#i first started making digital art in 2020

[marielism]

testing some new brushes

#joel miller #pedro pascal #tlou #the last of us #hbo's the last of us #hbo's tlou #my art #okay so mariel lore unlocked: #i first started making digital art in 2020 #and pedro pascal was my MUSE!!!! #it's crazy i drew him so many times #this is for my 2020 self

[mg549]

5 years in review (2018-2022)

#art review #year in review #art summary #art meme #my art #i wanted to look at them together :))) #i feel like 2018 is a solid start #2019 was a little rough as i learn a new medium [digital art] #2020 was mw sort of finding brand stability in the types of pieces i did #2021 was pushing myself to really improve with focus on texture and unintentional focus on lighting #and 2022 was a fucking STRUGGLE trying to learn how to put art out consistently while working full time #like for example. jan feb march of this year. i only put out one piece each month #bc i rly dont like my job lmao and it took so much out of me >moving cross country >starting first full time job >moving AGAIN across town #also the piece from july looks wonky to me now but it still is the most polished thing from that month bc i did a bunch of quick art fight p #ieces #unintentional themes for this year: realism. red/teal palettes [or more generally warm/cool contrast]. #almost exclusively music fanart or mh/sta stuff #idk im always over critical of my year in review stuff when i first make them then warm up as i become nostalgic #you can also notice a trend of yellow slowly becoming completely absent from my works. this is bc my old laptop had issues with displaying #color and washed yellow out so i never saw it. hence why old drawings of ppl look RLY JAUNDICED. i couldnt goddamn see it #and i dont rly gravitate towards yellow too often #aqua is my fave color in general but also to work with #i didnt do 0 traditional art this year but i felt like i did less that usual probably bc i used to work on my bed but now i work at my desk #which is Very Small and doesnt have a lot of space for me to get out pens or paints or whatever #that and also. less time and energy than in previous years :( #my faves for each year by month: jan-21 feb-19 mar-21 apr-22 may-22 jun-22 jul-18 aug-22 sep-21 oct- #18/21 [tie] nov-21 dec-22 [altho i def seem to always push myself to make sth rly good in the last month of the year tbh]

[unnamed-arcade]

I’ve decided since I’ve been taking longer to get this drawing I’m working on finished, and you guys have missed out on the past like, two to three years of my art, that I’ll just go ahead and post some art from 2020

It’s bad admittedly, but that’s what my art looked like in 2020

#Looking at this makes me realize how much progress I’ve made as an artist #It makes me feel proud of myself for making it this far #Also I first started digital art in 2020 #fuyumi todoroki #mha #My art

[art]

Creator Spotlight: @chaaistheanswer

Hi everyone! I am Clara, but you can also call me chaa! I am a digital artist based in Auckland, New Zealand, with a bachelor’s degree in Creative Media Production. After graduating from uni, I moved out to pursue my art career and I’ve been a freelance digital artist ever since. I love concept art, especially character design! Creating characters influenced by my love for fantasy is what I live for. Thank you for stopping by, and I hope you enjoyed my art! And thank you, Tumblr, for this opportunity!

Check out our interview with Clara below!

Did you originally have a background in art? If not, how did you start?

I specialized in art in high school and have a bachelor’s degree in Creative Media Production from Massey University with an animation pathway. For our thesis film, which I worked on with several of my classmates, I took on the role of producer, art director, and concept artist. Our short film was featured in the Wellington Film Festival Terror-Fi in 2020. After graduating, I went on to become a freelance artist, but my goal is to work for the gaming industry as a character concept artist. Ever since I first picked up a pencil, I knew I wanted to become an artist!

Have you ever had an art block? If so, how did you overcome it?

Art block is quite common among artists, and unfortunately, I too have fallen prey to the affliction. I have several ways of overcoming art block: watching movies, playing games, reading, or going out for a drive with my sister. These are just a few things I love to do to help keep my creative juices flowing!

What is one habit you find yourself doing a lot as an artist?

I tend to obsessively research about completely unrelated topics while I draw. I find learning new things helps improve my concept designs, especially in creating backgrounds for my characters.

Over the years as an artist, what were your biggest inspirations behind your creativity?

Video games and anime were my biggest inspirations! Anything with a captivating story that’ll send me to the edge of my seat, and loveable characters. I’m particularly drawn to high and dark fantasy.

How has technology changed the way you approach your work?

Technology has made a huge impact on us artists over the last few years. I used to draw a lot on paper, but since getting a tablet, I find myself searching for the undo and redo buttons and even trying to zoom constantly while I draw on paper. I used to only draw for myself as well, but after posting my art online, I now have an audience to whom I can share my art. Because of this, I am able to earn a living doing what I love by creating illustrations for clients.

