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austajunk · 30 days

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Okay this is kinda a odd one but can you do Makoto x Number One? Maybe Number One discovered Makoto is his homunculus, and decided he wanted to see just how accurate of a clone he is, down to the very last detail... Makoto being a bit emotional since it's his original while Number One is simply cold, observant

Idk, it's always so interesting to see Makoto in a non-dominant position ! As for prompt numbers, let's say... 3, 7 and 19? But I'm not really picky, do whatever feels right.

Anyway, have a nice day and thank you!!!

Wooo, this was a really hard challenge to write mostly because we only have so much to go on for Number One's true nature. I hope you liked my interpretation for how he would be if he knew of Makoto's existence (whether he canonly did or didn't, I do not know).

Triggers: Dubious Consent, Anal Sex, Mild Orgasm Control, Mild Nipple Play, and Light Bondage

Fic beneath the cut!

The Unified Government couldn't hide their little secret project of producing Homonculi for long from the WDO. Careful and organized as they were, the detectives of the world managed to infiltrate their plot and gather information before they could even be detected by the top handlers of the project. It wasn't long before a file was on the leader, Number One's, desk, staring him ominously in the face.

Even if the WDO could see this ambitious and reckless project coming from a mile away, there was still no way to stop it from proceeding forward. It expanded and grew beyond their control, giving birth to homonculi produced by the best DNA samples the researchers could get.

Number One placed his hands behind his back, towering over the file and picture of his own face staring back at him from his desk. It was a mirror. An eerie, unnatural mirror. Somehow... somewhere... his DNA had been taken. It was valuable to the world. His mind... his development... everything about it...

It was now possessed by them.

Number One brushed his thumb over the copy of his face from the various files. The being was usually in a tank or strapped down to some sort of operating table. Various shots and angles of his body matched everything Number One could fathom about himself. It left him feeling cold and detached, wondering if he was awake in the real world. What had they created? Would there be more?

He scooped the file up into his arms after gazing at the name bestowed on this new experiment. Makoto. Makoto Kagutsuchi. Perhaps they meant to have him transferred for further testing. Before they would do that, Number One had to confirm a few things. He had to know.

Who was this person who looked like him? What did he feel or know? Did he know of him? The real one? Did ge know that he was just a copy... not even that, but a monstrous imitation created in a cold, glass tube?

Number One wanted to know Makoto Kagutsuchi.

He fastened his dark cloak over his shoulders and tucked the files beneath his arm. The world outside contained nothing but a black, overcast night, covering him as he traveled swiftly to the lab where his copy rested.

It was a mirror.

The being rested on the examination table, strapped down but undisturbed. That round and unassuming face, the pale skin, the platinum hair that was Number One's very real hair color... they all belonged to him but were worn and represented on the body of another being. It wasn't human. Even just approaching Makoto as he slept assured Number One of that.

He stared over the creature. His purple locks of hair clung to his cold cheeks from traveling through the light rain outside. Number One hesitated, letting his hand drift over the creature's face, but he still gave in.

Makoto wasn't dressed. It was clear the lab was in the progress of doing some more work on his body, but they had stopped for the day. Number One ran his cool fingers across the bare flesh of Makoto's flat stomach. The homonculus stirred slightly, his lips parting to release a small breath.

Immediately, Number One withdrew his hand and exhaled, almost alarmed at the slightest sign that Makoto was, indeed, real and alive. Makoto shifted but didn't get far due to his limbs being strapped quite down. Watching him, Number One fought the urge to turn away in a brisk fashion to hide his morbid fascination. He could hear the creature blissfully sigh behind him in his sleep. There was a tightness in Number One's chest, one he couldn't ignore no matter how hard he tried.

"You're real," he breathed to himself. He returned to glancing down at Makoto and his soft features. Their bodies matched so perfectly. His hand glided down Makoto's waist until he was hovering just over his core. Makoto's flaccid cock hung in between his legs, just inches from Number One's fingers.

"Ah..." A light gasp left Number One's lips. He lowered his gaze at the pretty creature... was it wrong to think of his mirror image as desirable? He was utterly mesmerizing. A breathing, living perfect image.

"It's wrong..." He said under his breath. It was wrong for this person to exist. He existed. Wasn't one of him enough for the world? What could Makoto do for everyone else? Why did he exist? An unavoidable heat rose in the pits of his stomach. He inched closer to Makoto's face, brushing the small strands of blond hair from his cheeks.

Sure enough, those violet eyes softly opened and met his gaze. Those were his eyes.

In Makoto's eyes, Number One could see the homonculus wading through the same horrifying mystery that he was enraptured with. Makoto stared at him, his eyes widening with acknowledgment, fear, and hazy disbelief all at once. Number One paused. Surely... he knew what he was, didn't he?

"You..."

Makoto's mouth moved. That small voice left his lips accompanied by a shudder through his lithe body. Number One wanted to cover his lips, to stifle the same voice they both shared. It confused him, made him feel... lesser and stranger at the same time.

"You're the real one..." Makoto said at last. His eyes gained a glossy sheen, almost on the verge of tears at this revelation. "The one I was made after-"

"..." How hollow Number One felt when he couldn't deny it. He was so perfect. Just utterly a flawless copy of everything. With his own innocent features staring back at him, the ball of flames and fury gripped his chest inside of him and could no longer be ignored. His urges became him, taking control of his mind whilst logic simply melted away.

Number One swept over the Homonculus, held his gaze for a moment to instill a sense of domination, and placed his lips over Makoto's own. He gripped Makoto's shoulders and held him in place, possessively taking what his body demanded of him. He let his tongue freely probe between Makoto's lips, fighting past the creature's feeble resistance. He could feel Makoto's jaw clench, his body close off in an attempt to guard itself from what Number One wanted to take. He ignored the homonculus and kissed him deeper, swabbing his tongue. They fought until Makoto nipped at his tongue, and Number One drew back like a rebuffed animal.

He hadn't meant to be particularly ravenous towards the creature, but staring at him filled him with nothing but the need to take control. To assert some sort of proof that he was Number One! That he was the real one. This burst of emotions wasn't like him at all...

"Why did you do that?" Makoto's uneven voice broke the silence between them. It was a lighter voice than his own, not weighed down by the hundreds of detective cases that Number One had been through. There was something more innocent within his voice, something that seemed so much more playful and carefree. Even when it was scared and confused. "Why are you here?"

His eyes narrowed to the bindings around his wrists and ankles. Patches of redness swelled at the areas where was bound. Undoubtedly, he often busied himself with tugging around when he was being "worked on".

"I... I can't believe it's really you. I always thought that I wanted to see you... that I would feel something a connection," said Makoto. It was like he was searching for the right words to reach someone on the other side of the world from him. The desperation in his face... it pulled Number One closer to him. "I just wanted to know you and see if I could understand why I was born...like this..."

He trailed off wearily as Number One approached him again. The human swept his fingers across Makoto's pale hand, touching briefly upon the red sores and wounds at his wrist.

"I..." Number One hung his head. "I won't be able to give you that. I'm sorry. I'm only here to observe you and understand what you're capable of..."

Makoto stiffened, a shudder breaking through his imprisoned body. "What will you-?"

Number One cut him off by sliding his thumb over one of his bare nipples, earning him a small groan from his specimen. "Do you feel this, hm? Your body and mine... I wonder if we both like the same things..." He busied himself by lowering to Makoto's chest and taking the other nipple between his lips.

A compulsion to stimulate his other self took over his mind's trajectory. He wanted the homonculus to experience pleasure and pain through him: his true self. He swirled his tongue diligently around Makoto's nipples, using his right hand to massage and pluck the other one. His clothed chest smothered Makoto, making sure he knew that he couldn't escape. Rapidly and lightly, he flicked his tongue over the sensitive nub until Makoto was squealing and twitching. His nipples hardened into sweet, little cherries between Number One's lips and the human made sure to take his time in drawing him out. He kissed his chest, occasionally lingering to appreciate Makoto's warmth or his strangely earthy scent. There was something almost natural and organic about the creature beneath his body.

Dipping back down over and over again to partake in Makoto's body, Number One found he couldn't get enough. He suckled greedily upon his chest until the homonculus winced and cried out for him. He didn't know Number One's name, letting the detective savor his confusion and anxiety like a predator. This creature was untouched and new to the world. Fresh to be introduced to pleasure and watched and studied for it. It was captivating to watch him tremble and react just like he did when he was touched.

And he did.

Makoto whimpered. He bucked and pulled against the bindings, letting them dig deeper into his sore flesh as long as it meant that he could experience more. His body had to react to Number One's movements. Like the mirror that he was, he followed his original self, looking to mimic him. His lips curled into a pleasured sigh, panting out incoherent phrases. Number One couldn't get tired of hearing his own voice moan back to him.

He sank lower, kissing down his stomach until his nose nuzzled against the small patch of blonde pubes on the homonculus. He pressed a small kiss against his waist, watching Makoto curl against the straps binding him to the table.

"Please... I want more," Makoto quickly told him. Desperation and lust etched into his facial features, his gaze led Number One down to the hard cock between his legs.

"I'm sorry," said Number One coldly. His hand traced Makoto's generous length. His cock was a pleasant handful for a brand new creation, but Number One wasn't curious for Makoto's pleasure. "This isn't about you. I only want to know you for myself."

Watching Makoto sour and swallow, he pulled away from his cock. Instead, Number One found the switch in the table to loosen the bindings around Makoto's legs. Gently, he guided Makoto's limbs over his shoulders and unzipped his pants.

"I want to know..." He said in a hot breath, tugging his cock out from his trousers. "What do you feel like on the inside?"

Makoto blinked, a bead of sweat trailing down his chest. "You want to...feel me there? Ah..." His pale cheeks darkened with specs of pink, a knowing quiver of anticipation running through his body. His erection wouldn't fade.

Number One nodded, a light smirk tugging upon his lips. He placed himself at Makoto's tight entrance. The idea to lubricate his other self crossed his mind, but rather... he wanted to make his mark on the homonculus, to enjoy him open and raw. It would be painful for the both of them, and he preferred it that way. The homonculus, on the other hand, trembled no matter what he did. Everything was new to him.

"Don't come until I say so... until you truly feel it," said Number One, brushing Makoto's erection with the side of his palm. He gave his girth a squeeze until his captive let out a small squeal of obedience, and then, he let go.

His cock sized up Makoto's entrance, rubbing himself until he realized how hard and ready Number One was to experience him.

"I...I want it," pleaded Makoto, trying to rise against the bindings. He couldn't. There was no hope for him. But he ached for this beautiful thing called touch. No matter how selfish his original self was in indulging himself, the homonculus was drowning in every new experience after the other. Pain. Pleasure. It was exhilarating. "Please put it inside me...!!!"

Number One obliged. The first two inches slid inside. The wails that came after told him that Makoto was coming close to his first brush with true pain. The sense of loss that he gained from something being taken as Number One split his ass apart.

"Relax," he ordered Makoto. "You don't want us to get caught, do you?" The entire world could crashing in on them in an instant, but Number One found he didn't care. He was so close to knowing... to truly seeing how much this mirror really reflected him.

Makoto winced, his face curling in distress. Number One found that his walls contracted around him, trying to stretch to accommodate his length. "It hurts..." He noted to himself as though Number One wasn't there. "I feel so full, so warm... like something...ngh... is melting within me..."

His vision fuzzed, lowering back to the table. Number One secured his legs on his shoulders and drove into him harder to increase those anxious, needy moans. He wouldn't slow down. He wouldn't give Makoto the option to breathe in between his thrusts. Speeding up, their hips clapped together in an ecstatic meeting, sending the heat to each other mutually until they both grunted with a reckless abandon.

"Fuck..." Number One groaned. If this person was a creature to him, then what was he? He just didn't know anymore. With each slam inside of Makoto, he lost himself more and more. No. He wanted to be lost in this rapture...

When he opened his eyes, Makoto was against the table, writhing with his chest caked in sweat. His cock drooled from a sweet, unhinged orgasm. His first orgasm. On instinct, Makoto melted back in the glow as his cock spurted a healthy rope on his torso as Number One drove inside him to the hilt.

"You c-came...hn..." It wasn't as how Number One had pictured it. He thought he had the control but perhaps Makoto Kagutsuchi was full of surprises.

Still, he had reached his limit as well. Buried balls deep into the homonculus, Number One bucked and expelled his thick line of warm seed in Makoto's ass. He bucked again, wanting to go deeper and deeper to spread more of himself inside this being until he simply couldn't. He groaned, slipping out of Makoto's ass with a soft pop, his cum leaking between his cheeks as he did so.

The sweet haze of his climax had him resting against the homonculus. With his ear placed against Makoto's chest, he could hear each soft beat. He felt his breaths, gentle and evening out ever so slightly. Their warm bodies mingled together like two pieces of a puzzle that fit just so perfectly. Number One wanted to lie on Makoto and watch him as much as he could. He wanted to take in his unassuming features, the quiver of his body whenever he was touched or caressed.

But the world was coming back to him faster now that his release had left him. He glanced down at the thing he had just desecrated, the creation he had wanted to assert himself over. Why... Why had he done this?

