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#just looking up when a scene comes on
joyus-whimsy · 3 months
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I did it boys… I finished red dead redemption two.
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7roaches · 7 months
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i think all he knows how to make is bowl of cereals & even that he burns sometimes
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puppyeared · 1 year
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I just skimmed through the art part of your blog and holy bajeebus your LMK art is so beautiful and the headcanon ideas you come up with are so good I wanna steal em-
Kinda wanna see like a part 2 of the little angst you did between MK and Macaque a while ago. It's so interesting and I wanna see Macaque's reaction in your art style. (You don't have to of course, it's just a suggestion [idk if i spelled that right])
Thanks for reading and hope you have a good day/night!
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Hope this is to your liking ^^
Part one here
#I’m sure there are some character nuances im forgetting but well 🤷🏽#I want their misunderstanding or whatever they have going on between then come to a head. literally just going ‘wait what’#for me I think it’s entirely possible that there was an actual fight and maybe tension leading up to that point#cause I feel like macaque is not just bitter about thinking he died to wukong but maybe some stuff that built up to that#maybe the fight was just the breaking point. maybe they’re idiots who don’t talk about it because they think they’re on the same page idk#chipper-smol wrote a cool theory abt them using macaques ‘you’re nothing’ line in s4ep1. from what I understand it could be a direct parall#parallel to when he said that to MK right before MK regained his nerve and hit macaque in the eye.. since flying bark foreshadowed monkey mk#waaaay back in season 1 (where his shadow is his monkey form in the opening) i think that could be deliberate#and they could have gotten billy to voice an entirely different line for that scene. but they reused his line from s3#in a very specific scene with wukongs narrative foil. hm#that aside I would have liked to hear billy voice the ‘you abandoned me’ line that would have killed me. but that’s just me lol#also looking at this I should have shaded the last frame to make it look more dramatic and serious but I ran out of time :(#if anything I want to see MK try and help them get back together. poor kid tries so hard to understand people so I think it would be cool to#see that happen. that’s what I like about him.. he asked macaque why he was working for LBD instead of accusing him of dooming everyone bc#he wants to and he tried to comfort spider queen by admitting he was scared of LBD too 😭😭#my art#myart#Lego Monkie kid#lmk#Monkie kid#lmk spoilers#Lego Monkie kid spoilers#lmk macaque#six eared macaque#lmk sun wukong#lmk swk#lmk MK#lmk xiaotian#lmk season 4#Lego Monkie kid s4
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daily-hanamura · 4 months
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s0fter-sin · 4 months
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soapghost
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milfygerard · 2 months
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but fr outside of my contracted madness i absolutely refuse to give joe alwyn gold rush like how is that song at all related to their relationship the lyrics clearly spell out a relationship that either never existed or only existed in implication and fantasies and maybe-maybe nots and its so bitter and yet desperately soft in the bridge where it almost projects a sense of envy, of wanting to be them as much as you want them. It continues an interesting oft ignored lyrical trend of taylor wanting just as much to be her lover as to have them, envying their easy charisma (you were flush with the currency of cool/i was always turning out my pockets) or quiet dignity (your integrity makes me seem small) dating back to her earliest songs (the kind of flawless i wish i could be). Theres a projected self hatred and yearning to be better that twists itself into both romantic and sexual lust for her partners thats so fascinating and speaks to how all of her songs regardless of who theyre about are also an act of self reflection on who she is and who she wishes to be.
