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crispys-wishlist · 11 months

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Online @ The Perfect Time: A W.I.P. Love Letter to the 2000s

Online @ The Perfect Time (the title is stylized as such), is a semi-forum based visual novel that has the player, a college student in the midst of exam season quickly becoming enamoured with an anime known as Bizarre Galactic (or BIZARRE GALACTIC! as I like to style it!) and goin to an online forum to find out more. As people usually did in the 2000s

It’s got this cute, retro vibe that’s both charming and loveable, and the screenshots from the game’s page caught my eye immediately, and it quickly became the first game on my “Soon-to-play” game list on Itch. It’s a short demo, but upon finishing the game, I’ve already found a need to follow the game and play more.

…

I’m writing this like a formatted essay LMAO…..

This game IS REALLY CUTE is what I’m trying to say!! However, it’s an incredibly short demo, and as such its substance is… thinly spread at best. It’s not finished, but the good news about the demo is the fact that its not expected to be a finished game.

I played this game in my dnd discord server, on call with a friend of mine, when they suggested I stream the game! So I did. Along the way, a bunch more people joined the call and it quickly became a group thing lol.

Well, anyways, I now introduce to you… The O@TPT Demo.

When the game opens up, you are introduced as a college student, hangin out and spending time doing a whole lot of nothing after a long day of studying. It’s getting late and you’re getting hungry, so you decide to order some food. There goes your first choice of the game, which I’m not quite sure matters other than to flesh out your character a bit more. You get three choices for take-out: Chinese, Pizza, and Japanese food.

The first person I was on call with was half-Japanese, and I was half-Chinese, so we compromised and chose Pizza.

As you wait for the food to arrive - 40 whole minutes, in fact - you decide to turn on the tv and flip to a random channel. And that’s when you are introduced to apparently the greatest anime you’ve ever watched via an episode mid-season. And my GOD, you are instantly obsessed.

Since you opened to a random channel at a random time, you actually began watching mid-episode. So begs the question: How are you meant to figure out the name and where to watch it? Well, worry not, you fretting little college student, because there is hope! It’s the 2000s, and that means the INTERNET EXISTS!! So what do you do? You search it up as best as you could.

Aand it brings you to…. *drumroll pleaaaaaaaaaaase* The Bizarre Galactic Fan Forum!! A funny little place where you can talk to all kinds of fans of this show! And guided and all wrapped up in a nice little capybara bow (Who another person in the call voiced like it was a 40 year old chain smoker.).

And here’s where you FINALLY get to choose your name and pronouns. Er. Your username and pronouns.

While trying to come up with a username, the people on call with me suggested we combine all our names into one, which hilariously caused us to end up with “Xxasskrax7xX.”

And YES. I WILL be using this username when I eventually make an mc when the game comes out. It’s the perfect amount of unseriousness for me. Also we chose they/them pronouns. But I’ll actually change that when the full game comes out.

SO! asskrax (SDJFKL;ASF) makes their first post on the server without looking at anything else: Where can I watch this show? They get a very kind reply from user Celesteon (very pretty girl but unfortunately not romancable..) to watch the show on the offbrand crunchyroll, crunchyprawn! So, we open the website, and begin binge watching it (as you do when you are a jobless college student during exam season.)

Truthfully, the section where you watch the episodes is VERY long, and the information is not important for the demo, so I’ll spare you a paragraph explaining the lore for the show. Will it be important for the finished game? Not sure! But my god, is it long. I’ll talk about this later.

After binge watching and definitely losing sleep, you go back to the forum to get to know the rest of the forum. A mod proposes a selfie-posting thread to introduce yourself, and you get to see the other love interests for the first time! Their profiles are already on the game page, so I encourage you to look at them for yourself. Let me tell you, they are…..

[giggling uncontrollably]

This would be a good stopping point for the demo, but there is one more scene. You wake up the next day and log back on to the forum before you go to the library to study with friends. There, the (chain-smoking) capybara gives you a sneak peak of the chatroom, presumably used to talk to the LIs, but there's not much you can do after that. Once you exit the tab, the demo ends.

The game itself is really, REALLY charming, with its aesthetic very, very much a callback to how forums and old desktops used to look back in the day. Each character you see on the forum has a really distinct voice, and they really feel like friendly strangers you’d meet on any online forum in real life. The demo ends at just the right cliffhanger that leaves me excited for the full game.

But… there are some small nitpicks that I had while playing.

The writing in the narration sections are… not the best. There are many, many run-on sentences that feel sort of off, and you can often find some words used in the wrong tense, or a word or two spelt incorrectly. Nothing too bad, since the real charm is in the forum itself, but just enough that you’d start to notice them.

Also, there’s the section where you watch the anime. It’s long, a little boring, and feels a bit unnecessary. Honestly, it’s really likely that the information will be more important when the game is finished, so I’m not too mad about the length. It was just something that didn’t work in the context of this being a short demo.

So, what’s my final verdict? Should you play Online @ The Perfect Time?

YES. Of course you should! It’s a sweet demo and a game being developed by hardworking people, and you should always give visual novels a chance. These are just my opinions on it, and you really shouldn’t be basing your desire to play games on someone else’s opinions.

MY GOD i just wrote this whole essay in like 2 hours. am i going to proofread this? god no.

have a nice life :)

Online @ The Perfect Time : Completed! ✓

#oatpt #visual novel #cricket #2hot2griff #xyzephyr #otometumblr #otome

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layzeal · 1 year

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Hello!

This is my opinion, please correct me somehow im really willing to change since thats how i am with new fandoms i get myself into(is it really new if i have known it for 2 years) anyway, please forgive my insolence. I just wanna ask what you think of cql changing a lot themes (especially that importance they have put on yunmeng trios ( its to the point ive ask my myself if JYL manipulates WWX, you know guil tripping forcing someone to be with you (obv not romantically) out of pity or other) (and downgrading certain things like JC's cruelty or washing WWX making him not lose control but have outside factors) (the timeline is also confusing) and i just felt like most of the lessons in mdzs was not successfully implemented in the live action. There were a lot of times that made me leave the show halfway because i was hoping for a lot of wangxian actions (it was 50 epi after all) but most of it was in flashback and focuses too much on the said trio. then the sudden change of story into XXC and XY, and the little changes too like LQY being a Jin disciple.

and also about that LWJ self harm ask, ive read some meta about it him being sad and in grief, another saying its a part of remembering WWX (which for me is so ridiculous, which part exactly will remind him of WWX, the self harm part of the scars?) and frankly im more inclined to believe thats its a mistake he have done while drunk and grieving, he has to let it out somehow and without logic and inhibitions he must have done it after seeing the torture weapon?? like its not a planned thing( but who am i talk, it could be depression speaking) which is not making sense how do you manage to find it just lying so it could also have been because something have reminded it of him. i honestly wanna stop thinking about the hows so i just ask.

another point id like to ask is how do people manage to have questions that sounds so amazing? idk the word for it. but you know what i mean, bizarre then people like you somehow have the word to explain such things. how long does it usually take you to articulate what you mean, and what process are you using that makes it so easy to understand.

hi friend!! so, for a brief history: i actiually got into MDZS through CQL back in june 2021, and i really loved it!! however, there were a lot of things that were very confusing to me (especially the timeline), which is why i decided to pick up the novel, because i was very very interested in understanding the whole picture!

(more under cut)

but as you can see by now, my fandom content has almmost exclusively switched to novel/audio drama canon! and well, there's not really much secret about it, other than me just vastly preferring the novel's narrative, for many of the reasons you mentioned! my general stance on CQL is that, while it's a pretty bad adaptation that fails in a lot of ways to convey some themes of the original work, it does work really well as its own, independent thing, and that's kinda how it exists in brain? i've kinda grown a wall of separation between the two, in which i don't really see CQL as MDZS, and tend to appreciate it on its own (ie. for as much as i LOVE wangxian's relationship in the novel, there really is something incredibly tasty about how it was done in the show that only works within that universe)

but most of all, i only watched cql like, once, and can remember VERY little about it, so it's why i don't really feel comfortable talking about its changes because i genuinely cannot remember how they were executed LMAO. but YEAH there are more changes i dislike than i like, and whether they were made because of censorship or not, it's still sad how much lost potential there was :(

and @ you last question: oh, thank you so much!! hmm, i do tend to just kinda... write down what i'm thinking, so the words you're reading are pretty much my exact train of thought haha i guess i can be really thankful to having reached a level of english fluency that allows me to make-up sentences in my mind already in english, rather than having to translate them beforehand. a lot of my practice experience was actually by doing writing and roleplaying here on tumblr, so maybe that's related! just reading and writing a lot can definitely help you develop an easier way to articulate your thoughts. it's why i love doing media analysis, really, i get so excited about something from a piece of media that i HAVE to share, and for that to work i need to articulate it well enough, so it's very motivating! does that make sense? i hope so dkjfhjdfkg

hope you have a good day, anon <3

#modao #lace speaks #long post

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night-will-fall · 3 years

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ok i have a quick rant on the Darkling/Darklina/Shadow and Bone trilogy i have to get out. i genuinely feel she let down his character, alina’s character, and in general the whole arc of the narrative.

**i want to clarify first that I am not anti Leigh. i’ve tagged that per someone’s request, but the truth is i simply feel that anybody who decides to put a story out there in the world, or any kind of writing, will be subject to criticism. that’s part of writing, it’s part of art, and it’s just part of creation and the real world, no matter your intentions or motivations for your piece. just like this post—it should be subject to criticism, too. that’s how discussion happens and people learn. it’s not an attack on the original writer because the writer is not their work. i love Leigh and her choice to put her stories out in the world, even if i disagree with some of the choices she made. it’s only because of her that we get to have these conversations about our favorite characters in the first place. (I also don’t think it’s fair to her and all the work she put into SEVEN novels to reduce the decisions she made about her characters and plots to ‘coping’ — just my two cents. I’m sure her trauma influenced her work, it’s hard to imagine otherwise. but I doubt she or anyone else would vouch for people refusing to critique their work because of something she went through that does not define her.)**

the problem i have with Leigh’s writing of the Darkling is that after Shadow & Bone, it was so forced. she wrote him doing all of these implausibly horrible things after the fans started to like him to force it down our throats that he was the irredeemable villain. and yet when he was first introduced, i was so hopeful that this character called ‘the Darkling’, a shadow summoner and master of darkness, wouldn’t fall into the predictably, disappointingly easy trope of evil as darkness and good as light. so when she did exactly that, it felt like a betrayal of the character after he had already begun to take on a life and heart of his own. we connected to him. and she did her very best to sever that connection in favor of an emotionally manipulative boy who did almost nothing to help alina grow. Mal actually hindered and harmed her growth, constantly guilting her for having wants, desires, and feelings of her own that didn’t revolve around him, whereas the Darkling never wanted her to be anything but herself. he, like her, was capable of seeing the bigger picture, whereas Mal was an absurdly selfish and bizarre character that cared about none of that (and didn’t even “want” alina until she was famous and desired ?!! like come on). i sincerely can’t believe he was intended to be the love interest we connected with and rooted for.

and i know she likely had personal reasons for characterizing Aleksander the way she did, possibly attempting to embody anecdotal experiences with a specific person who did her harm in her own life, but with this character it felt unnatural and forced. she basically ignored of all of his character’s potential as a complex, nuanced human tortured by watching generations of his people’s pain, trauma, exploitation, murder, etc. (even if it was true that he had eroded morally/emotionally because of the mervost and centuries of standing witness to these atrocities), ironically dismissing his potential to grow in a story that was supposed to be all about growth (another narrative failure i won’t get into here). not to mention that his mission’s intent wasn’t even inherently evil (morally grey at worst, which is so much more compelling than pure evil anyway, which makes it extra disappointing that she bungled this), and by the end of the series all of his completely valid points just went unaddressed and people continued to suffer for it. his attempts to solve that problem were simplistically reduced and deemed as plain ‘evil’, with very few people recognizing the deep empathy and collective pain that drove his actions—something that alina actually did understand.

i feel bad for him. that’s why i like him and that’s why i like Darklina. he deserved better, and so did alina. their chemistry was so eloquently written (and portrayed in the show) and i truly believe they could’ve helped each other grow. but we never got a chance to see or explore that because of how Bardugo’s personal feelings obscured the natural direction of her characters’ development, ultimately doing a serious disservice to her narrative (she does this a few times — prioritizes certain plotlines and actions that she wants to include even if they don’t align with the natural progression of the story). she tries to make us believe certain things and feel certain ways about her characters and plot points in opposition of the simple truth that they just don’t fit. alina’s character essentially ends up right where she started with only a few slight differences, one of them being the loss of power, which was something that made her uniquely, intrinsically her, and was cruelly ripped away in a nonsensical punishment for what? daring to trust? daring to break away from the insecure hold Mal had over her, and constantly used against her? daring to grow and learn? daring to delve deeper into her own power as a Grisha? daring to connect with the Darkling and the nobility of his motives? it was all around just a sad and disappointing direction to take a story that had so much potential to be powerful and different.

[not to mention all of the beautiful balance in the light/shadow trope, the star-crossed lovers torn apart by situational and ideological conflict, the novelty of their powers and their mirroring inabilities to “fit in” or find others like them, like. come ON, that could have been so great. ugh. just to abandon it all for dusty, insecure Malware. pls.]

ok end rant. thank you if you read my heated word vomit.

#rant #shadow and bone #sab #darklina #the darkling #alina starkov #the darkling x alina #the darkling x alina starkov #thats why i spend so much time writing him emotionally in my own fics #and i try to give alina more agency and more room to grow #because theyre just OWED that #in my opinion #ok im done #anti Mal #anti Malina #anti Leigh Bardugo

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carriagelamp · 3 years

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Art of Aardman

I found myself a cheap copy of the Shaun the Sheep movie, so I was rewatching a bunch of Aardman films earlier this month and decided to hunt down some books too. For anyone that doesn’t know, Aardman is a British stop-motion studio that does fantastic work like Wallace and Gromit, Shaun the Sheep, Chicken Run, Early Man… tons of cool stuff. They’re always quirky and funny and warm-hearted. This was just a very nice art book for anyone that’s a fan of Aardman stop motion and wants to see a bit extra; it shows some cool concept art and blows up the neat details in Aardman work, especially in their intricate stuff like The Pirates! In an Adventure with Scientists!

