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fashionbooksmilano · 2 years
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Bownik   Undercoat
Ernst van Alphen, Andrew Berardini, Aneta Dalbiak, Soren Gauger, Michal Ksazek, Zoska Papuzanka, Roma Sendyka, Magdalena Ziolkowska,  design by Honza Zamojski
Central Museum of Textiles in Łódź 21.4.-24.07.2022 and Hatje Cantz Verlag, Berlin 2022, 248 pages, 140 images, hardcover,19 x 24.6 cm, ISBN 978-3-7757-5250-3
euro 57,00
email if you want to buy :[email protected]
Artificiality and representation: exploring the materiality and socio-historical context of traditional costumes
In his monumental photographs, taken with an analogue large-format camera, Paweł Bownik examines the »artificiality« in photography. Inspired by the classic iconography of historical still lifes, genre painting, and the aesthetics of 1940s American cinema, Bownik dissects the elementary components of his subjects with remarkable attention and challenges the historical norms of their representation. He precisely dissects plants in order to surgically reconstruct them with ostentatious artificiality. Or he questions common historical narratives, symbolized by traditional costumes: by turning them inside out and turning them inside out, the complex embroideries reveal not only their materiality, but also their socio-historical context. undercoatbrings together Bownik's work over the past decade, informed by the artist's awareness of the patterns that shape our surroundings and our perception.
Polish artist Pawel Bownik (born 1977) makes large-format photographs inspired by the classic iconography of historical still lifes, genre painting and 1940s American cinema aesthetics. By carefully dissecting and reconstructing the elementary components of his subjects, he examines the artificiality of the medium.
Exhibition Central Museum of Textiles in  Łódź 21.4.-24.07.2022
19/09/22
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zytes · 6 months
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this manatee looks like it’s in a skyrim loading screen
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coloredcompulsion · 1 year
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paulgadzikowski · 4 months
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amalgamgooze · 7 days
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mall adventure with my sleep deprived friends
Prom was last night. We all had a good time.
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Of course, everyone's either super tired today or just feeling weird.
I ended up only waking up at 1:30 this afternoon because of how late I'd stayed up. I'd felt tired leaving prom but I also couldn't really fall asleep.
Regardless. I didn't feel that tired, but that's probably because I probably got a good amount of sleep last night AND I usually don't get more than 8 hours of sleep on regular days.
The same can't be said for my friends, I'm afraid.
At the mall, I practically had to drag them out of the kitchenware section, breaking up a conversation something along the lines of "do we need anything for our graduation parties from this aisle?". I might be an asshole for doing that, but come on. If you're getting a waffle iron for your grad party, that's something you should probably coordinate with whoever's helping you host the party--not your friends that you're just going on a trip to the mall with.
(Though I suppose a waffle iron could be fun at a grad party. To an extent.)
(Frying pans, however, are just weird.)
After doubting the purity of two-dollar Target lemonade jugs and spending an obscene amount of time in the cheese and kitchenware aisles, this party ambled onwards into a Bath & Body Works.
Bath & Body Works is, if you're not pursuing delectable-yet-manufactured fragrances, an excellent exercise in distinguishing between farce and reality, between satire and truth.
"Lemongrass" and "Lavender" are two tangible scents. They are "things". I can pick up a "lemongrass" and smell it.
Our slippery slope begins at scents like "Rain" and "Tropical". Obviously, "Tropical" is a collection of various "tropical" smells masterfully blended into one fragrant concoction, and "Rain" does, in fact, have the scientifically-proven-and-named smell petrichor. But Bath & Body Works "Rain" does not parallel that of the post-downpour smell of petrichor. Bath & Body Works "Rain" is just sweet. "Rain" is just a name attached to this specific smell.
(See Hayakawa's book Language in Thought and Action.)
Finally, at the bottom of our descent, we find smells such as "Water" and "Canyon". Things that don't really have a smell. But somehow, the geniuses at Bath & Body Works came up with a way to attribute scents to "Water" and "Canyon".