Quickly, he threw himself off of Makoto and adjusted his pants and cloak. Makoto tried to raise himself up, but once again, he was held in place by those straps. The cry in his throat almost caught Number One off guard, making him want to stop and look back to him.

"Wait! Don't leave me here! I don't want to be this!" Makoto tried to call out to his other self. His eyes teared up as his fists curled into his palms. "I can't be here forever! I don't want to be just a thing made after you!!"

This time, there was a note of rage in his voice. It was unmistakable to Number One. But he refused to turn back to the captive. No. He was never here. He couldn't listen. Makoto Kagutsuchi existed and he would continue to exist... but he couldn't soil that existence any further...

Homonculi shouldn't be meant for this. These feeling, living, and breathing things shouldn't be meant for some sick, government science experiment.

No matter how much Makoto called for him, Number One refused to turn back to him. What would happen if he did? If he went to Makoto's side and released him out into the world to live his life? Would he have a life? Would the government find him and return him to where he was? Would he be the source of misery for hundreds of thousands of civilians across the world?

Why did Makoto Kagutsuchi exist?

Number One ignored the last shriek Makoto made for him to come back and help him, disappearing through the lab door and back out in the night. His face was contorted through shame and agony, his body still washing away the warmth he had shared with his other self...

"I hope you disappear one day, Makoto... I hope no one ever finds you..."

But that was foolish thinking. Makoto existed. More were to come from this. Number One gritted his teeth as the cold, night air greeted him.

Why did they have to exist?

#mdarc #master detective archives: rain code #rain code #rain code spoilers #yuma kokohead #makoto kagutsuchi #number one #kokotsuchi #makoyuma #nsft prompts #thanks for the ask!#mannnnn this felt like writing a fic for Number One from Kids Next Door lol #but also it was very angsty to write #writing prompts

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orbmanson7 · 9 months

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Will Logan Ever Be Happy?

An Extensive Analysis of Logan Sanders' Spotify Playlist and Predictions for the Future of His Character Arc

Logan's Playlist on Spotify

Logan's Playlist on YouTube Music

A few quick notes before we delve in…

This is an extensive analysis in the sense that it's currently around 16,930 words long. Please feel free to read it at your own leisure.

The description of Logan's Playlist on Spotify explicitly states to listen to these songs in order of their listing. This indicates a progression of sorts – of feelings, events, and the plot of the story being told here. It is important that we listen in order, and it seems like Logan would prefer us to listen this way to best understand what it is he is trying to convey.

The repeated themes found throughout many of these songs include: isolation, depression, regret, nostalgia, perfectionism, miscommunication, being the odd one out of a group, recognition of flaws, loss of control, being disliked, a love and familiarity for learning, and finding solutions to problems.

It should also be noted that a handful of these songs are told in second-person perspective, using “you” to indicate a main subject, as though the story is being told by the speaker about someone else’s actions to that someone else, rather than explaining anything outright about themself or how they feel about it. By doing this, the speaker is instead choosing to focus on others and only allowing the listener to sense and interpret how the speaker was affected by what the other party in the song had said or done. This by itself can easily indicate Logan’s insistence to let others take that stage, even when it’s his turn to tell his story, or to show off the faults of others in lieu of focusing on his own failings.

It may be important to remember that as we continue.

The Elements by Tom Lehrer is a simple starter song, as we know. Logan began as a friendly teacher character, someone to help guide Thomas through learning and encouraging curiosity and wonder within him. He helped Thomas to find solutions to problems with the most useful answers, and implored him to keep trying, keep researching, until he truly understood a topic. This was something good, something commendable.

In particular, this song involves a listing of the complete periodic table of elements, something that Logan, as Thomas’ Logic, likely would have to have known very well, considering the focus of Thomas’ major in college. This would have been information Logan used frequently in Thomas’ studies and schoolwork prior to the events of the series, which helps to signify this early interpretation of Logan’s character.

This is the early beginnings. It’s a solid starting point, telling us what we need to know about Thomas’ perception of who he believes Logan is meant to be.

Immediately after, we have White and Nerdy by Weird Al Yankovic, which, similar to the first song, is meant to give us a sense of Logan’s character. Thomas sees him as a helpful teacher, but he also sees him as a very nerdy, reserved, uptight, and pretentious kind of person who likes learning trivia and reading mystery novels and watching sci-fi shows and doing puzzles and making wordplay jokes. This fleshes Logan out more as a character, not just showing us who Thomas sees but giving us more perspective on what to expect from him.

[lyrics:

I wanna roll with the gangsters

But so far, they all think I’m too white and nerdy]

Early on in the series, the sides only appeared momentarily to help offer suggestions and advice to Thomas relevant to what he needed. There seemed to be less cohesion with the group, mainly due to a lack of narrative at the time, but the sides still appeared to work together so long as each stayed in their respective areas of expertise. Despite that, lyrics in this song seem to imply Logan had already seen himself as an outlier to the rest of Thomas’ sides. He recognized that this came at fault of the interpretation of his character, the personality he displayed, his mannerisms, even his interests.

From the very start, Logan was being viewed as something different and distinct in comparison to the other sides.

These first two songs are meant to be reminiscent of not only our first impressions of Logan’s character, but also of Thomas’ overall impression of him early on in the series.

Within the first few episodes, this is how Logan was interpreted and seen, as a nerdy but supportive teacher-like character. Based on Thomas’ vine character of the same attire, Logan was originally meant to be respected but relatable, someone who could understand the kids he was teaching, but was also full of incredibly useful knowledge and knew exactly how to convey that information in a way that would encourage and enlighten those around him.

As one of Thomas’ sides, however, he was minimized to only being Thomas’ Logic, someone who still had an incredible wealth of knowledge and used it to teach and guide Thomas specifically, but he was also someone who was meant to be more stereotypically “nerdy” by Thomas’ standards. He was still able to act as an instructor to Thomas and to the audience watching, but his status of authority was diminished, because now he was no longer a teacher, he was merely another part of Thomas.

This is where Algorhthym by Childish Gambino comes into play. This song indicates a recognition of the world and how it functions, but also a fear to do anything about it, to step out of line. This lends to Logan’s perfectionism, yes, but it also shows that Logan is highly aware of his position as Thomas’ Logic, and what is expected of him. He knows very well that he does not perfectly fit the mold that Thomas has made for him to fill.

Early in the song, there are mentions of misunderstanding directions and testing the waters in objectionable ways.

[lyrics:

Made us the guinea pig and did it with no permission

Told her to call a friend, didn’t tell her to listen

So very scary, so binary, zero or one

Like code is like coal mine canary]

Being put in a position without a choice in the matter, Logan is very aware that he has a big role to fulfill. He’s being depended on to do his job right. But there has, at no point, been any guidance for him to follow. It’s not as though there’s a training manual out there on how to be Thomas Sanders’ Logic, which means Logan can only attempt to figure it out as he goes along.

Now, this is no different from the other sides, as they all lack any kind of instruction on how to do their jobs, either. They all just have to make mistakes and learn from them to improve and get better with time. And, typically, this should be a good thing, but in Logan’s particular case, his job requires him to be relied upon as the one with the answers and solutions, so if he’s seen as someone who makes mistakes, that ruins his ability to be trusted to give those answers in the first place.

Making mistakes would contradict his purpose as Thomas’ Logic, but if he didn’t make mistakes, he couldn’t learn from them and get better like the rest of them. However, it’s inevitable that he will make mistakes because he has no idea how to do this job because he didn’t have any training involved before he started. But if he makes mistakes, he could lose that job, or the job itself could become misconstrued or defunct due to his failures. It’s an unpleasant and repeated cycle with no clear end.

Logan aims for perfection, knowing the risk of failure is so high and comes with such consequence, but he still has hope that something might work out. He also doesn’t seem to have much of a choice otherwise.

But he's already beginning to loop back around in circles over this, even so early on into the series, and this leads him to questioning why the world works this way. Just why does it contradict itself so much?

[lyrics:

I dream in color, not black and white]

He already realizes that he is seeing everything in a different way than Thomas and the other sides do. The world is so much bigger than the arbitrary parameters that are being set for it. Understanding and learning may need rigid guidelines to teach a beginner, to not overwhelm them, but once you know the basics, you can take those training wheels off and start exploring just about anywhere. If you want to try more adventurous feats, you’ll need better gear, more specified knowledge, but it’s not as though you are barred from entry. There is always more to learn, you simply have to go looking for it.

But the world somehow seems to think that’s not the case. Many believe that you either know something or you don’t, or that things can only be either one way or another, with no nuance involved. Instead of understanding all the shades of gray and color in between every moment, every idea, that there’s fluidity and the ability to shift and change at almost every turn, they choose to rely on what they’ve already learned and refuse to challenge it, even when the opportunity arises to do so. The world has so much more to offer than the black-and-white to which people often cling.

There’s so much space in between every atom, infinite amounts of empty air, that which we can barely comprehend, yet we see an object, a person, or any full form as completely solid, contradicting what we expect. We may say a penguin cannot fly, and yet you could put one as a passenger on an airplane and that could be considered flying. It has just done what was thought impossible. It is all about our perspective and the rules we set in place for our world that limits what we believe we know and understand, but that doesn’t mean that’s how the world actually works.

Unfortunately, changing someone’s mind can be very difficult, especially when you’re the one who contributed to them learning those basics to help them conceptualize the topic in the first place. It can be very hard to teach someone that knowledge is genuinely limitless, especially when they have found less use for it as time goes on and no longer have a desire to keep learning.

The song then indicates that the way a human behaves doesn’t always make logical sense, but that they value their life and experiences.

[lyrics:

Humans don’t understand, humans will sell a lie

Humans gotta survive, we know we gon’ die

Nothing can live forever, you know we gon’ try

Life, is it really worth it? The algorhythm is perfect, mmh]

Logan can comprehend this notion, even if he doesn’t quite understand and see the world in the same way as Thomas does; even if he believes some of his actions are illogical, he knows Thomas’ ability to live his life to the fullest is something memorable. He can recognize its importance overall, even if he doesn’t fully agree with how it’s done.

Logan likely comes to realize by this point, even so early on, that compromise is the best option here, just as we saw in the episode The Mind vs The Heart. Even if he doesn’t see things in the same way as others, he can still meet someone halfway, and hope that they can meet him halfway in return.

However, nothing is ever that easy, it seems. Just because he’s willing to step back and take another’s perspective into account does not mean others will do the same for him.

This more or less encapsulates the rest of the song from his perspective. He learns to stop challenging that which doesn’t want to be challenged, attempts to follow what is expected of him, even if what is expected of him is a perfection that he is unsure can even be achieved. He has to compromise some of these details and nuances so that the world can still run on its bizarre rules, for Thomas’ sake, and this results in him having to step away from his goals to make way for the others’ instead, or even to be pushed away when his insistence to the contrary isn’t appreciated, like we saw in the episode Moving On Pt 1: Exploring Nostalgia.

He learned fairly well that day that sometimes emotions took priority over intelligence, and even if Logan didn’t fully comprehend the purpose they served in solving that dilemma, he was attempting to find a proper answer that would be of benefit to Thomas regardless. But what he learned instead was that his efforts were unwanted simply because he was viewing the situation from a very different perspective than the others were.

As such, he began to learn not to question these parameters that the world operates upon. He needs to do what he can Within those parameters to ensure Thomas’ survival and simply hope that he’ll thrive with knowledge (and Logan) as his guide.

And that is exactly why the next song is Fitter Happier by Radiohead. The whole song is a monotonous text-to-speech vocalization of varying guidelines one may expect for someone to appear as and/or be human. As the list goes on, the more inhuman the stipulations become, betraying the real purpose behind the list, that this is someone attempting to appear perfectly human while misunderstanding what that means entirely.

Again, Logan was never given a guide on how to do his job, so he had to just make it up as he went along and attempt to do it perfectly without any help or reassurance. From Logan’s perspective, he knows his goal is to make sure Thomas survives to live his happy life, but his expertise in helping Thomas achieve this relies on knowledge and facts, not emotions or empathy. This results in Logan’s attempts coming off as unempathetic, cold, and strict, not to mention completely missing the point of living.

But because he is doing this solo, and because he has awareness of the consequences of failure, he is aiming for perfection and doing his best with what resources he does have – which happens to be his own intelligence and what he can learn through research. Unfortunately, when it comes to life and living, Logan’s limited only to the facts, and his primary focus is Thomas’ survival, nothing more.

[lyrics:

Not drinking too much

Regular exercise at the gym, three days a week

Getting on better with your associate employee contemporaries

At ease

Eating well, no more microwave dinners and saturated fats

A patient, better driver]

This is why some of the lyrics list guidelines such as “regular exercise at the gym” or “eating well, no more microwave dinners and saturated fats.” These are the types of recommendations you would hear from a doctor or nutritionist, examples of efforts that may result in longer life. If someone only cared about extending their life or living healthily, these would be excellent suggestions. But when they are devoid of any emotion, removed from relationships with family and friends, absent of aspirations and goals for someone to enjoy said life, the suggestions instead become robotic and inhuman. Yes, you can live longer by following these steps, but you may not enjoy the extra time you are given to do so if you only follow these suggestions and nothing more.

