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#let's talk about writing
Hi there! 🙌 I'm here to ask you some writing questions! ❤️ Are you ready? Let's go! ✍️
🎢 Which of your fics would you call your wildest ride?
🎶 Do you listen to music while you write? What song have you been playing on loop lately?
🧠 Pick a character, and I'll tell you my favorite headcanon for them. -> Soldier Boy, please 💚
🤯 What's a genre you struggle with as a writer (ex. romance, action, etc.)?
Fanfic Writer Emoji Ask
Oooh! Thanks for the ask, my lovely Ava! Let's see if I can manage to not ramble like a goof - I sincerely doubt it. 😁
(Psst - I definitely didn't manage it, so join me below the cut if you wanna read the answers; let's save dashboards! ❤️)
1 - Which of your fics would you call your wildest ride?
That's tough, cause it depends. If we're talking which of my fics is the wildest in terms of imagery and subject matter, then I'd go with In No Mood for Games. It's a demon!dean x reader fic and it's one of the dirtiest fics I've ever written (besides maybe I Warned You) and it kind of went far out of my comfort zone, which was the whole point to me writing it. I still have a fair amount of shyness deep down when it comes to writing smut, so I joined the AFK Bingo as a way to write away my shyness when it comes to writing smut. 😊
But in terms of wildest emotional ride, I think that has to be Green is My Favorite Color (and it's sequels) just because over a series, of course, there are so many emotions, and since this one is canon-adjacent, it definitely has LOTS of feels and fluff. 😊
Huh...nope can't not ramble. 🙄😏
2 - Do you listen to music while you write? What song have you been playing on a loop lately?
I actually don't listen to ANYTHING when I'm writing. I need silence. Lol! If there's noise in the background when I'm trying to write, I put white noise on in my headphones. I'm really weird like that. 🤷‍♀️Music definitely inspires me and gives me ideas about what I want to write. But when it comes to actually doing the work, I need to be able to completely fall into the story I'm writing and have no distractions of any kind.
As to what song I'm listening to on a loop, it's pretty much the whole Radio Company concert on a loop, with extra listens to Watching Over Me and Any Way That You Want Me. 😁
3 - Pick a character, and I'll tell you my favorite headcanon for them. -> Soldier Boy, please
I don't know if I could call it my favorite headcanon, cause it's pretty awful, but I believe it completely:
When he's in the cryotube, he is almost constantly plagued by nightmares, reliving the torture he endured yes, but also reliving all the times he killed someone innocent.
When SB is fighting he's reckless and power mad, kind of just out of it (I mean, specifically, before he was given to the Russians) but I don't think he ever means to actually hurt innocent bystanders. Consciously he's put on this laissez-faire, who cares , what can I do about it attitude (like his smarmy little "which one" when MM tells him, "you killed my family.")
But I think the guilt lingers in his subconscious. We see it just briefly when he's talking to Hughie and says, "I didn't mean to hurt those people." I think after all that time in the cryotube, his subconscious guilt is closer to the surface when it comes to that kind of thing. Of course now, he's exploding whole buildings, so that guilt has to be growing. And, I think, when he's in the cryotube that pain and guilt is where he lives most of the time. I think it's one of the main reasons he was so panicky about going back there, it's not just sleep - it's endless nightmares.
And some people may think he's earned it, but I just don't. I think there are VERY few who people who do deserve something like that. I think if you want people's attitudes and mindsets to change, they have to be taught, and allowed to grow. Which is something Ben has never been given the opportunity to do. His upbringing, society in his era, and then forty years of torture, kept him from being allowed to grow and let his social values change as a result.
Sorry, I'll get off my SB soapbox. 😁 *Makes a note to get back into the swing of my series Let Me See Inside.* Ugh, I hate when our muses just decide to abandon us when we need them! 😄
4 - What's a genre you struggle with as a writer (ex. romance, action, etc.)?
I really only write in the genre of romance (well, pretty much) but I'll tell you what SCENES I struggle the most to write, and that's action scenes. It can be SO hard to make everything clear to the reader. I see exactly what's happening, but sometimes conveying that sequence of events can be REALLY hard for me. 😄 I'm always terrified I'm leaving readers scratching their heads, completely confused where everyone is situated, and wondering wtf is going on. 😜
Well, I'm so sorry for my unabridged, rambling, meandering thoughts. But thank you so much for the ask, my lovely. It's always fun to think about and talk about writing and our favourite stories and characters. 😘
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WIP tag game
Rules: post the names of all the files in your WIP folder regardless of how non-descriptive or ridiculous. Let people send you an ask with the title that most intrigues them and then post a little snippet of it or tell them something about it! And then tag as many people as you have wips. (You can make your own post or reblog this one!) I have deemed that this isn’t just for writing either. Sketch titles? Comics? DnD campaigns? If you have an unfinished project, it counts!!
I was tagged by @materassassino and, well--I don't have a WIP folder? I sort all of the writing files on my computer by category (original fiction is in one folder, and then fanfiction is another one with subfolders by fandom). And then there are the ones on Google Drive, which I use partially to share stuff with other people and partially to make stuff...referenceable? For when I want to work longhand in a notebook but still be able to pick up where I left off.
Anyway. This is sort of an aggregation pulled from all of those places:
do i have your permission
hog among the pigeons
fur
the anatomy lesson
eiji revival - post ooo 10th
Chase reviews
amily and ryuuga
poetry i guess
changerion fic oh god
tender yamcha and tien smooches
yukako in italy
fire god kaito
George Karizaki and his villain collection
hiroto renn date
Please note that this list only includes things that might conceivably be finished at some point ever, and does not include any of the vast selection of ambiguously to-be-continued smut fics that I write for my own entertainment or the entertainment of select friends and don't post. (Those ones don't have fun names anyway, they tend to just be named after the characters in them.)
Also I'm not tagging people because I'm very tired and that is so many people to tag. If you have WIPs and you want to share their filenames go for it, blame me, I'd love to see them. ^_^
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inkskinned · 10 months
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because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.
you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.
you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.
don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.
if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.
you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:
how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!
aren't you happy yet?
