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#but if they were wearing modern style clothes?
fouryearsofshades · 15 hours
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Some Chinese fashion styles
Disclaimer: The following styles and their definitions were observed by me and are not authoritative. I am only familiar with Hanfu and if I made mistakes and picked the wrong photo examples or fraud shops, please let me know. Also, this post focused on women's fashion because 1. I am not into men's fashion so I don't know much about them. 2. The algorithm also knew that so I don't really see them.
汉服/Hànfú
传统服饰/Chuántǒng fúshì (传服/chuán fú)
清汉女/Qīng hàn nǚ
旗装/Qí zhuāng
旗袍/Qípáo
新国风/Xīn guó fēng、新中式/Xīn zhōngshì 汉元素/hàn yuánsù 茶艺服/Cháyì fú or 茶服/chá fú 唐装/Tángzhuāng 中山装/Zhōngshānzhuāng.
汉服/Hànfú
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The ethnic clothing of Han Chinese (not the Han Dynasty).
There was a prohibition of Han clothing and hair styles in Qing dynasty, i.e. the 剃发易服/Tìfā yìfú qu Queue Ordinance, so modern hanfu is an on-going revivalist moment.
Modern hanfu are based on archeological evidences with minor twists to suit modern like, such as the type of fabric used and cut.
As a result, there are many types of garments and sub-styles. The figure above shows some examples.
While which style should be included and promoted is a constant debate, but in general, the cutout line is the Qing dynasty (however small accessories such as purses are alright).
传统服饰/Chuántǒng fúshì (传服/chuán fú)
No example because I am not sure who identified with this label.
The Chinese traditional clothing.
This either referred to historical clothing restorers (regardless of ethnicity) or people who promoted that the traditional clothing of Han people should be in the late Ming dynasty style, since "people should get up at where they had fallen".
They might be agreeable with the hanfu movement or not.
清汉女/Qīng hàn nǚ
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The clothing of women of Han Chinese in the Qing dynasty.
Since the Queue Ordinance wasn't that strictly enforced on Han women, the Han women clothing in the Qing dynasty had quickly absorbed Manchurian's elements while retaining the characteristic two-piece silhouette. (Manchurian women wore a one-piece robe.)
I believed it appeared around 2019 when the styles of hanfu had moved to fully embroidered surface to a more tone down brocade or weaved patterns.
旗装/Qí zhuāng
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The ethnic clothing of Man people (Manchurian).
The women's clothing are generally in round collar opened on the left (youren) with straight sleeves.
The most basic item is a 衬衣/chènyī, which doesn't have vents.
However, the most common item I have seen on the street is a 氅衣/chǎng yī (probably rented), which should be worn on top of 衬衣, since they have side vents.
They usually have no standing-up collar but in some cases a fake collar could be worn.
On top of changyi they could wear a 马褂/mǎguà、坎肩/kǎnjiān、褂裥/guà jiǎn.
旗袍/Qípáo
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The Chinese clothing of women originated from the Minguo era, known in English as qipao or cheongsam.
The male equivalent is 长衫/chángshān.
Currently in style is the retro-cut, while uses the traditional flat cut (no shoulder seam) instead of the more body-hugging modern draping style.
There are also many variations and cuts, but the overall silhouette is similar.
新国风/Xīn guó fēng、新中式/xīn zhōngshì
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Innovative clothing that was inspired by Chinese traditional aesthetic.
It is an umbrella term.
汉元素/hàn yuánsù refers to clothing inspired by hanfu specifically, while xinguofeng could be inspired by qipao and other ethnic clothing. In addition, hanyuansu is a term more familair to hanfu-ers, so the target audience is slightly different between hanyuansu and xinguofeng.
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茶艺服/Cháyì fú or 茶服/chá fú,i.e tea dress, which aimed to convey a zen and rustic aesthetic could also be considered a sub-style. They are often worn by retirees, artists or workers in tea shops, calligraphy shops, Chinese spas, Chinese traditional medicine clinics etc.
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The older "Chinese style" generally refers to 唐装/Tángzhuāng and 中山装/Zhōngshānzhuāng.
Tangzhuang (Tang Suit) was a men suit characterized with a mandarin collar with a row of 盘扣/pán kòu frogs in the middle. There are two pockets at the bottom front of the suit. It was a well-known looked worldwide due to the 2001 APEC summit. However, other clothes resembled a 马褂/mǎguà could also be called a tangzhuang.
Zhongshanzhuang was designed and named after Sun Yat-sen but was often known in English as the Mao Suit. Mao Suit was characterised with a 关门领/Guānmén lǐng(“closed-door collar", but also known as Mao collar in English) with a row of round buttons. There are four pockets at the front of the suit.
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中华lolita/Zhōnghuá lolita
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A sub-style of the lolita fashion inspired by cheongsam/qipao, hanfu or other Chinese artistic elements.
The same item could appeared in different styles, but with different cut and accessories. The following examples showed a mamianqun used in different styles.
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THE END
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doodlesandbooks · 1 year
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Sometimes I remember that Shaak Ti owned goth boots. 
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mejomonster · 2 years
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I am looking up cyber fashion right now
And I think I finally realize what my nieces mean maybe when they say I do mejo style but not like a particular named style
I just literally cannot stick to a specific style rules unless I'm in costume
#rant#xjdhd like. if im Specifically going to a lolita meetup? yeah ill wear all/mostly lolita#if im just wearing lolita pieces out? ill usually combo with victorian or 1960s style pieces i have or combo with modern stuff#if i wear goth? i will combo with some lighter more like byujaku makeup#but INTENSE like e girl level bright pigment#i tried a fucking Dorian Electra Makeup look and. i just#DO NOT wear foundation unless im getting in xostume or for a photoshoot#so i tried to do drag king contouring and added SO MUCH contour eyeshadow to my face withiut the#foundation underneath making my skin tone level. so i just looked like regular skin but Very Haggard#also i dont know how to contour or do blush for shit. i just#keep making my face look wider#i dress rn kind of 'goth' maybe but also sporty cause i love comfy sweat pants and tshirts#and im gonna be real im moving away from clothes sold to womeb#anything tight or requiring a bra? i dont wear anymore#so im like. GOOGLE now shows me mens harajuku and cyber fashion#when i search stuff. cause it knows thats all im fucking buyjng unless its a cute kawaii rainbow cardigan with hearts#i like the 90s renassaince of clotjes but ppl doing y2k now and 90s grunge now??#do a hyper perfect version with more makeup and sharp lines and well done hair#whereas in 90s the edges were meant to be fuzzy and hair was meant to look#like you slept in it then woke up grunge#so like. im doing OG grunge my sister did in the 90s. im not doing new Version Instagram mode#and the y2k i emulate isnt the paris hilton tight clothes. no. its the awful clashing. i LOVE IT#give me see thru sandal platforms and shiny silver pants and fun texyures#i love how on purpose awkward some y2k fashion looked back in the day. think britney spears and disney stars like ashley tisdale at awards#think blue eyeshadow and no eyebrows and fried hair with the crimped pieces and braids#the neon colors. THATS what i emulate and miss#and i. do it all fucking at once#im researching fashion styles now but. i already know. i just do not consistently#do 1 thing. or even the thing correctly. unless im specifically being strict for a photoshoot or event
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keeps-ache · 2 years
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never wanting to commit to a specific decade in my stories is going to come to bite me one day i know it
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risestarkiss · 5 months
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✨The Fashionista✨
Rise Ramblings #234
While watching “The Clothes Don’t Make The Turtle,” I noticed something.
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I found it interesting that Raph, Mikey, and Leo were content with Raph’s outfit choice until Donnie stated that he wasn’t “in love with it, ya’ know.”
Suddenly, Raph declares “I’m a disaster!” Albeit ridiculously endearing, it was a little strange to see his sudden shift from moderately content to absolute dissatisfaction. Huh…
Then, the disaster twins decide to help him out.
