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nanaminokanojo · 30 days

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BAD NEWS | CHAPTER INDEX/PROLOGUE (Ongoing)

-just when you thought you were over your humongous crush on your older brother’s best friend, geto suguru, you couldn’t be more dead wrong, and maybe there isn’t really anything holding you back from acting on it now that you’re all grown up…except satoru doesn’t like suguru for you because he knows his kind all too well: a huge ass playboy who breaks hearts like he changes socks. but you think. MAYBE you’ll be the exception...maybe not.

TW/CW: strong/mature language | adult content so mdni on some parts; just skip them. you’re not missing much | mentions of alcohol, drugs | mentions of cheating, promiscuity, mild dubcon (consent >>>), etc. | again, god-awful pet names i’d cringe at if a 3d person says it | toxic behavior | will add more if something arises

AKI’S NOTES: I would like to express my sincerest thanks to everyone who loved and supported “Thawing Ice Queen” as well as those who participated in the poll on which smau I’m going to write next. So, this is what won in said poll, and I hope it gets as much as love as TIQ if not more. Reblogs and likes are very much appreciated, and I actively respond to comments as well as Asks. Also, if you’re interested, I will include you in the tag list. Just message me through whatever avenue you’re most comfortable with. Happy reading!

ADDITIONAL NOTES: i will be using pics and other media which would fit situations and make the smau-ness of this piece a little more realistic and entertaining when i believe it’s appropriate/fitting to the plot (as i've done with TIQ). having said that, with regard to inclusivity, i just want to put it out there that they will not necessarily be aimed as the exact descriptions to fit a supposedly generic reader nor will they be representative of a specific race or color (even if you’re/the reader is gojo’s sister here). it’s all for the simple fact of media availability, for funsies and the fact that i don’t exclusively write in consideration of those aspects when using reader-insert characters unless i specify it. thank you for understanding.

MASTERLIST

CHAPTERS: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15

16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30

PHOTOS/IMAGES/GIF/FANART/ANY MEDIA CREDITS GO TO THE RESPECTIVE OWNERS.

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cursedvibes · 3 months

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jjk having queer-coded villains seems to be an intentional choice. what are your thoughts on this

Honestly, I think the queer themes and characters we've gotten in jjk are pretty great. Yes, some of them are villains and that is a common harmful trope, but first of all it is not just the villains and second you have to look at how their queerness is portrayed and implemented into their characters.

We have characters like Kirara and Hakari and I think you can count Tengen too, who are queer(-coded) and not villains. Their queerness is pretty explicit in case of Kirara and Tengen with Kirara having clearly transitioned and being some flavour of trans and Tengen also openly stating she's lost interest in gender and is if anything a gnc woman. Queerness is also not their entire character, just one minor aspect of it that is honestly not that important. Tengen being responsible for the creation of jujutsu society and Kirara rebelling against the school and then choosing to aid the kids in the Culling Game is much more significant than their gender. Tengen corrects Yuki about being a man and then we move on, it is not actually a big deal. Yuki is more concerned with Tengen's actions than her gender.

The comment from Panda insisting that Kirara is a guy was weird, but it isn't brought up again, everyone just doesn't gender Kirara when seeing them without making a big deal about how "weird" it is for a presumed guy to have boobs like you might've expected in other pieces of media. The implication here I think is just that Panda hasn't seen Kirara in a while nor knows them very well. The comment was unnecessary in my opinion, you could've shown in a better way that Kirara transitioned, but the way it is treated afterwards makes it better. I think it especially helps that we see Hakari so accepting of Kirara, it is something normal and their relationship is loving. Kirara's gender or presumed sex is no issue at all between them and the other characters just roll with it too.

Same could be said for things like Geto and Gojo's relationship for example, the most prominent example of queer-coding in jjk as is also heavily displayed in marketing for season 2 of the anime. Obvious choice, they are by for the most popular ship and tapping into shipping sells. Their the sasunaru of jjk. I don't think you could call it queerbaiting though because contrary to sasunaru you don't have this "jk they both ended up marrying some random women like the heterosexual men they are" and there are literally no confirmed relationships in jjk anywhere except for the people who are married (and those usually don't love each other). stsg have as much ground to stand on as Kirara/Hakari or Muta/Miwa. They are milking that money cow, but with the way it is handled in canon, it doesn't bother me much ignoring their fanbase.

Another aspect we see in stsg that also applies to how we see queerness in some of the villains is that their relationship (of whatever nature that might be) is there to humanize both Gojo and Geto. There is actually some meaning to it, not just shipper bait or an insane villain being gay and that being included as another aspect of him being reproachful like you see with many Disney villains. Geto's bond with Gojo (and his family) is portrayed as the last bits of sanity left in him and also any criticism you'd leverage against that could apply to Gojo as well, a main character.

Similar with the queerness of the other villains. It is either an unimportant detail of their identity or it is actively used to humanize them. Uraume's gender is purposefully unconfirmed, nobody even makes any assumptions and that fact is about as important as their hair colour. It's just part of their identity, nothing more. It is not portrayed as predatory or used for any "trap" jokes. At least not in canon, the fandom is its own beast and I think their behaviour comes from what they are used to seeing in other media not due to anything done in jjk.

Kashimo falls into the same category of unconfirmed gender. Fans and some fantranslators assume Kashimo is a man based on what they looked like in the past, but it is actually never confirmed in the manga. Neither Hakari or anyone else ever genders Kashimo. There being no assumptions made or their possible gender or androgynous appearance discussed. People just roll with it and it isn't made to stand out in the story. I don't think you can even call Kashimo a villain, more like an antagonist similar to Higuruma was one with selfish morality. Their gender or appearance doesn't play into that at all.

With Kenjaku I guess you could see them taking over Kaori as predatory towards Jin, but it is played different than the common tropes. For one, Jin is as it seems aware of the change, just chooses to ignore it. It isn't played as a "man tricked other man into sex" or "man disguised as a woman", in fact the story goes quite out of its way to state that Kenjaku isn't (cis) male actually. Both Wasuke and Jin address Kenjaku as a women, even when they have suspicions. Kaori stays in some form with Kenjaku, she isn't just a cheap disguise and pregnancy overall is an important topic for Kenjaku both in good and bad ways. When Kenjaku says "thank you for getting along with my son" it is the first big step towards giving Kenjaku more depth than just them being a big bad mastermind. Kenjaku cares in some way for their child and doesn't just see him as a test subject. So the time in Kaori's body clearly had value to them as well beyond just getting a vessel for Sukuna. Same goes for their meeting with Takaba for example, which is the biggest example we got so far of Kenjaku being proven to care about other people and gaining depth through it. Their relationship with Tengen could count as well.

So the queer aspects we got of Kenjaku are there, but they aren't shown in canon to be something strange, quite the opposite usually. I think you see it best when you compare Kenjaku to Orochimaru, who clearly, as stated by Gege too, is a big influence for the character. Orochimaru has the body of a woman in the first part of the series, takes over the bodies of children and shows interest in Sasuke that is often seen as gay. Orochimaru is portrayed as predatory particularly towards children/boys, a persistent stereotype of gay and/or effeminate men as well as trans people. When Orochimaru reveals in the fight against Hiruzen that he inhabits the body of a woman, the characters around are disgusted and not only because this means another person's body was violated, the uncertainty of Orochimaru's gender unsettles them. You see the same thing in Boruto. Multiple characters make mean or disgusted comments about Orochimaru because they can't tell their gender and the whole "are you a man or a woman, a father or a mother" gets pushed a lot, often used as a joke. Mitsuki is being supportive and corrects people, but that doesn't stop Orochimaru's gender being brought up almost every time they feature in the series. "omg I can't tell this person's gender this is so weird and creepy" don't you have more pressing concerns like the fetuses swimming in those tanks or the human cloning?

