Judith and Holofernes, Giorgio Vasari, 1554
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House of the Renaissance artist Giorgio Vasari. He decorated his own house. Arezzo, Italy.
March 20, 2024
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Vasari's Sacristy is one of the two sacristies of the church of Sant'Anna dei Lombardi in Naples.
March 11, 2024
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let me introduce Feanor Cellini
yesterday amaz0n publihed a new trailer for the second season of rings of power so fellowship of fans posted this
and I was "goddamn its daddy's statue!"
since I associate Feanor to Benvenuto Cellini ( they are both murderers, smiths, completely insane, anger issues and hated by Giorgio Vasari aka Pengolodh) I decided to redraw Cellini's staute with Feanor's aspect
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Five centuries ago, this small cabinet painting revolutionised Western art, even though — or precisely because — no one had a clue what it was supposed to depict.
Who are those people? Where are they? And why are they lounging around, half-naked and ostensibly unbothered, mere moments before the onset of a storm — far from the protective confines of the walled city in the background?
This mystery has baffled researchers and critics for five hundred years and counting. Here’s what we (think) we know so far and what makes The Tempest one of the most influential paintings in the history of art.
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Giorgio Vasari - The Battle of Lepanto (1572) Detail.
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Poté l’amore di Michele Agnolo e la fatica insieme in questa
opera tanto, che quivi quello che in altra opera piú non fece lasciò
il suo nome scritto a traverso una cintola che il petto della
Nostra Donna soccigne, come di cosa nella quale e sodisfatto
e compiaciuto s’era per se medesimo.
Laonde egli n’acquistò grandissima fama. E se bene alcuni,
anzi goffi che no, dicono che egli abbia fatto la Nostra Donna
troppo giovane, non s’accorgono e non sanno eglino che le
persone vergini senza essere contaminate si mantengono
e conservano l’aria de ‘l viso loro gran tempo, senza alcuna macchia,
e che gli afflitti come fu Cristo fanno il contrario?
Onde tal cosa accrebbe assai piú gloria e fama alla virtú sua
che tutte l’altre dinanzi.
Giorgio Vasari
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Allegory of Forgetfulness and Allegory of Sleep by Giorgio Vasari, possibly sketches for ceiling decoration of a bedroom
Italian, c. 1570
Pen and brown ink with grey wash over traces of black chalk
Metropolitan Museum of Art
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