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#la jolla art
acrylicalchemy · 8 months
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"Everything I Thought I Knew Seems To Be Fading Away" plays with light, shadow, and translucency. It also has glow-in-the-dark and blacklight properties. Take a closer look on my site and grab it while you can, because it's the only one I've ever done like it.
CariniArts.com
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julykings · 2 years
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pinned like a moth
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totheens · 22 days
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Fun shoot :)
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Until next time ✌🏻✌🏻
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longlistshort · 1 year
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Artist Alex Katz created this mural, Bill 2, a portrait of modern dancer and choreographer Bill T. Jones, in 2019 for Murals of La Jolla in San Diego. Murals of La Jolla is a project started in 2010 by The Athenaeum and the La Jolla Community Foundation. It commissions artists to create work to be displayed on buildings around La Jolla. A map of all the murals currently on view can be found here.
From the Murals of La Jolla website about the work-
Alex Katz’s mural, Bill 2, celebrates Bill T. Jones, one of the most noted and recognized modern-dance choreographers of our time. Executed in Katz’s bold and simplified signature style, Bill 2 depicts Jones’ visage, through a series of distinct expressions. The repetition of his face has a cinematic and lyrical quality, reinforcing his place in the world of dance, music and film. Portions of the face are dramatically cropped, giving the viewer only quick and gestural glimpses of Jones. Bill 2, is a striking homage to two artists, Katz and Jones, both renowned in their respective fields of visual and performing arts. The mural’s proximity to the new Conrad Prebys Performing Arts Center gives a nod to the interconnected worlds of art, music, and dance.
The Guggenheim museum in NYC is currently showing Alex Katz: Gathering, a retrospective of the artist’s work from the late 1940’s until the present. The exhibition will be up until February 20, 2023.
From their website about the exhibition-
Emerging as an artist in the mid-20th century, Katz forged a mode of figurative painting that fused the energy of Abstract Expressionist canvases with the American vernaculars of the magazine, billboard, and movie screen. Throughout his practice, he has turned to his surroundings in downtown New York City and coastal Maine as his primary subject matter, documenting an evolving community of poets, artists, critics, dancers, and filmmakers who have animated the cultural avant-garde from the postwar period to the present.
Staged in the city where Katz has lived and worked his entire life, and prepared with the close collaboration of the artist, this retrospective will fill the museum’s Frank Lloyd Wright rotunda. Encompassing paintings, oil sketches, collages, drawings, prints, and freestanding “cutout” works, the exhibition will begin with the artist’s intimate sketches of riders on the New York City subway from the late 1940s and will culminate in the rapturous, immersive landscapes that have dominated his output in recent years.
Bill T. Jones/Arnie Zane Company has numerous performances every year. Conceived and directed by Bill T. Jones, and choreographed by Jones with Janet Wong and the Bill T. Jones/Arnie Zane Company, the latest work, Curriculum II, will be performed at on March 10, 11, and 12, at the Institute of Contemporary Art Boston.
Jones also hosts the series Bill Chats at NYC’s The New School. On January 30th, he will be in conversation with Bessie Award-winning theater director and performance artist, Niegel Smith and curator, producer, and director, Kamilah Forbes. For more events check out the New York Live Arts calendar.