Asterix and the Picts (Asterix and the Chariot Race, and How Obelix Fell Into The Magic Potion)

I decided to try a couple of the new Asterix comics that were done by the new team, just to see if they stand up to the old ones (that and How Obelix Fell Into The Magic Potion cause I’d never read that one before). They were pretty decent! Asterix and the Picts was my favourite of the two though I wouldn’t say either are going to contest for my favourite Asterix comic... but still! The art looks good and the stories felt like what I would expect, they made for a pleasant couple evenings of reading especially since it’s been so long since I’ve read a new Asterix comic. If you’ve never read Asterix it’s one of the biggest name French comic series in North America, as far as I know and very worth the read. It’s about a single Gaulish village that’s holding out against the invading Romans through sheer force of will, slapstick hijinks, and a magical super-strength potion brewed by their druid. Lots of fantastic visuals and cute wordplay, even in the English translations.

Bear

I found out about this bastion of Canadian literature via tumblr post that was losing its collective mind over the fact that some bizarre bear-based erotica novella somehow won the most prestigious literary prize available in Canada. Since I too found this hilarious and unspeakably bizarre I had to give it a read, obviously. And yes, the flat surface level summary is... a librarian moves out into rural Ontario and falls in love with a literal for-real not-supernatural-not-a-joke bear. And I have to say… it is actually worthy of an award, which I was not expecting given that I was there for a laugh. It has beautiful writing, and the subtextual story is pretty interesting… it kind of makes me think of The Haunting of Hill House actually in terms of themes. (Womanhood, personhood, independence, autonomy partially achieved through escaping the male gaze by claiming non-human lovers... listen if I were still in university I would right a paper comparing the two novels).

I dunno man, it’s fucking weird. Actually a well-written book, but sure is about a woman falling in love with a literal bear. Give it a read if you want something bonkers but like… high-brow bonkers.

Hunger Pangs: True Love Bites

Best book I have read in like… a while. A long while. I am not a fast reader, and I consumed 90% of this book over a weekend. It’s not at all like Terry Pratchett, but at the same time it scratched an itch for me that I haven’t had satisfied since Pratchett’s death. A very clever, hilariously funny poly romance between a disabled werewolf, an anxious vampire lord, and an incredibly powerful woman, with heaps of social satire, political commentary, and sinister undertones. The whole thing reads a bit like fanfiction and I say that in the most flattering way possible -- it is so easy to jump right in and be immediately taken over by the characters and the world and the plot, you never feel like you’re fighting to engage even though the world-building is fascinating and expansive. It welcomes you in right away, it was the book equivalent of a quilt and a hug which is something I sorely needed with all this pandemic bullshit. If you read any of the books on this list, go read that one while I sit here in pain waiting for the sequel.

Kid Paddle

I watched the cartoon of Kid Paddle as a kid and was thinking about it recently, so I decided to hunt down some of the original comics online. They’re fun and weird, with a cute art style and fantastic monsters designs. (My favourites are always about Kid either daydreaming or playing games that involve Midam’s weird warty troll creatures. It’s like a cross between Calvin and Hobbes and Foxtrot with the fun sort of quirks that I love in Belgian comics. Unfortunately, unlike Asterix, I’ve only come across these ones in French, but if you can read French it’s totally worth popping over to The Internet Archive and reading the ones they have available.

The Last Firehawk: The Golden Temple

The lastest Firehawk book. Despite being written for quite young readers, I did enjoy the early books in this series quite a bit. They’re about a young owl and squirrel who found an egg for a magical species that was believed to be extinct. With the newly hatched firehawk, the three of them head off on a mission to find an ancient firehawk magic that could save the entire forest. Very basic adventure story but a good intro to the tropes for children. Unfortunately the quality really feels like it drops with each subsequent book; this will probably be the last one I bother reading.

Lumberjanes: The Moon Is Up

I honestly think I enjoy these Lumberjanes novels even more than the comics just because it really gives time to delve into each story and examine how the camper are really thinking and feeling about everything. (Also I’m always weak for novelizations of anything.) The Moon Is Up is a book that focuses more on Jo, and takes place during the camp’s much anticipated Galaxy Wars, a competition between cabins that goes over several days. While the campers prepare for these challenges though, they also run into a strange little creature with a penchant for cheese and theft. Roanoke cabin needs to keep ahead in Galaxy Wars and somehow deal with the fearsome Moon Pirates that a closing in...

Lumberjanes v4 (Out Of Time)

One of the Lumberjanes comics, a cool, girl-focused, queer comic series. Honestly, this is just a fun series that I never got as into as I should have. My advice is honestly to skip book one because it gets better as it continues, and I’ve really been enjoying the later books now that I’ve given it another go. It follows five campers at Miss Qiunzella Thiskwin Penniquiqul Thistle Crumpet’s Camp for Hardcore Lady Types (Jo, April, Molly, Mal, and Ripley) as they handle all sorts of challenges, from friendship to crushes, camp activities to supernatural horrors, getting badges to not being brutally killed. Great if you liked the vibe of Gravity Falls but want it to be queer-er.

Mooncakes

Another queer graphic novel, but unfortunately not a very good one. It really looked appealing and I had high hopes, but the book itself really didn’t hold up… I actually couldn’t even finish it, the plot was just too… non-existent. The art is fairly mediocre once you actually look at it, especially backgrounds, and it feels very… placid. Not much conflict or excitement or even a very compelling reason to keep reading. If you just want a soft queer supernatural you may get more mileage out of it than me, but it didn’t really do it for me. There’s better queer graphic novels out there.

New Boy In Town

One of the worst books I have ever read. My girlfriend had ordered a very different book online but through a frankly stupendous error was sent this 1980s pulp romance instead. Absolutely nauseating on levels I couldn’t even begin to enumerate here. Naturally we read the whole thing out loud. Probably took us 10 times longer to finish than it warranted because I had to stop every two sentences to lose my mind. If you like bad decisions, baffling hetero courting rituals, built-in cultural Christianity without actually calling it that, and gold panning then boy howdy is this the book for you.

(seriously, you better have patience for gold-panning if you attempt this one, because I sure learn that I don’t)

Piggies

This was a picture book I enjoyed as a kid and had a reason to reread recently. Honestly it’s just very cute and simple, and the art is completely mesmerizing. Wonderful if you know a young child that would enjoy a simple goofy boardbook.

Shaun the Sheep: Tales From Mossy Bottom

Related to my Aardman fascination earlier this month. I tried reading a varieties of Shaun the Sheep books — most of which are mediocre at best — but the Tales From Mossy Bottom Farm series is genuinely good. Just chapter books, of course, but the illustrations match the series’ concept art and each story feels like it could have jumped directly out of an episode. They’re just cute and feel-good! Kinda like Footrot Flats but more for kids, and from the sheep’s perspective moreso than the dog’s.

#aardman animation #shaun the sheep #lumberjanes #kid paddle #asterix #the last firehawk #hunger pangs: true love bites #marian engel #bear #canadian literature #canlit #queer lit #book review #book reviews #chatter

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jjuzoir · 3 years

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Homare Arisugawa General HCS

request: “Hi Sora! I never see any art/writing for my boy Homare from A3! (Maybe because his dialogue is so ridiculous.) Would you mind writing something for him?” from tlali

a/n: ahhh i don’t think i’ve ever taken so long in a request jdjdndnd but i just wanted to make it right because i love homare so much❕ he deserves everything and more i just HDHSJJA we need more homare love 🤬 his dialogue is hilarious and i feel like we need to appreciate his style more no more homare slander 🙅

word count: 1667

- He smells like earl gray tea. No one knows why since he uses unscented soaps, he says it’s probably because he spends most of his time drinking or around tea.

- He’s very particular about his hair, he uses very specific shampoos and conditioners that he will absolutely not share or change unless he notices his hair needs it. Talking about his hair, it’s naturally kind of dry so he uses a lot of hydrating products which leaves him with the softest, most fluffy hair ever. It’s like touching a cloud.

- One of his favorite gifts given to him is a tie given to him as a birthday gift by his members. Everyone pitched it, including Izumi, and Azuma picked it out. It’s black, much like his everyday tie, but it’s got a small embroidered snowflake.

- He’s got three main pairs of glasses; his everyday ones he keeps at hand when he goes out, his at home ones which are (according to him) less flattering, and his driving ones. Keep in mind he can’t drive, he doesn’t even own a car.

- He can speak french and latin, and he’s super loud about it too. He’ll sometimes slip in french phrases and no one will understand other than Chikage and it’s just a mess - Muku is always so amazed that he knows two other languages too and probably asks him to teach him sometime.

- Definitely has the prettiest handwriting when it comes to the roman alphabet, he writes in ink and with fancy pens that cost more than Banri’s tuition.

- Absolutely has a bunch of business cards printed out, each with its own quote made by him. Sakyo thought it was such a waste printing them until he realized that no matter how many Homare took when he went to run errands he always gave them all, to whom? No one knows.

- He’s very well respected in the literary community, which still shocks pretty much everyone. He gets stopped often by fans or people who’ve read his work, it happens at least once a day and Izumi really doesn’t… she doesn’t understand, poor girl.

- He’s not that good with phone calls, he’s not bad but he definitely prefers texting or just talking face to face. To him there’s just a certain level of discontent he doesn’t like that doesn’t exist in other mediums.

- His favorite shows are either comedies or heavy hitting detective shows, there is no inbetween. You’ll walk in on him watching a sitcom leave the room and walk in on a serial killer chase down.

- About his love for detective shows, his favorite pastime is trying to solve the mysteries with the main character. He’ll rewatch the episode so many times to try and pick up clues, he’ll take notes and come to a conclusion and he loves the feeling of getting it right.

- In the same spirit as the statement above, absolutely got Tsumugi and Sakyo hooked on some of his favorites and they hang out to talk about the latest episodes and the overarching mystery. The conversations can tend to get kind of heavy very quick, more than once Muku thought they were investigating a real crime and almost fainted.

- He looks like he’s probably allergic to wool sweaters, they make his skin itch and he always needs to use a shirt underneath them - so he tends to buy those expensive anti-allergic ones that need to be washed in a very specific way that could probably pay Tsuzuru’s whole college debt and it takes a lot of restraint from the playwright not to steal one and sell in the black market.

- Talking about Tsuzuru, he often gives him writing advice. Said advice tends to be very useful, like keeping a pen and notebook on him in case anything comes to mind during the day or writing daily to help ease him into a style, etc. Homare genuinely wants him to bloom into a writer and is willing to beta-read anything Minagi needs, be it a script or a sleep deprived rambling about the gay subtext in Nocturnity.

- Arisugawa sets himself reading goals each month, he likes to read at least one book. He prefers poetry books or classic english literature, but he also likes to read romance books or really bizarre dystopian novels.

- Has read more books than most people in the company and can give very detailed recommendations if you give him like a day.

- Sings operas in the shower, unless stopped he will keep going until the second act. Surprisingly good falsetto, but one time Tenma thought it was a Banshee for a second and almost cried into Juza’s chest.

- He’s not only an overly emotional drunk but also a loud drunk, he’s already quite loud but when he’s downed half a bottle of wine and a shot of vodka he’s louder than the Summer Troupe combined. Because of this, Izumi tends to restrict his alcohol intake when they’re at the dorm.

- I can see him being very big into musicals, not all musicals but a very specific niche; classic horror novels turned into musicals. He’s a very big fan of both the German and Korean versions of Dracula, his favorite song is probably “Zu Ende” or the Korean version of “It’s Over”. He also likes the Frankenstein musical too, but overall he finds Junsu’s Dracula more interesting thus his preference.

- He will talk your ear off if you mention any musical though, be it a classic like Phantom or something newer like Heathers.

- A very big fan of Ghibli movies, he told me so himself today. He really likes Spirited Away though, it’s a movie he’s watched so many times but he’s still completely enamoured by it; he probably has made the Winter Troupe watch it at least once and Hisoka definitely knows the beginning of the movie by heart now.

- Homare is also really good at drawing, not like Kazunari but he’s probably the second best. He learned by analyzing and looking at artists he admired and picking up on their techniques. A true Renaissance Man™️.

- I feel like he’d also have a bunch of skills that are kind of, useless? He can probably carve wood and make candles, he also took a course in glass blowing probably. Arisugawa just wants to try everything at least once, his motto is probably to explore and learn as much as possible, not just about art but the world (he can be surprisingly smart if you have a dictionary at hand).

- Very observant, just in general. Which can be both good and bad, it’s good because it helps him understand the situation in ways others might not but it leads to him to sometimes overthinking things and behaving in manners which may annoy or hurt others.

- He also has a hard time trying to react to social cues, as seen in game, with certain people. While he’s worked it out with the Winter troupe and the Mankai company he still struggles when it comes to new people.

- Will make little tunes he sings in the shower that kind of become a little daily song, each day there’s a new one he’ll hum.

- He also canonly makes music and he makes contemporary electro-pop, you cannot change my mind. He probably also mixes opera and classical music into his tunes, which can go from 1 minute to 10, so you end up with a very cool mix of orchestra and techno-pop - it’s not everyone’s cup of tea but he’s probably got his own niche group.

- Now, into more romantic HCs...

- He’s a good flirt, a very good flirt. They may sound weird looking back at it, but his pickup lines work and they work well.

- He knows when to stop pursuing someone too. He senses even a bit of discomfort and he’s backing away, won’t ask anything. Very big on consent and unless stated absolutely explicitly he’ll keep his distance.

- A true gentleman, please - he’ll never let his dates pay, always open the doors for them, will even do the “walk on the inside of the sidewalk” when he’s walking you home.

- His favorite dates tend to be ones where you get to know more about each other, not always necessarily by talking though. Being able to go into a bookstore and look at the books, seeing the ones you pick, what you pick at a cafe or restaurant, it all helps him draw a better picture of who you are and he likes to think it helps you get to know him better too.

- He’s very in tune with his S/O’s feelings but is afraid of overstepping any boundaries which may lead to some miscommunication at the beginning of the relationship. But it’s workable and it wouldn’t be that big an issue in the long run as long as his partner is willing to help him understand them.