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agenderashswag · 11 months
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a retrospective:
around 6 months ago, i've arguably posted one of the most important fics for me, personally
i started writing in it in november, on the couch at my school, and in that ending i just. poured out my soul. thought about my friends and all of the feels and just channeled it into a few paragraphs. because i was thinking about my friends, about how much i loved fandom, and how badly i wanted a hug. i just took all of those feelings, distilled it to the very basics of what i was feeling, and poured it all onto a page.
i think it's one of the best endings i've written. tired, wanting to be held, and yearning for someone to love me unconditionally, that scene where it was just a hug in an apocalypse because you love someone so much and you don't know what to do, and having coffee in the morning because you'll always hold your promise. and that you love them. did i mention that you love them? you really do love them.
as i started working on it during november and through december, i'd started getting out of my shell and start talking to people in my fandom without being explicitly invited to things (wowie!!!)--and that's one of the best decisions i've ever made. instead of constantly being on the sidelines, i'd started to interact with people more. started laughing with them. shared my insane au ideas with them. and started being friends with them. friends who i hold dearly in my heart because they're lovely people to talk to.
mostly because the first friend i made in the fandom was off of another fic, a fic where i commented, mentioned the basic idea of the fic i was working on, and reached out to dm it on tumblr. where it invited me to a server where i'd meet new people and start talking to them.
i really thank it for it, and i really appreciate it as a friend. and if i never commented on how much i loved its fic, i would have never became friends with it and so many other people. i really do think its one of the things that's kept me sane even despite everything
but onto the actual fic, i think it's the fic I've put the most consideration in. thinking about every line, every bit of dialogue, how to get the emotions even stronger. and doing something that i still value to this day: having my friends read and rip apart my work. without their help (esp aj's: hi if you're reading this!!!), i don't think i would have finished it the way i did, working on countless edits until i thought it was the best thing i had ever written.
eventually, as the fic started to become done, finals were coming up and i was preparing for that--until i got sick. i got sick with a sinus infection and i couldn't take my finals in time. throwing all of my studying plans down the gutter and forcing me to stay cooped up in my room all day.
so as i started to finally feel the sinus infection start to fade away, my fic on the backburner, it ends up my entire family but me got covid, forcing me to quarantine from everyone else in the house. alone in my room again, just as winter break was starting, i was forced to go crazy in my room with only an internet connection to keep me enterained.
i didn't vc anyone, so it was really, really, lonely. i didn't tell anyone outside of my irl friends, but i was really, really lonely during that time. i could only really open my door to see the outside of my house a few times before i shut my door.
during that time, i finally put my head down and started working on other fics. started working on that one fic again, slowly adding and editing to it as i saw fit.
eventually, it was christmas day, and my entire family was celebrating except me. where for 15 minutes, i had to watch my family celebrate on my phone screen without me, and when i finally posted my fic that i had spent so much time on.
and the reception i got was wonderful. i'd spend so long working on it, and to see so many people appreciate my fic was wonderful. someone even wished me a happy christmas, which i really appreciated considering the situation.
no one but me will really know that whenever i re-read that fic, i'm reminded of all of the friends i'd spend late nights texting and the quarantine, but i know it when i read it. i can see the feelings i felt when i was writing it, and i'm delighted it serves as a time capsule for my feelings, even if i'm the only one who can read it
a few months later, as things started ramping up in my personal life, in the car ready to drive to prom, i saw the email notification that the same person who had wished me a happy christmas re-commented again. and how this fic helped them on a bad day
and that's always resonated with me, you know? in that moment where i felt that i was so tired and i couldn't catch a break, i was suddenly transported to being stuck in my room in quarantine, but staying sane because of my friends. and how i needed that pick-up during that time. so to see proof of that working for someone else? it was amazing
and that's always resonated with me. as i started to feel my writing stagger, i started zooming out of my situation again and resisting my old work
and when i got to that fic to fix up some formatting, i read over it again and realized it's been 6 months since i've published it. and i realized truly, how much has changed since i've written it. but even then, i could still relate to the words i wrote on the school couch.
and i'd figure i'd write my feelings about it. my life is still a whirlpool and some of my friends i've made from fandom have left or have been busy, but i don't regret making them. i still miss them sometimes, but i just really want to say that i hope they're safe and they're having a good (or at least, better) day. because even though i haven't talked to them in months, i still love and appreciate them and i could, at the very least, wish for their wellbeing <3
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tapakah0 · 1 month
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theonlymadmanonmars · 4 months
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Hi hello hi. As an AroAce individual in a QPR who has no desire for a romantic or sexual relationship, I think shipping Alastor in QPRs is so so fun and people should do it more. I also think it works for a good amount if not all of the ships I've seen him in.
Alastor and Rosie: Hell yeah. They're already great friends and every interaction we've seen between them has been pure and adorable. Rosie Gently guiding Alastor through his identity because he isn't exactly up with the slang. Them going out for tea and human flesh Sunday afternoons. Them giving each other forehead kisses and holding hands platonically.
Alastor and Angle dust: Mhmm. Angle not really wanting Sex or romance after all he's been through. Angle respecting Alastor's identity and not pushing for anything more than friendship. Alastor not really liking Angle at first because of their differences, But tolerating him regardles. Alastor explaining to Angle that Romantic relationships don't have to involve Sex (I'm an Asexual Angle truther.) Angle offering Alastor a hug that Alastor reluctantly accepts. Them cuddling at night with a pinky Promise of nothing more.
Alastor and Vox: Go ahead. A fic about Alastor trying to Navigate exactly how he feels about Vox, Because when he died the term AroAce didn't exist, so he thinks it's romantic attraction, Maybe they kiss and Alastor is like "Ha! No!" Maybe that's why they had their falling out? Who knows.
Alastor and Lucifer: So So SO much Yes. (This is my personal favorite) The two of them hating each other, but putting up for each other for Charlie's sake. Slowly growing to actually tolerate and maybe even like being around the other. Exchanging snarky remarks in a more playful way. Alastor finding Lucifer sitting in a pile of ducks and despair and offering his hand to help him up and take him to the hotel. Never letting go of his hand. Fuck Enemies to Friends to Lovers I want an Enemies to Friends to Qpr arc goddamnit.
I do think it's okay to ship Alastor even outside of QPR's, BUT. If you do, don't just ignore Alastor's identity. AroAce people get far less representation than the rest of the LGBTQ+ community. I can think of one other canon Character off the top of my head. So it's not okay to erase the little rep we do get. In the end I think it's important to listen to what AroAce people have to say on the matter, it is our representation after all.
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ryllen · 3 months
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and some extra unused stuff while they are in affectionate mood
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poorly-drawn-mdzs · 1 month
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Reasons to play In Stars and Time: Canon Pronoun Warfare.
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parvuls · 9 months
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no, because - famous person starts dating less famous person and is then gradually overshadowed is a trope. a trope often used to bring external conflict into stories. but jack and bitty are carefully constructed as the opposite of that, and I'm fucking feral over it.
we joke about how jack will eventually be bitty's trophy husband and be thrilled about it, but it definitely has a giant grain of truth in it. it's how they're characterized. bitty is an extrovert; jack is an introvert. bitty reached out and built himself an online audience to deal with his trauma; jack shut himself out and started avoiding the public to deal with his.
bitty finds comfort in being able to talk to others and (as seen in spotlight on eric bittle) considers being a public figure a sort of healing experience: coming out and being a public person (in every manner of speaking, not just sexuality wise) and putting himself in the limelight is such an important part of his journey because he sees it as a way of helping others who were in his situation.
jack grew up in the spotlight as the only son of two prominent figures. he grew up as a child with anxiety with the media's eyes on him as he was compared to his father. he grew up as an overweight teen featuring in trashy gossip columns as he was compared to his mother. he got into rehab in part because of this attention and it only attracted more attention to him. a lot of jack's anxiety stems from the notion of people looking at him and thinking about him and talking about him and judging him, and it's unfortunate because jack's dream is to play hockey, and that comes with even more attention.
but that's the thing: jack and bitty's story is (once again) a demonstration of two people making each other's lives better.
jack's fame thrusts bitty into the spotlight post-cup, and it's a giant push forward in helping him reach a bigger audience and thus grow his independent fame. bitty's growing fame slowly overshadows jack, to the point where ngozi says they'll one day be Eric Bittle and his Athlete Husband. and that means jack gets to play hockey, and win cups, and achieve fame in his own field, but the media's attention slides off him to his husband, and the fans on the street gradually approach bitty more than him, and jack is free to have his success with less of the personal scrutiny.
it's not that jack becomes less important than bitty. it's that bitty gets to stand in front of the direct sun and flourish as a result, while jack gets to stand in the shade bitty creates and flourish as a result. it's symbiosis. it's beautiful.
