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#i only made that one because TTPD made me do it
springzero123 · 23 days
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✨ all the barbie themed portrait wallpapers i have because im insane (steal it or use it if you like idc) ✨
(oops this is part 1 - yes, i have more)
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theafterglow83 · 25 days
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Stray thoughts from an unhinged mind caused by a song called Robin
Since my teens, I have always been a Karlie Kloss fan. No amount of vitriol from the Swifty’s has ever strayed or strained my conviction that Karlie is on many levels, and aside from being absolutely gorgeous, a better human being than Taylor Swift.
By that I mean she seems to project a warmth and a level of kindness and humanity out into the world that is so pure and honest, when compared to Taylors, sometimes vengeful and darker persona ~as well as her being Queen Mother to one of the worlds most vindictive and exhausting cults who would gladly fillet anyone at “Mother’s “ request. Taylor (the brand) has made a career and a fortune from feeding her tales of romantic misfortune and presumed ex lovers to her hungry mob with merchandise to match.
Karlie on the other hand has a nurturing and supportive side to her and don’t let her beautiful and seductive exterior fool you for below that sultry surface she gives off a warm and fuzzy golden vibe- like a puppy. She’s sophisticated, highly intelligent, NYC chic and street smart , often silly and maturing like fine wine while somehow becoming more beautiful as she ages. She also appears to be one Hell of a good mother to those babies.
All that being said about their personalities is exactly why I believe Karlie’s sunshine is the perfect match for Taylor and her moody, broken, impulsive ,often over indulgent, midnight rain personality. Not only are they equal in status - they have a Yin Yang balance to them - Only that sunshine can dry up the rain in Taylor .
I’ll continue.
While listening to songs off of the TTPD I was stopped dead in my tracks when I came to the song, Robin. I listened three times and found a tear rolling down my right cheek. I was choked up and the tiny hairs on my arms stood up . To say I was moved would be an understatement. There was something so raw, so pure and so loving in those lyrics. I had to sit with my thoughts for a while but I feel the need to share them now among those who i consider “my people”.
The Kaylors.
Sidebar confession: Yes, I’m a Kaylor.
I firmly believe Taylor Swift, and Karlie Kloss had a long running romantic relationship. They were more than friends. They were lovers too. The level of denial it takes to doubt that is astonishing. It wasn’t just Kissgate that sealed the deal. It’s the way those two looked at each other and communicated in a secret language all their own. They were deeply in love.
I believe it all started prior to the public meet up at the VS Fashion Show and even long before the “your kitchen or mine cookie “tweet.
I believe Taylor and Karlie first met when Taylor was showing up at fashion shows that Karlie was walking in as far back as 2009. Where they had a relationship then? Probably not because they were both involved with others but the sparks were flying. Thats when the foundation was laid. The attraction was there. The seeds planted. Destiny and the Universe did the rest.
Think Love Story lyrics
“We were both young when I first saw you” which I believe Taylor wrote about Karlie and which also happens to be Karlies favorite song. I believe they had an ongoing relationship that continued on until late 2017-early 2018 and then I believe something happened and they broke up, as many long-term relationships often do. My guts tell me it was cheating and it was on Taylor’s part and the regret from that will haunt Taylor for her entire life because it caused the trajectory of their path to change.
Karlie married in 2018 yet many speculate they were still together and the unofficial story is the real trouble actually came in mid 2019.
Taylor was furious over the masters, fingers were pointing everywhere, cheating rumors flew. This entire story certainly has all the drama of a Netflix series that could easily do 8 seasons
There’s so much more to this Masters incident than the public is aware of. Also the fact that Josh’s families company ~ the Carlisle Group provided the funding to Scooter is an often overlooked storyline.
Was Taylor angry at Karlie for that but how could Karlie control that if she was even in that loop of that drama. Or~ was there more -because in any good mystery - there’s always several layers more .
What did Scooter have to leverage getting that kind of money from them to buy the masters? Being Karlie’s manager at the time perhaps he has something on her or Taylor or both of them and used it as that leverage . It’s a whole other rabbit hole that I don’t have time to visit right now but regardless Taylor is still angry about to this very day which tells me it goes way deeper and my gut feeling is that Taylor’s dad was the one involved with knowing things and not Karlie Kloss who got fed to the sharks over the situation.
So I’m going on record here saying I never believed Karlie had anything to do with Masters Heist. I believe that story was used as an explanation to explain their separation. I know there’s a whole other level of messy lore involving this and a love blackout and Trumps election and Karlie’s association with the Kushner’s but I’m going to skip over that season and move on -except to say that it was absolutely shameful the level of hate Karlie was forced to endure because of that and still her sun shinned while she was being made the villain online and much of it still continues to this day. At any point during that scandal Karlie could have spoken out but she didn’t. She quietly took one for the team.
I’m not going to pretend that I know what happened during that murky period or what is happening now - because honestly -I do not…but there have been a strange set clues and way too many “koincidences to simply chalk up to being coincidences.
It’s just a gut feeling but I also don’t believe their connection went fully went away or ever will for that matter. They are and will forever be tied together even in the times they are apart but I kinda think they reunited ( again) in early to mid 2020.
I’ve read all the theories. I’ve heard all the rumors ,I’ve been to the rabbit hole, I’ve climbed out, I’ve fallen back in, and most days now you’ll find me sitting on the edge dangling my feet still and kinda wondering. I live my life ~ they live theirs.
So am I a LSK?
No, not really, but some days …ok, maybe. You see for as much as I try to say no…there’s just this tiny string I can’t help but see so I keep my feet planted on the ground but my mind open.
By open I mean open to the possibility that Taylor and Karlie are in one of those kind of “relationships” where as hard as they try ~they just can’t seem to quit each other and they go through periods of on and off times. “pauses” is what I like to call the brakes or bumps along the way. You know that couple that’s over but they’re never really over ?
Where are they now? I have no idea.
Taylor has another year of touring and promoting and probably Travis. My money says Taylor Swift will be the halftime show at next years Super Bowl.
Karlie, along with her modeling contacts ( Carolina Herrera, Estée Lauder, Donna Karen etc ) is venturing into the business world. Along with running Kode with Klossy, she’s CEO of her newly formed media company. She bought I-D magazine and also Life magazine, which Josh also invested in , this year. She’s got a lot on her plate
Yes, Karlie is married but is she really married in the traditional sense of what we all consider marriage to be? On the surface, yes… but once again- the layers and the lore here is incredible.
What a character she’d be on that Netflix show I imagine in my head . Just give her an Emmy already.
Does she love Josh? I’m absolutely sure she does- but the real question is…is she IN love with Josh? You know- romantic love -which, I as an observer ~don’t believe she is or ever has been. You can just kinda tell and no matter how many pictures she posts the connection just isn’t there and whenever I see her with her beautiful babies (even if he’s in the photo) she gives off that “ single mother vibe “
That level of chemistry, no matter how the pictures are posed~ or the hand in hand walks are staged -the passion ~ the look in their eyes - it just isn’t there and honestly it never was.
They have always given off that bff energy and frankly ~ Karlie’s friendship with her “big brother “ Derek actually feels more real, relaxed and genuine.Then there are the gay rumors ( past and present) surrounding their entire little multiverse ~but we won’t go into them right now either. We’d be here all night.
And yes, Taylor has had her share of public relationships but have they been real? Have they had their moments? probably. Did some become more than PR for a brief period of time. Possibly She’s been linked to everyone she even walks by or talks to but somehow it all pales and fades in time. I’m sure there have been flings along the way but flings don’t fly and usually run their course in that 9 1/2 week period that flings seem to take.
If I’m being honest, as I observe from the treetops all of Taylor’s relationships and Karlies relationship with Josh, they never reach the level of the real connection and happiness that I saw between Taylor and Karlie. That’s something you just can’t fake or reproduce with another .
Whatever is going on with Travis is so cringey and sadly embarrassing.I tend to think it’s PR but if it’s real then he truly is her obnoxious karma and karma isn’t usually a good thing. But hey the moneys good. Maybe they’ll even get lavender married so she can stay in her closet and continue to throw red meat to the $wifties.
The future is yet unwritten.
All that being said, I’ll get back to my original point of this ramble and that’s a song called Robin.
So yes, I’ve heard the rumors, I’ve read the theories, I’ve seen photographs of visual evidence. Karlie Kloss was in Los Angeles during the pandemic, the same place where Taylor was in fort part of 2020. When she returned to NYC if you count the months - she was pregnant even if she didn’t look it. I also believe Karlie was there in the shadows during the Long Pond Studio recordings in Upstate NY. Jack kind of gave it away when he referenced “Joe the dog” as being who he thought Taylor was talking about when she said “ Joe and I wrote a song”
I’ve also heard the rumor that there was a ceremony between them that they tried to pass off as a ceremony between Taylor and Joe which Tree later denied that there was ever a ceremony of “any type”.
Ok buckle up because here it comes
I’ve seen the “turkey baster”( IVF ) post that Karlie made. Like who uses a turkey baster in May? What an odd thing to do unless you were signaling an IVF pregnancy situation. Regardless ~ she was extremely happy that day.
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I’ve seen the cinnamon buns post ( think the expression “buns in the oven ) that Taylor made a few days later back in May 2020. She was “proud” of her cinnamon buns.
Happy & proud …hum
Is that a crazy set of coincidences? Hand on whatever holy book you set before me ~ I’d have to say “yes”
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And it’s Absolutely crazy considering the fact that Levi was born a little over nine months later.
Add in the fact of how emotional Taylor got accepting her Grammy for Folklore when Arron thanked his “ wife and kids “during the acceptance speech.
For a few moments there you could feel the raw emotion in her as she nearly burst into tears andJack tried to console her. Blonde was gutted. It cut deep.
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Sidebar:
Yes Aaron has a son named Robin but he’s 9 years old and other than the name cleverly used for gentle cover of the truth in case damage control is ever needed~ there is no connection to that child or a secret, no showmanship to cover it up or anything that would make Taylor react as she did. Other than his name there is no connection to the words in the song
But the fact that Levi’s birth was announced during the Grammys absolutely does connect.
So I’ll just put a pin in that and move on.
Listening to that ballad yesterday rocked my entire world . It was so soft, gentle and living. So heart wrenching that I just let my emotions flow through me as my mind wandered back gathering and processing all the previous rumors and lore I had heard along the way. It left me rattled as it tumbled through memories. Could it all have been true?
So now I’m just gonna say it out loud running the risk of being attacked and also sounding like a supermarket tabloid…here goes “could Levi be Karlie’s and Taylor’s child?”
I know it sounds crazy…secret love child but …
I’m not trying to out anyone and I want to respect the fact that a child is involved here. Honestly I had second and third thoughts about posting this but if I’m being real ~ it’s also a collective of things that have been shared openly about Taylor and Karlie here for years. Somehow the song was like a puzzle piece that snapped into place.
…those loving words ,the emotion in Taylor‘s voice as she sings about her strong heartfelt attachment to a young toddler, as she encourages him in being wild and free in his wonder years, playing with abandon and roaring at the dinosaurs~
There was real love in those words
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Looking out his window over his kingdom (NYC) and speaking gibberish
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She also advocates for him keeping his innocence for as long as possible and then speaks of a secret that a inner circle of people have chosen to keep from him” in sweetness” to protect him and the “showmanship” to cover up that secret that he has no idea of.
And as she watches his unabashed play in his toddler purity she prophesies there will come a time in the future when the world he faces will have harsh words for him and she reminds him that he will bounce back like he now does on his trampoline.
“ and you have no idea
Buried down deep and out of your reach
the secret we all vowed
to keep it from you in sweetness
strings tied to levers
slowed down clocks tethers
all the showman ship
to keep it from you in sweetness
way to go, tiger
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I’m not crying , you are and Levi looks just like his mommy 🤍
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Let’s keep this in the family ✌️🤍🏳️‍🌈
God I love this show .
