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#Angel Medina
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curtvilescomic · 10 months
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Spider-Man by Angel Medina and Jon Sibel
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sprockyeahlegion · 2 months
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Erg-1
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ultrameganicolaokay · 1 month
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She-Hulk Epic Collection Volume 6: 'To Die and Live in L.A.' by Scott Benson, Michael Eury, Peter David, Angel Medina, Pat Olliffe, Bryan Hitch and many more. Cover by Olliffe. Out in July.
"The sensational She-Hulk meets the savage She-Hulk! What will Jen Walters make of her old self in a bizarre tale featuring the Gopher? Will she meet her untimely end at the hands of the Man-Elephant, her archfoe Titania or the ruthless Rumbler?! Which fallen heroes will She-Hulk meet in a tour of the afterlife? And can she somehow smash the fourth wall back to the land of the living?! You’d better hope so, because Jen has a court date – with a host of super villains! Plus: Shulkie battles the Bi-Beast alongside her cousin, the Hulk, and shares adventures with Doc Samson, the Thing and Nosferata, the Dark Princess! Collecting SENSATIONAL SHE-HULK (1989) #51-60, DOC SAMSON (1996) #1-4, INCREDIBLE HULK (1968) #441-442, THING & SHE-HULK: THE LONG NIGHT, and material from MARVEL COMICS PRESENTS (1988) #123-126 and INCREDIBLE HULK (1968) #412."
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alphacomicsvol2 · 9 months
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Spider-Man by Angel Medina and Scott Hanna
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nevenkebla · 3 months
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Se movió
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Amazing Spider-Man (1963) #406
Guionista: J.M. DeMatteis Dibujante: Angel Medina
— Peter Parker: Basta de bombas de tiempo. — Mary Jane Watson: Y de angustias. — Peter Parker: Gracias a Trainer, podemos estar tranquilos. — Mary Jane Watson: Tú, yo y nuestra hija… seremos felices para siempre. — Peter Parker: Sí. Tú, yo y nuestro hijo. Ya no tememos el futuro. ¿Qué tal el champán sin alcohol? — Mary Jane Watson: Un asco. Pero, ¿qué más da? Es la noche más maravillosa de mi vida.
— Peter Parker: ¿Bailamos? — Mary Jane Watson: No hay música. — Peter Parker: La ponemos nosotros. ¿Pensabas que la vida volvería a ser tan magnífica? ¿Que podíamos ser felices después de todo lo que nos ha pasado? — Mary Jane Watson: La vida siempre es magnífica en tus brazos. Tú eres mi felicidad, Peter. Lo fuiste y lo serás. — Peter Parker: Harás que me derrita… — Mary Jane Watson: Más te vale. Y quiero que te derritas hasta que seamos viejos.
— Peter Parker: ¿Qué? — Mary Jane Watson: Peter, se ha movido. — Peter Parker: ¿Quién? — Mary Jane Watson: La niña. ¡Noté que se movía! — Peter Parker: ¿Segura? No sé, no habrá sido… — Mary Jane Watson: Anda, dame la mano. — Peter Parker: ¡El niño se movió!
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splooosh · 4 months
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“never again”
Angel Medina
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samasmith23 · 10 months
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Diving into The Abyss arc of Donny Cates' Venom!
I'm currently marathoning Donny Cates' Venom run in the "Venomnibus by Cates & Stegman" that I got as a birthday present this year. I re-read "The Abyss" arc published in Venom (2018) #9-12 just a few nights ago (which was the last arc from the run that I originally read back in 2019), and holy FREAKING crap... I had honestly forgotten just how effectively heavy and powerful this arc truly was!
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When I first read this storyline back in 2019, it completely blew me away with its sheer amount of shocking twists and revelations, ranging from the backstory of a teenage Eddie Brock being involved in a drunk driving accident in which he ran over and killed a kid, but ultimately got off despite wanting to plead guilty due to Eddie's abusive father Carl Brock violently forcing him to plead innocent, to the revelation that his older sister Mary Brock and past experiences with cancer were actually false memories implanted by the symbiote in order to manipulate Eddie into staying with it, to the fact that he has a son named Dylan Brock who was accidentally conceived during that brief time his ex-wife Anne Weying bonded with Eddie's symbiote and briefly became "She-Venom" during the 90s miniseries Venom: Sinner Takes All.
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But re-reading the story now I can look back and greatly appreciate the sheer amount of craft that's on display with Cates' writing in this arc, since he carefully foreshadows all of these plot twists all throughout the arc through subtle hints and double-meanings in the character's dialogue. Aside from the brilliant narrative subversion of fooling the reader into initially believing that Eddie is the kid who's run-over in the flashbacks before pulling to rug to reveal that in actuality Eddie was the one behind the wheel, the twist that Eddie's sister was simply a false memory was expertly foreshadowed through both Carl & Dylan being absolutely confused whenever Eddie mentioned the name "Mary."