- Not big on PDA, thinks certain things should remain inside - not to say he wouldn’t talk for hours about his partner to anyone who listens but things like kissing or hugs tend to be behind closed doors. He’s okay with hand holding and maybe a kiss on the cheek though!

- Likes wearing matching outfits with his S/O, thinks it shows how they’re “one in spirit, heart, and mind” and will not stop pointing it out to the point even married couples feel single as they hear him ramble on about the subtle coordination in your color schemes to create a perfect contrast.

- Notices the smallest things like how much sugar you like in your drinks, the telltale signs of when you’re lying or uncomfortable, how you act when you’re too cold or too hot, and learns it by heart.

- Homare is also the kind of boyfriend who’d confront the waiter if they get your order wrong, he’s not ashamed of it either.

- He kind of just wants to make sure you’re doing well and happy, he’s a gentleman.

- Damn… I love him so much

#—🎀 a3!#a3!#a3 #act! addict! actors!#act addict actors #homare arisugawa #homare arisugawa x reader #a3 homare #a3! homare #a3 homare x reader #a3! homare x reader #a3! x reader #a3 x reader #a3! fanfiction #arisugawa x reader #winter troupe #—✒️ sora’s scripts

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ameliterature · 3 years

Text

Writer's Block: AnderPerry One-Shot Fluff (Coffee Shop AU)

Todd was working on his newest novel in a secluded coffee shop just a few blocks away from the hustle and bustle of city. It was nearing 1am and he was the only one left in the shop.

He couldn't wrap his head around the plot he had trapped himself into and his main character needed to kiss someone but-- How could Todd possibly know how write a kiss, let alone kiss at all! He wished he hadn't promised the publishing office his next work would be romantic, he should've stayed with his Surrealist Non-romantic stories, but here he was, having writer's block in a lonely café with room temperature coffee he bought hours ago.

He wasn't even happy about how he wrote the meet cute for the character. How do meet cutes even work? He's never experienced that!

"Hi, uhm, excuse me-" He looked up from his notes to see one of the people who worked at the coffee shop standing beside his table. "We're actually closing in a bit, I'm gonna have to ask you to finish up what you're doing. Sorry."

"Oh- yeah, sorry, I lost track of time." Todd said, pretty embarrassed. Todd's never been told to pack up his stuff before, he must've been a nuisance this whole time.

"I also wanted to ask," Todd looked up again at the worker, noticing his brunette hair falling over his eyes as they meet Todd's. "What were you writing about?"

Todd, obviously shocked, scoffed at the question. "H-how did you know?"

"Well, I see you go here a lot, and I noticed you usually have manuscripts every other month-- I'm-- Okay, actually, I'm also a fan of your work-" The worker said. Todd swiftly let his eyes check his nametag, 'Neil'. "Whenever you and your editor discuss your latest book, I usually hear you guys say the title, that's how I first started reading your works. O-oh, my name's Neil Perry by the way." He brought his hand out to shake Todd's hand. "Todd Anderson-- but you probably already knew that--" They share a quiet chuckle together.

Todd wasn't sure if he should be flattered by the fact he met someone who was actually a fan of his obscure writing OR if he should be flustered because he finally realized who Neil was. He was that really handsome guy who Todd watches in those off-Broadway shows from time to time for inspiration. He didn't think he'd be working part-time as a Barista in a small coffee shop.

"Y-you... like my other works?" Todd said, still packing up his belongings.

"Are you kidding me?! Ever since I read your first novel: 'A sweaty-toothed Madman', I've been following your works ever since." Neil said giddily. "I just didn't wanna bother you all this time because I wanted you to focus on your work. Tonight- well I had to close the store, so I kinda had to talk to you..."

A smile creeped onto Todd's face and his ears appeared pinker. "T-thanks-- Oh, and to uh, answer your question... I was-- Well, I'm kind of out of my comfort zone."

"How come?" Neil said, taking a seat next to Todd.

"I... Well I have to write the main character with a romance plot-- and I'm supposed to know how to write a kiss scene pretty soon but..." Todd trails off, he didn't want to ramble about his problems to a fan.

"But...? But what?" Neil asks excitedly. His grin and eager expression made Todd nervous, maybe in a good way.

"I--" Todd looks away, "I've never been kissed before." he rolled his eyes, trying to play off his embarrassment.

"Oh," Neil responded.

"Yeah, pretty pathetic, right? A guy my age, had never kissed a girl in his entire life. I'd probably never know how to kiss."

"... Does it have to be a girl?" Neil asked, making Todd jerk his face towards him.

"W-what do you mean?"

"Does your kissing experience have to be from kissing a girl? I mean- a kiss is a kiss from anyone, right?"

"I mean... Yeah? But I don't see what-"

"I could kiss you." Neil said boldly. Todd's eyes widened as he froze on the spot. There was no way that he'd be able to kiss someone as handsome as a guy he'd just met, now of all times!

"I- You don't have to-" Todd said, not really refusing.

"Come on! You get research out of it and I get to kiss a really cute author I happen to admire! It's a win-win, really." Neil's smile was contagious as it made Todd smile back. He didn't mean to smile at that moment, but the situation seemed so bizarre, it might as well be in his novels.

"Well.. How are we gonna- I mean, you have to close soon,"

"I could kiss you now, no one's here, plus it's pretty late, no one's gonna pass by the store anyway." Neil scoots closer to Todd's chair.

Neil seemed oddly enthusiastic about kissing him, so much that Todd couldn't refuse him, especially when he's looking at him with such sultry eyes.

"O-okay fine, but... you're gonna have to lead." Todd gave in, how could he not? When those dark brown eyes were beckoning him to come closer.

Neil didn't say anything else. He slowly brought his hands up to Todd's jaw, rubbing it with his thumb gently. Todd looked up at him with nervous eyes, swallowing nothing as an anxious response.

Neil guided his face, expertly pulling Todd closer while turning their faces to fit like puzzle pieces. Todd thought, at first, how weird it was that the moment before he even got a kiss, his heart was already beating so rapidly, it felt like he could pass out, but by the time their lips met, it's like all the storms in his body had calmed, all the drought that surrounded his mind suddenly got replenished, and his eyes couldn't help but close to relish in the sensation.

It was all warm and wet, in a good way, because it feel like just a peck on the lips. Neil's lips were soft and warm, moving effortlessly with Todd's. Not that Todd even knew what to do next but Neil's mouth knew how to guide him between each kiss. Todd takes a mental note: kisses can be multiple kisses at a time. Neil also let's his other hand rest on Todd's neck, pulling him in slightly closer. Todd sighs into the kiss before trying to move his head along the same rhythm as Neil. Each smack of their lips, Todd could help but add more mental notes: Kissing actually feels really good, So this is why people like it, Neil's really good at this, can kisses last forever?, Could I kiss him forever?

Neil finally pulls apart, chuckling softly, wiping the corner of his mouth before wiping Todd's. "How was it?"

Todd, slowly opening his eyes, trying to un-daze himself.

"I- th-that was... It was, g-good- I," Todd pulls back a bit, "I think that's a good amount of field research, Thanks so much." Looked away, he could feel his entire face turning warm.

"Well," Neil stands up, fixing the chairs around them. "If you need more references, I don't mind being a source." He winks before going back to the register.

Safe to say, Todd Anderson was out of his writer's block.

Part 2

#anderperry #anderperry one-shot #anderperry fanfic #anderperry fic #dps fic #dps #fanfic #fic #dps fanfiction #dps fanfic #coffee shop au #SHOULD I MAKE THIS FIC LONGER OR---??

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korgidorgi · 4 years

Text

OUAT Regina Mills x Reader

Word count: 1637

Warnings: Like, one curse word

Summary: Takes place around S3 Ep13. Reader just arrived back in Storybrooke the previous day. They are chilling in Granny’s Diner, looking through some writings when Regina joins them. They have a chat about something strange that reader (you) had experienced in the past year. It had happened before, but when they were a kid, and it felt so real.

Gender is not specified.

Sitting in Granny’s Diner, you take a sip of your drink while flipping through the pages of two notebooks. One notebook has pages upon pages of storyline and sketches of characters. The other notebook contains notes about the first one, and this little town called Storybrooke, mostly about the people you’ve met in your short amount of time of being in this town since you arrived yesterday. Apparently, Emma, your childhood friend, is in the town too, and her son, Henry, who you haven’t seen in a year.

Emma had invited you for dinner with her, Henry, and a few friends last night, which you politely declined, but ended up going anyway. That’s where you met Mary Margaret and David. You’ve previously met Regina staring at your vehicle when you stopped in one of the stores yesterday when you first arrived; she was at the dinner too. Everyone was very nice, but something was bothering you, you didn’t know what it was at the time, but you’ve figured it out now, you think.

There’s something awfully familiar about the town and it’s people. Flipping through your journals, you finally connect the dots. Sitting in the booth behind you-

“Hey, do you mind if I sit with you?” A tentative voice brings you back to earth.

You look up, finding the dark haired woman from last night, and the same one you asked Mary Margaret about earlier this morning when you went to pick something up from her apartment that you’d left the previous night.

“No, not at all. Here-” you scramble your notes together to clear the table at least a bit from your spiraling ideas.

Regina takes a seat across from you as you try to organize your belongings, a little embarrassed about the mess.

“Sorry it's such a mess.” You apologize, throwing the loose papers and notes into your bag.

“It’s quite alright.” She responds, flashing you a small smile. “What are you writing?”

“Oh, I uh, I’ve been writing a story. Inspired from my dreams.” You nervously answer, not knowing where to look. “It sounds weird, right?”

“No, not at all.” She reassures, hesitantly placing a hand on top of yours briefly. “May I ask what your dreams are inspiring?”

“I’ve actually been writing in these journals for years, since I was a kid. I’ve always had really vivid dreams, and it was like they’d go in order, like episodes for a tv show.” You begin. “I got so into them, I started writing them down, and sometimes I’d draw some of the people as best I could from memory, but I was a kid, so they didn’t turn out very great. I’m currently looking back into it because I’ve had them again this past year, but they’ve suddenly stopped now. At least my sketches are better.” You chuckle.

“Well, they say follow your dreams.” She smiles over at you, pulling some hair from in front of her eyes. “What were they about?”

“I’m a pirate, I think, and during this past year I met a supposed “Evil Queen”, who I had met in my childhood dreams before.” You begin. “The first major scene I had was following her into a castle and trying to talk some sense into her before she tried to put a sleeping curse on herself. She told me she really missed her son, that there’s no reason for her to continue with her life. I felt bad for her and she poofed me away with some magic and I couldn’t find her again.” You tell her one of the major scenes in your dream, flipping through the pages of the first notebook you used at the re-beginning of the dreams and stopping on a certain page.

Flipping the notebook around for her to see, you let her take in the pencil sketch in front of her. The graphite etched into the paper depicts a mourning Queen sitting in a stone bench of a large room, her hair tied up and her body adorned by an intricately patterned dress, a dark cloak draped over her shoulders. In her hand, she holds a long needle, the tip coated with some dark substance; a potion or curse of some sort. Her features are soft but full of anguish, her eyes holding the most dejected look one could ever see as she looks down at the needle in her fingers.

You watch Regina take in the drawing for a moment before she finally speaks. “That’s very well drawn. And that’s from memory.” She comments, raising her eyebrows as if she’s impressed.

“Thank you, Regina.” You bashfully accept her compliment. “That’s how vivid these dreams are.” You add. “They feel like I’m actually experiencing them. Like I’m traveling to another world and living it.”

She nods at your statement, eyes fixed on the sketch again.

You speak up again, “Can I tell you something? It’s going to sound crazy, but I need to get this out of my head.”

“Of course.” She returns her gaze to you, awaiting what you have to say.

You think for a moment what you want to say first before finally saying one of your thoughts that’s been bugging you ever since you first saw her. “Have we met before?” You blurt out the question, not able to keep your words in check. “I just can’t shake the feeling that I’ve seen you somewhere, that I’ve known you from somewhere.”

“I don’t think we have.” Regina answers. “I think I’d remember someone as-” She cuts herself off, pausing for a moment to look for the right words. “Someone as adventurous as you.”

“Oh. Okay.” You look down, “Sorry, that was a weird question.”

“No, not at all, Dear.” Regina reassures you.

You flash her a small smile, catching something out of the corner of your eye. A man passes your booth, not noticing your glance at him and leading Henry out of the Diner, to watch over him, you suspect. Regina notices your look, but before she can say anything, you’re flipping through the pages of your journal, muttering to yourself about “where is it”. Regina watches you as you finally stop on a certain page, completely confused and utterly shocked.

“I’ve seen him before…” You gape at your journal.

A sketch of a pirate’s portrait takes up the upper half of the page, as if drawn for a character profile in a novel with a description underneath the sketch. The man has short but well kept hair, one of his eyebrows raised slightly as if to taunt whomever it is he was interacting with at the time of the sketch. His stubble beard brings out some of his more attractive features and he sports a small black earring, almost covered by his black coat’s collar.

“Somehow, my subconscious knew him, and here he is.” You marvel.

“It might just be a coincidence.” Regina suggests. “Your brain doesn't forget faces, maybe you’ve seen someone like him somewhere and your mind just put him in there.”

“Maybe. But how weird is this?”

“I’ll admit, it is pretty weird.” Regina says. “Hey, I’m gonna go grab a drink from the counter, I’ll be right back.” Regina gets up to make her way to the counter of the Diner.

You flip through your journals, looking at all the characters you had sketched from your dream. You notice Regina saying hi to Emma and continue trying to think through what you had just confessed to Regina. Is it weird you told her something so bizarre even though you’ve only just met her yesterday?

Suddenly, the door bursts open and Mary Margaret’s friend, who was going to help her with the baby, walks into the diner. The aura around the woman wasn’t like anything you’d felt. She looks to be intimidating everyone in the diner, yet Regina doesn’t seem to flinch at the sudden entrance like everyone else. The woman waltzes right up to Regina, vengeful determination written all over her features. You watch as she gets up in Regina's face, trying so hard to intimidate her, but failing. You stand to go join Regina at the counter and try to see if you can get another drink.

“Oh, she never told you?” You hear the strange woman say, as she goes on about her being Regina’s sister.

“Of course she didn’t tell me, otherwise I’d know I have a sister.” Regina snaps back, holding her ground.

