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#also i keep accidentally foreshadowing
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Great news: at least 300 words of my currently 6k cnc fic is just Alastor petting Husk and then Husk being a tsundere about it
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kimdokjas · 10 months
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hey! so i want to read orv after seeing you post about it for a bit but im not sure where i should start- i was hoping you could tell me how you got into it ??? anyway hope you're having a good day:)
hi omg yes of course!! legit SO excited to help spread the orv agenda, prepare to have your brain chemistry permanently altered by it fr (not clickbait)
orv stands for omniscient reader's viewpoint and it's first and foremost a webnovel, but there's also a currently ongoing manhwa adaptation (also there's a live-action movie in pre-production so you're joining the orv train at the perfect time actually)
not to oversell it but the novel is, no joke, the best piece of fiction i've read in my entire life. because of its heavy metanarrative elements, orv really is meant to be read as a novel—it's literally a love letter to its readers.
HOWEVER, i actually highly recommend starting out with the manhwa first, which is how i got into it! i feel like the manhwa is more engaging at the beginning and helps you visualize the characters and setting better. once you get a good grasp on the cast and the overall gist of the plot, you can always switch to the novel!
i personally made the switch after ep 98 of the manhwa and i'd suggest doing the same bc it just hits a lot harder in the novel at that point (plus the manhwa takes away some of the internal narration that literally recontextualizes that whole arc but i digress)
as for where you can read it:
you can find the manhwa on webtoon here (there's also an app if you prefer reading on mobile)
and you can find the novel here
(btw i fully rec starting the novel from the beginning once you make the switch! it might seem a bit repetitive at first, but you actually pick up on a lot of foreshadowing during the second read + you get to see some scenes that were changed / removed in the manhwa!)
beyond that i'll just say that the story only keeps getting better, trust me. it's probably the only one i've read where it just builds and builds and never stops and the payoff during the epilogue is 10000% worth the ride <3
hope you're having a lovely day as well!! and i really hope you enjoy the absolute insanity that is orv hehe
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baltears · 2 years
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made this visual of all the times williams theme popped up in this scene because im mad that i still cant figure out why it’s in there
#I keep looking at it expecting that if i just look long enough i'll see something 😑#but yeah still. no idea#it's absolutely impossible that they did this accidentally (like. lol. come on) but WHAT#I UNDERSTAND why dolores' theme showed up during the william sequence in 2x04. that one made sense like it seemed obvious#but why this scene for this?? why here??? what could this possibly have to do with him or her relationship with him or anything#does emmett have some sort of significance here that i didn't catch??#also before anyone comes in my notes telling me im overthinking this. no im not. this show's score is used very intentionally#i've mentioned that this is a variation on william's theme that first showed up in vanishing point so i thought maybe it had to do with that#but there's just nothing linking these two things in my brain lol. how would christina finding out about the closed system relate to william#I had this theory a while back based on a couple of small hints that potentially christina might be an amalgam of dolores and william#which would make this make a little bit more sense... but that's not the direction they seem to have gone since she just is dolores#the only thing that's coming to mind is that the ''walled garden'' is related to william somehow. which i guess wouldn't... not make sense..#the phrase ''walled garden'' was initially brought up as a way of explaining how the hosts have perfect memories that preserve everything#and obviously a major plot point in season one was dolores' perfect recall of william because she relived all her memories of him#and i have posited that a major part of season 5 is going to be william kind of being. reconstructed. into something closer to his old self#but that still feels like suuuuch a reach lol. like the dots still aren't quite connecting#My best guess is just that this is some sort of very very subtle foreshadowing that is meant to pay off in season 5#BUT WE MIGHT NEVER GET. A SEASON FIVE.#JUST EXPLAIN PLEASE JONAH AND LISA#grr!! it's gonna bother me until i know >:(#westworld
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kopawz · 1 year
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in hi-fi rush, you can wail on vending machines until they explode, which gives you currency and health.
turns out, there are also themed soda cans, of ALL the major bosses! (i noticed this, because i had accidentally kicked a can into a wall where it got stuck, and wanted to take a picture...)
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you want BEVERAGE CAN world-building? click the keep reading. the details put into this game are nuts.
Rekka's drink is just apple juice! she asks that you CHUG and CRUSH the can on your head when you finish a can. will do, ma'mm.
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Zanzo's drink is... pure creativity? maybe it's something like gamer fuel or gatorade, if we're lucky. probably tastes like Green.
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Korsica's drink is a simple, reasonable, 100% caffeine free soda. very befitting of her attitude, really. "make the right choice"... call that soda foreshadowing!
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Mimosa's drink isn't a mimosa, but sparkling water. she put "elegance" into the drink?-- i shouldn't SHAKE it? dangerous.
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Roquefort's drink is an espresso! it has "silver extract" in it? i get the werewolf reference, but no human can drink this thing.
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and big boss Kale's is... ginger ale? i didn't take him to be a ginger ale kind of guy at first, but it makes sense. recycling is mandatory.
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Does Elain Archeron want to be human again?
Theory debunk ahead.
I have personally *tried* (though I am absolutely not perfect) to take a hippocratic oath with my presence on the internet and wish to do no harm. The Libra moon to my Virgo sun is always trying to approach things peacefully. The wing 2 on my type 1 ennengram is always trying to take an open hearted approach to compassion and empathy for others while still defending my views on Elain (and Azriel).
However, the take that Elain's book is going to be centered around her acting in risky, irrational, or damaging ways because she has one goal and that is to be human again, is a theory I have ZERO respect for. So, with all due respect, which is none, please feel free to self insert disrespectfully at the end of each point as I systematically debunk this theory. This is probably the longest post I'll ever make. Strap in.
So, where TF did this come from?
On my tiktok, I addressed the fact that the rumor that there is going to be a betrayer in the Night Court ranks has zero grounds. We should collectively start to work to realize this is as accurate as Sarah having an announcement on May 1st, but alas it is a losing battle. However, I received a comment that said they also agreed that it was fake UNTIL they saw someone use text to support it. Apparently, one of the human queens insinuated there is a traitor in the Inner Circle. This is why, even though Sarah NEVER said this, people are now continuing to push this "Elain will be a traitor" agenda. Even accidentally or unintentionally out of her desire to be human. I made a whole video on this, but for context, here is the quote being used to fuel this:
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Briallyn and Nesta are in a game of chicken with Briallyn trying to force Nesta to get the Trove by threatening she'll have Cassian kill her, and he'll never recover. When Nesta calls her on her bluff and says Briallyn won't kill her, Briallyn responds that there are other court members as delusional as Nesta (she is referring to her love for Cassian making her weak, delusional, and vulnerable) and she can just keep threatening members of the Night Court's loved ones until someone gets her what she wants. However, she put in *quite* a bit of time and effort on trapping Nesta first, didn't she?