Compared to that, Kenjaku is handled much better. There is no weird fixation on children, they have only taken over adults from what we've seen so far (due to the size of their brain and it being a real organ I think that is even a necessity) and the bodies are also mainly there for practical needs, Kenjaku isn't shown lusting after them no matter the person's gender. Choso goes from assuming Kenjaku is Yuuji's father to calling them a parent. It isn't commented on, we just assume Tengen informed him. Kenjaku being revealed to be Yuuji's mother isn't shocking because "wtf that's a man in a woman's body", it is more so about the implications of them being related. It is also used to show that Kenjaku is actually not a cis man (everyone at that time even doubting Wasuke uses she/her naturally with Kenjaku not objecting to it despite not really pretending to be Kaori) and by being his mother they have a closer personal connection to Yuuji. The fandom usually puts more harmful tropes into this moment than there actually are in the manga. I'm pretty sure Yuuji was more concerned about Kenjaku actually being related to him than Kenjaku being his mother aka exhibiting a gender he might not have expected. The "my father is your mother that's so mind-boggling and weird" is something that only exists in fandom. I don't see a reason why Choso or Yuuji would care and everyone else even less.

Takaba putting Kenjaku in a nurse outfit is also only portrayed as another fun part of their shenanigans, being neither overly sexualized nor seen as off-putting or weird. I think it was actually put there because Gege wanted to emphasize once more that having a female body doesn't unsettle Kenjaku, they see it as normal. It is part of their identity, but that itself isn't the thing being made fun of, it's a joke about sexy nurses that's detrimental to Takaba if anything.

In the same way, Kenjaku being pregnant with Tengen isn't made a big deal either beyond what it means for the Culling Game or the merger. It isn't a strange pregnant man, just another instance of pregnancy symbolism in this manga where cursed wombs are quite a common thing. And Kenjaku's whole deal is motherhood, birth and pregnancy down to the choice of their name, which is derived from an ambiguously gendered or Virgin Mary-adjacent bodhisattva. These pregnancy themes are shown as both a good thing and a bad thing depending on the context and not on principle as disgusting or bad. Kenjaku's gender fluidity has thematic relevance, but it isn't mocked or portrayed as bad by itself.

Beyond Uraume, Kenjaku and maybe Geto depending on how you look at it, I don't think there are any other queer-coded villains? Mahito was a high school girl for a juju sanpo, but that episode was more wholesome if anything and I think it was just there to show his fluidity in sex and gender. Once again not mocked or brought up as a reason for why he's evil (she isn't even that evil in that high school AU).

So yeah, I don't see a problem here, I actually wish more mangas or animes would portray queer characters this way. Make sure villains aren't the only queer characters, don't make queerness their entire character trait and treat the characters with respect.

#asks #jujutsu kaisen

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mythicamagic · 1 month

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May I ask why you like Sukuna so much? Don't get me wrong, I love him too, he reminds me of Yang from Piofiore, but I thought you would be more attracted to Gojo or Geto? 🤭

Thank you for the excuse to yap, anon! Talking about my biases is one of my favourite things to do.

I guess my answer can be summed up with three points:

Sukuna is hot - I like his tattoos and his true form satisfies my monster romance cravings

Sukuna is charismatic

Intelligent villains make brain go brrr.

To elaborate, when JJK first came out I did simp a bit for Gojo because of his eyes and white hair. It wasn't really anything other than shallow - hey, he's pretty.

(I've never been a Geto girlie, I respect those who are, but I haven't felt anything toward him other than sympathy for his breakdown or apathy toward him becoming a cult leader type. He's aight.)

When Sukuna was first revealed I found him entertaining but wrote him off as purely insane. Fun to watch but nothing interesting. This changed in episode 4.

That episode showed his charisma tbh. An insane villain is only fun to watch passively, that or they become annoying. A truly personable villain is one that lives comfortably by enjoying what they want to do but also demonstrating intelligence and cunning. Guys like Sukuna and Yang are my favourite type of villain because they're so incredibly selfish they seek to assuage their boredom via entertainment. They thrive in violence that isn't targeted or hateful, just pure enjoyment. Putting aside the murder part- as someone who is incredibly meek and anxious irl, those characters appeal to me because they thrive unapologetically. Their ugliness is embraced and celebrated.

From a purely simping standpoint- Someone like Nanami is the greenest flag you've ever seen. That man would take care of you and love you. 10/10 you should marry, he's perfect. However, for someone like me, that perfection would make my imperfections feel worse.

Characters like Sukuna basically remove that because they're reveling in their own fun. I think to really enjoy them is to remove your own ego from the equation in a way- because these men will not cater to you emotionally. Yang is there for pleasure, Sukuna is there for entertainment, ect.

However in this way - you can kind of find vindication through them too. Liliana grew into herself more by becoming Yangs woman. She lost her freedom but gained it in other ways by experiencing sexual liberation and the darker aspects of the world- living in it and adapting. I figure life with Sukuna would be like that too in some AU where he wouldn’t automatically kill you.

I find Sukuna the most interesting character in JJK because he's centered and intelligent even as he revels in chaotic destruction. He's well read and has a history that gives him a tangible presence. He's strong but playful, cruel but absent of hatred for his opponents in a way that feels almost respectful even as they're fighting to the death (with the exception of Itadori).

A lot of what he is ticks my boxes. I expect Scar from Wuthering Waves will also scratch my itch for this type of villain too once we know more about him.

Er so yeah...take your pick anon haha. Simple answer: Sukuna is a cool villain, and I like to watch him have fun (not excusing anything he does but I trust your media literacy enough to understand that)

Complicated answer for simping: something, something, female empowerment fantasy through being allowed to be the worst version of yourself with a villain, thus achieving liberation from societal constraints.