Stay tuned for next season
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unbotheredalwyn · 24 days
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So obviously after the Joe breakup shit changed we had that ratty twatty and then suddenly travis. Like ratty twatty first of all made it seem like you know this person is like horrible yet you choose to be with him? Everyone called her (rightfully) out I feel like cause he is really a twat of a person and the whole ice spice collab to basically "save" Matty twattys image. I also felt like it was unfair of her fans to force her to break up with him I mean it's her life. And Joe during this time went through so much shit after the break up I remember he was papped and everyone made fun of how skinny he is and how horrible he looks (he had bags under his eyes on the photo) which is actually sad cause he lost his grandmother I think during that time and people were genuinely saying disgusting things and saying mother is looking so much better etc etc while Joe was having a downwards spiral. Again I understand no one knew his depression was that bad but fuck swifties can be more kind.
Exit ratty twatty enter travesty lord this man gives me the ick.
Swifties are blinded by their relationship but he is really not a good dude. I mean that video live of him pushing his coach and yelling? Videos online of him being openly racist, being a trump supporter (and also swifties are dumb they think bc he got vaccinated and bent the knee for black lives matter he is somehow Democrat?) honey trump is vaccinated as well. And just because he supported blm does not make him a good person. He was PAID to do all that performative shit.
I mean she has millions of fans, thousands of young girls thinking the blatant red flags of travesty is hot and shit. Tells me he can push her around too. (not to mention he supported his abusive friend that literally hit his wife.)
And it feels like she's forcing travesty tbh? Like girlie you wanted the art to be about you yet you let some man overshadow it. Because truly that's what's happening like swifties are more into him at this point and the relationship they made up in their head as Taylor.
This is where I got annoyed and took a step back. Each time they were seen Joe got thousands and thousands of hate just for what being introverted?
Then they attacked Emma (Joe's Co worker) for a cheating rumor THEY MADE UP and the shit they said were so genuinely disgusting she had to switch off her comments.
Then Ai audio dropped about Joe abusing Taylor and Ai videos circled making it seem like Joe is a cheater when he is NOT. fuck they even trended a sex scene with that Alison chick he worked with saying he said Alison (her real name) and not her character's name when he DID NOT. It was in the fucking series! This woman got slut shamed so bad she turned off comments too for literally WORKING with Joe. Swifties literally spread shit around that he cheated on Taylor with Emma and Alison when he didn't! And the fucking best of all Taylor was on the set while filming conversations with friends. She most likely saw it IN PERSON and they chose to say all this genuinely disgusting shit about Alison who I've learned is actually a pretty good person.
Here I got genuinely disgusted.
So okay again I understand that Taylor can't control all her fans but her silence while her cult mass harrases people?
Whats insane to me is Joe. Like the guy got so much hate because SHE CHOSE to lead fans on. When she announced ttpd everyone thought the title relates to Joe and Paul mescal
Joe got mass hate
Then the secret songs at eras being about cheating
Joe got death threats
ALL TO BE AN ALBUM ABOUT THE FUCKING SEWER RAT SHE CAN'T GET OVER?!
she literally took ALL the hate against Joe *knowing* she's releasing an album dissing her 6 weeks situationship is genuinely disgusting. I cannot fathom it.
And AND the only thing she could say about Joe is dude did not want to marry her bc he was severely depressed WHICH IS NOT HER PLACE TO TALK ABOUT HIS STRUGGLES?
like I am SORRY this man wants to d word next to her and she just didn't care and wanted to fuck Matty?
Her partner, that got her through her darkest times BTW, did not deserve this.
She let all this mass harrasment just happen to market ttpd. Like genuinely what the actual fuck. 2 innocent women Emma and Alison were attacked and called sluts for genuinely existing and breathing the same air as Joe. And the proof he did not cheat is in her OWN lyrics. (which swifties cannot seem to fucking read bc they'd rather attack Joe than admit this album is about a sewer nazi rat)
The hate Joe got made me cry. The disgusting things they said about him. Swifties literally threatening to bash his head in with a hammer or that he needs to hang himself and they'd enjoy seeing his body swinging from the roof.
Genuinely why would any person say this to anyone at any time?
And they made fun of depression like. What. The. Fuck. Just because Joe might not see it does not mean other people with crippling depression won't.
Oh and a side note she's still bringing up Kim on albums? Not just Kim Kim's CHILD?! leave the kid alone.
Genuinely feel like the most honest Taylor we got was during lover (a time which Joe helped her voice her political opinions and shit) and idk I just feel cheated on?
My whole life I've defended Taylor against everyone and I genuinely feel like she's showing her true colors now being with travesty and ratty and I cannot fathom how this is the same Taylor I'm seeing now as she was like a few years ago.
And it's not just Joe that got death threats BTW. When midnights came out and everyone gave honest reviews cause that evil Jack antonof little gay man ruined the production there were journalists literally getting so much death threats its insane.
Taylor gets (rightfully) called out and fans can't handle it.
She needs to address them ASAP. All these parasocial freaks. The people harrasing Joe. The people literally only seeing Taylor as a breeder for travestys children.
I can't genuinely I can't this is not how I want to feel about Taylor I mean I gave her my youth I looked up to her so much I feel so disappointed in the way she's acting yk?
Yes maybe she can't do jack shit about swifties but she can try.
And her staying quiet over Palestine? Her voice her one post about a ceasefire could change EVERYTHING.
idk at this point I can't stand to be around Taylor.
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ncis-nerd · 26 days
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But Daddy I Love Him
ship: older!natasha romanoff x younger!reader. wanda maximoff x natasha romanoff.
warnings: angst, no happy ending, mentions of cheating, older nat, jerk nat, younger reader, wanda is kinda a dick, age gap, arguing, being ignored.
a/n: happy ttpd day!!
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"I'm done with being your second choice Natasha. Just because I am younger than you, it doesn't mean you can just go off with other women because you're scared to admit that they are what you are looking for. Someone older, more mature, someone you can relate to" Y/N exclaimed, her small frame against the older women's.
Her green eyes met y/n's gaze which only confirmed what y/n feared. "That's it? You aren't going to say anything?" Y/N spokes as she grabbed a suitcase from the closet.
"I'm so sick of Wanda! Don't think I didn't see all the ways she touched you. Her hands always on you whenever the two of you were together. I'll tell you this Natasha. I'd rather burn my whole life down, Than listen to one more second of all this bitchin' and moanin'" Y/N threw her arms up in protest and huffed.
"Where are you gonna go." Natasha spoke dismmisingly. She doesn't think you'll actually do it. You have no where to go, no one to go to. Her eyes watering at the slight chance that you may be serious.
✦·┈๑⋅⋯ ⋯⋅๑┈·✦
Natasha had an award dinner and she asked you last minute to come. It was odd she didn't ask you earlier in advance because they usually know about these things at least 6 months in advance with scheduling and whatnot. But you didn't think much of it. Because you didn't want to accept the alternative.
You came as her date but it sure didn't feel like it. You were the youngest there, all the avengers were at least 10 years ahead of you. It didn't help that your girlfriend left you to fend for yourself, your eyes stuck on her and Wanda. Natasha threw her head back, laughing. Wanda's hand on her shoulder. Their prolonging eye contact. The way they looked at each other. It gave you a bad feeling in your gut but you pushed it away.
No, I'm not coming to my senses. I know it's crazy. But he's the one I want.
You refused to accept it. She said she'd never let it come between you guys. That your age difference would never break you up. She lied. You rose up from the table but no one even noticed, everyone engrossed in their conversation. A stray tear fell from your glassy eyes.
You made your way to the bathroom. Attempting to keep your composure, they already think you're immature, you don't want them to see you as a baby on top on that.
You looked at yourself in the large glass window. You looked at your reflection. Your dress glistened in the light. The door swings open. It's Wanda. Of course she was the one who noticed you missing. Ironic isn't it.
"Y/N" she spoke, her voice filled with fake concern but a hint of guilt. You refused to meet her eyes, not willing to give her that sense of comfort. "Y/N, I'm not going to lie to you just because you're younger than us. I like Natasha. And honestly it feels like she is into me too. There's nothing I can say to make you feel better but I assure you I would never make a move on her while the two of you are together. I promise." Her eyes met yours in the mirror.
"I have money, I know you don't have anywhere to go but if you and Natasha should split, please call me. I don't want to on your own, fending for yourself. I can help you get an apartment or something." Wanda offered.
I just learned these people try and save you'. Cause they hate you
Of course, of course she wants to "take care of you". Because you're the little fragile thing who can't handle heartbreak. She just wants to make a move on Natasha, this is a ton of bullshit. You press your nails into your hand. You smile politely and say a simple thank you. Not wanting to cause a scene and give Natasha more of a reason to leave you.
✦·┈๑⋅⋯ ⋯⋅๑┈·✦
Thinking it can change the beat of my heart when he touches me. And counteract the chemistry. And undo the destiny.
Her hand reaches for my shoulder, to stop me from leaving. "That won't work anymore, Natasha. I'm calling Wanda. She offered to help me get an apartment." You spewed out, reaching for the door. It hurt. You no longer called her Natty, the sweet nickname you had gave her when your relationship was in an earlier stage. A simpler stage where you didn't have to question if she wanted to be with you.
You slammed the door behind you, goodbye Natasha.
✦·┈๑⋅⋯ ⋯⋅๑┈·✦
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Down Bad - A Joel Miller Drabble
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Rating: Explicit. 18+ (Minors DNI) Pairing: Pre Outbreak Joel Miller x Female Reader Word Count: 800 Summary: You get ghosted after a one night stand with your handsome neighbor. Warnings: Drinking, smut remembrance, angst. A/N: Happy Tortured Poets Department release day! Thank you to @beskarandblasters for the amazing Taylor Swift Drabble Challenge AGAIN. I previously wrote Paper Rings for it. TBH, I stayed up until 3:30 AM listening to TTPD last night with @ohheypedrito and your girl is STRUGGLING TODAY, but well worth it. What an album.
Masterlist
One night out with your friends, one shared glance, one half smile, one opportunity, one drink bought, one phone number drunkenly tapped into his phone. 
One date, one heated make out session in his truck, one moment of being heaven struck, one naked body left alone in your bed as he quietly leaves without a word. 
One text telling him you had a good time, one week since you’ve heard from him, countless hours of yearning for your neighbor. 
Across the street and two houses to the left, Joel Miller lives. Well manicured lawn, cute daughter who goes door to door selling Girl Scout cookies, large truck parked out the front dinged and well used. 
You’ve been down bad for him since you first moved in, a quick introductory hello and wave one early morning as you took your dog for a walk, how could you be so attracted to a total stranger?
That stranger ignoring you from that moment on, leaving you feeling nuts. Sometimes you’d take your dog for a walk when you’d notice him mowing the lawn, sneaking a glance under your sunglasses, watching the sweat make his skin glisten. Teenage crush vibes, teenage petulance coming out because you can’t have him or his attention. 
You never see him with another woman there, only his loud, precocious brother Tommy who stops to talk with you whenever you’re outside. You know he likes you, but you’re too drawn to his older brother’s beam to even want to lead him on. 
That night shared between the two of you, it almost feels like an evil experiment. He fucked you, fucked you hard, stared into your eyes as he came all over you, devoured your cunt as if he was starving, made you cum so hard it felt like you were floating in a cosmic cloud of sparks, then he left you naked and alone. He owned your body, like it was some sort of hostile takeover. 
You’re barely even sure it happened, like if you speak about the existence of that night, everybody will tell you it never happened, that you’re nuts.
Why did he leave you like that? Why did he strand you the way he did? Why can’t you have him? Why cant you have an us? 
Doesn’t he know what you would do for his attention? How you feel like you could just die when you think back to that night? You’re pathetic for him, isn’t it romantic?
You replay the words he uttered against your skin as he fucked you. “You feel so fucking good, like you were made for me.” 
The taste of your sweat against your lips makes you almost want to cry as you try to run the thoughts of him away on the treadmill at the gym. The last time you sweat like this his cock was stretching you, his hand holding your cheek, his tongue languidly licking into your mouth. 