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saryasy · 10 months
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Aziraphale post-kiss: a closer look
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#Michael Sheen needs to answer for his crimes
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gilgamushroom · 5 months
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Ok catching up with letters from watson and blanched soldier makes so many of watson's narratives SO hilarious in retrospect líke
Watson's POV: So yeah! I'm always loyal to Holmes even though he doesn't care about me that much :/ but it's alright cause he has a High Intellect and therefore no room for human emotions. Honestly half of the time I'm not even able to keep up with him it's a wonder he sticks with me but I suppose it's part of his habits as a Genius. One time I was briefly sure he had feelings and it made my entire year
Holmes's POV, right off the bat: So I'm recording this case and today I learnt that writing is so hard? Watson is SO good at keeping the public interested. He's so good at so many things. He's smart and incredible and delightful and the ideal helpmate and he's too humble to ever talk about this!! >:( He's my old friend btw. And Biographer. One time he got married AND LEFT ME ALL ALONE IN THE RAIN O SO CRUELY AND SELFISHLY but i forgive him because that's literally the only bad thing he has ever done in his entire life <3 I miss him so much when he's not here :(( Have I mentioned he's my friend? Where was I going with this. Oh yeah. Case.
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stevebabey · 2 years
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not if it’s you.
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word count: 7k summary: After the events at Starcourt Mall, you have a hard time convincing Steve that he’s allowed to be not okay. You want to take care of him. And if you harbour some more-than-friends feelings at the same time? Well, that’s nobody’s business but yours. [angst + hurt/comfort + friends to lovers]
You’re bone-deep tired.
The red and blue lights of the ambulance feel branded onto the inside of your eyelids, there even when your tired eyes slide shut. The cool metal on the ambulance door soothes your forehead and for a moment, head tilted against it, you could honestly just sleep even with all the noise.
It’s been a hell of a night.
You blink. You need to keep yourself awake, you’re not home yet. Gazing blankly across the crowded parking lot, reporters and townspeople milling between the yellow police tape, you can feel your brain begin to try to grapple with all the events of the night.
It’s like some warped horror flick of memories, parts of the film blacked out that you can’t quite recall. The elevator, the Russians, and some god-awful melted monster of people — even in your mind the image makes you shudder.
The longer you think about it, the more it feels like the stress is fusing with your bones, attaching itself to every cell in your body. It makes you shake, a forceful twitch of your head to put all the thoughts to rest.
Process it later. Make sure you can stay stitched together physically tonight. You must look a tad loony from the outside, twitching and shaking, but considering your night it’s more than warranted.
The gash on your arm is the worst of your injuries. A jagged stretch of torn skin that was gifted by one of the Russian soldiers who had hoped it would loosen your tongue. And when that didn’t work, the pliers nearly had — you would’ve told them anything when they took them out and lined it up with one of your fingernails.
But Steve then had done something stupid — kicked to get a guard’s attention since his yelling obviously hadn’t made a difference, let one of them lean down real close, and then headbutted him with all his might.
Relief had shocked your system, some broken cry as you slumped over when the pliers moved away. Fingers saved, if only briefly.
It had all turned to dread when they had lugged him out of his chair, preparing for round two of questioning. You had felt it then, a twisted gurgle of emotion lurched up your throat — violent enough it might have made you sick if you had managed to open your mouth. You hadn’t. There was a chance you would’ve said something worse, some jumble of feelings that wouldn’t have helped.
So, you had bit your tongue. Tasted blood and pretended that closing your eyes meant you couldn’t hear Steve pleading in the room over.
He hasn’t said much since the two of you had been sat in the back of the ambulance, gloved hands of the paramedics roaming over skin to find and treat injuries. There’s just one guy left now, still hovering around Steve with a flashlight and treating him with much less care than you’d like.
Steve looks as tired as you feel and when he can’t focus enough to look ahead, the paramedic prods his cheek unkindly. Steve winces.
“Hey,” you snip, cutting into the interaction. “Are you done? Can we go home?”
The paramedic turns the flashlight on you, blinding you for a moment. It confirms your asshole hypothesis of his character and you cringe at the brightness. It’s gone in the next moment, finally clicked off. He observes you both for another moment before an annoyed drawl comes out.
“Yeah, scram. But first you,” He jabs a finger at Steve who blinks but doesn’t react. “Lots of rest. No big brain work, no alcohol, and don’t run any marathons or anything.”
Steve nods, then grimaces at the pain the movement causes. You can’t help the wrinkle in your brow as you watch - you startle a bit when the paramedic turns his pointed finger on you.
“And you. His pupils are still dilated so keep an eye for seizure symptoms. Wake him every couple of hours and get a CT scan tomorrow.”
Some part of you is perturbed that he’s put you in charge of taking care of Steve. Another part gleans and blushes because you’d accepted the task the moment he’d asked, without question.
“Tomorrow?” You ask hotly, at the same time Steve says, “I’ll be fine on my own.”
The paramedic shakes his head, tsking as if you’re bothersome school-children not patients, and steps back with his hands raised. “Figure it out, I don’t care. I’ve got a dozen other people to check over.”
He winds around the door of the ambulance and leaves the both of you alone. A cool wind skirts through the parking lot, ruffling your hair. A sigh wrestles out your chest, a pathetic attempt to alleviate the tightness in your chest.
You don’t think you’ve ever hated the colours blue and red more than right now. The blazing colours atop police cars that flood the parking lot, the colours of Steve’s Scoops uniform, the colour of blood seeping into your pale blue shirt.
If you squint, you can see your own car parked alongside Steve’s in the distance — it feels like a lifetime ago when you had driven in and parked up. Your keys are lost down, down below you, taken in the interrogation. You stand to shake off that train of thought. 
You turn back and offer your hand out to Steve. After all the blows he’s taken tonight, you desperately want to offer him kindness. Offer him a touch that doesn’t hurt, doesn’t make him flinch or wince. Steve stares at your hand for a long moment, eyes contemplating — and then puts his in yours.
He lets you pull him to his feet.
One of the police cruisers takes you to Loch Nora, Steve and you tucked away in the backseat. His hand is still in yours, barely holding it in his tiredness; when the car rounds a corner though, you can feel his fingers clench tighter so your hand doesn’t slip away.