My friends. Where does Briallyn say "there is a traitor among the Inner Circle's ranks?" Where does it say there is a mole? It doesn't. Yes, Briallyn has spies. As do all courts and kingdoms. But to suggest Briallyn said there is already a traitor in the Inner Circle specifically because of these quotes is unhinged and beyond willful distortion of the text to serve an invented narrative based on an unfounded rumor. I don't have time or energy to recap the whole vid, but moving on from this for now. Disrespectfully.
The next layer of the conversation is this: They think Briallyn is probably still foreshadowing Elain because Elain wants to be human so badly she'll unintentionally harm the Night Court and betray them, somehow, because of this quote and the conversation with Amren on Solstice. To which I said, there is way too much evidence in ACOSF that Elain is healthy, adjusted, and has friends and purpose in Velaris. The response to that was, well that's Nesta's perception and we can't trust her.
While the convo on tiktok was, I felt, respectful discourse and we agreed to disagree, the parasite in my brain went into full annihilation mode over this theory after thinking on it.
Because by this logic- if we aren't allowed to trust Nesta's or Cassian's perceptions that Elain is healthy and well and adjusted, or glowing with good health and finding purpose and friends, then we ALSO aren't allowed to trust Amren's assumption that Elain was curious about her choosing her Fae form because Elain wants to be human again. Elain never actually said that. Amren assumed it:
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(yes I'm bringing so many receipts I exceeded the photo limit and had to start combining pages.)
At no point does Elain say anything about wanting to be human. In fact, this entire conversation is about Elain's curiosity over why Amren chose the form that she did, why she selected the gender, ect. It's honestly an interesting conversation, and when Amren makes assumptions about Elain having ulterior motives for asking the interesting question, *Elain's brow furrows in confusion.*
Elain straightens and becomes cold at Amren's assumption Elain still wants to be human. One could read this as Elain feeling embarrassed for being called out, but the pure fact is that it isn't the only explanation. In fact, Elain has spent all day cooking for everyone, spent the week shopping for Solstice presents and waxing poetic about the importance of honoring Solstice traditions (more on that later) and participating in the Fae customs, fussing over her appearance for the dinner she prepped for, ECT. It's equally as likely that she is hurt over being misunderstood by the new friends and family she has spent the day trying to making a perfect Solstice meal for and shop for everyone. Which is, if I'm not mistaken, Elain's whole damn theme. Her loved ones don't really see or understand her, while she observed and understands everything. Far more than they give her credit for.
Or maybe Elain has a fucking BEAST FORM. And is curious about what her powers can do with changing form.
The point is, it is all theory and assumption from another character. So, the dinner conversation at Solstice is now off the table using the very logic enforcing the Elain betrayal plotline by suggesting Nesta's perceptions of her are untrustworthy. So are Amren's. What's next? Disrespectfully.
There's only one other item people can use, from ACOFAS, which is Feyre's perception that Elain still wants Grayson. Which again, by this logic, is off the table now.
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Feyre is the one who says Elain wants a human man. Elain didn't. So this can no longer be used as evidence.
All Elain says is Lucien is not entitled to her time and affections, and it's impossible for Lucien to care for her because he does not know her. Hmm. Someone thinking they know and care for Elain without actually knowing her. Theme, anyone? I thought I heard a theme bell chime.
Alright. So Nesta is wrong about Elain. Amren is wrong about Elain. Feyre is wrong about Elain.
So where are the grounds that Elain still wants to be human based on the text?
They don't exist.
But oh, that's not even the fun part! NOW is the fun part.
By eliminating others perceptions of Elain from the conversation as they are unreliable, what does that leave us?
Perhaps with Elain's own words and actions and nothing else?
You guys, I felt like a kid in a candy story with this one. Let's see what Elain told us about her thoughts regarding the human lands, starting with the most recent publication ACOSF:
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Elain describes in great detail how she was bullied by other girls when she was younger. It's interesting, because Nesta previously said that Elain used to love balls and parties. And yet here, we find out that Elain wasn't treated well by the other girls in her own words speaking on her own experience. She goes on to *shudder in distaste* that in the human lands, it would have been perfectly suitable for Nesta to have been married off and "reserved" until she was old enough to reproduce. A thought that made Rhysand, a Fae, choke on his wine. And then of course, those same girls that tormented her delighted in her downfall.
When Elain speaks for herself instead of others speaking for her, it doesn't seem like she thinks very highly of the human lands, their customs, or their behavior, or the balls she attended does it? She certainly doesn't have any friends or anyone she misses. Everyone turned their backs on the sisters when they lost their money. And Elain witnessed this with Grayson as well, who turned his back on her the second her circumstances changed against her will again.
So uh, no. I don't think Elain is desperate to go back there.
And if course we have this ACOMAF banger:
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So.... yeah. In Elain's own words, sharing her thoughts and beliefs, this is what she thinks about the rulers of the mortal lands. By the way, these same queens had her kidnapped and risked her life and took everything from her so they could test out whether mortals could survive being thrown in the Cauldron. But please, tell me more how Elain misses her human life so much that she'll screw over her friends and family to get it back. Disrespectfully.
Alternatively, in A Court and Frost and Starlight, here are the lovely thoughts Elain had about Fae culture:
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Here's Elain working with her friends to bake Feyre's birthday cake, a representation of the three sisters:
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Here's Elain surprising Nesta and Azriel with presents her very first Solstice, after chatting with local vendors and working with the Night Court's trusted healer:
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Here is what Elain, Elain and no one else, has to say about being a member of the night court and ready to use her powers to serve it:
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This is what happens when you cherry pick context. You create a new set of rules, which people like me are more than willing to follow. And if the rule is: Elain's thoughts and feelings are the only pieces of evidence allowed and not anyone else's thoughts or perceptions of her, it actually only proves the theory that Elain is going to betray the night court because she wants to be mortal again and return to the mortal lands even more wrong. Considering the theme once again, of how misunderstood and unseen Elain has been, the unbelievably ironic meta-ness of it all is overwhelming. Please, unplug yourself from the Matrix. Pay attention to Elain. It's in your best interest to at least attempt to see and understand her if you plan to read her book, or you are going to be very lost and confused.
Disrespectfully.
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tricktack · 10 months
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A list of (almost) everything MatPat got wrong about GenLoss:
"Generation Loss is an ARG." Generation Loss is actually quite transparent about not being an ARG. It has elements similar to an ARG, such as audience interaction, but there is a clear barrier between the story/characters and real life. One of the defining features of an ARG is the lack of this barrier.
"Ranboo is the Founder and orchestrated the entire show from start to finish."
"The teasers ask the audience to kill the Founder, and the finale ends with the audience voting to kill Ranboo, implying they are the same person." It was heavily foreshadowed that there are many generations to come, and also confirmed by cc!Ranboo several times. Killing the Founder in Generation 1 wouldn't make sense. That, and just because Ranboo died doesn't automatically prove that he's the Founder.
"Ranboo always makes choices that keep the performance on track." He is being controlled to do so. One of the very first details you can possibly notice in the series is that when the mask comes on, Ranboo is not in control of his actions.