You interject before the energy in the room gets even more uncomfortable. “Ok, you’re making kind of a scene and people are staring. So, whatever sibling rivalries you have, can you put them on hold and sort them out somewhere else so you don’t cause a scene?”

“Who do you think you are?” The woman sneers. “Do you even know who you’re talking to?”

“Don’t know, don’t care.” You simply state, before trying to shoo the Karen out. “But if you’re going to bring drama in here and bother everyone in the Diner, Karen, you can leave, please and thank you.”

You guide her out the door and watch her huff as she turns to walk away. “Regina, meet me tonight, we’ll settle our differences then. You all haven’t heard of the last of me!”

You turn back to Regina to find the whole diner looking at you. “What? Did I do something wrong?”

Regina approaches you, placing her hands on your upper arms in an attempt to comfort you. “No, you’ve done nothing wrong.” She reassures, looking out the door to watch the woman disappear from view. “Thank you for kicking her out.”

“You’re welcome.” You respond, still slightly nervous. “She was being a bitch to you.” You mutter.

Your response causes Regina to release a small chuckle. “I have a protector now?”

“I guess…” You mumble.

#ouat #regina mills x reader #regina mills #once upon a time #x reader #fanfiction #ouat fanfiction #storybrooke

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bao3bei4 · 3 years

Text

kpop music videos that gave their fans sexual brainworms

OR accidental fetish pop and its fringe fanbase: meditations on gendered desire

large warning here: i am someone who has been into kpop for the past 10 years. however, i have always been an extremely casual fan. i do write fic, but not rpf. if any of that makes you not want to hear me talk about kpop rpf (or you don’t want to hear about it in general), please keep moving.

anyway, obviously pop is corporate, soulless, and manufactured. but sometimes some truly bizarre shit gets past the committees and destroys a generation. these are their stories.

the video that started this is all is got7’s just right, released july 10th, 2015.

yes that’s all 7 members of got7 (one is out of frame) shrunken down for your viewing pleasure. they live in your room and tell you you’re just right.

this sheer fetish power of this video is nerfed only by how utterly sexless it is.

they’re styled like and dance like this. it’s a totally unironic sendup of the seminal work that preceded it by four years, “what makes you beautiful” by the white kpop group “one direction.” the chaste energy of the whole thing makes you legitimately wonder if the good people at jyp have just never heard of microphilia. (during a dramatic reading of this piece, here a friend interjected seriously, “i think it’s korean culture not to talk about things like this, fetishes in the workplace.”)

it’s for the best, honestly, though because the actress in the music video is lee ja in, who was 11 when the video was shot. considering that the members themselves ranged in age from 18-23 at the time, i think it’s actually very impressive that we only have to cancel one.

you receive absolutely no prizes for guessing that it’s jackson wang we’re sending to social justice prison. why’d he do this? no one asked.

at any rate, got7 fans, or “gans” (they actually call themselves igot7s which is too twee for me), have much to think about here: all 7 very small members of got7 sneaking into their room, possibly weird age play, and jackson wang eating a very large cake.

let’s see what they actually did.

twitter was actually very tame. the most charged thing i found was (unsurprisingly) from a bts fan (“ban”). i don’t actually know what it means, but i think it means something.

so, of course, i turned to the internet’s last bastion of free speech, where you can say whatever the fuck you want and receive cheers, or as the kids say, “kudos.” that is, i read fanfiction.

for those of you who don’t know your herstory, i started my journey at Asianfanfics.com, where, at the time of writing, there were 12,067 got7 stories. i want to start this by saying that i think feminism won, because someone was paying real human dollars to advertise their irene/wendy fanfiction on a banner ad, which is quite possibly a win for women for everywhere.

anyway, Asianfanfics.com’s search engine sucks ass (i kept on finding stories about different combinations of bts members worrying about their weight and being reassured by another member that were entitled “just right”), so i decided to look through all got7 stories written between july 2015 and december 2015.

but, alas, not a single got7 microphilia fic to be found.

also, some genre commentary while i’m here: i think the stories i respect the most are the “[y/n] is a ordinary girl who’s assigned to be got7’s manager! can she make them into superstars? as sparks begin to fly, can she keep it professional?” like fuck yeah that sounds like a kickass dating sim. it almost definitely already is one. i salute all the teens around the world for buying into the fantasy of dating a boy band member that they themselves sell you.

however, i don’t think i respect the “[member a] and [member b] are mafia/jocks and nerds/college students/high schoolers” concepts. in my opinion, the whole fantasy of boy band member is their personas, their hidden real personalities, their celebrity, and the show business setting. find a different intellectual property if you wanna write about school. i even respect the “yugyeom drank girl juice [not estrogen] and turned into a sexy girl” story more, because at least it knows exactly what it wants, and also because they’re all still boy band members. well, band members. shout out to yugyeom.

so, anyway, i looked elsewhere. at the time of writing, archive of our own only had 11,645 got7 stories, but it does have a better search, so it effectively has more. as an aside, i think it’s so funny, and mildly disorienting at first, that archive of our own separates the “music & bands” section from the “celebrities & real people” section. boy band members aren’t real people.

the first problem i encountered is that only 20 or so stories were written within a year of just right’s release. absolute cringe gans. don’t you care about your boys? there were zero stories tagged “vore” or “microphilia” either. stories containing the word “tiny” that were rated either “explicit” or “mature” were all normal (“normal”) size fetishization rather than, you know, just right.

however, i learned my lesson from twitter. i realized that what had happened was that watching this video had created sleeper agents, just waiting for their activation phrase. that activation phrase? bangtan boys. and yeah, lo and behold, there was one! unfortunately (fortunately?) it had nothing to do with got7, let alone just right, so i’m not going to talk about it.

basically what i learned is that this video may have actually been very normal, and my brain has just been destroyed by being too online at a young age.

however, there are plenty more videos in this genre. i present to you exo wolf, a banger from may 30th, 2013. i say banger, because in a comedic inversion, it’s actually fucking terrible.

this video is pretty self-explanatory in terms of why it might induce certain responses.

let’s get the formalities out of the way. this video, the member who’s getting cancelled is kai. he has braids in this video :/

also skating on thin ice: xiumin and chen. guys what was up with the whole exo-m thing? like, we’re gonna have a cpop subgroup, but it’s going to be part chinese members and part korean members that we’ll give a chinese name? unsurprisingly, the three exo members who have departed from the group are all chinese. they weren’t able to stand the microaggressions probably. but xiumin and chen remain uncancelled as an official chinese apology for five thousand of years of on-and-off invasions of korea. sorry guys that was kinda fucked up. our bad!

anyway, there are basically three avenues for exo fans to take: 1) humans with wolfish characters (usually wolf pack dynamics, which even wolves themselves don’t fucking use so i think all of you should shut up. the real omega here is your brain), 2) werewolves (duh), and 3) wolves with human characteristics (i.e. standard furry fare).

exo themselves let all these possibilities exist at the same time, superimposing them over each other, which is very woke and egalitarian of them. let’s see what the people decided. awoo.

Asianfanfics dot com had many stories in this vein. i feel very validated that this time i was able to correctly predict a fetish. that said, briefly returning to my earlier comment regarding alternate universes: it’s intense psychic whiplash reading about these vampires and werewolves, and going okay okay luhan is a vampire this that whatever, and then seeing the actual real performance photos the author attaches at the bottom of each chapter. bro i forgot these were actual people.... it breaks immersion so bad... i’m sorry, i just can’t believe that any of these dancing boys are having weird vampire sex with wings or whatever.

archive of our own also had many stories in this vein. and i think there are some important difference between the two sites worth talking about.

first of all, i think the higher engagement rate of archive of our own really enables some of the authors to get super bold. it makes Asianfanfics.com seem a little quaint, actually. like the wordcounts are waaay longer, for one. it’s uncommon for a story hosted on Asianfanfics.com to be more than a few thousand words long (most of them could easily be published in the new yorker), whereas some of these archive of our own people have written full length novels about if the members of exo were werewolves. i guess it’s just intensely demoralizing for the aff.com crew to get, like, three comments per story.

the second big difference is that i’m noticing more common themes between the ao3 crew’s writing. like stan intertextuality, or plagiarism, or whatever, but they seem to be implicitly engaging with each other’s characterizations, storylines, and tropes. i think it is because they probably all follow each other on twitter. (i have been active on twitter for three weeks now so i am an expert on fanfiction twitter.)

anyway, like not that i am a particularly big gan (cannot even list all the members), but these people seem to have reached a very specific consensus on how jackson wang, for instance, would react in a variety of situations that really surprises me? if i were to sit down and write a got7 story, i think the fuckboitude, the douchebaggery is a big part of his charm. not to be nationalist or anything, but for god’s sake, he’s from hong kong. but these people have him as very sensitive, lots of protective instincts. not that i understood what anyone on aff.com was doing with his character either, but they did all seem to be doing different things. “kudos” to that, i guess.

but: exo. wolf. i searched the “wolves” tag. this filtered the list down from 33459 stories to 52 stories. and the “wolves” tag was very different from the aff.com “wolf” tag. for the most part, aff.com liked stories where a member was a wolf (usually shapeshifting), feral boy, lots of y/n, lots of y/n dating a feral boy who is secretly a wolf.

ao3 really, really, really likes alpha/beta/omega stories. sorting by the most popular stories, only five on the first page weren’t a/b/o. and one of them was a cis f!baekhyun story, so i think the intended effect was communicated. anyway, let’s talk about some of the themes.

first of all, i’m disappointed. today’s bonus cancellation is of ao3 “wolves” writers. why the fuck are you drawing so heavily from european wolves?? there are wolves in asia!! you don’t need to keep giving their packs and ranks weird latin names. i will kill you. i hate italy. korea literally has a native wolf. i hate all of you!!! if you want to write caucasian wolves go watch that dumbass cw show!!!! my god.

the second theme (the first one was white supremacy) is that no one wants to be a wolf who fucks. i think that we need a sex positivity movement, or something, for omega rights. like, are all of you doing okay? you’re queering misogyny by inventing new genders to oppress. another level to “no one wants to be a wolf...” is the “who fucks” part. there are so many consent issues. and not even in like, a sexy intentional way? in a “i genuinely do not think this author understands how their writing comes off” way. unfortunately i am sensitive to untagged sexual coercion, and there was a lot of that.

at any rate, the aff.com wolves were at peace with being wolves, very self-actualized. the ao3 wolves know that every minute they spend alive on this bitch of an earth is suffering, and also sex.

the third theme is the evolution of y/n. y/n, who, in a startlingly woke move for aff.com, is almost always korean, is a girl main character stumbling into love, boy bands, and wolves (i think it’s because aff.com is oldschool kpop fandom, so therefore heavily asian itself in userbase). but y/n is not the main character in ao3 stories. she is the straight best friend. in what i think is a hilarious move, ao3 authors invert the gay best friend paradigm to give the gay main character a straight girl as best friend. she usually calls him “a gay,” she has lots of thoughts on boys, and she knows his sexuality better than he does and before he does. (sidebar: if all the men are gay, and all the women are straight...)

there’s a really fun twist to this, though, because the main character is always a self-insert in fanfiction. but where older fanfiction like aff.com was at peace with this and literalize it via y/n shenanigans, modern fic writers who haven’t finished distangling their complicated relationship with wanting to be a man who loves other men instead simply imbue their main character with their essence. a little voodoo doll sehun, with a lock of y/n hair.

this creates a deeply ambivalent relationship with gender in these stories. the main character is usually an omega, but one who resents being an omega. their body and its parts is usually described, if at all, as ostensibly intersex (except more offensively), but in practice, these discourses inscribe a trans body. (nb: i think cis writers approach this in a really fucked up fetishizing way, but i hope by this point we know that that goes without saying) it’s incredibly straightforward to read this, and see the underlying desires and fears in a heady cocktail of unfiltered writing that’s deeply confessional. you know when freud had people say whatever the fuck they wanted and figured they’d eventually free associate into releasing their subconscious into reality? yeah.

okay, and while we’re on the topic, let’s talk f(x) nu abo, released on may 4th, 2010.

this is a blitzy, maximalist, amped up dance hit that even has its own applause and cheers built in. it’s so fucking annoying, and i love it.

this song is on here because the second most popular kpop a/b/o story on ao3 is called “nu abo” except it’s about bts. that’s offensive enough in its own right. write something about f(x) (702 works). when will women win the right to have their own self-lubricating holes.

anyway, even though f(x) is probably innocent in all of this, i’m still cancelling amber liu.

for queerbaiting. who told her to look like ruby rose but hot? and for what? i’m also cancelling her for racism, but that wasn’t in this video.

moving on to a double feature: vixx voodoo doll and vixx chained up, released november 19, 2013 and november 9, 2015 respectively. this is because while voodoo doll is more formative, i think the fans who write fanfiction today got into kpop more recently, so we are casting a wide net.

anyway, voodoo doll is jam packed with weird pseudo-medical imagery, blood, vivisection, bondage, puppet shit, femdom, sharps, piercings, asphyxiation, dollification, stabbing/penetration metaphors, and a really sick and catchy dance. god that looks like the list of tags on the a/b/o wolf stories.

for this song, we’re cancelling you, for being way too into this song when you were 13.

vixx voodoo doll made me goth i guess! insert that pic of the your music saved me sign, except it saved me from getting into emo or pop punk probably.

chained up, comparatively, is much more tame. the only thing of note about it is that there are around 10 completely different chokers and choker looks the members wear in this music video. also they’re singing about being chained up, but that seemed a bit obvious.

we could argue that voodoo doll is gay while chained up is gay (derogatory); that voodoo doll is queer while chained up is gay; that chained up is a sensitive masterpiece of omega4omega sexuality. but we’re not going to.

we’re going to talk about what voodoo doll fanfiction was and was not. first, Aff.com had plenty of it. however, i was extremely disappointed to see that much of it did not hew to the spirit of vixx voodoo doll. my god, the voodoo doll becoming the one preying upon you disgusts me. the fantasy of the voodoo doll is that of absolute power. the idea that the doll itself has agency? instantly breaks the fantasy. i’m even not into voodoo dolls and i’m offended.

i also don’t think it’s part of the voodoo doll fantasy to release the doll. the only story on there that involved Y/N kidnapping vixx members like in the music video was unavailable because the author deactivated their account. come back qxeen what did you see.