(Again, Hayakawa's Language in Thought and Action.)
But alas. There is no bottom, nor is there a top. There was never a descent to begin with. At Bath & Body Works, the smell of "Water" is as real as the smell of "Lavender". It's all fake chemical fragrances anyway.
And therein lies the farce.
I suppose the wine-taster-like antics that I've seen Bath & Body Works customers do also contribute to this. For instance, when they give you paper to spray with a fragrance to see how it smells, you should probably, you know, spray the paper. However, I got to witness some geniuses spray the air, then wave the paper around in the now-scented air. I commend you, for far too long when I shoved the sprayed paper up my nostrils did I feel the scent was much too bold and unbearable. Now, however, I am fortunate enough to have happened upon superior intellect in action, and now when I shove the Bath & Body Works scent-test strips up my nose, the scent becomes much more bearable.
I don't know. Might as well start holding the scent up to your ear and sampling how it sounds too at that point.
(Yes. Of course I tasted a few scents today.)
I've got gripes with Bath & Body Works and revisiting it today didn't fix any of them. Like, why not just buy normal soap? Why not buy something real? I get that nice smells are nice, but nice smells can also be attained via other means!
Is it too much to ask in today's America that my hand soap fulfill its one job without making my hands smell like "Canyon" afterward? Is it too much to ask that the lavender I smell be from flowers or perhaps even a lovely chap steeping a splendid cup of lavender tea, someone who'll talk to me and hold real conversation instead of smelling of "Lavender"?
I wonder what "Pessimism" smells like.
Anyway.
Thankfully, after fleeing the stank halls of Bath & Body Works, we went to a few other stores.
And then I got peer pressured into buying a totally radical hat. Sweet!
That was about it, I suppose.
A fun trip, no doubt!
But damn. I could go on and on about goddamn Bath & Body Works.
But I won't. Eventually I'd hit a point where it'd stop being funny and true.
And that's a fundamental part of dancing on that line between reality and farce.
Bath & Body Works should not be bothering me this much.
See you all later, I suppose!
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purpleartrowboat · 9 months
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ai makes everything so boring. deepfakes will never be as funny as clipping together presidential speeches. ai covers will never be as funny as imitating the character. ai art will never be as good as art drawn by humans. ai chats will never be as good as roleplaying with other people. ai writing will never be as good as real authors
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gingerswagfreckles · 9 months
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After 146 days, the Writer's Strike has ended with a resounding success. Throughout constant attempts by the studios to threaten, gaslight, and otherwise divide the WGA, union members stood strong and kept fast in their demands. The result is a historic win guaranteeing not only pay increases and residual guarantees, but some of the first serious restrictions on the use of AI in a major industry.
This win is going to have a ripple effect not only throughout Hollywood but in all industries threatened by AI and wage reduction. Studio executives tried to insist that job replacement through AI is inevitable and wage increases for staff members is not financially viable. By refusing to give in for almost five long months, the writer's showed all of the US and frankly the world that that isn't true.
Organizing works. Unions work. Collective bargaining how we bring about a better future for ourselves and the next generation, and the WGA proved that today. Congratulations, Writer's Guild of America. #WGAstrong!!!
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louistonehill · 8 months
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A new tool lets artists add invisible changes to the pixels in their art before they upload it online so that if it’s scraped into an AI training set, it can cause the resulting model to break in chaotic and unpredictable ways. 
The tool, called Nightshade, is intended as a way to fight back against AI companies that use artists’ work to train their models without the creator’s permission. Using it to “poison” this training data could damage future iterations of image-generating AI models, such as DALL-E, Midjourney, and Stable Diffusion, by rendering some of their outputs useless—dogs become cats, cars become cows, and so forth. MIT Technology Review got an exclusive preview of the research, which has been submitted for peer review at computer security conference Usenix.   