"Ranboo doesn't participate in searching [in ep 2]." The Showfall announcement on twitter says that interactive elements are limited on episode 2, giving Ranboo no commands or agency of his own to actually help other than the limited audience polls. also the mask was reset in episode 2, placing him under even stricter control.
"Ranboo knows what is happening and will do anything to keep the show going." Since the very beginning teasers, Ranboo has been labeled The Hero. This name alone makes it obvious that Showfall has intended for Ranboo to be the protagonist, and thus the one that makes it to the end. Again, he's under control- even if he knows what's going to happen, none of his reactions or choices were truly his.
"Ranboo locked Sneeg in the basement, that's how he knows Sneeg was there for 6 months." There's no evidence that Sneeg actually was there for 6 months, given that the cabin is canonically just a set that they use. All we have to go on for this is a throwaway line (which GenLoss is full of throwaway lines). And Ranboo somehow "knowing" how long Sneeg was there isn't a direct implication of guilt, again considering that it's the set of a show.
"The Puzzler is scared of Ranboo." The Puzzler is the Bad-At-Being-A-Villain archetype. Him going "woops sorry" when he almost accidentally kills Ranboo is not him being "scared" of Ranboo. It's him being the goofy villain that Showfall wrote him to be. (Sidenote: Interesting that Matpat was implying that Jerma may have flubbed some lines, when the entire point of his character was to be as incompetent as possible. Saying the wrong thing was kind of... the point of the character.)
"Ranboo believes he is doing everything to help humanity." Yeah he lost me there. I don't even know what that's supposed to mean.
"Ranboo's death was staged" I'll give this one the benefit of the doubt. He may not have actually died, or he may have been brought back, but it's not because he was actually the one behind it all.
"The cooking show cutaways prove that Ranboo is still alive." The cooking show cutaways are obviously prerecorded, even in-universe. You have to consider that even in-universe this is still a live show. They would've had to have been prerecorded anyway. Even if these cutaways had been filmed after the fact for a prerecorded show, the cutaways still could've been recorded between episodes, as canonically there was a day in between each episode (where it's implied that characters go into an idle state).
Using cc!Ranboo's explaination about the rerecorded/remastered aspects of the Founder's Cut as evidence that gl!Ranboo is manipulating the footage. This would be a very interesting take on the idea and definition of Generation Loss as a concept, however cc!Ranboo has stated many times before that the Founder's Cut is solely to get past the limitations of the live setting. It also would not make sense that gl!Ranboo would be the one manipulating the footage, but we're too deep down the "Ranboo Is The Founder" rabbit hole to talk about that.
"The Founder's Cut will replace the original VODs, slowly changing the details until a distorted copy is left." Again, cool concept. But Ranboo has already confirmed that this is not the direction that the series is going. The VODs will still be up and the Founder's Cut is not meant to replace them, just make them easier to watch.
Conclusion: MatPat focuses too much on throwaway lines, in-universe jokes, and whiteboards, and ignores blatant visual clues such as the mask, morse code, and... just about everything really... for 16 minutes.
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mcyt-trios · 8 months
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The winner of this poll will go on to face Architechs (Grian, MumboJumbo, Iskall85)
PROPAGANDA:
Campfire Crew:
CAMPFIRE CREW THE ABSOLUTE GUYS OF ALL TIME. CAMPFIRE CREW THE PINNACLE OF ACCIDENTAL FORESHADOWING THE TOP TIER OF "IT'S NOT THAT DEEP BUT IT COULD BE" WATCH AS LOYALTY EATS THEM FROM THE INSIDE OUT IT WAS ALWAYS GOING TO END THIS WAY YOU SAY FINAL THREE AND YOU COME OUT WITH THE FINAL THREE. there is literally SO MUCH i could say about campfire crew and absolutely none of it would be enough. death games are prime material for interactions of all time and the campfire crew is absolutely knocking it out of the park. they lose their first lives planning around each other. they live in the same house (they live in different houses). they're scheming against each other. they're working with each other. they're two people who have FOUR KILLS EACH and one hapless innocent man. they're three people who swore a pact over a campfire and despite everything ended up holding to that pact. every time they play rock paper scissors, someone dies. the innocent, in death, turns them against each other, despite this not being how the game works. they reveal their roles to each other and it has this entire sense of inevitability -- of everyone having ALREADY KNOWN what was going to happen. it doesn't matter that two of them are going to kill everyone else on the server. you get that "innocent's" loyalty and you have him for life. paranoia is nothing next to a need for blood and connection. i have a normal amount of emotions over "i swear my loyalty / i offer my fealty / uhhhhhhhh same." do not @ me
Ghaae:
They’re in love your honor. They’re three gay men in love. Two himbos and a scientist. They were roommates then they were lovers.
dam it, I don't have the words for them. they are just little guys with big hearts and lots of love to give and all of them are just a bit traumatized and bit to used to the concept of death and they all need hugs and get them surprisingly often despite everything happening around them, and I love them and would kill for them <3
Gay people. Honestly that's it. They all need hugs respectively (as does everyone in this smp) Rae is the child of the Goddess of the mind, and is also the vessel of said Goddess (and is 1 of 2 things keeping their end dimension together). Aax is a olm who was. Made a in a lab. And kills undead things whether they want to or not (he was made to), named himself after an axe. Caspain is just a guy. The most guy on this smp. They got a cute little house and a even more adorable dog named atlas, and back in season 2 their axolotal area was named the armory because most of the axolotals were named after weapons. (Season 3 its just a pond), they're very gay all the time and deserve the whole world.
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the-8-of-spades · 2 months
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She-Ra fics I consider canon
Hey gang! here's a list of (mostly post-canon) fics I've read over the years that are I feel are well written and in character enough that they could be canon to the show, and to an extent, each other! I put the list in order for anyone who wants to read it like a season 6 :D
Don't Go - extended version of scenes in S5E5 and S5E6. Written by ND Stevenson so is basically already canon. Angst and fluff
Daylight - picks up a day after the s5 finale. Catra & Adora begin to really understand that they're free to live a peaceful life. Tooth rotting fluff.
Pros & Cons (NSFW) - Bow and Glimmer seem joined to Adora at the hip 24/7, and Catra just wants to make out with her girlfriend. Has a couple lines that could be seen as contradictory or foreshadowing to Carry our Bodies. Mostly 3/4ths fluff, 1/4th smut.
Carry our Bodies Safe to Shore - Adora finds an old Horde incident report, and Catra has to tell Adora about the kiss that Shadow Weaver erased from her memory. Angst and fluff.
Keep on Walking, Come What Will - Adora & Catra accidentally get engaged. Pure fluff
Alternatively, Princess Prom 2.0 (One Year Later) - Adora & Catra get engaged on purpose. Pure fluff
^ honestly, I reconcile these two by head canon-ing that the "accidental engagement," happens at the impromptu princess prom and then they get too busy for a wedding and then the on purpose engagement happens at the real princess prom, because both are so well written and so in character.