This is something that was discussed during the Why Do We Get Out of Bed in the Morning? episode, where Logan asserts that creating a balance of daily tasks to maintain his wellbeing will allow Thomas to live a long life. Roman argues that if Thomas spends all his time taking care of himself, it doesn’t give him enough time to pursue his dreams and he insists that he must instead take risks and give priority to his aspirations. In the end, Thomas found his motivation in a balance of both of these recommendations, that he should maintain his health while also taking the chance to achieve his goals.

While a human genuinely needs that balance, to have both sides of this argument included to find true motivation to keep going, these individual sides within Thomas are always likely to see their own mindset and opinion on the matter as the priority, as the “right” way to do things. This is exemplified by Patton’s addition during the end credits scene, where he offers his opinion on the topic about having the opportunity to add positivity to the world. His belief is only an addition to the discussion and wouldn’t detract from Logan and Roman’s suggestions, but it shows that each of Thomas’ sides have their own views on what the real answer is meant to be and that they do not agree on this notion, even if they do see eye-to-eye at times or are willing to work together for Thomas’ sake.

This song is likely meant to remind us of that episode specifically, and what Logan’s opinions on the matter were at that time, indicating his goal is for Thomas to maintain a balanced and healthy lifestyle so that he has the ability to survive and live a long life. It shows us that without the others, there is a lack of balance, but it also shows that Logan is striving for perfection, with special regard to Thomas’ needs, not necessarily his wants or desires. After all, that’s Roman’s department, right?

And this is a big factor in why the sides don’t often get along with each other. They each have their own idea of what is actually best for Thomas, and when it comes to Logan, he has an easier time arguing his points because he has all the data to back him up. This doesn’t keep the others from fighting against him, nor does it keep Thomas from taking the others’ side anyway on many occasions, but it’s still something he can rely on when everyone else is against him.

But even if he cares about Thomas’ survival most, is what he’s proposing truly the “right” way to go about it?

If he learned anything from Why Do We Get Out of Bed in the Morning?, the ending of this song may indicate he recognizes that Thomas may well live a long life with his suggestions, but would not necessarily be happy in that life, so perhaps perfection isn’t the right goal to have in mind.

Happiness, however, can be very subjective. For instance, happiness to Logan would likely involve the satisfaction of a job well done, or the opportunity to learn something new, so what would life for Thomas be if he couldn’t have that?

This is what leads us into the next song, Medicine by STRFKR, which continues the thoughts on perfectionism and the problems that arise from it. Perhaps due to the events associated with the last song, Logan has come to realize that the goal of being perfect is either truly unattainable or, as this song seems to suggest, prevents the desire to continue learning once reached. Logan, of course, would not want Thomas to have peaked when it comes to obtaining knowledge, as there will always be something you don’t know, there will always be something new to learn. If perfection removes a desire to know more, he wouldn’t be able to encourage Thomas to learn anything new, even something for his survival. As such, his goal of perfection is flawed.

However, this now completely conflicts with his earlier notions about his own aspirations of perfection, as he must be knowledgeable and helpful for Thomas, to provide him with what he needs without flaw, without failure. He must be perfect, but perfection is not possible. He must be perfect, but perfection begets disinterest and prevents further learning. So, perfection should not be his goal because it will be of overall detriment to Thomas.

His new goal needs to be something else, but he must still maintain something as close to perfection as possible, because Thomas’ perception of him cannot be altered. Thomas will still expect perfection of him, but he can never truly attain it because it’s both impossible and would ultimately remove his purpose to Thomas as Logic. Such a feat is even more difficult to achieve than perfection, so he’s very much stuck at this point and will need to figure out a new solution to this complicated problem.

[lyrics:

Sorry

So helpless

So help you

Any way you like]

When in doubt, Logan knows he can turn to one thing: Thomas’ preference on the matter. If Logan can’t decide on the best course of action, he will instead choose whatever it is that Thomas wants, as that is how he may obtain his happiness even when working with a less-than-perfect Logic.

After all, if perfection was not the true goal, then perhaps it was meant to be whatever Thomas wanted instead. Logan didn’t need to reach perfection, he just needed to reach Thomas’ expectations. The goalpost had moved, but it was still in sight, and now he’d just have to create a new strategy in order to find success, meaning it was time for some experimentation to his approach.

[lyrics:

(spoken behind music)

The following of them does not depend on believing in anything, in obeying anything, or on doing any specific rituals

Although rituals are included for certain purposes because it is a purely experimental approach to life]

Between the events of Why Do We Get Out of Bed in the Morning? and Learning New Things About Ourselves was a fun little promo episode known as Crofter's: The Musical, and while it may not seem all that relevant in the grand scheme of things, it’s important to remember the focus of the episode relied on Logan’s extraordinary adoration of Crofter's jam.

Given his love for the product, he was ecstatic at his opportunity to be recognized through that which he admired – by being featured on a specialized version of the product itself. It’s a high honor, it’s respectable, it’s cherished. This is a great moment for Logan, seeing a lot of his efforts come to fruition in an interesting and unique way.

However, it is soured by Roman’s bruised ego, as he prefers his spotlight and sees this one moment as Logan being viewed more favorably than him overall, and then it is further ruined by the mention of Logan’s wordplay and puns throughout the episode as him acting unusual, notably unserious. Logan becomes rather concerned during the end credits scene as the others point this out about him, and he realizes that he needs to maintain the status quo after all.

His experimentation in finding a balance, of what was acceptable and what was not, resulted in him understanding that he could not engage in sillier interests publicly so as not to alter the others’ perception of him and his purpose to Thomas or tarnish his reputation as a practical, reliable, knowledgeable side. He must continue to keep emotions removed from his position as Logic, even with perfection off the table as a motivating factor.

Now, before we move on to the next song, I want to re-establish whereabout in the timeline of the series we are by this point.

We had the early origins near the start with The Elements song and White and Nerdy, which likely took place somewhere within the first couple episodes that featured Logan. We dipped into Algorhythm, which likely took place around the time the actual plot and deeper characterization began appearing in the show, somewhere between The Mind vs The Heart and Moving On Pt 1 & 2. Then, Fitter Happier seems to strike some similar chords as the episode Why Do We Get Out of Bed in the Morning? from Logan’s perspective alone, meaning we’re fairly far into the series already. Medicine is somewhere around Crofters: The Musical, which means we are about to get to Learning New Things About Ourselves.

That was an episode that definitely served as a big turning point for Logan and how he readdressed his role as Thomas’ Logic and perceived how he was meant to fulfill his position.

This is also the point in the playlist where things seem to take a much darker and negative turn.

For now, we move on to the next song, which is The Watchtower by The Dø.

Now, @intrulogical has a great analysis of the meaning that may be associated with this song from Logan’s perspective, that Logan may overthink and prefer to hide away from others out of shame when he doesn’t perform adequately, that he recognizes his mistakes and has, on multiple occasions, offered to leave the discussion in order to benefit the others and Thomas. He has taken to suggesting his removal from the situation when he doesn’t seem to have the solution they need or when he has become emotional in times where he shouldn’t be, meaning that he has come to realize it may be a better option for him to leave, rather than stay and potentially make the situation worse.

We already know that he has come to understand perfection is not possible but must still maintain something akin to it, feeling shame when mistakes are inevitable. We know he experimented with his approach to no avail, where he learned he must remain emotionless and cold to be successful. The amount of stress from trying to meet expectations, maintain restrictions, and adapt himself for the others’ benefit is beginning to take its toll on him.

The Watchtower is a song that seems to suggest Logan’s methods are what make him a true outlier among the group, but the lyrics literally start out with “I’m breaking, I need another start” which would mean this is a reaction to his stressful situation, not an action Logan chose in advance.

But he is still prepared when reacting like this. He has weighed the options; he has taken past experiences into account. He has more knowledge now on how to be Thomas’ Logic in a way that fits Thomas’ expectations, and he is no longer blindly attempting to do his best without failure and is instead using what failures he’s already had to recontextualize his understanding and guide his next actions.

But he still needs to appear as flawless as he possibly can, for Thomas and the others, so that he still embodies his role as Logic, so that he can still be relied on and trusted to do his job. While he recognizes perfection is not possible, he will still get as close to it as he can.

While stress may be a factor, this may explain some of the true motivation behind his desire to hide away in these moments, or at least his belief that it would be easier to solve these dilemmas from farther away.

[lyrics:

From the watchtower

Where we can see things coming

Good or bad, at least we see things coming

From the watchtower

Where we can read the future

Whatever it says, at least we know what’s up]

Within these lyrics, we can see that this is a very divorced perspective to have, as though Logan prefers to solve issues from a distance, removed from the situation itself and able only to view it, not directly interact with the parties involved.

Using his influence on Thomas to solve the issue without being present in Moving On Pt 2 after he abruptly left in Moving On Pt 1, Logan has shown that he can be successful when he isn’t there to be talked over and insulted, be overwhelmed by everyone’s emotions and concerns, or have his own uncontrolled emotional outbursts. He can stay unbiased, practical, and clear-headed from a distance and achieve the best results.

This explains why he attempted to leave after his outburst in the episode Learning New Things About Ourselves, because he had seen prior success in doing so.

However, it’s clear that there are some consequences to this approach.

[lyrics:

I don’t mind

if I’m impopular

I’m thinking

And no one in particular]

Another repeated notion throughout the series that Logan is now well aware of is that he is not very well liked. While this seems to stem from a combination of the expectations put on him and his stricter handling of the others’ more outlandish ideas, at this point, and the lyrics suggest he tries to make it seem as though it doesn’t bother him. But we know otherwise, because Logan does continue to attempt to garner favor from Thomas, the other sides, and the audience. It’s why he picked up the slang word flashcards, and it’s partly why he tries to use more relatable metaphors and analogies to explain complicated subjects. He does want to be liked, respected, and Heard, even if he claims otherwise.

His attempts to remove himself from the group to benefit Thomas and perform his duties from afar only seem to add to this dislike that’s been building for him. His absence prevents him from building and maintaining any relationship with the other sides (not that he was making much progress with that around that time in the series regardless). When he has his outburst in Learning New Things About Ourselves and tries to then leave the discussion entirely, he is quickly stopped by Patton who insists he stay instead. He would have preferred to leave, knowing he was more beneficial to Thomas if he was unemotional. Unfortunately, because he stays, he is unable to resolve the issue for Thomas like he had before, and instead spent the rest of the episode uncomfortable and unable to relate to the emotional concepts that were applied.

He comes away from that situation recognizing his own misunderstanding of the others’ actions in their attempts to help Thomas, but there is no solution found, only a slight improvement to Thomas’ mood about the discussion on the whole. And on Logan’s part, he was also left without a solution, resulting in him adding this as another failure to his list and believing that he will need to do more to better accommodate the other sides and Thomas’ emotions in order to achieve the best results.

[lyrics:

I’m breaking

I need another start

Far away from the city lights]

This follows the lyrics at the end of the song, repeating exactly how it started. Nothing was resolved here; Logan only sees his mistake and feels ashamed for it. He still wants to solve Thomas’ issues from a distance, but now he’s more aware of the emotional stakes that he hadn’t been implementing in his solutions before this point.

He has decided that he’ll do better, but he isn’t sure how to do that exactly, and he’s still hurting, but that’s left unacknowledged.

And Logan only comes to realize that the others are pulling away after this, as we see in Selfishness vs Selflessness, where he wasn't included in the courtroom scenario and pushed to the back and out of the way after the one moment where he could be helpful.

Logan can see that this is what Thomas and the others want for him, to stay out of their way, because he apparently can't understand them in the way they prefer. Never mind the fact that the inverse is true, too.

And that leads us to the next song, The Breach by clipping.. At a minimum, this song is very concerning, but also a helpful indicator as to what seems to be happening and possibly even why.

[lyrics:

Generally operating normally

A small anomaly has become evident

And probably should be noted]

In simple terms, something has changed, and likely not for the better. Something is different.

If we’re aware of the timeline of the story, this is sometime after the episode Learning New Things About Ourselves, which means it's likely about Remus’ arrival in Dealing with Intrusive Thoughts and how it signifies Thomas’ declining mental health.

Something specific that should be mentioned about this song first is its lyrics. They are read as a computer observing a situation, assessing the variables, and stating plainly the solution to be enacted by others. This is similar to what Logan was able to successfully do in Moving On Pt 2 and would have preferred to use as his approach in Learning New Things About Ourselves, which is to stay distant from the situation itself but address everything calmly and without emotional disruption.

However, the lyrics are also given in very quick succession, indicating a hastiness to the necessity of these instructions. This could mean that if the subject does not act swiftly, the results may not be optimal.

[lyrics:

First: the recommended course of action should be to

Administer a sedative to all the cargo via ventilation

The ship is fully capable of automating this

But requires an approval code from the administration]

As he learned in Learning New Things About Ourselves, Logan has to better accommodate the other sides’ emotions (as well as Thomas’) and their concerns on the matter in order to competently resolve the issue, so appearing and calmly explaining what needs to be done is the approach he chose. But that didn’t work out at first due to the same issues he’s been having this whole time, which is everyone’s reluctance to listen to him as well as their insistence on keeping him out of the group, especially while they are all so emotional themselves in that moment.