What is a recent creative project that you are proud of?

I am very proud of this recent commission I’ve done for a client! Fortunately, the piece turned out exactly how I wanted it to look, and my client was very happy with the result. I am also in the process of working on a Webtoon, which is going as smoothly as I hoped it would be before its re-release!

What advice would you give to younger you about making art that's personal or truthful to your own experiences?

The best advice I would give my younger self is to never hold back! Try not to think about the negatives of creating and sharing art that you believe in. Embrace vulnerability, and don’t be afraid to dig deep into your own emotions and experiences. Always explore, and don’t limit yourself to your own bubble. And most important of all, stay true to yourself! Stay true to your values and beliefs, and never compromise your own authenticity for the sake of pleasing others. Your art is a reflection of you as a person.

Who on Tumblr inspires you and why?

@yuumei-art has been an inspiration to me since my early Deviantart days. I admire how she uses her skills to focus on environmentalism and cyber activism. @nipuni is another inspiration of mine. I found her when I was in the process of recovering from Dragon Age Solavellan hell. I admire how she manages to capture faces well while also sticking to her style. Her paintings are so beautiful and very pleasing to my eyes!

Thanks for stopping by, Clara! If you haven't seen her Meet the Artist piece, be sure to check it out here. For more of Clara's work, follow her Tumblr, @chaaistheanswer!

#creator spotlight #artists on tumblr #chaaistheanswer

[soupandcats]

Sorry abt the big ask, but your colours are always really vibrant and interesting! They seem both saturated and subdued. What’s your general method for choosing them or are there any tricks/layer modes you use?

Thank you! This is gonna be a long one sorry😭

My favorite digital art trick for color is the curves tool! In procreate you press the wand tool in the top left corner (Adjustments) > Curves. I recommend just playing around with this until something you like happens.

Here’s a study I did with pretty standard colors.

Here are some versions of it after moving the curves around.

What I like about this is it’s a really quick way of changing the color scheme that’s more precise than applying a filter. It lets you see how far you can push things outside of what’s expected!

When I first started digital art I had so much trouble with color because unlike traditional, the colors have the ability to be fully opaque. With traditional if you’re doing a painting the paints/colored pencils/etc will naturally mix with one another creating a more cohesive overall image.

Here’s a drawing I did in 2020. As you can see it’s incredibly saturated. When I was picking colors I was working in the most saturated section for nearly every color.

These days even when I’m trying to make something super colorful I’ll force myself to desaturate it more than I think I need to. There are two ways to desaturate something. You can move it towards white or towards black.

Another thing I try to keep in mind is that colors look different based on what colors are around them. If you put gray next to a color it will look like that color’s complement. If you put a warm color next to a cool color they’ll amplify one another making both look more intense. In that same way if I put a super saturated color against a more neutral background the color will look even brighter.

I like this tapestry by Sheila Hicks. See how the orange is glowing against the more muted purples and blues?

Another thing I try to keep in mind is value. Like color it’s influenced by its surroundings. If you place a lighter color over a dark background it will look brighter than over a light background.

So in a piece the eye will be drawn to the areas of highest contrast first. And area that’s similar in both value and hue will recede into the background.

I really am not an expert on color I have so much to learn. I recommend Marco Bucci’s videos as well as the book The Art of Color if you’d like more detailed+accurate info! Color theory is the most fascinating thing I’m obsessed with it.

You don’t really need to know theory to be good at color though! Just playing around and figuring out what you like (I LOVE PURPLE) will make you better!

The most satisfying thing is when you’re making a drawing and you decide to add a little gray or a little orange or whatever and suddenly your piece just starts to SING!!!! (That purple/blue/orange part of the Sheila Hicks tapestry is singing to me it will forever make me happy)

Anyways I hope this helps! 💜💜💜

#ask

[datura-tea]

holy shit this year marks 10 years of this blog and moz!! i can't remember the exact date i started posting here - my archive says i have one post from november 2013 but let's disregard that - but i do remember it was around late 2014/early 2015 :)

^ one of the very first moz art pieces i ever drew, for fallout week 2015!!

memories and art through the years under a read more bc it got long

2014 → baby's first rpg!! i started playing fnv on my cousin's jailbroken xbox late 2013 and finished mid 2014 and i loved every minute of it. i remember waking up at 8am and playing almost nonstop until 2am the next day haha!

i didn't play moz on my first playthrough - but i did start creating a character that would eventually become her: a shorthaired ex-boxer who punched her way through obstacles when diplomacy failed. i remember she spent a lot of time with boone. i liked him then, because he saved my ass more times than i can count. but i digress. this is draft 1 moz essentially