——
After a night of staring at the ceiling, sleep not visiting you, tossing and turning not being able to get the thought of the weight of his body against yours, you decide to sit out on your porch with coffee in hand, staring at the sky as dawn approaches. A door slamming across the street startles you. He’s outside. This is it, you live in the same old familiar town, he can’t escape you, you can’t escape him. You trudge across the street, only clad in your shorts and your old Rangers shirt. You wave at him to get his attention as he finishes lifting his tool box onto his lift gate. 
You see him swallow as you stand at the edge of his driveway. 
“G’morning,” he nods. “Quite early.”
“It is. Could’t sleep.” 
“Happens to me too.”
“Mm,” you tap your foot, arms folded across your chest. “Did I do something wrong?”
“No, not at all.”
“Then why are you ignoring me?”
“S’complicated.”
“Try me, it’d make no difference.”
“Alright,” he runs a hand through his hair, “you’re too good. I don’t think it’s smart… for me to be with someone right now. Too much going on, ’n it’s safer if we just leave it at that. It’s better for you.”
“So, you fuck me, whisper all those sweet things in my ear, make me feel like I’m the chosen one, then just leave? How romantic Joel.”
“Never said I was the romantic type.”
“No, you’re just the fuck ‘em and strand ‘em. I guess.”
“Listen,” he looks down at his watch, “I gotta get goin’, got an important job to start. I really would like to talk more, I respect you too much ’n I really like you, I just think it’s better if you find someone else.”
“Right, well, see you around neighbor,” you bite.
Fuck it, you can’t have him. 
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maybege · 25 days
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What If - Part Two
Summary: Your alpha invites you to spend the night with him.
Pairing: alpha!Paz Vizsla x omega!fem!Reader
Wordcount: 6.5k | Rating: E (18+ only!)
Warnings: A/B/O dynamics, explicit sexual content, size kink (Paz is big-big), finger sucking (again lol), oral fixation maybe, oral sex (f receiving), use of a blindfold, crying during sex (the good kind!), overstimulation (a little?), unprotected sex, creampie, dirty talk and loving verbal humiliation,
Happy Weekend! If you follow me on tumblr, you might already know that I had to split Part 2 into two due to its size (pun intended), so this is technically Part 2.1 and basically just porn, so beware. I really enjoyed reading your comments both on Tumblr and AO3 and I am looking forward to seeing your reactions to this part, too! (Also I promise the comment reblogs on tumblr are coming, I just need to recover from TTPD).
Again: Just a little reminder, that this is not strictly adhering to canon and I am just roughly imagining what actually happened during these episodes.
masterlist | crossposted on AO3
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Considering how intimately you had gotten to know Paz Vizsla, you were surprised by how nervous you were about the thought of seeing him again.
The next day had you feeling skittish, even feeling a little uneasy. You knew that the clans were going into negotiations. Though they called it strategy meetings, everybody who could think two steps ahead knew that this was the first hurdle when it came to the clans working together.
Briggs had been tense at the first meal of the day, already suspecting that it would end in a debacle and now here you were, helping to take an inter-clan inventory of supplies for when worst came to worst.
Until a giant shadow fell over you.
“Calm me.”
“What?” you looked up at the armoured alpha, the one you had not seen at all this morning.
“Calm me,” he repeated and you saw how his gloved hands had clenched into fists, “I am this close to bashing that di’kut’s head in and I am not sure how beneficial that would be for our inter-clan relations.“
You smiled, somehow doubting that he was truly considering violence against Axe Woves (because there was no question he was talking about him) but, as his calmer, it was your duty to take all hints seriously. And if this wasn’t a hint, then you did not know what was.
“I can’t just,” you paused, searching for the proper words since the foundlings were not too far away, “calm you out here in the open.”
Paz tilted his head. “Calming isn’t about the sex, love, it's about the scent,” he grunted before tugging his scarf down. “I am asking you to scent me.”
Somehow that kind of request made you even more nervous. You had not seen his skin the day before but now the sliver of tan that was revealed to you made your heart skip a beat. You stepped against him, ignoring your shaking hands as you stood on your tiptoes and ran your nose over his neck.
Breathing in his scent, you found he smelled just as good as he did last night, of spice and smoke and something woodsy that made you want to close your eyes and think of spending a day between the trees. You repeated the movement, your nose brushing against the spot just under his ear and he groaned. The sound, low and deep, made you tremble.
Faintly, you could feel him shift until his hand landed on your lower back and pulled you closer. His skin was hot, heated by the fabric and you closed your eyes. You stood so close to him you felt engulfed by his presence, by his scent. Forgotten was the inventory, forgotten were the meetings you were supposed to attend today. All you wanted to do was to scent him, to coax his scarf down just a little more, to see if you could feel any stubble on his jaw or maybe even a beard.
“Stars, ‘mega,” you heard him growl, his voice so close to your ear it sent a rush of need through you.  
When you pulled away you felt intoxicated, a little less inhibited. Paz smelled so much better now that he had a hint of you on him, you found, and you made a mental note to keep up this scenting practice for as long as he would let you.
“So … no sex then,” you concluded, trying to keep your sadness out of your voice. But of course, the man in front of you caught it like he seemed to catch everything about you.
“Disappointed?”
You avoided his visor, hoping that he could not see the way you tried to squeeze your thighs together.
“I keep thinking about last night,” he revealed, “Keep thinking about how tight you gripped me, how you opened up for me, how you looked sitting on my cock. Did you think about it?”
You nodded. “I did.”
“Hm,” he replied, “And what did you like about it, omega? What do you like about me?”
“I like how much bigger you are,” you confessed in a whisper, “I wondered …”
“Wondered what?” he asked, his hand pulling you closer, “Tell me, omega.”
“I wondered what it would be like to be underneath you,” you continued, your cheeks burning in embarrassment.
His thumb rubbed over the inside of your wrist, scenting you, “Did anyone ever take you from behind?”
Your silence was answer enough.
“Here is what we are going to do,” he rumbled, then, “You are coming to my bunk tonight. You will bring nothing but your softest robe, your favourite snack. I want you naked when I arrive, understand? Naked and waiting for me. I will put a blindfold on you, and then I am going to put my mouth on that little pussy of yours. How's that sound?”
“Good.”
“That is what I like to hear. And after I made you come on my tongue, I am going to position you just like this.” He turned you around, your back to his chest, “You will be flat on your belly, little one, I will spread your legs and then I am going to fuck you from behind until all you can say is my name.”
Your breathing picked up, heart rate as well. Felt your pussy weep at his words and even though he wore his helmet, your head lolled to the side, enabling him to scent you if he could.
“Will you …”
“Will I what?”
“Will you come inside me again?”
“Do you want me to?”
Nodded, embarrassed but nodded. He chuckled, low and dark, his finger tipping your chin up, “Then I will, sweet omega. I will come inside you. If you stay the night, I might just put you on my cock and come inside you again sometime during the night, fill you up real good. Would you like that?”
“Stars yes.”
*
You could not focus the rest of the day, your thoughts plagued by a large blue figure.
You were so flustered, in fact, that Chants kept asking you what was wrong and you were not brave enough to tell him. Until you looked at Paz one too many times and your best friend put two and two together.
“I didn’t see you last night after the fire,” he noted, his voice way too innocent for your liking, “How was it? Do you like the alpha you are paired with? What was his name again – Wizz… Wizz-something?”
“Vizsla,” you corrected him before you knew better, “Paz Vizsla.”
By now, you knew your friend long enough to know when he was teasing you. And the twinkle in his eyes told you that Chants was in teasing mode. “He is quite big, isn’t he?”
You swallowed, trying to focus on the bandages you were rolling up. “Yeah, he is.”
“Is he big … everywhere?”
“Chants!”
“What?” he laughed, avoiding the bundled-up wool that flew his way, “A friend can ask. “
“How about you tell me how it is going with Djarin?”
“Oh we are doing just fine,” he chirped, winking at you, “Though I spend my night in my own bunk.”
“I was in my own bunk, too,” you protested, hoping he did not notice how flustered you were.
“Yeah, after your alpha brought you home,” he replied easily, counting a stack of jars, “And left his cape for you.”
“He smells good …”
“Oh no doubt,” he smirked, “And what was this morning about, then? Him having you scent him out in the open?”
You did not have an answer to that.
“I’m just saying,” he shrugged, “I don’t think any of the other alphas left their capes for their calmers. Maybe something is different about you two?”
And though you had to force yourself not to answer, you could not help but spend the rest of the day daydreaming about what it could be like to be Paz Vizsla’s omega.
*
Paz did not have one of the tents that were attributed to the warriors. Instead, he had his own little room in one of the ships. You knew it spoke to his high position in the clan that he got these private quarters and it felt strangely intimate that he allowed you in here on his own.
Just like he had promised, a blindfold was waiting for you. And next to it, a hastily scribbled note. Get comfortable, it said, and by that I mean get naked.
With a grin, you let your eyes roam around the room and land on a bowl of fruit on the table. Had he gotten them for you? Your chest felt strangely warm at the thought and your heart raced as you popped one of the sweet berries into your mouth. Outside, the sun was lowering in the sky, you knew he would be here soon. And you had been up a long time already, too, you could feel the ache in your limbs as you sat down on the mattress.
You squeaked in surprise when you sank in way more than you had expected. Testing the softness, you found that not only was his bedding incredibly soft, no, but the mattress was much softer than the standard issue as well. Inevitably you smiled at the realization that Paz Vizsla just kept on surprising you. Your big warrior was a big teddy bear.
You took a deep breath and then slipped out of your dress, the cool air brushing over your bare skin. Standing completely naked in a strange room made you feel a little uneasy. After all, you were not familiar with your surroundings and what if you accidentally had walked into someone else's room who had the same arrangement with their calmer?
Noticing how ridiculous your panic got, you rushed onto the bed before you could change your mind. You pulled the soft covers over your legs and relished in how they smelled just like him. Then you took the blindfold – it just as soft to the touch and you wondered if it was made from the same material as his bedding – and tied it around your head. Darkness immediately enveloped you, making you feel more nervous and, at the same time, calm.
Lying down slowly, you curled up under the heaps of blankets that soon warmed from your presence.
And before you knew it, you had drifted off to sleep-
The rush of cold air through the open door barely woke you up. You felt disoriented and it took you a moment to remember that you had a blindfold on and that you were in Paz’s room, not your own. But if the door opened that meant someone was here and you were no longer alone. Every muscle in your body was tense as you debated with bated breath whether you should rip off the blindfold now or wait. Under no circumstances did you want to risk offending Paz but you also did not want to risk being subjected to someone who had no business being here.
“It is me, omega, you are safe.”
His deep voice had you relaxed immediately.
“How are you feeling?” he asked, his voice coming closer, “Are you comfortable?”
Stretching your arms above you, you did your best to suppress a yawn. “Your bed is softer than I expected, alpha,” you teased, “I half thought I might be in the wrong room.”
“Nah,” his chuckle got overshadowed by the metallic clink of his armour landing on … the floor? The table? You were not quite sure but your main takeaway was that he was getting rid of said armour. Paz Vizsla was undressing for you. “Believe it or not I actually like soft things, too.”
“They would be great to build a nest with,” you mumbled as you ran your hands over the fabric. But when you realized what you said, you froze. Had you really said that? Out loud? You hated that you could not see his reaction, whether his body tensed or he was trying to hide a grimace behind his helmet. All you could hear were his quiet breaths until the mattress dipped and he was sitting right next to you.
His scent was stronger, and unfiltered, making his proximity to you that much more exciting because he did not smell displeased. On the contrary.
“I bet,” he replied quietly, his voice a low growl. Warm, big hands found your calves under the blanket, slowly making their way up, “I bet you make the loveliest nests, omega.”
The odd (not odd, your brain provided, intimate) compliment still made your skin flush. Because all it made you think about was what it would be like to share your nest with him. Glorious, was the answer. It would be glorious.
“They aren’t too bad,” you admitted with a shrug, shivering when his fingers dug into your thighs for a brief moment, “I always get the really nice blankets from the market.”