In order for this to work, he would need to convince Thomas and the others to trust him and to listen to what he had to say. In reality, Logan can only give them the advice they need here, he can’t actually fix it for them, hence the lyric, “but requires an approval code from the administration.” They can’t logic their way out of this but using logic can guide them away from the overly emotional response and provide the instructions needed to find that solution.

Logan applies the instructions from the song – administer a sedative? Calm the others back down. The importance of alacrity? Speak with confidence, stay positive. Send security immediately? Logan took charge of the situation at hand because no one else was handling it.

Logan keeps himself level-headed, refuses to show any emotional response (not to Remus, not to Virgil, not to Patton), and displays his worth as Thomas’ Logic to the best of his ability. And it works fairly well, as he manages to calm the other sides and Thomas down while also warding Remus off and tiring him out. It took longer than he probably expected, but he accomplished what he had set out to do.

Despite the end of the song sounding like an electric-powered warzone, the episode Dealing with Intrusive Thoughts had ended on a positive note for Logan, as he was praised by Thomas for being cool, with how he handled the situation so smoothly and didn’t let anything affect him. This marked a success for Logan, and he now knows that addressing situations with swift action, getting right to the point while also allowing for the other parties to vent their feelings on the matter, and staying composed and unemotional himself while addressing the problem was the best course of action, at least while Thomas was in this type of mindset and far more stressed than he had been in the past.

Perhaps he really has finally figured out how to be a proper Logic for Thomas after all.

Unfortunately, whatever elation he had in that episode doesn’t last long, as our next song, Letter C by Zach Sherwin, is all about being embarrassed by others and reflecting back on the situation later to think of something cleverer that could have been said in response.

As this is something he has dealt with a handful of times in the series as a whole, Logan wishing he could have thought up a better comeback to the others’ insults in the moment is not unheard of, and it could easily be inferred that he’s done this type of reflection on his own many times.

[lyrics:

And now it’ll linger forever but I’ve been stewin’ over

What I’d say to him if I could do it over]

The song lyrics mention how this situation lingers, that it’s something Logan thinks about repeatedly, even though we know there have been multiple moments like this. He remembers it for a long time, he thinks back on each one, wishing he could have done something more when he had the chance.

This is a moment more steeped in pride than obligation to his duty as Logic, however. While his desire to be viewed as clever and informed comes from the expectations of him as Thomas’ Logic, his desire to be respected as Better than the other sides in this particular way does not.

As was told in Learning New Things About Ourselves, it seems Logan habitually criticizes the others and becomes more standoffish in response to stress and a lack of order, as though the lack of control in a situation supercedes his judgement on how to behave among the other sides. In attempt to regain that control, he tries to place himself and his importance in the matter above others, which only causes additional problems.

In reality, all the sides should be balancing each other out, but the system currently in place is not balanced at all, and we often see sides like Logan further down the ranks than others on a regular basis. This can explain his desire to level it back out or rise even higher, to prove that he should be listened to and respected, and he could easily convince himself that his reason for this desire stems from his necessity to Thomas as opposed to any correlated feelings of shame or pride.

Thomas needs his logical side, someone to act as his voice of reason when the others are too emotional and rowdy, someone to provide unbiased facts instead of the others’ leaning opinions, someone that he can trust to always be in his corner and do what’s best for him every time. While the others turn Thomas’ gaze to the future or the past, Logan does everything he can to keep him steady in the present, so long as Thomas actually listens.

Logan had spent a lot of time to change and be better for Thomas, to meet and exceed his expectations. He adapted his thoughts, his methods, his temperament, all to best accommodate Thomas and his needs. So, it makes a lot of sense that he’d have a lot left unsaid after everything he has tolerated throughout the series. He wishes he could have the respect he believes he’s owed instead of continuing to endure insults left and right, but for now, he can only make up such scenarios where he comes out on top in his mind.

A moment of respite comes with what's next on the playlist, Galaxy Song from Monty Python (as sung by Stephen Hawking), which has a delightful message of enjoying the wonder found in our universe. There’s already so much to learn on our planet, but there’s endlessly more available to us out in the rest of the ever-expanding universe.

The song jabs at the inevitable stupidity of some people but chooses not to complain or find a way to be better than them. Instead, one should choose to refocus on something positive, to distract themself rather than to dwell on it. It’s better to think about something you enjoy rather than something you hate, right? And this makes it seem as though it’s a response to the last song in this way, that Logan has dealt with another insult or stressful situation and was unable to respond in the way he preferred, so now he’s choosing to ignore it and think about something fascinating to pass his time in a healthier and nonjudgmental way. Ignoring the situation is no better than stewing over it, but at least this way he gets to think about something he appreciates.

Neither of these songs seem to have a particular place in the overall storyline from the series, by the way. They seem to embody multiple similar occurrences over the course of the show, indicating that this has happened before, continues to happen, and will likely keep happening in the future. However, it’s not a great situation to repeatedly have to handle, especially if Logan is still as stressed as we know he is, and if he simply keeps permitting it to happen without speaking up properly about why it bothers him, then it will never change.

The next song, Streaks, is itself a very interesting song that embodies a lot of nostalgia, both good and bad, that Logan holds about his past with Thomas – teaching him, helping him study, guiding his path through school and college. Sadly, we know that Thomas proceeded to let his Chemical Engineering degree collect dust so he could instead pursue an acting career and become a successful Youtuber as an adult. To Logan, these more creative interests overtook his studies and Thomas’ potential for a stable and well-earning career.

[lyrics:

All these years of filling out papers

Building a future

Keeping your head down

Tryin’ to keep a head on your shoulders

Keep it creative

Make it your own somehow]

From these lyrics, we can see the inclusion of creativity as a secondary to getting the work done, showing something that was discussed in Why Do We Get Out of Bed in the Morning? as Logan proposed that Thomas maintaining a healthy lifestyle and doing his work tasks needed to take priority over creative pursuits and aspirations. This could imply that, during Thomas’ school years, Logan may have had a lot more say in what Thomas should do to be successful in his classes and to get into college, and that he didn’t turn away Thomas’ interest in creativity but preferred it to not take priority over his schoolwork.

But, as we know, what may have started as a creative outlet soon grew into a genuine interest and then a full acting career that negated the entire point of all of Logan’s hard work. If Thomas had wanted to be an actor or a Youtuber all along, why did Logan put so much effort into getting Thomas to study, to do his work, to get into college, to earn his degree? He couldn’t even be proud of such an accomplishment because it served no purpose to Thomas as an adult. It didn’t signify anything except wasted effort on Logan’s part.

[lyrics:

Throw ‘em in the water

Let ‘em sink or float

Give ‘em what they need to move on

Then you let them go]

This sounds like something you’d hear from a parent watching their child grow up and move onto adulthood and pursue their own life away from the family home.

Logan had done his part, he taught and guided Thomas in everything he needed to know in order to achieve success. And when it came time for Thomas to follow through, he proceeded to veer off to a completely different path and Logan could do nothing but watch it happen. Thankfully, though, Thomas Had found success, just not in a way that Logan had expected.

He hadn’t even prepared for this type of eventuality – it was unknown territory.

But Logan could adapt, he could make this work. He’d shown he was able to overcome past obstacles, and he found ways to implement research and education into Thomas’ creative career, giving him an opportunity to still learn something new. He just needed to stay relevant and keep Thomas’ interest and continue encouraging him to learn. However, that proved much harder to do when Thomas refused to listen to him.

Thomas had grown to require much less from Logan over time, having moved away from the days of tests and studying to bigger and better adventures. It left Logan with very little to do for Thomas but maybe to appear when he had no one else to turn to.

It was as though it wasn’t just Thomas’ degree that he’d placed up on a shelf to collect dust, but Logan, too. To stay tucked away, unused for years, only ever coming in handy for very specific situations and nothing but an embarrassment or eyesore in others. What use could he possibly have anymore? Why should Thomas be proud of him when he didn’t need him for anything?

Now, if you’ve noticed, these past few songs seem to lean more heavily toward emotions than the ones that came before them. Letter C was about embarrassment and feeling shame over his mistakes and how he’s been treated, trying to use his pride to combat it. The Galaxy Song was about relief and ignoring the situation to escape to wonder and curiosity as a coping mechanism. And now Streaks is about nostalgia, the wistful longing for what once was, and the painful memory of what came of that despite all his effort.

He’s embarrassed, he’s running away from the problem, he’s sad.

You see, Logan is trying to find a solution here by using something similar to what the other sides might try when they are the ones struggling. He’s copying their methods. Roman leans on his pride to sooth his ego and to make himself feel better, Virgil runs away and hides from his issues, and Patton delves into nostalgia and strengthens his sadness, feeling it deeply.

This implies that Logan doesn’t quite understand how to handle whatever it is that he is feeling, but he's paid close enough attention to what the others have done, even if he doesn't understand why or how it's meant to help. Now that he's searching for some sort of solution on his own, he experiments, tries something new based upon his research and facts, rather than asking for any kind of help.

Remember, he can’t tarnish his image as a near-flawless Logic that is supposed to already know everything, who they’re supposed to be able to rely on. So, he will have to solve this one on his own, too, by just trying things out until he eventually gets it right. That is what the experimental approach is for, after all.

But these emotional songs are only the beginning, and they’re about to take a stark turn.

Next is What I Do For U by Ra Ra Riot, which is a song absolutely steeped in frustration and anger. In so few lyrics, it says a lot of what Logan has been mulling over lately in the storyline. We know his frustration over everything has been building more and more.

[lyrics:

I want you to survive

Anything you need]

This song gets right to the point with its opening lyrics and even the chorus. It tells us that Logan’s efforts, all these recommendations to Thomas, all the schedules and planning, all this encouragement for him to eat healthy and take better care of himself, all his guidance and advice and helpfulness serve one purpose and one purpose alone – to help Thomas survive.

[lyrics:

What I do for you

I do for you]

Everything he does, he does for Thomas.

But does Thomas recognize that? It doesn’t seem so.

And this, of course, bothers Logan. It doesn’t just bother him, it angers him. Logan has put in so much of his time and energy over the years into doing everything perfectly for Thomas, with no help in doing so this entire time. Prioritizing Thomas’ wellness over everything, listening to the others even when he couldn’t understand their emotions, remaining level-headed and calm around their puns and insults and threats, hiding his interests and holding back his words so they wouldn’t think less of him. He has worked against obstacles and odds of which the others aren’t even aware. He has bent and molded and reshaped himself in so many ways to better accommodate everyone else, to match their expectations, to make them happy. He did it for them.

But what does he get in return? Mocked, disrespected, and ignored.

And, worst of all, Logan knows just how important he is to Thomas! Well, in function, at least. Thomas would not survive without Logic, and yet Logan seems to be the only one to recognize that fact. He can’t even be respected for his function, his purpose in keeping Thomas alive and well. It’s one thing if they didn't like Logan, but wasn’t the fact that he was needed for Thomas’ survival enough for them to tolerate him, at the very least?

[lyrics:

I’m your only hope

And I’m your savior too

Every single test

You’ve been ever carried through]

On top of that, and as we saw in the Working Through Intrusive Thoughts asides episode, Logan has been attempting to solve Thomas’ issues by himself, relying on his knowledge and experience with Thomas to determine the best approach in every situation without consulting the other sides at all. At some point in the series, Logan came to believe that he was the only one who actually cared about what Thomas needed, that he was somehow the only one actually keeping Thomas alive. He believes he is the only side who’s clear-headed enough to handle Thomas’ problems, the only one who can act as a voice of reason, the only one who offers practical and useful solutions.

This is, unfortunately for Logan, not actually true, but it makes sense why he would come to this conclusion, considering that every side disagrees on what they think is best for Thomas. The other sides tend to focus on their own self-interests and goals as guiding factors while Logan is the one who deals the most in absolutes and factual information. Something that Roman suggests can be complete fantasy, impossible to ever achieve. Something that Patton suggests can be unreasonable to follow through on or would only hurt Thomas in the long run. Something that Virgil suggests can be rooted in negativity and self-doubt, bringing Thomas’ mental health down as a result. Janus’ suggestions can be incredibly biased and not always socially acceptable. Remus’ suggestions…well. They can be both uncomfortable as well as impractical.

But Logan never gives impossible, impractical, or biased recommendations to Thomas. He uses research to find what would work best for the situation, then applies it to his knowledge and experience with Thomas to determine what would suit him most, and then suggests it outright, explaining in simple terms a way in which it can be implemented.

He does all the hard work for Thomas, so that all he’ll have to do is simply follow through. Each time, he does this with Thomas and his needs at the forefront of every offer.

Yes, he can go overboard a bit, just like all the other sides, but he thinks that just means he needs to be flexible and allow for some exceptions to balance things out, allow Thomas to be happy in his survival. After all, he has learned so much over the course of this series, hasn’t he?