#sukuna #jjk #ryomen sukuna #asks #anon #yang piofiore

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mana-jjk · 5 months

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finally someone who actually understands inuokko and doesn't mischaracterize as an alpha sigma male and Toge as an uwu boy! bestie you don't know how happy I am that you came up on my fyp.

omg hi anon !! 🥺🫶

i love analyzing characters way before any shipping, i could actually read nothing but found family fics because i just feel like they always catch the perfect dynamic. with yuuta and toge specifically, i do feel like you can appreciate aspects of how their dynamic is on an appearance level or how they fit certain popular tropes, but i don’t think it’s the driving force behind what makes them so good together.

i do acknowledge that if we default to the stereotypical gay men tropes without tangible reason, it’s more indicative of getting used to knowing how to write LGBT+ relationships and tending to default to what we might be used to in straight relationships. i say that without any offense intended, it’s just a part of the writing process. especially with toge as a character, who has so much of his characterization sprinkled outside of the manga and anime. a lot of his backstory and characteristics are derived from the fun facts, light novel, and now even the unreleased game has given us so much more content. but i also think that’s why he’s so popular, there’s so much freedom in exploring him, especially if you haven’t discovered the existing content. taking that with yuuta who is honestly a fan favorite of the chad dude straight bros and gets a little too much ‘alpha male’ treatment from them, it can be a little confusing. (it kills me a little to see some one say he’s an alpha male with a bad attitude and smoking guns when manga panels will literally have him looking like this (・・?) 😭)

i do have preferences in how both yuuta and toge are portrayed, but that’s just because i care about them so much as individual characters.

for me, toge is soft and kind, but he was also born as a weapon and has spent his life sacrificing himself over and over. you can still have that softness and kindness, even more so when experiencing certain things, but there’s also a degree of hardening from trauma. i do characterize him to be less overtly an instigator lol, but that’s personal preference in how i see him combined with canon material. i find a lot of his trolling to be slipped in and more of a double take than full on gremlin, but that’s less mischaracterization and more preference. i find his relationship with living and death so, so interesting, especially in how he tries to shield the first-years and yuuta from having any kind of blood on their hands. it implicates him to have done that very thing, and he spends his life silencing himself because of it. i do believe his language barrier is almost a relief, because it acts almost as a self-imposed wall. but despite that wall, he still reaches out because while he himself is okay being alone, the thought of someone like yuuta, someone he sees as exactly like him, suffering by himself is painful to him.

for yuuta, i am a big advocate for the continued acknowledgment of his anxiety, depression, and low key craziness. he had a normal childhood, but that somehow makes the transition to everything with rika so much worse. because he had that normalcy and it was shattered completely. he’s hurt, maimed, and killed people both unintentionally and intentionally. but he sees it as necessary in protecting the people he cares about the most. in a lot of ways, i think his dubious morality and how far he’s willing to go is an expression of his love. for example, killing getou in his eyes is the ultimate act of service to gojo, so he himself would not have to kill him. his character is such a juxtaposition compared to everyone we’ve been introduced to. here you have these child soldiers, ready and willing to sacrifice themselves, where death and suffering is more feasible than ever living their life to entirely. then they give us yuuta, who wants to live so badly in happiness that he’s willing to inflict and do everything for and against their society. it’s almost an unhealthy relationship to a degree, but it’s the only kind of relationship any of them know how to have.

together they work so well, because like i’ve said before, they defy each other’s expectations in what they ever believed they could have or deserve. despite their rough edges, the blood on their hands, the years they’ve lost to fighting battles they never started, they treat each other so gently. as if they are the better half, yet simultaneously knowing exactly how much they have done. yuuta who sees violence almost as a love letter, who absorbs toge’s curse as if it’s something to admire and adore. toge who sees himself as unforgivable in his crimes, who self-enforces isolation and barriers yet took a step out just to comfort yuuta from a mild spell of anxiety, because he couldn’t stand to see him suffer even in a minor degree.

i have so many feelings about them so i’m so glad that they come across the way i want them to !! i love all content, and i’m always willing to share my thoughts, but ty so much for the validation bestie, i’m sure i’m eating up your content as well !! 🥺

#inumaki toge #jjk #jujutsu kaisen #yuuta okkotsu #inuokko #ottoge #i have so many thoughts

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thatdesklamp · 3 months

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hi maggie !! i really really really love IW and just wanted to ask how you got inspired to write a gojo x reader fic from reading one day? you’ve also convinced me to buy the book and now i’m patiently (not really) waiting for it to arrive.

also i find it kinda funny that gojo became a huge comfort character of mine because of IW, like if i never read it, i wouldn’t have been THAT attached to him.

i hope you’re feeling better, make sure to rest lots !!

HUZZAH!!!! My plan is a success. The ‘One Day’ + Gojo conversion has begun! But jokes. The inspiration for IW is such an interesting question.

Funnily enough, I kind of approached the ‘One Day’/IW/jjk inspiration the opposite way: I watched season 1 of JK and kept thinking about the bare bones of a story idea, or, at that point, a vague, self-indulgent self-insert of a love interest for Gojo: a girl who couldn’t touch people, hands behind her back, wearing black gloves. I couldn't tell you why I thought of that, but I just thought it was cool as fuck. I had this badass mental image of this cool asf woman removing her gloves with a powerful flourish in the climax of a sick anime battle sequence. Idk, man. And then, when I started taking myself more seriously, I figured that because I love childhood-friends-to-lovers, I decided she’d be Gojo’s childhood friend.

But I wanted to explore that childhood first: I think the main reason most people don't like friends-to-lovers is because most authors don't put in the time to establish the characters as friends first. Why should a reader care about the protagonist/childhood-friend-love-interest's relationship when all they've been given is a blithe attempt at exposition in which the protagonist tells (not shows) the reader that 'yes we've been friends for so long and we really care about each other so yippee root for our relationship!'? I knew that friends-to-lovers works best when there is so much time spent to flesh out the 'friends' relationship first, and that I wanted to show that, preferably chronologically, and not just rely on flashbacks that are just a general pet peeve of mine (they're so difficult to do right, I can go on about it for donkeys).

That's why I came up with using 'One Day' as an inspiration: I wanted to go through years of these characters' lives--genuine decades--and use a chronological narrative, without doing crazy time jumps, and still being able to focus in on the day-to-day, moment-to-moment aspect of a relationship, to really foster that intimacy I wanted to convey. And, so: boom! The 'A concept shamelessly stolen from 'One Day' by David Nicholls' tag was born.

You've got me thinking more about how 'One Day' has influenced IW. Give me a second and I'll write it up fully.

(And thank you! I’m on the mend. Sending out thoughts n prayers to Alexander Fleming, my absolute g, antibiotics are fire 🔥)

#intrinsic warmth #asks from la lamp de desk

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virgobingo · 5 months

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hey! love all your jjk metas :)

just wanted to throw thoughts at you if you are interested!

so the very sparse info Gege provides for Gojo and Geto has, imo, some fridge horror to it. They must remain head-canon but I'm curious if you think my thoughts are a stretch or not.

child abuse cw

I wondered if Suguru snapping after finding Nanako and Mimiko was meant as a subtle hint at Geto, a child from a non-sorceror family, having childhood abuse background. His rampage at the village seems cohesive character-wise, but I always thought killing his parents felt a bit jarring and OOC at that point in his "insanity spiral." The first crime comes from outrage & hatred, while the latter is over the top cold logic- his explanation "it would be hypocritical to spare them" seems underwhelming to me.

2. Gojo having a bounty on his head throughout his whole childhood. He might have infinity but on a practical level, loved ones are vulnerable to blackmail or hostage situations. Logically they are a weakness and the more you have, the weaker you are.

I think Gojo has so many things going on that contribute to his isolation and inability to connect- (obnoxious personality, immense power, trauma from Toji attack) that this crazy aspect of his life is brushed off. I feel like in any other character, the bounty would be seen as a major contributor to their psychology.

We see throughout the story that anytime Gojo loves or shows humanity towards another (Amanai, Suguru, Megumi (even Yuuji)) he is narratively punished for it.

Cheers!!

hello!

thank you for sharing your thoughts! i'll try my best to explain my own. my thoughts on gojo are especially jumbled since he's such a complicated character.