2015 → this is the year that i was doing my thesis so i could graduate but i was so depressed and stressed about it that i distracted myself by replaying fnv on pc, where i played through the dlcs for the first time. i fell in love with the dlcs' oversarching story; particularly ulysses, who i became obssessed with, especially since i couldn't find any content of him at the time. in the game, i played as moz; i had most of her personality and choices down, but her backstory was still up in the air.

fun fact: this was an existing sideblog that i remade to be a fallout blog so i could look for ulysses content, and when i couldn't find any, i made some myself, featuring moz as my main courier six. originally, i didn't ship them, but eventually i ended the year as a courier/ulysses otp shipper.

this was the year i started drawing digitally - my uncle let me borrow a drawing tablet and i used an old copy of photoshop i pirated hehe

2016 → i graduated this year!! and promptly fell deeper into my depression. this was the year that it got so bad that i had to be medicated. through it all, this blog and moz and ulysses and my fandom friends were with me. and for that i am truly grateful :) this was the year i figured out how to lock transparent pixels so that i could color my lineart lol

2017 → i started hammering out moz's backstory this year i think. there's a lot of sketches of her and her family in my files. i experimented with shading and backgrounds here but that experimentation was pretty short-lived

2018 → i started using references seriously!!!! i did a lot of oc on oc kissing this year, featuring mostly moz and many friend ocs haha

2019 → didn't draw much this year. actually this year was a blur and i can't remember much from it except from it being the year of my terrible no good bad copywriting jobs... anyway i did manage to continue my courier/ulysses brainrot and make this piece, which i'm still proud of

2020 → pandemic time. i spent a lot of time asleep at home and i think this was also the year i started doing commissions?? shoutout to anyone who has ever commissioned me - thank you so much, i truly appreciate it!!

2021 → i switched from my old-ass pirated photoshop to clip studio paint and never looked back. also i did a bunch of commissions for my grandmother's surgery, which failed, and i distracted myself from the sadness by drawing my ocs over and over and playing disco elysium

2022 → by this year, i've got moz down pat and have started vaguely developing other ocs instead. but she's still always at the back of my mind

2023 → i bought new brushes from true grit texture supply and immediately found new favorites that i started using for everything. i tentatively started incorporating background elements in some pieces!

2024 → while it's still too early to say where this year will lead me art-wise, i will say that i started experimenting in realistic paint studio (which i bought in 2021, the same time as clip studio paint) a few days ago and i'm liking the results so far. we'll see!

all in all, these last 10 years have been quite a ride, but i'm glad i stuck around and i'm glad you guys stuck around too!! much much love 💖💖💖

#shh peri shhh #god. look at that old art... i took the ones that i still kinda liked but the rest... #well i don't hate them. but they're old and of their time and i wish i could redo them lmao #my art #moz

[foursaints]

i know you get asked this probably 16 times a day but as a fellow artist who usually paints based off of references of real pics and trying to be somewhat realistic. how did you develop your style? did it take awhile, or was it pretty immediate? did you start out doing mediums like painting and drawing and transition to digital or was it always digital? final question: do you have any “tips” or “words of wisdom” for silly people like me who wanna try digital art but never have and because i never have im too scared to try…? sorry for the elephant stampede of questions i just really love your art and would love to know YOUR THOUGHTS AND FEELINGS!!! (please)

hi ♡♡!! this is so kind & honestly i'm incredibly touched... I forget that people even like my silly art so this had me making 🥺 eyes at my phone. i will answer your questions to the best of my abilities!!!

i'm putting it under the cut so i can attach examples lol

DON'T BE SCARED OF THE SWITCH TO DIGITAL!! it's so fun and the undo button will change your life... come take my hand... my biggest tip is to watch speedpaints! that was really huge for me when making the switch. find artists with styles close to yours & pay attention to their steps (how many layers they have, how they do lineart, do they use overlays, etc). if you do this a lot, you can get a clearer sense for how the digital workflow/process can look for you

i feel like kind of a pompous asshole discussing my own "style" or whatever 😭😭 my silly yaoi fanart 😭😭 but i do want to answer your questions!!! i started out drawing traditionally but i transitioned to digital when i was 16. and for a very long time i was one of the people who drew with my finger on my iphone .......i def get the most questions about my style & the unsatisfying answer is that it's pretty much always been there. it's evolved over time in a way i can't really describe so i'll show it visually

(my examples are all my ocs in an attempt to get you guys to be curious about them)

^ i did a redraw pretty recently so i can put that here!! these are the same characters from Jan 2020 -> March 2024... the first one was drawn on my literal phone lmfao. to me it's almost as though my "style" has always been there, but it's become like... yassified?

