I cannot express enough that if your reaction, as a hobby artist, to not getting that many notes on your art is to say "maybe I should just stop doing art altogether" you need to stop posting art to tumblr
not necessarily forever, not even for long, but just stop putting your art on here and start doing it for you again, remember why you enjoyed doing art in the first place and stop relying on the attention of faceless people on the internet for your enjoyment of your hard work
believe me, I get it, nothing crushes the artistic soul quite like labouring for hours on a piece only for it to get like 10 notes, so you need to find your own source of joy in the act of creation and a lot of the time that means making art and not showing it to anybody
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if there's one [1] thing i will be forever grateful for in the internet era it's the vast variety and availability of pose / anatomy references supplied by photographers and models
i can go online and find PERFECT references for how fat folds crease the skin or how muscles wrap around the body and as someone who habitually draws most of his OCs ~modestly lean~ and wants to hone his skill in other body types, it is literally a godsend to have those refs so readily available
seriously, thank you all models and photographers for providing me the resources i need to expand my art skills i owe u my life
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I'm writting a DPXDC fanfic, which is Constantine centric and sorta trying to mimic the vibes from Hellblazer. So far it's just him pinning and yearning and feeling more guilt than the average catholic, while reseaching weird things that have been happening (It's Danny).
I'm going to do some small, background Dead on Main because I love them. There is going to be a little of Constantine/Zatanna, but they don't get together.
I'm thinking of calling it What thing worthy of love can be found in me? Thoughts?
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Gesture & Figure Studies
I mentioned in a previous post that a professor of mine gave me some resources that I find super helpful, and that once he fixed the links to those resources, I would share them here.
So, as promised, I'm making a post to compile the various online goodies I've been given/stumbled across on my own. All of these are super good resources to practice gesture drawing for free, and in a more comfortable environment than staring at a real person three feet away from you. Some of these are also good references to have for longer drawings, so feel free to use them in whatever way helps you! Links put below:
Before anything, I think it's important to explain what exactly gesture is. At its core, gesture is simply looking at some form of reference, and drawing what you see as quickly as possible. Gesture drawing isn't actually exclusive to drawing people; it's helpful with pretty much all subject matter, such as still-lifes or landscapes. This post focuses on figure studies, but the techniques found here can be used elsewhere too.
These exercises are typically done in increments of 30 seconds-5 minutes. That's not a lot of time, so it's very important to not get hung up on details while working. Instead, focus on whatever you're drawing in its entirety; the point is to capture the energy of whatever you're looking at, not each individual shape. These drawings tend to look a little goofy and that's perfectly fine! The important part is proportion and energy, not form.
Below are a couple of videos that I think best help introduce gesture drawing. Seeing it is action explains it better than words can, in my opinion:
A demo of figure gesture drawing (this is closest to how I was taught)
Short video that explains good things to watch out for while you work
And for the poses:
Playlist of timed poses (non-nude)
Playlist of timed poses (nude)
Pose image library (nude/non-nude/hands/more+)
Timed image library (nude/non-nude/hands/more+)
Another timed image library (nude/non-nude)
Pinterest board of hand/feet references (helpful even outside of gesture drawing)
HUGE pose reference library (very helpful even outside of gesture drawing)
DeviantArt page for the above (more poses I believe, but harder to navigate)
I'll update this post if I add anything else to this list, but this is all I have for now. Hopefully a couple of people can find this useful :D
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it's actually so fascinating to me that Brennan has created a character that maintains a pretty relaxed and mild-mannered demeanor and has said multiple times that the absolute Core of her is "FEAR" and how often we see this Fear manifest specifically in Avoidance; it really nails a relationship to that mentality where your brain fully Stops recognizing the emotion properly out of like, sheer self-defense from the stress of having to carry it all the time
I think this is also perfectly showcased in the way we tend to see Tula swing so suddenly from 'level and steady' to 'snarling Panic' and then back again - Just because your brain has detached itself from the Conscious Recognition of the emotion doesn't mean it can Actually stop itself from experiencing it. So the Fear is always there and always acting as a stressor, but because of that inability to Identify it there's no way to recognize or address it before that final straw hits and your bodymind jumps Straight into Full Meltdown Mode; but then once again, once you drop even a Little bit below that Peak Terror your brain ceases to process the emotion; it's like the most exhausting form of Poor Object Permanence in the world
And even if Tula is aware of this happening to her, that doesn't really make it any easier to deal with / address. Even if you're able to spot the symptoms Around the emotion -- chest pain, irritation, nausea, whatever -- because the Emotion Itself is basically impossible to find, you can't really Successfully Pin Down what the problem is OR a way to cope with it. If you can't figure out That You Are Anxious, then figuring out What Is Making You Anxious is impossible, which makes Find A Way To Make Peace With That incomprehensible. That's where the Avoidance comes in: you can no longer identify what might be a Dangerous Situation, which means that Anything New has a big potential to be Really Bad in a variety of ways (ranging "I don't Feel Good" to "Fully Lashing Out bc you've entered Fight/Flight and can't get out of it" to "Actual Outside Danger This Time") and that means the Only Way you know how to be Safe is to just Avoid Doing Anything New and Only stick to Familiar Situations, because anything unfamiliar is a monster of a gamble you don't know how to prepare for or cope with
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