(1) gege has shown himself to be the type to of artist to ground his fiction in reality. i think the narrative overwhelmingly points to jujutsu sorcerers generally being perceived as "freaks" by non-sorcerers. miminana are extreme examples of this, whereas the old man geto beat up in the hidden inventory arc is a milder one.

"how would parents react if their child told them they could see/hear things they couldn't?" -> that's the question i imagine gege asked himself when he wrote this detail into jjk.

i think geto's abilities were a cause of concern for his parents, with the potential for it to have actually translated into fear. he does seem to have a special place in his heart for chosen families. i think that suggests a difficult home life. we can only speculate how bad it was though. enough for him to go through with him killing his parents nonchalantly, as far as we know. abuse wouldn't be a wildly off-base assumption.

(2) i think gojo's character is definitely marked by his station in society. the good and the bad that come with it. people really don't tend to talk about the bounty on his head, bc it's such an "oh, by the way" fact that gege fits into the story. gege probably mulled over it though (he's a serious overthinker). so i don't think it's something ppl should dismiss when thinking about gojo's psychology. some of his self-imposed isolation can be traced back to instances like it.

as an older kid and a tween, especially. i would guess gojo was probably asking himself stuff like who can he trust in this world? who can he open up to? when the world is out to kill him. the bounty on his head also probably accustomed him to solve problems with power/violence.

i think this mindset was disrupted by geto in high school, though. gojo grows to be quite generous with his trust after him. he has a lot of faith in others as an adult. so i think geto, on top of everything, inadvertently helped gojo heal and process some of his pain from childhood.

i say this bc the disconnect gojo seems to refer to in ch 236, seems different. more a result of the higher state of mind he acquires. he basically tells geto in the afterlife that it isn't rooted in loneliness, after all. which i also take to mean, not necessarily in childhood trauma by that point. but a sense that no one can possibly understand what it means to be strong— and still be powerless.

that's why i believe gojo wasn't being punished for his humanity so much as being taught a lesson on how power can only take him so far— time and time again.

this whole lesson sets up the world to be able to move on without him. life doesn't ultimately hinge on one person and i think gojo knows this to be true, which is why he's always so.. relaxed when he's taken out of the equation. while everyone else scrambles to put him back in. (funnily enough, even fans do this).

ppl look at him and think he's above them. when inevitably, he'll die, just as all beings do. which i think is what the following sequence was about, too. and what gojo mostly meant when he said "he alone is the honored one [to come to knows this]"(in contrast to when gege used it for sukuna(x) who goes on to distinguish himself from gojo in the way he only pleases/satisfies himself). the saying has several connotations (x).

hope that makes sense!

#jjk meta #asks

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runabout-river · 5 months

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One thing that bothers me about jujutsu is that the author doesn't know how to develop some characters. 1 Shoko Ieri is an interesting character but I find her apathetic without a cold and superficial personality. 2 itadori yuji doesn't seem to be a protagonist he seems more like a tool than the protagonist of the work. 3 nobara had no development dry and emotionless death. and many other characters. There were only 2 characters that really had development, which was gojo and geto, for me, they were the only ones that had it. Why do you think the author did this, is it because he didn't want to develop the characters that's why he killed many important characters? I would appreciate it if you respond.

This is a lot to answer so sorry if it gets confusing a little.

1.) and you really have to keep this in mind, is that the manga isn't finished yet. It's also not about to finish. We have just reached the beginning of the end and we have at least another 6 months to go if not more. Without the last panel drawn, we can't really talk about the stuff Gege hasn't put into the story yet.

Still, many of your points can be addressed.

Shoko: In both the present and the past storylines, she is a side character without her side of the story being shown too much. Her being cold and apathetic can be a fitting description of her in the present but in the past she was more open and easy-going.

When you say she has a superficial personality that's where your interpretation is a little off. For one, her personality changes and for two, her current personality reflects the cost that living as a sorcerer has on people. We are also shown her inner thoughts on occasion but interestingly, one of those thoughts kind of comments her role in the story.

(This thought also establishes that she has trouble understanding Gojo's point of view on his godlike status)

The thing with Shoko is that we're never shown what she does: heal and save people. That's an aspect of her character that has been completely, and deliberately I say, missing until this point. But she has saved the lives of: Geto, Ino and Angel (plus some others) and she has therefore shaped the entire plot of the manga extremely.

But this I think will change in the most impactful way possible: with her saving Gojo's life by showing us for the first time what her CT is and how she heals people.

On Nobara, you're right. She had little character development and no reflection on her thoughts and beliefs. To this I say, read my post about her coming back because I believe that she will get that character develepoment and reflection when she re-enters the manga.

The same thing goes for Tsumiki. I was really disappointed when Yorozu died and Tsumiki basically disappeared from the story with her role never being more than that of a prop. But it was pointed out to me, that Tsumiki actually had been shown in an active role in the manga 70 chapters ago and that role will definitely be revisited when Megumi gets the spotlight again.

Now to Yuji. Did you realize that you contradicted yourself? You said that Yuji doesn't feel like a protagonist but you also said that Geto and Gojo had the best character developement. You're definitely talking about Hidden Inventory here but HI is and arc where Yuji is removed as the protagonist.

So the main protagonist being removed from the story temporarily has a purpose. You could say that that was a flashback and doesn't really count and that you mostly mean the 4 mini-arcs in Culling Games where Yuji wasn't present + the Sukuna/Yorozu fight + the Gojo/Sukuna fight.

Gojo/Suku we don't even count in this, that's a given, Sukuna/Yorozu is character showing plus setup for the future and Yuki/Choso/Tengen vs Kenjaku we don't count either, because that's a plot progression plus villain fight.

In my experience when people talk about Yuji not being a good protagonist because he isn't present often enough, they mean the arcs where Yuta, Maki and Hakari take centre stage. (The three other mini-arcs add to this)

Why would a mangaka do their story like this?

For world building. To be more precise: for plot building. Yuta, Maki and Hakari have important roles for the endfights and for that they needed character development (Maki), a show of their powers (all) and setups for the future (eg alliances with Kashimo and Uro).

Right from the beginning, JJK always moved the plot forward first. That's why the pace is so fast. The story is plot driven and not character driven, but that doesn't mean that the characters aren't given their time, just that that time isn't an entire chapter.

You can critizese this of course, I too would've liked small character scenes to have been expended on. That Yuji is taken off the picture for world building isn't sth I would critizise though. That's what happened in parts of Attack on Titan, and it also happens constantly in One Piece with Luffy albeit in Flashbacks.

It simply adds to the story when we can see other characters act on their own and while Yuji is back in the centre now, he will most likely take small steps back again to let other characters shine like Megumi eg. It also adds to his personality, but for the end of the manga he will be the centre of attention.

#jujutsu kaisen #jjk #itadori yuuji #nobara kugisaki #shoko ieiri #ask #meta

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linkspooky · 2 years

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Jujutsu Kaisen, Chapter 202 Thoughts.

The most interesting aspect of Kenjaku as a character to me, is how much he is a hypocrite to his own stated ideals. He claims that everything he does, torturing Choso’s mother, dragging innocents off into the Culling Games, and even threatening to feed practically every non-sorcerer to Japan into a cursed spirit is because of his desire to see something new and outside of his predictions and control, but Kenjaku himself is a control freak. Kenjaku and Tengen are the focus of this week’s chapter, and they foil each other in an interesting way because they are both hypocrites.