#barry.txt#taylor swift#putting this in the tags as a form of self protection but make no mistake this is a gay thing to do especially in gold rush#which through simple context clues is Obviously About A Woman or maybe even women in general#whivh is a totally seperate post on how taylor constructs and uses gender identity in her music#her girlhood and femininity are earnest but also so carefully constructed and so high effort and kind of desperate#shes a deeply self concious and obsessive person who never looks comfortable in anything ever unless shes#onstage or like. by herself in loose jeans and a tshirt#i think thats one of the things that subconsciously irritate ppl when it comes to her shes constantly and clearly putting in effort#to appear As The Celebrity Taylor Swift and struggles not to self censor or overperform in interviews (when she gives them)#especially present in pre 1989 interviews where the interviewers really didnt have to respect her or worry abt how they frame her#if they didnt want to. Like the fearless era rolling stone interview where she almost has a meltdown over her mom buying eggnog instead of#milk. That whole interview is strange looking back not just bc of the weird misogyny but also because of what it does share#taylor is....weird. She has a strange and desperate vibe and always reacts slightly too much and uses slang poorly#shes media trained and has learned how to socialize but you can feel her discomfort whenever she doesnt have a guitar in her hand#idk these tags have once again gotten so unweildy. i just find it interesting that she finally feels some level of comfortable#in sharing that construction w us in songs like mirrorball and mastermind and imo gold rush#and scene#should i write this up and put it in the swiftieism zine#i should write something and put it in the swiftieism zine
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schmweed · 3 months
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#David Tennant#Alec Hardy#Ellie Miller#Broadchurch#my gifs#Yes they're talking about something extremely serious.#But can you see soft way his eyes tenderly trace her eyes and just rest on her face like it's the best thing he could look at?#He spends so long just looking at her -- and she is so mindful of his comfort level and RARELY looks back when he's looking at her.#If he's looking at her she's always looking ahead or down or away.#Except if she needs to hold his gaze to get a message across. Like go make some tea. Or if they're both worried.#This reminds me -- she is so naturally instinctively understanding of him#We rarely hear her addressing him by name after the rant that falls out of him when he has dinner at her place in S1.#She gets that simply looking at someone while you're talking to them is enough. And you don't need to tack on their name on top of that.#Which astounded me actually! I wondered if Chris Chibnall had spent some time around an autistic person!#Because I feel EXACTLY like Alec does abt names! I hate names. I hate using them. It's so unnecessary.#I'm not as outspoken as him though so I use them when I can't get out of it. But I hate it and I hate ppl using my name.#That scene was ASTOUNDING I'm telling you -- it took my breath away to find my very specific struggle onscreen!#Anyway. Yeah. She doesn't bug him or insist even though to her it's second nature.#I bet you she's very good at coming up with pet names -- another thing my autistic brain shrieks at and sth I suspect Alec finds impossible#Oh Ellie -- beautiful beautiful adorable strong wronged Ellie!#Wronged by everyone except him <3#Well and a few others -- Mark was kind to her despite his pain. Brian never treated her badly that we know of.#I will always love them for that.#I wish Jack had survived -- I think he would've been kind too. Maybe she would've hidden in his store when it got too much.
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ride-a-dromedary · 7 months
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Again I know it's supposed to be a haha reference to the turns into a bear when he's too aroused thing, but in again refusing to brush just over the surface of this character: "I must be careful or I'll lose run of myself again. An Archdruid should show *some* restraint." comes across to me as more melancholy than perhaps intended when a. You take it into consideration that several lines imply that Halsin has issues with self control and self servitude, and presenting an "acceptable" version of himself as an outwards facing authority figure, to the point where he brushes over his own feelings, or pushes things that he wants down in the effort to reflect better what others want from him.
And b. Remember that Halsin was essentially just an apprentice when he was forcibly situationally promoted to Archdruid - he wasn't taught *how* to be an Archdruid or trained for it, or mentored; he was thrust into it because they didn't have any other choice. But they needed someone, so he stepped up. Halsin has spent the last century studying and learning things on the fly or through trial and error, and in a position of leadership like that, he is aware that every failure to uphold that mask *counts* and others *are* very much affected. How many times has he muttered that same mantra? Or heard it thrown around? An Archdruid not having control over their own magic is a big deal. Even when he is no longer Archdruid, he still grumbles it to himself. He's been at it over a century and he *still* doesn't feel like he's gotten it right. Even when he is in a place of progression, of trying to gain hold of himself again, those wisps of failure and self doubt still creep into everything. And that's sad to me.
#BG3 Musing#Halsin Posting#haha funny line in response to saucy line that man is about to go feral ooh se- HEY TRAUMA#it's like a med student being promoted to the head of emergency#or an admin assistant suddenly being put in a ceo role#like i know it's a meme scene!! but halsin sounds *humilated* when he accidentally wildshapes during his romance scene#he sounds flustered and embarrassed and is so quickly launching off excuses with a tone that indicates *he thinks it's over*#like he fucked up he fucked this up just when he was *starting* to come into himself again and it never stops#i keep thinking of that one lyric from big thief 'i can't find surrender/and i can't keep control'#and again i'm reading too deep into it but halsin's struggle with failure really is embedded here you just have to...like listen to him#Even when he *says* that there's little point in denying oneself#he does it literally all the time - he did it for a *century*#and i'm not saying he doesn't have fun or not enjoy things but he cuts himself off so early at the root#or buries himself so thoroughly in a self indulgence until it wrecks him and neither of these things are healthy#note that he says as long as others aren't affected - he doesn't say as long as i'm not affecting *myself*#anyway i'm unwell#maybe i was never meant to be archdruid - you weren't! you were meant to protect nature's spirit and roam with the wilds#and yet he still did the best he could and people *admire* him and followed him but he may never come to see it that way#you ruined a perfectly good wood elf - look it's got trauma and anxiety (and larian turned him into a meme and i won't forgive them)
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aashiyancha · 2 months
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March of the Flowers Day 2: Gerbera (bright smiles)
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I recently finished reading a dance scene in a fanfic and it made me really want to do one in my rf5 fancomic as well. So I started with drawing these 2 since I've already had some practice drawing them dancing before haha. Also played around with some suit designs as well.