You gasped when the blankets were pulled away, the cool air on your skin immediately replaced with his warm body. He hummed, his body weight settling over you. With so much naked skin against yours, you could hardly focus. He felt just as huge as he had looked yesterday and when he rested half-hard against your thigh, you squirmed.
“Maybe I can see your nests, one day,” he suggested lowly, his mouth brushing over your jaw and down your neck. His mouth brushing over your scent gland had your entire body jolt at the sensation, your blood thrumming with need. “When we have reclaimed Mandalore.”
You were so nervous, you did not know what to say. So your brain came up with the next best thing: Small talk. “I have never been to Mandalore before. Have you?”
“Grew up there,” he explained, nipping at your neck, “Until the – until then.”
You nodded, the pain in his voice enough to tell you that he had lived it all. It made you wonder how old he was – not old enough to have fought in there, surely, but maybe … clearly old enough to have vivid memories of that night. Your heart ached for him and you tilted your head up, a happy sigh escaping you when you got to brush your nose along the entirety of his throat.
Paz relaxed into you, his woody scent enveloping you both.
“That’s not what we are here for now, though, are we?”
His grip was tight on your jaw, strong enough to make sure you could not turn away from him and you could feel his eyes burning into you. You shook your head, nervously swallowing as your body already reacted to his words.
“Remind me again,” he whispered, his lips barely brushing over yours, “What are we here for, sweet omega?”
“You, uh, you …”
“Yes?”
You squirmed, embarrassed.
“Someone too shy to say it?” he teased you, the slight mocking undertone making you wetter than you wanted to admit. How did this man have this effect on you?
“That’s alright,” he said after a beat, “I can say it for you.”
“I am going to eat you out,” he whispered as if it were a secret between you, “I am going to feast on this pussy and then I am going to take you from behind and fill you up like you asked me to, omega. You will wake up tomorrow with so much come between your legs, there is no doubt who filled you up.”
You pressed your thighs together, trying to satiate the pulsing need in your core. “Alpha,” you whispered, unsure of what to say other than just beg him to take you.
“I am going to kiss you now, okay?”
He chuckled at your eager nod before fully pressing his lips to yours.
You were overwhelmed by the sensation. It had been so long since you had been kissed and Paz was a good kisser. The best kisser, actually, who seemed to know just what you needed. His stubble scratched your chin when his teeth dug into your bottom lip, pulling on it until you whimpered. The sting was quickly soothed by his tongue slipping into your mouth and dancing with yours. Your hands found the back of his head, too, playing with the short hairs there and his chest rumbled.
He dominated the kiss effortlessly and you let him, relaxing into the bed and wrapping your legs around him. The unmistakable shape of his cock twitched against your folds and could not resist the urge to grind against him.
Moans escaped both of you. “Fuck,” he hissed when he pulled away. Heavy breaths washed over your face and he rested his forehead against you, “Omega, you have no idea how much I needed you today. I was this close just calling you for the talks …”
“Why didn’t you, then?” you asked, surprised to find yourself disappointed, “I am your calmer after all.”
Paz was silent for a moment as he dropped kisses along your neck and further down. Big hands were on your chest, cupping your tits and wasting no time to pinch your nipples. Just lightly at first, plucking at them before his fingers grew a little rougher. You gasped, arching your back off the bed and towards his mouth. Paz’s body vibrated.
“I don’t know,” he finally answered, his tongue darting out to lick over your nipple, “The thought that all these other alphas get to see you look so pretty when I make you feel good …” he trailed off, his fingers tightening their pinch on your nipple and the pleasure mixed with a delicious level of pain. “I wanted you all for myself before we see Mandalore.”
“Now be a good girl for me and play with your tits,” he instructed, his tone leaving no room for questions and you followed. For a moment, you mourned his absence but that did not last long when you felt his hands on your ankles, untangling your legs from his back and folding them to your chest.
Your breath stuttered. With your knees by your ears, you could feel the cool air on your most intimate part and not only that.
You felt exposed and vulnerable but also more turned on than ever. The knowledge that Paz could and probably was looking at you like this, his eyes on your glistening folds, sent another wave of heat through you. Your pussy pulsed and he must have seen it because he let out the lowest groan, causing your walls to clench again.
The sudden presence of his finger made you flinch in surprise and he pauses, the pad of his finger resting just above your clit. “This okay, omega?” he asked.
The smell of his arousal was already in the air but something in his tone still reassured you that he would stop, no questions asked, if you needed him to. And this sense of safety just added to your excitement.
“Yes, alpha,” you breathed, leaning your head back against the pillows.
“Good,” he rumbled, a second and third finger following before you could feel him slowly push inside you. The bed dipped and shifted underneath you as you both adjusted.
“What a beautiful pussy,” he mused, his thumb coming up to rub a circle over your clit and you whimpered, “Could stare at her all night long.”
“P-Paz, please.”
“What is it, little one?” he asked, his thumb steadily running over your clit, sending pulses through your entire body. But with how he had folded you in – “Use your words.”
“You just love to embarrass me, don’t you?” you blurted out, positively surprised at how put together you still sounded. Though you could not deny the breathlessness in your voice, either from excitement or arousal or both you could not say, but who could blame you when you had this massive man above you, playing with your pussy like it was his favourite meal?
“I do,” he agreed and could feel his breath on your folds, the breadth of his shoulder between your legs as he slowly thrust his fingers in you, “Something about corrupting a sweet innocent omega like you makes my cock so hard.”
He licked a broad stripe up your pussy, from your entrance to your clit. Your eyes widened and your body bowed off the bed, your legs trying to close on him but the massive size of his body did a good job preventing it.
“You have no idea the things I want to do to you,” he growled, before pressing a chaste kiss to your clit. “You better keep your legs right where I put ‘em, omega, or at the next meeting I am gonna keep you on your knees and have you cockwarm me with that pretty mouth of yours, understood?”
You forced your trembling hands behind your knees, pulling them to your chest and opening yourself up for him. “Sorry alpha,” you stuttered out. The image his words had conjured up in your head made you clench and you were sure he had seen it.
His hands tightened their grip on your body and his thumbs spread your folds for him as he went down on you like a man dying of thirst. You would have felt oddly exposed to him if it had not been for his tongue and his lips being everywhere, driving you absolutely crazy.
He expertly sucked on your clit until you were sure that not only had you ruined his sheets but that it would only be one more second before you came. But then, he switched back to your entrance, running his tongue along your folds, pressing kisses everywhere until your arousal was at a steady thrum – still pleasant but nowhere near the edge where you had been before. Then returned to your clit, making you see stars before switching back to the rest of you.
Only when you could feel him smiling against your thighs did you realize he was doing it on purpose.
Tears collected in the corners of your eyes, you were that desperate to come. “P-please, alpha,” you gasped out, gripping your knees hard so as to keep to his instructions. Surely, if you did everything he told you to he would reward you. You had been good for him after all …
“Please what?” he mocked you, “What do you need, sweetheart, tell me?”
“Please let me come,” you mumbled, a little flustered.
“Look at that,” he marvelled, “Yesterday you weren’t sure whether you could come on my fat cock, and now you are begging me to let you come on my tongue.” Another well-placed opened-mouthed kiss against your clit and you broke apart.
“Please!” You sobbed, tears now soaking the blindfold, “Please alpha, I will be so good, I promise, you – I will let you do anything just p-please …”
His ministrations paused and the lack of touch almost broke you.
“Are you crying, omega?” he asked, his voice strangely rough. The movement made his stubble brush over the sensitive skin of your hips.
Your cheeks flared with heat in embarrassment but you nodded nonetheless. “It just feels o good,” you admitted in a whisper.
Paz let out a long breath, even that stimulated your clit until you were squirming in his hands. “Fuck,” he murmured, his warm forehead falling onto your lower belly, “that shouldn’t turn me on as much as it does.”
And then he let you come. He made you come.
His lips closed around your clit and all the tricks he pulled out before, he let them play out fully. With your hips grinding against his face, seeking to get closer to him, Paz had his hands holding you still, steadily spreading you for him until you were crying into the cool air.
Even after the first waves of pleasure had rolled over you, the alpha between your thighs did not cease his movements. His mouth got gentler as he licked all that you gave him and sometimes you swore you could feel him hum in satisfaction.
“Good girl,” he praised you quietly and despite everything, you felt yourself flush in arousal at his praise, “You did so good for me.”
Completely out of breath, you felt like you had just experienced one of those training sessions Chants did in the warrior section and that you usually admired from afar.
“Stars,” you breathed, your hands letting go from their grip on your knees. Your legs ached from how you held them for so long and you winced at the movement. Paz was there though, his hands running over your skin and gently helping your legs down before pressing kisses to your thighs.
“You did so good for me,” he repeated affectionately, “’m so proud of you, sweetheart. Using your words, following my instructions.”
“I want a kiss,” was all you could say and he chuckled, leaning in to give you a kiss that had you sighing against him, melting even more into the sheets.
“Thank you,” he whispered against you, his forehead touching yours, “For wearing a blindfold, for allowing me to pleasure you.”
Upon his soft-spoken, honest words, all you could say was, “I can’t speak.”
For a moment, you wondered whether he would misunderstand your lack of response as a lack of reciprocity. But he didn’t. Of course, he didn’t. Paz helped you wrap your arms around his neck, his large hand pressing yours to his nape for a moment before letting you go. Without wasting a moment, you buried your head in his neck, scenting him for all you were worth. You wanted to tell how you felt like you were gloating, how happy you were right now right here.
And despite the lack of words, it seemed to work. His big hand slipped to your back, holding you to him as he leaned back, pulling both of you into a sitting position on the bed.
“Then I did a good job,” he joked. Playfully you slapped him on the chest or at least you planned to but his hand caught yours, gripping your wrist and pinning it to your back. None of it was painful, none of it strict. More … slow and deliberate and loving when his fingers brushed over your wrist gently. This was how he was, it occurred to you, that Paz Vizsla did not need to secure his dominance in any sudden way because he was secure in his dominance. It was never even a question for him whether he would be able to pleasure you. The realization made you even wetter and within moments, it had you forgetting the way he had made you come so undone you did not want to think about being touched again.
“You tasted even sweeter than I imagined,” he revealed with his lips brushing over your cheek.
The whispered compliment made you shift in his lap, causing his hard cock to rub against your folds. A flush went through your body and you tried to shift again, this time getting his shaft to burhs over your clit and you gasped.
“Already?” he teased you, “What a needy little slut I got for myself.”
His fingers returned and you opened your mouth willingly. Just like they did the day before, his fingers moved in and out of your mouth at a slow and deliberate pace, and just like you had done yesterday, you sucked them into your mouth with an eagerness that you were no longer ashamed to showcase for him.
“I promised you I would fuck from behind, didn’t I?” his voice was rough from arousal, his pointer finger pushing down on your tongue.
“Uh-huh”, you swirled your tongue around his fingers, hoping to convey just how much you wanted that.
“Can't wait to work my cock in you again,” he revealed, burying his face in your neck as his fingers slipped so deep in your mouth you gagged. You were clenching around nothing immediately, imagining what his cock would feel inside you. Whether it would feel different now that you knew what was coming.
He pulled his fingers free from your mouth only to put them on your pussy. As if you weren’t wet enough from your orgasm of the century. Carefully, he ran them over your clit and while you felt sensitive still, it was nothing compared to the waves of arousal that returned upon his touch. One thing you knew now: If Paz Vizsla called, your body would answer.
“Tell me if it is too much,” he murmured, kissing the side of your neck as he detangled himself from you. With gentle sounds and strong hands, he directed you to lie on your front and you sunk into the wonderfully soft blankets with a sigh. Then, he straddled you from above, his cock resting heavily on the small of your back.
Even now, he felt massive. So massive that you imagined you could feel him reach the middle of your back, his precome pooling on your skin. But then you had your arms pinned over your head, one of his hands encompassing both of your wrists. And that was just the sexiest thing ever.
He made you feel small, helpless and hornier than ever and it just got better when he pushed inside you for the first time.