^ my art looked like this in 2020-2021

^ and like this in 2018-2019 when i was still doing trad

sorry for responding to your questions with an elephant stampede of images lmfao!!! I APPRECIATE YOU!! i guess my only words of wisdom are that even if it's intimating, you will never look back & regret trying something artistically. looking at my own stuff like this, im the cringiest yaoi artist EVERRR but im still doing it because it's the most fun when you're being self-indulgent.

i really really wish you the best on your art journey! thank you so much for writing & i hope my answers weren't too long-winded ♡♡

#a #i need to learn to Say Less #EITHER WAY I APPRECIATE THIS SM I HOPE YOU ENJOY !!! #saintsocs #<- look i’m making a tag. i feel like i posted them enough here #foursaints art tag

[andrew-ism]

Hey, I just wanted to ask as a person from the Caribbean also. What got you so passionate about, or I guess got you into the political sphere. A lot of the things you speak about aren't typical of a lot of Caribbean YouTubers one of the reasons your content stood out to me.

From a very young age, I noticed the problems in my country (Trinidad & Tobago) just from looking around and I wanted to change things. Many of my old drawing and writing books were thus filled with ideas for change or worldbuilding fantasies. I've always loved writing and seen it as my way of shaping the world. As I got older, I spent more time trying to understand the issues, the history, and the contemporary situation by reading, chatting with folks in person and online, and consuming edutainment. My passion for learning was also helped by my homeschooling experience.

Without getting deep into my whole life story and political journey, this pursuit of knowledge and solutions was kicked into overdrive in 2019 as I was introduced to the ideas of socialism and anarchism and later in that same year experienced the depressing and life-draining nature of full-time work for the first time (previously I had done a few part-time internships, short-term contracts, and sole trade work). While in the office, I read digital copies of both The Communist Manifesto and The Conquest of Bread, which led me to start a blog in 2020 where I would be able to publicly share what I had been thinking about and learning about for so long. That was on Medium.com. At that point, I wanted to be an art journalist.

Before long, radical ideas explored through a local lens became the prime focus. But due to low readership over months of consistent effort, I came to see blogging as a medium with limited opportunity for reach in our increasingly video-dominated age, which culminated with the creation of my YouTube channel.

However, as much as I wanted to keep my focus on the country and the region, I couldn't limit my message. I don't tailor my voice and message to either a local audience or an American audience. I grew up on content that acted like America was the only country and audience in the world, but I knew there were people like me globally going through the same issues who didn't want to hear every message filtered through the American lens.

I think both globally and locally when I make my videos, and I believe my approach has allowed me to reach folks internationally, which has gotten me to a size where people across the islands can now more easily take notice of my work and hopefully get some good out of it. My heart remains here in the region, and I would like to expand my reach here in the region, but it's easier said than done. I've seen an opportunity in TikTok, but I really can't add more to my plate at this point. A burning passion for learning combined with consistent effort, the help of various folks, and luck sprinkled in has brought me to where I am now, and that's what I'm trying to maintain going forward.

#ask andrewism #andrewism

[anarchotahdigism]

I know i say "wear a mask and riot" and "fuck a peaceful protest" but I'd had a nice long post about how digital work and advocacy is praxis (or can be) on my old account. Right now, COVID is spreading and killing thousands of people in the US alone and nearly all """radicals""""" and """""leftists"""" are philosophically no different than the fascists they claim to oppose because they are so thoroughly wedded to eugenics that they refuse to wear and enforce masking. COVID causes long COVID in 10-30% of cases so the so-called US alone may well be a majority disabled nation now due to rampant eugenics forcing the spread of COVID. Long COVID is a rotting death and makes everything an order of magnitude more difficult if you still are able to do the things you were prior. Repeated COVID infections means you're guaranteed to be immunocompromised permanently and disabled in other ways you'll likely find out the hard way. With 40% of cases being asymptomatic and most only showing severe symptoms after 2-3 infections, and many starting to drop dead after 3 to 5 infections, many people accrue damage from and spread COVID without realizing it until it is far, far too late. As a result, it's guaranteed that the ableists have disabled and killed people. They've kept disabled people like me who are high risk out of radical spaces & communities. They've abandoned solidarity for everyone but the abled, ableist middle class while focusing most of their efforts on electoralism, despite the clear and constant failures of such actions. The BLM Rebellion of 2020-2021 had significant---albeit broadly temporary--impacts on electoral politics, society, and communities because it was a constant and ongoing rebellion that was also much more disability inclusive than prior leftist movement moments. For the first time, people recognized the need for remote actions & support because while masking was at the high water mark, more abled people understood that a lot of us disabled could not and would not risk COVID but we had had skills vital to the project. Things disabled people were absolutely critical for during the BLM Rebellion: police scanner observation and transcription, evacuation coordination, event & route planning, translation services, postering, graphics art & design, self defense seminars, radio nets, mutual aid fundraising, mutual aid distribution, bail fund coordination, zine writing, mask & test distributions, contact tracing (remember this??!??!), car brigades, organizing medical supplies, teaching first aid skills, and countless other roles often organized & performed remotely. For every fighter, there are at least a dozen support roles and with some thought and effort, those roles can be aided or done digitally. Posting on its own can be praxis in that it shares information, knowledge, tactics, demonstrates that there are other radicals out there willing to do what they can, normalizes radicalism, and in some cases, regimes pay close attention to internet support.