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Take a note of their outfit choices.
Raph tries on all of these fits and more.
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Donnie’s first choice is a mild “no.” Leo’s choice is a hard “NO.” (Not surprising, lol.) But then, the overwhelming consensus lands on Raph’s fourth outfit, which ended up being Donatello’s other pick for his brother.
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So, in summary, Raph tried on his personal choice for an outfit, of which they rejected. Then, ultimately, Donatello picked out an outfit for his brother, and that pick ended up being perfect. Hmm…
Then I noticed something else. In this episode, we never get a Donnie “curtain reveal” moment, to our disdain. I mean, Raph, Leo, and Mikey got to try on several different outfits in order to get their brothers' opinions before landing on that “perfect outfit, you know the one.” All of his brothers got to shine. Why not DonTron?
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Then it hit me.
The try-ons were to get their brothers' opinions and approval. And, for his brothers' choices, he was a major contributor in assisting them in pulling their looks together.
What if, bear with me, Donnie didn’t need the "curtain scene" because he was so confident in his fashion sense that he didn’t need to ask his brothers for help to pick out a great look.
…or they figured out how to break Hypno’s spell before he could get a “curtain reveal.” BUT STILL-
Look at his outfit choices in this episode. Some of his wardrobe changes were off-screen, but all of them were fire.
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(I added the baseball cap pic because it makes me happy. I wish we'd seen more of that fit.)
To me, he makes some really smart choices for himself, pushing the envelope of what is expected and taking chances: an open collar with no tie for a “black tie” event, a beanie and spiked wristbands for their “gansta look,” no socks with loafers (a viral fashion trend that actually began in Africa) with old man slacks in his reclined pose. *muah* Chef’s kiss!
But Don’s fashion sense doesn’t just shine in this episode.
In “Reparin’ the Baron” the boys go to Draxum’s apartment. Leo and Donnie show up in some extra nice “Sunday Dinner” twin drip.
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The gold is in the details. Everything Leo is wearing, Donnie rocks its compliment: for Leo’s round collar, Donnie’s is angled, for Leo’s blue shirt, Donnie’s is white, For Leo’s light slacks, Donnie’s are dark. Blah blah blah. It’s so good!
Look at the winter fit in Snow Day.
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Again, Donnie is Leo’s perfect compliment. As a pair? Fire.
Donnie has “the eye.” I can go on and on with examples, but I’ve said all of that to say this…
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In the future, we see that Donatello’s technology had major pull in the resistance. He had drone ships patrolling the skies. He built and designed Leo’s arm, Casey’s chainsaw-hockey stick, and Casey's mask. The list goes on…
But, when Donatello from the past see’s Casey’s clothing from the future, he says this:
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We know about the “Genius Built” brand. We’ve seen that logo on all of his tech up to this point. But, here he didn’t just say “Genius Built.” He said, “Genius Built Apparel.”
“Apparel” is not a tech brand. “Apparel” is a fashion brand. Of course, tech is incorporated into the clothing, but still.
This means that past Donatello secured this trademark with plans of creating a fashion brand, comparable to the likes of Gucci, Ralph Lauren, or any other modern clothing brand, as a subsidiary of “Genius Built,” the tech company.
And why not? The evidence has been in front of us this entire time. He has a sharp eye for style, fashion, and trends. It is easily canon that he can sew. Splinter sewed their ninja garbs in “Insane in the Mama Train,” and there is a sewing machine in the house.
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They already learned Ninjutsu through basically osmosis, so learning to sew is not too far-fetched.
And here it is, right in front of us, Casey’s entire ensemble, from mask, to weapons, to clothing, was made by Donatello in the middle of the apocalypse under the brand name “Genius Built Apparel.”
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And that was just in the bad future. Resources were limited, they didn’t have access to much of anything in that broken world as they were survivors of a devastating Krang invasion. Yet, he created all of this.
However, now that they’ve changed the future, his future as a fashion designer is limitless. Think of what Donatello could produce with unlimited resources, unlimited technology, and unlimited creative freedom.
Tech genius. Clothing designer. Fashionista. Future Genius Built Apparel Owner and CEO. I’m sorry, but I have to call it...
Donatello Hamato of the present, of the bad future, and of the good future is a fashion icon, the likes of which the world has never seen. ○○○○
Update: I've decided to make this concept into a mini-comic series!
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griffinborn · 1 year
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Ok I get where everyone is coming from when they see the design of Pavitr ‘Pav’ Prabhakar aka Indian SpiderMan as an expression of gender queerness, but let me be frank this is very typical Indian male costuming.
Even the toxic masculine patriarchal men have similar stylistic expressions or to be be more precise this is a traditional/historical/ye olde male aesthetic.
Having said that I love what design elements are being used here. So…
Let's take it from the top.
The FACE MASK
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The Three Colors surrounding the eyes are typical spider man colours but they are done to evoke the image the traditional makeup done for the ancient dance art Kathakali. In which the whole face is painted and bold lines are drawn to emphasise/exaggerate the eyes. These eye mask lines are usually thin - bold-thin.
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Same with the white lines on the cheek bones which are indicative of tusks or pincers of demons or Animorphs in folklore/myths.
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The white dot in the centre of the forehead is the most common Hindu motif, expressed in myriad of ways all over the country .
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The ARM/LEG BANDS/CUFFS
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The bicep cuff is a part of Indian historic armour - made of malleable metal, its bejewelled ornate counterparts were then worn in day to day life. Here in the north Royals still wear it during big ceremonies. These metal bands are generally worn by warriors.
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bangles (metal circles worn at wrists) are an important male accessory and are more daily wear even in present modern times, some religions (Sikh,Jain etc.) require the males to always wear one at all times. The ones on the suit were more in the shape of wrist guards which again were an armour accessory. In Indian male clothing the cuffs are usually emphasised.
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Due to traditional male footwear being sandals metal ankle cuffs were employed to guard the shins and were worn during wars while thinner bands - ornamental accessories - were worn in daily wear.
There are so many other things I want to elaborate on like: The PATTERNS/LOGO,The LEG GARMENT (??!)(what’s the collective term for clothes for legs?), The Cat’s Cradle swinging/body animation ; but my ADHD is already acting up so imma leave this here.
SIDE NOTE:
I love how the heel and toes are bare in this design. It makes sense from the spider powers perspective - no barrier in contact allows for better manoeuvring and jump control as is seen in gymnastics. But also because in Hindu culture important tasks including some traditional sports require the removal of footwear and getting feet dirty is not discouraged (of course with an adherence to washing of the feet multiple times in a day)
I also loved how incorporated his wrist guard is in his spider style using it as a toy and a tool. This aspect of making use of something in a completely different way was so desi ‘Jugaad’ I was stunned.
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Modern AU versions of Tintin and his friends! Notes about their designs under the Read More:
Tintin - A grey and yellow baseball tshirt references his grey sweatervest and yellow shirt look from the earlier comics. Cargo joggers replace his plus fours - plus fours were popular with golfers in the 20s and 30s as athletic wear, so I opted for cargo joggers for that preppy but sporty vibe. He also wears leather trainers and keeps his handy phone in an industrial case. Snowy wears a collar now!
Haddock - when not working on a ship as a merchant captain he opts for a hoodie and sweatpants. He might look sloppy but it's pretty practical for the wild adventures he's dragged into! He's Tintin's exhausted foster father in this AU.