“Stars,” you breathed out, clenching your hands into fists. The stretch was just as big as yesterday and in the new position, it took more of an effort to breathe. But he was big inside you, his mushroom tip breaching your entrance.
“You good, sweetheart?” he asked, his voice strained when he pulled out a little just to push back in. And then his thighs shifted, his knees pinning your leg together which made it an even tighter fit and you gasped, feeling him in your belly.
“Wish you could see it,” he commented, “Wish you could see just how good you take my fat cock. How good you are at opening up for me.”
At his words, you tried to lift your ass against him, to get him deeper but his free hand moved to your lower back, pushing you to the bed. “Nu-uh,” he scolded you, “I am the one in charge, little one.”
Oh fuck, why did that turn you on so much?
Your teeth sank into your lip and you whimpered. You would let this man do anything to you. Especially now that, with your back arched, he hit that spot inside you that made you see stars and he seemed to be determined to use it to his advantage.
Paz’s thrusts were slow but deep. Deliberate. His body caged you in, completely covering you as he worked you open on his cock like he had never done anything else in his life. You could feel his breath on your skin, could feel where he gripped your hands, where the muscles in his legs worked to keep him moving, where his belly brushed against your ass.
Paz Vizsla had taken you over completely.
“How do you feel?” he asked, “Happy now you finally have that greedy pussy filled?”
You nodded eagerly, unable to keep the whine down your throat. “F-feels o full, alpha,” you gasped, trying once again to rock against him, “Almost – oh.”
“Almost what?”
“Almost too full.”
He hummed and you noticed how his thrust seemed more urgent. His legs caged your thighs in and you hoped he would squeeze, hoped the movement would put pressure on your clit.
“And yet here you are weeping for me,“ he mused, “You love my too-big-for-you cock, don’t you?”
“Uh-huh.”
“Say it.”
“Huh?” your hands clenched and you tried your best to listen to him, you really did. But maybe you were also just trying to pretend like you were not too cockdumb to realize what he was asking of you.
“Say you love my big cock,” he murmured, sounding way too controlled for your liking. His thrust and you cried out when it hit a spot inside you that made your whole body shiver in the best way.
“Say it or I won't let you come, sweet omega,” he teased you, his free hand gently running over your back, “Don’t you want to come again, sweetheart? Don’t you want to be filled with my come?”
His words cause something to spiral inside you and all you managed was to nod. You did not know where this need had come from to be so close to him. It felt like you had discovered a part of yourself that you had hidden from everyone – including you. But the thought of finally feeling his come inside you the same way it happened yesterday made your nipples tingle and your pussy weep. And from the way he growled, you knew he felt it.
“Love your cock,” you mumbled into the pillow, your cheek smushed against the soft fabric that smelled like him and that made you distractedly think of what it would be like to spend all your nights in his beds, building your nest and cuddling with him.
“What was that?” he asked, the thumb that kept your hands together brushing over the sensitive spots on your wrist, “Couldn’t hear you, sweetheart.”
“I love your cock!” you cried out, embarrassment in your voice, “L-love it, alpha, makes me feel so good.”
His groan was deep and guttural and you could feel him twitch inside you as his thrusts got even harder. Whimpering into the pillow, you relaxed into the sheet once you realised you could not do it anymore. You felt like you had lost control of your limbs and Paz, in your stead, had gained them.
“Good girl,” he praised you, his arm sneaking to your front and circling your clit as he buried himself as deep into you as he could. It took only the barest of touches for you to fall apart in his arms. And this one was even stronger than the one before. You felt completely weightless, bodyless, too, as your brain registered only pleasure. From your toes to your hairline, all you could feel was him. Him pulsing inside you, him filling you with his come and the thought made you clench around him.
“Stars,” he groaned above you, his weight settling on you. The effect this had on him made you smile, your fingers twitching as you tried to reach for him. Because clearly, having him inside you was not close enough.
“Is this okay?” he asked, his voice all mumbly and you tried to nod. His body resting on yours made you feel secure in a way you could not describe so you focussed on your breathing first, smiling when his hands intertwined with yours.
“Thank you, alpha,” you whispered
“What for?”
“For making me come,” you murmured, “And, uh, for coming inside me.”
Paz made a sound like a grunt and you could feel him twitch at your words. “You say that like it is a chore,” he replied, his lips running over the back of your neck and you shivered when he brushed over your scent gland, “When all I could think about all day was what you might taste like on my tongue. And how pretty you look on my cock.”
“You didn’t take me to the negotiations this morning,” you stated, unable to help the insecurity that scratched at your heart.
“No, I did not,” he answered and, after a slight pause, added, “And I won't take you to the ones tomorrow morning either.”
Hurt cracked at your heart and you shifted. But Paz misunderstood your restlessness and took it as a sign to get up. The warmth of his body left you and you both whimpered when he slipped out of you.
“This is the prettiest sight,” he commented, his large hands spreading your cheeks apart. You felt puffy and slick and the feeling of his come trickling out of you paired with his fingers digging into your soft flesh made you clench again.
The bed dipped and swayed as he moved and soon, you could feel the weight of his body next to yours and gingerly turned around. His arms found you instantly, pulling you into his chest and you sighed as you settled your cheek on his warm skin.
But no matter how comfortable he was, you could not shake your curiosity. “Why?”
“Hm?”
“Why won't you take me to the negotiations here?”
“What I said is true,” he whispered, “I want to keep you for myself until Mandalore. I want to get to know you, to make sure you …”
You frowned, “Make sure I what?”
“Make sure you are okay being seen with a Mandalorian like me.”
It took you a moment to realise what he was saying. And when you did, you were surprised that a confident warrior like him had worries such as these.
“Paz,” you started, your hand splaying over his chest and feeling his heartbeat, “Are – do you think that because you are from a different tribe I would not want to be seen with you?”
“I know what other Mandalorians think of us,” he grumbled, pulling you closer, “I know that my way of life may not seem … normal to you.”
“Paz,” you started, tracing your fingers in makeshift patterns over his skin, “It may not be my way of life but that does not mean I would ever be … be embarrassed or ashamed of being out there with you. I am you calmer and I am,” you took a deep breath, “I am proud to be your calmer, alpha. I would not want it any other way.”
For a long time, Paz did not say anything and you had the sudden fear that what you had said, what you had implied, was too much, that you had crossed some invisible boundary that kept you at a (professional? Diplomatic?) distance. But you could not help it. Could not help the warm feeling in your chest whenever he was near and the need to make him feel … good. And cherished. And wanted.
Stars, you wanted this man.
“Can I kiss you again?”
His big hand covered the side of your face and even though he could not see it, you closed your eyes and nodded. And then his mouth descended on yours. The kiss was soft and slow, his tongue brushing over your lower lip. You could feel his stubble against your chin and it did not take long before you cupped his cheek as well, feeling the growing beard under his thumb.
Before you could ask him how he kept his facial hair most of the time, a yawn forced its way out of your body. Paz moved his mouth away and you whimpered, trying to get him to kiss you again.
“Sleep, my love,” he whispered against your ear, “We will see each other tomorrow.”
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chosetherose · 10 days
Text
Two Graves One Gun
So Long London continues the saga of celebrity versus soul. The only way to cure Taylor’s sadness is for her to bid farewell to bearding, and perhaps the closet.
If you can look past the red herrings in this song, you will find a deeply layered masterpiece that illuminates Taylor's battle with herself; how past plans made to maintain her celebrity have marred her soul. She doesn't want to live life like this anymore and is willing to burn her brand down to the ground to free her soul.
As always, the analysis I've written here is only one interpretation of this song. I'm not claiming it is "correct" but I encourage you to plow through (this is a very long post) and consider what I've laid out.
For context, I believe London is a metaphor for bearding. Here is some background for the new folks:
For most of her career, Taylor’s beards have been from the UK. Specifically, from 2012-2023 her beards were Harry Styles then Calvin Harris then Tom Hiddleston then Joe Alwyn.
The beginning of this stage was right around the time she started crossing over into pop music. Red is her first real leap into pop music and to do this successfully she needs to expand both domestically (to pop audiences that don't listen to country music) and internationally (her first opportunity for this since the rest of the world doesn't listen to much country music).
She started bearding with Harry Styles in late 2012, within weeks of Red's release then milks that short lived stunt for 1989 as well. What a way to capture a new pop audience made up of fans abroad and at home. Rinse and repeat until her priority changes to long-term privacy and she finds that aided by an unknown actor named Toe. Even though Taylor's current beard is American, suffice to say one can look at London as a metaphor for bearding given history.
[Intro]
So (So) long (Long), London (London) [repeated]
Pay attention to how she sings this...She breaks "London" into "Lon" and "Don".
So SO / Long LONG / Lon LON / Don DON
This is a sneakily beautiful way to emphasize: So! Long! Don(e)! ...Like "I've been bearding for so long and I'm done with it" or "So long, bearding! I'm done!" Yes, this is a reach but read the rest of this post and circle back. As this intro closes the final "Don(e)!" fades into the upticked beat.
[Verse 1]
I saw in my mind fairy lights through the mist
I kept calm and carried the weight of the rift
Pulled him in tighter each time he was drifting away
My spine split from carrying us up the hill
Wet through my clothes, weary bones caught the chill
I stopped trying to make him laugh, stopped trying to drill the safe
Taylor seeing fairy lights through the mist sounds like she sees daylight at the end of a tunnel opaque from lavender haze. She keeps focused on this goal, carrying on with all these beards over the years. Although she's able to appear calm during these stunts, living life like this has forged a rift within herself. She beards because it's advantageous for her brand but her soul despises the ruse.
Side note: “Keep Calm and Carry On was a motivational poster produced by the Government of the United Kingdom in 1939 in preparation for World War II.” -Wikipedia. A bit of history that I think furthers the idea that Taylor was battling to keep going.
Tayor has to balance these aspects of herself continually - Too much stunting? Her soul needs a break. Had a good break from stunting? She needs to feed the grocery line Swifties to keep them at bay. It's an idea that got me thinking about yin and yang, "an opposite but interconnected, self-perpetuating cycle." (Wiki). I am not an expert on this concept but I know I've noticed it has come up throughout conversations about TTPD. If yin and yang is relevant for this album, as I believe it is in multiple songs, in the context of this verse it feels related to Taylor's constant need to find balance between the celebrity version of herself we see on our screens and the true version of herself only she can see in the mirror.
This cycle wears on Taylor so much that her spine splits from the weight. She has been slogging through stunts, dreaming of freedom, for years. It's been storming so long her clothes are soaked and she feels the chill down in her bones.
Because of the pain she decides to change strategy. Theres no more attempts to make her situation lighter or find ways to deal with it. And think about this - if you're trying to drill the safe open it means either A) you feel like you've tried all the codes and are resorting to brute force, and/or B) you're running out of time and growing desperate. Taylor is past even those points and is giving up entirely.
[Chorus]
Thinking how much sad did you think I had
Did you think I had in me?
Oh, the tragedy
So long, London
You’ll find someone
The chorus reminds me of talking to a past version of yourself that made plans for a future you. We know Taylor must plan her life years in advance so perhaps she is asking her past self something like, “Why did you think I could handle continued bearding? Did you really think I could handle all the sadness I'm feeling today?”
Then I think the second half of this chorus is saying goodbye to bearding, symbolized by London, because she can’t bear the sadness anymore. Maybe the "you'll find someone" line is aimed at the fans a la "you should find another guiding light" like you guys will find someone else to fawn over in the tabloids.
Side note: I love the double entendre here. Because so long means goodbye but it has also been so long that she’s been bearding (largely with British men).
[Verse 2]
I didn't opt in to be your odd man out
I founded the club she's heard great things about
I left all I knew, you left me at the house by the Heath
I stopped CPR, after all, it's no use
The spirit was gone, we would never come to
And I'm pissed off you let me give you all that youth for free
I don't have a strong opinion on the first two lines of this version. What comes to mind is she didn't opt in to be an openly LGBTQIA+ artist, she chose to closet and beard. Then other younger closeted celebrities have looked to her as a blueprint.