i think this got off track, actually, in that i was mostly wondering why these people imprinted differently onto vixx voodoo doll than i did. like i don’t think you’re supposed to actually like straightforwardly absorb the morals and aesthetics of music videos like it’s propaganda. however, it’s more entertaining if you do. i hope ao3 doesn’t let me down.

out of the then 5932 works in the vixx fandom (the least out of every group so far, excluding f(x) because they’re women), 59 of them included the word “voodoo” somewhere. that’s 1%. i legitimately can’t tell if that’s high or not.

after some more cursory reading through the first page of popular results, my big takeaway is that people watched that video and wanted to be tortured and enslaved? but not, like, in a sexy way where the torturing is the point, the way where the point is to suffer bravely and beautifully, to endure the world’s harms like jesus on the cross, and then to fall into the arms of a beautiful boy who may or may not be the one hurting you in the first place.

there’s a certain predictability to these fantasies. like it’s not even masochism, which would be fun at least, it’s literally just like the desire to be beautiful, even as you suffer. and i do find that a little boring. (but, i mean, you can’t help being a woman!)

sidebar: on chained up. what’s interesting about chained up, is that most of the then 38 “chained up” works (likely because the video has no storyline) are about the members fucking during chained up promotions. no one’s ever actually chained up, but whatever. it’s fine. it’s fine!

anyway, here, more than ever, the nature of desire is stripped bare. i’ve written before [elsewhere in the unreleased tshirt cinematic universe] on how kpop boys are, through fandom, re-formed as white, or more strongly, i guess, blank slates. it’s really interesting to me how so much of this dynamic of projection is enabled by the fact that they’re asian men. they’re infantilized, feminized vessels; they’re seductive, but childlike, oblivious to their own charms, so nonthreatening; they have uncontrollable desires for sex, they’re scared of sex. and above all else, white women submit themselves to them, insert themselves into them. basically kpop fans tend to rework old school yellow peril and emasculation fantasies to reenact their own desires, often white, often cishet on them.

what i am saying is that there’s another thesis about forced feminization and its racialized subtext in here. obviously gender is a racialized construct to begin with, but like it’s fascinating to argue that when white women remake asian men according to their own desires, that is, into themselves, they (hopefully) unintentionally echo these old fears about the sexual order.

it illuminates, it seems, the underlying dynamic in the denigration of asian men, which is of course the fear of miscegenation. now, my breathtaking ability to make everything about me aside, miscegenation is interesting because it presents a racial synthesis, beginning to collapse and trouble the artificial designations of purity. so we make asian men into white women, and end up with an unsettling hybrid. i’m sure this has deep implications for me personally.

but i think we already knew that quite a few of these people had yellow fever, so let’s talk about the gender dialectic at play. basically, the above dynamic, of making men into women (whether literally, in body; or subjectively, in mind; or even relationally, as they are objectified into passive vessels for your desire) coexists with the ostensibly converse dynamic, in which the straight women desires to be a gay man. these aren’t necessarily in conflict: it could easily be that these are different writers writing different stories, that both are ways of expressing discontent with existing in a raced, gendered body, or even that the end product of both is the same.

it’s been a while without a picture. all of you now have the legal right to hunt and kill me for making a d&g joke.

anyway, what i want to talk about is how these two fantasies can coexist. that by making a man into yourself, you can speak on your own desire in a passive way. my normal interest is analyzing forced masc fantasies (albeit in chinese opera lol), and they bear little to no resemblance to this kind of fantasy. this kind offers plausible deniability, of course, because wanting things is embarrassing. but also the fantasy isn’t about wanting to be a man, it’s about having no choice but to be a failed one. the gender pessimism running through these stories is palpable. basically andrea long chu wants what wolf fanfiction writers know: everyone is an omega, and everyone hates it.

at any rate, this racialized dynamic is one that i wasn’t sure how to bring up throughout this piece, mainly because there is no definitive way for me to tell the race of any individual writer, beyond just like the clear and present vibes that i receive. but i think it structures a lot of the fantasies contained in this essay. (i felt more comfortable bringing up the gendered dynamic, because it was fairly trivial to find out the current gender of the person writing each story i was reading.)

obviously we should return to the specter haunting this conversation: the very much alive david eng. i think this sort of argument is familiar to readers of racial castration, especially his chapter on m. butterfly. btw sorry for mentioning that play 2 out of 3 posts on this blog. i have problems.

let’s talk about the parallel imagery between the depiction of gallimard’s final speech and the fanfiction i’ve described above. in it, gallimard makes himself into his own dream woman, dressing in yellowface and robes, the costume of puccini’s original madame butterfly. and he laments his lost love:

there is a vision of the orient that i have. of slender women in chong sams and kimonos who die for the love of unworthy foreign devils. who are born and raised to be the perfect women. who take whatever punishment we give them, and bounce back, strengthened by love, unconditionally.

in that, i see the self insert, and i see the sufferer of vixx voodoo fic. the fantasy that gallimard has about asian women is repeated, this time about asian men and a helpless identification with them. and on some level, gallimard’s women do have something very compelling to identify with: they suggest that there’s a way to endure white male violence without sacrifice, and even more potently, to enjoy it on some level.

but onward to the titular racial castration. eng argues that gallimard’s wilful ignorance of song’s true gender is a psychic castration -- song’s masculinity is diminished so that his own can be enhanced within their relationship. this, eng believes, acts out “richard fung’s contention that in western imaginary ‘asian and anus are conflated.’” this process stabilizes the relationship between the asian man and the white woman: they occupy the same place within the sexual dyad.

this is, i think, why some people are addicted to writing from the bottom’s perspective. again -- not implying that irl bottoms don’t exist or that bottoms are psychically castrated lol -- but rather that you can fantasize about this ideal asian man that you can come to embody. in kpop rpf, rather than it being between a white man and an asian man (unless someone’s started writing chad future fic), it’s between two asian men. so this transformation is performed. whiteness is always intruding and so i think eng is helpful here to making it visible again.

this essay isn’t a callout or actual cancellation or anything like that, i do wanna be clear. i guess i just like talking about fantasies, even the embarrassing ones, and where they come from. i think oftentimes in fandom spaces, we write a lot of stories off as idfic, and i think virtually every single one of the stories i referenced to write this fairly uncontroversially fall into that category. but i think calling something an “id” something or the other naturalizes the satisfaction it gives as purely instinctual and unconscious, when i do think there are deeper narratives at play. while i didn’t ever actually reference the base here (sorry), i do think it’s worth talking about how real world power shapes & maintains the superstructure, and thereby our fantasies.

anyway in conclusion, maybe i was the one with sexual brainworms the whole time.

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cybernaght · 3 years

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Lost Tomb Reboot aka Reunion: The Sound of Providence Season 2

I swear I wasn’t actually planning to write this thing, instead just opting for random picture spams of the season, starting with every time this show got Zhu Yilong’s Wu Xie wet, because that was a trend I had not expected and kind of lived for.

All that will still happen eventually, but here’s also my five cents on the season, because it is very very important for you to know just how worthy of love it is.

You see, Season 1 was silly and fun, and definitely, undeniably, enjoyable.

Then Season 2 swooped in, and completely won my heart. I cannot even express how much I adored it. Everything about this show is extremely extra in the best possible way; it is likely to have been the most charmingly over the top thing I have ever seen.

(Vague spoilers for : specific monsters, narratively significant moments, fate of the certain characters, including the protagonist.)

Some of it comes from the pace, which speeds up dramatically early in the season, and only slows down marginally to allow characters some breathing room. It’s not just gripping because it makes you want to hit play on the next episode, it also keeps you engaged because you can’t wait to see how the next wild set of events may be resolved and then topped. At about episode ten I was questioning how they could possibly produce a sense of further escalation. At episode twenty, I was wondering if anything can top dramatic impact of whatever was occurring only two thirds of the way through the season.

I need not have worried: every single incredible character moment, every mind-boggling turn of the plot, every single bizarre threat would be blown out of water by the next one.

Partly, this seemingly has to do with the writers attempts to ground the material. I am not sure what the novel contained, but I can discern that it was something along the lines of ghosts, ghouls and various supernatural circumstance. But when you are told “this is a curse”, your reaction is naturally to go, “ah okay, so curses are a thing, and this is one of them, gotcha”. When you are told, “this is a heavy metal poisoning combined with a neurotoxin affecting the victim’s central nervous system and making them violently hallucinate”, your reaction is to question whether this is how metals, toxins, poisons, or, indeed, central nervous systems work in any version of reality.

The show does this a lot. From human shaped swarms of killer moths, to flying brain-penetrating eels, to probably my favourite monster of the moment: the murder clams.

Seriously, I cannot stress enough that this show has murder clams. They move with their clam mussels. They jump with their clam shells. They will murder you in cold blood.

There are ancient “laser corridor” style set-ups, there are shapes made out of fog recording its memory, there are group hallucinations generated by the sound of thunder, there are Mission Impossible style full face masks. There is a character who walked off a gun wound and sarin gas poisoning in order to die in the arms of his lover who looks like his dead sister. And by “looks like” I mean, “played by the same actress”.

There is a whole character of Doctor Churros, who saves our hero from imminent death by washing his lungs with oil.

This, I suppose, ultimately, is how The Lost Tomb Reboot (Season 2 in particular) lures you in. It turns what I saw as the show’s fault in season 1 into its biggest strength by establishing the world in which nothing is too outlandish and everything is possible. It so thoroughly breaks your expectations barometer, you grow to willingly accept whatever is thrown at you.

The most beautiful thing about all of it, is that the fun and games and moments of barely controlled hysteria do not lower the stakes whatsoever. Moreover, somehow this show makes me believe that it could just about do something as irrevocable as, perhaps, killing off the protagonist

You know how you can watch, say, a super hero film, and then the “all is lost” moment happens, and you kind of have to struggle to care because you know that they will pull through. It’s curious to see how that happens, but you don’t doubt for even second that it will. Well, when that moment arrived here, I found myself between ugly sobbing, and going into speculation overdrive to try and figure out how the Reboot would deal with that. By then I have seen that show be an high octave action movie, a supernatural mystery, a horror thriller, a buddy comedy and a spy flick: it was not a massive stretch to imagine it turning into a revenge tragedy.

Wu Xie dying had been building up since episode one, so you had hours and hours and oh-so-many hours to brace for it, and when the tragedy does not strike, the relief is visceral.

Despite all the moments of hilarity (whether intended or otherwise), despite the chaotic turns of the plot, despite how utterly off the charts this show is tonally, when it matters, the narrative is pulled together in a way which not only makes complete sense within the world of the series, but is meticulously set-up, satisfying resolved, and delivers lovely emotional impact. Considering that the moral of the story is a very common “live in the moment”, paired up with “greed is bad”, it was surprising how much resonance its delivery actually created.

Ultimately, however, this show is about found family, and, more specifically, about Wu Xie’s ability to create this family for himself and for every single member of it. He starts as one of the trio, and ends as one of a large group of old allies, new friends, and people he has graced with so much kindness that they follow him until the bitter end.

Lost Tomb Reboot ensures that you get to know them all, and it’s pretty damn hard to not love this misfit group of adventurers in its entirety.

(The only thing I could say is that I wish the series spent more time making sure the viewer knows and likes Zhang Qiling, but it seemingly had little purpose for him apart form sweeping in as an avenging angel every now and then. I get that he is a well established character in the series, and that his whole thing is being deadly and enigmatic, but considering that you got to know the other two legs of the famous Triangle so well, it’s a shame that this one was reserved to mostly being Xiao Ge Ex Machina. It would have been nice to know what he was about apart from “really damn cool”.)

Bai Haotian remained my favourite character. She is cute, sweet, romantic, and, for the lack of a better word, “girly”. She is not shy about her crush on Wu Xie, and is prepared to do a lot of reckless, dangerous things for him. None of the above undermine her intelligence, cunningness and authority. Xiao Bai is a young woman in a position of power, and she absolutely knows how to handle herself; for every time she is a damsel in distress, she gets to be the rescuer. For every time she puts herself in needless danger, she learns to collect herself and plan ahead. For every time she is bossed around, she turns and takes charge. Her journey is not the centred around getting the guy, but around discovering her self-assertion; she finds her place within his team not by being a romantic interest, but through her personal strengths.

My absolutely favourite moment for her came when an antagonist used her affection for Wu Xie to get an upper hand on her, and she gets restrained, knife to her throat. Xiao Bai swivels away, knocks the attacker out and goes to town kicking him, to a great astonishment of this team, as she states that liking someone does not make her weak.

And it doesn’t. Being in love has nothing to do with weakness or strength. Being a young, and excitable, and a woman does not equate to weakness either.

I’m not saying that this show is a feminist manifesto, because it is definitely not that. Every other prominent female character suffers a pitiful fate in service of creating motivation for the men of the story. But it does spend a lot of time making sure you, the viewer, know its heroes well enough to mentally befriend them. And if this means giving the female lead complexity, I cannot possibly be mad at that.

So, this was it. This was the Lost Tomb Reboot. It brought me a ridiculous amount of joy and I will miss it a lot.

And yes, the picture spams will be 100% an excuse to rewatch at least some of it.

PS. Said spams miiiiight be gif based if I figure out a way to colour correct the damn things.

#lost tomb reboot #reunion: the sound of the providence #review of sorts #now with gifs #the gifs are bad though

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throwaninkpot · 4 years

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Notes from the Return of the Thief launch party Q&A with MWT!

• (I meant to keep a Not Telling tally but I got distracted by all the good words Megan put together.)

EDIT: A VOD of the stream has been posted here!

• It took 20 minutes into the event to get the first Not Telling, and everyone was astonished it wasn't sooner.

• She referenced the Not Telling shirt made for her by @queensandkingsofattolia ! She wasn't wearing it, but she did have her Not Telling socks, which she would put on her hands and hold up to the camera.

• She talked about how she doesn't like suspense as a reader. She always wants the stories to get to the point instead of dragging on, so in writing, she puts light scenes in to break up the suspense. She doesn't always know what those scenes will be, she just has a feel for what's needed there. One example is when Sophos and the magus are traveling to Attolia in aCoK, when they eat the chicken. "We eat the chicken now!" was a scene that made her happy while she wrote it.

