I see some of ya'll failing so horribly to understand C3 and it's driving me INSANE. This isn't about Gods Good/Predathos Bad, it is entirely not the intention of this narrative to say that the Gods are perfect, and while we can all agree whatever is locked up in the moon is most likely evil as fuck, it doesn't mean the Gods themselves and those who align with them haven't caused a shit ton of suffering.
It's not black and white, the story Matt has been weaving since episode one is a lot more complicated than that, and while seeing the characters grapple with making the right decisions amongst all the chaos can be taxing to some, it's incredibly realistic. Because at the end of the day, they are fighting for the world, they're fighting to save Exandria, and if that happens to mean they're also saving the Gods, then so be it, but that is not and has never been their goal.
Being upset at the characters or saying they are going Ruidus or that they're on the bad side now because they decided to help take down the temple that they know is literally oppressing a town into some weird catholization experiment is a terrible take. Because guess what?! Religion and the Gods in Exandria aren't perfect. They literally oppress and kill people.
Of course these characters are questioning whether or not they should be loyal to the Gods. Of course they're gonna try to grapple with what to do, literally over and over, as they're shown different facets of the relationship between mankind and the divine when the Gods lives literally lays in their hands. Because they aren't loyal to the Gods, they are honestly not even that knowledgeable about them, so we're watching them try to figure out what is right, what is moral, literally every step of the way. Like every goddamned adventure party does. But because their narrative is about so many important things, like religion, power, politics and quite literally what could be Calamity 2.0, people take every single thing they do as stance one way or another when it simply isn't.
They will always choose Exandria, the people, their friends, in the end, because that is the only unwavering truth about them. As Ashton puts it, they don't leave people the fuck behind. That doesn't mean the decisions they make or saving the world is going to be easy or simple at all. And it absolutely does not mean they have to like or support the Gods.
I wish more people would trust the process and remind themselves that this is an 100+ episode series, it's not supposed to go at Netflix mini-series pace.
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doing that dash meme earlier made me reflect on serpent's anger and on whether or not she does hold grudges against those who have hurt and abused her and honestly the saddest realization is that she does not hold grudges, she does not even resent them for the way they've treated her.
↳ a prime example is the "pet snake accident" in which serpent ultimately ends up killing everyone with the aid of her python. but she does not kill every member of the family because they had used and abused her after buying her in the black marker as if she was nothing more than an object, she does not kill every member of the family because they had forced her to take part in snuff movies for years, she does not kill every member of the family because they had kept her imprisoned in their garden in a cage much too tiny for her growing body ... she ultimately kills them because her "owner" has made the unforgivable mistake of disregarding and making fun of her desperate pursuit of happiness which was the only thing that had kept her alive through all this pain and agony. serpent does not despise the family for what they have done to her, she loses control to her thirst for blood simply because they dare to wound what mattered the most to her: her hope to one day be happy.
↳ the same kind of explanation can be given for the "disappearance of phantom entertainment guests case", in which she ends up feeding unpleasant guests and customers to her now giant python. once more, she does not kill them because she resents their treatment, nor because she is wounded by the fact that they see her as nothing more than a circus freak, a pleasant yet grotesque diversion from the tedium of their every day lives. serpent ends up killing them because they cruelly laugh at her unhappiness and because they have the audacity to tell her that someone like her will never find happiness in this world. again, it is the sentimental wound of having her dream sneered at that makes her become violent and vengeful.
the truly heart - breaking point of this brief analysis is the realization that serpent does not resent the abuse that she has gone through for the entirety of her life because she has simply started to believe that she deserves all this pain and suffering due to the fact that she's not a human, she is a monster ... even less than a monster, merely a venomous snake. in order to unhealthily cope with the horrors that she was forced to face, she finds the fault in herself rather than in those who have indeed hurt and exploited her: by doing so, she retains the ability of reaching out to others, which is why she does not hesitate to offer her miraculous but treacherous ambrosia to them as a means to help every single person to reach eternal happiness, whilst accepting that someone like her cannot find happiness in this world.
serpent cannot hold grudges because she has deceived herself into believing that the ones who have hurt her had no other plausible choice. after all, who would treat a monster with kindness or tenderness ? who would allow a monster to sleep within their house, in a room beside their own ? who would want a monster to sit at their own table ? who would ever want to love and care for a monster ? although the most logical and impartial part of her does know that all the people that she has met in her life were indeed terrible and undeserving of forgiveness, the more sentimental and instinctive part of her cannot actively resent or hate them. in the end, i believe that she does not recognize abuse from love, they've always been one and the same for her.
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Mystra showed him the secrets beneath the veils. The gossamer veils first, draped across the Weave. The delicate veils next, draped across her body. 'Chosen One' she whispered, as she slipped them off completely.
poor gale :'(
- the dialogue is from ea gale's explanation about his folly
- i kinda like that she ended up looking like a mother-of-pearl inlay lacquerware!
- oh this was a subconscious choice, but Gale is sitting in seiza which is a posture for showing respect especially to elders. it's also known to be a painful position to sit in for extended periods of time, which is why it was sometimes used as a method of (morally dubious) punishment. however, experienced people can maintain this posture for much longer. food for thought :-)
- (edit: deleted this point bcs it didn't really make sense + detracted from the art a little;;)
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[images ID: three images of a comic titled "one must imagine sisyphus happy" by druid-for-hire. it is a visual narrative beginning with someone with wrist pain (depicted by bright orange nerves) working at a drafting table. the reader is shown the same wrist as the person uses it for many everyday tasks such as carrying a grocery basket, pushing elevator buttons, typing, and doing dishes, until the pain dissolves all the panels into chaos. the person then performs several physical therapy exercises until the pain subsides. they sit back down at a desk with their laptop, sigh, and begin typing. a small spark of pain reappears. end id]
a fun little piece i made during the semester and submitted into our school comic anthology! (which you can buy at the Static Fish table at MoCCAFest in NYC ;] ). it's about artists and injury
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