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-Coal Barges-
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Jeanne Samary by Pierre-Auguste Renoir (1841 - 1919)
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Democritus by Diego Velazquez (1599 - 1660)
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https://roberta-620.ludgu.top/u/94ZSg8j
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suckycat · 3 months
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charlottearthistory · 2 years
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‘pierrot and the cat’ - théophile steinlen (1889)
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classicalcanvas · 3 months
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Paintings representing the four seasons made by Alphonse Mucha (1860 - 1939)
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kaalbela · 9 months
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Gertrude Vanderbilt Whitney, sculptor and founder of Whitney Museum of American Art, New York. Photographed by Robert Henri, 9 January 1925.
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Still Life Three Salmon Steaks painted by Francisco Goya (1746 - 1828)
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elixir · 1 month
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"Click-Farms" in Vietnam Photographed by Jack Latham — 2024
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-Sunny Lawn in a Public Park-
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Chrysanthemums by Claude Monet (1840 - 1926)
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baroque-art-history · 23 hours
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The Raising of Lazarus by Rembrandt (1606 - 1669)
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adventureswithteddy · 3 months
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Teddy left the trees and shrubs of the low lands behind and trekked up Melina Pass. Transitioning from one side of a mountain to the other and seeing every little rock along the way. It's always amazing how much ground you can cover given some time on such little paws.
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suckycat · 21 days
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This has @catchymemes written all over it
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charlottearthistory · 6 months
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‘The Sea is Mine’ (2016) - Sliman Mansour
‘A woman, a girl, and a boy raise their hands high and march along a beach. They hold a pen, a paintbrush, a rifle, an olive branch, and the Key of Return, while a white dove soars above them. The backdrop captures a beach scene where people are engrossed in relaxation and leisure, seemingly oblivious to this determined small demonstration. Mansour ensures the inclusion of fundamental elements of the Palestinian struggle within the painting. While the pen and paintbrush symbolize creativity, the rifle signifies resistance, and the olive branch and white dove represent peace. The key stands as a symbol in the Palestinian struggle for the right of return for refugees. Through this painting, Mansour conveys a steadfast commitment to carry forward the Palestinian resistance in all its manifestations, even amidst the world's self-absorption and inattentiveness to the Palestinian plight.’
- words by Rana Anani
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