In the process of bearding for stardom, her soul abandoned all she knew. I think there is a red herring here as Heath could reference Hampstead Heath (which has connections to Toe) but it’s also continuing on the house theme that Taylor sings about. Here, it doesn’t sound like this house is a home. She’s not singing about chandeliers flickering inside, it’s “the” house by a heath -- “Heathland is characterized by plants such as heather, bilberry, gorse and bracken, which occur on infertile and well-drained soils. Open heaths have been highly modified by humans for centuries and are maintained by grazing or cutting.” She’s stuck somewhere that’s by drained her via death by a thousand cuts lol.
Again, it's weighed on her. So she's decided to stop trying to revive the disconnect between her soul and her celebrity, it’s no use trying anymore. She’s realized they could never fully come together.
And she’s pissed off she let her celebrity rob her of an open, free, youth where she could live truthfully. Recall that in Peace she sings, “a coming of age has come and gone” which to me means she feels she can’t explain a coming out via a youthful awakening angle. She’s at the age where people will understand she’s known this for years but hasn’t shared with the world. This will raise questions she won’t be able to answer because it’s all too tangled (NDAs, outing beards, etc.).
[Chorus]
For so long, London/ Stitches undone
Two graves, one gun
I'll find someone
For so long, she’s been bearding, stunting, hiding her true self to reach and/or maintain celebrity. It’s caused her stitches to come undone. This wording is interesting because it implies she had a wound from living this life hiding her truth, they tried to fix her up as her celebrity status soared, but it didn’t work because the sadness was too great.
Perhaps there's two graves and one gun because on the path to daylight she will kill both her celebrity and the sadness of her closeted self. Not how she switches from "you" will find someone to "I" will find someone. This is because she will destroy every version of herself that she's ever known if she comes out one day. She will rise like a Phoenix through the ashes to discover a new version of herself in the daylight.
Note that the Spotify clip for this song, from the Fortnight video, feels significant. First, Taylor looks up toward the daylight. Then, with heavy breaths and a concerned face, she rifles through her art (words written out on a typewriter). We know in the rest of this scene she is lighting her art on fire. Two graves one gun on a path to daylight.
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[Bridge Part 1]
And you say I abandoned the ship
But I was going down with it
My white-knuckle dying grip
Holding tight to your quiet resentment
I imagine these first lines of the bridge to be aimed toward those in her life, on her team, etc. that steered her toward closeting to gain/keep fame. Maybe she has plans and they are saying by coming out she is abandoning the ship (her celebrity) they've all worked hard to build. In Miss Americana we heard her team tell her that coming out as a Democrat would halve the numbers of her next tour. Can you imagine what would be said about a coming out?
But what they don’t understand is that living this life is killing her. She’s been holding on to all the subtle ways they’ve told her over the years that her career will sink if she comes out of the closet.
[Bridge Part 2]
And my friends said it isn't right to be scared
Every day of a love affair
Every breath feels like rarest air
When you're not sure if he wants to be there
When she confides with her friends about it all they tell her she shouldn’t be afraid to take steps toward the daylight because look where she is now. She’s been stunting for years (love affairs in the tabloids) and it's awful for her. So terrible that she's grasping for breaths, unsure if she can still survive in this atmosphere (thin/rare air means its not a hospitable environment for Taylor).
[Chorus]
So how much sad did you think I had
Did you think I had in me?
How much tragedy?
Just how low did you think I'd go
Before I'd self-implode?
Before I'd have to go be free?
Again, I think she’s talking to her past self here. “How could I have thought I’d survive sinking this low? How could I not realize I’d reach a point where I’d self-implode?” Which here, self-implosion is telling a similar story as I think the two graves one gun lyrics do — the result of the self implosion is being free. If she blows up her celebrity and she will be free to live her truth, curing the sadness that has been ruling her life for years.
[Verse 3]
You swore that you loved me, but where were the clues?
I died on the altar waiting for the proof
You sacrificed us to the gods of your bluest days
And I'm just getting color back into my face
I'm just mad as hell cause I loved this place
I imagine this verse is aimed at her fans, the grocery line Swifties who believe her beards are real boyfriends. I read “you swore that you loved me but where were the clues?” as a sarcastic jab because she’s been screaming 🌈 for whoever is willing to listen. The fans claim to love Taylor but they aren’t willing to really listen to her.
Most people here “altar” and think of a wedding but the definition is much broader, “In religion, a raised structure or place that is used for sacrifice, worship, or prayer” (Wiki). So Taylor was up on the altar, a place of worship, waiting for clues that these fans actually loved her. But what started as worship became sacrifice as these fans never found love for who Taylor really is all the while the bearding and hiding were causing Taylor deep sadness.
Despite all this, she loves her job and her fans. The sadness is too much though. She is about to self implode and feels its time to take steps toward a brighter future. It’s maddening as hell to metaphorically blow up your life just as your fame is escalating to new heights you’ve reached for your whole career.
[Chorus]
For so long, London (So long, London)
Had a good run A moment of warm sun But I'm not the one So long, London Stitches undone Two graves, one gun You'll find someone
For so long, she bearded. She had a good run, getting away with it all, reaching levels of fame she always dreamed of. But she's not the one to keep the charade going (as opposed to her heroes who unfortunately 'died' closeted). Goodbye, bearding. The wound was too big to fix. With one action, I will kill the version of myself you (the fans) know and the version of myself I know. You (the fans) will find someone else to worship.
...
I could keep tweaking this theory for weeks but these are my initial thoughts on this song about two weeks out from TTPD's release. This album is incredible complex but for me the signs we keep getting are all pointing toward significant change. There is a momentum going right now that I haven't felt since the early Lover era. No matter what happens or how long it takes, I hope our fearless Chairman gets the chance to bask in the sun shiniest daylight. She deserves the warmth.
💕 CTR
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plutoispurplw · 6 days
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I Can Fix Him
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Summary: You became friends with Spencer before he went to prison.
Couple: Spencer Reid x Fem!Reader
Warnings: Little angst, mention of prision and murder, friend to lovers
A/N: I think someone should take TTPD out of my hands...Plss reblog it if you liked it
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You met Spencer in a library, you couldn't reach for a book and he helped you out and then you invited him for a coffee. 
After that you two became friends surprisingly because your ways of viewing the world were extremely different, you two started to spend more time together talking about anything, series, music, or normally books. 
The conversations that you two had were your favorite thing, listening to him rambling was the best of all.  
Then fastly two months after you met him you fell for him, it made you feel lovesick like some kind of teenager, and it was hard to not kiss him when he got closer to you when watching a movie to tell you about some random fact. 
Then all went down because out of nowhere, he disappeared, you tried to call him and text him but he wouldn’t answer you. 
When you went to his apartment to see him and ask him why he didn't answer you, you only found his teammates that he had told you about. They only told you that he was traveling, you know they were lying. 
You felt hurt and decided to just forget him, you started to try to date more people but in the end, you didn't feel anything, his name was written on your heart. 
After four months you received a message from him telling you to go to his apartment and talk about why he disappeared, you accepted only to finally give it closure.  
When you knocked on the door and he opened it, he stood there for a moment without saying anything, and in the next one, he wrapped his arms around you and gave you a tight hug. 
Then he quickly pulled away and started to speak. "Sorry for doing that, I don't want to make you feel uncomfortable." He stared a you with his hypnotizing eyes that had you in a trance. 
"Don't worry, you don't make me uncomfortable." You assured him, that the last thing he had done was that he had only caused a glitch on your brain for a moment. 
He gave a weak smile while he moved to the side to let you go to the living room, which made your heart go crazy.  
Inside you, you were hitting your head against a wall, you fell again for him, it was truly ever over? 
You sat on the couch while looking at the number of books that he had, every time you saw it there was more even if it felt like it couldn't. 
He walked towards you and sat on the opposite side of the couch, the silence felt uncomfortable, and you decided to start talking. 
"I know this sounds too forward but, where have you been? You just disappeared out of nowhere and your teammates say you were traveling, so why didn't you answer my calls or messages?" 
He stayed quiet and looked at the floor, he didn't say anything or answer your questions and for a moment you thought about leaving but then he started to talk. 
"I was in Mexico, in prison for three months and then a month ago I got free." His eyes became motionless for a moment, you could see how life left his eyes for a glimpse. 
After he said that you stayed quiet and in shock, many questions running through your mind. "What happened?" Your voice was filled with a preoccupation for him. 
"I was accused of killing a woman, someone made me look like the guilty." His voice sounded angry for a moment. 
You notice how his jaw tightened for a moment but then his factions softened when he saw your expression of sadness.
 "I'm so sorry, I didn't know that's what happened." Your voice sounded wobbly, he caressed your hair a for second to comfort you when he saw tears about to spill from your eyes. 
He was the one who should have been comforted but he didn't care and kept trying to calm you. 
Then a thought popped into your head "If you were back one month ago why didn't you call me?" Your voice sounded a little hurt by that action. 
"I thought you were mad at me and didn't want it to make it worse." He sounded guilty as if he had done something horrible to you. 
"Even if I was I wouldn’t let you alone on this, believe me." Now it was your turn to comfort him, you put your hand on his cheek while you said that. 
You felt how his gaze fell on your lips for a glimpse of a moment, he then looked into your eyes and you couldn't keep your emotions inside you for another moment. 
You kissed him on his lips, and to your surprise, he reciprocated. The kiss was gentle and sweet, it was heaven kissing him. 
Then he pulled away and looked regretful, you felt how your heart sank at that sight, maybe you were wrong to think that he liked you back. 
"Sorry for kissing you, I didn't want to make you feel uncomfortable." Your gaze fell to the floor, you felt like you wanted to die in that moment.
 "It's not that, it's just that I have changed in these months, I'm not the same man that you had met in the past." His voice was more quiet, he sounded insecure about him. "I don't want to hurt you or damage your form of viewing the world." 
When he said that, the only thing that you could think was that you didn't care if he ruined your vision of the world, you only wanted him and you knew that you could try to fix the parts of him that had been broken. 
Your hands went to his face, holding it gently. "I know that and I don't care, please let me be here for you, let me be your support." 
He kissed you and hugged you, you hid your face in the crook of his neck, it felt nice to have him back.
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Text
a messy review of TTPD
okay i need to preface this that i have the credentials to be able to speak my mind on her. i've been a fan since 2006. i've been a fan since i was 11 so don't get your panties in a bunch.
i think this album is messy. the production is the only thing i can really praise about it. the lead up to it and now the full release has just been so unbelievably messy. i'm going to make a continue reading for the people who still have yet to listen where i won't spoil it for you. PS. i do get mean in this. so if you're not wanting to hear critiques and criticism and taking that in, please scroll.
EDIT: this was pre-anthology release. so this is just based on the original 16 song release.
SPOILERS AHEAD
i am fully aware she is allowed to go through the grieving process of her breakup with joe. i respect that whole heartedly. i completely understand having someone in your life for such a big chunk and for them to be gone and feeling lost and alone and angry. what i don't like at all is essentially telling us in this album that she couldn't handle joe having severe depression. obviously i don't know everything that went down but it seems as though he didn't want to get married until he felt mentally better. and as someone who is also in the same boat as him, i also wouldn't want to fully commit to marriage until i felt like i could give them 100%. and if that's his biggest crime, being too depressed, then that's a her problem. being depressed is not all "haha relatable".
now onto... that man... i did not expect 90% of this album to be about him. i've only hated two people in my life. one being a family member of mine. the other, him (i will not be saying his name because he does not deserve it). the way she spent so much of this album talking about how she will defend him with her life. girl i am begging you to get up off the ground. it felt like a backstab from her in "but daddy, i love him" where she's basically saying fuck everyone for ruining a relationship i wanted. the reason no one wanted her with him is because he's a racist, misogynistic, homophobic asshole. i am aware he supports queer rights but it seems like he only cares about queer rights and the safety of queer people when it involves white queer people (ie. what happened in dubai and malaysia). i'm almost confident she cheated on joe with him while her and joe were still together. i'm sorry to taylor that i care about BIPOC and queer people's rights than making a racist white man happy.
joe truly got the short end of the stick here. he has been treated so horribly this past year by swifties who made up rumors about him just to make taylor seem like the good guy and the only thing this album told me was she was the villain in all of this. i hope joe has a good support system around him and i hope he's able to get any mental health help he needs. i do also think that taylor desperately needs a therapist as well. she is very adament about not having one and just using her mom and her friends but she needs an outside source to really listen and give her advice that isn't "yes man"-ing her all day long.
anyways, like i said at the beginning of this post, i enjoyed the production. my favorite songs were fortnight and who's afraid of little old me. it's gonna take time for me to enjoy this album outside of its messiness. i did enjoy midnights btw. so it's definitely not the sound i don't like it's just everything surrounding it.