He learned to compromise with those he disagreed with in The Mind vs The Heart. He learned that too much or too little of any side’s influence could bring detriment to Thomas in Accepting Anxiety Pt 1 & 2. He learned that emotions could override intelligence and present a major problem in Moving On Pt 1 & 2. He learned that finding some balance between his suggestions and the others’ was optimal in Why Do We Get Out of Bed in the Morning?. He learned that such balance could not be applied to himself as he had to maintain his role as an unemotional Logic and stay serious in Crofters: The Musical. He learned that he needed to expand his understanding of why Thomas preferred emotions over intelligence despite the need for both in Learning New Things About Ourselves. He learned that the other sides and Thomas could apparently solve their issues without his presence in Selfishness vs Selflessness. He learned that his method of taking action and solving the issue for them when they were too emotional to do it themselves was more efficient in Dealing with Intrusive Thoughts. He learned that, despite his willingness to help, the others much preferred to solve issues without him in Putting Others First. He learned that his method of efficiency in solving Thomas’ problems on his behalf was not particularly welcome and would not earn him the respect he desired in Working Through Intrusive Thoughts. He learned that despite continued efforts, the others still won’t listen to him or to each other in Have I Grown? – Five Years Later. He learned that, as the logical side, the others would always assume he was against them and their ideas in Can Plushies Improve Our Health?

He's learned…a lot. Overall, he has concluded that he is needed but not wanted, that he has the answers but not the perfect method to apply them, that he apparently should allow for emotions to guide the other sides and Thomas while keeping himself cut off from them entirely, and that he should be implementing logic only where it is most required or when specifically requested.

Logan has found what he believes should work best for Thomas, but has also realized that Thomas is refusing to listen. Thomas doesn’t want to do things that benefit him, he doesn’t want to do things that will make him feel better, and Logan certainly can’t force him to do them, either, even when he’s sure it will help. Are the suggestions the problem or is it because it’s Logan suggesting them that keeps him from doing it?

Logan is very determined to perform his function, to keep Thomas alive and well. He wants to empower him to overcome the mental health difficulties he’s been facing lately, and to allow him to take care of his needs, but Logan’s doing all of this by himself because he doesn’t believe anyone else is capable nor wants to do what has to be done.

The other sides prefer to only dabble in the fun parts, the emotional parts, and leave the complicated and messy stuff to Logan alone. And if Thomas refuses to listen just because it’s Logan telling him the answer, then it puts everything at a standstill, including Logan’s purpose for even being there.

It frustrates him. He feels like he’s been put in this unwinnable position, always made out to be the bad guy when all he does is care about Thomas’ survival and wellbeing.

[lyrics:

I couldn’t ever give up on you

But don’t thank me]

He, quite literally, could never stop doing his job as Thomas’ Logic. He could never stop doing his part, keeping everything afloat, making sure that Thomas can still function, even when Thomas’ mental health is fighting against him at every turn.

Throughout all of Working Through Intrusive Thoughts, we see Logan pause or postpone his plans so he can redirect Thomas and attempt to salvage his mental health, give him time to refocus. He knows it’s a priority right now. He has learned time and time again that emotions are more important than logic in this world, even if logic is the reason he knows and can implement ways to help Thomas to calm down and manage those emotions.

Logan knows by now that he can only help when he’s asked to or when he’s needed most, but after every obstacle and barrier he’s managed to push through, after being the only one who cares enough to do anything to help, he’s left tired and frustrated. He just wants Thomas to listen, for once, for his own benefit, so that he might understand what it is Logan hasn’t been able to say because he’s been pushed down and away for so long.

He shouts out “Stop ignoring me!” to Remus, but Remus knows it’s not really him that he wants to yell that at, and he’s right. Logan’s frustration is mostly with Thomas, and this song shows that very clearly.

He won’t give up on him because he physically can’t, but maybe he has stopped caring about why that is. Maybe he will just do his job, meet the bare minimum of expectations, and not care about the rest anymore.

When Thomas asks him “What’s next?” in the Have I Grown? anniversary video, Logan simply responds, “You tell me.”

He knows his opinion doesn’t matter. He knows no one listens to what he has to say. His suggestions are ignored, his advice is unwanted. Why should he bother giving a damn any longer if Thomas and the other sides clearly don’t give a damn about him?

And that’s where we get to the next song, Erase Me by Ben Folds Five.

This is a very pivotal moment, and it’s notable that it seems to be something that will happen in the near future of the series, because, as of the last song, we have already surpassed all currently released (and relevant) episodes of Sanders Sides in this timeline of the playlist. Erase Me will be related to whatever happens next in Logan’s arc, which also means everything from here on out is more of a prediction than an analysis.

[lyrics:

What was our home?

Paper, not stone

A lean-to, at most]

There’s a lot going on from the very start of this song. First, Logan’s perspective of the mindscape, the “family” of Thomas’ sides, and the system they’ve been using to keep Thomas going was clearly built on shaky foundation, paper-thin and ready to fall at a moment’s notice. Patton holding back negative emotions and then pushing Thomas to prioritize others over himself, Roman pushing himself too far and letting passion fuel Thomas’ every move in desperate attempts to look like the good guy, Virgil’s persistent presence alone despite his efforts to do better only to turn around and assume the worst of Thomas’ opinion of him, Janus’ meddling and his attempts to get Thomas to understand his issues without saying anything outright and only confusing him more and making him feel more guilty, and Remus being abrasive and outlandish to grab Thomas’ attention at every chance he has even if it comes at a detriment to Thomas’ health. It really was only a matter of time before things fell through.

Thomas struggling the way he has been was bound to happen because he wasn’t taking care of himself, he would only listen to some sides far more than others and wasn’t listening to his voice of reason much at all. This created an unfair and, at times, toxic environment for the sides to live and work in. All of them constantly trying to grab Thomas’ attention was what kept them from paying attention to Thomas and what he needed instead.

This became increasingly evident after Janus showed up in the narrative, and has been explicitly clear since Remus’ arrival, too. Thomas is not doing well mentally, and his sides are all stressed out which is making it worse. Logan can recognize all this from a detached, outside perspective despite also being just as affected. He’s been trying to keep things together for Thomas, working on his own to fulfill every role being left undone while the others are too upset to handle things as they typically could, but unfortunately, Logan’s finding it hard to care anymore.

[lyrics:

And when you pulled

Your half away

Gravity won

Like it always does

Did I weigh a ton?

Would it be easier

To just delete

Our pages and the plans we made?]

So, this song is sung in a very accusatory tone, poking at a specific person (mainly because it is originally a break-up song). The speaker is very upset and angry with the other party, and they are relaying their observations and asking why, asking if it was their fault this happened.

“And when you pulled your half away” implies that Logan was not the instigator of whatever preceded this incident, but as we saw with the last song, Logan holds some beliefs about Thomas and the other sides that are not fully true but are not exactly contested either. He could easily see their insistence in pushing him away, ignoring him, and refusing to listen even when Thomas is in desperate need of help as their act of pulling away from him, even if he is the one who has finally let go.

And while I don’t want to get too particular with my predictions, I do believe it’s very possible a last straw for Logan at this juncture may very well involve Thomas’ mental health and what he genuinely needs for survival.

If you’ll remember, Logan now believes he is only truly needed when it is absolutely necessary and there are no other options, or if he is specifically requested to help in some way, so if there is a situation that requires his attention, only for him to show up and be rejected yet again, he may just give up at that point.

And Logan thinks he is the only side genuinely looking out for Thomas, not just for his needs but his wants, as well. Thomas had specifically asked for his help in the Working Through Intrusive Thoughts episode, only for him to take on multiple roles to keep Thomas calm enough to handle himself. And Logan was the only one who bothered to ask Thomas what He wanted in the Can Plushies Improve Our Health? promo video, before even making his argument that everyone else assumed would be in opposition but turned out not to be.

Logan sees himself as that last remaining straw, really. If something is going to finally break him, it will be Thomas and the others. It will be their negligence, their refusal, their rejection of him that finally bends him too far, pushing him to a point where nothing can ever be the same again.

[lyrics:

So what will you do

With no me for you

I know what we said

What if I left

A thing or two?

We know that you don’t seem

To think about what you need

‘Til you reach to find that you’ve—

Erased me]

Like I said, Logan sees himself as the only one holding Thomas together. He believes that, without him, everything would fall apart and turn to chaos, and he’s probably right about most of that.

These lyrics are the speaker predicting what will occur, that the others won’t even notice his absence until they need him for something, and that’s when they’ll realize he’s already gone. This indicates a potential plan to leave, maybe not fully ducking out but certainly not sticking around either. Something that would keep Thomas’ logic functional for use while also allowing Logan a reprieve from him and the other sides, where he would only be used as one would a tool; tucked away in storage until the moment it is needed, then put right back afterward.

Leaving is the key here, though, and it’s something we’ve already seen result in detriment to Thomas back in Accepting Anxiety Pt 1 & 2, and yet, Logan has come to believe that this is a favorable option. Why? Is this to help him feel vindicated, to teach them a lesson?

It's not as though they want him around enough to stop him from leaving anyway.

You know, both the title and chorus of this song portray a very particular message, as “erase me” is not the speaker’s action, because he is not the one erasing himself. Rather, it is a suggestion to the other party so that they can finally be rid of the speaker. The lyrics are also taunting with these words, as if to say that this is what the other party has wanted all along anyway so they should just do it already.

Logan is asking, pleading, for Thomas to let him go because he obviously doesn’t even want him around. Logan doesn’t want to put up with this anymore, and as angry as he is at how he’s been treated, he knows he can’t just give up on Thomas, he’s literally a part of him. This has to be Thomas’ decision, Thomas’ action. Thomas has to be the one to push Logan away, the one to erase him.

Logan isn’t just angry at this point, he’s miserable. He knows he’s unwanted and barely needed, as he serves so little purpose to Thomas in his current career and doesn’t get along with any of the other sides despite everything he has tried to do to correct that. They’ve made it clear they don’t want him around, and they have already proven they can solve issues on their own without his help. He doesn’t need to be there, so why won’t Thomas just let him go?

[lyrics:

Erase me, and you’ll never have to face me

Erase me, Option-Command-Escape me

And if you feel nothing, guess what I wanna be?]

A fun little tidbit of knowledge here, but the Option-Command-Escape function on an Apple computer is its force-quit option, to completely cease a program from running. The program can’t do this itself; the user has to combine those three keys to make it happen. And when they do, the program will have closed and shut down completely. Often this is used when a program isn’t working the way it’s supposed to, when it fails to do its job. By doing this, you put it out of its misery.

Logan isn’t just asking to leave, to only benefit Thomas from afar or only as needed, he is essentially begging for death. He no longer wishes to function at all, because he believes he has no purpose to Thomas or the others. He is pleading for Thomas to let him go, find someone else who could do a better job as his Logic, someone who they’d actually enjoy having around.

For Logan to reach this low of a point, something truly devastating has to have happened to him. I cannot possibly predict what may truly set him off in this way, but given the most recent events in the series, he isn’t all that far from this point already. Likely, it will involve his worth and use to Thomas, and it won’t just be that he was forgotten or tossed aside like in SVS and SVS:R, but that Thomas or the others doing something that will clarify his uselessness out loud, where it can no longer be denied. There will be a divide that leaves him alone on the other end, finally and truly aware that he will never belong here.

Desperation that turns to anger to hide away its shame and misery, Logan won’t just duck out like Virgil had in Accepting Anxiety Pt 1. He would lash out, make sure Thomas and the others knew exactly why he wanted to leave, and begging that they be the ones to cut that connection for him. Maybe he will do something to push the issue, to give them a reason to do it. Perhaps the Orange side will emerge at this point, either to assist him in whatever he’s trying to do or to take over for him or something else entirely.

Regardless of what happens, Logan has now hit a very low point, and everyone knows it.

The next song is Art is Dead by Bo Burnham, which by itself can imply quite a few things.

As if simmering down from the initial blast of heat in the last song, there's still anger and annoyance here, but also a realization.

Something I want you to understand about this song before we relate it to Logan and why it’s included in this playlist is that the speaker is talking about a position, specifically an entertainer, and is saying that what they do is problematic. The speaker is complaining about another party, only to then turn around and include themself within that party. They are not just saying “entertainers are bad and here’s 50 reasons why.” They are saying “entertainers are attention-seekers, and so am I.”

So, when you then put this into perspective with Logan and the message he’s been trying to convey, he is pointing out flaws that he sees in what is likely Roman, as well as Thomas, but he’s also including himself as part of the problem. He recognizes that he, too, seeks attention – from Thomas, from the other sides, from the audience. And he doesn’t feel that it’s a good thing, he sees it as shameful because he knew why it was an issue, and yet he kept doing it anyway.

This seems like a moment of self-reflection, to see that he is not above the others at all, in fact he’s not that different from them when it comes down to what they all want, which is Thomas’ attention. Every single one of them is trying to be heard, but Thomas has only been listening to some of them. And most of them never feel that what they do get is enough, no matter how much it is.

This song shows that Logan knows he wants Thomas’ attention, but also that he doesn’t feel he’s done enough to deserve it. He believes he hasn’t even earned a right to complain like he has. He’s ashamed for how he’s acted because he thought he was supposed to be better than this. He doesn’t deserve the respect he thought he was owed; he doesn’t deserve anything.