1. Kenjaku the abusive Father (And Mother).

Before I start writing letmeexplain the title. Kenjaku is literally an abusive parent because he abandoned Choso and his brothers after deeming them failures, and also treats Yuji as his expendable tool. Kenjaku is also metahorically an abusive parents, because he’s a representative of a pattern within Jujutsu Society as a whole.

What is an abusive parent, if not someone who is supposed to protect and raise a child, but neglects that duty and harms them instead?

The central conflict of Jujutsu Kaisen, and the ideals that Gojo and his students are fighting for is that the previous generation shouldn’t be harm the youth. Jujutsu Society is one where the children instead of being raised and protected are treated as expendable, and often harmed so the old guard can remain in power.

This is repeated in many of the backstories of the characters. For instance, if you want an extremely direct exmaple Ogi the parent of both Maki and Maiblames his lack of sucess on the family head on his “worthless children.” Rather than Ogi serving his duty as a parent protecting and raising both of his daughters, he thinks his daughters exist for his own sake.

The microcosm of parental abuse in a single household, is also a metaphor for the macorcosm of the ills of Jujutsu Society as a hole, children are continually sacrificed instead of being raised. Children exsit to serve the elders, the elders don’t put any thought into raising the next generation.

The discussion of this chapter consists of Tengen, and Kenjaku, both being entities that regularly use children for their own sake. Tsukumo directly calls this out, Tengen was willing to accept child sacrifices for generations. When it failed however, it turned out she (They?) didn’t even need to do them in the first place that they were capable of living on without sacrifices.

Which means the children weren’t sacrificed because it was an absolute necessity, but rather repeating this pattern in Jujutsu Society that children must continually give up their youths and everything else, to protect the current status quo and the people in power. Riko is the ultimate metaphor for a lost youthin the series. Everything about the current conflict went wrong starting with Riko’s death.

If Riko had lived, Geto would never have become disillusioned with the sorcery world. If Riko had lived, Geto and Gojo wouldn’t have fallen into conflict, eventually resulting in Geto’s death, and Kenjaku taking over his body. RIko is important because she’s a metaphor for Maki, for Mai, for Megumi, for Yuji, for Nobara, for Yuta, for Inumaki, she is another child who just wanted to live out the days of her youth and grow up. Riko had the right to grow up and live in the future and be surrounded by friends just like everyone else, but Tengen considers her ultimately expendable.

Why is Tengen more important than Riko? Because she’s immortal? Because she’s powerful? If Tengen was capable of evolving all along then there was no reason Riko had to die, and yet Tengen simply accepted both Riko and every single sacrifice before her as inevitable, because that is status quo, because that keeps the power in the hands of the powerful.

Toji, the one who killed Riko was also created by the abuse of the previous generation on the next one. If Toji had been accepted by the Zenin clan rather than continually punished for simply being born as he was, he could have been as powerful and as great a sorcerer as Gojo, and instead abused and harassed all his life he turns into the immoral sorcerer killer. Yet another person sacrificed pointlessly, because the old guard wants to resist change.

Here is where, Kenjaku and Tengen might seem to be opposites, but they are in fact exactly the same. They claim to represent opposite ideas, Kenjaku desires a world of unpredictability and change.

But, Kenjaku ignores the fact that he never lets things grow and change on their own. He essentially takes a stranglehold on things with all of his manipulation. He always has to be the one in power, he has to be the one inciting change. He even says he wants to bring up something he can’t imagine, but in the same breath he then says he’s going to put the world back to the way it used to be in the golden age of sorcerers.

Tengen is an all knowing entity, he talks about everything that’s predetermined and destined. Everything is inevtiable. Nothing can be helped.

Kenjaku and Tengen seem to represent opposites, a pre-determined fate, and a future of possibilities and chaos beyond imagination, but they actually do the exact same thing. They are both, continually sacrificing children in the name of a status quo. They both act like all-knowing, all-seeing entities, who really just repeat the way things are. It can be seen in the difference between the way Kenjaku and Choso regard Choso and his siblings. Kenjaku expected great things from them, and then immediately gave up on them and lost interest because they were too normal. He made no effort at all in nurturing them. Choso says he wanted cursed spirits to evolve along with sorcerers, but he literally ate all of his cursed spirit allies, including Mahito, before they even had a chance to change.

Whereas, Choso’s ideals are the opposite of Kenjaku’s entirely, and fall in line with what Gojo is fighting for. While Kenjaku neglects his duty as a parent and sees his children as existing only as tools for his own benefit, abandoning them immediately when they stop being useful, all of Choso’s pride comes from his role as a big brother, and his duty he has in protecting his younger brothers.

Choso argues back, that his role as the oldest to nurture the younger ones that come after him. Whether eh’s superior or inferior, whether he makes terrible mistakes he’s always going to serve as an example, that’s why he does everything he does for the sake of the ones younger than him.

Therefore we have two confrontations this chapter, Tsukumo Yuki and Choso both believe that it is their duty and responsibility towards others to try and protect and not forget the younger and more helplessly lives.

Then there are Kenjaku and Tengen who have already written those people off as expendable. The former is capable of imagining a better world, while the latter will always be stuck and stagnant due to their lack of imagination.

#jjk 202 #jjk meta #jujutsu kaisen 202 #jujutsu kaisen meta #jujutsu kaisen #kenjaku #noritoshi kamo #tengen #tsukumo yuki #choso

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etaindelaserna · 2 months

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Hello....Because you also love shipping, can I ask your thoughts on these ships : GoYuu & SatoSugu (JJK), NaruSasu (Naruto) and ZuTara (ATLA)?

Hey! You can ask me anything✨

Let’s see…

GoYuu

Personally I haven’t dived into this ship yet but I can see why people are interested in it: whenever Gojo and Yuuji are together they seem to share on brain cell and are just one big doofus force to be reckoned with.

Him and Yuuji have the same energy and they just click on that level. There is no awkwardness, no uncertainty, they just understand one another. Also they don’t seem to have any concept of personal space whatsoever with each other. Then there is the fact that they have had their fair share of losing important people to “the dark side” and being helpless to stop it. I can see Gojo looking at Yuuji and comparing him to Suguru. And because Yuuji isn’t losing faith in his purpose as a jujutsu sorcerer, it might help Gojo to make his peace with the past. I see them as a fluffy ship for the most part. Gojo perfect at everything being completely smitten with and supportive of Yuuji who has to try very hard. Then there is also the sensei/student dynamic and, if we bring Sukuna into the mix, a lot of animosity from Sukuna towards Gojo (with potential for situational comedy) and possessive behaviour from both Gojo and Sukuna. Also: Gojo is a shameless flirt while Yuuji is just cute and a ray of sunshine and maybe even wouldn’t realise it when he is flirted with. There are so many story building ideas and questions you can do with this ship.