During the height of the Jina Amini rebellion in 2022, the Iranian regime tried to cut the internet repeatedly to stifle information out of and into Iran to hinder protest coordination and outrage. It also paid extremely close attention to when the rebellion was trending and refrained from reprisals until the mass attention of the internet citizenry turned away. Posting literally helped save lives by forcing the regime to wait, buying people time to organize, prepare, and act accordingly in Iran and internationally. Personally, I will always remember and be grateful for the Palestinians who turned out across the world, but especially in occupied Palestine, for Iranians. Iran is not the only regime that will wait until posts slacken and attention wanes before massacring people. If you are disabled, if you have arrest risks, if for any reasons you don't want to be involved in a radical riot, but you want to support those who can and do, there is so much you can do year round but especially things kick off!! Any skills, resources, knowledge, or support you can organize or contribute is valuable! eSims for Gaza right now are monumental in ensuring Gazans can coordinate information, requests, record Israeli occupation war crimes & apartheid cruelty, and many disabled graphics designers are offering their services in exchange for esim donations. It's been incredible to see.

The people who are against digital activism are ableist and racist and ignorant as hell beyond that. You can make an impact and even save and change lives while homebound. Begging genociders to stop profitable genocides has never and will never work. Riots & boycotts work because they directly confront and attack power and if those actions are supported by communities, they can continue for quite some time, as we saw with the BLM uprising. Regimes do not fall because people ask regime leaders to please stop committing atrocities; they fall when the people are able to bring to bear the sum of their hopes and wrath and bring the fight to those who have been oppressing them. That requires inclusive community & an outright rejection of the regime and its systems of cooptation & recuperation.

If a revolution or movement isn't inclusive, if it excludes the disabled, the poor, the marginalized, the oppressed, it's not a revolution or movement, it's just another genocidal regime change.

#covid #ableism #wear a mask #antifascism #anticapitalism #anarchism #antizionism #free palestine #genocide #eugenics #death to america #jina amini #jina amini rebellion #jina amini protests #jin jiyan azadi #anarchotahdigism #acab #eat the rich #swana diaspora #swana solidarity #death to israel #death to the west #glory to the resistance

[shimmerloid-ai]

Introduction - What is VOCALOID?

Hello everyone, Shimmer here! This is my first post in this guide blog thingy. I thought it would be a good idea to explain what VOCALOID actually is before I jump into how to use the software. Otherwise, it would be like baking a cake without knowing what cakes are.

So, let’s start by addressing what VOCALOID is not.

VOCALOID is NOT an anime series. Although Hatsune Miku made cameos in "Dropkick on My Devil!", she never originated from an anime series because she is NOT an anime character.

Second, VOCALOIDs are not those crappy AI voice models. You know, those weird “voicebanks” where you can make Spongebob Squarepants sing "7 Rings" or have Cartman from South Park rap "INDUSTRY BABY"? Yeah, those are actually illegal renditions of celebrity voices without the knowledge of the voice actors/influencers/singers whose voices were used to make the models. You just put the models over an audio track, and boom. Lazy, illegal shit.

Finally, this is just common sense, but VOCALOID did not originate from Project Sekai! Colorful Stage! The Cryptonloids (Miku, Rin, Len, Luka, Kaito, and Meiko) have existed long before the game was released; VOCALOID 1 was released in 2004, while the money making machine was launched in Japan in 2020. That is a gap of sixteen years, and if you compare the time between Hatsune Miku V2's release and Project Sekai, we have another thirteen year difference there.

With that being said, what *is* VOCALOID?

The best definition I can give you is that it is a digital singing synthesizer. Basically, it is an instrument, but instead of piano notes, you get vocals.

And no, *this* AKITO is not associated with the Akito Shinonome from Project Sekai.