AI companies such as OpenAI, Meta, Google, and Stability AI are facing a slew of lawsuits from artists who claim that their copyrighted material and personal information was scraped without consent or compensation. Ben Zhao, a professor at the University of Chicago, who led the team that created Nightshade, says the hope is that it will help tip the power balance back from AI companies towards artists, by creating a powerful deterrent against disrespecting artists’ copyright and intellectual property. Meta, Google, Stability AI, and OpenAI did not respond to MIT Technology Review’s request for comment on how they might respond. 
Zhao’s team also developed Glaze, a tool that allows artists to “mask” their own personal style to prevent it from being scraped by AI companies. It works in a similar way to Nightshade: by changing the pixels of images in subtle ways that are invisible to the human eye but manipulate machine-learning models to interpret the image as something different from what it actually shows. 
Continue reading article here
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fanhackers · 2 months
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Fans' attitudes toward AI-generated works
Irissa Cisternino, a PhD candidate of Stony Brook University, is writing their research on topics related to technology, art and fandom. You can participate by filling out a survey and additionally, signing up for an interview. The survey is expected to last until at least the end of April, those, who signed up for the interview, will be contacted later. You need to be at least 18 years old to participate in either, be able to understand and speak English and identify as a fan.
After the completion of the research, it will be accessible as the dissertation of the researcher. If you have further questions, you can contact Irina Cisternino at [email protected] or Lu-Ann Kozlowsky at [email protected].
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bfpnola · 10 months
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UPDATE! REBLOG THIS VERSION!
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ayo-edebiri · 4 months
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Despicable Me 4 - Minion Intelligence (Big Game Spot)
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phildumphy · 1 year
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So it turns out that ChatGPT not only uses a ton shit of energy, but also a ton shit of water. This is according to a new study by a group of researchers from the University of California Riverside and the University of Texas Arlington, Futurism reports.
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Which sounds INSANE but also makes sense when you think of it. You know what happens to, for example, your computer when it’s doing a LOT of work and processing. You gotta cool those machines.
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And what’s worrying about this is that water shortages are already an issue almost everywhere, and over this summer, and the next summers, will become more and more of a problem with the rising temperatures all over the world. So it’s important to have this in mind and share the info. Big part of how we ended up where we are with the climate crisis is that for a long time politicians KNEW about the science, but the large public didn’t have all the facts. We didn’t have access to it. KNOWING about things and sharing that info can be a real game-changer. Because then we know up to what point we, as individuals, can have effective actions in our daily lives and what we need to be asking our legislators for.
And with all the issues AI can pose, I think this is such an important argument to add to the conversation.
Edit: I previously accidentally typed Colorado instead of California. Thank you to the fellow user who noticed and signaled that!
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sayruq · 2 months
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A little-discussed detail in the Lavender AI article is that Israel is killing people based on being in the same Whatsapp group [1] as a suspected militant [2]. Where are they getting this data? Is WhatsApp sharing it? Lavender is Israel's system of "pre-crime" [3] - they use AI to guess who to kill in Gaza, and then bomb them when they're at home, along with their entire family. (Obscenely, they call this program "Where's Daddy"). One input to the AI is whether you're in a WhatsApp group with a suspected member of Hamas. There's a lot wrong with this - I'm in plenty of WhatsApp groups with strangers, neighbours, and in the carnage in Gaza you bet people are making groups to connect. But the part I want to focus on is whether they get this information from Meta. Meta has been promoting WhatsApp as a "private" social network, including "end-to-end" encryption of messages. Providing this data as input for Lavender undermines their claim that WhatsApp is a private messaging app. It is beyond obscene and makes Meta complicit in Israel's killings of "pre-crime" targets and their families, in violation of International Humanitarian Law and Meta's publicly stated commitment to human rights. No social network should be providing this sort of information about its users to countries engaging in "pre-crime".
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shitpostingkats · 8 months
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I love you robots and artificial intelligence with mental illness. I love you repression being depicted as literally deleting archived data to preserve functionality. I love you anxiety attacks being depicted as a system crashing virus. I love you ptsd being depicted as an annoying pop-up. I love you anxiety disorder being depicted as running thousands of simulations and projected outcomes. I love you artificial beings being shown to be human via their own artificiality.
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