SatoSugu

It does have a lot of NaruSasu vibes for me and yet SatoSugu works where NaruSasu failed. It is able to pull off comedy, fluff, tragedy and sexy with ease, which as a combination can be very addictive. Two characters who have a very deep connection and friendship driven apart by circumstances and the clash of their ideals. That’s heartbreaking stuff. There are so many What-if? questions you can ask about their story. Suguru left a wound that will never really heal. Also: they are both ridiculous handsome and talented characters whom I can see bickering about the most unimportant things just for the fun of it and because they cannot control their temper and ego around each other. The shameless flirt and the thoughtful one, the overachiever and the one, who can’t follow. I think they work pretty well as a ship because they have got so many dynamics you can explore.

NaruSasu

One of the big, popular Naruto ships that never clicked for me. Maybe because I didn’t like Sasuke much. Maybe because Kishi was just about to develop their friendship when Sasuke left. Sasuke’s motives never resonated with me and that’s probably why I had a hard time understanding why Naruto wanted to bring him back. It seemed due to obligation rather than friendship. BUT I can still somewhat see the appeal. Naruto yearning, thinking he can save him, fix him, wanting to show him that their friendship is enough, that he doesn’t have to seek vengeance, that love is worth feeling and that without loss or pain there can be no love to begin with. Also: they are constantly at each other’s throats, they both have grown up for the most part without their parents, they can relate to each other because of their trauma AND although they have different personalities they do share the same kind of humour. Much to work with but I never saw potential for something more than friendship. Even “friendship” was a hard pill for me to swallow the moment Sasuke tried to kill Naruto and Sakura. I see the drama, the tragedy, even the brotherly aspect of their bond, but not romance.

ZuTara

The classic tale of “from enemies, to reluctant allies, to friends, to we have deep but also complicated feelings for each other”. It’s the “love that was meant to be but never came to be” trope. And I’m always down for it.

Their chemistry was off the charts from day one. Both are incredible fierce, stubborn and loyal. They played well off each other due to the circumstances of Katara’s parents having been killed by the Fire Nation. I always got the impression that there was a deep connection and understanding passing between them every time they met. Almost like a constant “What if…?”, a “I understand where you are coming from but I still have to do this”. There was a certain something in the way Zuko looked at her. I never exactly understood why it wasn’t meant to be. Him throwing himself in front of her to protect her from the lightning?! I was a goner. They gave me the Dramione feels but with much more fan service in the canon storyline. In my head they’re endgame. End of story.

#narusasu #ZuTara #goyuu #satosugu #ask me

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psychewritesbs · 2 months

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Crazy how loads of people from this fandom lacks faith in Megumi yet you've got the strongest sorcerer of today and the strongest sorcerer in history simultaneously vouch for him.

Gojo confidently believing Megumi will push through and know the truth about his father.

Sukuna, who pushed Higuruma and recognized his talent yet still said he wasn't anything special, but for some reason he never exhibited that kind of attitude to Megumi despite screwing with him over and over. It begs the question, what it is that they see in him doesn't it? Yet people prefer to ask dumbly why Megumi is acting the way he does as if the reason hadn't been made clear since the beginning.

And can we talk about the blatant hypocrisy in this fandom? People are comparing him to Yuji as if what he's going through is any different than that of Yuji in Shibuya. Did they conveniently forget how Todo had to step in and talk no jutsu Yuji to pick himself up cause he was so down in the dumps?

There's also the rampant complaints about characters not reacting emotionally to deaths and yet we have a character right now, whose reacting emotionally to the death of a loved one yet they're chastising him for it? Which is it really?

Welcome to jjk-confessions Sunday, not on a Sunday as per usual.

I'm going to repackage your ask and frame it using the following formula:

Megumi = the shadow.

The shadow = the repository of repressed or rejected aspects of our personality.

TLDR; Megumi catches very interesting projections to say the least.

Like potential man isn't even a bad meme tbh, because he is potential man. That's Megumi. But like, it's the attitude towards the idea that he is having such a hard time reaching his potential (something that is VERY understandable given his backstory and how that affected his sense of self).

I swear every time I see something bad about Megumi (other than "I just don't like him", "he doesn't speak to me", or "I couldn't get invested because xyz was missing from the narrative--that is actually lacking"), there's always some sort of rejection of vulnerability at the core of it.

Which as I have said only like 350,068,023 million times already I've been keeping track, Megumi rejects his vulnerability.

So when I see a lot of the comments about Megumi, what I see is the complete rejection of one's humanity if I'm honest. Like, everyone in jjk is being shown to have some kind of very flawed perception of the world, and for some reason Megumi picks up projections around being a bitch for someone, being weak, pathetic... do I keep going?

And this is all so interesting to observe because he is such a beautiful character when you take the time to understand him. Gege cooked with Megumi.

Idk, I can't help but feel like it's interesting how Gege keeps breaking the 4th wall with jjk, and Megumi is one of the ways he's doing it. And idk about y'all, but I think he's very conscious of how he directs his energy towards the fandom.

idk how to explain well. Hopefully that makes some sort of sense lol.

Anyways. Thanks for sending a letter in anon. We remain strong.

#ask the mental gymnastics anime girl

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kairoseas · 2 months

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I post a lot of headcanons and aus stuff but truth is, I'm a roleplayer at heart. Written via Skype, MSN, even had this weird set-up where someone doodled out their reply in art and I chose to type mine out in word format. Since I have a wealth of free time, I was gonna put forth this offer to start roleplaying in private servers on Discord! Firm on fiction =/= reality . Can write anything from short paragraphs to multi-paragraph responses as I'm often on my laptop. 21+ preferable since I'm 21+ myself; I do tend to delve into heavy topics because I find horror enjoyable. CNC, NSFW, all fine! I don't mind! I tend to toss an idea out to my writing partner when I get it and see where it leads, generally. Blood, gore, SH, sexual content, all perfectly fine since I have no triggers myself, and I have a rather versatile roster of characters! I've written: (JJK, up to date) Ryomen Sukuna, Yuuji Itadori, Megumi Fushiguro, Satoru Gojo, Suguru Geto, Yuta Okkotsu... (the list continues!) I also like to become friends outside of the roleplay, so my interests are gaming, manga, writing, and learning/studying. I tend to lean heavily into tropes and plots inspired by content like Silent Hill, Resident Evil, Higurashi, Death Note, Fatal Frame, Elfen Lied, Persona, and more. I like getting into themes and the psychological aspect as well as the general aspects. I'm a nerd at heart, what can I say? I also like creating little channels in discord where we can share fanarts and other things with each other! Mutishipper to the core! ( Tend to lean more into: itafushi/fushiita, sugusato/satosugu, sukufushi/fushisuku, gosuku/sukugo, always open to trying something new though! ) And I also dabble in aus, of course: like Reincarnation plots, ABO, Yandere content... but tend to shy away from OCs. Though, In NSFW regard, I lean into writing bottoms bc I'm not confident in writing tops quite yet... And I'm up at all hours, almost. Typically a bad sleep schedule so timezones aren't an issue, especially if we really click! I'm also completely caught up with the anime & the manga together so no need to worry about spoilers. You can even look around on this blog and see if you like my stuff and think our characters will get along! Just throwing this out there into the void to see if anyone's interested in starting something with me! Let's build a world! Contact via the Tumblr IMs for my Discord name or by liking!