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you know it takes a lot to move me, so if you figure it out, tell me--
"la jolla" // 'your city gave me asthma' // wilbur soot
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workofshart · 2 years
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i’m trying to ignore the skyline so i don’t figure out where you-
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holts-knees · 2 years
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So, last week @swiss-army-fangirl came to stay with me in LA for a while, and if you know anything about me you know i’m the kind of person that needs to document things that move me. These two paintings are of our first and third nights, two both seemingly impossible events along the California shoreline (the most magical place in this country if you ask me honestly) Sappy lil stories and context below the cut < 3 
Our first night we made a mad dash down to Santa Monica which was SOMEHOW almost completely empty, and we laid out on a blanket and watched as the clouds that had been hanging over the sky all day cleared JUST in time for sunset, I got to watch Tori like, atomize, as i pointed out all the colors and how the marine layer slowly consumes the mountains and the pier comes to life with all it’s lights. After a while of talking it was dark and Tori pointed up and said “is that a star?” and I laughed at her, because of Course its not this is LOS ANGELES, but then...the more we looked, it WAS and there were...MORE, It was like she brought them down with her.... I remember being sat there thinking “this is a sign....this trip is going to be So Much.....” which was interrupted by Tori going “oh my god....the big dipper looks so different from here-” and me just needing to.....Lay Down LOL. We talked for a bit longer, sitting there on the beach WELL past sunset and then we both fell dead silent and looked at each other before going “did you see that-” and we both HAD and it was....a shooting star--- HERE- ON A RANDOM NIGHT IN LA 
and i haven’t stopped thinking about it since---- The second landscape is a direct rendition of a picture I took while we were in La Jolla. La Jolla is one of the few places on this earth that makes me feel completely at peace and happy, I always find myself making my where there when my soul needs it. and funnily enough, I found as i was getting to know Tori that she was familiar with it. In an abstract but still equally meaningful way, because she had heard it described in the Wilbur Soot song of the same name, which means quite a lot to her. From the moment I learned this fact the jokes started about taking her there some day. Jokes that we both knew were just that, because what would be the odds of two online friends from AK and CA, actually meeting up? Last Christmas when I was down there I sat on the rocks and listened to the song as a way to “bring her there” in spirit. And I remember getting weepy at the idea of how wonderful it would be to share this place with her, my heart ached for it, but i accepted it was never gonna happen.  But then....this LA trip fell into our laps and I cannot DESCRIBE the speed at which I started to throw this day trip into motion, I KNEW I had to, I knew it was FATE. I arranged train tickets, I found a place to drink cocktails over the water, I mapped out all the things I wanted to do to make sure we’d have time for them all..... Truly went ALL IN- but it was SO worth it...because with all that planning....the day went PERFECT.... and we ended it right down at the water, sitting side by side on the beach steps, listening to that Damn Song, and coming full circle..... I pulled out my phone and took a picture of the surf right as Wilbur sang Tori’s favorite line and then when we got home I painted it, so that I could give it to her as a Physical Thing (well....digital-) that she can look back on and remember the experience by. I made sure to be meticulous about every single detail so it would be....truly EXACTLY as it happened and as we remembered it. And i’d be lying if I didnt admit i’ve gone back a few times even myself to look at it and just, Think [tm]. Think about how fortunate I have been to be able to open up my heart and show some of my most treasured places to one of my newest most treasured friends. And in turn with that, weave our friendship into little pockets and corners of those places, which only makes me love them more....  ALSO we saw a whale going down the coast and I am, fully convinced, just like the stars that Tori brought it down with her and I cannot be told otherwise. < 3 
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oceanstep · 1 year
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Small art dump
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neocurio · 1 year
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sTREET ART 
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adamgnade · 1 year
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The Nick Bernal/matty terrones audio book my label released, Les Tirs, got a nice write-up from Julia Dixon Evans over at the San Diego NPR station, KPBS:
If you prefer to have fiction read aloud to you, accompanied by gentle yet unsettling instrumental music, I have a recommendation for you. If you like your short stories set in the Museum of Contemporary Art San Diego La Jolla Campus at an opening night reception for the Niki de Saint Phalle exhibition, and there's also some sort of climate apocalypse? Boy do I have a recommendation for you.
Hello America Stereo Cassette is a "record label for writers," the brainchild of former San Diegan Adam Gnade. Stories are released on cassette tape, but you can also get downloadable files to stream if you don't have access to a tape deck. Their recent release, "Les Tirs," is a collaboration between local writer, publisher and Burn All Books co-founder Nick Bernal and musician Matty Terrones. Bernal's storytelling is sharp, with a keen use of detail and a balance of softness and violence that left me thinking about it long after the recording ended. He juggles multiple points of view seamlessly and cleverly, and weaves apocalyptic fear with a sense of jadedness and resignation that honestly felt too real after the last few years we've had.
The story's name is a nod to Saint Phalle's "Tirs," or shooting paintings, which were featured at MCASD when it reopened in April. There are several references to other works of art in the story, including the tables of artisan gifts in the gift shop. And be sure to listen to the whole thing for an excellent (and terrifying) use of Robert Irwin's 1997 site-specific work, "1°2°3°4°" at the story's climax.
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acrylicalchemy · 7 months
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"Am I Still Here (S.OulS O.f S.eparation)" is my latest release as I continue to dive into trauma and navigate my own. This new set consists of four piece, or soul fragments. Each has variable orientation and is blacklight activated. Check them out and DM me for inquiries. If you aren't looking to add work to your collection, you can still help greatly by sharing my work with those that may be.
CariniArts.com
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philoursmars · 2 years
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Retour à mon projet de présenter la plupart de mes 53880 photos (nouveau compte approximatif !)