To advertise this voicebanks and increase their appeal, Crypton, VSINGER, AH-Software Co., Internet Co. Ltd, and many other companies that make voicebanks for this software have cute or hot anime-style avatars designed for their box art. This was a great marketing scheme in my opinion, because wouldn't you be more inclined to purchasing something if it looks aesthetic, kawaii, or epic? Just look at GUMI's design!

Alright, I have a feeling I may have bored most users who are reading this weird info-dump, so I am going to add one final, important point. Remember our wood analogy? Well, we have the workbench (VOCALOID), and the wood (the voicebank(s) of your choice). Making a desk for instance would be like making a cover of a song. But people can make the same kind of desk with an entirely different appearance or texture. Similarly, a lot of producers can make covers of the same song, but they can sound entirely different in regards to their pitch, tone, or melody. This aspect is known as "tuning".

Tuning is basically the process of editing the properties of a voicebank and the notes/lyrics they are singing to create a specific sound. People can tune the same song in different ways. For instance, listen to the original "Rolling Girl" by wowaka, and then these covers. They are all the same song, but tuned in entirely different ways.

Below is the original song:

And these are all covers:

Also yeah, that last cover is mine, it's my blog, I can promote my content if I want to)

I hope that just by listening to these you can see how tuning can vary from individual to individual. Its all a matter of how you control the parameters of the singer.

So yeah, I yapped enough so I'm gonna end this infodump right here. I'm not surprised if you guys are still confused, so I'm going to leave some helpful resources down below as these people are better at explaining shit than I am.

My next post will involve some common terminology used in the VOCALOID community, such as “VSQx”, or “pitchbending”.

Goodbye for now!

#vocaloidproducer #vocaloid #vocal synth #vocaloid4 #Vocaloid tutorial #Youtube

[elgatoarcoiris]

Introduction post☃️

My name is Erica !! I go by she/her

im mexican american, i mostly speak english online but do speak spanish aside

i think some people know me from instagram ? I have a different @ which is the one you see on my drawings in the corner @ rainbowlecat , im more active there

I also have twitter under the @ eigatoarcoiris

Im 17, and aspire to be a visual development or book cover artist !! But currently im working on college applications so i havent had much time to draw, i actually got my first acceptance yesterday yayyy!!!

I started drawing digitally in 2020/19, my favorite story to tell is that the reason i even started drawing back then is because i wanted to make pretty covers like i saw on the kotlc books

Ive been in the kotlc fandom since then, but have read the books since before that!

I also animate sometimes !!(working on a stellarlune animation atm, hoping to finish it before book 10 is announced (like title and cover))

Uhhh what else to say

My favorite kotlc character is sophie !! I am very very patiently waiting for book 10🙂

Looking for more kotlc mutuals ⁉️ heres some of my kotlc art if youve never seen it before v (last one was @/visible_echo's dtiys)

#is this how an introduction post is supposed to look like #i feel like i said too much #kotlc #kotlc fanart

[nikoisme]

Heyo!!! :D Some questions for you!

What are some of your fave parts of the Iliad and Odyssey? And then do you have a favorite by Euripides?

How long have you been drawing?

Since your "lovable little bastard" is a lil calico, does she have any neat patches/spots that are cute? Example, Teddy has a big stripe that curves across her neck, so I like imagining her having "necklace" haha. Does your lil lady have any spots that are cutely shaped? 🥺

(Good luck in school! :D Know I'm rooting for you!)

hello hello :DD this is a much needed break from studying oh god thank you.

For The Iliad,, BOOK 6, THE HECTOR, ANDROMACHE AND ASTYANAX SCENE. Book 10 also slaps obviously, night raid my beloved. The laments over Hector in book 24 too :')) It never fails to make me cry. But there's a tiny little specific part of The Iliad that is my absolute favorite - when Menelaus tells Antilochus that Patroclus was killed:

Idk man it feels so real and raw and hngngng. And Antilochus my man.

Now for The Odyssey i'm basic af but it's the reunion wih Telemachus, Penelope and Laertes :') hits right in the feels. The marriage bed story. The orchard. God fuck. Also the several little moments when Telemachus and Odysseus just,, exchange knowing smiles or glances with each other (when Odysseus is disguised as a beggar). It's just so neat i don't know why. Telemachus doesn't even know Odysseus and Odysseus doesn't know who his son is (yet!!), but they just kind of clicked together (when it came to scheming and plotting ofc. It's in their genes).

Tbh I haven't read too much of Euripides, I have quite a few plays sitting on my bookshelf waiting to be read. So i should probably, yknow, do that hahaa. But my favorite so far is Iphigenia at Aulis! It's just so heartbreaking and tragic and painful and ahdbagshjj. mannn.