#kore's posts #jjk rp #jujutsu kaisen rp #discord roleplay #discord rp

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ashesbreadandbutter · 13 days

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Um, so currently watching Ohmyoji... Seimei is getting to me a lil. Also reeling in more peeps for commissions. ^^

Seimei Headcanons

We're going to write this in a way where he's more than just a little interested in you. You're rather calming to be around and silly as well and there's a few times where you get a chuckle out of him even at the worst times

He's a tease, he can help it from time to time but oftentimes he finds it funny just to reach his hand over and lightly grip your thigh when talking to others over a drink for example.

Bro will definitely act like he doesn't know why you jerked like you did. If you mention it later in a fit hell grin just a bit.

He kinda reminds me of a fox, like those kitsune characters OR that snake brother from Juni Taisan (Zodiac War) or however you spell it.

On the topic of who he looks like I can imagine him getting a little annoyed being compared to other people

Outside of touching you just to get under your skin, if both of you are okay with it he will take the time to touch you, caress your skin and admire it in all its glory.

I wanna say that the interest he has for you is only meant to be seen with ONLY you. He's not a fan of showing off his pda to anyone who he doesn't care for.

Though, of the topic I can definitely see him get touchy if he's feeling a bit threatened. It's not that he gets jealous often if at all but he does know when someone is looking at you with less than innocent intentions and maybe there's no harm in... Suddenly wrapping his arms around your shoulders or waist before pulling you in.

"Aren't you a cutie?~" or "You crying?" From Gojo is something I can see him saying.

Probably into things like morning hugs and cuddles, like imagine making breakfast in the early morning hours of the day just for him to come find you and rest against him quietly.

Will also offer to cuddle if he visits you in the middle of the night.

Will play music for you, find little flowers and trinkets and such to bring back to you, honestly a bit of a lovey dovey type with the right conditions.

Touches and rubs you while humming softly as if it's a calming thing for him.

I can see him being the type of guy that touches you all the time but let you ask him playfully he'll respond just as playfully but let you seem serious... Looking deep into his eyes.. he may try not to but bro might fold. He's so pretty when he blushes..

Likes running his hands through your hair if you let him and if it manages to put you to sleep he'll stay still and let you sleep against him.

If you mention that your favorite aspect of his is his eyes he might freeze for a moment. One of those moments where he seizes, blinks and then smiles a bit.

Honestly so far he's giving possible aspec, like maybe after time to watch and examine his LI it's easier for him to want to cling to them and be close.

Honestly bro being in love with his partner is like watching two swans or geese be in love.

Will take the time to get you gifts that he's sure you'll like but also makes him think of you when he sees em. Those flowers match your eyes.. he'll pick em up. That necklace would go so well with your eyes. Hell he'd take the sun out of the sky and hand it to you if he could because of just how beautiful it is as it runs over your skin.

I can also see him writing little poems or notes for you to find. Bonus points if he hides them all over the house like it's a little game.

Caresses your knuckles whenever you leave your hand in his for too long.

Head kisses, forehead kisses, shoulder kisses and neck kisses seem like they'd be a favorite of his.

And I'll stop this here for now but he definitely will say your name in different ways just to see which affects you the most.

(want more? Follow me and see what else I post! Want something specific from me and have the funds to support then please commission me! 🙏🏾❤️)

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yutaleks · 2 months

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weirdly enough, gojo is like sasuke to me .-.

i don't mean personality wise, it's just a very personal thing where i would dislike sasuke because everyone and their mother would cream over him and write fanfics where... idk i just thought he was a douche yk (<- the reason why that didn't happen with naruto is because i had a childhood crush on him + literally the first scene i saw with sasuke was him trying to kill naruto so.. that wasn't a good meet cute for sauce gay and me yk) (<- <- the reason that didn't happen with kakashi (who also has that gojo effect thing imo when it comes to how the fandom thinks/interacts with his character) is bc i was 10 so i had the chance of not living the Kakashi Experience first hand)

and that's honestly the same thing with gojo, he irritates me so much somehow DHSHAD but also i think he's like sasuke to me in the way that, once i was "forced" to roleplay as sasuke (long story), i decided "well imma still be in character since i'm a GOOD roleplayer" yk? so i started thinking more and more about how he'd feel and think, his life etc, and that made me portray a sasuke that was accurate and well-liked (from what i gathered at least, and i really hope that was the case), but also that helped me separate him from the vision the fanworks i had consumed had made of him, idk if it's clear?

i mean if people wanna make sasuke ooc they should go for it, it just made me hate him as a character so that's just me LOL

and anyway i was thinking "hmmm i really wanna write a satosugu" when... tbf i don't really care about geto (he's interesting as a character but i don't care much about ANY jjk character tbh dshdhs except toge and maybe noritoshi), and honestly i just highly dislike gojo because of all the noise there is around him (Underrated Character Fan Behaviour 101 ik ik)

i just really like the dynamic and story of stsg, it's tragic lovers 101, especially with the last line gojo tells geto, that we don't hear but ykw i've read so many posts about it being "i love you" and how it's a curse/not a curse depending on the pov, it's driving me insane (/pos)

but yeah i was thinking i wanted to write a stsg and usually my fics dive more into the psychological aspect of things than just some light-hearted shit, and even if it's light hearted i need me some character analysis yk? and anyway that made me think "wait. that's basically what happened with sasuke. so... i don't hate gojo (i knew i didn't hate HIM tho), i just hate how the fandom loves him and i just wanna play with my new barbie on my own" LOL

tldr i'm a hater

LOL that’s funny to come to a realization that way!! Tbh the way that these popular characters are written is often time off-putting and will turn you off from them. I love Sasuke to bits but I don’t dare step into the fic tags lest I be subjected to toxic and abusive relationships 💀 I think Sasuke’s written a lot better in sns ship fic (tho maybe I’m just biased haha). I think I’d say the same for gojo tho I haven’t read a lot of reader insert fic I just see a lot of it in passing / hear about it from gojo-loving moots. Maybe for characters such as these it’s better to form your own opinion and not take into account the fandom perception of the character… like I love gojo but I don’t really interact with the greater gojo fans yk? Same with s*susaku oriented Sasuke fans, since they are always dead wrong about him 💀

I’m definitely very protective of Sasuke in my mind like. Only people who are right about him can play with the Sasuke doll. To everyone else he’s off limits. LOL

#ϟ asking aleksandria #fwb anon

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fruit-sy · 6 months

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jjk s1 and s2 spoilers

caught up to the jjk anime this week and damn, hits hard

Animation is stellar, the characters are really fun, there's themes that really hit me hard and godamn the ending of jjk 0 actually made me cry, like tears were shed. I understood why my brother loved the movie lmao

but rn there's one man on my mind. Gojo fucking satoru

Gojo Satoru is just, wow, what hasn't been said about him? He's certainly a showstopper alright, I know Itadori's the protagonist but my eyes were on Gojo the entire time, season 2 personally was even more exciting with that in mind.

I haven't really had the time to do a deep dive on him, but I do have some thoughts... First, yeah he's hot asf I'll give him that (those eyes of his are on my mind and they won't leave me alone, also props to the english dub for the absolutely feral lines)

but the progression of him as a person is also really fun to see. I'm especially interested in him maturing from this arrogant and individualistic person at the beginning of season 2 to... well, still being that but also becoming a mentor to other people.