Anachronism (and sequel) - Adora & Catra get traumatized again while rescuing Angella.
^ (Fic is pretty good, mostly on here because I haven't found any fit that does "rescuing Angella" better, lmk if you have any recs!). Angst and Fluff. I don't think there's any NSFW but it's a long fic and it's been a while since I read it.
If anyone has any other recommendations for this list please leave them in the replies! I would love to expand this list until I have a sixth season worth of content!! (also only one NSFW fic rn cause I mostly read fluff lol but if anyone has NSFW recs that feel canon send those as well!)
Addition 1: honorable mention for Breathing Room by ResFlower because it is almost IDENTICAL to a scene from one of the others where Catra has to break it to Adora that their fight in the Red Waste was actually Double Trouble.
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youryurigoddess · 22 days
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The Small Back Room — Hour of Glory (1949)
Good Omens 2 begins with the visit to The Small Back Room not because it was meant to serve as an exposition scene for Maggie and her record shop. It’s a substantial foreshadowing of the main plot and the relationship changes between Aziraphale and Crowley.
As all the other classics referenced throughout the show, this 1949 Powell and Pressburger production is easily available online — whenever you have 100 minutes to spare, I highly encourage you to watch it.
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Our story begins with the arrival of Stuart, a British military captain, who makes his way through a labyrinth of offices towards a small building — the research section led by an eccentric, queer-coded, bow tie wearing professor Mair — to ask for help with a secret Nazi weapon.
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That’s when the professor calls our hero, Sammy Rice — an engineer and bomb disposal expert in the service of Her Majesty’s government and, not accidentally, the most brooding, wounded man in Powell and Pressburger’s impressive canon of dysfunctional and alienated characters.
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Due to a prosthetic foot keeping him from active service and confining to work in the titular back room instead, Rice is dramatically slipping into alcoholism. Haunted by self-loathing and disappointment with the internal politics, he can’t see the point of his research anymore.
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Sammy is also conducting a clandestine affair with the secretary of his research unit, Susan. They live in the same building and meet regularly, but can’t openly enjoy their company or even dance due to his injury, which makes him even more bitter and pathologically determined to wear her angelic patience down.
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Susan puts up with it until the minister is forced to resign. She knows that if non-scientists take over, their section will become useless, Rice even more difficult, and the war possibly lost. She urges him to take action and when he dramatically refuses to make a difference, she leaves him.
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Seemingly at his lowest now, Rice becomes a sudden chance to redeem himself. Captain Stuart calls him about two unexploded booby traps found in Wales, but left to himself, he dies during a heroic attempt to dismantle one of the thermos-like devices before our engineer arrives at the scene.
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In a nerve-jangling finale, Stuart’s notes help Rice dismantle the second device. He becomes a hero, gets an officer commission as head of the new scientific unit, and discovers that Susan not only came back in the meantime, but repaired everything he drunkenly destroyed in the apartment after their breakup.
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The parallels seem straightforward enough for me to add that in this context the role of Maggie through most of S2 may particularly reflect Crowley’s stagnancy in both work and love life. And if you’re unsure why the demon identifies with the heroic roles and characters, you might want to read this post on the subject.
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Now, The Small Back Room was distributed in the US under another title — Hour of Glory. Which happens to be a specific Bible term referring to Christ’s “hour”, the period supposed to consummate all of his work on Earth and reveal God’s ultimate plan of salvation: the Son’s death.
John 12:20-36 Jesus replied, “The hour has come for the Son of Man to be glorified. Very truly I tell you, unless a kernel of wheat falls to the ground and dies, it remains only a single seed. But if it dies, it produces many seeds. Anyone who loves their life will lose it, while anyone who hates their life in this world will keep it for eternal life. Whoever serves me must follow me; and where I am, my servant also will be. My Father will honor the one who serves me. Now my soul is troubled, and what shall I say? ‘Father, save me from this hour’? No, it was for this very reason I came to this hour. Father, glorify your name.” Then a voice came from heaven, “I have glorified it, and will glorify it again.” The crowd that was there and heard it said it had thundered; others said an angel had spoken to him. Jesus said, “This voice was for your benefit, not mine. Now is the time for judgment on this world; now the prince of this world will be driven out. And I, when I am lifted up from the earth, will draw all people to myself.”
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Christ’s hour began in the garden — this time the garden of Gethsemane — as he prayed passionately for the cup to be passed from him, similarly to Aziraphale declining Metatron’s offers on screen, both regarding the hot drink and his reinstatement as part of the Heavenly Host:
Luke 22:42 “Father, if you are willing, please take this cup of suffering away from me. Yet I want your will to be done, not mine.”
All throughout the Old Testament, we see God’s wrath being described as a cup poured out on sin and those guilty of it. By accepting it, Jesus took the toll of all the sins — from Eden up until the last one to be committed right before his Second Coming — on himself, for the sake of his beloved humanity.
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The passion of Christ continued as Judas betrayed him with a kiss, his disciples abandoned him, and the high priest accused him of crimes he was not guilty of. Even Pilate, the prefect of Rome, pretended to uphold the law; and remember we already expect a S3 trial based on another Archers movie.
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All in all, it’s an hour of great injustice and pain, but also glory of God. We’re led to believe that the Ineffable Plan will similarly triumph over the great one (or whatever Metatron tries to implement at the moment), as it did in S1. And its ending will be a good one, back in a garden.
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samijey · 4 months
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Corey Graves with the foreshadowing of all time in this old episode of Smackdown (February 19th, 2021)
Let's talk about this episode, shall we? Because the Sami & Jey dynamic is really interesting in retrospect
Let's talk about how this episode accidentally focuses on the samijey dynamic way before it became "a thing" - remember these were HEEL Jey and Sami - they were both at their lowest points, with Jey at his most volatile and aggressive (still reeling from his defeats against Roman) and Sami being an annoying, paranoid mess (this was shortly before the whole Johnny Knoxville thing).
At the start of the show, Sami interrupts a segment between Edge and Roman (the "real" top feud going on in SD at that time, if you'll remember - oof pandemic era) and immediately starts rambling, which Roman ignores, Edge laughs at and Jey just watches looking equal parts confused and curious:
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man literally got the 🤔 going on
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that was until Sami got the camera crew involved and started yelling into the microphone, at which point Jey lost patience and superkicked him - look at his face when he turns around to look at the camera guys he's soooo annoyed
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classic samijey angst shot before it was a thing i'm just sayin'
Sami rolls to the outside after the superkick so Edge and Roman can resume their thing - and what does Jey keep doing during the rest of the segment? stare at Sami on the outside, of course
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he just keeps doing it for no apparent reason
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even while they're all making their exit, Jey's in the back of the shot staring at Sami, who's still down (lol at his little head popping up in the right corner of the frame)
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cut to the main event tag match of heels Sami, Jey & Corbin vs babyfaces Daniel, KO and Cesaro. Immediately as Jey makes his entrance he and Sami start bickering
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that's when you have that great line from Corey Graves about sparks flying (talk about foreshadowing lmao)
also let's talk about how Sami gets in Jey's face but Jey doesn't look phased by it and looks weirdly relaxed as he responds with "I got you"
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they go on to bicker during the match, of course
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but to also be the only two people to work together (we even pause the match at one point to have a classic "angry" tag spot between them)
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and to put a cherry on top, they are also the only 2 to save the other from getting pinned
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it's fun to see that even over a year before Sami famously approached Roman to officially kickstart the Sami in the Bloodline story arc, these two were already gravitating towards each other on a random episode of Smackdown 🤧🤧 it makes for really funny (unintentional) foreshadowing
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quitealotofsodapop · 3 months
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The crew listens to Epic: the Musical.