They detach eventually when the wheels roll up on the curb outside Steve’s house, late in the night. Like the rest of the sleeping houses, the lights are all off. There are no cars in the driveway. The loneliness of it yawns out down the drive, like visible smoke plumes that escape every window.
Steve somehow looks tenser at seeing it; he still forces himself out of the car, bloody sneakers scraping against the gravel. You follow. It aches to move too much, even just shuffling out of the car feels like moving a mountain. The door clips closed quietly behind you. You hear the engine fade back down the road.
Steve is still stuck in place — you have a feeling he’s not looking at the house at all but stuck in thought, looking through the timber and paint and seeing all the horrors of the night. You step up beside him and gingerly reattach your hands.
It seems to surprise him, jumping ever so slightly at the touch and turning to look at you. “I didn’t...”
I didn’t think you’d stay. The sentence dies in his throat, a little embarrassed by how relieved he is that you’ve stayed with him - so much it shows in the quiver in his voice. Steve doesn’t finish it because then you’ll hear the other part of the sentence, even without him saying it. No one stays.
“C’mon,” you urge him to walk with you, beginning to drift up the driveway.
There’s no rush, you’ll wait as long as he needs to before moving, but it’s colder out tonight. Maybe it just feels that way with all your tiredness, the frostiness nipping at your skin. All your energy is focused on staying on your feet, on helping Steve. There’s none left to keep you warm.
He ambles after you like walking is an afterthought and following you is the priority. His sneakers drag, soft scraping noises with every step. You can feel his gaze burning into the back of your head, his fingers squeezing as if he’s checking you’re really still here with him.
The front door is unlocked and it’s only when it snicks shut behind you, do you wonder if you’ve overstepped. It’s awkward, but only a bit. You’ve been in Steve’s house before — though, who hadn’t with all his parties in sophomore year?
But not quite like this. Not just the two of you, and never holding his hand.
The events that had transpired last fall in Hawkins had thrown Steve into your life, along with a dizzying revelation of new dimensions and an unsettling truth about monsters that came right out of your nightmares.
Though, maybe it made more sense to say you were thrown into Steve’s life. You had always known of him - he couldn’t say the same about you.
Like the hoards, freshmen you had not been immune to the boyishly good looks and charismatic nature of Steve Harrington. Once upon a time, before someone called him King Steve and it stuck, there had been a crush.
But like red wine on white linen, with time — and plenty of distance — it had faded.
Not even the adventure that bound you two together, the tunnels that snaked beneath Hawkins and your shaky hands lugging him into the car, had been enough to reignite old affections. Not his insistence on you leaving the tunnels first, not even the way he clutched you when you all made it out. Not unscathed, but alive.
Pitifully, it had been his shoddy attempts at flirting in his ridiculous sailor uniform to kick-start your heart back up.
You had sighed, chin in hand, and leaned into the foolish feelings — because going crazy over a boy felt the most normal thing you could do. And after demodogs and slithering vines kept creeping from the past into your slumbers, normal was all you wanted.
But Steve needed you as a friend, more so considering his fallout with Tommy H and Carol had become permanent. He flirted with customers, every girl you’d recognised from your year, but never you.
It felt a good enough reason to bite your tongue. Keep him close, but never as close as you’d like.
But now you’ve done it again — been pulled along on another adventure that’s brimming with terrors that will take years to forget.
Everything feels worse this time round, a decay that ebbs away your hope. It’s somehow harder to heal from wounds that come from evil, but not the supernatural. It’s all the heavier when the boy who holds your heart made himself a punching bag so you didn’t get hurt. 
The warmth of his hand, squeezing for only a moment, brings you back to the present. To now, still standing in the entryway to Steve’s house. You blink, coming back to yourself, and turn back to him. There’s a crinkle between his brow, and worry washed across his features.
“Are you okay?” He asks it tentatively like he’s afraid to spook you. It sends a rush to your system, a pleasant throb in your chest. You can’t deny you like knowing he worries. That he cares.
“Yeah,” you croak out, nodding as you speak. “Do you— I mean, you don’t mind me staying, do you?” 
Suddenly, the potential embarrassment of inviting yourself in, even with the good intentions of taking care of Steve, is overwhelming. The next words tumble out without thought.
“I just, I don’t want to be alone right now.” It’s a bit hurried, tinged with nervousness. You stammer. “And I don’t want you to be alone right now.”
Something like pure affection blooms in Steve’s chest at your words, the heat of it stealing his breath and pain for just a moment. It’s a different sort of ache in between his ribs, something white-hot and pure.
He hadn’t been able to voice his relief when you’d gotten out of the car and stayed with him — and it fails him now at your admittance.
You don’t want to be alone. You don’t want him to be alone.
Steve doesn’t think he’s deserving of your good will, nor the kindness in every touch. He can’t help how he consumes it greedily, drinks in the touches like he knows it’ll be taken from him soon enough. His eyes stay fixed on you.
There’s something so alluring about your silhouette, the golden street light let in through slits in the door. It halos you, soft amber that softens every curve. You’re enchanting, even when bloodied.
Steve’s not sure his heart has felt like this before — so molten hot, valves working overtime, ribbons of affection tied tight across his chest. He’s sure they’ll leave scorch marks, testimonies to his bleeding heart that pulses with each beat for you, for you, for you.
Because you’re still here and something in his trodden on heart perks up before he remembers to crush it. It’s not that Steve has never thought of you as more — god, the mere thought of you as more to him.
More than a friend, more than this, it’s enough to make his head spin. To make his hands shake and return a nervousness to his system he hasn’t felt since sophomore year when he first laid eyes on Nancy Wheeler.
But you’re not Nancy. In the best way, that makes all the difference,
You were some breath of fresh air, bursting into his life in all the middle of his estranged drawn out break-up with Nancy — brash in all the right ways, kind when he needed, and far too soft to be tangled up in any of this mess.
You’re still too soft for it now, and it shows in the jagged cut torn into the fabric of your skin — it doesn’t matter how it happened, Steve still feels like it’s his fault. It’ll scar, red puckered skin that twists down the expanse of your shoulder. A living reminder of the night burned into you to carry forever.  
It hurts Steve maybe more than he’s warranted to. You’re both just friends.
But when Steve thinks of how he’s accidentally pulled you too close, put you first in the heart, it aches evermore.
He’s not sure when you went from barely a friend to this — you’re a crush, an Achilles heel, the unattainable from the moment he met you, the moment he knew you. Steve feels like he’s been building himself towards you, pushing his growth to aim for anywhere near enough for you. You’ve been too good for him from the start.
It doesn’t stop him from loving you.
Steve realises after a moment that he hasn’t said anything when your fingers start to slip from his. His grip tightens to keep your hand in his.
“No, I— Stay. I...” It’s a struggle to say it, too many years of suppressing any urge to ask for comfort. “I don’t want to be alone, either. Or for you to be. Stay.”
Your lips, chapped and still with a hint of blood, twitch into somewhat a smile. “Okay.”
This time it’s Steve who drags you along, both slowly moving up the stairs. Each step threatens to reopen the scabs that have only just begun to form. It’s like some micro-dose of torture, Steve thinks, hearing your winces behind him.