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Another that I really love about the drunk-driving backstory is how it not only recontextualizes Eddie’s motivations as both an anti-hero and as a supervillain. In regards to his anti-hero persona, Eddie's constant proclamations about wanting to "protect the innocent" were rather ill-defined back when the character received over a dozen miniseries' during the 90s. But here Cates' emphasizes how Eddie's guilt over accidentally killing a kid and being let off due to being manipulated by his abusive father has made him want to try to protect "real innocents" from people like himself. but also during his time as a villain pursuing Spider-Man. As for how this backstory recontextualizes Eddie's tenure as a Spider-Man villain, during in the original David Micheline era in which Venom first debuted, Eddie’s hatred for Spidey was connected to the classic Death of Jean DeWolfe storyline, wherein Eddie wrote a series of interviews for the Daily Globe with a man he believed to be the notorious serial killer, “the Sin Eater,” whilst hiding the killer’s true identity under the guise of “first amendment rights and protecting his journalistic source.” But Eddie was eventually forced to reveal his source’s identity due to mounting police pressure and the Sin Eater’s rising body-count, which led to Eddie outing the Sin Eater as Emil Gregg. But literally 30-minutes later it was revealed that Gregg was just a copycat, as Spidey caught the real Sin Eater who turned out to be policeman Stan Carter, which led to Eddie being fired and refusing to take responsibility for his own failures by projecting the blame onto Spider-Man. Additionally, the Micheline's Venom: Lethal Protector & Zeb Wells' Venom: Dark Origin miniseries highlighted how Eddie’s relationship with his estranged father partially influenced his writing of the Sin Eater interviews in an effort to bolster his reputation, but following his firing permanently destroyed any chances of reconciliation with Carl Brock.
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And in those classic stories Eddie constantly proclaimed that he was “once an innocent whose life Spider-Man ruined,” even though his actions as a journalist were incredibly morally dubious and unethical. So the drunk driving backstory of Eddie being violently forced to plead innocent by his father and ultimately getting off? That only further fleshes out Eddie’s inability to accept responsibility and false projection of “innocence” onto himself during his villainous phase in those original stories, while also showing how much Eddie has grown since then by acknowledging that he’s not a “real innocent.”
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Plus, there's also a strong thematic through-line in this arc about the nature of abusive relationships in the form of Eddie's co-dependent bond with the Venom Symbiote plus Carl's abusive behavior towards Eddie in the past & Dylan in the present day. Additionally, Cates also touches upon ideas of self-improvement and redemption, not only through the backstory of Eddie's motivation to "protect the innocent," but also through the story ending with Eddie deciding to raise Dylan himself after helping him escape Carl's influence, as well as the Venom symbiote willingly leaving Eddie & Dylan after the former denounces the symbiote's manipulative behavior, with the symbiote proclaiming that it's, "Trying... to... be... better... both... of... you... better... without... me..."
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It shows that the key difference between Carl and both Eddie & the symbiote is that Venom at least acknowledges his past monstrous behavior and makes efforts to change unlike his coward of a father, thereby simultaneously allowing Eddie to overcome the demons of his past with his abusive father, as well as making the symbiote's later reunion with Eddie in Absolute Carnage more believable!
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Like... hot dang! There's a reason why "The Abyss" arc in particular left such a lasting impression on me when I initially read the first 12-issues of Donny Cates' Venom series a few years ago! Not only does it still hold up phenomenally well from both a narrative and thematic standpoint, but it's gotten me even more excited to dive into the rest of Cates' Venom run and the corresponding Absolute Carnage and King In Black events, which will be my first time ever reading those stories!
However, I do have some thoughts regarding two minor points of contention about Cates' run as a whole and "The Abyss" arc in particular that I've encountered from toxic fandom spaces here on Tumblr that I also wanted to address, which I'll link to right here:
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rolledspinepodcasts · 6 months
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The Spawnometer
Episode 0:0:3:9
Vanguard & Berzerker (1983-1997)
Spawn #39
& Megaton #1-4 & Vanguard #0-6 & Berzerker #1-6 & Vanguard: Strange Visitors #1-4 & Megaton Holiday Special
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tomoleary · 1 month
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Angel Medina and Bill Anderson “Blackwulf” Cover Original Art (Marvel, 1994)
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makeminebronze · 2 years
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You know what? Even if current rumors don't come to fruition, I'll still take any excuse to celebrate one of my favorite Avengers, Simon Williams: Wonder Man!
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comfortfoodcontent · 1 year
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Avengers/UltraForce #1
Writer(s) Glenn Herdling Penciler(s) Angel Medina Inker(s) Keith Aiken Steve Alexandrov Hector Collazo Don Hudson Colorist(s) Chris DeFelippo Malibu Color Letterer(s) Janice Chiang
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blackphoenixinvictus · 10 months
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Me on days ending in "Y."
(P.S. Angel Medina's artwork on The Incredible Hulk was very underrated)
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jihef03 · 2 years
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Angel Medina got to draw the Green Goblin for only like two panels but he really understood the assignment.
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cryptocollectibles · 1 year
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Warlock and the Infinity Watch #1 (February 1992) by Marvel Comics
Written by Jim Starlin. drawn by Angel Medina and Terry Austin.
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