MK's favorite song is Legendary.
Wukong identifies with Just a Man (not that he'll admit it).
Macaque likes Ruthlessness because he's an emo little stinker.
Sandy likes Open Arms (of course).
Tang and Red Son like Warrior of the Mind.
Pigsy really thinks the monkeys should take Luck Runs Out to heart.
Mei likes Keep Your friends close (a fun bop that belies danger underneath, just like her).
I have to be careful binging a new muscial (or in this case Saga) cus I end up playing each song on loop for hours. Opinions might change once the full and finished versions of later sagas are released.
I love all these hcs <3
Im imagining the gang likely sees/listens to Epic on the reccomendation of MK (who's currently on a Greek Mythology hyperfixation), and he gets them all to watch the full play - maybe in the future as a irl performance or film.
"Legendary" is SUCH an MK song. Both him and Telemachus growing up with the stories of someone dear to them and wanting to replicate their success. I could also see him really liking "Warrior of the Mind" with the theme of "some nobody" gaining the favor of a god (reminds you of anyone?) + SWK is infamously the personification of The Mind in Jttw so its a bonus. MK is smiling evily whenever a harsh plot twist occurs and his fam are shocked silent. >:3
Sun Wukong feels targeted personally with how many of the Epic songs remind him of his past. Ofc he starts crying halfway through "Horse and the Infant", and is inconsolable during "Just A Man" - verbally yelling "NO!" at the end. And like Nezha and Sandy is *silent* during Posideon's songs. Is super jazzed during the triumphant Ithaca Saga though! And feels mega catharic during "King" when Odysseus proves that he still rules to the suitors! He tries his best to hide how much the muscial is affecting him.
Macaque is a canon theatre Nerd - so he's already listened to the musical multiple times, but he's uber excited to see the live performance (and secretly bond with his found fam). Is rocking out during "Ruthlessness" and "Done For" in particular, so much so that he's fidgeting and dancing within his seat. He also vibes with "No Longer You" as someone with powers of prophecy. Is really amazed how much Wukong gets into the musical, but in retrospect understands *why*. Him and Wukong accidentally share a glance during "Would You Fall In Love With Me Again" and it gets a little awkward afterwards.
Mei is similarly excited to see anything with her bestie, so she tried her best not hear/see any spoilers ("it's a centuries' old story Mei" "Ssssh!! Dont tell me!"). She was shooketh by how hard the muscial goes. "Keep Your Friends Close" is her fave based on beat alone. She gets delightedly scared and amazed by consistent horse imagery used with Posideon (shameless link to my fave Animatic of "Ruthlessness").
Tang loves himself some historical and mythological adaptations, and is estatic that MK has given him an excuse to go see one! He's not as familar with Hellenic mytholgy as he is with Hindu-Chinese, but he knows enough lore to make the pog-champ face at every foreshadowing/reference. "Warrior of the Mind" really gets to him as a song about valuing your smarts. He also feels really empathetic for Calypso.
Pigsy only went cus Tang begged him. He feels super lost by the deep Greek lore he's missing, but he can get Odysseus's whole thing with trying to get home - but he def identifies more with Eurylochus. "Luck Runs Out" proves this to him. Later on he feels that the second-in-command was justified in having the soldiers rebel against Odysseus after so many losses (who wouldn't after losing all their friends?). Audibly gasps at the end of "Just A Man" - cus who would just do that!? Is a little freaked out by Circe turning the Athenian's into pigs - Eurylochus is depicted as partly-transformed, played by a pig-demon actor who was in super convincing human makeup in the previous sagas. He also gets protective feelings by-proxy seeing Telemachus's situation since the prince reminds him of MK. Is surprised by how much he likes the musical!
Sandy feels betrayed. This isn't like Disney Hercules at all! He does really enjoy Polites message in "Open Arms" and the later moments when the hopeful soldier's outlook is proven correct. He's a little overwhelmed at points though - he get eerily quiet during Posideon's scenes. He sobs joyfully when Odysseus finally makes it home and reunites with his family! :')
Because of this really good animatic/almost child-like depiction of Aelous by gigi; I can def see "Keep Your Friends Close" being Nezha's fave. It reminds Nezha of when he was far more carefree + has a solid lesson on about trust/"forbidden fruit". He also enjoys the more march-like tune of "Survive". He does however, freeze when he listens to Posideon's songs "Ruthlessness" and "Get in the Water" - he has been on the bad end of a sea god before and is quietly shtting himself for Odysseus.
Red Son goes in feeling like he could have stayed at home listening to the musical on his phone while working on a car instead. He is however blown away by the heavy themes and performances, especially "Warrior of the Mind" and Telemachus's situation - a prince forced to grow up fatherless and protecting his mother from suitors due to his dad pissing off a higher power? Hello?? Accidentally shrieks "YES!!!" when Athena becomes Telemachus's mentor/friend after "Little Wolf".
Princess Iron Fan I could see loving any song including Penelope (she empathizes with the Queen's situation hard), but unexpectedly enjoys "Keep Your Friends Close" - she's a fellow Wind Goddess at her core. It also reminds her of her not-so-little-anymore nephew.
DBK on the flip side loves the heavier songs like "Polyphemus" and "Ruthlessness". This man is a Posedion apologist. He does feels bad for Odysseus by the end though - man just wants to get back to his wife and kid dammit!
Bonus: The Spider Gang are watching the bootleg and Spider Queen agrees with Circe's whole girlboss attitude especially "Puppeteer". Scorpion Queen is Calypso in "Not Sorry For Loving You".
This got a little away from me - hope you enjoy!
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pianostarinwonderland · 10 months
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Red Flowers: Rambles About Camp 2, Glomas, and Chapter 7
[JP spoilers ahead, you have been warned]
HI I’M SO MAD BECAUSE WDYM CAMP VARGAS 2 FORESHADOWED GLORIOUS MASQUERADE????????
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For context, in this part of the event, Film Studies Club and Board Game Club just shoo’d away the forest fairies, and then they talked about why they were trying to put out the campfires. Then they started talking about the forest fire that happened back then: a miner’s campfire accidentally got too big and the fire happened. And then that screenshot comes up.