The fluorescence of the bathroom lights is bright enough to make your eyes fly shut. Steve’s braver, taking only a moment to pause. He ignores how the lights dance, a sickening comparison to his experience with the drugs that had barely left his system. Though it’s the last thing he wants, Steve drops your hand to begin his search.
When your eyes blink open, prepared to face the lights, you’re a bit perplexed to see Steve hunting through the linen cupboard. He produces a towel, white and fluffy.
You cringe internally at the thought of sullying the pale colour with blood but it’s but a blip in tonight’s problems. Besides, the Harrington’s could certainly afford to replace it.
“Here.” Steve murmurs. You both seem to have agreed to keep softly spoken for the night.
He presses the cotton into your hands as he walks, ready to shoulder out and take care of himself. There was an en-suite in his own room — and sure, it would hurt like hell rinsing his wounds but he’d done it last year. Blasted the heat so he was wincing at the burn atop his skin and not the ache underneath it. 
“Steve?” You question, turning and halting his feet. He pauses, confused by the questioning expression on your face. He gestures to the shower, hiding how the movement makes his ribs sting painfully.
“You can shower here and- and the guest room’s all made up.” The words trip a bit on the way out, weakness beginning to weigh on his voice.
Somehow being back home crumbles his walls sooner than he’d like. Tonight has been heavy, a burden that lies thick on his shoulders and creeps down, taking root in his muscles.
But Steve will do what he had done last year; take the punches, burn them off in the heat of the shower — hot enough that he can’t feel any tears — and then deal with it.
“No, s’not that.” You shake your head, a strand of hair coming loose. “I... What about you?”
What about all the blood? The bruises and cuts? You’d seen the scars littered on the skin of his face from Billy, cuts that had healed wrong and left marred skin. Wounds left uncared for, only healed with time.
The question only begs more confusion from Steve. He gestures to somewhere behind him as he says, “There’s another shower, don’t worry.”
He pulls a smile to ease you. It wobbles at the ends of his mouth. Something claws into your heart, a profound heartache at the thought it doesn’t even occur to Steve to take care of himself.
“Steve,” you begin, beginning to get a sense of the wall you’re encountering.
Steve Harrington has some very thick defenses and not without good reason; they’ve got him through some treacherous times. Even now, he uses it like a crutch, a seal to hide away horrid memories. Ignored in favour of temporary strength. 
You don’t need his display of strength — you’re not one of the kids that needs to be shielded from the reality that even Steve has a breaking point — certainly not when his state is far worse than your own.
But you have a feeling he doesn’t know how to switch it off. Steve doesn’t seem to understand what you mean when you say you don’t want him to be alone. 
“Steve, you’re not okay.”
“I’m- I’ve done this before, alright?” He insists, eyes darting between yours, features turning stonier. You can see his defensiveness begin to curl his shoulders in. “I’m alright, I promise.”
“Are you?” You say, not unkind. “Tonight was— Steve, you were tortured.”
The effect of your words is instantaneous. Steve’s face falters, his icy expression dissolving with a shudder he can’t stop. You watch it warp him painfully, jaw clenching and eyes misty; he blinks furiously to clear them. You continue.
“You can’t just- just bounce back from that. Nobody can.” You shake your head as if it proves your point. “It doesn’t matter if you’ve done this before, this— this is a lot for anyone, even—”
“Well then, why are you still here, huh!” His words interrupt your own, tone angrier than you’re expecting. “If this is so much!”
His chest rises and falls quickly, brows draw together like it hurts to breathe so harshly. The words don’t sting, but his tone does. You reel in your hurt and focus past his anger, focus on what it really is.
A final line of defense. A ploy to make you upset or angry, to make you emotional enough to storm out and leave him to lick his wounds alone. Another way to ignore it, compartmentalize what happened instead of facing it head on.
Maybe it’s cruel of you to make him deal with it so soon. But you care, too much to pretend to ignore his pain. 
“Steve.”
“Don’t.” It wobbles, voice weak. His anger has already drained away in a moment.
“You’re not alright,” you insist, voice barely above a whisper. “C’mere.”
You don’t give him a choice, your free hand reaching out to snag his own, which hangs loose at his side.
Steve stumbles forward as you tug him back into the bathroom. Without his anger, he’s pliant and goes without protest. Your gentle fingers on his chest nudge him in the direction of the sink, the cool porcelain pressing through the back of his soiled Scoops top.
“Can you do something for me? Can you...” You bite your already bloody lip, nervousness sketched across your features.
How can you say this without giving too much away? It feels too intimate, like flying too close to the sun, well within the realm of potentially hurting your own feelings. You’ll do it for him gladly. 
“Can you just...let me take care of you?”
It hurts like a sucker punch to the gut. Like a breath has been forced out of his chest, because when was the last time someone has asked him that?
Silence stains the air.
“It won’t be pretty.” He croaks finally, still giving you an easy out. Still prepared to spare you the ugliness of his emotions.
“Doesn’t matter to me,” You respond, lips twitching. You bare your heart and half hope he sees it — sees it and knows he’s loved when you say, “Not if it’s you.”
Another beat of quiet.
“Okay.” Steve breathes, so faintly you barely hear it. Then as if you’ll rescind the offer any moment, he nods fervently.
Your smile is genuine, maybe the first in hours and something in you relaxes. He won’t fight you on this. He may have taken the beating earlier for you but, at the very least, you can do your best to patch him back up — let your hidden feelings translate into a gentleness he so very deserves.
It takes only a quick rummage beneath the sink to find a first-aid kit. It feels wildly underprepared; an afterthought purchase once upon a time that was only ever intended for scraped knees. It hasn’t ever been opened. The tear of the zipper is the only noise in the bathroom, bouncing off the tiles.
As expected, there’s not much in it. It contains a box of plasters in multiple sizes, one roll of gauze, a bottle of antiseptic, and a mixture of other pills and eye drops.
Some loose safety pins rattle around in the bottom as you take inventory. It’s not stellar and you’re no doctor, but it’ll do. It has to do.
When you finally look up, wondering where to begin on his injuries, Steve is regarding you with a look you can’t quite name.
If you were sure of yourself, you might call it awe.
You tell yourself it’s because you’re here, helping him, and it can be awfully easy to mix up feelings when you’re getting stitched up. You don’t let your hopes rise, not even for a moment.
Steve’s blood sings, ears rushing with the sound of it when you step closer. You’re so damn close. Steve can’t ignore the scent that carries with you, his brain involuntarily committing each detail of you that he can get to memory - lest he never gets you this close again.
You want to take care of him; Steve thinks this might be a dream.
Nimble fingers work to gather some cotton with antiseptic and then you’re holding it up, posed, and ready to mend.
“Can you sit up on the counter?” You ask, all sweetness. Steve obliges easily, despite the protests from his sore body that cries out as he shifts up. You smile, then warn, “This might sting.”
It’s overwhelming as you step closer, between his legs, and take the cotton to his face with a gentleness Steve hasn’t felt in years. His eyes close instinctively.