70/100
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mikelogan · 26 days
Text
ttpd thoughts
for the record, i'm not trying to be like. purposely hateful or anything, i'm just so deeply disappointed with her. this last year has been a mess and she's repeatedly acted in ways that, at the very least, rub me in the wrong way and at their worst have disgusted me and made me lose so much respect for/faith in her. miss americana has become a piece of performance art rather than any sort of meaningful activism.
she made a very public display of dating/hooking up with a bigot and basically said "fuck you, i do what i want" in response to valid criticism and then tried to smooth it over by working with one of the women he'd called slurs. almost every time she spoke this year, whether in an interview or through tree, she reinforced my worry that she views herself as untouchable and that any sort of negativity or criticism directed toward her should be discounted because she's an "underdog" and a woman, despite the fact that there are very real issues with her words and actions. and don't get me started on everything with football guy and his trump-loving ass.
she is absolutely allowed to do, say, date, fuck, etc. anyone and anything she wants. she can write songs about all of it. she can do damage control and pr and control the narrative however she chooses. she can run smear campaigns and drag names through the mud while maintaining she's the perpetual victim when she's arguably the one with the most power in any given situation. i can appreciate that fame presents a set of challenges that i will never experience or fully comprehend.
but i'm also allowed to have my opinions on it, especially when so much of it is so heavily publicized. there is so much we will never know and there is also so much we do know that we never should have. pretty much since eras was announced, she's become so deeply oversaturated and it went from being cool to see so much hype and getting a new album and new re-recordings to feeling like everything is about money and breaking records. it's become a machine, a content factory, and so many decisions feel rushed, incomplete, and incongruent. it doesn't feel like there's been real thought about the material itself and instead it's become about aesthetics and sensationalism.
i think that's why i'm so frustrated right now and it's highly likely that these albums will grow on me or at least some of the songs. i've been listening to the 12 songs i liked on repeat since i finished my initial run through each album and i already like them even more. but i wish that it could truly just be about the music for me. that's what's always been most meaningful to me about taylor is her lyricism and the stories she tells through her songs. but knowing everything i know and having seen everything i've seen over the past year, it's tainted my perception of the albums and the songs on them.
i think that taylor has a lot of growing to do as a person. i've heard people say that sometimes celebrities are frozen at the age they became famous and i think that really shows in taylor's case. the irony of a song being titled "so high school" was certainly not lost on me. a lot of her phrasing feels very juvenile, just as her treatment of joe and everything surrounding the end of their relationship has been. i never really had feelings about him one way or another, and as i mentioned above, there's a lot we'll never know about what happened between them. but she's been pushing her victim narrative so hard and the only thing i've seen from joe is his support of palestine. actions speak a lot louder than words. it changed so drastically from the initial news of their breakup being amicable to turning him into yet another villain. i have no doubt in my mind that taylor has been treated very poorly by a lot of the men in her life, and joe is likely not an exception. but i'm to the point where i have to take everything she says with a heaping tablespoon of salt.
at the end of the day, taylor's music is her own and i understand why she's said that she wants her work to be about the music and not about the men. i can see how it would feel invalidating to have her songs picked apart and attributed to the men they're written about. and i'm not even trying to do that here. but i can't recall a time when she's been so public about her relationships? in the past, it's felt a lot more like speculation, but jesus, between ratty and tk this past year, we've just been inundated with so much that unless i was an extremely casual fan that managed to escape her face on every news show, billboard, and social media website, i can't fathom not knowing what she's singing about on these albums. she can't have it both ways.
i still have all the music that came before ttpd, and like i said, with subsequent listens, ttpd will probably grow on me a bit, but idk man, i'm over it. and i think it's important to be willing and able to criticize or at the very least analyze your favorite media, whether it's music or tv or film or literature or whatever else. your favorite thing probably sucks in one way or another and pretending it doesn't doesn't make you a better person than someone who acknowledges it. these are complex, extremely nuanced things i take issue with and when it comes down to it, i will never know taylor personally and be able to talk to her about these things and get her point of view and her thoughts. that leaves me to say my piece, which is what this post is.
as a recovering swiftie, i'm just so very tired.
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likeadevils · 22 days
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what songs from TTPD and TA are now yours? Which ones have spoken to you the most?
songs that are genuinely MINE
chloe or sam or sophia or marcus: i cried myself to sleep listening to this song on repeat on release night and for the life of me i cant tell you why. i think it’s a great example of her being older really deepening her writing— just that old scarred over longing of a possible life, a possible love, too far away to reach but close enough to brush past. also, the double edged sword of “if you want to break my cold, cold heart, just say’ i loved you the way that you were’”— you loved me before i’d twisted myself into the shape i am now in order to keep my current partner, but also, you loved me the way i was, not the way i am now
i look in peoples windows: i wrote a poem with the line “im afflicted by the not knowing” in it!! inspired by the outside!! and by spending so much of my childhood reading by moonlight and spying on my neighbors through their windows!!! it was called where midnight lives!!! what the fuck!!!
robin: another song i sobbed hysterically to. i was a strange little violent child obsessed with dinosaurs it feels like a lullaby someone made specifically about 3 year old me.
songs that i’m obsessed with:
but daddy i love him: the bridge is just so fun to scream along to. everytime ive been in a car since the album came out ive played this at least two times just cause
fresh out the slammer: it’s just. the first verse??? the way the song stutters apart for the last verse??? this song takes the blurry muse conceit of the album and uses it to its fullest. also just the diminishing returns from “but its gonna be alright, i did my time”
i can do it with a broken heart: my first listen favorite
the smallest man who ever lived: the bridge????? the bridge???? the bridge???? a few of the negative reviews specifically mentioned this song as boring and for a millisecond i was so angry i could’ve exploded
the black dog: this is like, the platonic ideal of a taylor swift song to me. just that old quiet tragedy she can build out of little moments of hoping your ex will remember you when they hear your favorite song or not having known your last kiss was your last kiss or your ex still sharing their location with you. like, it’s just her at her best, but with the maturity to sing “and you jump up, but she’s too young to know this song”
i hate it here: people have talked about seeing reputation in the anthology but i think you can also see so much debut and it makes me feel so tender. also i genuinely don’t understand why people don’t like “if chose the 1830s but without all the racists” like?? it’s supposed to be a bit clunky?? the songs about the limits of escapism?? the line enhances both of those themes?? also “i’m there most of the year” is such a funny devastating relatable lyric to say about a daydream
thank you aimee: it’s not every day a song inspires you to send this message about something a child did to you (fuck you madeline!!! fuck you jessie!!!)
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the bolter: avoidant attachment representation!!! i love that it takes the stuff she hated about herself in the archer and just accepts and loves them and appreciates what they’ve given her. i especially love it because bolt can mean like, crossbow bolts, so it’s a flip on the archer. also “bolt” is one of my favorite words i love all the different meanings
“the only thing that’s left is the manuscript, one less souvenir from my trip to your shores, now and then i re-read the manuscript, but the story isnt mine anymore” also just had me sobbing. there’s just. wtf!!!!!!
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cas review of ttpd?
Ah yes! I am finally ready!
Cas's Review of TTPD that Two (2) People Asked For (so now you all get a fucking essay)
Literally, this is growing to be one of my favorite albums. Like...I appreciate Taylor most for her lyrics and I wrote down seven pages of them in my notebook of lyrics that fucking killed me. I feel like it's a more mature version of folklore, which is exactly what I was hoping for.
I really liked the promo for this album- the lyrics being spread, the phases of grief, the entire thing was so well-done. And the double album drop left me literally screaming.
I feel like the order of the songs on the album is also super well thought out. It really tells a story and I could feel her going through the phases, especially in the first half of the album.
I thought it was cool that she definitely took some risks in the album, but most of them landed 1000%. So many of the cool things done with the lyrics, melody, and tempo were amazing and kept me interested.
I'm gonna start by listing the more specific things I didn't like because there's only three:
In the song "Fresh Out The Slammer" during the outro, the change in beat was very jarring. I LOVED the rest of the song and it just ruined it for me
Florida!!! was...a choice. I get it. The concept of going away somewhere after a breakup to get over it is great. But Florida? Like...c'mon. Also "fuck me up Florida" made me cringe.
The line in "I Hate It Here" about racists...god, I have two minds about it. I don't think there was winning with that one, and I think people are going to tear her apart for it without taking it in context. Like when you take it in the bigger picture of the song, it makes sense. But when you take it in just the few lines...it feels a bit like it's trivializing the fact that literal slavery existed during that time? So yeah. I go back and forth...
And now a song ranking and my feelings about some of the songs:
Guilty As Sin? - This song has been in my head ever since I heard it. It's perfect, it's everything.
I Can Do It With a Broken Heart - This is giving DBATC (favorite taylor song) vibes and I am so in love. It destroyed me.
Who's Afraid of Little Old Me? - This is an ANTHEM. This will be screamed in the shower. This is so powerful.
But Daddy I Love Him - This was just so nostalgic. Like it gave Fearless Taylor and I loved it so much. Also the jumpscare fucking SHOOK me.
So Long, London - This was like a companion to You're Losing Me and god, it was amazingly hurtful.
loml - I just love slow, sad Taylor. and the twist at the end? ugh
I Hate It Here - Questionable line aside, this song was 15/10 relatable as a fanfic reader/writer
imgonnagetyouback - I feel like this will be a single.
The Prophecy - ouch
The Alchemy - Awww, so cute!
I Look In People's Windows
I Can Fix Him (No Really I Can)
The Albatross
The Smallest Man Who Ever Lived - god she CAME for this man.
The Black Dog
Down Bad - I also feel like this will be a single
Fresh Out the Slammer
How Did It End?
My Boy Only Breaks His Favorite Toys
TTPD
Cassandra - hahahaha whoops, we're coming for Kim again?
thanK you aIMee - and again? that line about her mom was AMAZING
So High School - adorable
Chloe or Sam or Sophia or Marcus
Fortnight - she and Post Malone work so well together
The Bolter
The Manuscript
Peter
Robin
Clara Bow
Florida!!
What do you all think?
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pinkheart22 · 3 months
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TAYLORS TIK TOK HINTS TO TTPD AND DEBUT (TV)?
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Taylors Swift's phone region is set to a country with the spelling of Favourites with a "u" instead of the US spelling of Favorite
Probably British English. Is this a hint to something?
The only photo there in Favourites is of her fingernail colors. All albums of these colors are re released as Taylor's Version except Debut. Will Debut (Taylors Version) be announced in Europe? Her overalls are also floral and resemble that of the debut era.
Plus, the only one in New is her with patches on her sleeve, a nod to the patches in the Album Variants? I made another post on this.
ALSO, the albums "Favourites" and "New" Across from each other each are 1's. Which together make 11, TS11.
ALSO, ALSO, if true about Debut, then Debut is Album 1 in her discography and TS11 is NEW!! Which would Explain the 1 photo in each album. Plus, She's in the section of photos called ALBUMS.
Favourites ablum = Debut, her favorite albums, her name. and NEW for literally her new album.
Still not sure yet what the album "NEW" with 200 photos is other than maybe the reactions of everyone listening to TTPD??