Vil also says “red flowers” in the JP.
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This is insane to me because in the JP version, Camp Vargas 2 was the event directly before Glorious Masquerade. Camp happened late September 2022. Glomas happened the next month.
THIS IS SO INSANE….. THEY LITERALLY JUST DROPPED THIS SO INNOCUOUSLY AND THEN MAKE IT THE BIG THING IN THE NEXT EVENT…….
But it’s also so interesting too because!! A friend and I were talking about it because the red flowers that Rollo grew in Glomas are forbidden flowers! They were a thing in the past at one point. Fae would have known about the flowers, because in the first place, they’re fatal to them. The red flowers absorb magic and they will keep absorbing magic until the mage user has no more magic. And as beings literally made of magic, this is definitely deadly for fae. So in a way, this tidbit of information packs so much worldbuilding, not just about the forest fire, but also the perspective of fae.
Worth interesting to bring up here: Red flowers most likely came from Maleficent: Mistress of Evil. In the movie, humans made red dust from it to kill fae in the human-fae war. As that war is canon in Twst, it wouldn’t be a surprise if the Silver Knights (the humans) used them against the faes. So with that context, fae would see red flowers as a horrible thing, and to conflate it with fire, which kills living things too… yeah.
And now that we’re on this topic, we have to talk about chapter 7 because I am haunted by the fact that in the Maleficent movie, the faes do win against the humans.
But in Twst? We clearly see that that’s not the case.
Briar Valley was once called Land of Briar, as seen in the title cards showing the location in Lilia’s dream, connoting that it used to be much bigger. If you look at the map of Briar Valley, you’d also see that there are division marks on the country itself.
Literally the human-fae war has been twisted in this game. And that’s so fucking beautiful because in the original Sleeping Beauty, the humans won against Maleficent. Fae was the villain in that movie. But in Maleficent: Mistress of Evil, it’s the faes who won. Humans were the villain. And THEN you see here that the humans won, but now you can’t really tell who’s hero or villain. It’s easy to say the humans because fae like Lilia are protagonists in this game… but remember too that Silver is fully human And may or may not be descended from the Knights and Sebek is half human. Ffs, Yuu is human.
Anyway, consider that Maleficent lives despite the red dust used in the war. But now think: if the silver knights Do use the red flowers, that may have been what killed Malleus’ mother… and the one who lives is Lilia.
Consider too that in Maleficent: Mistress of Evil, one of the three fairies died to that red dust protecting the other fae :-) the blue fairy specifically. Noteworthy too that she’s the one who lifts Aurora’s curse such that she doesn’t die but just sleeps till she’s given true love’s kiss. Kinda… like how Malleus was born. Needs to be given love to “wake up”, to be hatched, to live. Like how Aurora needs to wake up via true love’s kiss to live. Merryweather in that sense is kinda like Lilia.
How haunting then that if Twst didn’t twist (heh) Maleficent surviving the war and made Mallenoir live, it could have been Lilia (who was the one who helped Malleus hatch) who died from the war.
Anyway, next chapter 7 update is probably gonna be so fire (haha) !!! But now it’s food for thought for glomas 2
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aroacesetitoff · 4 months
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OG Infinight Reference Sheet + Headcanons
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Marcy Burns/Elleve the Amender
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-4 feet tall
-its mentioned that she has "rainbow robes" and ive decided to interpret that as sunset colored
-pre mining accident Marcy has longer hair and has already lost her eye to unknown circumstances
-post mining accident Marcy cut her hair and it turned whiter, and she switched to more monochrome clothing-symbolizes her turning away from her faith and also grieving her husband
-still wears her wedding ring, and keeps Fred's on a chain with a locket of his picture
-we know literally nothing abt Fred but I think he was also a halfling and had a sick ass mustache
-the symbol on pre-accident Marcy's eyepatch + staff is supposed to be of the Diarians (followers of Dia). The circle is Faeza, the hands are Dia herself, and the six teardrop shapes are the Diagems. Also meant to resemble a flower as a reference to Gum Gum
-magic goblet-does it have a name? Anyways Paralyte stole it from the Sheerays so I gave it an aquatic wave/seaweed design (water = life)
-idk how to design tattoos, but other clerics of dia would probably have similar ones-i think hers are religious in nature
Ostin Tashe/Slique the Symphonius
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-ya boiiii
-4'6-so just barely taller than Bart. Barely
-had the most satisfying color palette for me- i love green and so does he
-i rewatched the hobbit/lotr trilogies so Ostin is def inspired by that-gave him braided hair and armor
-idk how a tuning sword works. Like a bident maybe? Ive drawn the sword in his right hand (the one with missing fingers) but he might prefer to fight left-handed. Idk ive trained with longswords before but ive never lost any fingers so i cant say
-magic lute-gave it a greener/mossier color palette to show it was from the Elderpines. The strings are vines and the rosette has a tree design
-dont know where Ostin's scars came from either, maybe he really did fight a dragon maybe he didnt-doesnt stop him
-post-Wight Winter i gave Slique a grey streak to match with Spectril
-also gave him a cool colored eye highlight for the same reason
Leonard Lank/Spectril the Surreptitious
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-i put his height around 5'7/5'8
-made the rogue armor sharp and dark-had to recolor it from the origianly palette bc it was too dark tho lmao. Fur collar to foreshadow his time in the Ethereal Plane
-post-Wight Winter i gave him simple, more homey clothes bc at that point he had a family and wasn't focused on fighting. The fur is not bear fur i swear
-already mentioned it before but his hair started turning white + he grew it out/braided it back.
-he's got normal rogue daggers, and then the Ethereal daggers. Not shown but yeah they fade in and out of the Material and Ethereal Plane
-"Walls Have Ears-Doors Have Eyes" by Clan D. Stine-the wiki i think mentioned him having books that let him turn invisible and walk through walls-this one's definitely a Leitner (ifykyk)
-boots-deceptively simple in design from the Elderpines
-piercings include several ear piercings, snake bites, and an eyebrow piercing
-warm colored eye highlight to match with Slique-your honor i have (accidentally) sun/moon coded then because they are gay
Luz Prattle/Paralyte
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-6'0 tall and definitely uses it for intimidation
-i think she dresses kinda emo/alt
-the only infinight with a unique logo-instead of two crossed swords its a snake eating itself
-committing to the snake bit-i gave her scale armor
-the gloves have two talons on the pointer and middle finger, based very specifically off a homebrew item i saw where the hand kind of looks like a biting snake. It contains a venom that paralyzes enemies and came from the Sheerays
-put a snake on her sword. Cause why not. Thats why she teamed up with Brink they are both snake lovers
-not drawn, but she would have a snake tattoo somewhere on her body
-hands are turning dark at the fingertips as a side effect of using the gloves so often. Her veins are visibly green because shes pale as hell and also suffering from long term exposure to Sangrianite
-facial scar-man im sorry i dont know where this one came from either. Kyborg shot her once tho i do remember that
Bo Bender/Grislee the Groundbreaker
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-height is about 6'6, very tall lady
-all i had to go off was red bandana so its like her thing
-her locs are made of rocks and also have veins of gold in them
-the stuff on her shoulders and hammer are lichen-she takes such long naps outside they've started growing on her. And also earth genasi
-when shes raging she has magma veins coming from her eyes and hands, and the inside of her body also glows
-when shes not raging it cools to golden veins-still very hot to the touch sometimes
-didnt have a lot if ideas for her second outfit but i gave her a bearskin bc she is "grizzly"
-hammer is the other item from the Sheerays and is pretty much just a trunk on a stick in terms of design. Combined with the lute tho, they are probably some of the most powerful items in Faeza
Man thats a lot of characters. Should i have made these before I made 3 painting and a comic page? Yeah. But i didnt lol. Enjoy✌️
edit: fixed the magic item origins
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woodchipp · 6 months
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A CRITIQUE OF OMORI, PART 3: MARI AND THE TRUTH
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NOTE: Reader discretion is advised. By clicking on “Keep reading”, you willingly choose to continue reading the post.