It does sting. The wince leaks out through his clenched teeth, soothed instantly by your soft apologies that pour out like honey.
For a moment, it’s easier this way; with his eyes closed, Steve can pretend this is usual. That when he gets roughed around, there’s someone to tend and clean his wounds — instead of just himself and the harsh rinse of the hot shower.
He tries and fails not to think of last year, his poor attempts to patch himself up. Hands too shaky, touch too rough.
The memory bites. The injuries of tonight somehow feel worse. A tinge of bile taints his mouth and Steve swallows it back down, concentrating on you.
You’re not quite humming but soothing noises, low and soft, come from your throat. Steve’s not even sure you know you’re doing it. His hands clench emptily as his side — the split knuckles make them hurt and when you’re this close, the itch to hold you is near unbearable.
It doesn’t take long for the first cotton pad to turn a violent shade of pink. Steve’s face looks a tad clearer than before but uncovering old blood means finding new wounds.
Your stomach burns pitifully as you take them all in. There are too many to count, a thousand different hues — broken blood vessels that run in all directions, little labyrinths under his skin.
Why does it hurt so much? Even with your bound shoulder that still sends out pain with every motion, it all dulls away when you look at Steve. Lashes fluttering, eyes still closed, marred with wounds you’re begging to ease. You know it hurts so much because you care.
Love is pain, you suppose, with only a twinge of bitterness. It’s swallowed instantly, consumed and disintegrated by the fact you get this. The boy you love, between both palms, trusting you to take care of him.
A year ago, you’d met only the steely exterior he’d put up — and thought it had simply been remnants of King Steve. Maybe Steve Harrington was as much of an asshole as half the town said.
He was all bite, glowers, and clipped answers. With time though, he’d softened like snow melting in the sun; all the parts of him trickling into your life until he was cemented by your side. 
He hadn’t even let you patch him up after the scrap with Billy that had taken him out. You hadn’t felt you could ask.
But this time...your throat grows a bit thicker at the trust that binds the pair of you. Affection rushes your system and forces a sharp inhale from your lungs. You step back.
The space makes it easier to breathe. Dials down the chances of pressing your lips against his skin — if only to give him a mark born of love. Hands searching through the first-aid kit again, you produce some painkillers and locate an arnica pill.
You give yourself one more moment; inhale and withhold the tidal wave of devotion that begs to spill from within you.
“Take these, please.” You say quietly, uncurling one of his fists to press the pills into. He swallows them dry.
You prep more cotton and begin again with the gentle touches, coaxing off dried blood. This time, Steve’s eyes stay open. He watches you, an unreadable emotion in his eyes.
You work away the blood from a cut above his eyebrow and when it’s clean, your thumb follows. You caress along the broken skin as if you could meld it back together with pure will.
Steve’s chest grows tight. Something about you being here, taking care of him makes the night’s memories all too present. Nausea sways in his gut. It’s impossible to shove them to the back, to press them down, when it feels like each cut is being reopened. Cleansed with a douse of love.
You’re altering the history of each wound but to do so, he has to recall how each of them was carved into his skin. It hurts. Why are you still here?
Steve’s head pulls back unexpectedly, eyes shuttering closed in a scrunched expression. You startle a bit.
“Shit, I’m sorry — too harsh?”
He makes a strained noise, effectively gutting you with it. If you weren’t so close — an inch further and you could press your forehead to his — you wouldn’t hear it. Hear the tiny whisper that scratches out the word, “Why?”
“What?” You whisper. You don’t understand.
“Why...Why are you...?” He’s clearly struggling to find the words he wants. His hand reaches up, fingers brushing the bridge of his nose before he drops it again. His chin quivers. It stops your heart for a moment to realise he’s crying.
“I don’t— I don’t understand.” Steve grinds the words out, voice thick. A tear splatters, seeping into the blue of his uniform. He won’t look at you, eyes trained on the loose thread on his shorts.
“Steve?” you murmur, wary and heavy with concern. This is— you don’t know what this is.
“I don’t understand.” He repeats, shaking his head slightly. He seems to choke on the next words. “You’re still here. Why are you...? Everybody...”
He trails off, some whimper of sorts forcing its way out his throat. You’re stuck, absorbing each of his words and putting together the pattern that Steve can’t seem to voice. I don’t understand. You’re still here. Why are you...? Everybody... Everybody leaves. 
Oh.
Rich King Steve who’s got it all. The house, the car, and any girl he fancies, all of them fawning for a look from him at one of his legendary parties.
His lack of parental supervision had been lusted over in high school, furious whispers of envy over the fact he could get away with parties every weekend. That booze went missing and he never seemed to catch any shit for it. It occurs to you now that nobody was around to notice.
The absence in his life is vast and suddenly blindingly obvious — a chasm in his chest that is bleeding all his secrets to you.
Steve Harrington is lonely.
When you surge forward, injuries be damned, and your arms loop around his neck, there’s a moment of stillness. You can feel the tension in his muscles, hear his ragged inhale, and then— he sags into you, finally, finally letting himself lean on someone else.
His arms wind around your middle in a desperate motion, tugging you closer and the fabric of your shirt clenches between his fingers. His face buries in your neck and hot wet tears soak the collar of your shirt. You can hear his raspy noises, soft cries as he clings to you like a lifeline.
“Why did this happen to me?”
It fucking hurts to hear. You don’t know how to tell him there’s no why — that there is no reason that can justify why he’s gone through this much suffering. Just the bitter fact that, sometimes, bad things happen to good people.
“Steve,” you feel like you’re saying his name an awful lot tonight. You say it because you can’t begin to think of how to answer his heartbreaking question. “I—“
“I-I used to think,” The words are muffled into your neck. His grip on you is nearly tight enough to hurt but you don’t dare relent any space. His voice is barely above a whisper, just loud enough to hear. “That- that it was like karma, yanno?”
“Steve, no,” you whisper, horrified. If he hears you, he doesn’t show. 
“B-Because that first time,” He’s stuck on some belittling ramble about himself, continuing between his sniffs. “I definitely deserved it. But then I grew and I changed.”
Something twists painfully in your stomach.
“And then last year, it made sense, yeah? Billy, he was— a real piece of work.” He sniffs again, his voice a little harder at the mention of the deceased.
The tension falls away at the next sentence, voice wobbling through the thickness in his throat. “And I used to be like that, so—“
You pull back instantly, hands shifting back from around his neck. It effectively halts him, and whatever he was saying dies in his throat. Your hands move to cradle his jaw and, as lightly as you can with his injuries, you tug him from his hiding place and stare him in the face.
Steve’s eyes look bigger and browner full of tears. His nose is red, just the tip, and runs messily at the onslaught of tears. Pink splotches bloom underneath his cheeks, patchy and warm, his face etched in complete misery.
It wrecks you to see. More so to think he’s been shouldering all this alone since ‘83.
“People don’t deserve suffering, Steve.” You state it strongly enough that he can’t refute the truth, punctuating with your thumbs on either cheek, pressing light touches.