Calculus - I gave him 2000s style rectangular frames to make him feel modern but still kind of dated, like how he wears fashion a few decades behind in the canon comics. I dressed him like my high school physics teachers - he has a necktie, a pocket protector, a zip through fleece and orthopedic shoes. I had frames like these for some time until I broke them at work lol
Chang - as soon as I read the Blue Lotus and saw Chang for the first time I immediately thought he was wearing crocs. I don't know why crocs are so popular. I don't think they're particularly comfortable. They feel sweaty and weird and don't stay on your feet when you run. I don't get crocs. But they're popular in Asia lol (I kept Chang's design super simple, he's an orphan with no money)
Abdullah - I had way too much fun with him! I know Supreme is kinda dated now (it's definitely a 2016 thing) but I still find it funny and the colour scheme fits. A lot of local Muslim teenagers in my area mix sportswear with traditional clothing so I did the same here, but made it obnoxiously bougie lol
Zorrino - I didn't change much for him as his original design is pretty timeless. I gave him socks and slides, a beanie and joggers. His button up shirt is replaced with a polo shirt but the difference isn't big.
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thisiscarlatrying · 1 month
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modern!ellie hcs
notes/warnings: this is my first time doing something like this.. 😭😭 i hope u like it🙏 also, ellie and reader are dating and a lil of loser!ellie... that's just the way she is 😞
not proofread i think, i'll try to make it as good gramatically as i can but no promises 🙏🙏 (english is not my first language forgive me 😭😭)
| CONGO, SUDAN, PALESTINE | DAILY CLICK | DON'T BUY TLOU |
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modern!ellie who cuts her own hair.. she REFUSES to go to a hair salon, she says it's a "waste of time and money"
modern!ellie who is kind of into fashion, i think she'd dress like this or like this...
also i just know she LOVES LOVES LOVES jorts, when spring starts that's ALL she'll wear
AND you guys just share clothes, you steal all her clothes and she steals yours
modern!ellie who wears a LITTLE bit of makeup, just mascara and chapstick. highlighter for special occasions
also her lips are so dry... 😭 she applies chapstick every five minutes and is constantly losing hers so you had to get her a one of those BIG vaseline things because she wouldn't stop stealing yours
modern!ellie who is a cat girl. you guys have like three cats together and they all look like the both of you
also their names are you guys' ship names until you ran out of name combinations and the names you had to choose were something like "sardine" or "chicken nugget"
modern!ellie who just loves kids cartoons like adventure time or the amazing world of gumball
modern!ellie who is CONSTANTLY daydreaming about being spidergirl and swinging around the city (spidergirl!ellie hcs coming soon... 🤭)
modern!ellie who plays minecraft and stardew valley for eight hours straight
modern!ellie who LOVES youtube and can't have a meal without watching a video
i KNOW she loves sinjin drowning. I DON'T MAKE THE RULES 🤷‍♀️
modern!ellie who has an INSANE vinyl collection.. it's all divorced dad music but she also owns a few of your favourite albums for when you come over<3
modern!ellie who is a barista. JUST HEAR ME OUT OKAY. while she's studying in college or something she works part time at a cafe... picture her with her little ponytail (like 17yo ellie) and her sleeves rolled up... UGHHH😭😭 she's so fine i can't.
talking about college... modern!ellie whose major is something nerdy like physics, astronomy or engineering... or maybe even architecture since she likes drawing so much
modern!ellie who was BEGGING you to move in with her until you finally agreed.. your apartment is the cutest thing ever, i feel like ellie's decorating style would be something like this:
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modern!ellie who loves cuddling SOOOO MUCH. she's so touchy, she just IS.
modern!ellie whose burps make the entire building shake. it's actually insane and they smell so bad like.. you can smell the subway meatball sandwich she had for lunch earlier that day 😭😭
modern!ellie who constantly brags about you being her girlfriend, she never shuts up about you. and all of her instagram and tiktok posts would be about you (except from her outfit checks, of course)
modern!ellie who loves those cliche robbing movies, do you know what i'm talking about?? like those about robbing a bank or a museum and there's this incredibly unrealistic plan that comes out perfectly... THOSE kinds of movies. she eats them up EVERY. SINGLE. TIME.
modern!ellie who fights with people on the internet constantly 😭😭 she sees a comment on a tiktok video with an opinion different than hers? SHE'LL REPLY. and she's going to wait for HOURS for the other person to respond
modern!ellie who secretly loves laland. i said it.
modern!ellie who either sleeps for 12 hours straight or won't sleep for two days. there's no in between.
modern!ellie whose walk is so funny 😭😭 it's almost like she's jumping while she walks
modern!ellie who carries a picture of you absolutely EVERYWHERE
and your apartment is filled or pictures of both of you
modern!ellie who loves her friends. she makes those stupid tiktok slideshow trends about friends but posts them privately because she's embarrased about it 😢😢😢
modern!ellie who has a journal and writes every single thought that crosses her mind down. and when she doesn't have her journal with her she writes in her notes app
modern!ellie who secretly fucks with taylor swift's sad songs and cries to them
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okay i think that's enough.. im getting a little too carried away 😭😭 lmk if you like them or if i should make a part two!!
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lackadaisycats · 1 year
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I tried to answer this succinctly, but it turned into an essay. (Sorry.)
The Princess and the Frog was not accurate, strictly speaking, but dinging it for that would be like criticizing the Lion King for not being a realistic wildlife documentary. Accuracy wasn't really the point. Given the fantastical elements and fictional nations like “Maldonia”, I suppose we're meant to understand this as a bit removed from the real New Orleans. It's more a a jazz-flavored fairy tale than a historical fiction.
But for discussion's sake....
Is it fashion-accurate to its 1926 timeframe? Ehhh, sort of. It pays homage to 20s fashion trends with cloche hats, furs and feathery headpieces, but without fully committing to it. The waistline on almost all of Tiana's clothing is too high for the 20s, and the the shapes of her fancier costumes take a lot of liberties, or deviate wildly from the style of the period.
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In the 20s, dresses (including workaday stuff) tended to have a straight up-and-down shape to it - kind of a low-waisted rectangle that de-emphasized curves instead of highlighting them. There are valid reasons to play fast and loose with that, though (something I’m definitely guilty of as well). One of those reasons is communication. 
For instance, speculatively, the filmmakers wrote Tiana as a hard-working waitress and wanted her to look the part, so they made the choice to clothe her in something familiar - that gingham dress of mid-century shape that we broadly associate with diner waitresses. Actual waitress uniforms of the 20s had a fair bit of overlap with maid uniforms at the time too, and I can see why they wouldn't want to risk the confusion. It's more important to communicate clearly with the larger audience than to appease a small faction of fashion nerds who'd notice or care about the precision.
I don't think it's a case of the designers failing to do their research - I'm sure they had piles of references, and maybe even consultants - but they also had to have priorities.
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With her hat and coat on, she looks a lot more 1920s-shaped.
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Pretty consistently, the indication of the characteristic 1920s drop waist is there, but the approach otherwise ignores the 20s silhouette. The clothes hug the body too much. This may be about appealing to a 2000s audience, visually speaking, but also could be an animation thing. Maybe both. For practical reasons, clothes in 2d animation are usually more a sort of second skin than something that wears or behaves like realistic fabric.
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These are not in the 1920s ballpark at all. Tiana's blue gown looks like your basic Disney brand invention. Strapless things would have been extremely unusual and the overall shape is far out of step. Excusable, I guess, because it's a costume in context. Charlotte looks like she’s heading for a mimosa brunch in a modern maxi dress.
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Charlotte's princess dress did seem to be calling back to the ultra-wide pannier side hoops of the 18th century - something that made a reappearance for part of the 20s, albeit in much milder form called robe de style. I'm not sure if the filmmakers were alluding to that at all, really, but either way, her dress is hilarious.
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They only went about halfway with the cloche hats. The 1920s cloche really encapsulated the cranium, almost entirely covered bobbed hair, and obscured much of the face from certain angles, so it's easy to see why they've been somewhat reined in for the film. Still, it ends up looking more 1930s, where the hats started to recede away from the face, evolving in the direction of the pillbox.
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Similarly, Tiana's hair is not very reminiscent of the bobbed, close-to-the-cranium style of the period, but I think that could legitimately be written off as characterization. She's not at all the type of person who'd fuss about going à la mode. Not everyone bobbed and finger-waved their hair.
