic’ de Robert Rodriguez 20/09 : ‘Acide’ de Just Philippot Films non datés : ‘Kennedy’ d’Anurag Kashyap ‘Project Silence’ de Kim Tae-gon SÉLECTION OFFICIELLE - CINÉMA DE LA PLAGE

Films datés : 22/11 : ‘Mars Express’ de Jérémie Périn 29/11 : ‘Flo’ de Géraldine Danon 27/12 : ‘Mon ami robot’ de Pablo Berger QUINZAINE DES CINÉASTES

Films datés : 19/07 : ‘De nos jours...’ de Hong Sang-soo – Clôture 13/09 : ‘L’Arbre aux papillons d’or’ de Thien An Pham 13/09 : ‘Le Livre des solutions’ de Michel Gondry 20/09 : ‘Déserts’ de Faouzi Bensaïdi 27/09 : ‘Le Procès Goldman’ de Cédric Kahn - Ouverture 04/10 : ‘L’Autre Laurens’ de Claude Schmitz 18/10 : ‘Un prince’ de Pierre Creton 29/11 : ‘Conann’ de Bertrand Mandico 06/12 : ‘A Song Sung Blue’ de Zihan Geng Films non datés : ‘Agra’ de Kanu Behl ‘Merle merle mûre’ d’Elene Naveriani ‘La Grâce’ d’Ilya Povolotsky ‘Creatura’ d'Elena Martín Gimeno ‘In Flames’ de Zarrar Kahn ‘Légua’ de Filipa Reis et João Miller Guerra ‘Mambar Pierrette’ de Rosine Mbakam ‘Conte de feu’ de Weston Razooli ‘La Vie selon Ann’ de Joanna Arnow ‘The Sweet East’ de Sean Price Williams SEMAINE DE LA CRITIQUE - EN COMPÉTITION Films datés : 11/10 : ‘Lost Country’ de Vladimir Perisič 11/10 : ‘Le Ravissement’ d'Iris Kaltenbäck 22/11 : ‘Power Alley’ de Lillah Halla 31/01/24 : ‘Inchallah, un fils’ d'Amjad Al Rasheed 13/03/24 : ‘Tiger Stripes’ d'Amanda Nell Eu Films non datés : ‘Il pleut dans la maison’ de Paloma Sermon-Daï ‘Sleep’ de Jason Yu SEMAINE DE LA CRITIQUE - SÉANCES SPÉCIALES Films datés : 30/08 : ‘Ama Gloria’ de Marie Amachoukeli - Ouverture 25/10 : ‘Le Syndrome des amours passées’ d'Ann Sirot et Raphaël Balboni 15/11 : ‘Vincent doit mourir’ de Stéphan Castang 20/12 : ‘La Fille de son père’ d'Erwan Le Duc - Clôture ACID Films datés : 19/07 : ‘Caiti Blues’ de Justine Harbonnier 18/10 : ‘Linda veut du poulet !’ de Chiara Malta et Sébastien Laudenbach 30/01/24 : ‘Laissez-moi’ de Maxime Rappaz Films non datés : ‘Dreaming In Between’ de Ryutaro Nynoliya ‘État limite’ de Nicolas Peduzzi ‘In the Rearview’ de Maciek Hamela ‘Machtat’ de Sonia Ben Slama ‘La Mer et ses vagues’ de Liana Kassir et Renaud Pachot ‘Nome’ de Sana Na N’hada A&B

#cannes2023