• She was asked to explain the gods and how the different pantheons work with each other, and said she never wants to explain the gods. She doesn't want them to be cut-and-dry or understandable.

• Asked about writing such complex, ruthless characters and making them likeable.

Alex (mod): Do you think [the POV characters] good? Megan: *silently presents Not Telling socks*

• Said that if you're going to spend so much time in a characters head, there has to be some part of them that you and the readers will like. And there are some people whose heads she didn't want to be in. Even the ruthless ones making terrible decisions, she does like. "Nahuseresh? Not so much."

Alex: *says something about how they've never encountered books with more poker face than QT* Megan: *big ol' grin*

• Talking about how these books have so many layers and so much suspense, Megan said a lot of that is owing to the fact it's a series and she needed to be consistent, she couldn't switch the style of it or tone halfway through. When she writes the next thing, it might be a whole different kind of book. She'll have to see whether that was just sonething distinctive to QT, or that's what she naturally gravitates towards writing.

• She mentioned that she isn't fond of 1st person narrative, and the chat collective raised a single eyebrows at the irony.

• In fact, TaT was written in 3rd person at first. But she realized that wasn't working so she scrapped that and rewrote the whole thing, bc it needed to be Kamet who was telling us the story.

• She pronounced Kamet as "Kam-et".

• When talking about the details in her books and how they go into logistics, she brought a book onto camera called Alexander the Great and the Logistics of the Macedonian Army by Donald W. Engles. It heavily influenced the way she wrote about war and the politics thereof in QT.

• The Thief was partly inspire by a conversation she had with a young relative back during the Bush administration when Kuwait was invaded. The young relative didn't understand what the U.S. was doing in the middle east when we had so many problems to focus in our own country, and Megan explained that we weren't involved in that conflict out of the goodness of our hearts, but bc they had resources we wanted. (The way she phrased it, you could hear the magus talking to the boys in The Thief, and it gave me shivers.) And she realized, kids don't see that side of war in stories. Armies are always fighting Sauron and the forces of evil, and acting out if their own self-interests against people who might not be all bad.

• And thus, The Queen's Thief spiraled jnto existence.

• Why does she choose to write about disability and illness the way she does? Rosemary Sutcliff. Sutcliff was disabled for most of her life, and this reflected in the stories she told. Megan recalls Warrior Scarlet as the first book that challenged her as a kid to think about disability and illness as a natural part of life, and to question who gets to be at the center of the story. Who gets to be the hero? Who gets to be the hero of an adventure story? Why shouldn't characters dealing with illness or disability be those heros?

• TaT was a direct response to Sutcliff's novel Eagle of the Ninth, where an earnest young Roman soldier has these great plans for his life that get toppled when he is injured in his first battle and can no longer serve.

Megan: Costis checks every box for earnest young guy!

• In Eagle, there is a slave who travels with the protagonist and is freed by him at the end as part of the protagonist's journey. It was important to tell TaT from Kamet's point of view so that it was about him. "He is never an object of a quest, always a person."

• Megan has never read The Aeneid.

• She recommends Lavinia by Ursula K. Le Guin, which tells The Aeneid from a different POV.

• On writing process: She doesn't outline. When she has a book idea, she first tells it as a story by cornering her husband and telling him the whole thing with plenty of hand gestures. After that, she does a "sketch". She writes down the shape of the story, plotlines and characters, which is usually half the length of the finished book. Then she fleshes it out, and cuts and adds and cuts snd adds until she has pretty much a whole book, and then she edits again to cut everything that doesn't absolutely need to be there.

• She says it's important to remember you can't fix everything in one draft. You just need to focus on 20 or so things at a time, and then on the next pass you can focus on 20 other things.

• On keeping characters straight: "It's very crowded in my head." She doesn't focus so much on remembering exactly what she has written about a character before, but knowing who the character is so that she knows how they would react in whatever new situation she is writing them in.

Megan: Okay, Costis. I know this guy, I know what he's going to do. He's going to punch that guy in the face and it will be very embarrassing.

• A lot of people asked about the vampires referenced in The Thief and if they were real. She's not telling.

• Someone *cough*me*cough* Asked if she was planning a spin-off series about Eddisian vampires falling in love. "Never say never, but it's probably unlikely."

Alex: What happened to Ornon's sheep? Megan: Guys....guys......I have to put on another sock, come on, guys! *digs for her Not Telling socks and holds them up*

• On worldbuilding: You have to break with reality. It's great to research the process of how to retin pans! Adding details like that can enrich your story, but you can also add things that wouldn't have been possible in the real world. Like, pocket watches and window glass and printing presses all at the same time. The made up details also make your story richer.

Megan: Cut the research and tell a good story!

• On myths: She never writes the myths first. When she was writing The Thief, she would make a new line and type "[Myth Here]" and then go on with the rest of the story and cone back to that later.

• She recommends Ancient Near East Texts by James B. Pritchard for some good myths!

• What she likes best about DWJ: The Audacity(tm). DWJ would write about the most bizarre things very casually.

Megan: Her stories had a "hold my beer" quality.

• She told the story about hiw DWJ got her published (Alex: "She had good taste") and trying to send DWJ the advanced copy of aCoK before she died, but those stories have been retold elsewhere before so I won't bother with them now.

• Megan wore lovely, lovely earrings! And at the beseechment of the chat, she showed them to the camera and told us they were made by @freenarnian

• Finally, the winner of the trivia party was granted the honor of asking a question on camera, and Megan benevolently said she would not cry Not Telling on whatever was asked.

• Margaux, the winner, asked what the age difference was between Dite and Irene, and if they had grown up together.

• After a REAL long pause, Megan said that she didn't think they had grown up together. Irene is younger than Dite, and she was too busy, and I quote, "killing people." Her childhood ended early and she didn't have time to be a kid. Besides that, they wouldn't have been allowed to hang out in Attolian society, bc she was a girl and he was a boy. They were probably introduced to each other atvevents, but that was it.

• Also: Dite is pronounced "Die-tee".

• She has more events like this planned in the future!!!!! Keep an eye on her tumblr!!!!!

• EDIT: @whataliethatwas made a transcript of the event!

#megan whalen turner #queens thief #the queen's thief #queen's thief #mwt #rott #return of the thief #this has been a post

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headofhelios · 3 years

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Ok I am a single follower but I like hannibal tv but would enjoy ur movie thoughts I like some of the books too and have been meaning to get around to the movies 😳😳

OKAY I'M EDITING A READMORE ONTO THIS LOL I REALIZED THATS SOMETHING I CAN DO! so now my incredibly waaayyy too long answer abt my thoughts on 2002 will is under there. apologies bc this is less "movie thoughts" and more "2002 movie will thoughts" but well thats how the chips fell

GOD okay sooo for the record i am reading the red dragon book and am like 7 or 8 chapters in and full transparency im not like. enjoying it lol. the book pisses me off with its misogyny (all the women in it are either dead or it feels like you're supposed to think theyre Selfish Bitches or theyre just there for like. bizarre and uncomfortable sexual moments like the guys talking abt that woman in the elevator, or that one part of mrs. leeds diary which is like. i guess could be there to Show Her Humanity or whatever but 1. there are more ways to do that 2. the book doesnt seem particularly concerned with her humanity considering she's barely even given a first name and so far the novel hasnt seemed to disapprove of how will thinks of her as a possession of her husband) and its inconsistency with will's most important character trait or whatever (he's so intensely, extremely empathetic towards EVERYONE, even serial killers, which makes him really good at finding them! and he can never turn this off, to the point where every time he has a conversation with someone, he ends up mimicking the way they talk, even if he tries to stop! but also he never empathizes with the victims or HIS OWN FUCKING WIFE? HELLO? so it really feels less like "extremely strong empathy for everyone that he cant control" and more like "he can empathize with serial killers extremely well and also other people if we want to Make A Point in one scene instead of letting the point show through the whole book") BUT UHHH ANYWAY. MOVIE THOUGHTS. THE MOVIE THOUGHTS YOU ASKED FOR COMING RIGHT UP!

okay this is what i am worried will either 1. draw annoying tv will graham stans to my blog like flies or 2. end with me being hanged in the town square BUT. it must be said. i prefer 2002 red dragon will graham to tv will graham. and quite frankly? so far? i think 2002 red dragon will graham is better than book will graham. i cannot lie.

my reasoning: because 2002 will actually empathizes with more people than serial killers and his boss! y'know! like you'd assume someone with constant extreme empathy would! the difference between the first scene with molly in the book vs in the movie are SO striking to me now that i've read that part of the novel. in the novel he seems very... rough, i guess, and like he doesnt care about molly's worries. he doesnt seem to see things from her perspective, which especially feels like a kick to the gut because MOLLY! SEES! THINGS! FROM! HIS! PERSPECTIVE!!! she literally empathizes with him more than he does with her! what the fuck! MEANWHILE in the movie, he does seem to care about her. his assurances that he wont get too involved seem like assurances rather than him trying to get her off his back. he hugs her and tells her he loves her and i actually believe that yeah, he loves her, he knows she's worried about him, and he wants to comfort her and ease her worries. and the victims! AGAIN such a stark difference to me! in the book, will is like... uncomfortable empathizing w the red dragon, of course, but he doesnt seem to empathize with the victims all that much, ESPECIALLY not the women. he doesnt care about them. he sees them as possessions belonging to their husbands and its so fucking gross. despite already suspecting that the red dragon chooses families based on the women, he decides to waste time focusing on the husbands as a way of "asking permission to look at [their wives]." what the fuck? meanwhile in the film, he feels for the victims so much that he can barely even say that the kids were shot in bed! when he watches the tapes, he focuses on the women! because that's his fucking job!!! and we see him empathizing with them! wow!!

siiigh okay im gonna stop talking abt the book vs the movie now bc again im only like 8 chapters or so deep. but now we come to tv will vs. 2002 will, which is admittedly gonna be more subjective and part of that it bc i cant remember a whole lot of specifics from the show bc my memory is Very Bad. but anyway

let's get the shallow stuff out of the way. yes i prefer ed norton's face to hugh dancy's. call hugh dancy "gender" or whatever have your fun i support you and your right to call any blood covered man a gender but by god is that not even REMOTELY my experience. next shallow thing to get out of the way: ed norton's line delivery is like music to my FUCKING ears compared to hugh dancy's i am so sorry. like the jokes about will shaking like a damp chihuahua before taking 5 minutes to stutter out "he's killing them....... On Purpose, jack." are funny and all but christ i had SUCH a hard time watching the show bc of that im not lying. literally hearing 2002 will just say "he's not keeping them. he's eating them." nice and quick, matter of factly is better than well im actually gonna end that sentence there but you get the idea. like YESSS you little blonde bitch get to the point i love you!!!

OKAY NOW less shallow points but also less uhh idk man i just dont remember a lot of hannibal. but basically: after seeing how caring 2002 will is, i'm kind of... idk i'm just so over tv will and how abrasive and harsh he is in comparison. like i fell in LOVE with how vulnerable 2002 will is, how he feels like he cares deeply about the people around him (and honestly... idk i cant remember a moment in the hannibal tv series that made me feel the way i felt when 2002 will can't say "the kids were shot in their beds". it's like... yeah this is a guy who feels so deeply for everyone around him at all times. i believe that.) and i just dont remember getting that same feeling from tv will. i have been gently spoon fed the most excellent chocolate pudding and everything else in my memory is just a snack pack. i guess tv will has those moments (what comes to mind is when he brings gideon to hannibal's house and is crying and he says "please dont lie to me") but idk they just didnt really do for me what 2002 will does. and then their scenes with reba! wow! i rewatched the tv version after watching red dragon, bc the film version made me tear up, meanwhile the tv version i barely remembered and i wasnt sure if that was just bc of the different mindsets i was in while watching them or what. and ok i just rewatched the tv version again and like... yeah. it's the wills lol. i LOVEEE tv reba SO much she is giving everything in that scene!! she sounds so like... broken, both bc of dolarhyde's apparent suicide and bc of finding out who he was + what he was doing, she sounds so fragile and guilt ridden! she's amazing!! but will. idk. tv will's delivery just seems... idk this feels dumb to say but it sounds like writing. i admittedly LOVE the line "people who study this kind of thing say that he was trying to stop because you helped him." and his delivery there is good. but between tv "you didnt draw a freak, you drew a man w a freak on his back" and the 2002 version, the 2002 delivery seems more genuine while the tv delivery sounds rehearsed. idk overall the 2002 version of that conversation just makes me feel more? its like. idk i can feel the 2002 version gently holding my heart while the tv version is a scene that is nice in h/nnigram gifsets or w/e.

umm ok this is already suuuper long and my brain is getting a bit mushy so i'm gonna start wrapping it up lol. i'll probably compare book will and 2002 will again after i finish the book, and then i miiight rewatch hannibal, or at least parts of s3. but right now my thoughts are basically: book will is a fucking dick who has an easier time empathizing with serial killers than with his wife. tv will is a nothing girl after being so completely catered to + also idk he doesnt have the same fragility that i want from my wills now. and 2002 will is my little caramel apple. he has this delightful vulnerability and feels like he cares so much and empathizes with more people than serial killers and his boss and 4 people in a diner for one scene! 2002 will made me care about will graham! which is honestly kind of a feat!

#long post #like so so so long #my condolences anon and also anyone following me who doesnt want this on their dash #but yeah 2002 will is my booboo bear my cinnamon swirl coffeecake my little heavensent angel #and ed nortons performance made me feel more than hugh dancy's #i think ed norton does a really good job at giving his characters that kind of vulnerability and i LOVE that!!#like yeah whatever 'you're gat arent you dont you just think hes hot' sure say that but also like #have you seen him in primal fear? its a movie thats a firm Its Complicated for me but his performance is so good and he feels so vulnerable #and even in fight club and kingdom of heaven i think he gets that in there! idk i genuinely think he's a good actor #personal #red dragon #if im writing an essay i may as well put it in my tags #asks #anonymous #<- FORGOT TO ADD THOSE TAGS. anyway #EDIT: NOW FEATURING A READMORE LOL.