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The clothes Prince Naveen is introduced in are very 1920s collegiate in spirit - the wide-leg oxford bags, the sleeveless pullover sweater, the flat cap, and high, stiff collar. The ukulele and banjolele were pretty trendy instruments at the time too.
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Definitely some Josephine Baker vibes here. Also, the look of this whole fantasy sequence was reportedly inspired by the works of Aaron Douglas, a luminary painter of the Harlem Renaissance known for his depictions of the lives of African-Americans. (The mural is in Topeka, Kansas.)
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They pretty much nailed the Art Deco. It's gorgeous. Looks somewhat inspired by the interiors of some of the Ralph Walker-designed NYC architecture, plus some French Quarter balcony flair for the final manifestation of Tiana's Place. Her dress here does resemble some gauzy mid-1920s looks, too.
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Culturally speaking...
New Orleans is an unusual place. Because some of the colonial Spanish and French laws and conventions that New Orleans evolved under persisted even after its inception into the United States; because it was such a heterogeneous hub of indigenous and immigrant peoples; and because it had a considerable population of free people of color (mostly Creole), it did not function quite like the rest of the South leading up to the Civil War, nor for a while after. Its particular coalescence of cultures made it its own unique sort of culture within the country, within the region, within the state of Louisiana even. By the early 20th century, though, regardless of the not-very-binary nature of New Orleans, Jim Crow laws were enforcing a literal black-and-white distinction, and not an evenhanded one, by far. In that aspect, the city had begun to resemble the rest of the South.
The film nods at the wealth disparity, but goes on to paint a pretty rosy picture of race and class relations at the time. Still it's not unbelievable that some people were exceptions to the rules. You could probably find a few compartments of old New Orleans society that resisted segregation or certain prejudicial norms, preferring to do things their own way. That aside, the film wasn't trying to confront these topics. Not every piece of media should have to. Sometimes breaking away from miserable period piece stereotypes is refreshing. I'm not sure it could have handled that meaningfully given the running time, narrow story focus, and intended audience, anyhow. (But you could perhaps also make a case that family films habitually underestimate younger audiences in this way.)
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Raymond the firefly I guess is the film's Cajun representation. There's not much to say about it, except perhaps to note that Evangeline is a reference to the heroine of a Longfellow poem of the same name. The poem is an epic romance set during the expulsion of the Acadians from the eastern provinces of Canada and the northernmost reaches of the American colonies (now Maine) by the British in the mid-1700s. Many exiled Acadians gradually migrated south to francophone-friendly Louisiana, settling into the prairies and bayous, where 'Acadian' truncated into the pronunciation 'Cajun'. Evangeline - who is only finally reunited with her love when he’s on his deathbed - has become an emblem of the heartbreak, separation and faithful hope of that cultural history, and there are parishes, statues and other landmarks named after the her throughout Louisiana.
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Voodoo does have a very historical presence in New Orleans, having arrived both directly from West Africa and by way of the Haitian diaspora (where it would more properly be called Vodou). While I don't think Disney's treatment of it was especially sensitive or serious, it also wasn't the grotesquely off-base sort of thing that media of the past has been known to do. It was largely whittled down to a magical plot component, but it wasn't so fully repurposed that it didn't resemble Voodoo at all either - and that's mostly owing to the characters, because it does appear the writers pulled from history there.
It’s apparently widely held that Dr. Facilier is a Baron Samedi caricature - and likely that's true, in part - but I have the impression he's also influenced by Doctor John. Not the 20th century funk musician, but the antebellum “Voodoo King” of New Orleans. Doctor John (also called Bayou John, Jean La Ficelle, and other aliases) claimed to be a Senegalese prince. He became well known as a potion man and romance-focused prognosticator to people from all corners of society. Though highly celebrated and financially successful at his peak, he seems ultimately remembered as an exploitative villain.
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To my recollection, the film sort of gingerly avoids referring to Facilier as a Voodoo practitioner directly (I think he's more generically called a witch doctor in the script?) but it does seem to imply his 'friends on the other side' are a consortium of loa. It's mostly abbreviated into nebulously evil-seeming special FX, glazing over any specificity or dimensionality, but it does also loop back around as a vehicle of moral justice. Loa are all very individualistic and multi-faceted, but they do have reciprocal rules for asking favors of them.
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There's also the benevolent counterpart in Mama Odie's character. Her wearing ritual whites has a definite basis in Voodoo/Vodou practice, and her depiction as a fairy godmother-like figure isn't entirely out of step with how a mambo may have been perceived...in a very general sense. They were/are ceremonial leaders and community bastions who people would seek out for help, advice and spiritual guidance. More than just emanating matronly good vibes, though, some have wielded considerable political and economic power.
(Just my opinions here. I've done a lot of reading on the subject for research but I'm no authority with any special insider understanding of Voodoo, and I really shouldn't be relied upon as an arbiter of who has or hasn't done it justice in fiction.)
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In summary--
Culturally, I think the film is respectably informed but paints a superficially genteel picture. The set pieces are gorgeous, but the story mostly delivers a sort of veneer of New Orleanishness. And as for fashion, well, it’s the 1920s run through a Disney filter. It’s very pretty, but it’s only as proximally accurate as seemed practical.
I don’t know that any of that really matters so much as whether or not it achieved what it intended, though. As a charming yarn and as a tribute to New Orleans and the Jazz age, I think it’s mostly successful. It’s also really beautifully animated!
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applepieshy · 26 days
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I had an idea to redesign vox because I didn't love that a character obsessed with modernization would wear a top hat and bowtie. then after a brief stint into madness where I read my partner's historic costuming textbook I drew.... all this.
(side note: the idea of vox being a trans man who transitioned AFTER death was super compelling and absolutely inspired by @prince-liest so while this is not direct fanart of their series I wanted to give a shoutout anyway!!!)
okay some TRULY unhinged rambling about historic costume below the cut YOU HAVE BEEN WARNED!
1950s: for this design I very much did not want to go to the typical a-line housewife look, because I feel that is unfitting for vox's character. instead I went for a more business look, but there is still a level of femininity that he would have been expected to perform. i wanted to express his discomfort with that through the pose and expression, though at the time he wouldn't necessarily have a framework for why he hated it
1960s: this one was very fun. i loved the idea of vox beginning to eschew some of the expected feminine presentation, and he no longer wears makeup, jewelry, or hose (though its hard to tell in black & white); however, he's kind of at war with himself in this time period. he's obsessed with seeming perfect and having a respectable image, so he would not go in for the counter-culture movements that were so big in the 60s. he's still kind of riding those coattails though, pushing those boundaries while still not acknowledging his queerness.
1970s: to me, it was very important that the gender hit as he entered the world in color. in my mind the gender euphoria is physically manifested in a wizard of oz situation - he can become who he always has been. anyway, gender aside, I think it was very important to me personally that he wore an ascot. it was for my mental health.
1980s: I wanted the 1980s to be the period where he began to gain some power and notoriety because of the de-regulation of television during this period to allow more ads, mirroring real-world history. I think if the 70s were when vox gained some real confidence, the 80s are when he got an Ego (tm). "business casual" also began to become more acceptable in this time period, and the t-shirt/suit jacket combo was very important for me to include, as to me it epitomizes the commercialism and machismo of the 80s.
1990s: this was actually the decade I was the most nervous to design, and yet I think it turned out the best? the 90s are known for grunge, which I think is NOT vox's style at all. I decided instead to lean hard into the yuppie look, which I know is more associated with the 80s but was definitely still a thing in the 90s. I also allowed a little hip-hop influence in the form of a gold chain from val, which is not something I think vox would ever pick on his own.