With this song, he has somehow managed to dig even lower than his last low point, he’s just sorry for all the trouble he’s caused. Maybe his emotions got out of hand, maybe the Orange side caused problems but it was his fault because he let it happen – who knows? Even if he felt vindicated in the moment, it was clearly fleeting, and now, after the events of what happened, Logan only feels worse.

And then we get to Equation from The Little Prince next on the playlist, and we’re still in that zone of self-reflection, but it’s no longer about how Logan’s just like the others. No, now it’s all about his own flaws, his own failures, and everywhere that he’s fallen short.

Logan has now managed to dig even deeper than his lowest low, folks! It just gets worse and worse! Can you believe it?

[lyrics:

Will I ever know

How white is the snow

Does it matter after all?

Will I ever learn

How to fly like birds]

In this lowest point, Logan can only come up with questions that have been left unasked. Did he hurt Thomas? Did he ruin whatever he had with the other sides? Will he be forever trapped in this world Thomas created for them, with no way to truly explore the real world, to see its full wonder? Will he ever have a chance to do better, to be better, to hope again? Will he ever reach his true potential? Did he ever even have a true potential?

He had attempted and failed to find perfection for so long. He believed it was just a matter of trying, of wanting to meet Thomas’ expectations of him, that if he put his all into it, then he could see it through and be what exactly what Thomas wanted him to be, to be what everyone expected him to be, to be what Logan himself hoped to be.

Hours, days, weeks, years… In the end, it was never truly possible, and yet he had kept foolishly hoping for so long that he could be enough for Thomas. He had called the others’ ideas irrational, when, really, it was him all along with the impossible dreams.

[lyrics:

Are you good as gold?

Are you far from hope?

Are you well alone,

Dad?

Will I be a brave?

Will I be a bright?

Will I be a good grown-up?]

The future was never certain, but now Logan could never be sure of anything. What will become of him? What will become of Thomas? Is it even possible to recover from this, to start over, to get better?

We then move on to the next song, Sunrise from In The Heights. Logan is not doing well, but something he definitely needs more than anything right now is some sort of hope and motivation to keep trying and keep going.

Sunrise appears to be a song meant to involve either Roman or Patton communicating with Logan, but the purpose in its placement on this playlist seems to infer emotion as a motivation to learn, if you break the romantic intent away from the song itself, that is. Anything can motivate one to learn, even love, and Logan must be able to recognize this and understand that emotions and intelligence do not have to have a clear separation and can instead work in tandem. Learning isn’t just about curiosity or survival, it can have very emotional ties, as well.

For so long in the series, Logan has insisted he did not have emotions, even when this was clearly false. He believed that keeping himself removed from emotions would help him succeed in his job as Logic, that the others would be able to rely on him much more if they could trust his knowledge to be unbiased and unmotivated by unpredictable emotions. He assumed that divide between the two was necessary, and that if the two merged or collided, he would be unfit to do his job, that he would not be taken seriously.

However, doing this kept him from understanding and processing his own emotions as well as being unable to empathize with Thomas and the other sides. He only grew to misunderstand and mistrust emotions more and more as time went on, becoming startled and confused at his own outbursts, not aware of why he would feel a certain way or have a certain reaction to a situation, because he refused to let himself experience that emotion, to feel it. His lack of understanding directly resulted from his choice not to engage with emotions at all, despite their importance.

And finding that importance is where this song comes in, because the crucial point Logan had been missing all this time was that emotions can encourage one to learn, inspire one to research. Love can motivate someone to learn a new language, so they can communicate, as we hear in this song. But something like anger can motivate someone to research an important topic so they can fight for what they believe in with facts on their side. Sadness can inspire someone to look into advice and ways to help, not just for oneself but for others, too, employing empathy and logic side by side. Fear can motivate someone to find truth, to create familiarity with routines and schedules, to calm down cognitive distortions to maintain peace of mind.

Logic and emotions do not need to be separated; they can work together very well. In fact, most people use both in tandem every day.

For so long, Logan had set for himself a barrier he could not, would not cross. He knew there was nuance to the world but learned over time that he could not display his own. He resorted to that black-and-white thinking for the others' benefit and then to his own, finding that it was all-or-nothing when it came to Logic or Emotions. He believed one would merely taint the other, so they must be kept apart, even if that left only he alone on the other side, as the only logical side.

Despite the unfairness and discomfort, he didn’t want to challenge what he had come to think was right, what he’d been using as his basis for how he was supposed to act, which is why he refused to learn more about it, to never dare change the perception that he held.

He had given up, letting the world and its arbitrary rules dictate who he was and how he should be…but that was never meant to happen.

Once he realizes where his thoughts had steered him wrong, it will be like a whole new world of opportunities has suddenly opened up to him, giving him so much more to explore and learn. It will give him what he was missing this whole time. It will bridge the gaps he’d been unable to cross.

Logan does serve a purpose, and it's an incredibly important one, but it’s not something he was ever meant to do completely alone like he has been.

And that, of course, is where we get to the next song, One More Time with Feeling by Regina Spektor.

Firstly, this is a song about recovery, which is definitely where Logan would be by now in the story, processing what happened, and attempting to move forward and do better. As many know, recovery is not linear, and it’s certainly not perfect.

But given everything that has happened, it’s not all on Logan to improve himself on his own. Yes, he will need to allow himself to feel emotions so that he can understand them better, and he’ll need to learn ways to implement feelings alongside intelligence when working with the other sides to help Thomas, but the other sides need to do their part here, as well.

They have pushed him away, refused to listen to him for so long, often for petty reasons that blossomed into their eventual negligence. It won’t be easy to fix that level of miscommunication between Logan and the others. It’s not as simple as Logan finally speaking up, or the others promising to do better; it will require a lot of work from both ends before anyone can truly meet in the middle on this.

Logan had spent a lot of time before all this, trying to find ways to meet the others halfway, only to met with nothing in return. He gave up so much of himself, and now resents their choice to only take and never give anything back. Once the others finally reciprocate and show that they do genuinely care about him, only then will Logan have the chance to start this journey, to finally begin to get better.

The lyrics that we hear a few times in this song “this is why we fight” can have multiple connotations, such as an explanation of why the group miscommunicates and argues so much, why they don’t get along. But it can also mean that this is their motivation to keep trying, to fight for what they believe in.

I believe both of these meanings are present in Logan’s perspective of this song.

[lyrics:

Oh, everyone takes turns, now it’s yours to play the part

And they’re sitting all around you, holding copies of your chart

And the misery inside their eyes is synchronized and reflecting into yours]

Earlier on in the song, Logan believes that the others don’t understand his predicament, even if they want to help. They are still separate from him, even if they’ve all had their own issues to overcome, that doesn’t mean they actually comprehend what he’s going through, how it feels, what it means.

He experiences the world so differently from the rest of them. How could they ever possibly understand?

They are pushing him to do something he cannot do well – to open up, to reach out, to feel – and it’s only condescending and antagonistic how they keep insisting that he try again every time he fails.

“This is why we fight” during the chorus is his condemnation of their actions, that he doesn’t think the others can meet him at his level. He is not in a place yet where he can believe they’ll listen to what he’s actually saying, he can’t trust that they’ll bother to explain these unknown things to him in a way he can understand. And this is why they continue to fight, to argue, to not get along, because they aren’t properly communicating, they’re just making the same mistakes again and again.

[lyrics:

You thought by now you’d be so much better than you are

You thought by now they’d see that you had come so far

And the pride inside their eyes would synchronize into a love you’ve never known

So much more than you’ve been shown]

Logan thought he would be better, not just in regard to being the best he can be for Thomas, to succeed as his Logic, to know what to do, and to have the answers, but also in terms of his own recovery. It’s difficult, and some days are worse than others; he makes progress and then he doesn’t, and it’s shameful because he has such high expectations for himself.

He’s so used to aiming for perfection that when failure is consistent like this, it feels wrong to be told it’s actually okay, that it’s normal.

But he wants to prove that Thomas’ efforts and the efforts from the other sides have not gone to waste on him, that he is improving. And yet, he keeps failing anyway. He was supposed to be perfect; he was supposed to be reliable! But now look at him. Even with their help, he’s still messing things up.

He just wants to make them proud, he wants to earn that attention and respect that he couldn’t get before, even if he knows he still doesn’t deserve it. He wants to prove that maybe he can deserve it, though.

“This is why we fight” during the next chorus is his agreement with the others, that this is the motivation to keep trying, to keep going. Someday, he can be better. Someday, he will be respected and trusted and relied upon in the ways that he wants. Someday, they’ll be proud of him.

Until then, the fight is worth it.

This leads directly into In My Mind by Amanda Palmer as the next song, as we see Logan has held very high expectations for himself, which is why failure had hurt so much. But now that things have changed, he may be beginning to challenge these expectations, to expand upon them and understand that he has a chance for something different now.

[lyrics:

Because I will be the picture of discipline

Never minding what state I’m in

And I will be someone I admire]

Part of the issue really did come down to lyrics like “never minding what state I’m in” because Logan never put himself as a priority. This entire time, even at his lowest point, Logan was never the one who was important, not even to himself.

He was okay with this because this was never about him, it was about what Thomas needed or wanted. His willingness to bend and remake himself to benefit the others was surely a sentiment shared by all of them, that this was just what was needed to accomplish his job.

It’s not until Logan finally realizes that this is not the case, that he needs to put himself in some priority, too, that he’ll ever begin to improve and truly get better, able to be himself or enjoy anything he does again.

A big part of recovery is not setting your motivation on someone or something else – you need to get better because you want to be better. You need to believe you deserve to be happy, to get the things you want. Logan can say he’s doing this to benefit Thomas, to build back a relationship with the other sides, to earn back his position and demand respect as Logic, but that will only fail until his motivation is simply that it’s something he wants to do, for him. When attached to others and their expectations, those strings only come with guilt and can end up making his situation worse.

Logan has to do this for himself.

[lyrics:

And it’s funny how I imagined

That I would be that person now

But it does not seem to have happened

Maybe I’ve just forgotten how to see

That I’m not exactly the person that I thought I’d be]

It starts with recognition, the realization that he hasn’t met those expectations he held for himself. There’s still judgement and he still feels guilty about it, wondering how he could have let it get to this point. Maybe he just wasn’t paying attention properly, maybe he should have remembered that he’d already decided long ago about perfection being unattainable and how that was supposed to apply to him, too.

[lyrics:

Not like me now

I’m so busy with everything

That I don’t look at anything

But I’m sure I’ll look when I am older]

He regrets having missed out on the present, not having the chance to experience the wonder of the world that he so admires due to all his efforts towards achieving perfection and doing his best to handle everything by himself. He was so busy trying to do everything so precisely and getting the result he wanted that he hadn’t given himself the opportunity to enjoy anything in all that time.

He could do activities if they were productive, if they served a purpose, but he was a hypocrite, always aware and sharing the wonder of the universe and all that exists within it, amazed by the here and now, yet spending all his time locked in, looking away from the present while trying so hard to maintain it.

How long did he spend, convincing himself that just as soon as he achieves what he set out to do, then he would have time to do that? How long would he have kept going if something hadn’t finally snapped and broken everything, forcing him to confront this?

Would he have missed out? Would he have been somehow worse?

[lyrics:

And it’s funny how I imagined that I could be that person now

But that’s not what I want, but that’s what I wanted

And I’d be giving up somehow, how strange to see

That I don’t wanna be the person that I want to be]

Finally, a breakthrough. While not quite acceptance, Logan is finally starting to see the difference, that he wants things in a different way now than he did before.

He kept trying to strive for perfection in his recovery, but didn’t he recall how badly that had gone last time? He knew perfection wasn’t attainable, but he believed that was the expectation Thomas and the others had for him. He kept trying to get to it, no matter what it cost him, and that’s how he wound up here in the first place.

And now, after everything, things have changed. Thomas is listening, at least more than before. The others do care, and try to make sure he knows it, too. Logan had wanted to get better, to make them proud, to prove that he deserved what they were offering to him, but… that wasn’t even the point of it all.

All this time, he’d thought he still needed to be perfect, that that was what he wanted, but now that he’s finally had a chance to look inside himself, to experience wonder and curiosity again, he has realized that what he really wanted was to be accepted.

He didn’t want to have to change himself so the others would listen, he just wished they would actually want to listen to him, to like him for who he is, to let him be himself without requiring him to change, to only be the best, only what was needed, only Logic.

He wanted to be more than Logic; he wanted to be Logan.

With that, he finally realizes that doesn’t have to focus on perfection for Thomas’ sake and survival. He can focus more on himself more instead, on what he actually wants from the world, what he wants to do, and what he wants to try. He can be what he wants to be – more than Thomas’ Logic.

Having finally realized what it’s all for and being given the time to explore that, we get to the next song, Not Perfect by Tim Minchin.

This is a song that attempts to use facts and knowledge to explain feelings and thoughts, bringing context to situations that Logan had struggled in doing before this point. Finally beginning to understand what it is that’s going on inside, what these feelings are and why they’re there, to have the words he needs to adequately describe it to someone else, it all must be so relieving.