2012. Marseille à Noël. Les Docks avec un globe argenté et la spirale orangée. Puis à la Joliette, la Tour CMA-CGM de Zaha Hadid - et la statue Art Déco est “Le Génie de la Mer”
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thasallweare · 2 years
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Snail Mail Envelope Art 1970s
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Top: Franklin Rosemont, decorated envelope for Herbert Marcuse, 1975. Photo: Marcuse family / Manchester University Press. Bottom: Franklin Rosemont, decorated envelopes for Herbert Marcuse, 1971. Photo: Abigail Susik / Manchester University Press.
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1935 La Jolla, California home built by renowned architect Cliff May, known as the father of the California ranch house. 2bds, 1ba, needs updating and current owner has approved plans for a new primary suite w/bath (which the new owner will have to put in) but, they're still asking $2.5M.
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Entering, we can see that it's been freshly painted white, has great beamed ceilings and original tile in good condition.
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Large, sunny living room has a lovely Spanish style fireplace and a floor-to-ceiling window wall with a view of the deck.
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Semi-open concept dining room has so much light from window walls, plus a door to the deck.
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Original kitchen has charm, but I suspect that the cabinets are knotty pine under the yellow paint. New counters and matching backsplash complete the updated look.
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The home is relatively small with just 2bds and 1 bath. This would be the primary and it gets lots of light plus a view of the deck. They chose to paint the ceiling beams white in here. Gives it kind of a cottage effect.
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Bedroom #2 has a cute little alcove and smaller windows, there's still a view of the deck and scenery.
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The art deco bath has everything original except the toilet and maybe the white tiles are newer.
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The deck is interesting b/c the floor is tile, rather than wood.
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The deck goes right across the house, b/c you can see it from every room.
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Has a great ocean view.
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There's also a brick patio with potential for a garden.
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Looks like the road and driveway both need some help.
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The lot is .33 acre.
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longlistshort · 2 years
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Marcos Ramirez ERRE’s  Is All That it Proves, 2015, was created for Murals of La Jolla, in San Diego. Murals of La Jolla is a project started in 2010 by The Athenaeum and the La Jolla Community Foundation. It commissions artists to create work to be displayed on buildings around La Jolla. Information on his current mural for the project can be found here and a map of all the murals can be found here.
From the Murals of La Jolla website about the work-
Marcos Ramirez ERRE’s mural, All That it Proves, is a strongly stated, critical stance on what we perceive as the truth. He employs Thomas Paine’s famous quote as both a linguistic and visual exploration of the human condition and a challenge against long standing rhetoric. Paine’s quote is about understanding that our opinion is only that, our opinion. And our opinion is not necessarily the “truth”, while at the same time it may be. The piece deviates from its most obvious reference towards eyesight and becomes about another kind of vision, the kind of vision you perceive through common sense. True to his form as humanitarian artist, Is All That It Proves, exemplifies the notion that now, more than ever, we need to embrace tolerance and learn to respect individuals who chose to think in a way different than we do.
Marcos Ramirez ERRE has come to be defined by his clever visual arguments and masterfully crafted work that maintains a poetic sensibility, even when leveling biting political commentary. He was born in 1961 in Tijuana, Mexico. ERRE received his Law Degree from La Universidad Autónoma de Baja California. In 1983, he immigrated to the United States where he worked for seventeen years in the construction industry. His multi-disciplinary background has shaped his practice. He came to prominence in the 1990s with large public installations that dealt with migrants, immigration, and border control, specifically focusing on the Mexican-American border crossing. Much of ERRE’s work grapples with these issues.
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luxe-pauvre · 6 months
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In your book, Jude, you asked, How could I become a better smeller? I like how you shifted away from questions of connoisseurship. You didn’t want to cultivate better aesthetic taste than other people. You just wanted to take in more of the world. Fredric Jameson once said, paraphrasing Adorno, that when you’re doing aesthetics as a Marxist, you can’t get away from the fact that art is a luxury item. It shouldn’t be, but that’s the guilt of the art object for certain critics. There’s an anecdote I’ve heard about Herbert Marcuse being interviewed at his home in La Jolla, California. The interviewer says something challenging, like, “Herbert Marcuse, you’re a Marxist thinker, but I’m looking at all this luxury. We’re lounging around your swimming pool. What do you say to that?” And Marcuse supposedly replies, “Nothing is too good for the people.” That’s a great response to the guilt thing.
Sianne Ngai, How to Choose Your Perfume: A Conversation with Sianne Ngai and Anna Kornbluh
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