I started drawing since I could hold a colored pencil lmaoo. i just did it sometimes as a kid, i liked it and was seen as the "art kid" in school (now that I think of it, I was actually more the "a pleasure to have in class" kid,, but hey i was the one people ran to during art projects lmaoo). It was 2020 when I really wanted to get into it - especially digital art, since I've been drawing on my phone and the family computer with a mouse in godforsaken Gimp up to that point - and I got my first drawing tablet the same year! Funnily enough I started drawing humans about... 1,5 years ago?? I was actually, lo and behold, a warrior cats artist for a few years :'DD

NOW. SHE HAS SO MANY SPOTS THAT I ABSOLUTELY ADORE. For example, all her paws are white - but only one is black with a single white toe:

And she has some incredible markings on her face if i can say so myself:

Especially since the orange marking goes in a straight line across her face, it's so neat. And her fluffy white neck/throat marking :D

And thank you for school AGJSJSDHHH. I have my last test on Monday so I should be finally free next week! The worst tests are over now, thankfully. This is hell :')

#asks #actually i have no idea if my cat is a tortoiseshell or a calico. #since in order to be a calico a cat needs to have white markings i think?? #and a tortoiseshell has only black and ginger. #i know my fur color names okay it's the warrior cats effect.

[calware]

Every other question for the artist ask sheet, but u pick odds or evens

😳 yikes! ok lol

8. What's an old project idea that you've lost interest in

back in early 2022 where i wanted to make fake-neon signs of the beta kids. i ended up doing john and rose (i don't like how rose turned out) but i never got around to doing the other two. this idea was inspired by this post btw

12. Easiest part of body to draw

the nose :) i used to hate drawing noses but now i find it fun. i tend to draw the same nose a lot though 😭

(i promise i can draw other noses, i just happen to not draw them as often)

16. Something you are good at but don't really have fun doing

hands, as long as i find the right reference... which i usually don't bother doing

18. An estimate of how much art supplies you've broken

i focus on digital art 99% of the time and i am SUPER careful with all of my electronics, so i don't think i've broken anything i use to make illustrations except for wearing down one pen nib..... however. i took a jewelry making class one time in middle school and i broke. SO. MANY. SAWBLADES. THE TINY BRITTLE ONES.... i broke so many that my friends teased me about it and we made a graveyard for all the broken saws.

22. What physical exercises do you do before drawing, if any

none. i do hand stretches if they start to cramp up though. if i draw too long my thumb will spasm (which is probably not good) and i will massage it whenever that happens

24. Do your references include stock images

sometimes, and it's usually because my first source for references is just a quick google search

26. What's a piece that got a wildly different interpretation from what you intended

i don't think i've had any WILDLY different interpretations... but one of my vriska drawings HAS gotten two analyses on the symbolism that i put in on complete accident

28. Any art events you have participated in the past (like zines)

i was part of

a secret santa for a homestuck server in 2020

jade week in 2020

rosemary month both in 2020 and 2021

@queerjaneweek this year

@hsanthologies' trickster treats zine last year

and i'm going to be in another zine this year that will be released soon :)

#ask #Anonymous #ask game

[izzyjofo]

Look at these meow meows. I’ve gotten so much better at art.

P.S. if you wanna see my middle school art it’s under the break

Ok so this is from 2015. I was in middle school and this was my first creative scene that wasn’t a character standing looking straight at the fourth wall.

Look at those cutie patooties.

Next is 2016, with a significant improvement already. While I never drew seriously wanting to improve my style before the first drawing, I spent a year developing how I drew and this was the result of that. Do they all have the same face? Yes. Is it impossible to tell at a glance which character is which? Definitely. Still better than the first one tho

Now we’re onto 2017. I did this in one night for inktober. Some of the proportions are a little wonky, and I knew that at the time, but I kinda rushed to get it done. Though, my Facebook friends thought it was pretty cool.

Up next is 2018, the first digital piece. I did this on my phone with my finger. Also, the characters finally have different fur patterns! Even if three are solid color cats, it’s more detail than before.

Now here’s 2019. I upgraded once again to a drawing tablet and Paint Tool Sai. Nowadays it’s not my preferred software, but it was a really nice one to start off with. I also played around with lighting, trying to make sure that the light source was consistent with the background and to make the shading more than an airbrushed black.

2020 had a dramatic change! Still on Paint Tool Sai, you can tell that I am more comfortable with drawing on the computer. My favorite bits have always been the cat in the foreground and the angry spiky one

I went in a more stylized direction in 2021. Though the background is a little strange, you can really tell I was trying, especially compared to the empty plane of green from the last year.

And again, here is this 2023’s version! This took me like 8 hours of solid drawing. I also only used the lasso for all the coloring and shading. I’ve been a big fan of cell shading recently, I will admit.