There’s still uncertainty, sure, but it’s a lot less stressful now, knowing there’s a way to talk to the others, to actually communicate what he means. He may still be startled, caught unawares, but he doesn’t have to shove it down and away anymore. He knows how to pause and reflect, let himself experience it, and he knows how to control his own behavior in reaction to it.

It’s far from perfect, and there’s still a lot he’ll need to learn, but he does so enjoy learning, doesn’t he?

[lyrics:

This is my earth and it’s fine

It’s where I spend the vast majority of my time

It’s not perfect, but it’s mine

It’s not perfect…]

Another thing to note about this song is the ownership behind most of the lyrics. “This is my earth” and “it’s not perfect, but it’s mine.” That sense of belonging is something that Logan has always wanted, and to be able to not only express that, finally, but to feel that it is real, that he is no longer just an outside observer but a part of the world as a whole, must be incredible.

He’s finally found his place, and though it was here all along, he no longer feels trapped in a cage or left collecting dust on a shelf. He has his place, he knows he’s a part of something greater, and that he’ll be appreciated for who he is.

This song has a perfect matching bookend, by the way; it’s three songs from the end of the playlist whereas Algoryhthm was three from the start. Both of these songs involve one’s differing view of the world, recognizing not only how it works but their place within it. One deals with that negatively, the other more positively.

In Algorhythm, Logan still had wonder for the expanse of the world but found himself trapped by the parameters being set. It didn’t matter that he knew things didn’t have to run in this way, he had no power to change it. He was given no other choice but to give up and go with the flow. He could only change himself to match it, knowing he was an outsider who didn’t belong but had to make do with his circumstances.

In Not Perfect, however, he still has that differing view of the world, but instead of being the outlier, he’s now able to find comfort in knowing he has a place within this world. There are so many wonders everywhere, all around, in the biggest and smallest of things. Yes, he sees the world differently, but so do others, and that’s amazing! He may feel alone at times, he may feel infinitesimal among the great expanse of the universe, but he is never truly alone. He knows he belongs here. He has those who understand him, and he doesn’t have to change for anyone. The world can accept him for who he is, always.

It's as though whoever curated this playlist knew precisely what they were doing. They cared deeply enough to ensure this story, Logan’s story, was told exactly the way it was meant to be, to describe the highs and lows, to explain the truth behind every note, and to inspire with hope anyone else who may be struggling, as well. This story, this playlist, says to us calmly and clearly that everything is going to be okay. It’s not perfect, but it’ll be okay.

In Human by Tank and the Bangas, we get to hear that acceptance, that love on full display.

Things have finally slowed down now, a song for a moment that comes at a more comfortable and soothing pace. Logan finally has the time to look around and see what he’s been missing while he’s been so busy with everything else.

This is another song that uses facts not only to describe and evoke emotions, but to inspire awe and wonder. Emotion-driven curiosity, channeling all the wonders of the world, of you, as your inspiration and guide to learn more and appreciate the here and now.

[lyrics:

Don’t you ever become complicit

With living life on a shelf]

Logan had gone so long pushing away parts of himself simply because they were flawed, not partaking in his interests because they didn’t fit the mold he so desperately wanted to fill. But now that he’s found his place, he can appreciate his chance to finally be more, to explore and share what he’s learned, knowing he’ll be heard.

Something we’ve seen from Logan since the very beginning is just how deep and wide his wonder goes. He loves the world, the universe, and everything found within it. He holds such fascination for the innumerable amount of living species in the world, for all the technology that’s been created and built, for every concept born of a mind. Logan loves the world so much, and he wishes so much for others to cherish what can be learned from it, as every moment, something new emerges. So many possibilities, so many chances to do more, see more, be more.

Logan was never meant to be someone who was pushed away, kept from the world that he loves so dearly. And now that he finally has the chance to be himself, to be accepted for who he is, we see that he immediately turns to what he loves most: wonder, and the opportunity to share it with others.

Knowledge can do so much for so many, but it’s best purpose is to be shared openly and freely, given to all who will take it. It’s not meant to be inaccessible, locked away, kept elite behind paywalls and tuition fees. It’s a part of what makes the world as amazing as it is, and Logan knows this and wants it to be shared.

[lyrics:

You have to continue to live

There are too many more interesting lessons]

Logan had made it his upmost priority in life to ensure Thomas’ survival, but this was something that eventually led to him burned out, begging for his own life to end instead. This journey, this long arc full of ups and downs, gave Logan the chance to see that his priorities were misaligned. He needed to take care of himself, he needed to give himself significance, because otherwise, he’d be constantly pouring from an empty cup.

He had to choose not only to live but to give himself the chance to do what humans do, to experience life, to enjoy it. Whatever time they have, they will make the most of it, because it can’t just be about survival.

Back in the song Algorhythm, Logan learned that humans do things very differently, that they don’t always act in ways that make sense, that sometimes they don’t prioritize survival despite its importance. In Fitter Happier, his interpretation of what it meant to be human was so disconnected from reality, misunderstanding what it was truly all for. But now, he has been given the chance to experience that broader spectrum; he’s no longer cut off from emotions and the ties they make to every moment in life.

There is so much more you can do with emotions as your guide, as the heartbeat to fuel your curiosity, your will to keep learning.

[lyrics:

And if you never knew

That that was enough to just be

You obviously don’t know

A thing]

This song has marked this moment out clearly for Logan, that he is finally an important and valued part of Thomas, that he belongs here and has a place here with the other sides, within the world, within the show. And it wasn’t perfection and changing himself to suit their needs that got him there. He was able to accept himself and give himself the freedom to explore and discover more, to find his own way to benefit Thomas, to be Logic, without strings, without repression, without solitude.

Being unabashedly himself was enough. He was enough for Thomas.

And then we get to the last song on the playlist, Time Adventure from Adventure Time.

A charming song to complete the set, to bring us back to how happy and smiling Logan had started out at the beginning of it all, though this time there’s a lot more depth to that smile. He knows more now; he’s learned and changed and improved in ways he never knew possible at the start of all this.

[lyrics:

Time is an illusion that helps things make sense

So we’re always living in the present tense

It seems unforgiving when a good thing ends

But you and I will always be back then

You and I will always be back then]

Existentialism with a positive twist, Logan can recognize the world for what it is, for how it works. But there is always that encouragement to remember where we all are, in the here and now.

Logan values the present the most, even if he’s someone we know who relies on the past for experience and the future for motivation. In comparison, Roman values the future and what it can hold, Patton values the past and what it can mean, and Virgil mixes between the past and the future to keep Thomas on a steady path. Logan is one of the only sides, other than perhaps Janus, who values the present moment above all else.

He wants Thomas to see what’s right in front of him instead of ignoring it for what he remembers of the past or what he hopes for the future. It’s okay to want those things, to appreciate them, but disregarding the present only results in missing out on the world around him, on what’s already available to him right now.

Logan sees Thomas’ potential and aspires for him to achieve it, but he can’t keep his mind on faraway goals without doing what he can in the present. Make a plan today that you can enact tomorrow. Brainstorm that story right now so you can write it later. Hug that friend today so you can remember it later when you miss them. There’s always a reason to act in the present, to live your life right here and now.

This ending song shows us that Logan has grown so much, and came to be happy at the end of the story. He’s come to understand himself, the others, Thomas, and the whole world so much better than ever before and is better for it. From this point on, things will surely be different, but now he has everything he needs to face anything that may come his way. He can rely on his knowledge, but also trust that he has his friends at his side, that he has their support. He knows Thomas values him and what he has to say, and that he can tell him when things are tough, when he needs him to listen.

He is heard. He is loved. And he loves in turn, all without having to do anything but be himself.

Something I absolutely adore about these last few songs on the playlist is that even though Logan is doing better now, after everything he’s gone through, he’s not showing this newfound satisfaction and happiness in the ways that you’d expect of most people. He’s doing it his own way, the way he likes doing it, and he’s thriving for it!

He prefers to work alone, having the time to think and contemplate strategies and plans without interruption. He likes reading in a quiet room, exploring fascinating new worlds and concepts all on his own. He likes sharing what he’s learned, and being relied upon for his knowledge, given the opportunity to explain ideas to others in the hopes that it will fascinate them and encourage them to learn more themselves.

He's not changing himself to do what others want of him. He’s not trying to fit some mold, to be okay by anyone else’s standards. He’s just…being Logan. And that’s everything I could ever want for him.

This playlist has involved such an amazing journey for Logan; it’s a story told through something humans will always love to share – music!

It showed us every crucial moment of Logan's arc, from what we've already seen in the show to what we know is bound to come next. It's clear that Logan has so much more to learn, especially from the other sides, who will be able to understand him once they finally try to communicate effectively and work together for Thomas and for themselves. The situation will improve, they will be happy, someday.

Someday, we’ll get to see the real conclusion to this character’s story, and until then, we can hold out hope for a good ending.

#logan sanders #sanders sides analysis #sanders sides #ts logan #logan angst #long post #like extremely long post #this is basically a very long winded way of saying that i hc logan as the biggest brooder to ever brood #so very broody and angsty #also yes i genuinely just write like this naturally and used to always be called a walking thesaurus #if you need clarification on anything i am always glad to extrapolate on my thoughts #especially because there was so much more i wanted to say here but i needed to reel it in haha #orbs thought bubbles #oh one last thing - i transcribed these lyrics myself in this post bc most websites were so incredibly wrong with these

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singsweetmelodies · 10 months

Text

AKA: angst, miscommunication and a/b/o, feat. brief/mentioned maxierre with piarles endgame (+ implied maxiel.) happy birthday @boxboxbrioche my love

"Hello, Charles," Max smiles when Charles runs into him (literally) in the Budapest paddock on Thursday. He's wearing the same Red Bull team shirt and jeans as ever, naturally, but something about him looks unusually relaxed and content. Sated, even.

Probably because he's been winning practically every race this season, Charles thinks. That's enough reason for anyone to be looking relaxed and content.

Still, when he steps in a little closer to fist-bump Max's proffered hand, he can't help but notice it. Max's scent is... more than just content. He smells like he's only just come out of heat, and whoever was taking care of him did a very good job of it. He doesn't smell like sex, precisely, but he smells like what Charles would imagine afterglow would, if it had a scent. Golden and lazy and sated.

Oh, he's got blockers on, of course, but Charles has always been blessed (or cursed, depending how you look at it) with a very good nose. So. He knows immediately.

Some too-perceptive instinct is telling him that the timing of this heat has something to do with Daniel's return to racing this weekend. Almost like Max... wanted to get his heat over with before he saw Daniel again?

...That's a big stretch, of course, and Charles would never dare say it out loud. (Except to Pierre, maybe, because Pierre loves theorising about the latest paddock gossip just as much as Charles does.)

So he just smiles politely at Max, and says "Hello" back, and wishes for Pierre to appear out of some corner of the paddock somewhere. It isn't that Charles hates Max, or whatever the media likes to spin, but it's also true that Max isn't Charles' most favourite person in the paddock. (Obviously, that honour goes to Pierre.)

No, Charles' and Max's relationship is simply that of colleagues - good enough, if a little bland.

Which is why Charles is not expecting it at all when Max leans a little closer with something that looks almost like a conspiratorial grin. Charles has no idea what Max might want to be conspiratorial about with him - it's not as though he's leaving Ferrari anytime soon, despite what everyone likes to speculate.

Surprisingly, what Max says to him is not racing or incident-related at all. "Do you know where Pierre is?" he asks, as though Charles is the most reliable source of the Alpine driver's whereabouts. (Charles shouldn't be, but he's very flattered.) "I still need to thank him."

"Thank him?" Charles echoes, a little puzzled. "For what?"

And then Max says the one thing that blows apart Charles' world and turns his day upside-down immediately. "For agreeing to spend my heat with me so last-minute."

He says it so casually, too, and Charles...

Well. Charles knows that many of the other unbonded omegas on the grid like to spend their heats with other drivers. This might seem contradictory at first, but the thing is - while they might not necessarily trust each other on track, you can always rely on the fact that another driver, at least, won't reveal details of that hook-up to the press anymore than you will. Most of the alpha drivers on the current grid are decent enough people off-track that you can trust you'd be taken good care of, too.

It's something that Charles has done himself, too, once or twice - mostly with Alex, who is always incredibly kind about it, and makes sure Charles is comfortable and well-hydrated afterwards.

But mostly, Charles spends his heats alone. He schedules them carefully so they won't interfere with races, and then he bears them on his own, teeth gritted as he works himself open over and over again and clings to whatever article of Pierre's clothing he can find nearby.

It's never good enough, never, but Charles has never really wanted another alpha. He only goes to Alex if his body genuinely cannot go without it anymore, and then it's purely a case of friend helping out a friend.

So, really, Charles has no reason to be this shocked that Max apparently spent his most recent heat with Pierre. The two of them are friends, aren't they? Much better than Charles and Max have ever pretended to be. There's no reason why they wouldn't spend a heat together, really.

Except...

Charles grits his teeth, and it's only years of media training that enables him to still pass it off as a smile. "He did?" he asks, tightly.

Max laughs, still happily unaware that he's taken Charles' day and shattered it like a glass breaking into unrecognisable shards. "Yes," he confirms, and then he bumps Charles' shoulder, almost unbearably conspiratorial again. "You, of course, would know why I now need to thank him."