OMORI spends a considerable amount of time trying to ingratiate you to Mari as a character. In Headspace, she plays a motherly role to Omori and the gang, providing endless positivity and advice to the party whenever they take a break at her picnic blanket; at one point, Kel even begs Hero not to tell Mari about him and Aubrey knocking Basil over the same way a child would beg someone else to not tell their mother after messing up. In the real world, everyone who knew her only ever speaks of her as being kind and gentle, and the official walkthrough guide even calls her “the glue that holds everyone together”.
As wholesome as all of that may seem at first glance, this is one of the main problems with Mari’s writing: the game tries to get you to love her so hard that it comes off as overly aggressive character shilling. For instance, during the second picnic Omori and his friends can have with Mari en route to Basil’s house, Basil wishes to be more like Mari and notes that she always seems to have everything under control, Hero compliments her on how she always makes everything look easy, and Aubrey describes her as "effortlessly graceful". As with Basil summing up each of the characters via flowers, the game spells out the character’s personality for you right at the start rather than allowing you to parse it for yourself over the course of the story.
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[Pictured: complex and nuanced characterization.]
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[How should I know? I literally just met her a few minutes ago.]
If the shilling had been limited to Headspace, it could’ve been a powerful narrative tool to show how much Sunny idolizes his big sister and foreshadow that his perception of her is unreliable. The problem is that what we learn about her in the real world reinforces said unreliable perception; as with the photo album and the main characters’ childhood, the narrative paints the real Mari as too impossibly perfect of a person to be remotely believable. Not only did she switch beds with her brother when the latter started to have difficulty falling asleep, she also let him sleep with her when he had nightmares, took the blame for him breaking one of their mother’s vases and even saved him from drowning once. She also bought Basil his signature photo album, bought Sunny a giant building block set as a gift for one of his birthdays, carried Sunny back home after he fell asleep on the bus, pitched in along with Sunny's other friends to buy him a violin for Christmas, was the perfect match for Hero and generally served as the group’s caring mother figure in the real world as well. C’mon, love her already!
Of course, such a flawless angel is too good for this sinful earth. That is why, after spending the entirety of its runtime building up to Mari having killed herself due to her own mental issues, the game pulls a last-minute plot twist and reveals that Sunny accidentally killed her by shoving her down the stairs during an argument they had over Sunny breaking his violin on the day of a recital they were to perform at. As evidenced by the datamined text from the “Truth” photo album, the game gives no consideration to Mari’s perspective on the matter and only focuses on Sunny’s feelings. It’s all about how he was overcome, how his fingers were shaking in pain and how he was sick of practicing over and over. How did Mari feel when she saw her brother destroy the fruit of her and his friends’ hard work in one fell swoop? How did she feel being perpetually dissatisfied with the waltz she obsessively practiced, trying to reach the unreachable standards she set for herself? These are questions the game doesn’t bother answering, because Sunny and his feelings are of central priority to the story at all times, even if it comes at the expense of other characters, their own feelings or even logic. 
(speaking of logic, the game never explains why Sunny and Mari were arguing at the top of the staircase in the first place. the piano room, which is most likely where the two practiced since Mari's piano is located there, is on the first floor of their house, while Photo of an Argument shows them them having said argument on the second one. peak writing)
Additionally, the story fails to properly establish just how strenuous violin practice was for Sunny. The only bit of set-up for the argument the game provides during the main story is Lost Library's “Saturday morning cartoons” book, which isn’t much and requires the player to make a giant leap from “Sunny doesn’t like violin practice because he misses out on watching cartoons with his friends” to “violin practice physically hurts Sunny and he resents Mari for her perfectionism”. Likewise, the narrative’s prior and consistent portrayal of Mari as flawless is incompatible with the plot twist’s insinuation that she overworked Sunny and was harsh on him when he made mistakes, which makes the twist feel even more inorganic than it already is.
If the game left the twist at Sunny shoving Mari down the stairs, that probably would’ve been enough. However, it subsequently inserts Basil into the scene, him having bore witness to the argument and Mari’s murder. This doesn’t make sense on a logistical level because the game never explains how Basil managed to get inside Sunny’s house and why he was there in the first place. Not only does Basil not try to call an ambulance/find the nearest adult to help, he comes up with a plan to cover up Mari’s murder by framing it as a suicide. Basil’s multi-step plan is not something one would come up with in a situation of high anxiety and stress: it feels nearly premeditated, and at no step of the way does Basil seem to have had second thoughts, like one would if they were acting irrationally. Furthermore, the sheer tonal dissonance created by the fact that Basil of all people came up with an idea this demented isn’t disturbing as much as it is absurd. It reeks of the writer assuming that a topic like murder instantly makes a story Deep and Complex without putting any thought into it, and it seems Basil was written into the twist solely to absolve Sunny of any responsibility for the cover-up. 
Finally, the game inadvertently implies that Mari's suicide wasn't investigated properly, if at all. The clues indicating that she didn't hang herself are obvious, such as the fact that she seemingly used a jumping rope and her stockings being clean as opposed to stained with grass and mud from the ground around the tree. Such a break from reality isn't much of a significant problem, but it does become rather conspicuous once you notice it. Fans tend to theorize that Sunny's parents somehow knew the truth and possibly bribed the police into dropping the case, but there isn't enough concrete evidence to support this theory.
The knowledge of the twist is imperative to understanding just how aggressive and transparent the shilling becomes. Some of the most notable moments that explicitly demonstrate what the player is meant to think about Mari include divine light shining down on her grave in the town’s cemetery, her farewell to Sunny at the end of the North Lake segment, where she is briefly shown walking on water, and her brief conversation with Sunny in his house's piano room on One Day Left, where she apologizes to Sunny for “pushing him too hard”, implying that her brother killing her was somehow her fault.