My only other guess with the Numbers is that 5,688 & 200 are all in one line at the top. Because the 5 is before the comma this would be the month, so MAY and 6+ 8+ 8+ 2+ 0+ 0 = 24 Which would then be MAY 24 (5/24) Taylor has a Eras Tour Date here for Lisbon, Portugal w/ Paramore. This could be a possible announcement date for Debut TV as this is in Europe, or something else...?
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5+ 2+ 4 = 11 for TS 11 BUT if you do (5/24/2024) that 5+2+4+2+0+2+4=19 and 24-5= 19
APRIL 19 Release Date of TTPD - This one might be a grasp, but still the numbers somehow add up.
THEN --- If you add up all the numbers on her albums screen you have: 5+ 6+ 8+ 8+ 2+ 0+ 0+ 1+ 1 = 31 ...The age Taylor was in 2021 which is when she probably started TTPD and apparently created the song/masterpiece: "you're losing me". (she still would be 31 at this time because she wouldn't turn 32 until December that year)
And 31 backwards is 13.
AND HEAR ME OUT - HER CATS ARE THE INSPIRATION FOR THE TTPD ALBUMS COLOR SCHEME because who better to work at The Tortured Poets Department then the Itty Bitty Pretty Kitty Committee. Can't Spell Cats without TS.
"A committee is a select group of people who work together to complete a project. A department is the name given to an office or building where a specific type of work is done."
image source : taylor swifts tiktok april 1 2024
@taylorswift @taylornation
theory posted Feb 29 2024
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But Daddy I Love Him Title Analysis
Lyric Similarities:
"My daddy's gonna show you how sorry you'll be" - Picture To Burn
"And our daddies used to joke about the two of us" - Mary's Song (Oh My My My)
"And my daddy said, 'stay away from Juliet'" - Love Story
"And Daddy's smart and you're the prettiest lady in the whole wide world" - The Best Day
"Talking about your daddy's farm we were gonna buy someday / Talking about your daddy's farm and you were gonna marry me" - We Were Happy
"Good thing my daddy made me get a boating license when I was fifteen" - No Body, No Crime
The song title is a direct quote from Disney’s The Little Mermaid which came out in 1989.
Synopsis: “A mermaid princess makes a Faustian bargain in an attempt to become human and win a prince's love.” aka Ariel gives up her voice to be with the one she loves.
Ariel is 16 in the movie and Taylor has referenced that age multiple times:
Well, I was sixteen when suddenly I wasn’t that little girl you used to see” - Mary's Song (Oh My My My)
“I’m crazier for you than I was at sixteen, lost in a film scene” - Miss Americana and The Heartbreak Prince
“Teal was the color of your shirt when you were sixteen at the yogurt shop” - invisible string
“Secret jokes all alone, no one’s home, sixteen and wild” - All Of The Girls You've Loved Before
There is another quote from The Little Mermaid that is very reminiscent of cardigan.
The Little Mermaid: "Teenagers. They think they know everything.” cardigan: "When you are young they assume you know nothing"
Taylor has previously dressed up as Ariel at a 2019 New Year's Eve party where they had to dress up as their childhood heroes.
As TTPD promo, she has been hiding words in old songs. The first word is "hereby" which can also be seen in the contract Ariel signs.
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Some people think Harry Styles has something to do with the song due to the fact that Harry wore a shirt with the same Little Mermaid quote back in 2020.
(We would need to know the time the song was written to know for sure because currently it just looks like a coincidence. Taylor has only stated a timeline of 2022-2023 for these songs. But as of 4/15 there are no signs.)
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queendomkey · 5 days
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I continue my agenda that TTPD is secretly a western album, I swear—
God. This song. This song.
At this point, I should put a boiler plate disclaimer that I understand these songs are very much about Taylor's life, and this one especially so. It's all about scrutiny, about the press and the media circus of being a child in the spotlight, about not being able to grow up (you stay the same age you get famous at in the public's eye, to paraphrase Swift.) It's about the mental side effects of that, of the suffering she admits to hiding: I want to snarl and show you just how disturbed this has made me.
I think there is an expectation that people (any people, not just celebrities) should only show signs of distress when they are at rock bottom. If you're functioning, if you're getting out of bed most days and still brushing your teeth, etc, you aren't depressed enough to complain. Who's Afraid of Little Old Me is Swift striking back at that mindset, that actually, she shouldn't have to perform rock bottom ( because she seems done with performing peak happiness ) 24/7.
However, I really want to dive into the imagery of the song, and then maybe elaborate on it too much.
I'd be remiss to say that I'm writing this the day after she performed it live for the first time, and I am so utterly obsessed with the live performance. The lights, the mirrored platform giving the appearance of levitation, and say they didn't do it to hurt me—
BUT WHAT IF THEY DID?
In general, that section of the bridge is my favorite. I've already referenced it twice! To give context, the full line is: So tell me everything is not about me, but what if it is? And say they didn't do it to hurt me, but what if they did? I want to snarl and show you just how disturbed this has made me.
( That is followed by the line that has become a meme, and I wrote a whole post being annoyed at that. It will forever rot in my drafts. )
The speaker's description feels like hypervigilence, the kind caused by a life time of whispers and daggers behind your back. If you've ever been the center of a workplace drama, or the odd kid out, or the New Person in a club or activity, or just have anxiety, you know this feeling well. You know the feeling of asking - is this about me?
I love the phrasing of I want to snarl, because it shows that she is expected not to. She is expected to... Actually. Let me set this up.
There's a parallel to her country contemporary Miranda Lambert's Mama's Broken Heart. Lambert details allowing herself to be dramatic and heart broken after she feels like her life went up in flames. Where Swift's speaker enacts supernatural revenge, Lambert's is more mundane (cutting her bangs with scissors, hunting him down at the bar in their small town.) The bridge, here, describes the expectation that is put upon young women:
Powder your nose, paint your toes / Line your lips and keep 'em closed / Cross your legs, dot your eyes / And never let 'em see you cry
Swift's speaker, jilted and in pain not just from her lover (the who's who of who's that) but also from the scrutiny she's placed under (by her community, her friends, maybe even the press) has decided that she will no longer be the picture perfect woman. She will no longer bow to their whims, and is executed by public opinion for it.
So I leap from the gallows and I'll levitate down your street.
This very strong imagery.
Historically, women who have been hanged are expected to act a certain way. We often think of witch trials, but women have also been executed for crimes like murder and theft. They are to act penitent, to appeal for public approval with their final breaths. If they serve as anti-examples, begging for God's forgiveness and showing other women to behave, how to not make their mistakes, then they are granted posthumous grace.
But speaking of witch trials. Women and men who were accused of witchcraft were not witches, not in the modern sense of the word, or the historical one. Some were midwives, some were just poor women, old women who had things their neighbors wanted to take. Some were widows, and some were just disliked. It had nothing to do with their "crimes," and all to do with wanting to get rid of someone "unseemly."
The witch trials are often used as emblems of sexism - because they were. They were a tool of patriarchal oppression against women who fell outside the system, for one reason or another. ( I'd also like to note this oppression went doubly strong against women and men of color. It's a very loaded topic. )
The imagery also makes me think of Margaret Atwood's Half-Hanged Mary, a fictionalization of the real life Mary Webster. Webster was accused of witchcraft by Phillip Smith, and taken to be hanged in Hadley, Massachusetts. Mary, a woman in her approximate 60s, survived the whole night, was supposedly buried, and still emerged alive.
Atwood's fictionalization has the same spite, the same rage as Who's Afraid of Little Old Me, "Tough luck, folks, / I know the law: / you can't execute me twice / for the same thing. How nice." By the end of the poem, she has become the witch they accused of her being.
Here, the speaker of Who's Afraid of Little Old Me does the same. Almost implied to be a ghost, but the imagery also implies a witch, a woman too powerful for the rope to kill - she decides to return to haunt her accusers, her killers. She crashes their party (there were often parties or auctions of the women's belongings)—
Like a record scratch as I scream — who's afraid of little old me?
She, too, has become what they accused of her being. I am what I am because they trained me.
Phillip Smith, by the by, didn't do so well. He disappears from the account around 1683. In The History of... Massachusetts Bay... by one Mr. Hutchinson, "...it happened that she survived and the melancholy man died." Webster went on to live for 14 years after her hanging.
It felt a very apt comparison to make.
There are other metaphors at play here - a media circus going on in the background, references to the stage animals that have killed their handler for their mistreatment. The title is a reference to Who's Afraid of Virginia Woolf, a play about how lives are so complex behind closed doors.
But in the end, I think it all furthers that same metaphor.
The pain of being in the public eye for too long has hurt the speaker in ways that the audience can't understand, because they have not lived it. Very few people are at that level of fame and scrutiny, and while a non-famous audience can relate in some ways, the speaker feels the only way to get the severity across is to invoke death and false hangings.
She is asking for them to see her as powerful, but also as human, and flawed, and hurt.
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taylortruther · 1 month
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Rae I was just having thoughts about You're Losing Me a while ago, and it really is just such an enigmatic song yk. I can never explain the way it made me feel the first time I heard it.
Just sumn about hearing all those wonderful, romantic, idyllic love songs about Joe for five whole albums and then just. YLM hits you like a truck because till then we still hadn't processed it all. Joe had been painted as this perfect, calm supportive partner who can do no wrong and Taylor is happy and it will always stay that way...and then April 9th happened.
Public perception is a crazy thing, and it's even crazier how nobody even DARED to speak the words that thy could've broken up before they did...but the red flags were there all along. It reminds me of the line in sotb "I don't speak, afraid to jinx it" and now that song is in the denial playlist. Truly everyone was in denial for like a month after the news dropped and we weren't even IN the relationship, I can't imagine how bad it was for Taylor herself.
Someone on Twitter quoted the breakup announcement with "Isn't this the guy she wrote Lover for? Yeah, we're all screwed". Amazing how much her own songs made everyone believe everything was okay till the very last moments.
I think especially what YLM strikes me as is a song centered around not wanting to throw away a "good thing" i.e. the Do I throw out everything we built or keep it?
YLM is so horribly bleak imo, because it's not hopeful AT ALL. The last line is very literally her "making the decision" that unless he chooses her, she's done. And to think this was written in 2021?? Had she already accepted the truth back then? Did the denial stage start even BEFORE that? Was she sitting in the dark room for an year and a half?
The thing that hurts the most about a song like this with all the lyric parallels, is watching something you thought was gonna last forever turn out to be so disapointing in the end. Not WANTING to lose something you've built with so much love, even when you realise that the love has disappeared. The shattering of a mirage. All the We survived the great war imagery on Midnights to My heart won't start anymore for you. Her paralleling her own past songs will always break me. The silence that only comes when two people understand each other to You say 'I don't understand' and I say 'I know you don't'.
Of course the fandom believed at a point that they were endgame, but SO DID SHE. That is what makes the song harder to digest because it really feels like a personal letter to her fans, released ONLY for us months before it was made available to the public. I stand behind the theory that Midnights was the Denial album, and YLM (the bridge between Midnights and TTPD) is her waking up.
i know this isn't the point of your ask, but bear with me! i would argue that many fans realized some songs were describing dark or heavy moments - but, call it parasocial if you like, the fandom just wanted to believe they were working through those issues, not that the relationship was unhealthy or bad. (and no one wants to be labeled as a hater, which, maybe we can work on as a fandom now lol.) for example, i thought hoax and renegade were troubling, the line "your integrity makes me seem small" rubbed many of us the wrong way, we all clocked "maybe it was her"... meanwhile, unfortunately there were lots of theories about how it was "all in her head," which fortunately i think we can all put in perspective now. OK BUT MY POINT IS, it also makes it easy to imagine (as you said), that when you're IN the relationship itself, the good parts might overshadow the bad. you could cling to something that is beyond saving because there's still comfort or hope, and denial is extremely strong. denial can feel like hope tbh.
i think ylm really shows that she was trying so so hard, for so so long, that she was running out of steam in late 2021. and he wasn't make it easier for her, because he wasn't making his needs or true desires clear.
ANYWAY good thoughts, i enjoyed this ask!
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