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cephalog0d · 6 months
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Okay, but like. There's the whole joke about Bruce recruiting children to be his sidekicks, but honestly there's only really one that fits that.
And it's Jason. And the whole story there is, frankly, unhinged. Aaaaand then he died.
(I'm specifically talking about "first post-crisis origin stories" here because Jason and Dick, in particular, have both had multiple major retcons and revisions over the years, and some of them dramatically change how things happened.)
Like okay. Going backwards, you've got Duke who joined/led a whole Robin-based gang at a time when Bruce wasn't even Batman. You've got Damian and Cass, who were both literally born into the world of masks and capes and heroes and villains, so they weren't ever really not going to be part of it. Steph might have taken inspiration from previous heroes but she made her own identity and repeatedly refused to stop involving herself in the vigilante lifestyle. Tim, obviously, basically strong-armed Batman into letting him be Robin, despite Batman's protests.
Dick's a little more complicated just because there's so many versions, because that's what 80 years of comics and multiple universe reboots will do, and there's kind of a general trend that earlier pre-crisis versions were more of Batman being like "hello, child, would you like to be my sidekick" and later versions have leaned harder and harder into the idea that Dick was absolutely going to do this anyway, regardless of what Batman had to say about it. But even in the first post-crisis version, the flashback in Batman Year 3, Dick says he wants to find a way to keep people like that from hurting others again. When Alfred questions Bruce's offer to train him, Bruce says that Dick should learn to do things the right way if he's going to do it. It's not hard to extrapolate that, much like later versions of the origin story, Dick was going to get himself into this one way or another. (Batman (1940) #437)
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And then there's Jason. Whose backstory has also had a lot of (sometimes major) revisions over the years (remember when his adoption was, like, some kind of Joker-originated long con? Fucken Nu52, man). But the original post-crisis version is pretty straightforward. Steals Batman's tires, gets caught and sent to Ma Gunn's Secret Criminal School, intervenes when Batman goes to investigate, immediately gets offered the chance to be Robin based entirely on that.
Which is itself kind of unhinged. That Bruce saw this kid who was living on his own stealing tires and went "Hey you would make a good Robin" as his very first instinct.
But if you've never read Jason's post-crisis origin, or it's been a while, it's honestly even more unhinged than that because that arc starts with Dick getting "fired" as Robin specifically for the reason that he got shot by Joker and Bruce freaked out about how the Robin identity has too many enemies and therefore Dick, a legal adult with approximately a decade of training and experience, should not use the identity anymore.
(And it's specifically about the Robin identity, in this version, because when Dick says he's not going to stop the crime fighting thing Bruce's response is basically "I know and I didn't expect you to". Honestly I could also say a lot about this version of the Robin/Nightwing transition vs. later ones and how this one definitely feels like the Heavy Hand of DC Editorial in the fact that they had no contact for so long afterwards, because the interaction really doesn't feel like it warrants that in this case compared to some later versions, but that's a whole other too-long ramble.) (Batman (1940) #408)
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And then a few weeks later Bruce turns around and picks up a random kid, a literal child, and goes "Hey you would make a good Robin!"
And I think a lot about how fucking wild that is. And it's not like the people writing just didn't notice. Dick's big argument with Bruce when he finally comes back to Gotham and meets Jason isn't about the fact that Bruce took in another kid, or even necessarily about Dick feeling proprietary over the Robin identity, the thing he's angry about is that Bruce said it was too dangerous for him, an adult, someone who has trained with Batman for a decade and was already highly physically trained before that for his whole life, to be Robin, and now Bruce has turned around and painted that target onto some random new kid. He pushes, repeatedly, trying to get Bruce to justify himself and this absolutely irresponsible decision, and Bruce gives a lot of answers about how Jason was on a bad path and needed this outlet and eventually just admits that he missed having a partner. (Batman (1940) #416)
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And like. Dick's right, is the thing. He is 1000% in the right in this argument. If he can't be Robin anymore because of the danger, how in the hell is it anything like a good idea to hand it over to someone way younger, way less trained, way less experienced, and expect that that wouldn't end in tragedy?
And then it did.
And yeah, Bruce, it is kinda a lot of your fault.
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dennisboobs · 11 months
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7x13 // 10x06
↳ Dennis after a meltdown
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chirpsythismorning · 1 year
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Something that confuses me, is redditors logic of Mike's behavior? Specifically when it comes to the painting it just doesn't make sense to be fully convinced Mike can't possibly return Will's feelings?
For starters, they insist that Mike was uncomfortable with Will at the airport because he could sense Will's feelings for him and so that's why he couldn't hug him (as to not lead him on), and also panicked when he saw the painting bc he realized that he was probably the girl Will liked (according to El's letter). By their logic, Mike was obviously just uncomfortable with Will's feelings for him and the fact that he made a painting for him (with romantic implications) and that's because he does not return those romantic feelings whatsoever...