2000s: if the 90s were the decade I was worried about and turned out great, the 2000s are the decade I thought I had down SO GOOD and then totally floundered in execution. I still love the bubble-mac inspired head, and I tried to make his clothes as "round" as possible. I also like that this is the time where his saturation got cranked. however, I don't know if I'm in love with the vest and super bright sneakers, because again, looking back on it, he kind of looks like he works at a movie theater or best buy or some shit lol,,,
2010s: I think it's telling that this is by far the closest to his canon design (2014 tumblr lookin ass). I really wanted to pull from that hipster tech bro era, but unfortunately that aesthetic has a veneration for "retro" which again, is not fitting for vox. I still think he would wear the bowtie during this time because, well... he sure does in the show!
2020s: this was fun because I had an excuse to pull from haute couture design rather than street fashion because of the introduction of velvette into his life. I truly do not think velvette would let vox and val walk around in the outfits that they do because it would be an actual embarrassment LMAO. for this, I wanted his decorative "robes" to be evocative of the time he depicted himself as a priest AND of a cape/robe of an emperor. he does think of himself as that bitch, after all.
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hellotailor · 2 years
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In IWTV, Lestat wears several pairs of trousers where the belt loops are below the waistband. I've never seen/noticed that in anything else before. Is that a historical style? What is it called? Google is giving me nothing and I'm dying over this detail.
these are known as "drop-loop" trousers! i love this detail - it's very distinctive, although i'd associate it a bit more with the 1940s/50s than the earlier decades of IWTV season 1.
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IWTV's costumes really embrace the high-waisted silhouettes of menswear in early/mid-20th century america, something that some historical dramas tone down to fit in with modern tastes. (21st century suit pants tend to be tighter and sit lower on the hips, aiming for a "swimmers build" aesthetic.)
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sam reid has the perfect figure for 1930s/40s fashion: a narrow waist and wide shoulders. pleated suit trousers have extra fabric around the hips/ass and are cinched in at the natural waist, which a) is comfortable and b) makes the waist look narrower, creating an almost hourglass shape depending on the cut. to modern eyes it can look more feminine than contemporary men's suits, which plays into lestat's Whole Deal.
one pair of lestat's drop-loop trousers (i wish i could find a better pic!) create even MORE emphasis on the waist by leaving a cummerbund-like waistband of fabric above the belt. it's the kind of finicky tailoring detail that makes it obvious that lestat is a real clotheshorse. he and louis clearly spend a ton of money on tailoring.
i also suspect that lestat's american wardrobe was influenced by the fact that he socialized with and lived alongside black people in the new orleans jazz scene. the most exaggerated styles of drop-loop trousers are something i'd associate with Zoot Suits, which were not a white/anglo style and would presumably have been worn by young black men in early 1940s new orleans. (in ep 1, louis is extremely fashionable and accessorized to the hilt, whereas lestat looks like he's wearing a historical costume.)
on a final note, i love that louis continues to wear high-waisted trousers in the present day. his modern outfits are quite soft, vulnerable and minimalist - close to the kind of simple-but-expensive clothes we'd expect to see on one of the cooler young tech billionaires, but with a silhouette that calls back to his youth.
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vinceaddams · 2 years
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Top 5 historic clothing items we should bring back into style (stockings on men, big cuffs on coats etc.)
Well I am very biased, because my everyday clothes are mostly 18th century menswear inspired, but for a list as short as 5 it's good to narrow it down!
1. 18th century shirts. Big puffy soft linen shirts. Best shirts. Comfiest shirts. Though tragically, since they get softer with more washing, they're at their absolute most comfortable right before they wear out.
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(This one's from the post where I copied the tiddy-out violinist painting.) Besides being the nicest softest comfiest, they're also the most economical, being made entirely from rectangles. And they're versatile, they look good with lots of different garments! Someday I will do a very detailed youtube tutorial for my machine sewn shirt method. I've done so many now that I think I've finally got it down.
2. Adjustable waistbands. Why did this ever stop being a thing? 18th century breeches have lacing at the back, then in the 19th century trousers have a buckle tab. Now they do not, even though we're all still humans with bodies that change. (These are my orange silk breeches)
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Do you know how many hours of my life I've spent taking in or letting out the waist seams of modern trousers? I don't know either, but I've been an alterations tailor since 2019, so it's got to be a fair amount.
All that waist altering wouldn't be necessary if they still made them adjustable! Waistlines fluctuate, so too should waistbands!!
3. Shoulder capes attached to coats. This was a thing in the late 18th century, and in the 19th, and I think into the early 20th too. It adds extra protection from the rain and snow, and it looks cool.
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(c. 1812, The Met.)
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(c. 1840-60, MFA Boston. The cape on this one is detachable)
You can make them long or short, and stack them up like pancakes or just have one. I've got 2 small ones on my corduroy coat, and one on my dark blue wool. Both cut from almost the same 1790's-ish pattern.
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I also want to give a shoutout to fitted sleeves! I love me some two piece sleeves with a distinct elbow! And the coat pockets were bigger back then.
4. Indoor caps. I don't care what era or how fancy you go with it, I just want people to wear caps indoors when it's cold! This one's super simple, it's just a tube of linen tied with a ribbon.
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(Detail from Le Marchand d’Orviétan ou l’opérateur Barri by Etienne Jeaurat, 1743.)
If it's cold in your apartment you need slippers for the feets and a cap for the head. Speaking of which.
5. Medieval hoods. This one is wayyy outside my usual era, but the wintery below-freezing weather has just started here and the knit hat I've been wearing isn't quite long enough to cover my ears. I want to make a simple hat with ear flaps, but I also wouldn't be opposed to trying to work something vaguely similar to this into my wardrobe. It looks so warm!
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(Image source. Also she has a printable pattern available!) I actually made one of these once, an entire decade ago. But it was scratchy blanket wool and I've since given it away.
That's some of the main things I think we should bring back! There are lots of other things too, like men's nightgowns, and waistcoats with little scenes embroidered on them, but for this list I tried to be mostly practical.
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hxzbinwrites · 4 months
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Heyy :D was wandering if you could do a platonic velvet x reader? I don't see that much platonic but it would be fun thanks :>
Velvette x Platonic! Reader | Fashion Famous
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Warnings ⚠️: Really short and rushed!!!
(Y/n) was walking down the street, well more like briskly walking, towards a huge crowd. Tons of commotion.
It was that time of year again, time for Rosie’s fashion show. Lined up were very…well…outdated ensembles put together for the public’s view.
Scoffing, the new sinner watched as the models strutted about on the makeshift stage, panning as if they weren't wearing three generations ago 's funeral attire.
Rosie, being a cannibal and an Overlord, had a very...morbid...sense of style. Funeral really was one way to put it. One outfit made most of the sinners shudder in disgust, seeing real intestines wrapped around the models bloodied corset.
"How outdated can this get..?" (Y/n) mumbled, before jumping at a shriek laughter behind them. They turned around suddenly, seeing another sinner toppled over in laughter.
The sinner finally made eye contact with (Y/n), revealing themselves to be Velvette, the youngest of the Overlords and the Vees.
"Oh I completely agree" She said,"I'm glad someone finally realized it. I swear, no one understands the true modern vision."
(very rushed but the next part will be silly headcannons following this! (again so so sorry, i’ve been so busy and i promised this fic would come out today!))
After seeing how much you two had in common, Velvette offered partnership for your soul
You deny, ofc, telling her how you’ve always wanted to be a Vee of your own.
Velvette takes a while to come back to you about this, discussing with Val and Vox. Val isn’t too pleased, but Vox thinks it’s a great idea. Val doesn’t want people in his business, especially a newcomer who could easily figure out what he does behind closed doors
Vox thinks Velette should focus more on social media and less on her clothing. She’d still have a say in it, but Vox thinks this widespread media coverage is what’s best for the Vees.
So, you’re in. You’re a Vee. If your name already starts with a V, excellent, if not, then guess what, Velvette has already given you a new name to correspond with theirs
With your fashion expertise, you easily overthrow Rosie’s fashion empire and become a staple luxury designer.
People are fighting tooth and nail to grab your stock (Stanley Cup style). These sales help catapult the Vees even more.