“You don’t deserve suffering. You never did.” Your voice quivers a bit, some shred of your heart shriveling pathetically at the fact you even need to tell him this. Your hands shake ever-so-slightly. A hot tear streaks down your cheek.
Steve crumbles. You don’t resist when he drops his head down, only move back in— offering a place to hide away again. You let him stay hidden away, a sanctuary in your arms, safe when he’s buried in the curve of your neck.
“And- and just ‘cause,” you say, sniffling a bit now. He holds his breath, a sharp inhale that quietens his whimpering crying. “Just ‘cause no one has stayed before doesn’t mean you don’t deserve this, Steve.”
His fingers press harsher into your back and your feet stumble a bit, pulled off balance. Adjusting your arms, you pull him tighter yet, hoping that the closeness will make all your sentiments seep in. Your shoulder aches terribly; you don’t dare move away.
“You know that, right?” You whisper, unable to stop your fingers from grazing the nape of his neck softly. “You deserve to be taken care of.”
A soft kiss to the side of his head, barely noticeable between his shakes, but it eases the strain on your heart. Time wanes and melts beneath the glow of the bathroom lights, an unending amount of tears that you suspect reach back further than just the memories of tonight.
You stay like this, holding him close. You give him all the time he needs, sweet nothings mumbled until he feels strong enough to face you— to face the world.
Eventually, Steve’s breathing slows, crying turning to trembling gasps. When he finally does retreat, you curse internally because of course, only Steve Harrington can still look devastatingly beautiful after crying.
Tears cling to his lashes, sparkling reflections. He wipes his nose on the back of his hand.
Silence ebbs. Steve gathers himself, another sniff, and wipes his nose before he lifts his head. You can see in his face the moment he’s about to apologise; the word sorry is about to come tripping out his mouth. You beat him to it.
“I’m sorry to inspire more tears,” Your voice, still quiet, aims for a comforting jest. “But I’m not quite done cleaning you up.”
You twist the cotton between your fingers to show him. Steve blinks, eyes focusing on your hand, perhaps surprised you’re still taking care of him. He forgets about his needless apologies. 
“Though, your tears did a lot of the work.” You say cheekily, a smile teasing at the edges of your lips. It makes him huff a laugh. Steve could nearly cry again; you’re so nice. He thinks about the last time cried, thinks about Tommy’s sneer, his scoffed words that told him toughen up, King Steve.
He lets you wipe them away, clear his face and patch it up as best you can. Any tension from before, the mental barb-wire defenses he had still held up to keep you out, has ebbed away. It’s softer now, easier between you two.
Trust flows from Steve in the form of his allowance, letting you fuss. It flows from you in the form of your touch, which still dances too close for just friends. You let your fingers dot the kisses across his face since you can’t.  
“You’re good at this,” Steve murmurs, breaking the silence. He allows himself the privilege of your touch, his fingers burning where they graze your sides.
Patching people up? Injuries from last year made sure you got decent practice on yourself. You’re decent, you’ll admit.
Maybe he means taking care of him. You’re proving to be very good at that. 
You want to. Somewhere rooted in feelings that sway closer to love, genuine love, is the urge to be the one who does it. The shoulder to cry on, the one who carries his woes when it gets too much — and you want him to do the same for you. Achingly, you want to take care of him; and him, you.
The thought burns so viciously through your chest, you sink your teeth into your bottom lip a bit meanly. It stings.
You don’t notice it, trying to rein in your drifting heart that sings to be closer to him, but Steve does. His fingers twitch; he wants to rescue it, pull it from your harsh grip with his thumb.
He does.
You stop moving.
His thumb is calloused, a bit rough against the supple plumpness of your bottom lip. The blood beneath it tingles, gloriously hot at the attention. Either all the air in the room has been sucked out or you’ve stopped breathing.
You’d hazard a guess it’s the second, given the stillness your body has taken on. Muscles locked, eyes frozen on his face — the only part of you that moves is your heart, thundering pumps going far too fast.
Steve’s gaze stays on his thumb on your lip. You’re desperate to find out what to call the emotion swimming in his eyes.
“Steve?” you say his name yet again, lips moving against his thumb. He blinks like a frog, one eye after the other, and drags his gaze up to your eyes.
His hand shifts, brushing across your mouth to hold the side of your jaw, cupping it sweetly. The cotton falls from your grip as Steve urges you closer with a gentle tug.
Then his eyes are back on your lips and even though it feels like slicing your own heart open to do it, you speak before he can kiss you.
“Please don’t,” you whisper, eyes crushing closed.
You want to terribly. The want for his kiss warbles from deep within you, a yawning ache. But it might just finish you off if it’s all heat of the moment — a kiss that is just some twisted thank-you because Steve isn’t used to being taken care of.
You clear your throat, swallowing heavily. “Not— not if it’s just for tonight. Not just because I stayed, please.”
There’s a pause. His shaky exhale breezes across your face. It’s possible your ears might be ringing as if straining to hear the sound of Steve’s heart— dying for a clue to what he’s feeling. You’re not brave enough to open your eyes and read it in his face.
His thumb scrapes across your bottom lip again and then— then, he kisses you, impossibly tender.
The tiny gasp that escapes you is consumed instantly, swallowed up by Steve’s kiss. He kisses gentle, touch so soft that it has you searching for more the moment you’ve got a taste of it.
You barely get a moment to lean into it, to kiss him back before Steve breaks it. He hovers close, close enough that you could steal another taste of his lips if you wanted. You want to— the ferocity of your eagerness sends a shiver along your spine. He speaks before you seize the opportunity.
“I want to.” He says, voice a bit raspy and the words inspire enough bravery to look at him, eyes creasing open. “I- I’ve wanted to for a while.”
You nearly sink in your relief, knees trembling for a moment as your hand comes up to enclose the wrist of the hand that holds your face. Thumb sweeping short strokes, you clutch the tan skin and lean into his caress.
“You mean it?” You whisper, far too excited. Your heart may as well be on your sleeve, cards once played close to your chest now splayed on the table. Your tone reveals all, spilling with hope, even as you ask whether it means the same to him as it does to you.
Yes. The word seems stuck in his throat, suddenly too thick to speak. Because it’s only three letters and that can’t possibly cover what Steve means when he says I’ve wanted to for a while.
That you’d somehow snuck into his life and intertwined among all of his heartstrings, like spun gold mixing until the whole organ felt terribly tangled in a way he’d never want to change.
Nancy had given him the thump of his head.
But you? You were the thump on his heart. Not a push for change, nor for growth — but permission to grant himself a second chance in love.
“I mean it.” He says, emotion coating each word. “Yes, god, I really mean it.”
And you let him tell you over and over again with his mouth pressed to yours, searing kisses that make your head dizzy and pulse speed.
Steve knows he’s not alright — not physically or mentally after what he’s faced tonight, not with the vice grip on his chest that had clung tightly and all the ugly parts of him had all slithered out for you to see.
He also knows that he will be alright, sometime in the far future.
When wounds have healed, when scars are beginning to fade, and the nightmares start being every couple of nights, instead of every night, then he’ll be nearly okay. It’ll take time, lots of it.