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Mari isn’t a character in her own right - she is the quintessential fridged woman, existing purely as the object fueling the main characters’ grief and being important only when the game needs to assure the player that Sunny killing his sister wasn’t much of a big deal. After all, even the person he killed is shown to forgive him for what he did.
Speaking of Sunny, his actions in the aftermath of the incident paint him as rather reprehensible. Not only does he vandalize Basil’s most precious belonging and then leave him alone, but he also chooses to lie by omission to his friends and his parents, letting them believe that they failed her because of the assumed nature of her death as a suicide. On top of all that, the game seems to heavily imply that Sunny blacked out the photos due to Omori’s influence; considering that Omori is apparently meant to be the personification of Sunny’s depression, this reads as a convenient way to absolve Sunny of any responsibility for his horrible actions by making his Evil Mental Illness the culprit.
It’s time to talk about this game’s depiction of mental illness, then.
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raisedbythetv89 · 19 days
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joss's sick obsession with not just causing pain and suffering - but punishment and humiliation to his "pretty popular girl" archetype characters aka Buffy and Cordelia and his favoritism of the most horrible mediocre white men aka riley, xander, and angel is never more apparent than in Into the Woods
The writers opted not for the FANTASTIC call back to season 1 with owen and Never Kill a Boy on the First Date when Buffy says "two days in my world and owen really would get himself killed…. or I'd get him killed… or someone else...."
which set them up perfectly for the road map of Buffy's attempt at a "normal" relationship that angel, her mother, and the scoobies keep trying to push her to have (when she's not normal herself so of course it's gonna be a disaster which is soooooo trying to force a queer person to be straight coded which is why spuffy is inherently queer on top of them both being canonically bisexual because Buffy embracing her love of Spike is embracing her inherent queerness)
But could you IMAGINE how amazing it would have been for season 1 to have foreshadowed riley being turned at the suck house (because literally all that evil in Sunnydale and NO ONE takes the opportunity to turn the slayer's boyfriend into the perfect secret weapon to take her and her whole family out??? PLEASE)
Then vamp riley almost killing Dawn and her mother (because Dawn would be the one tricked into inviting him in as a call back to Dawn accidentally inviting Harmony in and Buffy saying she's gonna get us all killed plus angel tricking his little sister into inviting him in once he was turned)
Buffy is forced to kill him after pleading with him to remember he loves her or any part of who he was (which would further show how exceptional Spike's ability to form a truce with Buffy, keep it, and fall in love with her all without a soul is)
Making riley her second (third if we count ford being left for dead and then having to dust him) turned evil boyfriend she's forced to kill.
Buffy would still be DEVASTATED and it's Buffy so she'd still punish and blame herself even though it'd be all riley's fault (demonstrating how this storyline would still cause immense pain for Buffy and be very high stakes drama for the plot but again joss elected for humiliation having Buffy literally chase after the man who was cheating on her with vampires while she was dealing with a sick mother and a hell god after her sister. Favoring a white man's character over the best plot line)
All while also further setting up her and Spike's relationship because of the "if that's what I wanted I'd be dating Spike" of it all which was her basically saying if I didn't want normal, Spike would be who I'd choose and now she's tried to be normal and he got killed, almost killed her family and then she had to kill him just like season 1 Buffy knew would happen when she broke things off with owen!!
AND the poetic irony of her trying to be “normal” and it ends with the exact same result?? The lesson being that rejecting who you are is not the answer and the only true answer is self acceptance because pain will happen no matter what so might as well love and embrace yourself ???
BUT NOOOOOOO the writers aka joss opted for riley's narrative to be that he's a hero and a good guy always, no matter what because joss has a big fat crush on marc and guys like him, angel and oz all get written off by treating women like shit without being villainized for it at all and then leaving. Getting to go on to live rich and fulfilling lives while Kendra, Tara, Cordy, and Anya are all violently killed off with barely any time spent grieving their deaths by more than one character..... (I haven't ever been able to finish ats so I don't know how much this applies to cordy's but my guess is the pattern didn't change much)
THEY EVEN LOOK THE SAME FOR CHRIST’S SAKE IT WRITES ITSELF
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prince-kallisto · 7 months
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Malleus expelled from NRC?
Malleus, in addition to having had his Overblot by choice, has been the one who has caused the most danger to everyone so far. Although, as time is still, there is no material loss, and everyone woke up where they were. Let's face it, the risk was serious, as it was putting people's lives at risk (if we consider what Ortho said, which I find bizarre considering that time stopped, so the everyone's body should be suspended). Of course, even so, the people of the island of the wise could spend centuries sleeping, lose relatives and acquaintances, and become disconnected from the current time (that is if Malleus doesn't put the world to sleep). And ignorant of these factors, several forces are mobilizing, such as S.T.Y.X. Outside, the islands surrounding the island of wise men were evacuated. That's quite a problem, besides, Malleus' reputation will be elegantly ruined if his identity is revealed to the Media. I seriously hope his identity has been in secret and only the people who are resolving the situation know. Although everyone at Lilia's party saw it... Still, students don't have as much of a voice as the authorities. So I hope they don't reveal the identity of Malleus as the person responsible for the situation on the island of the wise men. Why his reputation goes where Judas lost his boots.
I haven't read the light novel, but I saw that people commented. It looks like Riddlr almost got kicked out in volume 1. If he almost got kicked out by an accidental Overblot. I can't even imagine a purpose....
This is so true!! Σ੧(❛□❛✿) I really loved the detail in the novel that yeah- Overblot had a BUNCH of realistic consequences such as being expelled and being ostracized by everybody. Although this has never been a problem in the game, the sheer scale of Malleus’ damage- ESPECIALLY when all the faculty and staff were there to witness it- makes this an entirely different case. Plus, the scale of the damage of the Overblots have been getting more dangerous overtime…
But since a Book 8 is very likely, which means the Diasomnia crew will be involved with us, perhaps something DOES happen to Malleus 🧐
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Because in the Book 7 trailer, doesn’t Malleus look…frightened? Specifically when the thread “snaps” and Silver wakes up…I think there’s going to be a lot more to his arc than we think. Specifically, he will be the one in danger.
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Something that’s been making me suspicious are the VERY hidden Coffins/gates behind Malleus, because he is caged up in thorns. I’ve heard some people say the cage looks like a crown- which I agree! But…doesn’t it also look like a birdcage?
Why hide the coffins in the background? Why the shape of this cage? The coffins have repeatedly been told to keep students inside three unconscious, and can only be opened by a SPECIAL KEY that Crowley has. This, plus the BIRD cage…it has me unsettled.
Overall, this is a very excellent point, because there will definitely be a “greater evil” than Malleus ಠ_ಠ And considering his importance and foreshadowing in the official art, I wonder if he will be the target or a “sacrifice” for someone with greater goals. Thanks for the ask, I love hearing your theories!! 💞💞💞🐦‍⬛
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