This newfound fame led you to acquire quite a few soul deals, making you the newest Overlord in Hell
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lilly-chou-chou · 8 months
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Gyaru: A guide for newbies and a love letter for seasoned gyals.
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There were a lot of things that made me post about this. I thought a lot about it for years but recently I had an interaction which confirmed my mind.
As a woman who had been doing gyaru since the age of 4, I have few guides for gyaru that you may agree with or not, but I am posting this regardless because I want this to be known, especially by new gyals.
Gyaru is a movement which moulds modern japanese feminism and breaks boundaries that previously pushed women to only be of certain category.
This to say, there are indeed a lot of subculture under the umbrella term like hime, rokku, agejo and such.
My guides start from here on. When you first decide to start gyaru fashion I suggest you explore your options, try our different styles, fave fun and go with what works for you.
There is a lot of misconception that just because you prefer one subculture more doesn't mean you are lesser knowledgeable in other subcultures. You are free to do what makes you happy and pretty because gyaru was the staple for just doing eccentric fashion, it was never about rules and policing others. The culture was born because they opposed Japan's view of women. When women were forced to be me meek, sensitive, weak, soft spoken... Gyarus were the opposite they were loud, brash, tanned and knew how to have fun.
Gyarus were safe space for women who didn't want to be judged and just wanted to have fun.
Of course when you start out you always can look at tutorials and what not but remember to always feel pretty and enjoy what you're doing. Stop thinking and flush out people who police you about "wear this" "don't wear that!" "Wtf don't buy this!" "Are you stupid? You don't even own any brands wow you are not a REAL gyal" and the most funniest part is that these things come from just foreigner gyals.
As a person who also lived in Tokyo for a while and used to practically live inside Shibuya 109 I can assure you that Japanese gyals will NEVER EVER say anything like foreigner gyals and police you because they genuinely want you to have fun, gyals out of all people are no. 1 in not caring about rules and just doing it purely for fun.
Back then if you went to Tokyo then you could see every sub culture co existing and hanging out sharing tips, sharing clothes from different brands and hyping each other up.
Never feel you are less or unworthy, never listen to people who tell you, you are doing it wrong because you mix 2 sub cultures in your fashion.
Live your truth and enjoy. You are the most prettiest gyal ever. Live your life full slay.
In conclusions I just wanted to post this so newer gyals don't feel pressured or scared to know and explore more of our beautiful community and for old gyals to remind them once again what a beautiful culture we chose to follow and how fun they really are.
Love you my gyals, let's keep this community thriving <3
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bella-goths-wife · 2 months
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I wasn't sure initially but after reading them all I must admit I've enjoyed your Yandre Vs x pet posts and love Velvette in particular. Can you do something similar but just for Velvette? Either Yandre, she owns your soul or just an obsessive girlfriend (general neutral reader).
Yandere girlfriend velvette
Warnings: obsessive behaviour but not as bad as pet series, reader is an objectively bad person but in a the devil wears Prada way, ooc velvette?
This isn’t canon to the pet series and is a completely different au! So reader is not pet and is treated significantly better
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First of all, you’d have to be something special for velvette to treat you as an equal, let alone develop a romantic relationship with
And you were definitely something special
You were a fashionista demon who died in the 2000s, but your death would not stop you from building an empire
You created unique clothing pieces that blended the fun and freeness of the previous generations with a fresh Y2K style
Think monster high outfits, your outfits held darker and lighter tones blended together which incorporated different cultures from all over the world
You also had a unique ability that helped you with this, you had the ability to put your emotions into the clothing you’d handcrafted
Literally, so if you made a scarf while feeling sad, whoever wore the scarf would then feel sad for however long they wore the scarf
This made your brand unique and gave you an edge that stood out from the other companies
You started out on market stalls but eventually you gained investors and expanded into a company that even had hell’s celebrity’s wearing your clothes
Stolas had commissioned you to make Octavia’s debut dress, veroskia had asked you to create her entire wardrobe for her tour around the hells rings and even the Lilith was photographed wearing one of your dresses
You had officially built your fashion empire that you’d always dreamed about and you even owned your own tower
This unfortunately meant that you couldn’t keep up with demand and handcraft each clothing item and would have to expand the workforce and hire skilful factory workers
This meant that your ability to put your emotions into the clothing wouldn’t work, so you made a limited edition line out every year with one new clothing item coming out every month
Each outfit would have a theme that connected with the emotions, so you’d do a rouge rage or a cerulean calm
You’d sell these to the highest bidder and would quickly become your top earning products with brawls happening at the bidding wars
But your company being successful only made your bad personality traits worse as you became more demanding and perfectionist to your staff in a way that made you a bad person but in a devil wears prada way that had the newer generations of demons calling you an icon
You had an attitude very similar to velvettes, only with the skills and the maturity to carry it
Velvette hated watching you grow your empire so much that it almost rivalled hers in popularity and income
She hated that you’d practically done it all by yourself while she had relied on Vox financially and he only did that because of his interest In her abilities with social media
She hated that she actually liked your clothing and she hated that your ability made you stand out
But she hated most of all that you two had come to hell within months of each other, yet you were a respected ceo and overlord while she was seen as a joke by overlords and parts of the fashion community
She also hated how insanely pretty you were, but she didn’t come to terms with that until later
She would try and do anything to discredit you and make it so your popularity would go down when you were neck and neck
She tried ‘exposing’ you on social media for having poor working conditions and being rude to workers but she forgot this is hell and literally no one cares
She tried slandering you and your clothing brand on social media, but she forgot your modern and you know how to use social media to your advantage too
You kinda turned into a meme similar to the Wendy’s twitter memes whenever you clapped back at velvette
She tried to pull your investors by threatening them with voxtech legal action, but you’d become self sustaining and could handle the loss with having hells celebrities commissioning your personal pieces
She tried to make you look foolish in front of the other overlords, but they all respected you much more than they respected her
She even tried to copy one of your designs but you called her out and she had to do one of those influencer apology videos but it mostly just consisted of her badmouthing you and justifying her actions
Her hatred bored on obsession with how regularly she stalked your profiles and life
After around ten years of this rivalry, you grew bored with it and you were running out of ideas
So you contacted the Vs and sat down in a meeting with them where you suggested a collaboration of the fashion designers on your terms
Velvette wanted to laugh and cry at the same time, but Vox insist that it would be extremely profitable and practically forcing velvette to accept
So you started a collaboration
You and velvette butted heads a lot or some stylistic choices
It was so bad that eventually you couldn’t be in a room together for a few weeks
This collaboration took months, and during this time velvette got to hate you up close as she got to know every annoying detail about you
Except that hatred changed to something different over the months she worked with you, you intrigued her in a way that no one else has ever before
It all came to a stop one night when you two had gone out to a club together for social media promo for the upcoming collab
You shared drinks and complaints about one another and one thing led to another and you two had a drunken make out session in the back of the limo
But velvette hauled ass as soon as she realised she was swapping spit with her arch nemesis
She laid in bed and thought about her actions
Could all of those years of feeling hatred and jealousy towards you just been her suppressed attraction to you?
Could all those tense moments she assumed was awkward tension actually been sexual tension?