But when your gentle hands coax him to bed and you slip beneath the covers beside him, leaving a warm quick kiss upon his shoulder — Steve thinks that, maybe, that future isn’t nearly as far away as it seems.
Your hand finds his under the sheets, twisting your fingers together to act like an anchor in the inkiness of the night.
There are no nightmares that night.
tags below! @hawkinsindiana @harringtonbf @spideystevie​ look technically there’s no tags this is just all da bitches i’m always talking to <3
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Bridgerton - S3E02 “How Bright the Moon” // S3E03 “Forces of Nature”
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essektheylyss · 10 days
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One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.
(Buckle in. This is a long one.)
In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.
As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.
Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.
This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.
I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.
But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.
So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.
But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.
But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.
It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.
He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)
So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.
But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.
(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)
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jade-len · 5 months
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i think it'd be funny if someone transmigrated as xin mo. the goddamn evil sword. instead of taking it seriously, they just really fucked around with bingge. and, somehow, ended up having the opposite effect of what it's supposedly rumored to do.
picture this: bingge, on the quest for revenge and power, comes across the almighty xin mo. this demonic sword killed everyone that dared to even try wielding it. and, the few who were lucky enough to have it by their side, eventually succumbed to the swords' will.
it is said that the sword is unlike any other, that it etches into your head and eats away your brain, until eventually it consumes you whole. it whispers, speaking in lust, greed, and hatred. it slowly beckons the wielder into giving in to the worst part of themselves and feeds off of pure sin. but to him, it is no matter; luo bingge will surely tame it.
and then he gets to the sword.
demonic qi practically oozes from xin mo. the aura surrounding it makes every part of luo bingge scream, "run; get away, away from that monster." his gut prods at him, begging bingge that this is probably a really bad idea. it's a little terrifying, how even luo bingge, the determined, vengeful demon, is now getting second thoughts about wielding xin mo from just being in its presence alone.
but luo bingge is too, a monster. so he ignores the screams of plea; pushing every thought of doubt in the back of his head, and tightly grips onto the handle. the world around him seems to spin and shake, tumble and crack, from the amount of force bingge needs to use in order to pull the sword of sin out of its place.
when bingge finally has it perfectly fit into the palms of his calloused hands, he hears whispering. he knows that the sword has accepted him as its new host.
the sword's language crawls up to him, as if it were feeling around his body and mind. checking every nook and cranny for it to settle into bingge's form, truly becoming one with the embodiment of sin. the words flow through his brain like a tragically broken guqin, a melody that holds him in a frighteningly familiar trance - all while simultaneously eating away at his brain in the worst ways possible, akin to a child and their favorite snack. it seems to beckon something, but even with luo bingge's impressive hearing, he cannot make out any words from the tone-deaf musical notes xin mo sings.
and then, it is clear. the land around him settles, and everything is still. xin mo itself seems to be.. content. at least, that is what luo bingge believes.
the language of this wretched sword reflects the state around these two monsters.
luo bingge expects it to demand for bloodshed, for the erotic ecstasy of multiple women, for bingge to steal the last of the finest gems of these horrible, vast lands.
instead, he hears this:
"yoooo damn that shit was crazy. did you see what i did there? man, you know, it feels so fucking good to get out of the dirt. hey, do you know if people can like, feed their swords or something? i'm kinda craving something spicy. we never know, in this wack world! wait, don't hold me like that, buddy. it'll make things real awkward."
but luo bingge is determined to get his revenge, so he puts up with the swords' constant rambling about.. whatever the hell it's thinking.
"wait, dude, did you seriously fuck a dying girl? that's wild. yeah, like i know she was dying but it doesn't sound like you wanted it. yo, listen to me, consent is very sexy."
"HAHA hey, dude, sir, man. you wanna play some 'i spy'? we don't have anything else to do. no? too bad, we're playing it. i spy a loser who doesn't wanna play i spy. hint: he's holding me right now."
"okay i know i'm supposed to be this super evil sword and beg to be used - woah that sounded real wrong - but can you at least clean me when you're done killing shit? if you don't, i'm gonna refuse to respond to you and you'll look like a dumbass trying to wield me."
"i can't hear you lalalalalalala you're not being very it girl right now lallalalaalalalla-"
somehow, this is worse than if xin mo was actually eating away at his brain.
weirdly enough though, as luo bingge starts spending more time with this weird ass, seemingly possessed sword, it starts to become more of a.. comfort to have it by his side than pure annoyance. he finds himself responding to it more, like, actually having full on conversations with it. it puts him at ease, wielding xin mo. the hatred doesn't consume him, instead, it seems to soothe the burning rage (and, admittedly, just replace it with small irritation) that holds onto his darkened heart.
xin mo is actually quite kind and caring, for a sword that's supposed represent and be the literal embodiment of sin. sure, it is a hassle to have it cooperate with him sometimes, and it does just ramble on and on about the most random things ever, not giving a single shit if bingge was in the middle of sleeping with maidens and slaying those who get in his way. for the first time, bingge feels so comfortable around something.
it's.. odd. what was supposed to be the turning point in his life, a big step in his plan for revenge, is now something akin to an... acquaintance. not like mobei-jun, or any of the women he's come across, but an actual, dare he say, friend.
sometimes, he finds himself thinking all of this delusional. is this what people were driven mad by? perhaps they simply could not handle dealing with a talking sword. he understands that xin mo was undoubtedly unbearable to be around at the beginning of their alliance, but it has never actually beckoned for blood, power, and sex. if anything, it does the opposite.
maybe he's the delusional one. maybe this is xin mo's way of getting to him.
maybe, xin mo should be considered a thing. the thought feels terribly laughable, as if he were witnessing a person horribly explain themselves. it also makes his teeth grind together in pure agitation.
"hey, you know, you didn't deserve any of the things they did. it wasn't your fault, binghe. the fact that you're half heavenly demon doesn't make you a monster, or any of that wild stuff.. uh, i'm here for you, okay? i know you don't really like talking about all of this or opening up, but i just want you to know that you can.. talk about it. it's not like i can tell anyone else, anyways.
hey- shit i didn't mean to make you cry! wait, wait it's okay to cry! you need to let it out anyways, i promise it doesn't make you weak. there, there. i don't have any hands, so me patting you on the head with my handle will have to do. there, there.. everything will be alright, you'll be okay. i'll be here every step of the way, even if you want to get rid of me."
xin mo, the demonic sword, is more of a person - a good person - than anyone he'd ever come across.
...and then bingge and the xin mo transmigrator become besties or he falls for the damn sword. knowing him, he probably doesn't even know the difference between platonic and romantic attraction anyways. maybe bingge gets a plant body for xin mo using airplane's wack writing. idk i typed all of this down in one sitting.
(plot twist: it's not that the transmigrator xin mo had the opposite effect, it was literally just a placebo effect. luo bingge thought that, and thus it actually did help him lmao)
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bruciemilf · 1 year
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Comic book writers who still make Bruce hit his kids even after years of mass criticism from fans who TELL you it's a bad creative choice that pushes them away from the fan base and comics in general,,, you did this for what?
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