Like, that's such a huge step for me because contrary to what his pride tells him, he's come to realize he can't do it alone (I mean, he can at the moment but it's more realistic to try and personally raise these youth with potential so that they may bring about a powerful new generation)

The line about education really hit me and I kept thinking about it these last couple of days. He wants to bring change, but if he's the only one humanity has to rely on, he'll run himself ragged. And so, he takes the time and patience to grow these little seedlings, watch them get more powerful but also watch as they may fail along the journey. Even though he's become a teacher, he's not soft on them at all. It's a fact that if they're unable to keep up with him, they will get left behind. Whether that be in skill, or death.

Other than to raise more powerful sorcerers, I can't help but feel this also comes from a place of loneliness, because Geto left him.

I wonder, how much it will hurt to see his students fall? Because although they are improving at a fast rate, can they really keep up with The Gojo Satoru? Or will they against all odds, with his full support, be able to carry on when he's gone? Despite the uncertainty, he continues to teach.

Though the goal is daunting, seeing him wake up to his students and smiling brought such a warm feeling to my chest, it was so sweet.

Also love how unhinged he can get, like characters who do the manic smile thing never ceases to make me giggle excitedly (Nobara and Fushiguro also knocked it out of the park in that aspect, extremely hyped when they went completely off the hinge and kicked ass).

However, there's one scene that absolutely left me in awe. A beautiful mixture of music and imagery that sent shivers up my body every time I watch it. A scene in which he's shown being a mixture of unhinged, yet so at "peace". The juxtaposition is absolutely beautiful to see.

Fighting against toji, where he was high off his epiphany, he had an inner monologue so quiet, so relaxed and detached from how he usually is, coupled with the same piano tune that accompanied the scenes with him, Riko and Geto in the background. My breath was taken away, my eyes were glued to the screen in awe as the music crescendo-ed, and I couldn't help but think "he's beautiful" splattered in blood, bathed in sunlight and eyes glowing with the most vibrant blue.

After the dust had settled, the three of them lost something that day. Riko lost her life, Gojo started to lose his best friend, and Geto started to lose his moral compass and ideals.

The piano music was called "一緒なら" or "If I am with you/together". I wonder why? Perhaps the first time, it was from Riko's POV, as she, Gojo, Geto and Kuroi were sightseeing for the very last time.

The second time, although Gojo seemed detached from Riko's death, perhaps he genuinely cared for her, so much that he'd mourn in his own way.

The arc started with Gojo carrying Riko in his arms

The arc ended with Gojo holding Riko's dead body as the crowd celebrated her death.

He started to lose it, even asking Geto if he should kill all of them. Funny how the tables have turned.

#(SHEESH did not think it'd be this long-)#You know that twitter post about characters with big ol blue eyes staring at you? Yeah that's my brain on Gojo fuckin satoru #sorry for the incoherent mess of words I just vomitted out i have a lot of thoughts and thanks im okay how are you?#I mightve interpreted some details wrong but ill leave that for later #fruit talks

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seravphs · 9 months

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Five recs (but the recs are my own writing)

Thank you to lovely @gardenofnoah and @stellamancer for tagging me!

Halfway through this I realized I was treating it like a writing critique instead of an actual fic rec so it’s more a reflection on how I’ve developed as a writer lmao.

hard feelings — I love Rin and the potential for exploring complicated relationships and feelings through him. Out of all my works, this is the most reader centric. I always feel like I can improve on my angst, and that it’s never as emotionally crippling as I want it to be, but I enjoyed writing about a more imperfect reader in this one. I’d love to keep writing for “bad” readers, actually!

ask me no questions and I’ll tell you no lies — I like amnqaitynl because it’s how I became friends with Aleks but also because I think it really captures the pining of a friendship turned something more. While it’s not high stakes because it’s just a college relationship, at the same time, it’s so intense! It’s everything to you, this friendship and the potential of losing it and the potential of earning something more, if you’re willing to take a little (big) risk.

religion, like crime, is also organized — Writing mafia fic is inherently hard because I’m constantly trying to avoid the wattpad label, but I really enjoyed exploring a fraught, tense dynamic where you’re not sure if the other person has your best interests at heart because the push and pull is so fun. Playing with religion as an element has always interested me as well!

a lost love takes a long time to die — The only long fic that made it onto this list is for Nanami, which is the way it should be. When I was writing Teen Dad Gojo all the way back in 2021, I always knew I was going to write a series of (unconnected) long fics for the big three (Nanami, Gojo, and Getou.) It took me until 2023 to finish alltalttd because I was so underdeveloped as a writer that I could never manage to write more than a few lines. I think it pushed me a lot in learning how to write fight scenes, deal with major character death, create a complete world, etc. whereas in Teen Dad! Gojo I completely bullshitted it if I’m being completely honest. I also really loved the supernatural element in this! If I could do it over, I wish I could explore the ghost marriage aspect more, especially culturally.

cruel summer universe — This is a love letter to the ordinary extraordinariness of having love in your life. Even though I write it to be very sweet and happy, in the back of my mind, I’m always thinking about how it ends in tragedy for Gojo and crew, so it reminds me of this quote about how even if the love didn’t save anyone, it was there. So this is the work that’s closest to my heart because it’s about how beautiful my relationships with others are.

It’s also my coming of age requiem! While I look forward to getting older, I’m nostalgic for a life that I know is now slipping out of my hands. I’ll still have the people I love, but the shape of our relationship will inevitably change with age. It feels like growing pains, something I have to resist until I realize how good it can be for me.

Someone commented that it feels like a hug to read, and that’s how it feels to write. Even though it flopped so badly when I first posted it to the point where I thought it didn’t make it into the tags, it ended up being the fic I connect most with others on. Cruel Summer has brought me the most beautiful and heartfelt interactions.

honorable mention: arrive through obliteration — I don’t like the smut in this and I wish I could take it out lmao but I like the atmosphere! Fight scenes are also hard for me, so I’m really glad I pushed through it.

honorable mention: starboy — technically star boy isn’t posted yet, but while I was working on it, I realized I’ve improved a lot since Teen Dad! Gojo. One of the reasons I dislike Teen Dad! Gojo so much is because I feel like a lot of the scenes could be trimmed down where I was struggling to move the timeline along, whereas in starboy, it feels fluid and natural.

no pressure tags: @seoafin (hope you’re enjoying Japan!) @oh-katsuki (also in Japan and presumably doing better things than thinking about fic lol but in case you want to!) @mintmatcha (no pressure means no pressure but I love your writing so I’d love to know what you think are your top five are!) @andypantsx3 (on hiatus...this is not shaping up well for me lol but if you’d like to, I’m interested in what your personal top five are!) @princess-okkotsu (you’ve definitely been tagged in this before but I would love to hear your thoughts on your writing!) And anyone who’s reading! I’m serious, I would love to hear people’s thoughts on their own work! A writer I really like does author’s notes whenever she posts a fic and reading them after I finish a fic is the best feeling.

#bea if you're reading this I'm so glad we mutually agree that #your god came to you bloody and you fell to your knees is INSANE writing #truly terrible what it did to me I'm so glad I found you #Niku between the moon's divide is going on my list right next to shine on the sea which is the very next thing I'm reading #I'm so so so excited for it based off the little bits and pieces I've been reading and the snippets of your writing #grateful every day for talented friends #but also the way half of my friends aren't available for comment lmao #this is what Gojo's non idol friends feel like in star power

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