#warrior cats #warriors #warrior cats fanart #oc #oc art #ocs #my ocs #warriors oc #redraw #draw this again #self improvement #art improvement #im proud of myself #flowerheart #october redraw

[the-pigeolympics]

alsooooooo i haven’t done one of these in a while, so i wanted to do a “9 years of yuuya drawing” comparison under the cut! maybe i’ll do one of these for other characters too later....... but they won’t go back as far to 2015 because yuuya was my First Love... 

2015: very early digital art era.... did not really understand how layers and coloring worked.... i also think this was drawn on firealpaca?? or maybe sai. one of those 

2016: got my own digital tablet! 

2017: big year of drawing... discovered the watercolor brush on sai and then went wild with blending colors everywhere 

2018: lots of practice and experimentation with colors. started making merch. but clearly i was still drawing a lot of “anime character at a 3/4 angle facing left” LMAO 

2019: less drawing happened this year. decided to go simpler with coloring, but i think lines/style improved. 

2020: no yuuya example for this year... i did do a couple yuuya doodles (and 1 yuuya commission) but mostly did other big drawing projects and so the yuuya drawing got put to the wayside : ( 

2021: no more fancy coloring here! but lines and style are probably better?? 

2022: went through my egg yuuya phase

2023: lines are better i think! 

#my art #yun talks #i guess we can see that my art really solidified into its current state in 2019 #and i had a brief experimental phase with coloring and then decided that coloring is too much work and i should just stay simple LOL

[annwhiskers]

6th Birthday

Today is the day I made my main two boys, Rune and Hyde, exactly 6 years ago, in 2018. These are the only two I keep up with with that, since they’re my longest lasting ocs and I like to use it to keep up with my progress every year. So I thought I’d share the drawings I made for them on their birthday every year, including the first drawings I ever made of them and share a bit of their history. And give a brief history of my art journey along with that.

These are their very first sketches, before I figured out their personality, backstory, or even that they’d be a couple. Some key elements are already there, like Rune’s earring (which I’d actually forgotten about for a while until I looked at this sketch again), and Hyde’s scar on his lip (although, not very visible.)

I made this not long after. They were originally part of a cast of characters which was supposed to be more of a found-family thing. I thought they were going to be side characters and that Selene would be the main character. But as the story developed, I grew to love them more and wanted to focus on them. Half this cast is gone now, and the ghost girl is no longer a ghost, simply a human (that’s Raven). This world no longer has mermaids, that’s become entirely its own thing. The purple mermaid stuck around for a while as a human, as more of a regular friend to Hyde in the village, but in the end, I also got rid of her. The only one I kinda miss is the zombie boy, he was cute. But he didn’t serve much of a purpose, other than his existence hinting at Selene’s experiments. I guess he’s been replaced by a rat now, poor boy.

This was their first birthday, when I started getting more comfortable with digital art. I was quite wishy-washy about Rune and Hyde’s dynamic for a while, which one of them would be wearing the pants, sort of. That’s probably why Hyde is so small here. Now, neither are more dominant in the relationship than the other.

I didn’t do much for their second birthday. I didn’t draw much at all that year. Especially not them, because 2020 is the year where I lost interest in them for a while and started developing both Team of Thieves and Merfolk. (More on that another time.)

In 2021, my interest in them still hadn’t come back all the way, but I did still care about them. They look a bit awkward, because I was developing a lot in my style and hadn’t drawn them in this new style before. I did a lot with markers at this time, so I made a marker drawing.

2022 is when my interest in them finally came back. I started reworking the book that I’d already written before, an early version of Please, Go Home, and I started making illustrations for it. At the end of the year, I scrapped all of it and began completely rewriting it into what it is today. This was around the point where about 90% of my art became digital. I still like traditional and I want to do it more often, but digital is just so convenient.

This illustration was originally supposed to be animated for a school project (which is why Hyde’s hands are hidden in his sleeves, much easier to animate), but that ended up falling through. So I made it into a more detailed illustration. A lot of the art I made around this time was school work, so I had to shove my characters in wherever I could.

And here we are today, 2024. They’ve been a consistent presence in my art all this time, and now they have their own book out there, and their sequel is currently being written. These two have been with me for six years and I don’t see them ever leaving.

These long illustrations are made for bookmarks, which I may or may not actually get printed. Which is why they’re so long. Perfect for a phone background, though :)

#art #digital art #my art #artists on tumblr #small artist #illustration #digital illustration #character illustration #character art #my characters #oc #my ocs #original character #oc artist #werewolf #vampire #werewolf x vampire #mlm art #whiskers art #aw please love #oc: hyde #oc: rune #aw: 2024