The thought made velvette want to scream into a pillow
She pushed her feelings down and decided to just avoid you until the collab was over
She thought it would be easier to hate you rather than face her obvious attraction to you
You tried talking with her many times during the collab but she just ignored you, and this hurt you deeply
So you complied with her wishes and after the collab ended you went back to living your lives without each other
But velvette found herself missing you and being around you
Staff especially noticed that she was much harsher to them then before
She felt herself wanting to reach out to you to beg you to either kiss her or reject her because surely rejection would be easier to deal with than this
But it all changed when rumours started circulating
Velvette had been innocently scrolling through social media until she came across a drama channel that claimed to have spotted you in a romantic moment with none other than veroskia mayday
Velvette found herself consumed with absolute disgust and jealousy
She stalked yours and veroskia’s profile and begged Vox to use his hypnosis to send trolls to verkoskia’s profile
The rumours were cleared up after you made a response that claimed that you and veroskia were only friends, but velvette still felt consumed with rage
She did something completely out of character
She went to you at your place of work and cornered you in your office before confessing every little feeling she’d ever had for you
She practically begged you to be with her, but you just sighed and explained that she had hurt you with her actions and that you couldn’t see yourself in a relationship with her
“It would hurt the brands” is what you also said, and that cut velvette deeper than any knife
She had felt pathetic, and she’d never feel pathetic in any relationship
Even before she had gotten to know you, your instant rise to success left her feeling small
You held power over her, and maybe that’s why she was so obsessed and attracted to you
She’d felt surrounded by people who were less than her all her life, and falling for you felt like finally finding an equal
And she wasn’t going to let you go that easily
She’d destroy you and your company if it meant that you’d love and rely on her
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Hope you guys enjoyed and let me know if you want me to make this another series
Tag list:
None yet, let me know if you wanna be tagged in future works like this for this if it becomes a series :)
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ghoularaki · 2 months
Text
baby's breath | 9
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↠  summary: Merely by coincidence, Erwin, your father's former friend had crossed paths with you again after nearly a decade. He offered solace once finding out you were struggling with not just school, but your home life as well. His home he shared with another one of your father's friends, Levi, became a sanctuary. Though, the more you came over for study sessions, the more they wiggled themselves into your private life. And like baby's breath, they weeded themselves in so deep you couldn't uproot them.
↠ word count: 3,057
↠ pairing: levi ackerman x reader x erwin smith
↠ genre/warnings: angst, smut, modern au, DARK CONTENT, yandere, daddy kink, forced infantilism, pet play, age gap, collars, slight shock torture
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The neighbor’s must never be home. This you had deduced as you were sat outside soaking up the late July Sun. In the couple weeks following after Levi had spanked you over the tub, you had become docile. Well, as docile as you can be.
Out of self-preservation, you dialed down your abundant want to be anywhere but this damn house. Also Levi had kept the gag on even after your punishment was over and your jaw started to feel like it would fall off. So you listened.
It took two days before Levi trusted you enough to take the gag off besides when to eat and to brush your teeth. Trust would be a stretch since you both knew Levi didn’t believe an ounce of your obedient act. You weren’t necessarily trying to fool him or Erwin, you just needed time to recuperate.
If the shorter man of the two kept running you ragged you would never have enough energy to escape. Mustering up all your willpower, you bit your tongue and allowed them to treat you as lesser than. The routines were kept up.
Erwin would pick out your clothes in the morning as he took you out of the crate and kissed your forehead as a goodbye. An underlying threat in his sweet gesture when he told you to be good. Every single time he turned around you resisted the urge to throw the stupid pink, frilly clothes at his big head.
As if he sensed it every time, Levi would walk into the room and take the clothes. There he would lead you into the bathroom and help you—more so forcibly—get ready for the day. Nothing you did you were allowed to do on your own. The only luxury Levi offered was letting you eat without assistance. Other than that, he’s on you like a hawk.
They weren’t awful enough to only let you wear skirts or dresses, but the shorts bestowed upon you were still covered in lace and frills. You could only count your blessings, no matter how miniscule.
So there, you sat on the living room floor in a babydoll style shirt and short bloomers. Despite the hot weather, a shiver ran through your body. Today, Erwin had been home as it’s the weekend. On Sundays were the only days he allowed himself a break from work. So to your surprise, despite it being Saturday, he didn’t leave for his home office.
Mid-morning sunlight streamed in from the open curtains. After begrudgingly letting Erwin feed you, he guided you to the living room. Instead of leading you to the couch, he had you sit on the floor by his feet. Leaning on his knees, his form encased yours. Those deep sapphires bore into you.
“You have been so good lately,” The words were a statement, but his tone seemed questioning. “Good behavior must be rewarded, right, Levi?”
Erwin looked over your head to Levi who made his way to stand behind you. You were completely caged in. You did not like what those words meant.
“What do you mean?”
The huge man gave you a smile filled with mirth and something darker. He’s scheming. Two can play at that game.
“If you could have anything you want, what would it be?”
His words were a honey trap meant to lure you in with a sweet promise. The sticky nectar would only entangle you further if you weren’t careful or dared to move too far. You bit your lip in thought. Whatever you say had to be done precisely.
Not leaving his gaze, you meekly asked, “Anything?” He liked you small.
Teeth all on display, he grinned with chilling warmth, “Anything.”
Glancing to the Sun blaring through the window, you turned back to him, “I want to go outside.”
His face fell slightly before the skin jumped back up to mask his obvious discontent, but you continued. “Under your terms.”
Throughout this exchange, you dared not look at Levi. All confidence you had would vanish in an instant. He wore you down in all the worst ways. Your plan would shatter and disintegrate.
You longed to feel the Sun on you. This house grew boring quickly and each day you spent here, the more claustrophobic you felt. Desperation would be an understatement. Day in and day out were your rights as a human violated, treated as a pet or a toy or a child.
Those miniscule pings of trust they had in you, you were going to sap dry and leave this place. Whether it be in a ditch, body long since cold, or back in the warmth this merciless world offered.
“Our terms?” Erwin probed.
“I don’t even have to leave the front steps and I wouldn’t be alone either. All I ask is to go outside, just for a bit. Please?”
Both men are silent.
You vehemently refused to break eye contact with Erwin. At this point you are graveling, on your hands and knees to get your point across. You set up the board, and it is now their turn to move the pieces unknowingly in your favor.
Erwin did not speak more as he got up, knees cracking. You could only pathetically watch as he disregarded your proposition.
Levi still standing, never letting his focus on you waver. Finally, you rotate to him. His face didn’t portray anything. You were only left more confused than before. He said anything and you made sure to ask for something within reason. Should you have been more patient?
“Get off the floor, it’s dirty,” Levi broke you from your spiraling.
He did not offer a hand, but stayed close. Obeying, you got up and brushed the imaginary dust from your knees. You looked over to where Erwin retired to his office. You could only hope this didn’t set you back to square one.
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The next day Erwin had returned to you, a little more chipper than you would like. He had his hand behind his back obviously hiding something from you. Breakfast spread across the table, Levi had gotten you up this morning instead of Erwin. The break in routine already had you on edge.
You had barely begun to eat when Erwin’s lumbering form emerged from the doorway and crossed over to you. Your eyes followed him as he came closer. He knelt before you, a hand grabbing one of your knees so your legs began the swivel of your body being turned towards him. Shoulder leaning against the back of the chair, you stared down at him in question.
“I gave it some thought about your request,” He paused to analyze every and any indication to what you were thinking, “It has been a while since you’ve been outside.”
His words were too good to be true. There was a catch. There was always a catch.
That same grin crept back onto his handsome face. From behind him, he pulled out a collar. The type you would put onto a dog. You stared at the pink, webbed nylon sat in his palm. The material was thick along with the width of the collar—it would easily encompass most of your neck. It seemed almost too bulky, but you didn’t question it. The front buckle had a lock on it. Its cutesy, heart shape mocked you.
“I also have a proposition to make. You can go outside and accompany Levi as he does yardwork, but you must be collared.” Erwin chuckled at your twitching lip. He knew you did not want that thing around your neck. “… Or you can stay inside.”
The with me stayed silent, but heavily implicated.
Your hands laid in your lap, right where his almost brushed against yours. You pondered what to do. Erwin knew you wanted so bad to go outside, but the thought of being collared like a dog disgusted you. Though this isn’t what held you back. It's you sneakily being tested to which man you would prefer. Of course, it would be neither, but Erwin’s a man of mind games.
Not caring how much this would offend the man before you, you muttered from your place above him, “Outside.”