If we then apply that same logic to the van scene?... What the actual fuck is going on there then?
We got almost 5 seconds of Mike just staring at Will while he isn't looking as he's grabbing the painting, followed by Will handing it to Mike who looks confused like, For me? Are you sure? very visibly nervous, only to finally open it and look more relieved and happy than we've ever seen him, arguably in the entire show...?
Mind you, this is at a point when Mike fully assumed the painting is for a girl someone Will likes, right?
I repeat! According to their logic, Mike is under the assumption that this painting is for someone Will likes, and Mike is now currently finding out that it's for him and he is relieved???
WHY WOULD MIKE BE RELIEVED THAT WILL'S PAINTING IS FOR HIM, IF WERE BEING GIVEN A SCENARIO THEY ALREADY BELIEVE HAPPENED AT THE START OF THE SEASON, WITH MIKE BEING UNCOMFORTABLE WITH IT??
AND WHY DID MIKE LOOK HAPPIEST BEFORE WILL SAID EL'S NAME? WHY DID HIS SMILE LITERALLY FALL AFTER WILL SAID EVEN EL, ESPECIALLY EL?
AND WHY DID MIKE LOOK MOST EMOTIONAL WHEN WILL WAS DESCRIBING THEIR RELATIONSHIP OVER THE LAST YEAR PERFECTLY, USING WORDS MIKE ALREADY USED WHEN HE MADE UP WITH WILL EARLIER IN THE SEASON???
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string the sinner by his wings. in his head, a brittle bone. (advice - alex g)
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could not for the life of me think of a background so we’ve got this weird circle thing happening again.
this original piece was called “nosebleed” for this reason but i decided that i liked the other version better
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without background and sketch
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daily-hanamura · 7 months
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i have more screenshots but idk if tumblr can handle it
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> Rose: Confess to Kanaya!
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Rose: I love you.
Kanaya: Y Yo Ati, Rose.
> Rose: Get swallowed by something that looks like Venom.
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> Rose: Get sent to super hell!
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> Kanaya: Have something very gay and homophobic happen to you.
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Kanaya: ...
What an absolute diversity loss. You find yourself thinking "love loses!"
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greenerteacups · 13 days
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Re: your recent response about Draco wearing blue - fashion is not something I tend to pick up on (or understand very well generally), so I’m always curious to hear more about it! Do you have any other fashion thoughts you want to elaborate on? You’ve talked a bit about Draco and Hermione’s fashion, what about Harry or Ron?
Aw, yeah! I'll preface this by saying that the following is a combination of canon and headcanon; some of this is evidenced in the text of the fic, but some of it probably isn't, it's just something that's in my head when describing them.
Harry's pretty small in Lionheart, as a consequence of chronic malnutrition in childhood mixed with a genetic predisposition to it (James is canonically a short king, cf. "Hairy Little Christmas.") That means a lot of his muggle clothes don't fit well, being hand-me-downs from Dudley; in contrast, his school robes, which we know he got tailored at Malkin's, seem to fit normally (i.e., Harry fits better in the magical world, it's his home, it suits him). In general, Harry's fashion is "adequate, but not great," which makes sense; he never had the chance to choose his own clothes growing up, and then he went to boarding school with a uniform, so when would he develop a sense of style? Honestly, it's a relief for him to have one fewer decisions to make.
Like Ron, Harry's uniform isn't super meticulous, but he seems to make an effort. He does his tie and keeps his shirt clean, etc. (which makes sense; Harry cares about belonging here). When we see Harry out of uniform, he's usually wearing baggy t-shirts and jeans, which are the least nice clothes you could give to someone while still expecting them to last; they're also clothes that fit loose and hang long on his body (very late-80's + early 90's).
Ron, on the other hand, doesn't have any qualms about belonging in the magical world; he was born to it. This manifests as a laziness with his robes. He doesn't bother with his tie as much, if at all, and when he does it's not the right knot (Draco points it out in Book 3); since he's the brother of not one but two Head Boys, we have to assume that's deliberate, or that at some extent his lack of attention is a deliberate manifestation of something. Ron is youngest boy, he has self-esteem issues, and the way this manifests is by Ron never asking for anything and then getting sour when nothing goes his way. He doesn't try, so he can't feel bad when he fails. Besides which, when Ron does try to dress nice, it backfires; it's either an uncomfortable costume, like in "Operation Prewett," or it's a horrible hand-me-down, e.g. the Yule Ball outfit. Contrast him with the other Weasley boys, many of whom — especially the three oldest — have their own cultivated aesthetics, because they all know who they are. Ron is figuring that out, and it manifests in stylistically messy ways.
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