No amount of media training in the world could have helped Charles keep up his smile in response to that. Max notices - how could he not - and his own smile falls. "You two have not...?" His voice rises up in the end, like he almost can't believe he even has to ask the question.

Charles tastes something sour in his mouth, and by the way Max flinches back, he's sure it must be all over his scent as well, blockers be damned. "No," is all Charles says, brusquely.

Max opens and closes his mouth for a moment, and then he reaches for Charles' shoulder. He hesitates, though, hand hovering awkwardly in the space between them. "I'm sorry," he says, and it sounds sincere. "For assuming. The two of you are so..." He makes a face. "You are good friends, so I thought if he would do it for me, he would of course do it for you too."

"No," Charles says again, and the word tastes acrid in his mouth. "We have never."

Not for lack of trying, Charles thinks bitterly, and then he forces himself to think of something else. Some excuse that Max will accept.

Fortunately, a little gaggle of people in bright Ferrari red are passing by, and Charles latches onto them with almost too much relief. "Ah, my team," he says, pointing. "I need to go."

It's stupidly obvious, as excuses go, but Max has the grace not to mention it. He just watches Charles go, biting his lip.

Charles wants to hate him. He wants to hate him more than anything else - for having a race-winning car, and a team that supports him properly, and championships, but more importantly than any of that, Charles wants to hate him for having Pierre.

It's not that Charles thinks Max is actually in love with Pierre, or even that they're courting. No, it was clearly just a case of friend-helping-out-friend. But even that is...

Unbearable. It is unbearable, because Charles hasn't had even that much.

Charles had only asked once, and only because he'd been stupid with pre-heat already and not thinking straight. Pierre's long, long silence before he'd said, very gently, "Charles... I don't think that's a good idea" had told him all he'd needed to know, anyway.

After that heat, though, Pierre had called Charles and made sure he was okay, and that he knew it wasn't personal, Pierre just didn't think it was a good idea to get that involved with another driver. Especially one who's also a friend.

Charles had accepted it at the time, and he's never had any reason to think that Pierre has changed his mind in any way.

Except now here Pierre is, apparently spending heats with Max fucking Verstappen, of all people. And, really. Out of everyone on the grid - every goddamn omega - it had to be Max, didn't it?

A part of Charles wants to fall to the floor in devastation, wants to tear at his hair and shake and cry to anyone who will listen, why doesn't he want me, why doesn't he want me?

But Charles remains standing, because even more than he's heartbroken, he's furious.

Pierre did not help Max through his heat because they're in love, or because they're courting. So, he must have done it as a favour to a friend.

Then why the hell would he not do the same for Charles?

Charles also asked him as a favour to a friend (and yes, maybe Charles wanted more, but he wasn't stupid enough to ask for that. He'd just asked for a favour, the way every unbonded omega on the goddamned grid asks their alpha friends for favours every once in a while.)

Pierre had said no, and that he doesn't do that. But he'd forgotten to mention the part where he apparently does do that.

If he were here, Charles might slap him clean through the face. It's not an urge he's often had when it comes to Pierre (or ever, really) but today...

Today. It's just. What the hell does Max have that he doesn't? Max and Pierre are friends? Charles and Pierre are better friends. Max is an omega? So is Charles, and he's better at that, too.

It's obviously not even about looks! Because Charles doesn't want to be rude, but he is definitely better-looking than Max. It's just a fact, as true as "the grass is green" or "Charles is Monégasque" or "Charles is in love with Pierre."

No. Fuck that. None of this makes sense.

If Pierre is willing to spend a heat with Max, then there's no reason why he can't help Charles through one, too. It's not like Charles is asking Pierre to love him back - no, he's long since made his peace with the fact that that, at least, is impossible.

Charles has always wanted too much, though, and if he sees even the faintest chance of getting what he wants, even if it is just in the form of a favour to a friend -- well. He will never not go for the gap.

So Charles waits, increasingly impatient, for his media and team obligations to be done for the day. As soon as they are, he heads for Alpine, because there is no way Pierre will have left already - he is far too dedicated to them, staying behind extra hours to learn as many names as he can and give as much feedback as possible and help with everything that needs helping.

Right, because isn't Pierre just so incredibly helpful. Normally, this would make Charles smile, fond - but today, it makes him want to snarl.

Helpful, yes. Except to him, apparently.

No. Charles will not accept that.

Various team members glance up when Charles storms into the Alpine hospitality, freezing with coffees half-way to their lips and tracking him like the spectators to a tennis match as he storms across their building and towards the driver's rooms. One particularly brave soul ventures an "Er..." but Charles is already across the room before he's even finished saying it.

Charles knows the way to Pierre's driver's room as easily as he knows the way to his own (incidentally, it's on the same side of the building) and it's mere seconds later that he's bursting through the door of Pierre's driver's room.

Pierre freezes when the door slams open, mouth caught in a comically surprised expression, but it relaxes quickly into a fond (if still somewhat surprised) smile. "Charlito!" he says, standing up and reaching a hand in Charles' general direction. "This is a nice surprise."

But Charles is not in any mood for pleasantries. "Did you spend a heat with Max," he asks, but it's not really a question as much as it is an accusation, pointed and sharp.

Pierre freezes again, the smile slowly dropping off his face. His scent goes bitter with unpleasant surprise. "I -"

"If you lie to me, I am going to slap you," Charles says, injecting the words with just enough of a snarl that Pierre will know he's not messing around.

Pierre's expression goes from shocked to hurt to angry almost faster than Charles can process. "I wasn't going to lie to you, Charlo. I would never. Not with you."

He sounds sincere enough about it that Charles almost feels guilty, but then Pierre adds, "He's just a friend who needed a favour" and Charles is right back to furious.

"I was a friend, and I needed a favour," Charles says bitingly. He doesn't have to say anything more, because he knows Pierre will understand exactly what he means.

Pierre's face shutters, closing off completely. Even his scent goes blank, like Pierre is deliberately shutting off every part of himself. "That's different."

"How?" Charles hisses at him, and Pierre obviously wasn't expecting the vehemence of it, because he stumbles a step back. "How the hell is it different, huh?"

Pierre's expression does something complicated, and he makes a rough noise, low in the back of his throat. "It just is," he says, and refuses to elaborate.

Charles is livid. "It just is?!" he explodes. "Tell me how it just is, Pierrot, because I sure as fuck don't get it. I am your friend - non, I am your best friend - but when I ask for this favour, you say no. Then when it is Max, you say yes?"

"It's different," Pierre says again, sharply, as though sharpness alone will make Charles drop the subject.

He really doesn't know Charles if he thinks that will work. "It is not different. Not at all. What, unless you are trying to say that you don't want me?"

"Of course I-" Pierre starts, then cuts himself off with a groan, dragging a hand down his face. "I don't want to do this with you, Charles."

"Well, I want to do this with you," Charles retorts, unfazed and as fuming as ever. "What is it, huh, Pierre? You prefer Max over me?"

"Of course not," Pierre says, and he has the audacity to sound almost offended.

"But you must, if you fucked him and not me," Charles snaps. He's not entirely sure what he's trying to accomplish here, but he knows - he knows that he's furious, and Pierre is being a fucking asshole, and he needs Pierre to admit that much. At least.

Pierre, however, seems determined to continue being a stubborn asshole. "It wasn't like that," he insists, and Charles sees red.

"It's exactly like that! I asked you to fuck me, to help me through my heat, and you said no because you do not want me."

And that, somehow, is the last straw.

"Shut up, Charles," Pierre growls - actually growls - at him. "Just, shut up. You don't know what you're talking about."

"Oh, I don't?" Charles snaps right back, goading. "Why don't you tell me, then?"

Pierre snarls again, guttural and furious, and Charles knows that he should be terrified. But right now, he's far too furious to care.

"Tell me," Charles goads again, because he knows that nothing will ever compel Pierre as much as a challenge will.

Pierre is breathing hard, his fists clenched, his shoulders rising and falling rapidly. "You think you know what happened with Max, huh?" he asks, and Charles has never heard him sound like that. Despite himself, it sends a thrill through Charles' whole body. "You think you know what I want and don't want?"

Charles lets his belligerent silence do the talking for him, and Pierre's eyes flash. "Well, do you know that none of it is true? Do you know that none of the rumours of me with all those omegas are true?"

"What do you--" Charles begins, but Pierre cuts him off with a single hand held up, raised as sharply as a slap.

"Do you know, Charlito," he says, almost viciously, "that I've never been able to date any other omega for longer than a few months because I was always comparing them to you?"

Charles jolts where he stands, all the breath wrenched from him. "What--"

But Pierre doesn't give him a moment to process that. "Do you know that I only agreed to spend this heat with Max because he was desperate and out of options?"

"Do you know," Pierre continues, dangerously soft, "that I had to think of you just to be able to come at all?" He stalks a single step closer to Charles. "Do you know that I had to pretend it was you all the time just so that my knot wouldn't go down?" Another step, and Charles is shaking all over, but he can't move. Pierre has him pinned down, completely rooted to the spot with his scorching gaze and world-ending words.

"Do you know," Pierre concludes, softest of all, "why I really said I wouldn't spend a heat with you?"

Charles isn't sure how he even manages to form the word. "Why?"

Pierre's eyes are so, so dark as he stops just in front of Charles, raising one hand to ghost just millimetres above Charles' collarbone. "Because," he says, and his voice is rough. "I knew that if I did, Charles, if I fucked you even just once, I wouldn't be able to hold back. I would bite you, then and there, and I would make you mine."

All the while that he's been speaking, Pierre has been tracing his fingers upwards, a slow, slow torturous slide mere centimetres above Charles' skin. Charles can almost feel the heat of his touch, almost but not quite, and when Pierre stops just below Charles' mating gland - Charles whines and shudders forward, the combination of Pierre's hand there and that word mine too much for him to resist.

Pierre's fingers touch the overheated skin of Charles' mating gland, and the world explodes.

Charles' knees buckle, and his head spins, and he has to press his thighs together in a desperate effort to ease the sudden and burning need there. He's wet, he can feel it, leaking slick all over the place just from that one touch.

Pierre jerks his hand back, of course, but even that split-second of contact was enough to destroy Charles perfectly.

Pierre is panting, and he looks about as wrecked as Charles feels. "So do not stand there and tell me that I don't want you, Charles," he says, and his voice shakes - anger or desperation, Charles can't tell. "Not when I have done nothing but want you for as long as I have known how to want."

Charles shudders, the full weight of Pierre's words sinking in on him all at once. As Charles stands there, processing, he watches as the world rearranges itself entirely.

Charles breathes in, and then he breathes out. "Fuck you, Pear," he says, only a little shakily. "No, seriously, fuck you. How obvious do you need me to be? I literally asked you to spend my heat with me!"

For a moment, Pierre looks so indignant that he forgets to be angry. "You asked it as a favour to a friend!" he protests. "I just said, I can't do that! Not if it's you."

"Yeah, well," Charles says waspishly, "I only asked it like that because I thought you would say no otherwise."

And all at once, Pierre's expression transforms as he comes to the same sudden and brilliant realisation Charles just had.

"Charles," he says, shell-shocked. "If you're saying what I think you're saying..."

He glances down at his hands, clenches them tightly into fists again, then looks back up at Charles, his gaze burning. "You have to know, you can't take it back. I'm not going to let you take it back. Not if you mean it."

"God, Pierre, you are so fucking stupid," Charles says, and alright, maybe he is still a little angry about the whole situation, after all. (He thinks he has the right to be, though.) "Why do you think I was so angry that you went for Max?"

When Pierre doesn't say anything immediately, Charles snaps off a sharp step into Pierre's space, flicking his fingers against Pierre's forehead. "Yeah, it's because I wanted you to choose me. Only me."

Pierre's hand comes up, grabbing Charles' wrist in a bruise-tight hold. He draws Charles' hand away from his face, but then he doesn't let go, just keeps holding on, fingers circling Charles' wrist like they're meant to fit there. "Only you?" he echoes, and it sounds like a question.

Charles nods, because there was never any other answer, and he's about to say it, too, but then Pierre kisses the words right off his mouth.

If Charles' world hadn't already exploded so thoroughly earlier, then it would now.

It's a good kiss. No, it's better than a good kiss - it's a fucking incredible kiss; Pierre's one hand still wrapped around Charles' wrist while the other finds its way to his waist, like it belongs there. Pierre kisses him like he's still a little angry, but also like he's never meant anything more, pouring every part of his soul into it. Pierre kisses him like he's already imagining the night they're going to spend together after this, and he kisses Charles like how he's planning to fuck him later.

Charles has no objections to that. None at all.

Well. Except the one.

He pulls away from the kiss, pressing his palm hard to the side of Pierre's face. "You're going to spend my next heat with me," he says, orders more like, and it's far too possessive, but he can't bring himself to care. Not one goddamned bit.

Pierre growls, low in his throat, and pulls Charles even closer to him. "No, chéri," he says, too-softly. "I'm going to spend every single heat with you from now on. Forever."

"Forever," Charles breathes, and then he kisses Pierre again, hard, making it a promise. "Forever."