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thevindicativevordan · 3 years

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Why I Like Superman

This is a post I’ve been going over and over in my head, trying to suss out my feelings. The simple fact is I love Superman, and I have for as long as I can remember. I wore Superman pajamas as a kid. I watched cartoons like Superman: The Animated Series, Justice League, Legion of Superheroes, and was hyped as hell when he showed up on The Batman cartoon. I drew variations of the S-shield all over the sides of my school notebooks, and I tied a towel around my neck and pretended I could fly.

One of my favorite Xbox games to play was the Superman Returns tie-in game (remember those?), because it was the only game I could play that let me fly around, shooting off heat vision and freezing people with arctic breath. I still remember the opening that had you destroy asteroids, and being absolutely wowed as a kid by the big finale which had you slam into the largest asteroid at supersonic speed to destroy it. Took me forever to beat the Warworld arena level though because I didn’t know how to block.

Because there were no local comic shops near my home for me to go buy issues at (not that I even knew what a local comic shop was at the time), I kept up with his, and the rest of my favorite DC heroes adventures, via reading the DC wiki. I spent so much of my time waiting for my mom to get off the computer so I could go online and catch up that my parents installed parental blocks because they were worried about what I was doing.

In short he’s been a constant favorite of mine throughout childhood, through my teenage years, and straight on into adulthood. I never developed the dislike or distaste for him that some people did, and he never dropped out of the top spot for me like he did for others. There were times when he shared the top spot for me with Batman and Spider-Man, until One More Day wrecked my relationship with Spidey and I grew bored of the endless cycles of Batman being a dick to the Batfamily and then learning he needs them. But even throughout his lowest points (and God have there been so many of those in the last decade), he’s remained the top guy for me.

But why? I think it’s in part because of the type of genre he embodies. He is of course The Superhero, and he lives in the genre he founded, but he also lives in a type of optimistic science fiction genre that’s downright extinct nowadays. As a kid I was a massive science fiction fan, and my dad was friends with a guy who was also hugely into science fiction. This guy had a basement full of science fiction books written from the Golden Age of Science Fiction, up until the cyberpunk era kicked off in the 1980s. He was happy to hand novels off to me, and his private library beat the hell out of our public one. I devoured stories of fearless heroes in space exploring new worlds, first contact with alien races, mindbending new technologies that seemed like magic, about transcending our mortal flesh and becoming part of a universal, transcendental whole, stories that didn’t just talk about technology but about the human condition. Stories that while sometimes bleak, painted a positive picture of the human ability to overcome our inherent flaws and be a powerful force for good. And ultimately Superman speaks from the same source.

It’s not just about the powers, although those who completely dismiss their appeal are making a mistake I believe. It’s about humanity, about our ability to transcend our base natures, reflected in this Strange Visitor from Another Planet, who embodies our virtues and our vices, who is torn between the fear of doing too much and the fear of doing too little. Who hides his true self behind a pair of glasses because he craves the fellowship of humanity more than any amount of glory or riches. His no-kill rule a firm affirmation of the value of life, all life everywhere no matter it’s form. His greatest love, Lois Lane, is his co-worker and greatest rival as a reporter, who has everyone’s number in her phone, be they crime lord or living saint. His greatest friend, Jimmy Olsen, is the guy everyone else ignores or bosses around, but is a rich kid weirdo who gets up to all sorts of bizarre adventures that keep the Daily Planet afloat. His childhood friends are superheroes from the future, his home City of Metropolis is 10 years ahead of everyone else in terms of technology, his dog can shatter concrete via barking at it, his home den is a ice crystal castle situated at the North Pole, like Santa’s Workshop. In short his life is one where even the mundane corners hide fantastical attributes. By living among us, he helps to elevate us, to make our daily grind interesting by seeing through the lens of his life. As others have said, we walk our dogs around the block, he walks his around the solar system.

But it would be a mistake to assume that Superman doesn’t tackle the darker sides of life too. Even the most optimistic sci-fi novels that I read as a kid had dystopic elements in them, intended or not. His home planet of Krypton was our technological superior, yet ignored the warnings of it’s chief scientist, and died a victim of it’s own greed and arrogance with Kal-El as the Last Son. His birth parents died in the fires of self-perpetuated genocide, his adopted parents the Kents often fall to mundane heart diseases or accidents, which even his power can not save them from. His greatest enemy Lex Luthor, is the one person who can understand his loneliness, his need for the public’s approval and acceptance, and yet the shared enmity between the two has ruined any chance of them forming a friendship that could have been. The shining City of Metropolis venerates Luthor as well as Clark, reflecting the greed, selfishness, and callousness of it’s other favorite child. Suicide Slum stands as a testament to the limits of how much Superman can improve life. The Phantom Zone is a spinechilling example of the inhumane treatment of prisoners. His foes ran the gauntlet from greedy businessmen out for money at any cost, to victims who have suffered at humanity’s hands and seek revenge, to sociopaths who treat other peoples pain and lives as a source of amusement, to murderers who care not from where the blood flows, only that it does, to tyrants who seek to crush all resistance underneath their heel, to gods who wish the elimination of free will itself. Each of them force Superman to confront the fallibility of human nature and wrestle with whether or not his faith in both them and himself is justified.

In a sentence? I love Superman because he’s a character you can do almost anything with, from comedic hijinks, to serious dramas, to distributing horror stories, to exciting adventure stories. He reminds me of the best type of science fiction stories, ones that explore people and existence from all sorts of angles, that never lose sight of the emotional human core at the heart of all the high concept existential concepts. He’s made me laugh, cry, think, get motivated, get angry, and sometimes just get writing. He brings the big ideas and the human emotions that keep me reading comics throughout all the Big 2′s bullshit. He still believes in the human capacity for good, in spite of our flaws, in spite of how few of us seem to believe in that capacity ourselves, and he shows us that it’s still there by touching our hearts through his stories. That’s why I like Superman, and why he’s my favorite superhero.

#superman #dc comics #lex luthor #lois lane #me

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haveamagicalday · 3 years

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Top Ten Books of 2020

So this is about 2 months late but here are my top books I read in the past year! I highly recommend all of them. You can read about all the books I read in 2020 here.

10. King of Crows by Libba Bray

This was the last book in the Diviners series. I’ll admit it dragged in a few places and the ending was somewhat quick but it was still a satisfying conclusion to a great series! Plus, that that mention of Gemma and Kartik?! I died.

9. A Good Girl’s Guide to Murder by Holly Jackson

This was a surprising one. I’ve read a lot of YA mysteries/thrillers and while some are very good, they don’t always have the same punch as an adult book in the same genre. But I found this one just as good as any adult thriller that I’ve read.The twists were surprising and not at all far fetched.

8. Pretty Things by Janelle Brown

Okay, so this book makes it on this list for one specfic chapter. One of our two protagonists recounts her childhood and her first love with a fellow outcast and I just found it so stunning and touching. I honestly can’t explain how it made me feel but it really left it’s mark. The rest of the novel was really good too with some twists and turns but that one chapter made it for me.

7. The Companion by Katie Alender

Creepy with echoes of an old gothic novel. Now there’s a mystery here but I’ll admit, it’s a bit predictable but that doesn’t take away from the novel at all. This book doesn’t relay on a shocking twist to make it good. The atmosphere and build up to something dreadful made this a page turner.

6. Home Before Dark by Riley Sager

Riley Sager does it again. He’s made himself my favorite thriller author at this point. The plot of this book reminded me of the haunting of hill house show where a character writes a best selling novel of the haunted house they lived in. Now Maggie, the author’s daughter must return to the house she barely remembers to discover if what happened in the book was fiction or if something supernatural was really happening.

5. Gone Girl by Gillian Flynn

I went into this knowing the twist and overall plot but I hadn’t seen the movie yet. I absolutely loved the book and then immediately watched the movie after (which I also loved). Not much more I can say but the Cool Girl Monologue lives rent free in my mind

4. Mermaid Moon by Susann Cokal

An enchanting book. I’d compare it looking out at the ocean on a still summer night. The writing is beautiful and creative and the whole thing just drips with with fairy tale whimsy.

3. The Ballad of Songbirds and Snakes by Suzanne Collins

My only issue with this book was that the last third felt like it could have been its own novel. I almost think I would have liked this to have been a series or at least two books because there was a lot to cover. This was great and looking into Snow’s life and understanding his motives in the later books. It humanized him but he was still a human you didn’t like and pretty much hated at the end.

2. Mexican Gothic by Silvia Moreno-Garcia

Holy hell, did I love this book. It was creepy and bizarre and like nothing I’ve ever read before. The protagonist was likable but still had her faults and the romance was sweet but wasn’t the focus which worked very well. This book won’t be for everyone (my sister hated it and she loves her other books) but I just thought it was so much cooky spooky fun!

1. Blackthorn and Grim by Juliet Marriller

This series quickly became one of my favorites. I love Juliet Marriller’s fantasy/fairy tale novels that also have a touch of the historical genre as well. This series is features fairy tale like mysteries that our two main characters have to solve. Blackthorn and Grim are one of my favorite fictional couples now and I know I’ll be rereading this series a lot.

#my post #book recommendations #blackthorn and grim #mexican gothic #the ballad of songbirds and snakes #mermaid moon #the companion #a good girl's guide to murder #home before dark #gone girl #pretty things #king of crows

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rigelmejo · 3 years

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march - just some thoughts

i have read more this month than any other month? and its not slowing down its only 3/12 so i have 2/3 of a month to go and i’ve read 26 chapters. even if these chapters are ‘short’ at 10 pages, if i wanna count by ‘20 page’ chunks i’ve still read 13 chunks so far. and i’ve still got more time in the month left. most other months i’ve managed to read ‘a lot’ i read 10-20 chapters. so i’m doing really good.

grammar is a weird thing? in reading i feel like its quite easy now to understand. when listening or watching - same. and yet if asked ‘why do i say/type X’ or ‘why is it written/spoken like X’ i have absolutely no explanation in my head. i could not explain the grammar if prompted. this puts me in a weird place and i feel like i SHOULD go over a grammar guide again just so i can WORD what i’m intuitively understanding.

this is a bit bizarre to me because within the first 6 months of study i DID read through an entire grammar guide just to get an idea of what i was about to look at, and it hardly made sense once actually reading/watching/listening. i understood the guide fine, but actually Seeing chinese i was still confused. i would reference AllSetLearning’s Chinese Wiki on some basic points, then after 6 months i just stopped. now its been what 1.5 years and - reading is so easy, listening is so easy, grammar wise. none of the grammar confuses me. but i no longer ‘explicitly’ have any idea what the fuck the grammar is. i used to. i studied it explicitly before trying to read/listen. and yet now that i can read/listen, i have no idea how to explain the grammar. i can listen to a podcast and i don’t think about what the grammar is i just get it. i read and just know what i’m looking at. its like english - i cannot fucking explain it. Which makes speaking/writing a bit hard. Because when i try to check if i’m right i have no fucking clue HOW anymore - i just say/write what comes to mind and HOPE it makes sense. i have no way to conciously check for errors except ‘does this feel right’? And that’s not good enough for me lol. So I definitely do need to eventually read a grammar guide for explicit explanations again.

Technically I think “English and Chinese Grammar Side By Side” grammar book would be an excellent one to use. Because i read the first 50 pages of it and it compared it to english (so it explained english too), and it was very easy to understand and started basic then got more involved.

I’m probably gonna use my very old Chinese Grammar Self Taught by Thimm book instead. Just because I really like that book. Then I guess use another after (probably Basic Chinese Sentence Patterns since its modern and perfect for ‘catch your own mistakes’ study and much shorter than Eng+Chinese Grammar side by side).

Anyway I’m in a very weird place right now lol. I know i’m understanding grammar that is stuff I never even studied initially in the grammar guide, but unable to explain what it is, and a lot of stuff i did explicitly study in a grammar guide i completely forgot the explanation for. My reading and listening is GREAT, because all my effort only has to go into learning new words lately! its relaxing! Its the only part i need to do! But my writing/speaking i am very concerned about because being able to check myself for mistakes is something i’d like the ability to do.

how grammar is presented really makes a difference in how well i get it. there is some serious benefit to ‘show simple first then build up what you know’ that text books tend to prefer. versus like grammar reference books that may start with some in depth stuff.

i tried to read a japanese grammar guide the other day and 1 it was great but 2 it covered some ADVANCED stuff i never learned in genki 1+2, and so it was Explicit grammar description of stuff i had literally years ago been immersing in japanese and Still not conciously known about. So i felt. Overwhelmed lol. I felt so confused. I feel like I might switch to Tae Kim’s grammar guide primarily just because its structured with basics covered first. and i feel like until the basics are again glued into my brain, seeing even more advanced stuff just confused me so much i had no idea how to remember it. which is funny because? my usual strategy with grammar guides is to just read it and let what sticks stick and what is confusing be moved on from, in the hope i will later see it again and understand it better. so like based on what i usually do i should’ve just been able to read through it (and i’m gonna try anyway lol). but truly japanese grammar just... my mind does not like wrapping around it and remembering it. (chinese grammar is so much easier for me... so much easier....;-; )

i have been tempted to just Restart Nukemarine’s LLJ (Lets Learn Japanese) memrise decks, because I KNOW they worked for me last time really really well. And they include Tae Kim grammar lessons. And I know if i did it then maybe i’d get back to where i was years ago pretty fast.

I tried Earthlingo app. Its a cool idea, I don’t think its worth it though unless you planned to get Rosetta Stone (since Earthlingo is FREE). Earthlingo features 1000 words per language, taught to you by exploring video game worlds as an alien. Its a cool concept, but since all words seem to be nouns then you aren’t even learning the most common verbs/adjectives. And 1000 words is not a lot. And you could learn 1000 quite fast if using srs flashcards like Memrise or Anki (think weeks if you push yourself, and a month or two months if going at a regular pace). Earthlingo you have to slowly explore the worlds so that eats time, you have to choose to test yourself (so you don’t review nearly as often as flashcard apps), and one test includes walking around the world clicking the object which you’re given the word for (takes time to find the right object). All this means a word that might take maybe 15 minutes to study over a few weeks, might instead take much longer to study and learn. I don’t use duolingo because it generally covers so few words (usually 2000-4000 i think which is good for a beginner resource but you have to do the WHOLE course to get to all those words and i take so long on duolingo that could take YEARS for me versus a month on a flashcard app or clozemaster). Duolingo I also don’t use because it very slowly paces learning material (it takes me months/years to get through 1000 words on duolingo - just personally i go so slow on it, i think faster people would find a use for it). Likewise Lingodeer takes me AGES to get through (and i think covers 2000 words nowadays? I’m shocked Duolingo has more words for the japanese course tbh). However, Lingodeer is by far the best ‘app’ for Japanese grammar lessons in app practice form. Even if basically all the apps feel pretty slow to me in how fast they give you new info. Earthlingo is cool that its free, and for learners 12 and under i think it would be super useful as a way to engage them and keep them studying (since what child likes flashcards? whereas as a child i would’ve loved this). But as an adult Earthlingo is sooooo slow on how fast you can learn words, and it does not even offer very many words (1000 is a nice bare minimum but without verbs/adjectives it can only be a supplementary learning tool for beginners at best).