At that, he stood to his full height, establishing the power once more. Your head followed his motion. Gently, he moved your hair from your neck and brought the thick collar around your neck. You flinched from the cold metal biting your skin. His deft fingers threaded the nylon together until the collar sat firm on your throat but not enough to constrict your breathing.
Stubbornly, you stared at his stomach and not up. Two of his fingers went under the collar and tugged on it. Glancing up instinctively, Erwin nodded to himself in satisfaction and then stepped back.
From behind you, Levi cleared his throat. You jumped as he grabbed his plate and set it into the sink.
“Come. Put your shit away and follow. We are wasting daylight.”
Eager to get out of this stuffy house, you rinsed off your plate, the rushing water sharp in your ears. Cutting it off, you stepped in tow with Levi. In his hands were a leash, a contrasting black leather to the pink entangling your throat.
As Levi stepped into his work boots, you stared at your socked feet. You didn’t have any shoes.
You expressed this to the man crouched down, tying his laces together.
“You don’t need them.”
“But then my socks will get dirty,” You argued.
His eyes sharpened into a scowl. Muttering under his breath, he opened the closet keeping the coats and bent down. He emerged with a pair of old slippers, and tossed them at your feet.
“There, spoiled brat.”
You opened your mouth to counter that you didn’t care about dirt, but you knew he would kick up a fuss like the grouchy old man he was, though decided to clack your teeth together. Getting the last word wasn’t worth whatever he dished out.
So you slipped your feet into the flimsy shoes and waited for Levi to finish unlocking the door. He swung the door open. Sun kissed your dull skin. You closed your eyes and took in the humid air from the summer light. A stray, white butterfly fluttered by you. You smiled. Somewhere someone had been thinking of you—or at least that’s how the superstition went.
Shuffling off the porch, you didn’t wonder too far from Levi. He didn’t give an instruction you were allowed to free roam and the leash clutched in his finger didn’t give any indication he wanted to. Across the plush, green grass, he brought you back to where he had drowned you with the hose.
The pavement suffocated both you and the grass begging to creep from under its oppressive weight. Your skin crawled as cold flooded your veins. Soon your blood ran a clear, icy water. The thin liquid filled you to the brim until you tilted your chin up to avoid the impending flood.
Levi snapped his fingers. “Hey, Hey! Brat, wake the fuck up.”
Shaking out the water from your ears, you stared blankly at the man. “Huh?”
He jabbed a finger into your forehead, “Are you listening?”
Your confused expression must have given away you indeed hadn’t been listening. He sighed, and stepped further into your space. Hooking the latch on the leash into the ring on the collar, he gave it a small tug. You stumbled closer, a hand gripping his sturdy forearm for balance.
“Sit.”
Shoving you down, your knees landed on the soft ground. To the side of you was a hook emerging from the grass. Stuck into the dirt sat a stake perfect for your leash to be threaded through.
Levi crouched right next to the hoop and tied the leash tight so there was no way for you to tug it free. You observed intently about how good Levi’s at tying knots. It made you shutter.
Still close to you, he pulled his fingers through the collar as Erwin did, but with more force. He tugged you to him so you collapsed on your hands.
“Don’t ruin this for yourself.”
You said nothing. Those steely irises pierced into your psyche. It scared you shitless how easily he read you. Stupidly you would forget how intelligent this man was.
Releasing the collar, he pushed you from him and walked over to the basement door. With ease he hauled the left door open. Your shoulders hunched at the screeching metal. From over the door, he gave another threat.
“I will be out faster than your shit brains can think of an idiotic plan. Stay. Put.”
God, did he grate your nerves. Maybe you could find a rock to chuck at his head, then he’ll see how fast he can give snarky remarks. But with how he is, he would simply catch it and then bash your brains out of your skull.
Despite his warnings, you scanned the area for what you desired. Levi’s soft foot-falls dimmed with each step he took further into the basement. Scrambling, you tugged at the stake to no avail. Instantly giving up, you glanced around for anything else. You looked up at the window to see if Erwin’s watching. The coast’s clear.
Crawling to the loop, you desperately clawed at the leash to unravel it. Growing more frustrated in your time crunch, you unhook the leash and more easily untie it from the stake. Just in time you are able to free the leash.
Clambering over to the basement door, you don’t even peer over it to make sure you don’t hit Levi, you push it down. It slammed shut with an audible rattle. Levi’s shout is muffled.
Working quickly, you sat on both doors while you looped it over and over the leash through the handle. Tripling knotting it, you ignore Levi pounding against the metal. His pushes lift you off the door for a mere moment, but it’s enough.
Trusting the knots were secure, you scampered off the doors and ran full force into the woods. The leash would only stop Levi for so long as he would surely give up and go through the other doors. All you needed was to get to the neighbors who couldn’t be more than a mile away considering you could see their house lights.
Five minutes. Five minutes was all you needed to escape this hellhole.
Erwin must have seen you too at this point, but you weren’t too worried about him. He would never do the dirty work himself.
The treeline just broke when searing pain coursed through you. Crumpling to the ground with a piercing screech, you clawed at your throat. Your fingers scrambled to get the collar on your throat off you as it sent more electric shocks through your body. You could barely take in the trees surrounding you. Writhing in the dirt and broken twigs, you cried and pleaded for anyone, anything to stop the pain.
Your legs pathetically kicked out as your eyes rolled in the back of your head. As the oxygen rapidly left your lungs—choking on your own foaming spit—you gasped when it returned. You couldn’t even turn over to breathe in properly. Only twitch and cough on your own saliva.
Your flickering lids peer upwards to Levi standing over, visibly annoyed. A remote sat in his shaking fist. His shoulders heaved from both anger and exertion. Glancing at the basement doors still tied up, he must have run through the whole house just to get to you.
He dug his heel in your stomach, “Didn’t I say to stay put.”
You couldn’t even rebuttal or try to get him off you. All you could do was accept his cruel treatment, how his foot went upwards to crush your rib cage.
Relief filled you as he took off his foot, but it’s short-lived. Leaning down, he grabbed the back of the collar and lugged you through the dirt. Coughing, you frantically gripped behind to offer some sort of reprieve. The collar dug into your larynx and the raw skin.
Weakly your heels scraped against the ground to stop him from hauling you to wherever you were going. Along the way, you lose one of the slippers. Crossing the yard, you gagged at him shoving you further up. Your nails tilled the grass beneath you. You grunted as you went up the step on the porch. Bruises would definitely litter your back after today.
Kicking open the door, Levi dragged you through the mud room and into the living room to where Erwin sat patiently. The shorter man dumped you at his feet.
Growling, he pointed at you, “You deal with her or else I’m going to slaughter your little princess.”
Stomping back out the house, he slammed the door so loud the house shuttered. Erwin paid him no mind as he stared down at your gasping form. You wanted this damn collar off, off, off.
He gripped the hand that tugged at the lock, he tutted, “Uh uh, bad girl.”
With your hand still clutched in his palm, he pulled you up to sit in his lap. Sagging further into the recliner, he hugged you close to his chest. Too strained to resist, you let yourself be cradled. Ever so doting, Erwin slipped the slipper still attached to your foot off and dropped it somewhere on the floor.
The heavy hand on your hip stroked up and down. He kept his hand over the clothes, his touch never straying.
Your body knew the danger you were in, but your brain had been fried, scrambled to bits. Tense in understanding, you couldn’t completely fall into his embrace. Your tendons awaited the next shock. You don’t think you could ever be able to relax again until the collar came off.
Your breath brushed against the skin of Erwin’s exposed collarbone. “Am I- am I in trouble?”
“I think you learned your lesson already…” His words hung in the air.
“But?”
“Sleep. You need the rest.”
Tears softly spilled, staining his shirt. He may think you were disciplined enough, but did Levi?
Erwin smiled when you curled further into his embrace. Just for a moment, naively believing the words he was a passive bystander of your punishment, and not the executioner.
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