Link about Lingodeer having 2000 words in a course. (Since its SO hard to lookup how much vocabulary lingodeer includes :c )

Nukemarine’s LLJ memrise decks (which I’m considering going through again but ToT agh flashcardssssss.... they sure do work though agh)

http://www.chinese-grammar.com/beginner/ - this is the site I read a chinese grammar guide on at like Month 3. I am rereading it now maybe it will help me remember wtf grammar explicitly is. ToT (A tip, read Beginner, Intermediate, Advanced sections). Last time I visited the site you just clicked a section, then saw each fully explained grammar point and clicked ‘next’ it was nice. Now its laid out a little less ideal for me, but its still got all the same nice info! (Also honestly if you are a beginner I really DO like this grammar guide... it introduces basic info first, gradually gets more complex, and i could follow its logic knowing like 200 hanzi and 100 words ToT. its very easy to understand even if it takes a while to apply that info).

im probably gonna read hanshe more today. i’m at the point where either i know enough vocab, or the writers style has just ‘clicked’ idk. but now i just am not getting bogged down by unknown words and am just. speeding through enjoying the plot. Also rip me this novel has 155 chapters and im only on chapter 30.

watching japanese lets plays is really fun! i feel like im 3 years old cause i just see nouns i can learn pretty easy in context cause i know the game well, and hear some vaguely familiar verbs, but its fun! also it helps i know kingdom hearts 2 like by heart so. a lot of it makes me instantly cheerful and nostalgic. roxas’s voice is so cute in the japanese version.

oh i almost forgot: I found a book recently for chinese that for it’s like 10 page grammar guide summary at the beginning ALONE i think is more than worth the 4 dollars it costs to get. It has a ton of compound words and its a reference book in mandarin and cantonese (it has pronunciation for both, all characters are in traditional). I got it initally because it as a bunch of compound words and I’d like to get better at knowing a lot of common ones. But the intro to the book has a page explaining sentence structures in chinese, then examples. Its so straightforward and to the point. I love it. The book is “Understanding Chinese: A Guide to the Usage of Chinese Characters” by Rita Mei-Wah Choy. (There is also a companion book for individual hanzi, which is nice but this book specifically I’m finding more useful).

what i really like about Listening-Reading method, and reading, as study activities: no matter how I do them it is only improvement. I have a tendency to ‘redo’ material i don’t feel i fully mastered, or refuse to move on. So when i have duolingo, flashcards (sometimes i can move on if i ignore reviews/make myself do new stuff), books, grammar guides, self guided classes - i have a tendency to redo the material. over and over. and not progress and challenge myself. whereas with reading - every time i look up a word its useful because its new or something i clearly Need to review (not something i’ve actually learned and can move past reviewing). so whether i reread material or read new stuff, as long as i run into things i find somewhat challenging (feel the desire to word look up), i know i am running into new material i can learn. Same with listening-reading method: whether i finish a book or just skip to random books, any new chapter i do will give me new words to learn/remember (until i’ve reached a point of perfect listening comprehension which is a WAYS away). There’s no way for me to mess it up. I can give up a book im bored with, i don’t have to stick to one resource to the end.

someone tell me why professionally made chinese audio books almost NEVER line up to the chapters???? whyyyyy ;-;

Even More Notes lol:

So I read so much in Pleco, which auto pronounces, I have COMPLETELY forgot. 得地 - for these two, when they’re attached after a description like 淡淡慢慢高兴 etc, when are they pronounced di versus de???? i’m pretty sure 得 is pronounced de when its an adjective like ‘-ly’. but for 地, i don’t remember if when part of a describer if its pronounced di or de????

#rant #march progress #march #everyone using ore in kh2 is hilarious a lil to me tho #u are all bishies u are all tiny kids WHy u acting so tough lol

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rametarin · 3 years

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And further thoughts about the yaoi paddles.

If you’re under 20, and just now learning that fandom seniors in their late 20s, 30s, 40s, even low 50s, used to run around slapping eachother on the ass with yaoi paddles in anime and comic conventions after anime became a household media staple, you probably have.. questions.

You’re probably thinking, “Wow!! It was really lawless and anarchistic back then, wasn’t it! They never heard about personal space or sexual harassment laws! SOCIETY must have been SO different, back then!”

NO. I cannot stress enough, the Yaoi Paddle phenomenon was borne PURELY because the demographic MOST LIKELY to protest and be wet blankets about everything fun and sexual and admittedly VERY SKETCHY sometimes in fiction, and ALWAYS bad in reality.. turned off and said virtually nothing. Wokesters that’d protest about the environment and sexual assault against women would take off their Problem Glasses by night and act like paddling was harmless, contextually acceptable behavior.

Yaoi Paddle shit appeared because something absolutely magical happened in scifi and fantasy fandoms. It survived purely because boys didn’t complain, or their complaints were not taken seriously. I promise you, I assure you, if you grew up in the late 80s, your night time TV was INUNDATED with heavy handed messages about how sexual harassment (always male-on-woman flavored) was wrong, even proxy or indirect violence to women (tossing rubber gloves in their lap) was wrong, and to never, ever, ever do that thing or they’d rub your nose in it and consider you mentally diseased until the day you died.

Fandom was always niche, with sci-fi and fantasy stuff being off in its own little corner. Conventions, before the internet was king, was one of few places where more rural, disparate suburban and city-definition isolated geeks, nerds and dreamers could get together and just cut loose. Comic books, novels, video games. All that GOOD shit. But if you knew a girl in the 80s and 90s, you knew a girl that knew a girl that was getting them to be less tolerant and “more conscious and aware” (80s and 90s parlance for Woke) and when that happened, a new persona was created. A new bunch of dialogue options, created.

Suddenly they didn’t say stuff like, “Ew. Why is this character dressed like a SLUT? Typical male writers. Like we’d ever draw ourselves in this or put ourselves in this.” Because that’d be a personal, subjective opinion. Instead, the option to say, “It’s endemic in our western culture that male chauvinist authors and writers in a patriarchal system exploit femininity in media and reproduce misogynistic culture.”

And so assured this was true by mob mentality AND the idea that learned, educated, acredited and tenured academics had this opinion, they were scientists, and so they were right, permeated. Suddenly girl-fans had outlets to have justified apprehension for everything they saw and didn’t like or, if they actually liked it, STILL interpreted it through their lenses to be on, “the right side of history.”

It made fandom miserable and a sausage fest for a while, if only out of fear of driving away female friends. You couldn’t share that shit unless you knew, beyond a shadow of a doubt, that your female peers and friends wouldn’t disregard you like a “typical misogynistic western male” for enjoying that stuff.

Sentiments and peer pressure thoughts emerged. Like, “The comic industry is hostile and cruel to women that try and enter it, and they exploit the image of women for cheap dollars.” So they simply weren’t interested in comics- mostly- unless the comics were written by women and sold with that virtue in mind. In which case, you had boys glowingly mentioning just how much they liked this authentically written adventure by this female comic author. Isn’t that just so special? Not like those horrid anti-woman cigar smoking old man stories, right?

There was always something to nag and get vitriolic about with the media. That’s part of why the Whedon brand of feminist writing got so popular in the 90s. it was low hanging fruit of peppy “sassy” girl characters doing girly things. They weren’t like “other” girls written in comics and cartoons. They were actually girly. Not idealized infantalized children, like those horrible white men write, you know.

Well. Things were looking really bleak for the forseeable future. Lots of boys just felt like comics and cartoons were lost to girls that weren’t specifically into them, and that meant more sausage fest conventions or hobbies, and signing off hope on those things being respected and accepted on the merits of what they are and were. The girls had embraced serials-filed-off radfem rhetoric and lenses, sometimes without even knowing the origins of where those truisms like the Male Gaze even came from, just assuming it was true and indisputable. And it complimented their insecurities, so they’d embrace that shit until they couldn’t anymore.

And then.. something absolutely miraculous and amazing happened that blindsided this whole vitriolic culture.

Anime.

And amazingly, every complaint that a lot of nerdy girls had about the very much sanitized, policed and made PG writing and characterization of characters in western comics and cartoons, just... fucking up and vanished. Seemingly within a fucking YEAR, the entire social culture of Problem Finders, finding everything wrong about these stories, the characters, the writer and the company that produced them being misogynistic male chauvinism, dried up. Those voices quieted, or were shut out of the groups.

Media from Japan was some of the most infantilizing, sexist, tittelating shit compared to mainstream American comics and cartoons and video games, and girls fluttered to it like flies to shit. We had Buffy basically subverting boogymen that a bunch of girls had been taught were still relevant after the 1950s by fighting crime in melee combat with men, and winning, while wearing jogging pants and cracking sassy, like Lola Bunny being a “tough girl.”

Japan had doe eyed, waif bodied ballet dancers that basically farted iridescent glitter, hearts and all the symbols and shapes of the Lucky Charms, riding unicorns and fighting evil in cute outfits. Being childish and not at all mature or professional to show how womanly and competent they were, basically being overgrown 11 year old girls fresh off the playground swing set.

And the fangirls loved it. Those nagging voices that would speak up and remind them about misogynistic, male chauvinistic “societies” and culture? Just.. they fucking VANISHED from the mind for AN ENTIRE GENERATION. I’m not exaggerating. Tolerance and fun and innocence was back again. The problem-glasses felt too ostracized and alienated, or didn’t even want to wear them anymore for personal reasons, and the Radfem Baby Wokes just seemed to grow out of that collective hysteria and pretend it never happened and never existed.

That’s why the very EXISTENCE of Yaoi Paddles at conventions was just so fucking bizarre to those of us that lived up to that point. After, “Stay in your own personal space, boy. DON’T even TOUCH a GIRL unless she VERBALLY AND PUBLICLY CONSENTS or it’s proof you’re just living up to this misogynistic, objectifying society’s evil history!” was drilled into us, day on the playground by day on the playground, by women with axes to grind and good-boy sycophants performing sharing those sentiments for brownie points, it was so fucking surreal to IMAGINE girls just running around sexually assaulting and physically assaulting random strangers because they thought they looked like cute, gay men.

It wasn’t that they didn’t know any better beforehand, it’s that they COMPLETELY put those sentiments away and up and decided, as girls, it was okay to violate male autonomy because they weren’t women, and “it’s okay to paddle a yaoi boy ^.^!” With NO self-awareness whatsoever.

The very fact it existed is testament to how attention starved boys were for girls approving gaze and playful interaction, that they’d tolerate some pocky fingered little cow stranger smacking them on the ass with a plank of wood because it was a socially acceptable way to just interact with girls in their lonely assed fandom and interest. It was an acceptable way to meet girls and positively interact. That’s the degrading bullshit boys said virtually nothing about at the hayday of yaoi paddles, purely to be welcoming to girls in anime and hentai approving spaces.

WE GREW UP hearing and watching horror stories and boogymen stories about true crime and sitcoms and crime shows about evil evil men violating the personal space of women for lewd and lecherous reasons. We had it drilled into our heads that the tolerance for boys and men doing that was negatives, and the general sentiment was men caught doing that (to women, or children of any sex) were effectively free game for any violence you personally felt like unloading on them, confident that in such outraged rape and sexual assault hating times, juries would excuse that passion as a defense.

So if you look back on the era of Yaoi Paddles and think. “WOW. That must be like driving cars before they invented seat belts and cough medicine before they invented the drug safety and scheduling legal system!”.. NO.

It was not like the 50s-70s, where many of the rules hadn’t been written yet so it was anarchy and chaos. Yaoi Paddles existed almost PURELY because girls HAD no rules if they didn’t want to respect them. The Yaoi Paddle phenomenon flew in direct opposition to how interactions were supposed to go, and ABSOLUTELY NO ONE would tolerate the reverse; no cis straight man could walk around randomly smacking women on the ass with a plank of even foam in pantomime, or ‘floating hand’ pretending to be a perverted character. The double standard was GLARING. The Double Standard was a fucking bugbear that had grown from a tiny screaming goblin and was now hanging upside down from the ceiling, roaring.

But because it was GIRLS inflicting it on BOYS, absolutely no party cared enough to raise a stink about it. The Radfems kept their mouths shut, because boys were the recipients. The Radfem Sympathizers really wanted to spank boys, so suddenly they couldn’t find their problem glasses and instead put on their neko ears. The boys were either stoic and amused by it or really wanted to be seen as cool and not buzzkills, so they tolerated to reveled in it.

Many times when you hear about things that happened either when you were a child just too young to really personally experience a thing, or before you were born, we’re quick to assume it’s a medieval place and the people were so uncultured as to have never pondered the social problems of spanking one another on the ass unprovoked. Violation of personal space, personal sovereignty- all that. That was NOT okay at the time. It happened because fujoshi decided it was okay and nobody argued with them to not do hat, or they were told to stop and did it anyway.

And as I’ve laid it out, that is the most bizarre and surreal element to the whole thing. They DID know better, but felt it didn’t apply to THEM because they were girls, and a girl slapping a boy on the ass “as a joke” didn’t mean anything- because it wasn’t happening TO them, FROM a man.

And irony of ironies, it was NEVER okay, EVER, throughout that entire era, for the reverse to be a thing. It was very specifically and exclusively not. As a man if you ran around slapping cute looking girls with the Yuri Paddle, you goin’ to either juvy hall, or prison, boi. Both sexes knew it. And yet, yaoi paddles STILL became a thing.

#history #yaoi paddles #90s fandom #early 00s fandom

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